GH Short Recap Wednesday, January 25, 2023

Daytime Soap Opera Short Recaps

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Recap written by Eva

Cameron tells Trina that Josslyn broke up with him, but he doesn’t tell her the reason for the break up. Trina tells Spencer she will go with him to Britt’s memorial service. Spencer tells Trina that he intends to fight Nikolas for custody of his baby brother or sister.

Drew talks to Olivia and tells her that Carly lied to him and didn’t tell him Nina was Willow’s mother. Olivia persuades Drew to talk to Carly and see if they can save their relationship. Josslyn has a long talk with Carly and tells her the details about her argument with Cameron and she also tells her that even though she hurt Cameron she can’t turn off her feelings for Dex. Carly tells Jocelyn that being with Dex is a risk and Josslyn tells her Dex is worth the risk even though she doesn’t like the fact that he works for Sonny.

Anna and Valentin find Lucy inside the catacombs and once they try to get her out of the water Renee turns her over to Victor’s men. Victor’s men put a bomb with a timer in the water to kill Anna while they take Lucy and Valentin out of the water. Lucy, and Valentin punch Victor’s men knocking them into the water. Anna punches Renee who is in the water with her and Valentin gets Anna out of the water just before the bomb goes off killing the men and Renee. Lucy wants to call Martin to let him know she is okay, but Anna tells her she can’t do that because the world has to think they are dead.

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Y&R Short Recap Wednesday, January 25, 2023

Daytime Soap Opera Short Recaps

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Recap written by Eva

In this special standalone episode the show celebrates the fortieth anniversary of Tracey Bergman playing the role of Lauren Vendors Baldwin. Lauren’s family and Phyllis gather at the Grand Phoenix to celebrate Lauren getting an award, honoring her contributions to the fashion industry. Lauren remembers the good parts of her life, as well as, the sad parts of her life. There are flashbacks shown to the audience from the first time Lauren arrived on the show as she remembers the important moments of her life in Genoa City

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Days Transcript Tuesday, January 24, 2023

Days of Our Lives Transcript

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Transcript provided by Suzanne

THIS STILL NEEDS EXTENSIVE EDITING!

 I am gonna do without you.

So, uh, I guess I should ask you.

Oh, man. What, um, breaking news reports about grandma makes it pretty real. Yeah. I think I know how you feel when I lose my big mama. I am gonna fall apart. And then you lost your Aunt Kayla and your Grandpa Roman wife and my, uh, my other grandma. It’s, it’s just like, when, when does it end? You know, what’s,

you said that you wanted to ask me something? Uh, yeah. Yeah. You, um, you never told me what happened with you and Allie after I. Well, I was sitting alone when you found me here tonight, so that should tell you everything you need to know.

Dave, I’m, I’m so sorry. I was not looking where I was going. You neither.

Oh. Oh yeah. I’m so sorry for your loss. Thank you. I’m sorry for yours too. Grandma meant so much to so many people. Yes, you did. This day is just the worst look. I’d like to have a seat and sit down and talk. You know, I don’t think anything that I would say would make much sense right now. If I just go on a walk, try and clear my head.

You do what you need to do. Do you know if, uh, if John’s still here? Yeah, I think he’s up on the roof. Um, that’s where she, that’s where she died, so I think he could really use an old friend right now. I figured.

I know you’re gonna be up there. You’ve been looking out for all of.

Where am I?

Like Sands through the hourglass. So are the days of our lives.

Hey, Steph. It’s me, a k, a jackass. I know I have no right to be asking anything of you right now, but

could you maybe. Try giving me a chance to make this up to you. I’m talking groveling here. You and I had something great going and I don’t want to give up on that.

That’s all I wanted to say.

I know I should have called first. No, it’s okay. Come on in.

Hmm.

Oh, I, I don’t know how so many terrible things can happen to one family in such a short time. I just wanted to tell you in person how sorry I am and, and I brought you something that you and your daddy can stick in the oven and heat up for. Thank you so much.

What’s the least I could do ever know that you’ve been there for me when I needed help. I really appreciate you bringing that in person. Um, actually, uh, that’s not the only reason I can, yeah. Oh yeah, Stephanie. I need your connections now more than ever.

Knock it off. I’m coming.

At least you didn’t bring the kid with you this time. No. Rachel’s situation is the only thing in my family that seems to be under control. What does that? My mother died today.

I don’t understand what’s happening. I was on the roof with John. Join John. John, are you here?

Don’t.

Is this a political problem? Because now that the new governor’s been sworn in, you can’t change your mind about No, no, no, no. I didn’t change my mind. I’m saying here in Salem and, and I’m at war and for chandel’s sake, I cannot lose.

So. I told Allie that the only reason I went to the hospital was to see if she was all right. Something tells me that didn’t make much of a difference. She can’t get over walking in on us. Did did you happen to tell her that? I had just realized that my grandmother was about to die and that’s why you had your arms around me.

Johnny, you turned into a little more that okay, fine. So let her be pet at. Johnny, it was both of us. You tried to comfort me. I tried to turn that into a piss. You know I’m right.

Oh, hi. Hey. Oh God. I just heard about Dr. Evans. I’m so sorry. Thank you. If you’re looking for Chanel, she’s not here right now. It doesn’t matter. What do you mean it doesn’t matter? Oh, you can’t be alone right now. You don’t look okay. I’m not okay. I’m the farthest thing from, okay, right now. Let’s get you home.

How’d you find me? Buddy? Ran into Alley at the nurses station. Ah,

we were just, uh, you’re sitting over there looking at some family photos. Oh, that’s. That’s what the projector was for.

She wanted me to take her home. I just kind of thought this was a, a compromise, just trying to make her happy.

You did,

and I know that she’s up there right now looking down on me wanting to need to be strong. She wants me to know that I’m gonna get past this. That would be her. But she’s wrong. I am. Cause I’ve never past this.

That’s it. That’s right. Your best friend,

Oh, thank God. We all thought you died in that terrible car accident. And here you are. You’re alive and you’re well.

God so much.

Oh my God, Eric, I’m so sorry. I, I know what it feels like to lose a mother. Yeah. Well, this didn’t have to happen. Did the hospital screw up on her care? Was it the doctor? Because if so, you consider them into oblivion? What? No, it wasn’t the doctors. They did everything They. It’s the virus. She’s too strong and they couldn’t find the cure to fix it.

Okay, so you came over here to tell me she died and shouldn’t you be with your family right now? No, the family is the last thing I wanna be around right now. Are you sure you don’t wanna be with somebody you care about? I said I care about you. I mean someone you love. And we kind of agreed that that’s not what we are doing.

That’s not, I’m not asking for a shoulder to cry. Hey, what do you want?

Yes.

So after the London cops said they didn’t wanna press charges, I thought Chanel and I had made short work of that Sloan Peterson. Well, I thought so too. What? Well, that little witch, she’s suing us both for wrongful death. She’s made up her mind to ruin on us one way or another. So it’s a civil suit. Right.

And the lawyer I’ve been talking to, he says that, uh, that means that that burned of proof thing is lower than ever. She could take me to the cleaner. Chanel could lose the bakery. Oh, that’s awful. Ooh, you’re telling. But I don’t see how a publicist could help you. What I need is someone on the inside, I want to know Sloan’s strategy and you want me to be that person?

Well, actually I was thinking of your, your, your boyfriend, Alex. What, what’s the problem? Well, he, he saved us once. I mean, uh, remember, remember how he got fat evidence that Sloan head on your mouth? Unfortunately, yes. Huh. Well, we need him again. Tell him to suit up or you gonna strip down whatever it takes.

Oh, he’s gonna get back in the ballgame As much as I’d like to help you, I, I can’t do that. Well, what, you’re not having an attack of ethics, are you? That’s not the problem. Well, I’m done to what it is. I’ll fix it. You can’t. Alex and I split up. Thank you again for taking such good care of Henry Night.

Hey, if you don’t wanna be alone, I can stick around. I don’t know what I want. I don’t even know where I was going when I ended up in the square. Why isn’t Chanel. Bakery’s closed. I don’t know where she is. Maybe with Johnny. Wait, what? Do you want a beer? I feel like beer sounds really good right now. Sure.

Thanks.

You want to sit down and drink that maybe? Sure.

I cannot believe that your grandmother’s really gone, that woman. She was like an institution or something, just always helping people. Yeah, she helped me. That’s for sure. Yeah, she was so strong. I really thought she was gonna make it through this.

What, what may maybe, maybe you shouldn’t chug that. The last thing you need right now is a hangover. What I need is my grandma. I’m gonna call Chanel, uh, Uhuh. Please don’t. Ali, is there something going on with you two? It’s what’s going on with her and Johnny. It scares me.

Okay. Uh, you know, I’m gonna go find Allie and talk some sense into it. No, no, no. Talking to Allie is my job. Butter vent to me, all should be should be calmed down by the time you. No, you are both grieving over your grandmother. You’re too raw if you try to talk to her now. It’s only gonna make things worse.

It has to be me. It’s it’s your call, I guess. Yeah. And I wanna give her a little more time.

Have you, uh, have you thought about what I said? You said a lot of things about wanting to kiss you

with Susan. Are you saying that, that you’re really dead? The car exploded. I went up in a big old fire boom. . Yeah, I’m sure they just sch swed what was left in me under the Rs. Oh, no, no.

As as I there.

So if you’re dead and you’re. Here, and I’m here with you.

Does, does that mean that I’m,

oh, no. See, without that orchid that they couldn’t do a darn thing to bring you back to love. The same with Kate and Cal. What were they?

Susan? I asked you a question.

Am I pushing you into something you don’t want? Anything That’s a possibility. I must be losing my time.

I knew you weren’t yourself, you were just trying to be kind to me. I came on to you. I, I’m really sorry. That’s, I didn’t take it seriously because you had just finished telling me about Wendy and how great she is. Yeah, yeah. I think I just screwed that up too, how, uh, I ran into her before I came here.

She’s with Trip Johnson. Well, he’s back in town. Yeah. Kayla’s his stepmom, so he’s. He’s here with Steve. Anyway, I, uh, I picked a fight with him. Okay, well, how bad a fight he tried to punch me. I decked him. Uh, well, what was it about? Oh, about his lunatic mother, maybe Vital. She’s the one who caused the crash that killed Susan, my other grandma.

Needless to say, Wendy. Not impressed with my behavior and I I don’t blame her. You know, I, you’re mad at the world right now and you’re being great about it.

Look, I’m, I’m really sorry that I, uh, made a pass at you. I won’t do it again.

I got off the elevator and the first thing I saw was Johnny and Chanel and they had their arms around each other and they were about to kiss. Okay. Well, to me the important words here are about to what they didn’t actually kiss. Yeah. Only because I showed. If I had gotten there like 10 seconds later, he would’ve been all over.

So then what did you do? Oh, nothing. I didn’t have time to do anything because Sarah showed up and told me about my grandma. Chanel could have been just trying to comfort the guy because he was so broken up. No, Chanel and Johnny are crazy about each other. I mean, they were married. They probably still be married if it wasn’t for Johnny.

Getting possessed by the devil. Yeah. A demonic possession can definitely take its toll on a marriage. I mean, that’s the only reason Chanel and I actually got together. And then she took forever to choose between John and Jeremy. But she chose you and she’s sticking with you. Why? Why are you taking their side?

I’m not taking their side. I am on your side. And look what you saw today could be right or you could be dead wrong. And since you have enough problems going on in your life right now, maybe you should just try trusting them.

I am talking from experience here. What? Having problems with Stephanie. Stephanie’s having problems with me. Major ones. It’s my own damn fault,

Alex. And you are on the F. It’s over. He cheated. I wish it was that. I’ve handled that before. This was worse. Hmm. What’s worse than a man who cheats? My mother died and because of Alex, I wasn’t there. Well, you gonna have to tell me more. Chad Damira found out about mom and so he tried to call me and let me know.

But I was outta the room when the call came in and Alex was alone with my phone. So he looked at the caller, ID saw that it was from Chad. He’s jealous of Chad. So he turned off my phone and didn’t tell me. Ooh, oh boy. It was, it was the worst thing anyone’s ever done to me.

And I was starting to think that maybe Alex and I had a. But that’s over. Now he’s dead to me.

A wonder if or refuse is enjoying his triumph.

Can open man. He’s a monster. Should have been me, Abraham. No, he hated Roman Stephen. Me. What does he do? He goes after the women we. Because he knew it would hurt more.

The devil himself went after Doc twice and she survived that. But Orpheus got her. He was so strong. Straw right to the end

buddy.

That incredible love that you had for each other. It isn’t gone. It will last forever. I know you’re right. It’s, it’s just that, hey, when, when, when it was just the two of us against the world, we could beat all the odds. So how do, how do I leave this place with, without her? How do I just turn my back on the bat?

How did you do it, buddy? How did, how did you go home to an empty bed without,

do you wanna tour the place? I want you to tell me where Kale is, and Kate is it? Kate made it through the Furley Gates

that Jebel broke every one of the team. And if you did, the Lord didn’t think of that then. I am very well aware of who Kate is and she’s been a good friend to me. And maybe she doesn’t live by everybody’s code, but under. She’s a good person. not good news. She’s definitely like you, Dr. Mar Evans for sure.

Or Dr. Kayla Johnson. Alright, tell me where Kayla is. You can do that, can’t you?

Hey,

hey. Did that help or did it just make you feel more alone? Not so tied up in

I can.

I am sorry if you felt like I was pushing you away. It, I just got tense when you spoke about your mother. Makes sense. It, um, it brings up a lot of memories of my own mom. Loving her, losing her. She doesn’t exactly make a person wanna have sex. I’m gonna, I’m sorry if that made you feel like I was using you.

No, you needed me. That’s very different and I’m not really used to that. People needing me feeling needed. Well, maybe talking to you can help me understand how to get through it. I don’t really think I’m gonna help you mention that Arina, you don’t seem like the vengeful type. Well, yeah. Tell me how vengeance is working out for you.

Ugh. I hit a bump in the road. The courts in London did not cooperate. That’s, I’m not gonna give up. She now, Dupree and her mother are not gonna get away with what they took from me. There’s other ways to make them pay.

Ugh. I think I’ve given Allie enough time. I better go see how she’s doing. Hey, Chanel, Allie loves you. All right, she’s gonna come around. Thanks for trying to make me feel better. You know, she could, uh, she’d come walking through here at any minute and see us. I’ll risk it. You’re a special person, Johnny Damara.

And I am so sorry. You’re hurting.

So you saw that it was Chad calling. And you turned off Stephanie’s phone and she wasn’t able to be there when Aunt Kayla died.

Go ahead, say what you’re thinking, but I am a selfish idiot who’s getting exactly what he deserves. All right. That might be a little bit dramatic. How do you figure if it had been Uncle Steve or anyone else from the family calling, what would you have done? I would’ve told Stephanie to pick up the phone.

Yeah, exactly right. So you saw that it was Chad calling. , honestly, you know, he’s been kind of a problem. He probably thought he was just butting in again. Exactly right. Okay, so look, you, you misjudged the situation. You messed up. If I was Stephanie, I’d be pissed. But we work through it. Why? Because you would never deliberately keep Stephanie from being at her dying mother’s bedside.

You made a stupid mistake, but I think that means that you deserve to be forgiven.

Ought to be hung up by his thumbs and I, I can’t believe you don’t even know your mama was dying. So you don’t think I’m overreacting? I do not. First of all, your phone is none of his business, but more importantly, he kept you from seeing your mama for the last time. Oh, let me tell you, if a man did me that way, he be singing soprano for the rest of his natural life.

Thank you for the back. You got it. Sometimes I have moments where I think maybe I was too angry. Hopefully you don’t need a man sneaking around trying to arrange your life the way he wants. You ha. You have so much to offer. Thank you for saying that. But I, I still can’t get him to help you with Sloan. I hope you can find another.

Get her out of your life. I am not letting you off the hook yet. Missy. Mm-hmm. . Now you have come through for me in the past and I have faith that you, you can do it again. Cases like this are one in the court of public opinion. That’s your area of expertise Now, branch head on board, that boy smart. Yeah. He is not hard to look at either.

Alex will probably just think you’re doing it to get to. Alex can think whatever he wants. I couldn’t care less what? This is a very big place. I mean, it makes New York City look like an you want, I’m asking you to try. Hi. Okay. All

here we are here to Jay. All right, we’ve got Andrew, Jack, lady Bird. Now we are already past the case. Well uh, try her maiden name, which day. Brady. Oh, I should, she’s still with romance. Kimberly and Bo? Yes. Oh, oh, here we are. Bogar, Aurelius Brady here. Yep. Except there’s Esri’s, Neer’s name and I really don’t know what that means.

And we’re looking for Kayla. She’s head.

I’ll start thinking about how to spend this and then I’ll give you a call. Mm-hmm. . Oh no. Take some time. Take some time to grieve, but get ready for War ii. . Oh, I wish I could do this myself, but I’m too much a part of it. Oh, Sloane made my baby a target and I went to DEF com one. Mm-hmm. . Oh, my mom would’ve done the same thing if anybody came from one of us.

They’d have to go through her first.

You and I are gonna open a bottle of wine one night, step dollar, and then you going to tell me all about her, but do yourself a favor. Don’t focus on not getting to say goodbye. You’ll never escape the pain. You’re not pretty sure you and your mother were past needing words and she died knowing how much you loved her.

Just, just think. Just remember all the good times and smile when you’re thinking of them, and she’ll never be far away.

You actually managed to give me some hope. Maybe Stephanie comes around. Here’s to you the only one so far to have my back.

Hey Alex, what are you doing here? I ran into him when you heard about grandma. Yeah, it was nice enough to offer me a shoulder to cry on, you know, like you did

No corner.

Know you’ve got your children. Yeah. Your grandchildren. They need you. They need you, buddy. They, that’s, that’s what will make you go on. You can do it, buddy. You can do it. You just came reminding me of that. Okay,

John, look, you know, why don’t you come home with me? I mean, just, just stay with Paulina and me for no buddy. You know what? That’s just gonna post Paul. Inevitable. I need to be in a place where I can feel Doc’s presence, and that is our home. I need to climb into our bed. I need to smell her perfume on her pillow.

I need to look at her picture on my night. And just fall under those eyes again. I know it’s gonna be hard as hell partner, but that is what I need right now.

I don’t know why Taylor’s not on the list. Well, she’s new. Her paperwork hasn’t come through yet. I mean, you wouldn’t believe how long I had to wait to see the king.

You had a meeting with God No better. Oh, I gotta talk to El Eric Presley, don’t you? I mean, I got to tell him how much I love his singing and we got to take a selfie together. I mean, I was gonna right there, but you know what? Dead. Well, you know what? She’s around here sometimes. She is. She is. You know what?

I’m here to, I’m here to help you make that transition over to the other.

You know, one of the things that I learned during my years as a priest is that’s a hunger for revenge isn’t a natural instinct. It’s more of an obsession. Is there anything that makes it go away?

I have one.

If I could just think of some of those strategies.

Hey, Steph, it’s me, aka the jackass. Look, I know I don’t have the right to ask you for anything, but could you maybe just give me a chance to make this up to you? I’m talking groveling here. You and I had something so great going and I don’t want to give up on that. That’s all I wanted to say.

Well, I think I’m gonna take off, no, that Chan knows back. No, no, don’t do that. Hey, you know what? Maybe we could have another threesome because I know first Chanel life would just means getting a little bit boring. That is not true. And don’t put Alex in the middle of this. You know, I’m sorry I wasn’t really in the mood anyways.

It’s been a pretty long and awful day for me, so I’m gonna try and get some. Henry’s room.

How’s John doing? Well, it’s going to be in a bad place for a very long time. Marna was his life.

Everyone who dies, they get God here like a guardian. And look at me. They want me for yours.

What is it that, the transition you’re talking about? Well, it’s hard for folks to, uh, accept that they’re really gone and to let go of their loved. I myself had a devil of a time. I accept that my Elvis Junior, I, I was never gonna see him again, and I know that it’s not gonna be easy for you to let go of the love of your life, Mr.

John kept, kept telling me I was going to pull through. He must be in so much pain. He is. He’s crushed, but he is his kids and the rest, family and friends, my children. Dear God, see, it’s just like you. I what? 20 You thought about yourself, oh, three seconds, and then you worried about child black and your kids, but that is why you made it.

Now I see paperwork, pay for work, and you need to get some rest. You’ve been through enough for one day. I can’t rest. I’ve got so many questions. Yes, the answers are gonna all be revealed. Yes,

Thank you. Welcome up. Tail. Here you go. And now I’m gonna have you walk right through and we’re gonna have a fresh start after you get some rest. Okay, let’s scoot. Scoot, scoot, scoot, scoot, scoop. There we go.

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Y&R Transcript Tuesday, January 24, 2023

Young & The Restless Transcript

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Transcript provided by Suzanne

Daniel: Mind if I join you?

Phyllis: Oh, hey. Well, do you want to tell me what a miserable person I am, or listen to some of the ideas that I have, you know, or tell me I’m crazy? If I even have a job.

Daniel: I didn’t fire you, mom.

Phyllis: Right, well, that’s what it felt like. I mean, honestly, who talks to their mother like that?

Daniel: [ Sighs ] I was trying to offer very good advice. You need to let go of this unhealthy obsession with diane. I mean, it’s keeping you from focusing on this project, which I-I really, really want you to be a part of.

Phyllis: Okay, well, it didn’t sound like that was your point.

Daniel: Well, I’m sorry. I am. I love the idea of the two of us working together. I just need to know that you can let go of this vendetta. That’s it. So, I mean, your future with omega sphere is in your hands.

Abby: Hi. I just wanted to drop off dominic’s vitamins.

Devon: Oh. He’s not gonna like that you remembered. He hates these things.

Abby: Oh, that’s only because you don’t sing him the special vitamin song. Yeah. Which I will teach you after you tell me what’s on your mind. What’s up?

Devon: Oh, it’s nothing, really. It’s chancellor-winters stuff. Nothing you need to worry about.

Abby: Didn’t I just tell you that you were — you weren’t going to have to go through any of this alone? Come on. What’s up? Talk to me.

Devon: What’s the last thing I told you?

Abby: That you were trying to decide if you were going to stick with lily and jill taking chancellor-winters public.

Devon: Right.

Abby: And did you make a decision?

Devon: I did, yeah. Lily’s on her way over right now.

[ Cellphone pings ]

“Can you come over? I’ve got an idea.”

Tucker: That was fire. That’s what I remember and missed so much. Don’t tell me you don’T.

Ashley: That would be showing my hand.

Tucker: Ah, I think you already did.

Ashley: Mm, don’t be so sure.

Tucker: You see it, though, right? That together we’re stronger than whatever kept us apart.

Tucker: I’m sorry you had to hear that. You have to know that what he was accusing me of is just not true.

Ashley: Yeah, well, you know, I never trusted you anyway, so you couldn’t really sink any lower in my book.

Tucker: What are you talking about?

Ashley: Oh, well, all this — you know, all of this was just, um… you know, it was just an act so that I could get to the truth, you know? And because I was lucky enough to be in the right place at the right time…

Tucker: Okay —

Ashley: …Mission accomplished, you know? So…

Tucker: Hold on.

Ashley: Bye, tucker.

Tucker: Wait a minute, ashley.

[ Door slams ] Postmenopausal women with hr+ her2-

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Tucker: You know, it’s a beautiful day, is it not?

Victoria: Yes, as a matter of fact, it is. You know, I think that it’s dinnertime in paris right now. It must be gorgeous, with the lights twinkling on the seine, lovers walking arm in arm down the champs-élysées. And I’m sure that ashley is glancing out at the eiffel tower, basking in the fact that she escaped you. You must be so crushed that your plan to win ashley back failed.

Tucker: Well, I must say, I’m very flattered you’ve been thinking of me so much.

Victoria: I do. I do think of you, tucker, as much as anyone thinks of an invasive species. Very difficult to eradicate, but once they’re gone, everybody’s so blissfully satisfied.

Tucker: Are you trying to tell me you think I should leave town?

Victoria: Ashley’s out of your reach. You’re out of reasons to stay.

Tucker: Well, why should i run away and deprive myself the pleasure of one-upping my enemies?

Victoria: I don’t think you’ve one-upped anyone this go-round.

Tucker: Give it time.

Daniel: Thank you. Mom, look, no one works harder than you, and no one is more creative. Hands down. I just need to know that you are fully focused on this job, and it’s not just an afterthought, or you’re coming up with new ways to go after diane.

Phyllis: You will get 97% of me.

Daniel: No. No 97%, mom. It needs to be all or nothing. Look, I want to work with you not just because of your insane gaming skills, but because of the way that they make you feel, you know? You light up like a little kid. And that’s the version of you that this platform needs.

Phyllis: I get it. I get it. Okay? You got me. I mean, this is more than just a business to you. I understand.

Daniel: Do you?

Phyllis: Mm-hmm. Yeah.

Daniel: Do you remember when I asked you to be a part of this venture? I sat there with you and dad. I told you how I felt everything in my life had just gone sideways. You know, how heather and lucy, they — they were finally sick and tired of my self-serving, toxic attitude? “Finding princess louisa” was born out of that chaos. And it’s the centerpiece. I mean, it is the jewel in the crown of the entire gaming platform. Finding your inner strength, using it to turn bad into good, dark into light. Are you with me here?

Phyllis: Yeah, I am. It means a lot to you. I get it.

Daniel: This project is me taking control of my life. It’s me taking what was left behind when my family left me and figuring out a way to move in a positive direction. And I want nothing more than for the two of us to go on this journey together. I’m — I’m serious. But, you know, if — if the wind doesn’t start blowing in our direction, the ship might be dead in the water.

Phyllis: Wait, wait, wait. What are you talking about? Is there a problem with chancellor-winters? Is everything okay there?

Lily: Hey.

Devon: Hi.

Lily: I’m really glad that you called. I really think that we can figure out — abby. Hi.

Abby: Hi.

Lily: Sorry, I didn’t know that you were going to be here. Should we reschedule?

Devon: No, don’t have to at all. She just stopped by.

Abby: I was just dropping off dominic’s vitamins. Um, I’ll talk to you later?

Devon: Yeah, for sure, but you’re more than welcome to stay, too, if you want. She knows everything that’s been going on.

Abby: Well, I — none of the details. You know, I just know that this has taken a toll on devon.

Lily: Yeah. Well, I’m glad he has someone to talk to about it, ’cause this has been really hard on all of us. But I really think that we can find a solution that we all can live with.

Devon: Well, that’s just it. I think that, uh, it needs to be more than just something we can live with. I think that the solution should be something that we all feel good about. And your and jill’s offer to buy me out doesn’t really make me feel good.

Lily: Well, you haven’t heard numbers or specifics —

Devon: I know, I haven’t, and I don’t really need to, ’cause I’ve made up my mind. And my answer is no. I’m steve, I lost 138 pounds in nine months on golo

Daniel: Look, you know how things go at newly merged companies.

Phyllis: Yeah, everything’s in flux. I get it. You didn’t elaborate before, but you sort of insinuated that omega sphere could be in jeopardy at chancellor-winters.

Daniel: Well, lily told me she’s still interested in launching the platform.

Phyllis: But there’s no guarantee.

Daniel: I have a contract.

Phyllis: Well, it doesn’t matter. You don’t have the commitment from the two ceos. So the contract is not that important. Listen, we’re talking about a game that’s still in development, at a company that’s unclear. I mean, there are no guarantees here.

Daniel: Sometimes you just got to have faith.

Phyllis: Yeah. You know what’s better than faith? Cold, hard cash and job security. I mean, they could be thinking that this is too much of a risk. Hmm. I’m not going to let that happen to you.

Daniel: Well, unfortunately, it’s not in your hands.

Phyllis: Hmm. Really? Did you really say that to me? You underestimate me, my son. I fight for my children, and you know that. I also listen to them. I’m going to take what you said about diane to heart.

Daniel: Really?

Phyllis: Mm-hmm. What, you don’t believe me? What, I have to wait a lifetime to change my mind? I could just change my mind right now. I need to move on. I agree with you. I need to forget about the past and put my attention on omega sphere and everything that you want that to be, like — like, um, princess louisa’s garden.

Daniel: I really hope you mean that.

Phyllis: I do mean that. I do. And I also want to help you out with this, because I don’t want this to just be in corporate limbo. Do you know what I mean?

Daniel: No, what are you saying?

Phyllis: Well, what I’m saying is, if chancellor-winters doesn’t get on it, we may have to get a backup plan.

Victoria: I think that time is probably the last thing that you need, given that you have other people doing your dirty work for you.

Tucker: What does that mean?

Victoria: I know about your connection with audra charles. She’s working for you behind the scenes. Stilettos on the ground, worming her way into chancellor-winters, reporting back to you, sharing insider secrets.

Tucker: I can’t imagine where you would hear such a thing.

Victoria: Well, you know, secrets have a way of not staying secret for very long.

Tucker: Aha, I’m going to remember that one. ‘Cause as an invasive species, I-I must learn to adapt.

Victoria: Mm, but you won’T. You will try to destroy everything in your path until you get what you want. Is newman next? Do we need to prepare ourselves for another embarrassing attempt at a coup?

Tucker: Oh, I’m just — I’m just one man, one lowly species and —

Billy: Tucker, tucker, what — what are you doing now?

Tucker: [ Chuckles ] See that, right on time, gallantly swooping in to protect the damsel?

Billy: No, no. Victoria can handle herself. But you can go ahead and take this as a warning. Don’t do anything else to mess with my family.

Tucker: Noted. But for the record, I’m just here for the coffee. The ambiance. So… nice turtleneck.

Billy: Not as nice as yours. Do I want to know what the hell that is all about?

Victoria: It always pays to know what’s going on with tucker mccall, especially because right now, he is a man searching for a battle.

Lily: Abby, would you mind giving us a minute alone?

Abby: Of course.

Lily: Thank you.

Devon: She doesn’t have to go anywhere, lily, ’cause there’s nothing else for us to discuss, since you don’t want to negotiate. And this is not a business decision, it’s a personal decision.

Lily: Jill and I came up with solutions that satisfy both the personal and business issues.

Devon: Who does it satisfy, aside from you and jill? Like, what do I get out of it?

Lily: What do you mean, what do you get out of it? You get the money and the name.

Devon: I have money. You already know that. And I can come up with a new name. That’s not what’s important to me. What matters is what the name represents, and that’s the actual company that neil and I built.

Lily: Devon, you can rebuild, and you can make it something that comes from you.

Devon: I have no interest in starting from scratch. I’m sorry. I want my company back in its entirety without any strings. It’s as simple as that.

Lily: [ Sighs ] I don’t see how you think that —

Devon: That’s the problem is that you don’t see anything else except from your perspective.

Lily: Wow. Hasn’t this come full circle? That’s exactly what nate said about you.

Devon: Uh, okay. And you know what he tried to do originally? He left the company. Which is what I’m trying to do, but you won’t let me. You will not let me leave and take my company that i poured my heart and soul into, that is already established and already has a foundation and respect from its competitors. You want me to walk away from all that and be fine with it? That’s kind of hurtful.

Lily: Devon, I’m trying to be fair.

Devon: I am trying to be fair, too. So let’s come up with something. How about — how about I pay you and jill whatever you guys ask for, within reason, to make up for whatever you think you’re gonna lose? ‘Cause that’s about the only option that I’m going to go for.

Lily: That’s the nuclear option.

Devon: If that’s how you see it.

Lily: Devon, jill made it very clear that buying you out was the only option. She is not going to break up the companies before we go public.

Devon: Okay. Then we go to court. Right before mike decided to say yes…

Lily: You really want to do that? You want to let lawyers sort this out?

Devon: Absolutely not, lily, but you and jill are trying to force me into this ipo move, even though I’ve expressed to you how I feel about it. So, I mean, what am I supposed to do?

Lily: Oh, I’m — I’m sorry. We forced you?

Devon: That’s what you’re doing.

Lily: You signed a contract. You agreed to go public, and now you want to back out, because it’s all about you. So I don’t know where you learned that you don’t have to keep your word, but it definitely was not from dad.

Devon: Okay, well, this has never been about me. It’s always been about honoring katherine and neil’s legacies.

Lily: Right, well, honoring their legacies is keeping the companies strong. And by backing out, all you’re doing is causing damage to both of them.

Devon: I disagree with that. I think by backing out, I’m keeping them out of the hands of people we don’t know and we don’t trust. And I don’t know how many times I have to explain that to you.

Lily: [ Scoffs ]

[ Sighs ] Okay. Nothing more to be said. So, I’m really sorry that it had to come to this.

Devon: I’m really sorry, too.

Lily: Yeah. Bye, abby.

Abby: Bye.

[ Door opens ]

[ Door shuts ]

Victoria: I mean, what is he still doing in genoa city? He struck out already, both personally and professionally.

Billy: And I don’t see him, dom, and devon spending much family time together, either.

Victoria: Why doesn’t he just leave?

Billy: [ Sighs ] Because guys like that, they just don’t cut their losses and run, okay? But it’s not going to kill us to hope.

Victoria: He wants something. The question is what. I can’t afford to let him fall off my radar.

Billy: You feeling a little spread thin, having to spend so much energy on johnny and chelsea?

Victoria: I don’t know, maybe a little.

Billy: Well, pizza night was a big hit. Hmm? And that wouldn’t have happened without you.

Victoria: Well, I’m glad everybody had such a great time.

Billy: “Epic” was the word I heard most. And just to let you know, johnny is planning something fun for everybody to do together.

Victoria: Together? Like as a “family”?

Billy: Yeah, well —

Victoria: Billy, come on. I mean, it’s a — it’s a lot. I mean, I’m just getting used to this new dynamic. I think you would afford me the same compassion and care that you have given to chelsea. I mean, it’s hard on me, too.

Billy: I know that. I do. Look, you are his mother, okay? Every sneeze, cough, scraped knee, soccer game. And the fact that he is adjusting to this new landscape so well is a testament to you as a parent.

Victoria: I didn’t exactly do it alone.

Billy: Well, no. I mean, I did my part. But you deserve most of the credit for raising a strong, compassionate boy.

Victoria: This has been so difficult.

Billy: You know, we, uh — we try and tell kids it’s important to share, but it’s not easy to do. And you’re being asked to share a part of johnny’s heart with someone else.

Victoria: It’s really hard, billy. And I’m trying. I really am. I’m trying, but it’s — it’s hard.

Billy: Well, I mean, you could look at it this way. You are giving a gift to chelsea, johnny, and connor for that matter that is really incredible, one that they will not be able to repay.

Victoria: Johnny hasn’t been able to see how this is affecting me, has he?

Billy: No, no, no. No, you’ve done an amazing job trying to keep it from him. And I know what this is costing you, okay? I get it. But just so you know, I will always be there with you to do whatever we need to do for the kids. You’re the boss, okay? Well, co-boss.

Victoria: No, you were right the first time.

Billy: Mm…

Victoria: Thank you.

Billy: Okay. I’ll see you later.

Victoria: Yeah.

Billy: Be careful, okay?

Tucker: Hey, victoria.

Victoria: You really are a glutton for punishment, aren’t you?

Tucker: I just wanted to give you an answer. Uh, I haven’t decided who my next victim is going to be, but I just want to assure you that if it is newman, you’ll be the last to know. What fun would it be if you saw it coming, right? Hey… it’s me! Your dry skin!

“The young and the restless”

will continue.

Chelsea: Hey.

Billy: Hi.

Chelsea: Come on in. I’m so glad you could make it.

Billy: Yeah, what’s going on? You feeling good?

Chelsea: I’m feeling inspired.

Billy: Okay, well, that’s a good thing. And what brought that on?

Chelsea: So, I was just listening to this podcast of this person who has experience with depression and a suicide attempt.

Billy: Okay. And how did that go for you?

Chelsea: It got me thinking. You know, the two of us, we have a lot of experience, not just with podcasts, but with mental health crises and being a part of someone’s support system. What if we created something like this?

Billy: Another podcast?

Chelsea: Well, I mean, we have such a great rapport. We know each other so well. We obviously bring out the best in each other, you know? I mean, what if we used our stories and our voices to help people feel less alone?

Billy: Yeah, um… honest opinion?

Chelsea: Always.

Billy: I get the impulse. I-I do. But are you sure you’re ready to open yourself up that way? You know, it’s only been a couple months since…

Chelsea: Well, it’s all a journey, right? I mean, I’d have to talk to my therapist, of course, and explain all this to her and make sure she approves, but —

Billy: Yeah, you’d have to do that.

Chelsea: The idea excites me. And what’s more important, what’s more life-affirming than that?

Billy: [ Sighs ] No, I agree. It would be.

Chelsea: So? Does that mean you’ll do it?

Devon: Hey, I’m sorry that I put you in the middle of all that. It just felt like lily was trying to tell me who I could have in my house, and I didn’t like that. So I apologize for doing that to you.

Abby: Well, uh, family dust-ups aren’t easy to be a part of or to witness.

Devon: Yeah. Do you think that I’m wrong in all this?

Abby: Look, I understand why you’re taking this stance. But are you really prepared to go into a legal battle with your sister and jill?

Devon: I mean, what else am I supposed to do?

Abby: I remember you told me that you were worried that this was going to get ugly if you couldn’t reach a compromise.

Devon: I know, yeah, and I am still worried. That’s the last thing that I want to happen, but I feel like I don’t have a choice.

Abby: I just — I can’t help but see the similarities between this and when you decided that you wanted to share custody of dominic. Look, I do not regret the outcome. I don’t, but you were willing to take chance and me to court so you could have equal access to dominic.

Devon: Right. But we got through all that, though.

Abby: Yeah, we did. But it was because chance and I, we decided that it was best for all of us to raise dominic together. And I just — I hope that you don’t think that every disagreement is going to have the same outcome, that your opponent is just going to suddenly realize that you’re right.

Devon: No, I’m not. Of course I’m not going to think that. But, abby, one of the most valuable lessons I ever learned from neil was that when you find something that you believe in and it’s important to you, you defend it, and you don’t back down. And this is something that is very important to me.

Abby: But there’s a lot more at stake than just the company that you built with your dad.

Devon: What are you saying?

Abby: I’m asking you if you’re prepared for what this will probably do to your relationship with lily.

Phyllis: Listen, daniel, we need to seize the moment. That’s what we need to do. I mean, we need a company that sees omega sphere for the moneymaking endeavor that it is. We need to let them make your vision a reality. You know what? Maybe we should take it to newman media. You know, nate hastings is there right now, and I’ve heard great things about him. Or forget it. Why are we thinking so small? Let’s go international. Japan, philippines, korea. Also, let’s not forget about the gamers in new zealand —

Daniel: Yeah, mom, I love that you’re so committed, but I think we’re getting a little bit ahead of ourselves.

Phyllis: Well, I don’t think so. This is something we need to do.

Daniel: [ Sighs ] I think we need to do exactly what we’ve been doing. We move ahead under the assumption that we’re going to be with chancellor-winters.

Phyllis: Well, I mean, but you’re the one who brought up that it’s a dire situation.

Daniel: I’m just talking worst-case scenarios. Look, I hope it doesn’t come to the point where we’ve got to take the project someplace else.

Phyllis: Right, plan for the best, prepare for the worst. I get it. I get it. Honestly, we have to. We have to think out of the box, all right? It’s just common sense. We have to look into other companies.

Daniel: I have a contract with chancellor-winters, and I have faith that lily’s going to do everything she can to keep this project on track. Lily. Hey. You want to join us?

Lily: Um — hi. Uh…

Daniel: What’s wrong?

Lily: No, I just — I-I had a meeting that didn’t go well, so…

Daniel: With devon? I’m sorry. I know it’s got to be stressful, and I really wish you weren’t dealing with all that.

Lily: Thanks.

Phyllis: Yeah, I’m sorry, too. Um, but all the issues that you’re having with your brother, does this have to do with the company? Um, because my son’s been working very, very hard at omega sphere and making it just amazing. I’d hate to think. Is it dead in the water at chancellor-winters? Dupixent helps you du more with less asthma.

Daniel: My mother’s candor is an expression of her passion for the project.

Phyllis: You don’t have to explain me to lily. She knows about my passion. I mean, she bought the grand phoenix from me. She understands. I mean, when I set my sights on a task, I really go for it.

Lily: Yeah, absolutely. I know that.

Phyllis: And I know you have to make tough calls. I understand that.

Daniel: I think that — I think that we should give lily a chance to explain. Please.

Lily: Yeah. No. Listen, the truth is, I mean, everything is still kind of up in the air right now.

Phyllis: Oh, okay. Well, I hope it’s nothing serious.

Lily: No, no, no. No, no. Just — it’s growing pains.

Phyllis: Right.

Lily: So, you know, I really hope that I can rely on your patience and understanding as we work everything out.

Phyllis: Oh. Well, sure. I mean, but you just want daniel to sort of wait and wonder?

Lily: Well, we signed a contract, so I’m not really sure what you’re expecting.

Daniel: Look, I’m — I’m cool with it. I can use the extra time to refine my designs.

Lily: Yeah, no, good, good, ’cause I really want to see this project come to fruition, if I can.

Phyllis: Oh, if you can. Okay. That’s a big if. I mean, he’s worked very hard on this project.

Daniel: Mm, yeah, I don’t think that’s the kind of help I need right now.

Phyllis: Well, I-I think lily needs to understand what goes into exactly what you do and the whole world that you’ve built. Maybe she doesn’t completely get it, you know?

Lily: No, look, I get it. I get it. You know, I really wish I could tell you more, though.

Phyllis: Oh, okay, I understand. You know, corporate secrets and all, right? I’m just advocating for my son.

Lily: I know. I know.

Phyllis: Yeah. Well, great. I have to go. Talk to you later.

Lily: All right. Bye. See ya.

Daniel: Bye, mom.

Lily: [ Sighs ]

Daniel: [ Sighs ] Well, I, um — I think you know what I’m about to say.

Lily: No, it’s fine. You don’t have to apologize. She’s your mom, you know? Of course she’s going to worry about you. Makes me miss my own parents. They were always in my corner.

Daniel: You want something to drink? I know I could use one, definitely something stronger than this coffee.

Lily: [ Chuckles ] Yeah, I could definitely probably use some bourbon right now after my meeting with devon.

Daniel: Negotiations go south?

Lily: There were no negotiations. He wants what he wants, easy as that. He absolutely rejected our offer to buy him out, and jill is not going to let them take back hamilton-winters without a fight. So things are about to get nasty.

Billy: Look, if your therapist thinks it’s a good idea, then — then I’m going to support you.

Chelsea: Really?

Billy: Yeah, of course. But, uh, you know, there’s — there’s a few things to consider.

Chelsea: Of course. Of course. I mean, we’d have to hire a mental health professional to consult with and make sure we, you know, shape the language in the right way.

Billy: Yes, that would be a must.

Chelsea: Do you think we would need to use pseudonyms?

Billy: I don’t know, but that’s one of the things to consider, right? I mean, off the top of my head, I think being anonymous would be the right call. If not, we’re going to have to answer a lot of questions from all the parents at walnut grove. And we got to think about the boys.

Chelsea: Of course. Of course. The last thing I want is for johnny and connor to suffer any kind of bullying or unwanted attention.

Billy: Yeah, their safety is my top priority.

Chelsea: The thing is, if we use an alias, it’s like we’re reinforcing the stigma around mental illness. I want to teach the boys that shame shouldn’t be a part of this equation, certainly not when someone’s in trouble. Stigma is what stops people from getting help. Makes them feel they need to hide things. I mean, at least that’s how I felt.

Billy: That’s a good point, valid point. In fact, we should probably talk to dr. Malone about that. What? What are you looking at me like that for?

Chelsea: Be honest. Don’t just say what you think I want you to say. Tell me the truth. Do you really think it’s okay if we do this?

Phyllis: Hey, nate. Hi. This is phyllis summers. Um, you know, listen, I’m not going to ask how you are. I’ve heard glowing things about everything that’s going on with you since you took over at newman media. So, um, congratulations. Anyway, the reason that I’m calling is I have an idea. Actually, it’s my son’s idea. Um, I think you’ll find it fascinating. I’d like to come pitch to you, if, uh, that’s possible. Anyway… you don’t want to miss out on a chance of a lifetime, so give me a call back when you get this. Phyllis summers. All right. Don’t sneak up on people like that.

Tucker: So, it sounds like your son’s venture isn’t going so well at chancellor-winters.

Phyllis: That’s none of your business.

Tucker: Mm, that is true. But it could be. And it definitely should be. am so excited to dive in. I never know what I’m gonna get. Having a personal stylist makes me feel like a complete queen. So powerful. I feel sexy! The elite box by adore me. Get styled for only $10 at adoreme.Com. I’m managing my high blood pressure,

Billy: Look, I understand wanting to make lemonade out of the lemons you got, right? I mean, you’ve been through a pretty serious thing, and you want to try and help people that have gone through something similar.

Chelsea: Yeah, and I want to help their friends, their families.

Billy: And that need to help, it’s a good one.

Chelsea: I just feel like suicide and depression are so cloaked in shame, nobody wants to talk about it, so you’re just left in this lonely, desolate place. But if we share our stories and our voices and our hearts, especially coming from people who’ve been there…

Billy: Yeah, no, it’s a possibility. It deserves more exploration.

Chelsea: Yeah, and we’d have to be very careful with what we say. You know, if we’re going to do this, I want to make sure we do it right.

Billy: [ Sighs ] Look, I trust you, and you’re going to figure out what this entails and how you feel best about giving back. You’ll decide what’s right. But I will say, coming from me, it’d be fun to work on something together again.

Chelsea: I think it would, too. Very much.

Devon: I would like to think that one day, lily’s going to realize that this isn’t about her at all. It’s about honoring our father and preserving the work that we put into the company. That’s it.

Abby: Right, but when that doesn’t work out, you are more than welcome to spend any family holiday with me and dominic.

Devon: Do you really not think that lily’s going to get past this?

Abby: I don’t know. I mean, look at adam. He can’t get past any grievances that he has with his siblings.

Devon: Yeah, but, I mean, that’s — that’s adam. Lily’s not him. She’s a kind person, and she’s reasonable.

Abby: True. But what if she never forgives you for dismantling the merger? And what if you don’t win? Are you prepared for that?

Devon: How would i prepare for that? How do I prepare to lose everything that I’ve ever worked for in my life? I won’t do that.

Daniel: Look, I know that this can’t be easy for you. You know, going to war with a stranger is one thing, but when it’s your own brother…

Lily: Yeah, no, and he keeps talking about how he’s preserving our father’s legacy, when in reality, my dad would be horrified by this.

Daniel: You got a lot riding on this ipo. You got a ton of people counting on you to make the right decision… I don’t envy you one bit.

Lily: I’m really sorry that i have to keep you in limbo while we figure things out.

Daniel: I understand.

Lily: But thank you for being positive about all of this, ’cause I know you’re disappointed. And you have every right to be. I know how much you have riding on this.

Daniel: Well, we’ll figure it out, right?

Lily: We will.

[ Cellphone ringing ] Oh, uh, it’s jill. Jill. Hi. Um, yeah, I have a minute. Sorry. Sorry, yeah, what were you saying?

Tucker: So —

Phyllis: Okay, listen. Don’t eavesdrop on people’s conversations, please.

Tucker: What you were saying was so interesting. I couldn’t help myself. Phyllis, you are an astute businesswoman. You built a marvelous hotel, in which I am a resident.

Phyllis: Oh. Yeah. I sold it for a profit.

Tucker: I know you did. And I know you originally partnered with abby on it. And — and you guys aren’t exactly friends, so I know that you are able to separate your personal feelings from business matters when you want to.

Phyllis: Okay, what are you getting at?

Tucker: I want you to set aside your personal feelings for me and see the big picture here.

Phyllis: Would you like to paint that picture for me?

Tucker: If you want daniel’s project to come to fruition, don’t shop around. You’re right where you need to be. Right where the universe wants you. Right here, with me. Let’s talk.

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GH Transcript Tuesday, January 24, 2023

General Hospital Transcript

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Transcript provided by Suzanne

THIS STILL NEEDS EXTENSIVE EDITING!

 

sorry for interrupting before. No, that’s okay. As long as you know it’s always family first, right? I do. Mm-hmm. So, what is it that you have to tell me, dex? You told me to stay away from josslyn. I couldn’T. Please don’t tell anybody about me and dex. Excuse me. What? You dump me for him and expect me to keep my mouth shut? Please. It has to stay a secret. Why? Because you’re ashamed of what you did? No. Because I’m afraid of what sonny could do if he finds out.

[ Dance music playing ] -Hey. -Hi. I am so sorry I’m late. No, no, don’t apologize. I’m just happy we get to do this. It’s important for us to make time to see each other when we can. Oh. You’re thinking of britt. Yeah, britt and… all the times I wanted to text her to hang out or go shopping, but she was really busy. So let’s just say there are a lot of texts I never sent. But when your name came up in my phone, I — I thought, “I’d really like to see my friend.” Oh. You know what? It’s really good to see you, too. So tell me, what’s going on? My mother’s in town. Carolyn? Why? Do you think she wants to make amends? Well, apparently, that’s just a bonus. She’s here to consult on a patient. And you don’t believe her? Well, I don’t know. After everything she and my dad have done, can I really risk trusting her? Did your mom deliberately try to get in touch with you tonight? I don’t think so. I-I think she just ran into me by accident. But when we talked, she seemed sincere about wanting to make up for all the harm she caused and the lost time. But it’s just that — it’s just that with your history, it’s hard to trust her. Exactly. Yeah, I’m sorry. I understand. You know, unfortunately, I’m starting to feel that way about nikolas. I came all the way from monterey because you said my daughter was in trouble and needs my help. Yes, it’s very true. I trust you haven’t told anybody about your trip, especially elizabeth? I hadn’t, but actually, I ran into my daughter at kelly’S. Really? What did she say? I did what you asked, and I didn’t tell lizzie about your phone call that prompted my visit, just that I was here to consult on a case. I knew I could count on your discretion. Would you like a drink? No, thank you. But, um, you can answer my question. What’s going on with lizzie? What kind of trouble is my daughter in?

[ Cellphone buzzes ] Good evening. Good evening. May I help you? You speak english? Oh, um, sorry it’s so late, but we’ve been reading all about this ancient monastery, and — and it’s just so, uh — the history is fascinating. We’d like to pray it lasts another thousand years. Yeah, uh, so — so we’ll go pray. Thank you. I tell you, if your friend renee doesn’t arrive soon, we’re gonna have to pray for a miracle, ’cause we won’t have enough time to go and find lucy before it’s too late.


What did nikolas do this time? He wants me to side with him when he sues esme for full custody of her baby. No. Really? Yeah. I’m sorry. Is it — is it hard for you to hear this stuff when you were just recently involved with him? Oh, um, n-no. I-I — what happened was — it — I mean, it ended as quickly as it began. We’re back to just being friends. Oh, good, good. Yeah. I’m glad to hear that. I think he needs all the friends he can get right now. I know the feeling. Well, I’m glad you reached out to me.

[ Chuckles ] Uh, would you like me to try to talk to carolyn? You know, try to find out why she showed up so suddenly after all these years? Especially after you told her that you didn’t want to have anything to do with her or jeff. Thank you, but my mom is an expert at mind games. She played them on me when I was a teenager, and I’m still dealing with the consequences. You know you’re a part of my family, too, right? I know. You’re the mom I always wish I had. But now that my, um, my birth mom wants back into my life, I keep asking myself, should I give her another chance? Elizabeth’s troubles — they began before she ever came to port charles. Or do I need to remind you how young your daughter was when you and her dad cut her loose and sent her away to save what was left of your marriage? Is that what elizabeth told you? Yes. Elizabeth and i are good friends, have been for years. We tell each other everything. Elizabeth told me all about her dad’s unfortunate affair when he was supposed to be serving humanity out there in the pacific. Jeff’s not perfect, and neither am I. She also told me about the unintended consequences that led to the death of hamilton finn’s wife, reiko, and how you used your skills as a psychiatrist to suppress elizabeth’s memory of the incident. So, dr. Webber — or may I call you carolyn? — If you really want to help your daughter, you will stop asking me questions and you will do exactly as I say. Everything’s set for britt’s memorial. I’m sure if it were up to britt, it would be another bash like her birthday. Now, I heard that was legendary. Oh, beyond. Uh, the drag emcee and shirtless waiters were just the beginning.

[ Laughs ] You know, I… I realize now that britt meant that to be a goodbye party. Well, she had been diagnosed with huntington’s disease. She knew she was terminal. She should have had more time, years more. I hope it’s some consolation that britt died saving someone else’s life. The only consolation will be when the police identify the hook and send them to jail for the rest of time. Yeah. Which got me to thinking — has dante shared any details from the police investigation with you? Well, has mac shared any details from the investigation with you? Please. Mac never shares any police details with me. But I’m sure he does with my mom because, you know, they’re a couple and he trusts her. And with a high-stress job like that, you need someone to confide in. You and dante are a couple. Yeah. Which gets me thinking… okay, most of the time, you would be wrong. And this time? This time…you’re right. Dante and i are working together. We can’t wait any longer. Okay, so if the entrance to the catacombs is somewhere here, then we have to look for it ourselves. No, we’ve got to wait for renee. She’s not that late. She’ll be here. She’s a cataphile. She knows the catacombs better than anyone I’ve ever met. Can I ask you something? Huh? What is it about her? Is it her knowledge of the catacombs that fascinates you? Or is it the history you share? Darling, I was another man. That was another life. I took large risks. I made huge amounts of money illegally for a lot of people, including renee. And I can’t say I regret that time in my life because it was a lot better than the one I had previously. And now you’re revisiting it. There you are. Have you brought everything you need? Oh, yeah, everything we need is in that backpack.

[ Speaking french ] Monk: The doors are closing soon. We won’t be long. Promise. Stay close. We may have to find our way in the dark. You want to explain to me why you couldn’t stay away from josslyn? On new year’s eve… mm-hmm. …I was crossing past pier 55 when I heard sounds of a struggle. Mm-hmm. I went to check it out, and I found josslyn on the ground and a woman that turned out to be britt westbourne struggling with the hook. Go on. I took a shot. It was a bad angle, and I didn’t want to risk hitting dr. Westbourne, but the attacker dropped her weapon and ran off. Then I-I went to check on josslyn. She was shaken up, but she wasn’t injured. And dr. Westbourne said she was okay. She must not have realized she’d been hit. So th-this happened new year’s eve. Why am I just hearing about it now? Josslyn: Sonny told dex to keep his distance from me. If he finds out that we’ve been seeing each other… sonny prides himself in having his own code. If you break that code, you pay with your life. So what you’re saying is you want me to keep my mouth shut to save the neck of your new boyfriend? I’m asking you to save a life. Okay, yeah, it’s dex’s life. I understand. But I know you. You would never deliberately hurt somebody else just for the sake of payback, cam. Maybe you don’t know me as well as you think.


Keep an eye on the monk in case our path runs into a dead end. I will not allow you to question my motives. I came all the way across the country to help my daughter. Nothing more, nothing less. I knew there was a chance that lizzie wouldn’t even talk to me. But that’s between my daughter and me. First of all, no one in elizabeth’s life calls her lizzie, no one. And second, elizabeth’s fate and mine are intertwined inextricably because we played a pivotal role in each other’s life, not just for years, but for decades. Can you say that? I get the feeling that if you and elizabeth are having a problem, you’re the one to blame, not my daughter. I’m not gonna deny that, because you’re right. But elizabeth and i are well past the place of pointing fingers. We are both in trouble, end of story, unless you choose to act and you act now. Or were you just lying when you said you wanted to help? What is it you want me to do? Years ago, you went to great lengths to protect elizabeth. Or so you said. Use those same skills to save your daughter before it’s too late. My mother does seem to genuinely regret the choices she made. And it’s not like I’ve never crossed a line or done something I’ve regretted. Sure. Welcome to the club. I think it’s called being human. The important thing is that you just can’t let your past mistakes determine your future. So shouldn’t that same standard apply to my mom? Yeah. So let’s start by assuming that your mother really is sincere and she just wants a fresh start with you. Do you think you could meet her halfway and begin the healing process? I have always dreamed about my boys knowing their grandparents. So what stops you? At what point can I let go of the past and actually forgive my parents? Cam, I understand. I really do. I did not handle the situation the right way. And I’ve given you every reason to hate me. But I just can’t believe that you would stand around and let sonny blame it all on dex. You are so selfish! You totally broke my heart, but I thought, “hey, it’s okay. At least she’s being honest with me.” Turns out you were lying! This wasn’t because we — we grew apart. You dumped me because you found a new guy. And now you want me to help him?! The answer is no, joss. I am not doing a favor for you and your new boyfriend. No, cam, don’t call him that. That’s what he is! Isn’t he? But what goes around comes around. You got with dex by cheating on me, and I am just looking forward to the day that he turns around and cheats on you, because that’s what you deserve, josslyn jacks. You got dex, but at a cost, which is our friendship, which is dead and buried. And let me be perfectly clear. It was you who ended it, not me. Absolutely. I get it. I waited too long to tell you what I felt. So blame me. Don’t blame dex. You made your choices, josslyn. I have my own, too. And I will be damned if I keep dex’s secrets for him. Right after new year’s, ms. Reeves found out her daughter has leukemia. You’ve been focused on that. That’s why I came here today. I’d already left it too long, and I knew you needed to know. So you took a shot at the hook. The hook ran off. Then what? Dr. Westbourne wanted to call the police. I knew if I was there, they would confiscate the gun, trace it. Since I don’t know where you got it, I didn’t want to risk the scrutiny. But I didn’t feel like I should leave josslyn alone. She was still really shaken up. So you took her with you. I explained to her why I couldn’t stick around for the cops. And I gave her a choice. She chose to come with me. You just left britt right there? She agreed to cover for us. Right. Okay. None of us saw the hook’s face. She was wearing some kind of mask. None of us had any other information to offer. Okay, there was — there was nothing to be gained by joss or i talking to the cops. It would have only caused complications. So you and josslyn left the pier. Where’d you go? Back to my apartment.


She didn’t want to go back to her mom’s, and her dorm didn’t feel safe. She was still really shaken up, and I-I didn’t think she should be alone. How long did josslyn stay with you? I was afraid I’d never get to do this again. A couple hours. And then she asked to go to kelly’s, and then I took her back to her mom’S. Oh, carly knows? Yes, sir. But you waited until now to tell me? Only because of ms. Reeves. She needed you, and you were focused on her. I-I figured that was more important. Well, I appreciate the gesture, but it still doesn’t let you off the hook. Josslyn: Cam, you’re right. You don’t owe dex anything. But I’m not asking for his sake. I’m asking for the sake of what we have meant to each other. And what is that exactly, joss? It’s clear to me that you didn’t give a crap about me. That’s not true. I do care about you! Cam, I’m talking about before we broke up. You mean before you slept with dex? Cam, come on! I hate seeing you this hurt. And that’s on me, I know.

[ Crying ] And I knew what my feelings were, and I didn’t say anything because I was trying to shield you, and I made everything worse.

[ Breathes shakily ] And I am sorry.

[ Crying softly ] You are a good guy. And we’ve been friends forever. So I am asking for the sake of those two friends who shared everything, the good and the bad. Does he mean that much and I so little that you’re willing to compromise yourself and expect me to do the same? So the reason I was late is because I just got back from spring ridge. Who were you going to visit at spring ridge? Esme prince. Ugh. Because? There seems to be a connection between esme and the victims of the hook attacks. Right, right. I, uh, read all about it in the invader. Your mom’s coverage is must-read journalism. No, my mom is actually the reason why I went to spring ridge. She wants me to track down esme’s nanny. That’s not random or anything. It’s sort of a convoluted story, and there are details about the investigation that are privileged and I can’t share with you. But what I can share with you is that this woman, the nanny, she raised esme after her adoptive parents died, but the nanny, maggie fitzgerald, she could potentially have information on a suspect in the hook attacks. That’s a lot of “mights” and “potentials.” I know. It’s a long shot. And where does dante fit in? Well, the police are on a parallel track, so dante and I are gonna go to london to track down the last known address — excuse me. When were you gonna tell me about this? Mm, well, I was just telling you that dante and i were gonna go track down — yes, yes, I know. You need to track down the nanny who might have information, blah, blah, blah. You and the man you love are going to england.

[ Chuckles ] This is exciting! Yes, actually. It’s really exciting. I’m not suggesting that you give your mom a free pass,

but I think you might regret it if you don’t at least try to work things out with your mom. You know? It —

[ Groans softly ] It is ultimately your decision, and I will be here for you no matter what you decide. You don’t play fair, do you? All this appealing to my better angels.

[ Laughs ] Is that a yes? That’s a, “I’ll do my best.” And that’s all any of us can do. There is a young woman who is currently being held in a minimum-security prison known as spring ridge. Have you ever heard of it? It’s where ryan chamberlain is being held, correct? Yes, he is the most infamous inmate. But the young girl that I mentioned — she’s fascinating in her own way. How so? Before she was sent to spring ridge, she showed up at G.H. Very pregnant. She had no clue how she got that way. Are you saying she has memory loss? So it seems. She’s a total blank slate. But more importantly, she has to stay that way. Important to who? You? And elizabeth. And what exactly don’t you want this poor young woman to remember? It’s better if you don’t know.

And it’s better for your daughter if this poor young woman never gets her memory back.

[ Doors close ] Okay, coast is clear. Where’s the entrance to the catacombs? Can you feel it, too? Feel what, renee? The thrill, the rush. Just like it used to be. Trust me, it can be that way again. Well, you know me. First we finish the job. And then? Okay, where is it? What are we waiting for?


You’re asking me to medically manipulate an already-damaged young woman to serve your needs? I am asking you to use your expertise for the greater good

while serving elizabeth’s needs. If my daughter agreed to that, she’d have asked me herself. Elizabeth has a good heart. It’s partly why she’s in this mess. She needs her mom to help her out, using your skills and your training to suppress esme’s painful memories like you once did for elizabeth. No, when I did that procedure on lizzie, I was thinking of her emotional well-being. I don’t think elizabeth thought it was in her best interest. We both know how much she’s suffered since then. I mean, isn’t that what lured you back here? The opportunity to make it right? And you call yourself her friend. I’m a better friend than you are a parent.

But you have the chance to atone for that. I’m offering you one last chance.

[ Crying ] Your friendship is something I cherish. Stop pretending like you have

any respect for me. All this crap about how we couldn’t make it as a couple — that didn’t mean anything because you didn’t want to make it work. You found someone else. A-and now you want me to — to keep your dirty little secret? Dex works for sonny. That complicates things. I know that what I did hurt you, okay, and I hate that. And if — if our friendship has to take a time out because of that, that’s fine. I understand. But I just want our friendship to have a future, somehow, somewhere down the road. And I want you to want that, too! And what if I don’t want that, joss? What if I can’t find it in myself to ever forgive you? What then? Then I’m gonna have to tell dex before this gets back to sonny. I picked up the casing, so there’s nothing that ties this gun to what happened on new year’S. But I understand if you don’t trust me with it anymore. Keep it. And — and I’ll tell you what. Spend some more time at the shooting range, ’cause I don’t want you to miss next time. Copy that. Okay. As long as you can swear to me — you can look me in the eyes and swear to me that you’re telling me everything. That smell really brings back memories. Yes, the smell in the catacombs is very memorable. And not in a good way. We’ve been walking for a while now. How far have we gone? We’ve gone at least one mile underground. Well, then are we getting close to the compound where we think victor’s holding lucy? It can’t be far now. Anna. Anna! I don’t understand. She was right behind us. It’s easy for people to get lost, especially when it’s their first time. We have to go back to look for her. Or we could celebrate that it’s just you and me now.


I told you everything. If you don’t believe me, you can ask josslyn. Oh, don’t worry about that. I-I plan to. But I do, you know, appreciate you showing me respect, especially with what’s going on with michael and — and willow. They’re having a tough time. If you don’t mind my asking, how are michael and willow doing? Well, you know, we’re just waiting for — to see if nina’s a match so she can be a marrow donor for willow. I hope so. It’s tough. Uh, I-I hope everything works out. I appreciate that. Thank you for looking out for — for josslyn that night. I’m not officially the stepfather anymore. I mean, she doesn’t want anything to do with me, and I have no say, but she’s still very important to me. That goes with the job, right? Protect everyone that’s important to you. That’s funny, ’cause that’s the same thing I used to say when I was young. I always had to prove myself. You’re doing good. Sky’s the limit for you, dex. All this talk about cherishing our friendship — that’s all just B.S. You’re just trying to butter me up so I stay quiet about your new wannabe mobster boy toy. I hurt you, cam. And now you want to hurt me. Maybe I deserve that. But that doesn’t change the fact that if sonny finds out that dex and I slept together, he could turn on dex. He might have him killed. Killed! You get that? Don’t you dare try to make this my fault! You screwed me over, josslyn. I don’t owe you a damn thing. Where are you going? To kelly’S. You know, to go to my normal, boring, non-mafia job. What are you gonna do? What do you think I’m gonna do, joss? You really believe I’m gonna go on the internet, tell everyone that my girlfriend left me for some stupid criminal? No, your secret’s safe with me. Thank you. Don’t you dare thank me for being a better person than you are. Unlike you, I don’t betray the people that I care about. It’s pretty clear that there’s something else that’s weighing on you. Want to talk about it? It’s okay. I don’t want to involve you in any more of my troubles. Are you sure?

[ Chuckles ] As much as I would love to blame everything on my parents, I am not the 15-year-old girl they shipped off. I’m a grown woman with three kids of my own. At some point, I need to take responsibility for my own decisions. Yes, that’s something that we all have to do. But if what you’re struggling with has something to do with nikolas, I’m already involved. He’s my son. I love him. I always will. But I know how persuasive he can be. I mean, really, he can make a bad idea seem reasonable. Oh, I know. Has he imposed on your friendship in some way? He talks a good game. But the choices I made are the choices i made, and I have to live with them. But you can always change your mind. Elizabeth, whatever it is, you can tell me. I’m so happy that you found love again. I mean, to have been hurt so badly and to have grieved and then risk your heart again, I really admire you. You know, falling in love with dante wasn’t, like, some courageous act. It was actually the easiest, most natural thing that I think I have ever done. I mean, when you think about it, we were — we were friends, and I’ve always, like, liked him. And then I was like — like, “wow. I-I love him.” And then he told me that he loved me, and it just… I don’t know. It felt right. And don’t get me wrong, you know. There’s been plenty of bumps in the road along the way, but I don’t know. Maybe I could have took a lot of pressure off of the whole, like, moving-in-together situation. Why? Because it was so important, you were afraid you might screw it up? Like moving in together could be the beginning of the end? Yeah. Or pretty much. But, actually, moving in together wound up being really, like, wonderful. We just — we fit really well together as a family. That’s awesome. And dangerous. Dr. Webber, what do you say? You want to put your psychiatric skills to use to help your daughter? Go to hell. All those years ago, when I used my skills so elizabeth could forget that traumatic experience, I told myself I was doing what was best for my daughter. But that wasn’t true. I was taking the easy way out for me and my husband. And I’ve spent a lifetime wishing I could undo that mistake. That’s the one and only reason I came to port charles — to make right with elizabeth. I’m certainly not going to compound my mistake at the expense of another poor, young, innocent woman. The woman in question is hardly innocent. See, that’s the trouble, nikolas. I don’t trust you. And I absolutely will not use my knowledge of the human mind to play god with someone else’s life. I made that mistake decades ago, and I’ll always regret it. Well, maybe this time elizabeth will regret it. Renee, it is just you and me. And that’s a problem. At least, it is for me. We have to go back to find anna. What’s the rush? If anna is as resourceful as you keep telling me, don’t you think she will catch up? Eventually, that is. I know you still feel the heat between us. Those old feelings don’t just evaporate.

[ Laughs ] I can still remember those wild times we had. I don’t think it’s possible for you to forget them. It can be like that again… only better, if you play your cards right. Oh, there you are. Ah. Sorry. I-I took a wrong turn. I thought I lost you.

[ Exhales deeply ] Did something happen while I was gone?


I can’t believe you call yourself my daughter’s friend. When elizabeth graduated high school, I was there. Where were you? When she graduated nursing school, I was there. Where were you? When her three boys were born, when franco died. For all those times, I was there to hold her hand, to wipe her tears away, to celebrate her victories. I was there for all of them. You were there for none of them, so don’t you dare take that sanctimonious tone with me, because, lady, that flag won’t fly. What jeff and I did to elizabeth all those years ago broke our hearts. But at least we were able to tell ourselves that she had her grandmother to look out for her when we couldn’T. And her friends, or so we thought. Well [Scoffs] Now I see how wrong we were. Well, we can finally agree on one thing. Audrey was a saint. She took great care of elizabeth, and so did her friends, including me. If elizabeth needs anything, day or night, all she has to do is call me and I will be there. Oh, please. You’re just out to save yourself. Well, you’re partially right, because, yes, I do want to save myself,

but I also want to save elizabeth, too. Can you say that? Elizabeth: It started out so simply. I just wanted to repay a friend. Nikolas had been there for me when my life went sideways after franco had been killed. And — and I — when I — the more I got involved in his plan, I just — mom? Grandma? Hi.Hi. Hey. It’s great to see you. It’s nice to see you. I-I didn’t think that you’d still be here. You weren’t waiting for me, right? No, your grandma came to meet me, and we just got to talking. Okay, good. Are you okay? Yeah, no, I’m fine. Never better. In fact, I’m so fine, I want to treat you guys both to a very special dessert. Oh, no, honey, that’s okay. You don’t have to do that. No, no, no, I want to. It’s on me, on the house. Is he trying too hard? In a word, yes. You know, you and dante really are the picture of domestic bliss. Two jobs, three kids. All you need is a dog. Oh. But? But all that domesticity really can get in the way of romance. Mm. Tell me if this sounds familiar. Between your job and his job, making dinner, helping kids with the homework, by the time you guys are alone together, you’re already in bed, and it’s inevitable that one of you are asleep by the time the other one can turn out the light. Okay, yeah, occasionally that happens.

But in london, you and dante will be alone together, away from your daily lives. Yes, you’ll be investigating, but maybe you’ll have time to take a stroll through kensington gardens or have a candlelit dinner or room service in bed. Well, I hope we get the chance. But even if we don’t, you’re right. Dante and I are actually gonna be alone together. And this is gonna be our first trip together as a couple. And I am really excited about that. Yeah, I bet dante is, too. Cheers to you and dante in london. Cheerio. I’m glad we had this talk. Good night. Good night, boss.

[ Cellphone rings ] What’s up? I just had a horrible conversation with cam. He said some pretty harsh things about me. You don’t sound good. I just lost my oldest friend. Are we in trouble? I don’t think so. Cam said he wouldn’t say anything. That’s good. I just told sonny about the night dr. Westbourne was killed,

when I took you

back to my place. How much did you tell him? He believes nothing happened between us. We’re all good. Hey, I need you to check on dex heller. Thank goodness you’re okay. I was afraid you’d gotten lost, darling. Yeah. We were about to circle back to look for you. Weren’t we? Mm. [ Speaks french ]

[ Speaks french ] Mm. So what do we have here? Is this, like, a dead end? Well, I’m not so sure. Hang on a second. Oh, my god. Be ready for whatever life throws your way. Only dial provides a hard-working clean but is gentle to skin with its skin smart complex and 3 moisturizers to leave your skin feeling fresh and healthy. Nothing cleans like dial. “P” — pace yourself. You can’t do everything. Look, conserve your energy. Make smart choices. Heat equals more violence. Blackouts equals more theft. It’s gon’ be a busy day today, so pace yourself.

[ Power shuts down ] Don’t worry. The city has laid out top dollar for a state-of-the-art generator, which should turn on right about…now. Not everyone else is gon’ be so lucky, so be safe out there. Everyone’s 10-8.

[ Indistinct conversations ] Yes, sir? The heat wave’s been here for a week. She doesn’t know what cheap is? Uh, well — I assume you reviewed it with her. Uh — nolan, either you reviewed it with her and she forgot, or you forgot to review it with her. So who do I have a problem with? I did go over it with her. Yes, sir. She — she just forgot. She’s riding with me today. Sir? I want to see what else she forgot — what else you didn’t drill into her. Are you evaluating her or are you evaluating me? You. You have an issue with that? No, sir. No. No, I — did the a/c come back on? Because it’s so — officer juarez, you’re riding with me today. Come on. Any advice? Uh, yeah. I would just go light on the astrology talk and crystals. And auras. And tarot cards, too. And — and definitely no dreams. Okay, so keep it professional. No hobbies. Yes. Unless you come up with one of those case-solving insights, then yes, you speak right up. Okay. So you want me to be myself? Yes. And also no. Just if you get one of those feelings, go back and figure out the facts that led you to feeling that way. Okay, so don’t be my– me. Juarez, let’s go. You’re gonna be great. Please be great. Hey. How’s it going? I see you have a lot to, uh, liaise. And enjoying every minute of it. I thought we said we would never lie to each other. That was a lie. You’re miserable. No. Mm-hmm. No, it’s not that bad. You know, nice people. Low stress. Wait, wait. Um, that reminds me… next week. Thank you. You’re welcome. Be safe out there.

[ Chuckles ] I’ll see you at the end of shift.

[ Sighs ] I, uh, speak spanish. Okay, that’s not good. Great spot. Tell me why. Well, I’m not sure. I can just tell something’s wrong. Bad aura? A feeling? A hunch? Well, stopping someone on a hunch is illegal, sergeant grey. Correct. Tell you what. Why don’t we walk that way while you talk it through? Pretend you don’t see them. Okay, well, the store is open. No one’s in distress, and there’s an employee with them. He’s even laughing. Why does it bother me? So we’re getting closer. Tell me what you know or we walk away. There’s a crime happening right now, officer juarez. Each one of those saws is about 900 bucks. I mean, that’s almost nine grand in tools. In a blackout, debit cards don’t work, and who walks around with nine grand cash? See, that, celina, is absolutely perfect. Control, 7-adam-200. I got a plate. 2-william-adam-charlie-4-8-4. Hey, guys, quick question. Great tools there. Did you pay cash or card?

[ Grunts ] Hey, hey, hey. Sgt. Grey: Hey. Turn around. Turn around.

[ Man grunts ] You good? Yeah, I’m good. Nolan: No, I agree. A dollar is a lot for a glass of lemonade, but that’s just smart business, not price gouging. Certainly doesn’t buy you the right to threaten anyone. Yeah, especially not a bunch of 9-year-old girls. Woman: Turn to the left. Kicking over their stand, threatening them. They were terrified. You’re lucky that the oldest one doesn’t have her black belt yet. That could have been a lot worse, andrew. Yeah.

[ Powering down ] Okay. According to grey, they should be back on about…now. I guess you need grey’s magic touch. Yeah. Want to go check it out? Oh, you guys are already on it. Any luck? I think it’s dead. Nolan: Check the battery? Yeah. All good. Maybe the coolant leaking? I don’t see any. Maybe the shut-off valve is closed. I’ll check it out. Hey. Buddy, hey, we got it. You know, it’s a little crowded in here. You mind?

[ Dramatic music plays ] You guys from this precinct? I’m new here, so maybe we haven’t met yet. I am. Bobby here’s usually with the 57th. Okay. Huh. Well, nice to meet you. Lapd doesn’t have precincts. No such thing as the 57th. Impersonating an officer and stealing police property are both felonies. I’m sure they didn’t teach you that in your imaginary police academy. We weren’t trying to steal the generator. Then what were you doing? I noticed the smell this morning. You smell it?

[ Groans ] Yeah. I-I figure an animal got in there and died. Could be a rat, but it’s a big smell for a rat. Maybe a raccoon. Skunk. Mountain lion. You think a mountain lion got in there and died? Well, there’s one way to find out. Can I see those lock cutters? Maybe I should cut it. I mean, if it’s a mountain lion, you probably want to shoot it. Well, I mean, if it’s dead, I won’t need to shoot it, right? Oh, good point. Control, seven-l-19. I’m at unit 15. About to cut the lock to make entry.

[ Both coughing ]

[ Dramatic music plays ] Whew. Ugh. That ain’t good. Poor thing probably got trapped looking for food.

[ Gasps ] That’s not good.

On the next “General Hospital” —

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B&B Transcript Tuesday, January 24, 2023

Bold & The Beautiful Transcript

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Transcript provided by Suzanne

[ Phone chiming ]

[ Hope sighing ]

[ Phone chiming ]

Steffy: Anything?

Hope: Not yet.

Steffy: Well, shouldn’t be much longer.

Hope: I mean, it’s– it’s bound to be good, right? Eric isn’t a novice, and zende helped out a lot with the last showing.

Steffy: I’m sure the reviews will reflect that. But you aren’t sure?

Hope: Well, it’s just– you know, this hope for the future collection isn’t being designed by thomas and a lot rides on how the press reacts to that.

Paris: Ooh, you bringing me coffee? A girl could get used to this.

Thomas: Well, I just hope you know how thankful I am, you know, after my family kicked me out, you gave me a place to stay and that’s a big favor.

Paris: And this is your way of repaying me?

Thomas: Can you think of a better way?

Deacon: God, look at this. This thing is like an oil slick. Negative. This– this looks pretty good. Mm. That’s good.

[ Footsteps approaching ] Well, I’ll be.

Sheila: How have you been? Long time no see. You’re having pizza for breakfast.

Deacon: Take a bite. Try a slice. I’m trying to perfect my signature pie.

Sheila: Hm.

Deacon: Come on.

Sheila: Okay. Mm. Hm. I’m thinking maybe a little less oregano, more garlic.

Deacon: Hm. Noted.

Sheila: Loving the sun dried tomatoes.

Deacon: Delicious, right?

Sheila: Mm.

Deacon: So, look at you all footloose and fancy free. What brings you here?

Sheila: I wanted to congratulate you. Really. New proprietor of il giardino, deacon sharpe? Quite a feat.

Deacon: Well, if anyone knows about feat, it’s you.

[ Sheila laughs ] Hey, listen, um, you’re the one I ought to be congratulating. Pulling off getting out of prison, just like you said you would.

Eric: I really like the direction that this design is taking.

Zende: Me too.

Eric: It suits hope for the future. Yeah. To a T.

Zende: I agree. I’m really happy with it, with all the work that we’ve done in thomas’s absence.

Eric: Well, you should be. I’m proud of you, zende.

Zende: Thanks, granddad. Actually, you know, for the first time, I’m starting to feel really confident in my skill.

Eric: You should.

Zende: But if I’m being completely honest, I still feel like I’m designing in thomas’ shadow.

Paris: You’re sweet, but it really should be me thanking you.

Thomas: Really? Why?

Paris: Well, you let me hang here when I had nowhere else to go. So, it’s only fair that I repay you.

Thomas: Huh? By giving me a free place to stay?

Paris: I wouldn’t say free because you’ll be doing the cooking.

Thomas: Oh.

Paris: And the cleaning.

Thomas: Okay.

Paris: And the cooking.

Thomas: That’s cooking twice.

Paris: I just love the way you cook.

Thomas: Huh.

[ Phone chiming ]

[ Hope sighing ]

Hope: Look, while i appreciate eric and zende stepping up in thomas’s absence, I mean, it is a different feel.

Steffy: So, you don’t think that their designs will generate as much positive buzz?

Hope: Well, I– I hope they do. It’s just thomas had the entire fashion world talking. I mean, when those designs hit the runway, it blew everyonewae saleed it.It’s just,t’s a ha a but my grandfather’s been doing this forever. And zende is a great designer too.

Hope: You’re right. You’re right. I’m probably worrying over nothing. Like we already don’t have enough to worry about.

Steffy: Ugh. I still can’t believe sheila’s out of prison. That’s what you always wanted. I’m really happy for you.

Deacon: Thanks. I’m happy for you too. Sehow, some way, you managed to do it again. You landed on your feet. You swore you get out of prison. I thought you were loony tunes, I’ll admit it. You proved me wrong again.

Sheila: Yeah. Well, what did I always tell you, daddy? Never count sheila carter out.

Deacon: Daddy won’t ever again.

I gotta good feeling

about this, yeah

Eric: I understand you feeling that way, I really do. I mean, in spite of the despicable things that thomas has done in his past, he’s a very gifted designer. But so are you, zende, don’t you forget that, all right? Now, as far as hope for the future goes, we’ve put our heads together. We’ve come up with a– with some really nice different directions for the line. I think this collaboration has been a big success, don’t you?

Zende: Yeah, absolutely, granddad.

Eric: Good.

Zende: And I appreciate your support, but I still have to wonder how our collection will be received. I’m not thomas.

Paris: I know it’s been hard on you being the outcast of the family.

Thomas: Yeah. I mean, all I was trying to do was bring my mom and dad back together.

Paris: Mm. It was a bit more than that.

Thomas: Yeah, you’re right. It was.

Paris: But I can also tell that you really love your family.

Thomas: I do. You know, sometimes I don’t play by the same rules, but I think my heart is always in the right place.

Paris: I can see both sides.

Thomas: Yeah. Well, it– I’ll say, it’s really nice to know that I have at least one person in my corner.

Paris: Mm-hmm. And it’s nice to know that I have someone like thomas forrester in my life.

Thomas: Hey. That’s what I’m talking about.

Steffy: I am sure sheila thinks she is free to go wherever she pleases, but she will get nowhere near kelly and hayes.

Hope: Well, I feel the exact same way. Keeping the children safe from that woman is priority number one. Especially now that kelly and douglas are spending so much time together.

Steffy: Yeah. Kelly loves having him over. And she loves going to your place too.

Hope: They’re so sweet together. I mean, there’s just been a lot of changes in douglas’ life after what thomas did. So, I think him spending extra time with his aunt steffy and his cousins is exactly what he needs.

[ Steffy scoffing ]

Steffy: Thomas is my brother. I mean, I– I love him, but I’m just so disappointed in him, what he’s done.

Hope: Has he um, reached out to you at all or tried to reconnect?

Steffy: No. He hasn’t really been on my mind. I’m way more focused on the threat of sheila right now.

Sheila: So, you gonna make any changes here or are you just going to work on perfecting your signature pie?

Deacon: Okay. You know what? When the hungry masses are camped out around the corner, you will not be laughing.

Sheila: Oh, I– I probably will be.

Deacon: You won’t get a seat. Sheila, you know, I can read your mind. I know you’re thinking about the alley. What happened that night. Some incredible things.

Sheila: Yeah. Unfortunate and deeply regrettable.

Deacon: Yeah.

Sheila: But I’m trying to not dwell on that. I would much rather think of the happy memories I have here. One in particular.

Deacon: Oh, yeah?

Sheila: Yeah. You remember when you closed early and you planned a special night out for me? It just… it meant the world to me. And so does this. Coming here to your restaurant now as a totally free woman.

Deacon: It’s pretty cool. But I gotta ask, how’d you do it? And what the hell is going on with you and spencer?

Paris: Oh, my goodness. Is it really that late?

Thomas: Why? You have somewhere to be?

Paris: I have a hope for the future meeting this morning.

Thomas: You’re sitting in on those now?

Paris: We’re all pitching in these days.

Thomas: Ah, since I was banished from forrester, you mean?

Paris: Well, hope’s line is in transition. It’s a very stressful time, so we’re all rallying around her and giving her our support.

Thomas: She wouldn’t need that if I was still around. Hope wouldn’t be worrying about a thing if I was still lead designer. That’s not ego. And I– I’ve proven myself and everyone knows it.

Hope: I will admit, I really do miss thomas’ designs.

[ Phone chiming ] I mean, he really did capture the essence of hope for the future.

Steffy: And of the woman behind it.

Hope: Yes. Thomas was very intuitive. And creatively, it was almost as if he knew what I wanted before I even did. I mean, I–

[ Phone chiming ]

Eric: Ladies, are we interrupting?

Steffy: No, we were actually discussing hope’s line.

Zende: Meeting still on?

Hope: Yes. But has anyone seen paris?

Zende: No. I thought she might be with– with you two.

Steffy: I’m sure she’s running late. She’ll be here soon.

Hope: And speaking of paris, are things good between you two?

Zende: Yeah. Yeah. They’re– we’re just friends now. It’s cool. Anyway, I’m kinda anxious. The reviews now that thomas isn’t part of the design team, has anyone heard anything yet?

[ Phone chiming] Is that it?

Hope: Mm-hmm.

Steffy: What’s it say?

Deacon: Don’t get me wrong. I am happy for you. I don’t condone all the things that you’ve done, especially in that alley, but uh, I do like seeing you like this.

Sheila: Not behind bars.

Deacon: Happy, upbeat. Sheila, you are amazing. You pulled off the impossible. Hell, I’ll say it. You know what? You are a freaking genius. An evil genius, but a genius nonetheless. Did you really get guthrie to take the rap? I mean, you played that guy like a cheap fiddle.

Sheila: Well, what can I say? Mike has always had a soft spot for me.

Deacon: Mm-hmm. Yeah. And you capitalized on it big time, right? Look, playing guthrie’s one thing, but playing dollar bill, I mean, that’s impressive. So I gotta ask again, how did you do it? Does your vitamin c last 24 hours?

Paris: The hope for the future meeting probably already started.

Thomas: Yeah. Well, you’re one of hope’s closest friends. I’m sure it’ll be fine. Unlike me, who is persona non grata around the hallowed halls of forrester creation these days.

Paris: You really miss it, don’t you? Not being a part of the hftf team?

Thomas: Mm. Just rub it in a little more, why don’t you? You should probably go ahead and get going.

Paris: Right. The latest review on the collection designed by zende and eric are coming in.

Thomas: Whoa. Whoa. That’s happening today?

Zende: Any minute now.

Thomas: Huh. I’m– I’m interested to see how their designs stack up with mine in the press. I’m sure mine will be considered so much better ’cause I’m awesome.

Hope: “One of the first successful fashion lines touting an environmental/ sustainability message, hope for the future has always topped itself with each new collection. In fact, it was only a short while ago that this reviewer was effusive in his praise of the line’s previous collection spearheaded by the lead designer, thomas forrester. In that review, we waxed enthusiastically about how excited we were to see what would come next. In a surprise shake up, however, the latest styles were imagined from hope for the future’s number two designer, zende forrester and forrester creation’s founder, eric forrester. After seeing their collection, one thing is obvious. While the new design team shows signs of inspiration, it is a far cry from the artistry and creative innovation under thomas forrester.”

Zende: Um, the reviewer was being polite, but it’s clear he doesn’t think the collection is nearly as good.

Thomas: Wow. The reviewer is being kind, but he is ripping them to shreds.

Paris: Wow. Even after all the hard work zende and eric put into it?

Thomas: I do have all those designs ready to go. I could save the day.

Paris: Meaning you may not be the outcast for much longer?

Thomas: That’s right. Hopefully, they’ll be calling soon, blowing up my phone and begging me to come back. Huh.

Deacon: So hope filled me in. She gave me the skinny how you showed up at finn and steffy’s and they were gonna call the cops, but then bill showed up and he blackmailed them with something so that they wouldn’t testify. And then he bribed the judge to drop the rest of the charges. Am I missing anything?

Sheila: Pretty much covers it.

Deacon: Huh, I mean, ’cause bill is an absolute megalomaniac. He doesn’t show mercy to anyone. Least of all someone like you. Sheila, come on, be honest with me. Fess up. How did you do this? I mean, bill is one of the wealthiest people in the universe. And what, he– he takes pity on you? You two are supposedly in a relationship?

Sheila: We are in a relationship. I’m living with bill at his estate.

Deacon: Okay. All right. Yeah. Great.

Sheila: You mean that?

Deacon: Yeah. No, I mean, look, I think he’s a world-class jerk, but uh, I’m happy for you.

Sheila: Thank you. Means a lot to me.

Deacon: You know how I feel about you. And you and I, we’ve been through a lot together. I’ve put my ass on the line for you more than once, and I think we both know why. Sheila, I gotta ask you. You and bill, how much are you in love with him, and how much are you using him?

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Days Short Recap Tuesday, January 24, 2023

Daytime Soap Opera Short Recaps

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Recap written by Michele and Cheryl

Abe went up to the hospital rooftop with John. John said he knows Marlena is up there looking down on him wanting him to get past this. He said he would never get past it. He asked how Abe was able to sleep in the empty bed without Lexie. Abe told him his children and grandchildren needed him. He said that would help John go on. He invited John to stay with him and Paulina. John said he needed to feel Marlena’s presence at home. Allie and Alex were at her apartment. She told how she saw Chanel and Johnny almost kiss. Alex said it was more innocent than she thought. He told her to trust them. He said he was talking from experience. Paulina went to see Stephanie. She brought food for Stephanie and Steve. Paulina said she needed her help. She told Stephanie about Sloan suing her. She asked if Alex could get information on Sloan. Stephanie said she would love to help, but she and Alex broke up. Stephanie told her what happened. Paulina said she agreed with her. Paulina said she could use Chad to help with the situation with Sloan. She said Alex might think Stephanie was doing it to get back at him. Stephanie said she didn’t care what he thought. Paulina told her not to dwell on not telling her mother goodbye. She said Stephanie would never heal. She said Stephanie should think about the happy times with Kayla.

Eric went to see Sloan. She was glad he didn’t bring Rachel. He told her Marlena was dead. Sloan asked why he wasn’t with his family or with someone he loves. He said he didn’t want a shoulder to cry on. She asked what he wanted. He kissed her. They had sex with each other. When she was finished, she asked if it helped. She said she wasn’t trying to push him away. She said it brought up memories of her mother. He apologized if he made her feel as if he was using her. She said he needed her. She said she wasn’t used to someone needing her. They talked about her lawsuit. He said her need for revenge was an obsession. Johnny asked Chanel what happened with her an Allie. She told him what happened. He said it was his fault. She said they both did it. He apologized for coming on to her. He said he would never do it again. They hugged each other. He stopped hugging her in case Allie saw them. Alex told Allie why Stephanie broke up with him. Allie said he made a stupid mistake, but he should be forgiven. He was glad that she had his back. Chanel walked in on them. Allie told her Alex offered a shoulder to cry on the same way Johnny did for her. Allie suggested that they have another threesome since Chanel was bored with her. Chanel said that wasn’t true. Allie said she wasn’t in the room. Marlena walked through white doors and didn’t know where she was. She called out to John. She heard Susan. She was glad to see Susan alive and well. Susan said she was well but not alive. Marlena wondered if she was dead too. Susan said she was. Marlena asked where Kate and Kayla were. Susan thought it was funny that Kate would be there. Susan told Marlena she was there to make sure she transitioned to the other side. After Marlena walked through the door, Susan’s eyes glowed yellow.

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Days Short Recaps Monday, January 23, 2023

Daytime Soap Opera Short Recaps

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Recap written by Michele and Cheryl

Johnny and Chanel stopped hugging each other. He thought about John and Marlena’s lives together. He thought they were meant to be. He hoped he would find a love like their love. She touched his face. They leaned in to kiss each other when Allie got off the elevator. Allie demanded to know what was going on between them. Allie thought Chanel avoided things like rooftops. Allie wasn’t impressed that Johnny helped get Kristen arrested. Chanel defended Johnny because of his grandmother. She didn’t understand why he was coming on to her girlfriend if he was so worried about his grandmother. Will got a phone call about going away for another assignment. He didn’t want to go, but Sonny thought Marlena would want him to go. Will said that he would be gone for six months. Sonny refused to hold him back from his dream. John watched the photo display of him and Marlena. Marlena put her head on his shoulder and closed her eyes. When she didn’t respond he cried and vowed to get help. Sarah noticed that Marlena’s bed was empty. Belle and Eric walked in the room. John rushed Marlena back in the room. Sarah checked her pulse and told them that Marlena was gone. Belle rushed out of the room and John went after her. Sarah offered her condolences.

Eric started crying when he sat by Marlena’s bed. He talked about how his faith let him down. He said he asked God to spare her, but He didn’t listen to him. He put his head on her chest and started crying. He said that he needed someone to talk to and she was gone. John and Belle went back to Marlena’s room so Eric gave them time alone with her. Belle said goodbye to her mother. She hugged John and let him be with her. Wendy and Tripp saw Johnny. She offered her condolences to him. Johnny didn’t want to hear it from Tripp because his mother killed his grandmother. Johnny taunted Tripp who threw a punch. Johnny blocked his punch and hit him instead. Johnny walked away from him. Belle saw Allie and hugged her. She left to call Sami. Allie told Chanel to leave the hospital while she went to look for Will. Belle met up with Eric and she wanted to go to the chapel to pray. Eric didn’t want to pray because God didn’t hear him. Will and Sonny agree that he shouldn’t go to New Zealand. Allie walked in and they comforted each other. Belle joined them. They wondered what happened to Eric. John went down memory lane while he was with Marlena. He was convinced that their story wasn’t over yet. He didn’t believe it was goodbye because he knew they would be together again.

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Y&R Best Lines Monday, January 23, 2023

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Best Lines provided by Eva

Traci: Well, hello, you two.

Jack: Well, you’re looking exceptionally happy this morning.

Traci: And you’re looking exceptionally happy, as well.

Diane: Traci, I-I didn’t know you were home.

Traci: Surprise.

***************†*************************

Traci: Who wants a cup of coffee?

Diane: Oh, no, thank you.

Jack: I’ll have a cup.

Traci: Okay. Actually, I probably don’t need any more caffeine this morning. I have been down here for hours, and I notice the two of you seem to be getting quite a late start.

Diane: Oh, well, we were just upstairs checking on Harrison, but I guess the nanny already has him out. You know, it is a lovely, brisk day for the park.

Traci: Oh, really? How would you know? You haven’t been outside yet.

Diane: Well, I-I do have the weather on my phone.

Jack: We have nothing to hide. For the record, Diane is going to be spending a lot more time around here.


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GH Short Recap Tuesday, January 24, 2023

Daytime Soap Opera Short Recaps

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Recap written by Eva

Sam tells Maxie about Esme’s nanny Maggie and that she and Dante are going to England to find nanny Maggie and talk to her.

Dex tells Sonny about saving Joss and Britt from the hook killer but, when Sonny asks him if he is telling him everything he lies and tells him yes when he is leaving out the part about he and Joss sleeping together. Joss pleads with Cameron not to tell anyone that she and Dex have a relationship because if Sonny finds out he could kill Dex. Cameron tells Joss he owes her nothing and he thinks they will never be friends again. Cameron tells Joss he will keep her secret because unlike her he doesn’t betray the people for which he cares.

Elizabeth talks to Laura and decides to try and forgive her parents. Elizabeth almost tells Laura that she helped Nikolas keep Esme prisoner, but their conversation is interrupted by Cameron.

Sonny asks one of his men to investigate Dex because he is suspicious of him again.

Nikolas asks Elizabeth’s mother Carolyn to suppress Esme’s memory but she tells him no because she won’t make that mistake again.

Anna, Valentin, and Renee go through the Parisian catacombs to get to Victor’s compound and search for Lucy.

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Days Update Tuesday, January 24, 2023

Days of Our Lives Update

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Update written by Joseph

Alex sits alone in the town square, drinking a beer. He looks through pictures of he and Stephanie on his phone, then decides to call her.

Stephanie pours a glass of wine at home when she gets Alex’s call, but chooses to ignore it.

Eric drinks at the Brady Pub while in tears, wondering what he’s going to do without Marlena as he finishes his 5th shot.

Johnny finds Chanel sitting in the park and joins her on the bench. Johnny starts to ask her a question but he gets a breaking news report on his phone about Marlena, which he says makes it pretty real. Chanel says she will fall apart when she loses her grandma, while noting that Johnny lost Marlena, Kate, and Kayla plus Susan. Chanel holds his hand to comfort him while Johnny wonders when does it end. Chanel brings up that Johnny was going to ask her something. Johnny says she never told him what happened with her and Allie after he left. Chanel points out that he found her sitting here alone, so that should tell him everything he needs to know.

Abe goes to the hospital and runs in to Allie. Abe hugs her and says he’s so sorry for her loss. Allie says she’s sorry for his too as Marlena meant so much to so many people. Allie calls this day the worst. Abe asks if she wants to sit and talk but Allie doesn’t think anything she would say would make sense, so she’s going to take a walk and clear her head. Abe tells her to do what she needs to do. Abe asks if John is still at the hospital. Allie informs him that he is on the roof which is where Marlena died, so she thinks he could really use an old friend right now which Abe agrees with.

Marlena sees the white light and her spirit leaves her body.

John returns to the hospital rooftop and says he knows Marlena will be in Heaven, looking out for all of them.

Marlena enters the gates of Heaven which then shut behind her. Marlena wonders aloud where she is as she looks around.

Alex leaves a message for Stephanie, saying he knows he has no right to be asking anything of her but he asks her to try giving him a chance to make this up to her. Alex says they had something great going and he doesn’t want to give up on that as he then hangs up.

Stephanie gets the news alert on her phone that Marlena has died and then sees a voicemail from Alex, but Paulina shows up at her door. Paulina doesn’t know how many terrible things could happen to one family in a short time, so she wanted to tell her in person how sorry she is and she brought her dinner. Stephanie thanks her. Paulina feels it’s the least she could do since Stephanie had been there for her when she needed help. Paulina adds that it’s not the only reason she came and declares that she needs Stephanie’s connections now more than ever.

Eric goes to Sloan’s apartment. Sloan remarks that at least he didn’t bring the kid with him this time. Eric responds that Rachel’s situation seems to be the only thing in his family that is under control right now. Sloan asks what that means. Eric then reveals that his mother died today.

Marlena says she doesn’t understand what is happening as the last thing she remembers is being on the roof with John. Marlena starts calling out for John, asking if he is there, but she is instead greeted by Susan Banks, who says John isn’t there but not to worry because she is.

Stephanie asks Paulina if this is a political problem because she can’t change her mind now that the new Governor has been sworn in. Paulina assures that she hasn’t changed her mind as she is staying in Salem, but she’s at war and for Chanel’s sake, she cannot lose.

Chanel tells Johnny that she told Allie that she only went to the hospital to check on her. Johnny guesses that didn’t make much of a difference. Chanel says that Allie can’t get over walking in on them. Johnny argues that his grandmother was about to die and that’s why she had her arms around him. Chanel admits it was a little more than that. Johnny says to let Allie be mad at him for it but Chanel acknowledges that it was both of them. Johnny argues that Chanel tried to comfort him and he tried to turn that into a kiss.

Alex gets up from his table in the town square and sees Allie walking through. Alex tells her that he just heard about Marlena and he’s so sorry. Alex adds that if she’s looking for Chanel, she’s not there. Allie responds that it doesn’t matter which Alex questions. Alex argues that Allie can’t be alone right now and she doesn’t look okay. Allie admits she’s the farthest thing from okay right now. Alex decides to take her home.

Abe joins John on the rooftop of the hospital. John asks how he found him. Abe mentions running in to Allie at the nurse’s station. John explains that they were just sitting and looking at family photos. Abe realizes that’s what the projector was for. John tells him that Marlena wanted him to take her home, so he thought this was a compromise to try to make her happy. Abe encourages that he did. John knows Marlena is up there now, looking down on him and wanting him to be strong. John declares that he is never getting past this.

Marlena is excited to see Susan, thinking this means she is alive and well but Susan clarifies that she is not so much alive.

Sloan tells Eric that she’s so sorry as she knows what it feels like to lose a mother. Eric argues that this didn’t have to happen. Sloan asks if the doctors or the hospital screwed up her care. Eric says no and assures they did everything they could. Eric says it was a virus and it was too strong while they couldn’t find the cure to fix it. Sloan asks if Eric came over to tell her that Marlena died instead of being with his family right now. Eric responds that with family is the last place he wants to be right now. Sloan asks if he’s sure he doesn’t want to be with someone that he cares about. Eric says he cares about her. Sloan says she meant someone he loves and they both agreed they weren’t doing that. Eric argues that he’s not asking for a shoulder to cry on. Sloan asks what he wants then. Eric responds by kissing her.

Paulina explains to Stephanie that she thought she and Chanel had made short work of Chanel after the London cops decided not to press charges, but now Sloan is suing them both for wrongful death in civil court. Paulina worries that Sloan could take her to the cleaners and Chanel could lose the Bakery. Stephanie doesn’t see how she can help. Paulina wants someone on the inside to know Sloan’s strategy. Stephanie asks if she wants her to be that person. Paulina reveals she was actually thinking of her boyfriend, Alex, pointing out that he saved them once by stealing the file from Sloan. Paulina says they need him again. Stephanie says she’d like to help but responds that she can’t do that. Paulina questions what the problem is but Stephanie informs her that she and Alex split up.

Alex brings Allie home to her apartment and offers to stick around if she doesn’t want to be alone. Allie doesn’t know what she wants or where she was going. Alex questions why Chanel isn’t home if the Bakery is closed. Allie responds that she doesn’t know where Chanel is and she may be with Johnny, which Alex questions. Allie asks if he wants a beer and says that sounds really good right now. Alex cannot believe Marlena is really gone and says she was like an institution, always helping people. Allie says she sure helped her. Allie says Marlena was so strong that she really thought she would make it through this. Alex suggests Allie slow down on the beer because she doesn’t need a hangover. Allie responds that what she needs is her grandmother. Alex says he’s going to call Chanel but Allie asks him not to do that. Alex questions if there is something going on with them. Allie states that it’s what’s going on with Chanel and Johnny that scares her.

Johnny tells Chanel that he’s going to go find Allie to talk some sense in to her. Chanel stops him and says talking to Allie is her job. Johnny suggests letting Allie vent to him and then she’ll be calmed down by the time Chanel gets home. Chanel feels they are both grieving over Marlena and too raw, so it will only make things worse. Chanel declares that it has to be her. Johnny guesses it’s her call. Chanel wants to give Allie a little more time, so she and Johnny sit back down on the park bench. Johnny asks if she thought about what he said about wanting to kiss her.

Marlena questions if Susan is saying she’s really dead. Susan reminds her of the explosion and says she got her body back as soon as she showed up here. Marlena asks if this means she is dead too. Susan says she’s afraid so and explains that without the orchid, they couldn’t do a thing to bring her back to life along with Kate and Kayla. Marlena asks where Kate and Kayla are.

Eric asks Sloan if he’s pushing her in to something she doesn’t want. Sloan says she must be losing her touch if he thinks that’s possible as they continue kissing.

Johnny states that Chanel was trying to be there for him and he tried to come onto her. Chanel responds that she didn’t take him seriously since he had just finished telling her about how great Wendy is. Johnny thinks he just screwed that up too since he ran in to Wendy and she was with Tripp. Johnny says he picked a fight with Tripp. Chanel asks how bad it was. Johnny says Tripp tried to punch him, but he decked him. Chanel asks what it was about. Johnny says it was Tripp’s lunatic mother, Ava Vitali, who caused the explosion that killed his other grandmother, Susan. Johnny adds that Wendy was not impressed with his behavior and he doesn’t blame her. Chanel understands he’s mad at the world right now. Johnny says that Chanel is being great about it. Johnny apologizes for making a pass at her and promises he won’t do it again.

Allie informs Alex that she got off the elevator and saw Chanel and Johnny about to kiss. Alex points out that they were about to, so they didn’t actually kiss. Allie says that’s only because she showed up and if she was ten seconds later, he would’ve been all over her. Alex asks what she did. Allie says she didn’t have time to do anything because Sarah showed up and told her about Marlena. Alex suggests that Chanel could’ve been just trying to comfort Johnny but Allie argues that Chanel and Johnny are crazy about each other. Allie brings up that they were married and probably still would be if Johnny didn’t get possessed by The Devil. Allie points out that’s the only reason that she and Chanel even got together, and Chanel took forever to choose between them. Alex encourages that Chanel did choose Allie and is sticking with her. Allie questions why he’s taking their side. Alex assures that he’s on her side. Alex says what she saw today could be right or she could be wrong. Alex suggests Allie should just try trusting them and notes that he’s talking from experience. Allie asks if he’s having problems with Stephanie. Alex responds that Stephanie is having major problems with him, but it’s his own damn fault.

Paulina asks Stephanie about her and Alex being on the outs. Stephanie assures that it’s over. Paulina asks if he cheated on her. Stephanie wishes it was that as she’s dealt with that before, but says this is worse. Paulina questions what could be worse than a man who cheats. Stephanie explains that her mother died and because of Alex, she wasn’t there. Paulina says she will have to tell her more. Stephanie informs her that Chad found out about Kayla and tried to call her to let her know, but she was out of the room and Alex was near her phone and saw Chad was calling, so he turned off her phone without telling her. Stephanie calls it the worst thing anyone has ever done to her. Stephanie says she was starting to think she and Alex had a future, but that’s over now and he’s dead to her.

John asks Abe if Orpheus is enjoying his triumph now. Abe calls him a monster. John says it should’ve been him, but Orpheus went after the women they love. Abe says he knew it would hurt more. John complains that the Devil himself went after Marlena twice and she survived that, but Orpheus got her. Abe encourages that Marlena was so strong to the end. Abe says the incredible love they had for each other is not gone and will last forever. John knows he’s right but cries that they beat all the odds together, so he questions how to leave without her. John asks Abe how he went home to an empty bed when Lexie died as Abe hugs him.

Marlena wants to know where Kate and Kayla are. Susan laughs off the idea of Kate making it to Heaven after she broke all the ten commandments. Marlena argues that Kate was a great friend to her and underneath it all, was a good person. Susan remarks that Kate was not like Marlena and Kayla. Marlena asks where Kayla is then.

Sloan and Eric lay in bed together after having sex. Sloan asks if that helped or made him feel more alone. Sloan apologizes if he felt like she was pushing him away as she just got tense when he spoke about his mother because it brings up a lot of memories of her own mom. Eric apologizes if he made her feel like he was using her. Sloan understands that he needed her and she’s not really used to people needing her. Eric suggests talking to her could help him understand how to get through it. Sloan doesn’t think he seems like the vengeful time. Sloan talks about hitting a bump in her road with the courts in London, but she’s not giving up. Sloan declares that Chanel and Paulina will not get away with what they took from her as there are other ways to make them pay.

Chanel decides that she’s given Allie enough time, so she better go see how she’s doing. Johnny encourages that Allie loves her and will come around. Chanel hugs him and thanks him for trying to make her feel better. Johnny points out that Allie could come walking through any minute and see them. Chanel responds that she will risk it because Johnny is a special person and she’s so sorry that he’s hurting.

Alex tells Allie about turning off Stephanie’s phone so she wasn’t able to be there when Kayla died. Alex tells her to go ahead and call him a selfish idiot who is getting exactly what he deserves. Allie thinks that might be overdramatic. Allie understands that if it was Steve or anyone else in the family calling, he wouldn’t have turned off the phone while he thought Chad was butting in again. Allie states that Alex misjudged the situation and messed up but if she were Stephanie, she’d be pissed but they would work through it because he would never deliberately keep Stephanie from being at her mother’s bedside. Allie declares that Alex made a stupid mistake but that he should be forgiven.

Paulina can’t believe Stephanie didn’t know her mom was dying and assures that she’s not overreacting. Paulina argues that Stephanie’s phone is none of Alex’s business and he kept her from seeing her mother for the last time. Stephanie thanks her for the backup as she sometimes thinks maybe she was too angry. Paulina encourages that she doesn’t need a man sneaking around, trying to arrange her life how he wants, when she has so much to offer. Stephanie thanks her but says she still can’t get Alex to help with Sloan, so she hopes Paulina can find another way to get Sloan out of her life. Paulina says she’s not letting Stephanie off the hook that easy since she’s helped her before. Paulina suggests bringing Chad on board since he’s smart and not bad to look at either. Paulina adds that Alex would probably think she’s doing it to get to him. Stephanie responds that she could care less what Alex thinks.

Susan tries to avoid Marlena’s question but she insists on trying to find Kayla. Susan looks through the list but doesn’t find Kayla’s name. Susan checks under Brady and notes that Bo’s name is there with an asterisk next to it and doesn’t know what that means. Susan reveals that she doesn’t see Kayla’s name at all…

Stephanie tells Paulina that she will start thinking about how to spin this and will give her a call. Paulina encourages her to take time to grieve but to get ready for war too. Paulina says Sloan made her daughter a target. Stephanie relates that Kayla would’ve done the same for any of them. Paulina encourages that they will have wine one night where Stephanie can tell her all about Kayla. Paulina tells Stephanie not to focus on not saying goodbye because she’ll never escape the pain. Paulina assures that they were past words and that Kayla knew how much Stephanie loved her. Paulina urges her to think about the good times and that Kayla will never be far away. They hug and then Paulina exits as Stephanie holds back tears.

Alex tells Allie that she actually managed to give him some hope that maybe Stephanie will come around. Alex calls her the only one so far to have his back. Chanel then comes home and asks what Alex is doing there. Allie says after Alex heard about Marlena, he was nice enough to offer her a shoulder to cry on like Chanel did for Johnny.

Abe encourages John that he has his children and grandchildren that need him and that’s what will make him go on. John tells him to just keep reminding him of that. Abe invites John to come stay with he and Paulina tonight but John says that will just postpone the inevitable. John feels he needs to be home where he can feel Marlena’s presence. John knows it will be hard but insists that’s what he needs right now.

Marlena doesn’t know why Kayla is not on the list. Susan suggests her paperwork hasn’t come through yet and talks about how long she had to wait to talk to Elvis. Susan insists that Kayla is around somewhere. Susan tells Marlena that she is here to help her make the transition to the other side.

Eric tells Sloan that one of the things he learned as a priest is that the hunger for revenge is not a natural instinct, but more of an obsession. Sloan asks if anything makes it go away. Eric responds that he has one idea and kisses her.

Stephanie starts working on strategies to help Paulina. She then plays Alex’s voicemail from earlier while looking upset.

Alex decides he will take off now that Chanel is back but Allie stops him and suggests they could have another threesome since she feels life is getting boring for Chanel. Chanel argues that’s not true and tells her not to put Alex in the middle of this. Allie says it’s been a long and awful day for her, so she’s going to try to get some sleep in her son Henry’s room.

Abe joins Paulina in the town square. Paulina asks how John is doing. Abe responds that he’s going to be a in a bad place for a long time because Marlena was his life.

Marlena asks about the transition. Susan explains that it’s hard for folks to accept they are really gone and to let go of their loved ones. Susan talks about having to accept that she would never see EJ again, so she knows it won’t be easy for Marlena to let go of John.

John remains on the rooftop. He picks up the remote and turns off the slideshow of photos of he and Marlena.

Marlena tells Susan that John kept telling her that she was going to pull through, so he must be in so much pain. Susan assures that he is crushed but he has the rest of his family and friends. Marlena starts to cry about her children. Susan tells Marlena that she’s been through enough for one day and needs to rest. Marlena says she can’t rest with so many questions. Susan directs Marlena through another set of doors to go rest. Afterwards, Susan removes her glasses and is revealed to be possessed by The Devil, who then begins laughing.

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Y&R Short Recap Tuesday, January 24, 2023

Daytime Soap Opera Short Recaps

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Recap written by Eva

Victoria tells Billy she is having a hard time sharing Johnny with Chelsea but she is doing her best to deal with it for Johnny’s sake.

Victoria asks Tucker if he is planning a takeover of Newman Enterprises. Tucker tells Victoria that if he were planning to takeover of Newman Enterprises he wouldn’t tell her because that would take all the fun out of it for him.

Chelsea tells Billy she wants to do a podcast designed to help people dealing with depression. Billy tells Chelsea he will do the podcast with her if her doctor approves of her doing the podcast.

Devon tells Lily that if she and Jill don’t let him buy back Hamilton-Winters then he will take them to court to get back his company. Abby tells Devon that if he takes Lily to court he may cause a permanent rift between him and Lily. Devon hopes Lily will eventually forgive him for taking her to court but he feels he must fight to keep his company.

Phyllis sees that Chancellor-Winters is in trouble, so she calls Nate and leaves a message asking him for an appointment to talk about Daniel’s idea. Tucker overhears Phyllis on the phone and tells her he would love to talk about Daniel’s idea with her.

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Y&R Transcript Monday, January 23, 2023

Young & The Restless Transcript

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Transcript provided by Suzanne

Nate: And there you have it, the newman media grand tour.

Audra: Quite an impressive operation you have going on here.

Nate: And being coo is a big responsibility, as you’re about to find out.

Audra: Great, ’cause I’m ready to hit the ground running.

Nate: Good. We have several new programs in the pipeline that I’ll expect you to spearhead. I’ll need you to give input on the creative and fine tune some of the overall concepts. And I want to make this one thing very clear. Never hold back your thoughts. I encourage you to speak up and share your suggestions with me.

Audra: I’m glad to hear that because I am brimming with ideas.

Nate: What you said in your interview for the job really hit home. I’m determined not to treat you or any of my employees the way devon treated me. Yes, yes, I am the boss, but I want an environment of open collaboration.

Audra: What a coincidence, because that’s the kind of environment I excel in.

Nate: Great. Welcome to newman media.

Nikki: And, amazingly, the only thing stolen was a diamond necklace that your father gave me.

Victoria: A burglary at the family apartment in chicago? I mean, what? Well, thank goodness you and dad weren’t there when it happened. Do the police know who did it yet?

Nikki: Oh, they arrested somebody, but I’m convinced they have the wrong person.

Victoria: Well, how could you possibly know that?

Nikki: Because I think the real culprit is diane jenkins.

[ Both sigh ]

Diane: Are you as happy as i am right now?

Jack: How could I not be? Everything feels so right.

Diane: Yeah. It’s like everything that’s happened has just led us to this moment.

Jack: Quite a journey getting here, huh?

Diane: Yeah.

Jack: Now that we’re here, any regrets?

Diane: Well, yes.

Jack: Yes? You do have regrets?

Diane: I regret that what i did so long ago made it so hard for you to forgive me. And I — I regret that I wasn’t totally honest with you when I first came back. But the truth is, I, uh…

[ Sighs ] I hid so much of what I had done out of shame. Mm. But you know everything now. You know all my secrets. Somehow you’re still here. It’s — it’s an amazing gift, and I promise you, I will never, never betray you. Hm.

Kyle: Hey, victor’s gone now. Do you have a minute to talk?

Summer: Sure.

Kyle: [ Sighs ] He’s turning up the heat on his plan to oust adam from jabot.

Summer: I hope this time you flat out turned down his request for your help.

Kyle: Actually, I didn’T.

Sally: I just didn’t want to say anything until I was sure.

Nick: Are you sure?

Sally: I’m pregnant. Chloe says I’m in denial. And she’s not wrong. I mean, I’ve been on overload since I found out, and I’ve been feeling crummy on top of it. I just — I had to put everything on pause, which, honestly is exactly where i need to be right now. So can you please just be in denial with me, at least for now? I’m — I’m just not ready to deal with everything that comes next.

Nick: Just don’t stress, okay? We’re going to figure this out. It’s going to be fine.

Victor: Well, how do you do? You seem deep in thought. What’s going on? Dupixent helps you du more with less asthma.

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Audra: From the research I’ve done on newman media’s content, I think we need to expand our library by at least twofold if we want to remain competitive. One of the things we can do relatively quickly is put out a companion podcast on some of our most popular content as audio-only showcasts.

Nate: I think it’s an intriguing concept. I’m impressed with how much thinking you’ve put into this in such a short amount of time.

Audra: I’m determined to make the most of the opportunity you’ve given me, especially since I highly doubt others would hire me given my recent backdoor dealings with tucker. So I intend to keep on impressing you right out of the gate.

Nate: Glad to hear. Clearly, we’re going to make a great team.

Elena: A team? I thought you gave up on trying to take over your family’s business. So why are you and chancellor-winters’ ipo consultant now a team?

Victoria: What makes you so suspicious of diane if the police believe otherwise?

Nikki: There is something off about this scenario. The police arrested jeremy stark, the same man who came to genoa city to specifically target diane.

Victoria: That is an odd coincidence.

Nikki: And then why would he suddenly decide to go all the way to chicago, break into our apartment, and steal one necklace from me? Nothing else was taken.

Victoria: You’re right. The whole thing is strange.

Nikki: I mean, how does he even know we have an apartment in chicago?

Victoria: You know, that raises another question. How did diane know that you kept your jewels there?

Nikki: Well, that’s another thing that makes this even more infuriating. There is no way she would’ve been able to pull this off without jack’s help.

[ Keyboard clacking ]

Traci: Well, hello, you two.

Jack: Well, you’re looking exceptionally happy this morning.

Traci: And you’re looking exceptionally happy, as well.

Diane: Traci, I-I didn’t know you were home.

Traci: Surprise.

[ Laughs ]

Summer: I can’t believe you’re letting my grandpa pull you into his machinations.

Kyle: No one is pulling me into anything.

Summer: We agreed to stay out of our mothers’ feud, and we should have the same policy for anything newman-related.

Kyle: I haven’t decided if I’m in or out yet.

Summer: I can’t believe that you’re even still considering it. I thought that once stark was busted, we would be done with all of the deceptions. But this morning, I had to hide the truth from my grandma about her stolen necklace. And then I had to lie to adam to cover for you. Which, by the way, he definitely didn’t buy that story that grandpa was here to help you for a valentine’s day surprise.

Kyle: I’m not surprised. He’s got a suspicious nature.

Summer: Can’t we just say enough already with all the lies and schemes and criminal activity?

Kyle: Victor hasn’t pitched anything criminal.

Summer: Not yet.

Victor: [ Sighs ] So… why don’t you talk to me?

Nick: There’s nothing to talk about.

Victor: Does this mood you’re in have anything to do with sally spectra?

Nick: [ Chuckles ] Why would you say that?

Victor: My suspicions. I’m not going to give you any advice regarding that relationship, but I’m going to warn you.

Nick: Dad, whatever it is, I just — I don’t want to hear it. I don’t want to hear any attacks on sally. I don’t want to hear any stories about her past.

Victor: It’s not about the past. About the future. Something is about to happen with your brother, adam, that could complicate issues for you if you stay in a relationship with that woman.

Nick: Alright, let’s hear it. Or scheming now? I could’ve waited to tell my doctor my heart

Nate: No, elena, you got it all wrong. I’m not trying to stake a claim in chancellor-winters again. And audra here no longer works for them.

Audra: That’s true. I work for nate now.

Elena: Wait, what?

Nate: I hadn’t had a chance to tell you yet. The whole thing came together rather quickly.

Elena: Oh. I’m sorry I jumped to the wrong conclusion.

Audra: No worries. I can see how you could easily misconstrue the situation.

Nate: Agreed. No apology necessary. But I am surprised to see you here. Is everything okay?

Elena: Yeah. I just stopped by to see if you were available for an early lunch.

Nate: Ah, I would love to, but andre and I just ordered takeout, and we were planning a working lunch here.

Audra: Nate, it’s fine. I have some research and reading I got to catch up on. Our salads will stay fresh in the break-room refrigerator.

Nate: Are you sure? It’s your first day, and i thought we can go over more details —

Audra: I won’t hear of it, nate, okay? We can pick up on this later. You should never turn down a meal with your partner.

Nate: I guess we’re going to lunch, then.

Victor: No scheme, son. I just have a sense that adam’s days at jabot are numbered.

Nick: You sense that? How exactly does that work?

Victor: Trust me. And when that happens and he leaves jabot, he has no one to turn to but his family. That’s where he belongs.

Nick: You really think adam is going to come back to work at newman?

Victor: Sooner than any of us realize. When that happens —

Nick: If it happens.

Victor: When that happens, son, I want you and adam to find common ground. I want you to get along. You understand? And this sally spectra woman is going to make that very difficult.

Nick: Can you just leave her alone, alright? She’s going through enough right now.

Victor: What does that mean?

Victoria: Oh, mom, I find it awfully hard to believe that jack would help diane rob you. I mean, why would he even consider doing something like that?

Nikki: It makes sense if you think of it as a carefully devised plan to get rid of stark. Now, what if they were trying to frame him? In which case jack and diane were using me in their little plot, too.

Victoria: Well, I can see that you’re upset, but did you think about asking jack about it?

Nikki: Yeah. He claimed that stark was trying to frame diane.

Victoria: And you’re not buying it?

Nikki: [ Scoffs ] They were acting so weird. It was clear something was up.

Victoria: Diane must have jack completely wrapped around her little finger. I mean, what more can we do but accept it?

Nikki: Oh, no, no. There’s a lot we can do.

Victoria: Mom, I know that you detest diane, but, I mean, maybe it’s time to just accept the fact that she is back in town for good.

Nikki: I will never do that.

Victoria: Do you remember when you were worried about stark being back in genoa city? Can you not just be happy that he’s behind bars again?

Nikki: No. I will only be happy when diane is in a cell of her own.

Victoria: [ Sighs ] Mom, I hate seeing you so twisted up like this. You have to find a way to let it go.

Traci: So, can I pour anybody a cup of coffee?

Diane: Oh, no, thank you.

Jack: I’ll have a cup.

Traci: Okay. Actually, I probably don’t need any more caffeine this morning. I have been down here for hours, and I notice the two of you seem to be getting quite a late start.

Diane: Oh, well, we were just upstairs checking on harrison, but I guess the nanny already has him out. You know, it is a lovely, brisk day for the park.

Traci: Oh, really? How would you know? You haven’t been outside yet.

Diane: Well, I-I do have the weather on my phone.

Jack: We have nothing to hide. For the record, diane is going to be spending a lot more time around here.

Sharon: What can I get you?

Audra: Oh. You’re so polite. Even though I’m sure I’m the last person you want to see.

Sharon: Your history with noah is between the two of you. And, besides, he seems to have made peace with it.

Audra: You figure since I’m only in town temporarily, why not keep things cordial?

Sharon: I aim to make all of my customers feel welcome.

Audra: Would that change if I told you I was moving here permanently?

Elena: [ Sighs ] I really am sorry that I showed up to your job and immediately assumed the worst.

Nate: It’s okay. It’s a perfectly logical mistake. I can see how you could’ve gotten there.

Elena: Well, thank you for understanding. So how did all this come about? Why isn’t audra working on the ipo anymore?

Nate: Well, she and chancellor-winters parted ways. It made sense to bring someone with her experience on board. She even won over victoria, who is no easy sell.

Elena: I suppose so.

Nate: Audra showed up on her first day ready with a boatload of ideas. I am telling you, she’s already shining like a star.

Elena: Well, audra isn’t the only one who shined today.

Victor: So, uh…

[ Clears throat ] What exactly has you worried about sally spectra?

Nick: [ Sighs ] Look, she’s starting a new business, okay?

Victor: Okay.

Nick: And that is a necessity due to her unceremonious firing from newman media. And she doesn’t need any distractions from you. In fact, she and chloe are meeting with jill to see if they can put together a partnership with chancellor-winters. And just so you know, sally and I are getting a lot closer. So can you just get off her case, dad? She’s not hurting anyone.

Victor: Not just yet.

Nick: I’m serious. Leave her alone. I really hope you’re not trying to manipulate some scenario where you force adam’s hand. I know you’re trying to bring the family closer together, but, honestly, it’s going to have the opposite effect. But maybe that’s the only thing you know.

Kyle: I understand why you would have some reservations about me working with victor, but I am asking you to hear me out. You do not get to make the decisions for me.

Summer: I’m not trying to. But, kyle, this is my family. We both know how ugly things can get when grandpa and adam are at war.

Kyle: I do. But this time, I honestly believe victor has the best of intentions. Yeah, he wants adam to fail, but only so we can bring him back into the family fold.

Summer: You know I love my grandpa, but this is no way to heal a rift with your son. Why humiliate adam again? He’s had enough of that already.

Kyle: Yeah, yeah, yeah, yeah. I agree. It’s a little extreme. But look at it from jabot’s perspective. Adam is trouble. My dad never should’ve brought him on. So far, the guy’s work is hit or miss. He’s clearly not engaged or all that passionate about being here, and part of me wonders if he only took the job in the first place to get back at victor.

Summer: That wouldn’t surprise me.

Kyle: I want him gone before he can cause damage to our company. How can you possibly disagree with me?

Summer: Look, I-I’ll admit there’s no real place for adam at jabot. I just don’t think it means that you need to be taking such big risks.

Kyle: Don’t worry about that. I’ve taken care of all the risks.

“The young and the restless”

will continue.

Nikki: I’m tired about talking about diane. Let’s talk about a happier subject. How are katie and johnny?

Victoria: Oh. Well. Oh, you should see katie in her ballet class. She looks so cute in her little tights and her tutu. She’s just thriving. You know, she is so talented. I hope you can make her recital.

Nikki: Of course. I wouldn’t miss it.

Victoria: Good. But, uh, last night, thanks to johnny and billy, I, um — I had to endure pizza night at chelsea’S.

Nikki: Oh. How did that go?

Victoria: I don’t know. I mean, billy seems pretty at home there, and I’m pleased that johnny and connor are getting along, of course. But I just have this strange feeling in the pit of my stomach that this new family dynamic is not going to end well.

Nikki: I’m sorry you have to deal with all that.

[ Door opens ]

Nick: Hey, mom, vick.

Nikki: Hey.

Victoria: Hi. How are you doing?

Nick: I’m good.

Nikki: Well, I would love to chat, but I have a meeting. Thank you, darling. Talk to you later. [ Smooches ]

Nick: Love you, mom.

Nikki: Bye-bye.

[ Door closes ]

Victoria: I think that mom was too preoccupied to notice that your answer was not convincing. Clearly, you’re conflicted about something.

Nick: Why does everyone keep saying that to me?

Victoria: Because it must be true. What’s going on?

Nate: I’m getting the feeling that this isn’t just your everyday lunch invitation. You have something to share, don’t you?

Elena: You remember that patient I was telling you about?

Nate: You mean the one nobody expected to make it?

Elena: Yep, that’s the one. Really sweet man. Not to toot my own horn, but I performed his surgery this morning, and he made it through with flying colors.

Nate: What? Congratulations, elena. You saved that man’s life. I am so proud of you. I bet the rest of the staff was wowed, as well.

Elena: Yeah, yeah. I received some really high praises. But, um… I think the thing that meant the most to me was seeing the look on his family’s face when I told them that he was going to make it.

Nate: I remember that feeling. It’s like being on top of the world. I am so thrilled for you.

[ Chuckles ] And this calls for a celebration, okay? Not just this lunch. So I am going to put something together for us tonight. Something special. Champagne. The works.

Elena: Okay. I’m looking forward to it.

Summer: How could you have possibly taken care of all the risks? I thought you hadn’t agreed to my grandpa’s little plot yet.

Kyle: I haven’T. I just laid down some ground rules in case I do decide to work with him. I told him that, if I were to come on board, there’d be certain conditions that would have to be met.

Summer: Which are?

Kyle: “A,” my involvement would have to be minimal, “b,” whatever move victor makes can only affect adam, not jabot, and “c,” dad can never find out I had any involvement.

Summer: Okay, none of those caveats are even remotely reassuring to me. Just the fact that you need to take so many precautions should tell you everything you need to know.

Kyle: I have confidence victor will keep his word.

Summer: [ Scoffs ] Can’t you see how this can blow up in your face? Sure, my grandpa might honor your requests, but if adam figures out that he’s been set up, jack is the first person that he’s going to tell.

Kyle: [ Sighs ]

Diane: Jack, we don’t need to go on boring traci about us. I’m sure you have better things to do.

Traci: Nope. In fact, I find the whole thing absolutely fascinating. I would love to hear all about it. That is, unless the two of you do want to talk about it.

Jack: Oh, I’m more than happy to talk about it. Have a seat. Diane and I are now romantically involved. It has been a very natural and very welcome progression, and I don’t intend to keep it a secret. I think our family has had quite enough of those lately.

Traci: Well, congratulations.

Jack: Thank you.

Traci: [ Chuckles ] And there’s another big change that I’ve noticed around here this morning. The security detail seems to be missing. So am I to assume that means we’re not going to have to worry about that dangerous secret called stark?

Jack: You would be correct about that. We are safely out of his life, and he’s out of ours. So I like the way things have landed. Our troubles are few.

Traci: There that is, that sparkle in your eye that I’ve been missing so much.

Diane: Ah, you see a sparkle?

Traci: I do see a sparkle, and I’d see it on my brother from a mile away. Ah, please forgive me if, um, I teased you and made you feel uncomfortable.

Jack: No, you should feel good about this. That level of ribbing from traci is usually reserved for close family.

Traci: [ Chuckles ] Seriously, both of you, I wish you all the best, and I hope that your announcement is met with the proper amount of support that it deserves. Actually, I think it’s probably a really good thing that ashley is out of the country right now because you should consider having someone tell our sister so that she can blow up on the streets of paris and get it all out of her system before she comes back home again.

Jack: I will definitely take that under advisement.

Traci: [ Chuckles ] Good. Now I have a scheduled phone meeting with my editor, so you two will have to excuse me, but I’m sure that I will see you both later.

Jack: Traci.

Traci: Mm-hmm?

Jack: Thank you.

Diane: [ Sighs ]

Jack: W-what? Wait, what’s wrong?

Diane: You know, we didn’t talk about telling people about us. I’m not so sure it’s a good idea.

Sharon: So, you’ve decided to stay in genoa city?

Audra: There’s no need to worry. It’s a good thing.

Sharon: Really?

Audra: Yeah, I just got a new position. As of today, I’m working for noah’s dad’s company. I never would’ve imagined this back in london. But it’s small world, hm?

Sharon: You’re working for newman? In what capacity?

Audra: Nate hastings hired me to work at newman media as his coo.

Sharon: Oh. Wow, that’s a pretty big leap from a temporary position at chancellor-winters.

Audra: It is. But I managed to impress the hell out of victoria when I interviewed. Although I just started, so far, so good.

Sharon: Then congratulations are in order, I guess.

Audra: Thank you. And for the record, noah has nothing to worry about. I’m very happy with the new direction my life is taking and all the new people I’m meeting. Believe me, the last thing I want to do is move backward.

Sharon: I’m sure that noah will appreciate you giving him a lot of space.

Audra: Well, I got to get back to the office and make the newmans even richer, if that’s possible. Take care.

Jack: Hey, hey, why are you saying that? Why are you hesitant about going public about us?

Diane: I’m just not sure it’s the right thing to do.

Jack: Is this about ashley?

Diane: [ Sighs ]

Jack: That’s not a problem because she doesn’t have a vote.

Diane: Yes, and things couldn’t be any worse with ashley than they already are.

Jack: So this is about kyle?

Diane: Yes. He warned me a while ago not to flirt with you, and I think we can safely say that more than flirting has gone on.

Jack: Yeah, I would agree. When people see how happy we are, they will be happy for us.

Diane: I wish I could be as optimistic as you are about how everyone will react to the two of us getting back together.

Jack: Trust me, we will win everyone over that matters. The rest don’t count. We can be very persuasive, you and I.

Diane: You know, jack, I’m not worried about me. You know that I can handle whatever the world dishes out, and, well — and besides, practically everyone despises me already anyway. No, but you are loved and respected in this town. You’re the one with the most at stake.

Summer: I just hate the idea of you risking unnecessary conflict with your dad over adam, of all people. I mean, can you just imagine how jack would react if he found out that you were conspiring with my grandpa behind his back?

Kyle: I honestly believe I am protecting my dad — from adam and all the potential trouble he could cause him and jabot down the line.

Summer: Are you trying to prove something to jack after he left you out of the scheme to take down stark?

Kyle: No, of course not. This is about protecting jabot.

Summer: You know adam. Why don’t you just let him fail all on his own, as he inevitably will?

Kyle: Okay, please, summer. I just need you to understand this will be worth it. There’s more to this that I haven’t told you yet, a payoff beyond just removing adam from the equation.

Nick: I don’t want to get into it, vick.

Victoria: Oh, come on. You should know by now that you can talk to me about anything.

Nick: [ Sighs ] I just had a very disturbing conversation with our father.

Victoria: I’m almost afraid to ask what’s on dad’s agenda. Did you two get into it about sally again?

Nick: Oh, sally is still very much on his agenda, but the main event now seems to be our brother.

Victoria: Why does our father keep hitting his head against a brick wall when it comes to this guy? Adam is never going to be anything but trouble.

Nick: Dad doesn’t see it like that. I have a suspicion that dad has some plan in the works to bring adam home, both to the company and the family. But you and I know that is only going to spell disaster.

Victoria: [ Sighs ]

Audra: Nate.

Nate: Audra, come in.

Audra: I am glad I caught you. So I-I hope I didn’t jump the gun, but I was putting out feelers for a showcast idea and ended up setting a meeting.

Nate: With who?

Audra: This really important contact of mine in milwaukee who can help us with the snap of her fingers. But don’t worry. I didn’t make any guarantees or promises. I made sure to emphasize that everything is exploratory at this point. So what do you think?

Nate: I think I’m surprised you were able to move so fast. But I am on board with it and eager to hear how this could play out.

Audra: Okay, good, good. But here’s the thing. She’s only in milwaukee for one night before heading to asia. So tonight would be our best bet to pick her brain and, you know, possibly land her if we decide we want her to work with us. Are you free?

Nate: Sure. I’m in.

Audra: Great. I will go finalize things now.

Nate: [ Sighs ]

[ Sighs ]

Elena: Hey, you.

Nate: Hey. Listen, I am so, so sorry, but i have to postpone our plans for tonight.

Elena: Oh, no. What happened?

Nate: Something came up here at work tonight, and I have to deal with it. But, listen, I promise to make it up to you. Rain check?

Elena: Yeah. I understand.

Jack: You’re right. I have a lot at stake. I’m happy.

Diane: [ Chuckles ]

Jack: For the first time in I can’t tell you how long, I have such a positive view of the future, and I’ll tell you something else.

Diane: What?

Jack: I’m going to do everything in my power to make sure I stay this happy. You really think I care about my reputation? I don’t care what other people think, certainly not about my personal life. Yes, kyle will have some concerns. He’ll need some time to work through this, maybe. But I intend to make it very clear to anyone and everyone that I want to move forward with this relationship. I hope you feel the same way.

Diane: Wow. That’s a much stronger stance than I expected.

Jack: I thought we were on the same page here. Upstairs, it certainly seemed that way.

Diane: No. Yes, yes. Yes, yes. We — we definitely are. Maybe we should — maybe we should take things slow, though, for kyle’s sake as well as ours, because, jack, I really, really want this time to last as long as possible.

Jack: I agree with that.

Diane: Mm.

[ Sighs ]

Summer: What additional payoff would there be for booting adam out of jabot?

Kyle: Remember those textile factories you were talking about?

Summer: The ones that newman took over when they acquired chelsea by jabot way back?

Kyle: I told victor that, in exchange for my help, I wanted to take back control of them. Victor agreed. Think of the possibilities. The resources from them could make marchetti unstoppable.

Victoria: I can’t imagine why our father would want adam back here. I mean, welcoming him into the family is one thing, but bringing him back to newman?

Nick: I feel the same way.

Victoria: [ Sighs ] Everything has been going so well. It’s all falling into place with the leadership team that I’ve hand-picked, and he wants to just come and disrupt all of that again?

Nick: Vick, it doesn’t matter how many times he says you’re in charge. He cannot stay away from this company.

Victoria: Exactly what is he going to do to get his way this time?

Nick: I don’t know. He said he sensed there was going to be some trouble for adam at jabot. That’s all I could get out of him.

Victoria: Do you have any idea what he meant?

Nick: No, but I recognized that look in his eye. Dad’s up to no good, and he’s enjoying every second of it.

Jill: Well, as I live and breathe, victor newman. Please don’t tell me someone died.

Victor: Nice to see you. No one has died. Everyone is alive and well.

Jill: So what did I do to deserve this call?

Victor: Well, I want to talk to you about a business meeting you’re about to have.

Jill: [ Chuckles ] I suppose I shouldn’t really be surprised that you know my private schedule, mm?

Victor: Well, now, the meeting is with sally spectra, and there’s something you need to know.

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GH Transcript Monday, January 23, 2023

General Hospital Transcript

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Transcript proofread and provided by Suzanne

Nikolas: I need three bedrooms. Actually, let’s make it four. Three’s sounding a little bit cramped. Uh, two-car garage. Uh, one cellar is preferable, but not essential. Tomorrow. Yeah. Yeah. No, this can’t wait. Okay. Alright. Thank you in advance. Bye.

Sonny: What was that about?

Nikolas: That was a realtor. I need to find a house. ASAP.

Sonny: I told you, you can stay here with me.

Nikolas: And I appreciate that, but I just don’t think that it’s going to look very good…in court.

Sonny: Uh, what’d you do now, Spencer?

Nikolas: I didn’t do anything. It’s what I’m going to do.


[ Door opens ]

Laura: Hi!

Nikolas: Mother. Hey. What — what brings you by?

Laura: You invited me.

Nikolas: I did. Ahh. T-thank you for coming. Thanks.

Laura: Oh, my goodness. You are really distracted. Did something just happen?

Nikolas: [ Sighs ]


Ramona: Hey! New girl! That’s my seat!

Esme: I-I’m sorry. I-I didn’t know that this seat was yours.

Ramona: I can’t stand people like you. Think you’re entitled to everything.

Esme: Okay. I said I was sorry. I had no way of knowing that the seat was yours.

Ramona: You don’t want to do that.

Esme: What?!

Ramona: Get the guards involved.


Elizabeth: Mom.  What are you doing here?

Carolyn: I came in for some coffee.

Elizabeth: In Port Charles? I made it clear to Dad that I didn’t want to see either of you.

Carolyn: Yes, you did. I’m in town to consult on a psychiatric patient.

Elizabeth: You’re here for work?

Carolyn: Yes. And…no. I’m also here hoping to try and reunite with my daughter.


Sam: Hi!

Dante: Hey. Uh, what’s going on? Where are the kids?

Sam: Um, they’re at a sleepover with Leo.

Dante: They’re at a sleepover with Leo?

Sam: Yeah. Mm-hmm…

Dante: Ohh. Could that mean that we, uh — we have some alone time?

Sam: Oh, yeah. We’re alone now.

Dante: Mmm. Oh, damn it!

Sam: What?

Dante: Well, I have to work tonight. I have to go see Heather Webber at Spring Ridge.

Sam: I know. The timing is perfect.

Dante: What? Wait. How can the timing be perfect?

Sam: Because… I am coming with you.


Austin: Mason, what have you done?

Mason: Take it easy. I told you, I just offered little Georgie a treat. She turned me down, though. Either she doesn’t like lollipops or she’s been warned against strangers. Thing is, is that I’m not gonna be a stranger if I visit her again. Little kids can be so trusting.

Austin: You wouldn’t dare.

Mason: Then don’t make me.

[ Knock on door ]

Ava: Knock, knock! Am I interrupting?

Austin: No, no, not — not at all. Hey. Can I help you with something?

Ava: Yeah. You told me to come by.

Austin: Oh, the referr– I’m so sorry. Give me one second. That’s — yep.

Ava: Hey.

Mason: How you doin’?

Ava: Do I — do I know you? You — you look so familiar.

Mason: Oh, I’m this guy’s cousin. I — I come to visit every now and then.

Ava: Odd. I’m having the strongest sense of déjà vu right now. Oh, no. I-I remember. You were there when I was attacked.


Josslyn: Cam, what are you doing here?

Cameron: Looks like I’m interrupting. So, is that it, Joss? You’re with Dex now? Is he the reason why we broke up?


Cameron:  I’m out of here.

Josslyn: Cameron. Cameron. Can we not do this in the hall? Please. [ Softly ] Please.

Dex: Look, man, I’m sorry that you —

Cameron:  No, you’re not, man. You are loving this.

Dex: Trust me, I’m not.

Cameron:  You guys are probably laughing your asses off about how clueless you think I am.

Josslyn: Do you really think I’d do that?

Cameron:  I don’t know, Joss. I really didn’t think you were gonna dump me. And I sure as hell didn’t expect opening the door to another man tonight. So I guess I don’t know what you’re capable of, Joss. What am I doing here? Screw you both. Get the hell out of my way!

Dex: Cameron. Wait.

Josslyn: Cameron. Cameron! Wait!


Carolyn: Can we sit? Please? [ Sighs ] So… how are you doing?

Elizabeth: You mean now that I know the truth?

Carolyn: I know it’s a lot to process.

Elizabeth: Finding out that I’m indirectly responsible for someone’s death? Yeah. It is.

Carolyn: You’ve had to confront a lot of trauma. Maybe…talking can help you contextualize your feelings.

Elizabeth: Oh, stop talking like a shrink. You’re not my doctor. And you don’t get to help me pick up the pieces, not when you’re the one who messed with my head.

Carolyn: I know you’re angry. I’m here. Whatever it is you need to say to me —

Elizabeth: Why did you stay with Dad?


Dante: Wait. Y-you want to see Heather?

Sam: Oh. God, no. If I never see that psycho again, it’ll be too soon. I want to talk to Esme Prince.

Dante: Why do you want to talk to Esme?

Sam: Because of Esme’s old nanny, Maggie Fitzgerald. Spencer said that Maggie was the only one that Esme could count on, so I was hoping that maybe hearing her name might jog her memory.

Dante: I’m assuming you want to find out something more specific.

Sam: Well, Esme told Spencer that Maggie had some information about her biological parents. According to Spencer, Maggie wrote something in a letter implying that Esme’s birth father was somewhere maybe in New York State — possibly Port Charles — which means…

Dante: She might have made contact with her father?

Sam: And maybe he’s the overprotective sort? I mean, what if he is behind The Hook attacks?

Dante: Okay, but The Hook being a woman — your theory is maybe he hired this woman to get revenge on Esme’s enemies?

Sam: It is a theory. And since you can’t talk to Esme without a lawyer present…

Dante: Ohh! Look at you!

Sam: Yes.

Dante: You’re pretty good.

Sam: Yeah. I think it’s a gift.

Dante: Mm-hmm.

Sam: So what do you say? We work together on this tonight?

Dante: I say… let’s do it.

Sam: Okay.

Dante: Yeah?

Sam: Yeah.

Dante: Good.


Mason: I’m sorry that you were attacked, but I wasn’t there.

Austin: Ava.

Ava: Hmm?

Austin: Uh, perhaps you would like to elaborate?

Ava: Oh, gladly. Um, I was stabbed — or, more precisely, hooked the night of the Quartermaine charity picnic. And you were most definitely there.

Mason: Blood or no blood… when I call, you answer. And it will be, “yes, sir,” and, “thank you, sir,” when I give you instructions. You got it?

Austin: Loud and clear.

Mason: I was at the picnic. But that’s all.

Austin: Ava… a-are you suggesting that my cousin, Mason, was the one who attacked you?

Ava: Oh, I’m not suggesting that. Not yet.


Sonny: Spencer, sit down and tell me what you’re gonna do before you do something stupid. Is this about Nikolas?

Spencer: It involves my father, yes.

Sonny: Alright. I know you’re angry, but you’re too young to try to get revenge and ruin your life. I promised you that I would take care of you. You got to trust that I can do that.

Spencer: This is something that I need to do on my own.

Sonny: What — what are you planning?

Spencer: I’m gonna make sure that my father doesn’t ruin anyone else’s life.


Nikolas: I just received my settlement agreement for my divorce.

Laura: Oh, I’m sorry.  You know something? Even when you’re expecting it, when it comes time to finally sign those papers, it’s hard.

Nikolas: Yeah, I can hardly believe that it’s happening. What makes it even more difficult is… I’ll be leaving Wyndemere.

Laura: Where are you going? You’re not leaving town again, are you?

Nikolas: No, I’m not, but Ava and I agreed that she gets Spoon Island in the divorce.

Laura: But Wyndemere has been your home ever since you first came to Port Charles. Why would you give that up in a divorce? And why does Ava want it anyway? Just so she can tear it down?

Nikolas: Spite.

Laura: You know, I — I guess that makes sense, but why are you agreeing to it?

Nikolas: Because… she’s entitled to her rage. I was unfaithful. I’m having a baby with someone else. I mean, we both need a new start, and there’s no better start than a new baby, right?

Laura: know Esme was arraigned today, right? She’s been remanded to Spring Ridge awaiting trial.

Nikolas: Okay, I’m glad the court is taking her pregnancy into consideration, not sending her to Pentonville. She’s gonna be safer in Spring Ridge.


Esme: Please, whatever you do, just don’t hurt my baby!

Ramona: You think you’re special just because you’re having a kid?!

Heather: How ya doing, Ramona? And you’re right about one thing. Esme is special. And so is her kid. Understood?

Ramona: Sorry, Heather. I didn’t realize she was your friend. My mistake.

Heather: Yeah. Spread the word.

Esme: Um, thank you for intervening. I don’t know what she would have done.

Heather: Nothing to worry about now. Or ever again.

Esme: Sorry I was short with you before.

Heather: [ Chuckles ] Hey. I can be a little extra sometimes. [ Chuckles ] So… friends?


Elizabeth: Dad cheated on you, not only with Reiko, but so many other women.

Carolyn: I remember them all, Lizzie. And I could have divorced him, ended things before they got out of hand. But I chose to focus on the life we were building together.

Elizabeth: Why let him treat you like that? Honestly. Don’t you have any self-respect?

Carolyn: Dad and I had a good marriage. We have a good —

Elizabeth: As long as you look the other way. How could you forgive him again and again?

Carolyn: I love him.

Elizabeth: More than you love me?


Mason: The papers — they already said that The Hook Killer was a woman, so definitely not me.

Ava: The media gets stuff wrong all the time.

Mason: [ Scoffs ] I don’t have to listen to this.

Ava: You know, the cops wanted to interview everybody that I interacted with that night, and I… I forgot to mention…

Austin: Mason Gatlin. G-A-T-L-I-N.

Ava: Oh. Of course. Same as yours.

Austin: Well, only half.

Mason: I live in Pautuck. [ Scoffs ] I don’t even live in Port Charles.

Ava: So what you doing here?

Mason: Visiting my cousin. Right, Austin?

Ava: And how often do you “visit”?

Mason: Only when necessary.

Austin: Which is really never. Uh, sadly, Mason’s really got to get going now. Isn’t it time for you to get back on the road and head home? Isn’t that right? Cuz?

Mason: Yeah. Awesome.

Austin: How much of that did you hear?

Ava: Enough to know you don’t like your cousin very much.

Austin: Eh… thank you for the assist.

Ava: My pleasure.

Austin: Just… don’t do it again.


Esme: Thank you.

Heather: Don’t worry. Ramona will make sure all the inmates know you are under my protection now.

Esme: I don’t know what I did to deserve your kindness, but I do appreciate it.

Heather: Oh, you don’t have to do anything. The moment I saw you, I just knew, deep down, we were the same. Didn’t you feel it?

Esme: Honestly, all I’m feeling right now is overwhelmed. I mean, people keep telling me that I’m a-a criminal. And, honestly, all I am is scared. I mean, what if I did all of those horrible things that I’m accused of? I mean, what if I… really killed all of those people?

Heather: Then I’m sure you had a good reason.

Esme: What reason could I possibly have?

Heather: Like protecting your child. A good mother will do anything to make sure that her child is safe and happy.

Esme: I’m sure you’re a great mom.

Heather: You think so? I do my best. I really do my best.


Spencer: I cannot think of two worse parents than my father and Esme.

Sonny: Well, okay. So what are you gonna do?

Spencer: I’m gonna hire Diane and I’m gonna sue for custody of the baby.

Sonny: Diane said she would take the case?

Spencer: She is considering it.

Sonny: You think you’re ready to raise a child?

Spencer: No, of course not. Not while I’m still living here. And that’s what the house is for. So the kid will have his own room. I’m gonna hire a live-in nanny. I have my own money now. Granted, this house is going to need to be on a much smaller scale than what I could afford if I had full access to my trust fund.  I’m gonna call Ava.

Sonny: Okay. Wait, wait. Sit down. And you need to slow down.

Spencer: I want you to know that I can take care of a little brother or a little sister. I really can.

Sonny: But what you’re saying proves that you can’t.


Dexter: Call me after so I know you’re okay?

Josslyn: Mm-hmm. Why are you here?

Cameron: Right now I do not know.

Josslyn: You could barely look at me at Kelly’s.

Cameron: I found out about Willow’s cancer, and I kept on thinking about what you said — that we have been friends forever. And I wanted to be here in case you needed me. But you didn’t.

Josslyn: I’m sorry that happened.

Cameron: Or sorry you got caught.

Josslyn: You didn’t “catch” me. I wasn’t doing anything wrong, Cam. We broke up.

Cameron: Like 10 minutes ago!

Josslyn: Cameron, over is over. And I’m so sorry that I hurt you. I really am. But as far as who I choose to spend my time with…

Cameron: Oh, that’s what we’re calling it now.

Josslyn: I don’t owe you anything.

Cameron: Well, tell me this, Joss. Did you at least wait until after we had broken up before you slept with him?


Ava: Just trying to help. After all, it’s the second time I walked in on your cousin threatening you. And I don’t much like bullies.

Austin: And I’m truly grateful.

Ava: Are you sure?

Austin: Yeah, I am. But y-you don’t want to get involved in this. It’s not your fight. You don’t want to be in the middle.

Ava: Fair enough. But what does he have on you? I have to know.

Austin: Uh, okay, well, the good news is it’s not blackmail.

Ava: What’s the bad news?

Austin: It’s just old family business.

Ava: Eh, your Cousin Mason seems to think it’s pretty current.

Austin: Yeah, I don’t care what Mason thinks. I’m gonna live my life the way I want to… and that’s far away from the Gatlins.


Cameron: You slept with him while we were still together.

Josslyn: I didn’t want it to happen that way.

Cameron: You just couldn’t help yourself.

Josslyn: Cam, I — listen. It was New Year’s. I went to Kelly’s to break up with you.

Cameron: I know. I was there.

Josslyn: No, no, no. This was before. I went there, and you were out. You were on a catering job. So I went home to change for Britt’s party, and I went to Pier 55, and I got attacked, okay, by The Hook.

Cameron: Wait. What?


Spencer: What did I get wrong?

Sonny: Pretty much all of it.

Spencer: This child is my sibling. Of course I’m gonna pay attention and love it.

Sonny: Okay. You know what? Love is a starting point. You got to support the child, emotionally and physically. They have to know that you’re gonna be there. And I’m talking from experience.

Spencer: Please.

Sonny: Took me a long time to learn to be a father and what I — I came to the conclusion that being a good father means you got to show up. You got to rock the child. You got to make the child laugh, make sure they feel safe. If they fall down, you pick them up so they can try again. And let me tell you something. You raise a child… it stops becoming about you. It’s all about them. So… you gotta ask yourself. You think you’re ready to raise a child?


Carolyn: I am sorry I made you feel that I chose your father over you. At the time, I truly believed it was best for you to forget what happened with Reiko. I wanted to save you from the crushing guilt you were feeling.

Elizabeth: But, still, why stay with Dad when he was the one that caused so much of that hurt?

Carolyn: Was I furious with Jeff? Of course I was. But the damage had been done. I did what I thought was best in an impossible situation. We’ve given each other a lot to think about. I should go.

Elizabeth: Wait.


Nikolas: I’m glad you brought up Esme. She and the baby are why I wanted you to come by tonight.

Laura: Oh? Go on.

Nikolas: Well, I want you to know that I plan to sue for full custody of my baby. And I-I hope that I have your support.

Laura: Well, I can certainly understand you wanting to raise the child.

Nikolas: Well, Esme certainly can’t, especially if she’s in prison.

Laura: I don’t think the D.A. will charge Esme for The Hook murders. I think that she will be tried for making and distributing revenge porn. And if she’s found guilty, she will probably receive a relatively light sentence.

Nikolas: I don’t care what happens to Esme as long as I can keep her away from my child.

Laura: Are you saying you wouldn’t even want her to have visitation rights?

Nikolas: Absolutely not. Even without her memory, Esme is not fit to be a mother.

Laura: Not allowing that child to see his or her mother is a mistake, one that you would regret.


Esme: Oh!

Heather: What is it? What? Happened?

Esme: Nothing. Um… the baby just kicked.

Heather: Ohh —

Esme: Oh, please don’t!

Heather: Hey. It’s okay. I’m sorry. I’m sorry. It’s just seeing you like that reminds me of when I was pregnant with my daughter. It was such a miracle, feeling her kick inside me for the first time.

Esme: Sorry for overreacting.

Heather: Ohh. [ Chuckles ] Just the hormones, right? It happens to the best of us. May I?

Esme: Um… maybe when we know each other a little better.

Heather: Okay. Sounds like a plan. You know, I understand that you feel scared about being a mother. But trust me. You’ll be a natural.

Esme: You really think so?

Heather: I do. I think that baby is very lucky.

Esme: “Lucky” is not the word I would use when you have a mom in prison.

Heather: Hey. You are not going to prison.

Esme: What makes you so sure?

Heather: Hm. Just trust me. Soon enough, the cops are gonna realize there is no way that you could have been The Hook Killer.


Esme: Was there a break in my case? Another suspect?

Heather: Oh, the PCPD is very good at following breadcrumbs. They’ll get there.

Sam: What do you think they’re talking about?

Dante: I don’t know. Do you want to go find out?

Sam: Yeah. Will do.

Dante: Hey, Heather.

Heather: Oh!

Dante: Do you want to have a little chat?

Heather: Well, I-I’m a little busy right now.

Dante: Come on. Don’t make me fire up the bus to D’Archam, alright?

Heather: Okay, Detective Handsome. I’ll be right back. Can we at least talk over there?

Dante: Yeah.

Heather: Samantha.

Sam: Heather. Esme.

Esme: Um, look, if you’re a cop, my lawyer told me not to talk to the police, so…

Sam: No, I’m — I’m not a cop. I’m a private investigator. My name is Sam McCall. I’ve been looking into your background.

Esme: Why?

Sam: I don’t think you’re The Hook.

Esme: And those other things?

Sam: Well, yeah. Y-you did those.

Esme: Oh, great.

Sam: Look, you — you deserve to know who you are and what’s going on.

Esme: Thank you. Um, but I’m afraid that I can’t help you. I don’t remember anything about my past.

Sam: I think maybe there’s someone who does.

Esme: From what I’ve been told, I’m all alone in the world, so…

Sam: Actually, that’s not true.


Laura: I think that Esme deserves the chance to be a mother. Listen. If she fails at it, that’s a different story. But listen. She might not.

Nikolas: Esme is a sociopath!

Laura: [ Sighs ] I visited her in the hospital. All I saw was a scared young woman.

Nikolas: You spoke to Esme?

Laura: Yeah. I was curious about the memory-loss thing. I guess I wanted to see for myself.

Nikolas: And?

Laura: She’s pretty convincing. She only said one thing that sort of stood out to me.

Nikolas: What’s that?

Laura: She seems to think that Spencer could be the father of her child.


Sonny: I think your heart’s in the right place. It’s just you’re trying to figure out what to do with your own life.

Spencer: Yeah. Yeah, you’re right. There’s so much that I don’t have figured out. But the one thing that I do know… is that I want to save this baby. I want to save this baby from being betrayed by my father… of being abandoned when it becomes inconvenient.

Sonny: Sorry you had to ever feel that way, Spencer.

Spencer: Yeah.

[ Knock on door ]

Sonny: Yeah? Frank.

Dexter: Sorry for interrupting. I need to get something straight with you.


Cameron: The Hook attacked you?

Josslyn: It was so scary. It was so scary. She kept coming for me. And I almost got away. And then I fell. If Britt hadn’t shown up, I’d be dead.

Cameron: But are you okay? You’re not hurt, right?

Josslyn: No, I’m not hurt. I’m fine. Britt saved my life.

Cameron: I am so sorry that you had to go through that. But what does that have to do with this?

Josslyn: Britt fought the hook. But it wasn’t until Dex showed up that The Hook ran away.

Cameron: Right. And you were so grateful to him that you just had to have sex with him!


Elizabeth: I can understand how you wind up making bad choices.

Carolyn: Thank you for hearing me. I have come all —

Elizabeth: I’m not forgiving anything, but I know how someone can do something unforgivable in extreme circumstances.

Carolyn: Have you done something you think is unforgivable?

Elizabeth: If I did, I wouldn’t talk to you about it.

Carolyn: Of course. Sorry. Now I really do have to run. But if on the off chance you do want to talk more, I’ll be staying at the Metro Court.

Elizabeth: How long will you be in town?

Carolyn: Until I finish my consultation. So a few days, maybe longer. It’s impossible to say just yet.

Elizabeth: Right. Well, I hope it works out.

Carolyn: Elizabeth, in my experience, very few things are truly unforgivable. Often it’s just a matter of time.


Josslyn: Cam, I did not sleep with Dex out of gratitude.

Cameron: I-I don’t want to know the reasons. Just admit that you lied to me.

Josslyn: I didn’t lie. I didn’t lie!

Cameron: Yes, you did, Joss! With that whole B.S. speech — “It’s not you, it’s me.” You never once mentioned Dex!

Josslyn: Cameron, it wasn’t about Dex.

Cameron: No.

Josslyn: Yeah. That’s right. We just grew apart. We did! We grew apart! We saw each other less and less. And when we did, I would hear myself saying all the right things, but I didn’t feel the way that I felt before.

Cameron: Because of what Esme did?

Josslyn: No. No. Because of me. I changed.

Cameron: Yeah, you started sleeping with Dex!

Josslyn: No.

Cameron: Yeah. Yeah. And you — you broke up with me so you could continue sleeping with him and not feel guilty about it.

Josslyn: I told you — I had already decided that we were over long before that night. I just hadn’t found the time to tell you.

Cameron: I’m sorry I got in the way of your hook-up.


Austin: This is your referral. Dr. Partha. The best plastics guy on the east coast. Should be able to deal with that scar that The Hook left, maybe even remove it all together.

Ava: Thank you very much.

Austin: You’re welcome.

Ava: I’ll give him a call. For what it’s worth, I do know a thing or two about family “disagreements.” I am the daughter of a crime boss, after all.

Austin: Oh. Yikes.

Ava: Yeah.

Austin: You ever just want out?

Ava: At first, I wanted in. I wanted it all. Yeah, I didn’t know that I was a Jerome until I was an adult, so… what about you?

Austin: Me? I — I — I had a great childhood. It was amazing. And then things started to get a little weird when I lost my dad. Jimmy Lee. He was a great guy. And he would have wanted me to stand my ground. So that’s what I’m gonna do.


Dante: What do you want with Esme?

Heather: What kind of question is that?

Dante: Well, I know you, Heather, and I know you like… collecting babies.

Heather: Oh, come on. Alright. So my maternal instincts got me carried away once or twice. As for Esme, I want nothing from that girl except the best for her.

Dante: That’s good. ‘Cause you remember the only reason you’re here at Spring Ridge is because you promised Robert Scorpio that you would give him intel on Ryan Chamberlain’s connection to Esme, right?

Heather: Absolutely.

Dante: Right. Okay, good. So what do you got?

Heather: Oh, I got something, alright.

Dante: Yeah?

Heather: Ryan asks about Esme every single day.

Dante: That’s it?

Heather: Well —

Dante: Oh, come on. This free ride’s gotta end. We gotta get you outta here.

Heather: No, no, no, no. Don’t be so hasty. There’s a definite advantage to me being here still, especially now that Esme’s here.

Dante: Mm-hmm.

Heather: I can make sure that Esme and Ryan bump into each other.

Dante: Hm.

Heather: When they do, I’ll be the translator, all the while acting like I couldn’t care less about the content of their conversation. Ryan is bound to tell her something, right? And I thought you cops wanted a little information on whether or not Esme had a partner in crime. [ Chuckles ]


Sam: Does the name Maggie Fitzgerald mean anything to you?

Esme: Why? Who is she?

Sam: Maggie was your nanny. She basically raised you after your adoptive parents died.

Esme: That’s an interesting bit of trivia, but I don’t think I’ve needed a nanny for a while now.

Sam: Well, I have reason to believe that you stayed in touch through letters.

Esme: Can I see them?

Sam: Unfortunately, I don’t have them right now. Actually, I don’t know where they are. I think you may have took them with you when you left Wyndemere.

Esme: Maybe. I mean, I could have done literally anything.

Sam: Do you remember riding on a boat?

Esme: Not really. I… [ Sighs ] Sorry.

Sam: No.  Don’t — don’t worry. It’s okay. Just — just take your time.

Esme: I’m starting to think it might be better if I never remember who I am. I mean, do I really want to remember a life where the only person who cared about me was paid to do it?

Sam: Maggie mentioned in one of her letters that your biological father could be somewhere here in New York State.

Esme: I mean, if that’s the case, why hasn’t he tried to contact me?

Sam: I don’t know. Maybe he doesn’t know y-you’re in trouble. Do you want me to try and find him?


Sonny: Is this an emergency or what?

Dexter: No, but it is important.

Spencer: My uncle and I are having a family discussion. So, errand boy, go polish a fender! Pick up somebody’s dry cleaning! Okay?!

Sonny: Spencer. I got it. Wait outside.

Spencer: I really don’t like that guy!

Sonny: Yeah, you don’t — you don’t have to worry about — about him. Trust me. I just want you to know that I’m proud that you want to protect your brother or your sister. You know? There’s a lot of your mother in you.

Spencer: Really?

Sonny: Yeah. She’d have been very proud of you.

Spencer: But do you think that fighting for this baby is a mistake?

Sonny: Well, that’s just my opinion. It doesn’t matter what I think. I just want you to know — if you take this on, it’s gonna be a fight with your father.


Nikolas: Esme thinks Spencer might be the father of her baby? How?

Laura: I don’t know. [ Sighs ] She talked to Spencer. Probably Spencer told her who they used to be to each other.

Nikolas: No, this seems more like an Esme trick. I mean, god, even without her memory, she’s still a schemer.

Laura: Maybe. My gut instinct is that she really can’t remember who she used to be.

Nikolas: Let’s hope it stays that way.

Laura: Why? I mean, if she remembers, I think it will make your case against her stronger. Why wouldn’t you —

[ Cellphone rings ]

Laura: I’m sorry about this. Um, I — I’m gonna answer this. I’ll just be a minute.

Nikolas: By all means.

[ Cellphone ringing ]

Laura: Hello? I’m on my way.


Cameron: If you thought I couldn’t look at you before at Kelly’s, that is nothing compared to how I feel right now.

Josslyn: I’m sorry. But I’ve got to ask you. You cannot tell anybody about me and Dex


Spencer: I need some fresh air. I’m gonna go for a walk. And, uh, promise to think about what you said.

Sonny: I know you will.

Spencer: Alright.

Sonny: And if you need me, you know I’m here to talk, right? No matter what time or whenever…

Spencer: I know.

Sonny: You know. Do what you gotta do, okay?

Spencer: Thanks again.

Sonny: Yeah.

Spencer: You’re up.

Sonny: Dex.

Dex: I’m sorry for interrupting before.

Sonny: That’s okay.  I just want you to know it’s always family first.

Dex: I do.

Sonny: So what do you got to tell me?


Austin: Good luck with Dr. Partha and with everything else.  I hope things go your way.

Ava: Thanks. Good luck to you, too.

Austin: Thank you.


Dante: You got one week. One week to get something solid that leads to something out of Ryan. Or, I’m sorry, it’s back to D’Archam.

Heather: Know that it won’t be that easy, but Ryan and I do have a very special connection.


Esme: It’s a very kind offer, but from what I understand, I have no money to hire you to help me find my father or this… nanny.

Sam: It would be no charge.

Esme: What’s in it for you?

Sam: Well, the truth would affect a lot of people I know. And if it doesn’t pan out, then neither of us is any worse off.  But if it does, then we both get answers. Come on, what do you say?

Esme: I say let’s do it.  Thank you.

Sam: Excellent. I’ll get right on it.

Esme: Um, I really hope you can find this nanny, but I know that it might not be the happiest story, but I need to know everything you can find out about who my father is.

Heather: What’s this about a nanny?

Esme: Oh, turns out my old nanny Maggie, um…

Sam: Fitzgerald.

Esme: Fizgerald. Um…Turns out she might know where my father is.


Laura: So, tell me, what’s going on?

Elizabeth: My mother’s in town.

Laura: Carolyn?

Elizabeth: Hm.

Laura: Why? Do you think she wants to make amends?

Elizabeth:  Well, apparently that’s just a bonus. She’s here to consult on a patient.

Laura: And you don’t believe her.

Elizabeth:  Well, I don’t know. After everything she and my dad have done, can I really risk trusting her?


Nikolas: Thank you so much for coming.

On the next “General Hospital” —

Anna (to Valentin): There’s not enough time before it’s too late.

Elizabeth: Can I really risk trusting her?

Nikolas (to Carolyn): You’ll do exactly as I say.

Laura: I’m starting to feel that way about Nikolas.

Maxie (to Sam): When were you going to tell me about this?

Josslyn (to Cameron): I’m afraid of what Sonny could do if he finds out.

Sonny (to Dex): That still doesn’t let you off the hook.

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Days Transcript Monday, January 23, 2023

Days of Our Lives Transcript

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Transcript provided by Suzanne

THIS STILL NEEDS EXTENSIVE EDITING!

Boy that, uh, that slideshow I made for my grandparents kinda got to me. I can imagine. It was really something. Yeah, just, I don’t know, seeing all those picture. How long they were together, all the stuff they got through. It’s like the days of their lives were written by Emily Bronte, directed by Hitchcock.

Well, I wouldn’t have put it that way, but I think I know what you mean. Yeah, they were, they were together a long time before I was even born, but ever since I can remember they were. Solid. You know, even after everything they went through and they went through a lot, like I said, good and bad. There was never any doubt between either of them that they were with the person that they were meant to be with.

I used to, uh, think about. When I was watching movies, uh, Ingrid Bergman and Bogart standing in the fog at that tiny airport, Gregory Peck on the back of Audrey Hepburn’s, Vespa, even Carrie Grant shoving Katherine Hepburn back into that niche and there was, there’s this connect. That was always there no matter what was, uh, going on around him.

Now I know why you love those movies so much.

You know, I, I always thought that, um, Know that I’d, that I’d find someone that, uh, the first time I fell in love would be the last,

and now it’s the, it’s the end, honey.

Dear Lauren, I know we’re asking for a miracle,

and if it’s your wealth, please save her. I know it might be time for her to be with you in heaven, but we need her here. You my prayer.

I was just gonna drink you,

Dr. Horton. Why? Why was Dr. Evans moved? Why? I’m standing right next to her bed and it’s empty.

Have had a lifetime. Wonderful memories have.

Like sand through the hourglass. So are the days of our lives.

What the hell is going on here?

So I, I just talked to the nurses and they said we could visit Marlene up, but only two at a phone. Okay. Um, you two go. Okay, we, we’ll come back and get you. Thank.

So how you doing?

Not great. I’m sorry.

I asked you a question, what the hell is going on here, Johnny? He was just really upset about your grandmother, and is she? No. No, she’s, she’s not dead. She’s just, uh, she’s up on the roof. Grandpa John.

Hold on. I’m gonna get some help.

Do you want me to pray with. No thanks. We were praying when you came in, or at least um, aunt Bellon, uncle Eric, where I can’t , I can’t really pray. Hmm. I mean, I think God knows how you feel between law firm.

You know, I, I’ve been thinking about, um, when we. When you and I like first

I was scared of how I felt about you. I didn’t know how you felt about me, didn’t know how I felt about me.

How weird is it that the only person I could talk to honestly about that was my grandmother? And she told me to fight for you.

Thank God she did. Although it wasn’t much of a fight. It’s not like I was playing hard to get,

sorry. It’s work. You should answer it. No, no, no, I’m not with. Your grandma wouldn’t want you to put your entire life on home.

This is Well, you’re kidding.

Hey. Hey. Did you get to see your mom? Yeah, I. How did it go? It was a nightmare. So Johnny found all these pictures of your grandparents and he put ’em together in a slideshow and then we set it up on the roof. I think to avoid roofs. What just sounds really sweet? That’s what grandma wanted. She didn’t want, uh, she didn’t want to die in a hospital, but.

No, no, no, no. It’s all right. It’s all right. I need to know who authorized the move and why I wasn’t consulted. Stat. Your mother’s been moved and I don’t know why. Oh my God. Please just try not to worry. If there was a change in her condition, I would’ve been told I’m the treating physician. Oh, God, snake.

Could this. You don’t know where she is, John, her, stop, get some help right now. Please help her. Right. Help.

Right. Yeah. No, I, I understand. Okay. Okay. Yeah, I’ll, I’ll, I’ll talk to you later. That sounded like good news. Um, the projects I’ve been working on got the green light. Oh my God. That, that’s wonderful.

It’s not, it’s not wonderful. Well, they want me on set. Yeah, the, that’s in New Zealand and they want me to go now.

I I, I’m gonna call my agent and tell him, tell him I can’t. Okay. Look, I know it’s, I know the timing sucks, but I mean, like I just said, your grandma wouldn’t want you to pass this off. Listen, I, I, I’m gonna stay here and Salem until I figure out what’s going on with her. Huh? Okay. Just, I understand. Call your agent, you know, tell him about your grandma, but just don’t say you’re not going.

This isn’t just about my, my grandma. I, I can’t leave because of us.

Okay. Drink this and tell me what happened. Thank you.

Oh, what? It’s Chris Tea. It’s supposed to be calming. My mother used to give it to me when I was upset. You look pretty upset right now.

So the visit, what happened? Well, uh, when I said that it was a nightmare, I wasn’t just talking about myself. Uh, my mom is hallucinating normal time. I’m. It must have been rough. She didn’t recognize me. She thought I was my dead brother. Charlie,

I, uh, gave Rafe a statement, so if he can arrest Kristen for what she did to grandma, I know. Do you want a medal or something? Not no, I I only told you cause I thought she didn’t know. Well, I did. Sorry if I didn’t praise you enough for standing up to the Damaris. Very brave of you, Ellie. Johnny is upset about your grandmother just like you are.

I really don’t need you to explain my brother to me. Also, this is not about my grandmother. This is about what I just walked in on. It’s not supposed to mean that it’s a little hard to believe that your grief stricken when I just saw you coming onto my girl.

You took her to the roof. She didn’t wanna be in this room anymore. Kids, she just wanted to be home and I couldn’t take away from the hospital. So we went up on the roof just to be under the stars. Oh. I’m thinking it’s maybe it was a little bit too much. No, no. You did the right thing. I had to do something.

She wanted to go home. She wanted to be in her own bed.

I’m.

Can’t. I can’t, I can’t.

To be with.

Do you want me to tell the rest of the family?

I’m so sorry.

Your mom thought you were your dead. Half Brother Charlie, we didn’t grow up together. I, I didn’t even meet him until recently. He did some very, very bad things.

Yeah, I have a brother like that. No, no. Lee hasn’t done anything close to what Charlie did. No. Charlie was a, uh, he was a lost soul. I think. I don’t, I don’t know. Maybe I’m just. It makes sense out of it all, but I think that he had so much pain on the inside that he just had to inflict that on. Others. What did he do?

I didn’t know where to start. Uh, he hurt a lot of people. Worst of all though, is what he did to Allie.

All, we’re all really upset, okay? We’re not thinking straight. I know what I saw, what you saw, what you saw was me about to fall apart and Chanel trying to comfort me. Craig, I don’t need your twist on how things happened because according to you, you never do anything wrong. But what about you? You’re gonna lie to me instead of telling me the truth.

Allie

Grandma is.

You.

Maybe you can talk some sense because none of this makes any sense to me.

You know, I don’t, I dunno if you realize, but like you alive, people have talked to me about things that are happening in their lives

and listen.

You were the one person that I could count on to listen to me.

No, you always know my faith is strong.

Then when life was hard, my faith sustained me

till now.

See, I asked God spare her life.

Stop listening.

I never needed someone to talk to more right than right now.

Okay, I think I’m gonna need you to explain this. Okay. Let’s just say that I, I, that my grandmother gets better, and, and then I, I go, we we’re gonna be apart for. At least six months, son. It’s a 16 hour flight one way. We’re never gonna have time to to, to go and see each other. I know. But this, this movie, you’ve put so much time and effort into it.

I know. And more than that, if you give this up, I, I might not get another chance that you’re You’re right. You’re right. And I, I know, even though we got past that fight we had on Christmas, I feel like it, it, it never would’ve happened. Or may, maybe it would’ve happened, but it wouldn’t have been so vicious and so sad.

I know we’ve been, we’ve had our ups and downs, but that, that felt different. I mean, that, that didn’t feel like us and that’s, that scared me. Well, I think what scared you was that I had befriend Leo Stark again, which of course you were right and I was wrong. Okay. I thought I should give him another chance.

I thought he could change and he did into an assistant kidnapper.

Look. Well, you said that you were scared because it didn’t feel like us anymore. Okay. But this, this movie is a dream come true. And if you let me hold you. Then you won’t be you anymore,

and then we could never be us.

Thing is that Charlie had this kind of gift and he could get outta people’s skin, make them,

I can’t really put it in towards. All I know is that he made my mom feel like all the things he did were her fault. That she loved me and didn’t love him, and that’s why he turned out like he did. And so as soon as she saw me, the, the guilt, he just made her think I was Charlie. That’s awful. What was really awful is that she started seeing Charlie after her first breakdown.

It was like this little devil on her shoulder, and I had hoped that when she started taking her meds, that the hallucinations would go away. But right when I walked in the door, she immediately started screaming, blaming me for all of the horrible things she had done. Thank you for Charlie. Right, right.

I, I tried to get through to her. I tried, I tried to make her see that it was me, but I couldn’t, and I had to and watch them, restrain her, sedate her, and then I had to watch them drag her away after she begged me to.

She didn’t know it was you. Trip, whatever part of her did.

My mom said that she hates me and, and maybe she hates me because I left her. In that place, uh, with Charlie alone in a nightmare that she may never wake up from.

So sorry. . God. Oh.

Are you okay? No.

I love you too.

So does everybody,

and not, not just love mommy. They respect you and admire you.

I’ve been so proud to be your daughter.

I, I just keep thinking about when we were in that coma and I had to fight everyone to honor your wishes, you know, to not keep you hooked up, to have been leader.

And then you let me off the hook. At least we thought you did. You woke up, but it wasn’t really you. It was Hattie and

God, I wish that this was handy right now. I just wish someone was gonna walk through that door and tell me. It’s not Dr. Marlene Evans, my mom,

do you remember when I was little on, we used to play hide and go seek . God, you were the best of that.

I would close my eyes and count to 10 and say, ready or not, here I come and, and then I couldn’t find you.

And then, so eventually I would just give up and, and I would just feel really. Scared that you were really gone. I was never gonna find you.

And then you’d come out and God, I would say, where were you hiding? And you would never tell. You said it was your super secret hiding. Please

God, why am I thinking about all this? I mean, I’m a grown woman and I just.

I just feel like that scary little girl.

I’m afraid I’m never gonna find you,

God, which is just a game I wish. But I could just close my eyes and count to 10 and just pray that this time I’m gonna find you.

You can’t lose her. I have to find her.

You’ll.

Just thank you. I know how lucky I hate them.

Okay, I’m gonna let you say goodbye. I’ll be right outside though. If you need me, I’ll need you. We’re all gonna need each other right now.

I.

Johnny, how’s your grandmother? She, uh, she just died. My god. So sorry. I’m sorry too. No, you just, You save. You’re sorrys Paolo. Okay. I just lost my grandma. The one I had left like Trip lost his stepmother. I know what you’re going through. Okay. Orpheus, that bastard killed Kayla too. Yeah, yeah, yeah. Orpheus killed my grandmother.

He killed Kayla. He killed Cape, but sure, lunatic mother killed my other grandma, Susan. I can’t defend what she did, but she’s mentally ill . That’s convenient, isn’t it? You know, she made me believe she was a good person. She was just playing the victim card to get what she wanted, and now that it’s time for her to pay for what she’s done, all of a suddenly, she’s normal bass.

Watch it. Watch it. Your mother is a homicidal lunatic bitch, Johnny. He started it.

How’s Grandpa John Kate’s with her right now saying goodbye now. I’ve never seen anybody love anyone as much as you loved her. I know. Um, do you want me to call your mom? Yeah. Could you? Yeah, I just, I know she, she’s gonna try and be strong for me. I don’t want that for her right now. Okay. Okay. For your love.

You should go. No, Allie, I really need to go find Will, so I’ll just see you later.

Hi. Hi. I, I don’t think I can talk about this right.

Not until we know how your grandma stole Sonny. Just being away from you for that long. Also, it like it. I, Hey, you said you couldn’t talk about this right now. So let’s wait. This isn’t the.

I just left a message for Sammy to call.

Why don’t we go to the chapel and say one more prayer,

God.

Oh, hello, Dr. Evans. My name is John Black

Doc. This is wrong on so many levels. You’re those strong one. You’re the one that could go on me, not so sure about.

You remember when we first met? Yeah, I know that was a lifetime ago. I actually, I literally didn’t even know who I was. Yeah, I thought, you know, I was some good at this, this, this tough guy. You know, I thought I was, oh hell, I don’t know. I don’t know what I thought. But you,

you knew when you saw right through me, you,

you saw the man. Not only the man that I was, but the man that I could be. Again,

doc, when I first kissed you, it changed everything cuz that was the first time that I knew who I was. See, I, I was the guy that I’d fallen in love with, Dr. Evan.

I trusted you and depended on you,

and I always love you, Dr. Evans.

From that first.

Did you everything. It went in this way for us,

Ronnie,

we. Together.

Did you ever dream love? What day?

I wish that dream could last forever.

Comes once in time.

You’re the one I wanna live for, for, you’re the one I need to find. And the truth is, I will only build this way

once in a.

Comes once in.

You’re the one I want for you for. You’re the one I need to find, and the truth is, I only feel this way

once in a lifetime.

I will turn back time for

I will never be. So fine as the

here comes one in a lifetime.

The other one who makes it better.

The truth is, I will only feel this way.

Lifetime. There’s no place on earth. I would rather be right here with you.

I’m stories over duck. No way. This is. This isn’t Goodbye, baby, because I know in my heart one day.

I love you.

You all right? I’m fine. I know Johnny was upset, but he had no right to say those things about your mother. Thank you. Thanks for being there for me. That’s what friends are for.

Hey, you. Uh, you mind if I join you? Sure.

You know, mom really loved you like a son. We were just talking about how she was on her side from the very beginning.

I think maybe we should say a prayer. It would. Where’s on cleric?

Hit me again.

I can.

I know you gotta be up there, doc, you’ve been looking out for all of us.

So,

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B&B Transcript Monday, January 23, 2023

Bold & The Beautiful Transcript

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Transcript provided by Suzanne

Bill: You’re right, brooke. Everything you’re saying is absolutely right.

Brooke: You are a good man, bill. The way you love, just so passionate. So powerful. It belongs with somebody who deserves it. Not with someone like sheila, who’s gonna just drag you down into her darkness. You’re too good for that.

Paul: Here.

Deacon: Oh, thanks.

Paul: You haven’t slept in days.

Deacon: Make that weeks. But it’s gonna be worth it.

Paul: You nervous?

Deacon: A little bit, but I’m mostly excited. I’ve been waiting for a long time for a break like this.

Paul: Man, I’m so happy for you. I mean, to think that someday you would own this place, just can’t believe it.

Deacon: You and me both. Hey, honey.

Hope: Hi!

Deacon: Your timing could not be any better.

Hope: Uh, why? What’s going on?

Deacon: You are looking at the new proprietor of this fine dining establishment. Welcome to deacon sharpe’s il giardino.

Hope: What?

Hope: Okay. So how– how did this–

Deacon: So how did I go from cleaning the toilets to owning the joint? Um, well, I knew the previous owner was looking to get out, and so I put together some investors. I scraped together the money for the down payment, and I am gonna be working day and night to pay it off. But hope, I gotta tell you, I think it’s gonna be worth it. I feel like I finally found my niche after searching for so many years.

Hope: This is amazing.

Deacon: You know, a big part of this was making you proud.

Hope: Well, guess what? I am very proud.

Deacon: Hey, do you wanna get a bite? I know this new place under new management. I can get us a set table.

Hope: Um…

Deacon: What?

Hope: Yeah, it’s just–

Deacon: What’s up?

Hope: So I’m guessing you haven’t heard.

Deacon: What? I’ve been pretty out of the loop doing this 24/7.

Hope: So you don’t know about sheila?

Deacon: What’s there to know? She’s in prison. Probably gonna be locked up for the rest of her life.

Brooke: Bill, are you ready? Sheila is one phone call away from being back in prison and out of our lives.

Sheila: I’m not going to listen to–

Brooke: Ugh.

Sheila: I meant everything that I said to you. I love you and I am willing to walk away from all of this if it’s costing you too much. You just say the word and I will walk away right now. But that has got to be your decision, not brooke’S. Hi, I’m lauren, I lost 67 pounds on golo.

Deacon: This is crazy, hope. I’m– wait, wait. So sheila’s free? I– so bill goes over to finn and steffy’s and– and what? He blackmails them so that they don’t press charges or testify? I–

Hope: Well, finn and steffy are pretty certain that bill bribed the judge to drop the charges.

Deacon: That’s unbelievable.

Hope: Well, yeah. Tell me about it. We keep underestimating sheila. I mean, just when we think she’s been put away once and for all she just–

Deacon: Yeah. This doesn’t make any sense though. I mean, bill hates sheila.

Hope: Well, not anymore. Dad, like I said, something in bill has changed and so many people have tried to get through to him, but it’s just, it’s like he’s lost.

Deacon: Yeah. Billionaire problems. That’s rough.

Hope: Well, money can’t buy you love.

Deacon: I’d like to put that theory to the test.

Hope: Dad!

Deacon: Look, I’m sorry. I’m just having a tough time wrapping my head around spencer having any emotions other than arrogance and chronic jackass-ery.

Hope: Well, that being said, he has burned pretty much every bridge. So he was alone, probably terrified. And that made him vulnerable to sheila.

Deacon: Yeah, but why? I mean, like, what’s the angle here? I’m not getting it. What does bill being sad have to do with working with sheila?

Hope: Oh, I don’t think he’s working with her dad.

Deacon: That’s exactly what I’m saying. Then what–

Hope: He’s protecting her because he cares about her.

Deacon: Stop. Don’t say it.

Hope: Bill and sheila are together.

Sheila: Look at me. Don’t look at her. They all wanna change you, bill. They see you as a potential, a fixer upper. I look at you and I see the man I’ve been waiting for my entire life.

Brooke: You can try all you want, sheila, but deep down bill knows this isn’t what he wants. Bill, she shot steffy. The mother of your grandchild. She shot me. She shot her own son for god’s sake.

Sheila: That was an accident.

Brooke: An accident? Did you call 9-1-1? No, you pulled the trigger and you ran.

Sheila: Please, don’t let her come between us. Stop it.

Brooke: There is no “us.” Bill, as long as sheila is out of prison and running free on the streets, she’s gonna be a danger to you, to your family, to all of us. Is that what you really want? I– I don’t know what she did to get to you, but you have to listen to me. You have to trust me.

Bill: You’re right, brooke. Everything you’re saying is right.

Brooke: Oh, thank god. I knew you’d come to your senses.

Bill: I can’t argue with any of it. Sheila being here doesn’t make sense.

Brooke: Okay. Okay. Well, well then let’s– let’s do this.

Bill: But it’s what I want. It’s what I need. Did you know, some ordinary cold medicines can raise your blood pressure?

Deacon: Are you– are you sure that finn and steffy didn’t get this wrong somehow? Because I’m just not seeing it. I mean, sheila and bill together? Come on.

Hope: Well, steffy and finn confirmed it. Liam and wyatt confirmed it. Aunt katie too. I mean, they’ve all seen them together and it does get worse.

Deacon: How the hell could this get any worse?

Hope: They claim to love each other.

Deacon: Love? H– how is this even possible?

Hope: I don’t know. I think bill was down and out and sheila capitalized on it.

Deacon: When did this start? How did this even happen? How long has it been going on?

Hope: I don’t– I don’t know. I– we are totally and completely in the dark about all this. All I know is that liam is very, very concerned about his father. And frankly, we all are.

Deacon: But you think that sheila’s just using bill, right?

Hope: Well, of course. I mean, I don’t think someone like sheila is even capable of love. I mean, any sane person could see that. And that’s how we know bill isn’t okay right now. I mean, what kind of person would have real feelings for some

Brooke: You want her, bill? You need her? How can you say that knowing the danger we’re all in?

Bill: Sheila won’t be a threat.

Brooke: Won’t be a threat? She will always be a threat. Think of everything that she’s done to us. Think about taylor, steffy, finn, hayes. Think about your grandchildren, kelly and beth, your son. My god! We’re all a family, bill, and she’s a danger to all of us as long as she’s roaming free. I don’t know what you said or what you did to get into his head, but my god, bill, she is using you.

Sheila: That is enough. Bill is not a man that can be manipulated, not by me, and most definitely not by you.

Brooke: We loved each other, bill. I am just looking out for you. You have to know that. Please, just listen to me.

Sheila: No, you know what? You listen to him.

Brooke: Shut up! Shut up! Just let bill speak for once.

Sheila: He wants me to speak for him.

Brooke: Oh, god. For the first time, he has somebody that understands him and truly appreciates him. Something that you and your sister could never do.

Brooke: My god. This is it, bill? This is what you call love? This isn’t love. Can’t you see what she’s doing? Please just open your eyes. She’s a danger to everybody.

Sheila: Advice on love? Are you really that arrogant? And why would bill listen to anything that you have to say about love, brooke? A woman who allowed a man to bounce back and forth between you and another for years. A woman that had an affair and slept with and had a daughter by her grown daughter’s husband. You make me sick. All of you people, you know, you throw stones from your glass pedestals thinking that you’re better than all of us.

Brooke: You nearly killed your own son, sheila.

Sheila: Yeah. And taylor nearly killed the man that you say you loved. What about her? Did she pay for her crimes? The hypocrisy is just sickening to me. And that is what bill has finally seen. Because unlike you and katie, I am never gonna turn my back on him. I am never going to leave him alone. He finally found someone that wears her flaws proudly and I am not gonna call him a monster for his. You can’t stand this, can you? Seeing that he needs me and that he loves me. But you know what? It’s the truth. So you just better learn to accept it. Listen, I’m done settling. Because this is my secret.

Deacon: I’m just trying to wrap my head around this. Bill and sheila in a relationship?

Hope: Yeah. None of us could really believe it. I mean, the place bill has spiraled into must be pretty dark if he thinks he’s in love with sheila.

Deacon: I mean darker than usual? Sure this isn’t just bill being bill?

Hope: I mean, bill has done some terrible questionable things, but for him to think that he has feelings for sheila after everything that she has done? I mean, you know what? Dad, I’m– I’m actually– I’m so sorry. I shouldn’t be talking about this right now. I should– I should be celebrating your new place with you and not talking about sheila.

Deacon: Listen, I’m glad you came here and got me caught up. Believe me. Um, hey, I’ll tell you what, why don’t you come here tonight for dinner, okay? We can toast then.

Hope: I would love that. Congratulations again, dad. I am very, very, very proud of you.

Deacon: Thank you.

Hope: All right, I gotta go.

Deacon: Okay.

Hope: And dad?

Deacon: Daughter.

Hope: I know you and sheila were close at one time. So if she calls, hang up the phone.

Deacon: Don’t worry about me. I know to handle sheila.

Sheila: Deacon,

deacon, deacon.

You haven’t been listening.

I’m a survivor.

Yes, I’ve had ups and downs

and there have been

misunderstandings,

but I– I– I truly believe

people get what they deserve.

I deserve another chance.

The best is yet to come

so just stay tuned.

I’ve said it before

and I’ll say it again.

You have not seen

the last of sheila carter.

Deacon: Son of a bitch. You did it, sheila. You really did it.

Sheila: I think you need to leave, brooke. You’re upsetting bill.

Brooke: I’ve really never been this worried about you, bill. Are you gonna let sheila do this? Really? You’re gonna let her kick me out of your home? You’re gonna let her speak for you? My god, bill! Do you have anything to say for yourself?

Bill: There is A… deep, painful emptiness inside of me. I loved you. There was nothing I wouldn’t have done for you, for your sister. Katie and I have a family. Family that means everything to me. You mean everything to me. I put my heart on the line for you over and over and over again. For katie. You trampled on it.

Brooke: Bill, bill–

Sheila: No, just let him finish.

Bill: You walked out on me. You and katie, you abandoned me and that hurt. I have feelings and I have needs.

Brooke: Right. Right, you have needs. Yeah. This is what you need, sheila.

Bill: Yes. Yes. Sheila is what I need.

Sheila: I think you’ve heard enough, okay? You understand why I’m here. Because I understand him. I accept him, I support him and I love him.

Brooke: Okay. I can’t believe this is happening. But you know what, bill? I’m not gonna stop until I am able to get through to you. Mark my words. And I am not gonna stop ’til you are behind bars rotting in prison where you belong. You hear me, sheila? Rotting in prison!

[ Door slams ]

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Interview with Mike Manning

TV Interview!

Mike Manning of "The Way Out"

Interview with Mike Manning of the film “The Way Out” by Thane 1/16/23

It was great to catch up with Mike Manning about a new thriller he appears in. His TV credits include “This Is Us” and “Days Of Our Lives“. If you like horror/thriller movies, then he’s worth a follow.

 

MORE INFO:

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ON DIGITAL WORLDWIDE FEB 10, 2023

VIEW AND SHARE THE TRAILER!

https://www.youtube.com/watch?v=MXIoXo_rrt4

From writer/director Barry Jay, and starring Jonny Beauchamp (“Penny Dreadful”), Emmy winner Mike Manning (“Teen Wolf”, “This is Us”), Ashleigh Murray (“Riverdale”), and Sherri Shepherd (“Life is Perfect”), an unnerving and riveting thriller from Terror Films hitting digital February 10, 2023.

Alex is an aspiring singer/songwriter, a drug addict who’s been damaged from childhood abuse. After the death of his father and inheriting the family home, he takes in a roommate, a fighter, who takes Alex under his wing, teaching him how to fight back and stand up to abusers. But soon this leads Alex down a dark path that threatens his sobriety and his life.

“I disagree”, says Barry Jay (Killer Therapy, The Chosen). “Absence doesn’t always make the heart grow fonder. Sometimes it gives you the time and distance to gain the clarity to see how badly you were mistreated and the courage to finally do something about it. That was me – I moved out of an abusive household when I was 20 years old. I had been abused until after I was a senior in high school. Severely underweight, shut down, feared everyone and everything and with good reason. Sobriety was a gift that helped me heal through all of that, a day at a time and that is the inspiration for THE WAY OUT.

My hope is to send a message to the abuser and the abused. To the abuser, I hope to show the ripple effect of their heinous actions, and how it can boomerang back to them, rightfully destroying their lives. To the abused, I hope to show there is hope, hope for better days, ability to find the self-esteem and strength to create boundaries, how forgiveness can be the thing that helps you finally drop the rock so you can create a better new and healthy life.”

THE WAY OUT is on digital February 10, 2023 worldwide from Terror Films.

Proofread and Edited by Brenda

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Days Update Monday, January 23, 2023

Days of Our Lives Update

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Update written by Joseph

Wendy sits in the town square and sends a text message to Johnny, asking how Marlena is doing and tells him that she’s there for him if there’s anything she can do.

At the hospital, Johnny tells Chanel that the slideshow of John and Marlena really got to him. Johnny talks about how long they’ve been together and all they have been through, like the Days of their Lives was a movie. Johnny notes that they were together before he was even born, but ever since he could remember, they were so solid even after everything they went through. Johnny says there was never any doubt between them that they were with the person they wanted to be with. Johnny compares John and Marlena to famous movies, saying they always had the connection no matter what was going on around them. Johnny mentions always thinking that he would find someone where the first time he fell in love would be the last, but now it’s the end.

Eric prays in the chapel with Will and Belle, asking God to save Marlena.

Sarah goes to check on Marlena but finds she is gone from her hospital room. Sarah pulls out her phone and makes a call, questioning why Marlena was moved.

John holds Marlena on the rooftop as they watch the slideshow of their photos. John says they have had a lifetime of wonderful memories. John then calls out to Marlena as she passes out in his arms. John then starts to cry.

Chanel puts her hand on Johnny’s face and they almost kiss before Allie arrives and questions what the hell is going on here.

Sonny goes to the chapel and announces they can visit Marlena, but only two at a time. Will tells Eric and Belle that they should go so they exit. Sonny asks Will how he’s doing. Will admits he’s not great. Sonny says he’s sorry and hugs him.

Allie asks again what the hell is going on here. Chanel explains that Johnny was just really upset about Marlena. Johnny mentions that Marlena is up on the roof with John.

John tries telling Marlena that she’s going to be okay and he’s going to get her some help.

Sonny offers to pray with Will, encouraging that God knows how he feels and that he loves Marlena. Will recalls when he and Sonny first got together and how he was scared of his feelings while the only person he could talk to honestly about it, was his grandmother Marlena, who told him to fight for Sonny. Sonny holds his hand and says thank God that she did. Will then gets a call from work. Sonny says he should answer it, pointing out that Marlena wouldn’t want him to put his entire life on hold. Will answers the call and asks if they are kidding.

Wendy runs in to Tripp in the town square. She asks if he saw his mom. Tripp confirms that he did. Wendy asks how it went. Tripp calls it a nightmare.

Chanel explains to Allie that Johnny found pictures of John and Marlena to put together in a slideshow and they set it up on the roof. Johnny adds that Marlena didn’t want to die in a hospital bed.

Eric and Belle go to Marlena’s hospital room. Belle starts to panic when she sees Marlena is not there but Sarah tells her it’s alright. Sarah says on the phone that she needs to know who authorized the move and why she was not consulted. Sarah informs Eric and Belle that Marlena has been moved and she doesn’t know why. Sarah tells them not to worry as if there was a change in her condition, she would’ve been told. Eric questions not knowing where she is. John then wheels Marlena back in and tells them that Marlena needs help right now.

Will says he understands and ends his phone call. Sonny says it sounded like good news. Will informs Sonny that the project he’s been working on got the green light. Sonny exclaims that’s wonderful and hugs him. Sonny then asks if it’s not wonderful. Will then reveals that they want him on set now and the set is in New Zealand. Will says he will call his agent to cancel. Sonny knows the timing sucks but repeats that Marlena wouldn’t want him to pass this up. Will wants to stay in Salem until he figures out what is going on with her. Sonny suggests he call his agent to tell him what’s going on with Marlena, but not to say he’s not going. Will then states that it’s not just Marlena, but he can’t go because of them.

Wendy and Tripp sit together in the town square. Wendy gives him some calming tea and asks more about what happened with Ava since he looks pretty upset. Tripp informs her that Ava was hallucinating the whole time. Wendy says she’s sorry as that must have been rough. Tripp adds that she didn’t even recognize him and thought he was his dead brother, Charlie.

Johnny mentions giving Rafe a statement so he can arrest Kristen for what she did to Marlena. Allie responds that she already knew and asks if he wants a medal. Allie sarcastically calls him brave for standing up to the DiMeras. Chanel tells Allie that Johnny is upset about Marlena, just like she is. Allie says she doesn’t need her to explain her brother to her. Allie adds that it’s not about Marlena but about what she just walked in on. Johnny questions what that means. Allie declares that it’s a little hard to believe that Johnny is grief-stricken when she just saw him coming on to her girlfriend.

Eric questions John taking Marlena up to the roof. John explains that Marlena didn’t want to be in the room anymore and she wanted to go home, but he couldn’t take her from the hospital so he took her to the roof. John cries that maybe it was too much. Belle encourages that he did the right thing. John adds that Marlena wanted to go home and be in her own bed. Sarah then announces that she’s sorry, but Marlena is gone. Belle says she can’t do this and rushes out of the room. John tells Eric that he needs to be with Belle. John asks Eric not to leave Marlena alone as he goes after Belle. Sarah asks Eric if he wants her to tell the rest of the family. Sarah says she’s so sorry as she exits the room while Eric sits at Marlena’s side and holds her hand and cries.

Wendy questions Tripp saying that Ava thought he was his dead brother, Charlie. Tripp explains that he was his half-brother as they didn’t grow up together and he only met him recently. Tripp adds that Charlie did some very bad things. Wendy responds that she has a brother like that. Tripp states that Li hasn’t done anything close to what Charlie did. Tripp calls Charlie a lost soul. Tripp thinks that Charlie had so much pain inside that he had to inflict it on others. Wendy asks what he did. Tripp notes that he hurt a lot of people, worst of all being what he did to Allie.

Johnny tells Allie that they are all really upset and not thinking straight. Allie says she knows what she saw. Johnny argues that he was about to fall apart and Chanel was just trying to comfort him. Allie doesn’t want to hear Johnny’s twist and questions if Chanel is going to lie to her. Sarah then approaches. Allie asks if it’s Marlena.

Eric remains at Marlena’s side and cries that none of this makes any sense to him. Eric says he listened to other peoples’ problems in their lives, while Marlena was the only person he could count on to listen to him. Eric notes that Marlena always knew his faith was strong even when life was hard, until now. Eric states that he asked God to spare Marlena’s life, but he stopped listening. Eric then breaks down crying over Marlena and says he’s never needed someone to talk to more than right now but she’s gone.

Sonny asks Will to explain things. Will says that if Marlena gets better and then he goes, he and Sonny will be apart for at least six months with a sixteen hour flight so they will never have time to see each other. Sonny argues that he put so much time and effort into this movie. Will acknowledges that he might not get another chance. Will talks about their fight on Christmas and how it didn’t feel like them which scared him. Sonny understands it scared him that he befriended Leo Stark. Sonny admits that Will was right and he was wrong about Leo changing. Sonny encourages that this movie is Will’s dream come true, so if he holds him back, he won’t be himself anymore.

Tripp tells Wendy that Charlie had a gift for getting under peoples’ skin. Tripp states that Charlie made Ava feel like everything he did was her fault and that she loved Tripp more than him. Tripp says Ava’s guilt made her think that he was Charlie. Wendy says that’s awful. Tripp talks about how Ava started seeing Charlie after her first breakdown like a devil on her shoulder. Tripp hoped the meds would make the hallucinations go away, but right when he walked in, she immediately started screaming and blaming him for all the horrible things she had done. Tripp says he tried to get through to her so she could see it was him, but he couldn’t, so he had to watch them restrain and sedate Ava, and then drag her away after she begged him to stop them. Wendy encourages that Ava didn’t know it was him. Tripp wonders if part of her did. Tripp worries that maybe Ava hates him for leaving her in that place alone in a nightmare with Charlie. Wendy then hugs Tripp.

Sarah hugs Allie as she cries and tells her she’s so sorry. Johnny decides he needs some air and exits the hospital.

John brings Belle back to Marlena’s hospital room. Belle checks on Eric and they both admit they are not okay. Eric decides he will give Belle some alone time with Marlena. Eric says he loves her, hugs Belle and John, then exits the room. Belle sits at Marlena’s side and says she loves her too, as does everybody. Belle adds that they respect and admire her. Belle cries about being proud to be her daughter. Belle recalls when Marlena was in a coma and she had to fight to honor her wishes to not keep her on the ventilator, but then it was Hattie. Belle wishes it was Hattie now and that someone would tell her this is not her mom. Belle recalls when they were little and would play hide and seek. Belle cries about being a grown woman but feeling now like a scared little girl. Belle wishes this was a game where she could find her. Belle breaks down crying over Marlena. John tries to comfort her as Belle cries that she can’t lose her. Belle decides that she will let John say goodbye and she’ll be outside if he needs her. John responds that they are all going to need each other right now. They say they love each other as Belle then exits the room.

Johnny walks through the town square and finds Wendy with Tripp. Wendy asks how Marlena is. Johnny reveals that she just died. Wendy gets up and hugs him, saying she’s so sorry. Tripp adds that he’s sorry too but Johnny tells him to save his sorry as he just lost his grandmother. Wendy points out that Tripp also lost his stepmother. Tripp says he knows what he’s going through since Orpheus killed Kayla too. Johnny blames Tripp’s lunatic mother for killing his other grandmother, Susan. Tripp says he can’t defend what Ava did, but says she’s mentally ill. Johnny laughs that off as convenient. Johnny says Ava led him to believe she was a good person but she was just leading him on to get what she wanted and now that she’s going to pay for what she did, she’s suddenly Norma Bates. Tripp warns Johnny to watch it. Johnny tells Tripp that his mother is a homicidal, lunatic bitch. Tripp tries to hit him but Johnny blocks it and punches Tripp down. Wendy yells at Johnny. Johnny says he started it and storms off as Wendy checks on Tripp.

Belle comes from Marlena’s room and hugs Allie. Allie asks how John is. Belle responds that he’s with Marlena now, saying goodbye. Allie says she’s never seen anyone love anyone like John loved Marlena. Belle offers to call Sami. Allie asks her to do so since she knows Sami was going to try to be strong for her and she doesn’t want that for her right now. Belle says she will give Sami her love and walks away to make the call. Allie tells Chanel to go as she really needs to go find Will, so she’ll just see her later. Allie then walks away.

Will tells Sonny that he doesn’t want to talk about this right now. Sonny agrees to not until they know how Marlena is doing. Will brings up being apart from Sonny for that long. Sonny reminds him that he didn’t want to talk about it now, so he suggests they wait as now is not the time. Will says he loves him and they hug. Allie then enters the chapel and hugs Will as they break down crying.

Belle finds Eric at the hospital in tears. Belle mentions that she just left a message for Sami to call her back. Belle suggests they go to the chapel to say one more prayer. Eric tells Belle to go because God is not listening to him anymore. Eric then gets up and walks away.

John sits with Marlena and says this is so wrong as she was the strong one who could go on, while he’s not so sure about himself. John brings up when they first met and how he didn’t know who he was but Marlena saw the man he was and the man he could be again. John says their first kiss changed everything because it was the first time that he knew who he was. John talks about falling in love with her and trusting her. John declares that he will always loves her and kisses her. John says from their first kiss to their last, their love story begins. A montage of John and Marlena’s life together plays. John then tells Marlena that their story isn’t over yet and cries that one day they will be together again as he says he loves her.

Wendy helps Tripp up and asks if he’s alright. Tripp says he’s fine. Wendy knows Johnny was upset but argues that he had no right to say those things about Tripp’s mother. Tripp thanks Wendy for being there for him. Wendy says that’s what friends are for.

Johnny finds Chanel sitting in the park and joins her on the bench.

Belle joins Allie with Sonny and Will in the chapel. Belle tells Sonny that Marlena loved him like a son. Sonny says they were just talking about how Marlena was always on their side. Will suggests saying a prayer. Allie asks where Eric is.

Eric goes to the Brady Pub and starts drinking. He takes a shot and then orders another.

Sarah returns to Marlena’s hospital room as John exits. Sarah then turns out the lights and leaves the room. Marlena then sees the white light and her spirit leaves her body.

John returns to the hospital rooftop and says he knows Marlena will be in Heaven, looking out for all of them.

Marlena enters the gates of Heaven.

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GH Update Monday, January 23, 2023

General Hospital Updates

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Update written by Angela

Spencer tells Sonny that he is looking for a house to look better when he goes to court. Sonny questions why he would be going to court. Laura goes to see Nikolas and notices he’s very distracted. Esme is accosted by another inmate. Liz is surprised to see her mother, Carolyn, in Port Charles and reminds her that she doesn’t want to see her or her father. Her mother tells her she is there for work and to try to reunite with her. Dante gets home and is disappointed that he can’t enjoy alone time with Sam because he has to interview Heather Webber. Sam tells him she is going with him. Mason threatens Georgie and Ava walks in and interrupts Austin right before he attacks him. She recognizes Mason. Cameron sees Dex and Joss together and questions if that is why they broke up.

Cameron tries to leave but Joss asks him to stay so they can talk in her room. Dex tries to apologize but Cameron is angry and confronts them about the situation. He tries to leave but Joss stops him again. Carolyn asks Liz to sit and talk with her. Liz reluctantly agrees. Liz asks her why she stayed with her father. Dante questions why Sam wants to go with him. Sam tells him that she wants to talk to Esme to try to find her old nanny which could lead to finding her biological father. They agree to work together. Ava says she remembers Mason from the Quartermaine picnic and flashes back to Mason threatening Austin with a knife. Austin asks if she is suggesting Mason is the one that attacked her. Ava replies that she isn’t doing that yet. Sonny questions what Spencer is doing. Spencer tells him he’s going to make sure his father doesn’t ruin anyone else’s life. Nikolas tells Laura about the divorce agreement that gives Ava Spoon Island. Laura questions why Ava wants it, and Nik says it is out of spite, but she’s entitled to it because he cheated. They discuss Esme’s arraignment. Heather rescues Esme from the inmate who is threatening her. Esme thanks her and apologizes for being short with her before. Heather asks if they can be friends.

Liz reminds her mother about her father’s cheating. Her mother says she knows about all of the other women, but she loves him. Liz questions if her mother loves her father more than she loves her. Ava and Austin intimidate Mason into leaving by implying he could be implicated as the Hook Killer. Austin thanks Ava for her help but tells her not to do it again. Heather reassures Esme she is under her protection. Esme tells Heather she is afraid she might have really done everything she is accused of. Spencer tells Sonny he is going to sue for custody. Sonny questions if Spencer is ready to take care of a child. Dex leaves Cameron and Joss alone to talk. Joss asks why he is there, and he tells her that he heard about Willow and wanted to make sure she was ok. Cameron is angry about finding her with Dex and Joss reminds them that they broke up and she can see who she wants to. Cameron asks if she waited to sleep with Dex until after they had broken up.

Ava tells Austin she was just trying to help and he says he is grateful but doesn’t want her in the middle. Austin tells her he is going to live his life the way he wants to, far away from the Gatlins. Joss admits to Cameron that she cheated on him and tries to explain. She tells him about being attacked by the Hook Killer. Sonny explains what actually goes into raising a child to Spencer and tells him to ask himself if he is ready. Carolyn apologizes to Liz and Liz again asks her why she stayed with Jeff. Carolyn says she did what she thought was best and goes to leave. Liz stops her. Nikolas tells Laura he is suing for full custody and asking for her support. Laura tells him she doesn’t think Esme is going to jail even if found guilty. Nik tells her he wants to keep Esme away from the baby completely. Laura tells him that doing that is a mistake. Heather wants to feel the baby kick but Esme asks her to wait until they know each other better. Esme is worried about going to prison, but Heather assures her that the police will soon realize she is not the Hook Killer.

Esme asks Heather if there is another suspect just as Dante and Sam show up and interrupt them. Dante asks to talk to Heather alone and they leave Sam to talk to Esme. Sam tells Esme she doesn’t think she is the Hook Killer and that she thinks there is someone connected to her out there. Laura tells Nik that Esme deserves the chance to be a mother and that she visited her in the hospital. She said she believes her amnesia is real. She tells Nik about Esme thinking Spencer is the baby’s father. Spencer tells Sonny he wants to save the baby from Nik. Dex shows up to talk to Sonny. Joss tells Cam about her attack and that Dex showed up and ran the Hook Killer off. Liz tells Carolyn she understands how someone can do something unforgivable in extreme circumstances. Carolyn asks Liz if she has done something unforgivable and Liz says she would not tell her if she had. Carolyn says she has to go but says she is staying at the Metro Court while she’s in town. Liz asks her how long she will be in there.

Cameron wants Joss to admit she lied to him about why they broke up. She tells him it wasn’t about Dex. She broke up with him because they had grown apart. She tells him she was planning on ending it before she slept with Dex but hadn’t found the right time. Ava and Austin discuss their families and childhoods. Dante questions what Heather wants with Esme. She tells him her plan to get information about the connection between Ryan and Esme. Sam asks Esme if she remembers anything about her nanny. Esme doesn’t. Sam tells her that the nanny mentioned her biological father being in New York. She asks Esme if she wants her to try to find him. Spencer acts superior to Dex and Sonny tells Dex to wait outside. He tells Spencer that he is proud of him for wanting to protect the baby. Spencer asks if he thinks he is making a mistake. Sonny tells him that if he does this it will be a fight with his father. Nikolas questions why Esme thinks Spencer is the father of the baby. Laura tells him she talked to Spencer. Nikolas thinks Esme is scheming. Laura says she thinks the amnesia is real and Nikolas says he hopes it stays that way. Laura asks him why but is interrupted by her phone ringing. She tells the caller that she is on her way.

Cameron wants to leave but Joss tells him that she has to ask him to not tell anyone about her and Dex. Spencer goes for a walk and Sonny calls Dex in. Ava and Austin wish each other luck and Mason returns to Austin’s office after Ava leaves. Dante gives Heather one week to get him information. Sam tells Esme she will find her father for no charge because the truth can help a lot of people. Heather overhears them talking about the nanny and asks about her. Esme tells her that the nanny might know who her father is. Liz tells Laura that her mother is in town to consult about a patient. Nikolas opens the door to Carolyn and thanks her for coming.

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Interview with Michael Chiklis, Marlee Matlin and Billy Porter

TV Interview!

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Interview with Michael Chiklis, Marlee Matlin and Billy Porter and others of “Accused” on FOX by Suzanne 12/14/22

This is a new anthology drama on FOX, and I think it’s pretty good. We saw a few episodes. The first one stars Michael Chiklis as a father who’s worried about his violent son; Jill Hennessy plays his mother. Another one has a deaf woman who’s surrogate for a couple with issues; Marlee Martlin directed that one. One has Billy Porter as a drag performer who gets involved with a married man.  Another has Malcolm Jamal Warner as a father whose young daughter is molested. They’re powerful stories about people accused of a crime, and we see them waiting before their trial. It’s an interesting concept.

FOX ENTERTAINMENT WINTER PRESS DAY “ACCUSED”

 Howard Gordon (Executive Producer/Showrunner)

 Michael Chiklis (Actor “Scott’s Story” and Director “Jack’s Story”)

 Marlee Matlin (Director, “Ava’s Story,” with Interpreter Jack Jason)

 Tazbah Chavez (Director and Co-Writer, “Nataani’s Story”)

 Billy Porter (Director, “Robyn’s Story”)

 Michael Thorn (President, Scripted Programming, FOX Entertainment)

Virtual via Zoom December 14, 2022

© 2022 FOX Media LLC.  All rights reserved.

JEAN GUERIN:  Good morning.  Happy Holidays and welcome to FOX Entertainment’s 2022 Winter Press Day.  Now, before we begin today’s panels, I thought I’d take a moment to reflect on the past as we look to the future.

At FOX Entertainment, we’ve spent the last three years building a strong portfolio of businesses and content engines, including Bento Box, TMZ, MarVista, Studio Ramsey Global, Blockchain Creative Labs, FOX Alternative Entertainment, FOX Entertainment Studios, and most recently our international sales and distribution unit FOX Entertainment Global.

And now with that foundation in place, we’re maximizing those assets, creating world‑class content to fill each studio’s production pipeline development slate, and growing library of content.

Recently, we’ve welcomed some of the industry’s great storytellers into the fold, signing broadcast direct deals with talents such as: McG, Marc Cherry, Carol Mendelsohn, and just this morning we added to the impressive roster Academy Award‑winner Rodney Rothman, whose film “Spider‑Man: Into the Spider‑Verse” won the Oscar for Best Animated Feature.

And this on top of an incredible bench of creators and storytellers already set to debut their work on FOX, including Howard Gordon, Alex Gansa and David Shore, Jamie Foxx and John Eisendrath, Dan Harmon and Jon Hamm, just to name a few.

As you know, we are also busy preparing for and promoting our midseason lineup, featuring our first FOX-owned comedy Animal Control starring Joel McHale.  Season 2 of Gordon Ramsay’s hit competition series Next Level Chef debuting in the post‑Super Bowl time slot.  And Special Forces: World’s Toughest Test, which is getting a lot buzz as audiences get a sense of the courage of our cast and their stories of survival, guts and glory.

And, of course, there’s our two thrilling dramas coming in January:  Accused and Alert, which we’re excited to focus on for today’s panels moderated by our own SVP of Corporate Communications, Les Eisner.

HOWARD GORDON:  Hi everyone.  Thank you for being here.  I’m Howard Gordon.  I’m the Executive Producer and the Showrunner of the new FOX drama Accused.

It’s a collection of 15 intense stories of crime and punishment.  Every week viewers will meet a new character in a new setting, someone who is just like any of us until that person’s life is suddenly upended by a choice they make that changes their life forever.  And rather than being passive bystanders, our viewers will be actively engaged as invisible jurors challenged to lean in and find out moment‑to‑moment what really happened.

Every episode is an unpredictable entertaining ride, but also one that challenges viewers to think a little differently and ask themselves a question more profound than innocence or guilt.  What would I have done?

Every episode of Accused explores the moral complexity of what it means to live in the world today.  But to tell these stories as authentically as possible, we actively looked for creative partners who could bring their own unique experiences to the process, both in front of and behind the camera.  And we were lucky enough to attract some real heavyweights and trailblazers.

Among our outstanding roster of directors are: Oscar winner, Marlee Matlin; Emmy and Tony Winner, Billy Porter; Emmy Winner, Michael Chiklis; and acclaimed writer and director, Tazbah Chavez.

We’re all so excited to be here today, but before we get started let’s take a look at Accused.

JEAN GUERIN:  Hello, everyone, and happy holidays.  I hope you all are well.  Let’s jump right in and get started.  I think it’s safe to assume you know the routine, but for good measure, please click the hand on the bottom of the screen to ask a question. Transcripts of our two panels today will be emailed to you by end of business today. And, lastly, recording of our sessions are not allowed.

Let’s start off with our first session, Accused.  Joining us today are directors Marlee Matlin, Tazbah Chavez, Billy Porter and Michael Chiklis, who also stars in our premiere episode on Sunday, January 22nd.  Executive Producer/Showrunner Howard Gordon, and Michael Thorn, President, Scripted Programming of FOX Entertainment.

QUESTION:  Hi, everyone.  Thanks for doing this.  Michael Chiklis, my first question ‑‑ my question is for you.  As the director of the first episode of this, normally with a series one might ask about establishing the whole format of the show, the tone of the show. In this case, though, it’s an anthology, so you don’t have linking things that go between the episodes.

MICHAEL CHIKLIS:  I’m going to have to stop you right there.  I starred in the first episode. I did not direct it.  So that would be another ‑‑

HOWARD GORDON:  Mike, I can probably answer that a little bit, and it’s a great question. And it really was, at the beginning of the series, acknowledging that it’s an anthology that has a format uniformity.  We wanted, at the same time, to give all the filmmakers and all the storytellers and the diversities of, like, locations and tones its own kind of vocabulary.  So it really was a line and finding that line between what’s kind of an esthetic rule book and set of parameters and at the same time just kind of giving the filmmakers and the storytellers the latitude to tell the story in the best way possible.

And that was Michael Cuesta, by the way, who was an old friend who directed, among other things, the pilot for Homeland.  So I hope that answers the question.

QUESTION:  Am I able to follow with a quick question for Michael Chiklis, then?

LES EISNER:  Sure.

QUESTION:  Michael, as the director of your ‑‑ as the director of your episode, what was your thought process in terms of doing your own thing stylistically but also having to hold to what the entire series was meant to be?

MICHAEL CHIKLIS:  Well, I thought one of the things that was really refreshing as a director is I didn’t feel constrained.  You know, when I’ve directed episodes of, say, THE SHIELD, that was a very specific template and you had to really adhere to it.  It really ‑‑ because this is an anthology series, they’re sort of standalone featurette’s and the ‑‑ there was a huge difference in terms of tone and tenor between the pilot episode that I starred in as an actor and the episode that I directed, very, very different, tonally completely different.

So I didn’t feel constrained at all, which was wonderful and I was able to collaborate with Howard and all departments and the cast and crew to achieve a totally different feel for the show.  And that’s ‑‑ I think that’s wonderful because it says to the audience there’s going to be ‑‑ there’s this template that’s set in terms of the storytelling rules, but in terms of what you are going to see, just from what I’ve already seen, the episodes that I’ve watched that I wasn’t involved with and even some of, like — for instance, you were just talking about Billy Porter’s episode, and some of the shots that he does in that episode are phenomenal, and it’s just a completely different tone and tenor.  So I think each episode is like a standalone featurette.

QUESTION:  Thank you.

QUESTION:  Thank you very much.  Howard, sorry about the nuts-and-bolts question, but I’m just curious.  Did you have in mind people to direct and then hand them a script that you wanted them to direct, or did you ‑‑ did you say, “Hey, I want you to direct.  Here are my scripts. Pick one”?

And, secondly, does the anthology format make it easier ‑‑ I know you want everybody to watch every episode, but do you think the anthology format makes it easier for people to pop in and out?

HOWARD GORDON:  Well, I’ll start with that one because that’s a really ‑‑ that’s a really easy one, and the short answer is yeah.  I mean, it is ‑‑ I think it is ‑‑ an anthology episode, to me, is a perfect antidote to ‑‑ you know, I’ll quote John Landgraf ‑‑ well, although, I can’t remember what his exact quote was, but to the complete overwhelming, you know, nature of this sort of ‑‑ even the idea of – “bingeing” to me is a disgusting word, the way we consume series, and I think that this is ‑‑ we have ‑‑ there’s no meat ‑‑ there’s no fat on the bone of these stores.  It is really lean, I think, compelling storytelling that you watch kind of in any order.  And so I think as a viewing experience I think it’s going to be a promising one.

In terms of like, you know, the episodes that we assigned or developed, I mean, look, we had written ‑‑ Daniel Pearl, brilliant writer, wrote ”Robyn’s Story” — and, again, we just said who’s the fantasy director?  Billy Porter.

We said to him ‑‑ didn’t think he would say yes. He said yes.  We wrote “Ava’s Story,” Marlee ‑‑ you know, Maile Malloy.  And, of course, there’s a lot of M’s, Maile Malloy and Marlee Matlin.  Marlee has never directed, and we sent it to her. And, well, we didn’t know she had been exploring that, and lo and behold, she said yes too.  So these are like ‑‑ and so these are stories that we just sort of picked this fantasy team and we just got a lot of great RSVPs.

In the case of Tazbah, for instance, you know, I think Taz and I had met through like a Writer’s Guild speed-dating introduction thing, and at the end of it I said, “Taz, it sounds like I’ve got to send my resume to you.”

Because she was just like ‑‑ you know, it was on the ‑‑ you know, during Reservation Dogs, which if you haven’t seen, was wonderful.  And anyway, we began to talk about — when I got the series ‑‑ when Michael agreed to the series, she was among the first calls.  So she was more ground up and wrote the series ‑‑ the episode that she wound up directing, but a lot of these were very specific, you know, wishes and we got a lot of our wishes.

QUESTION:  Hi.  Quick question for Billy.  I just wanted to follow up on what Howard was saying. When you came into it, was the script locked, or did you have some input on the script? And if so, what were those contributions?  And then I have a follow-up.

BILLY PORTER:  You know, first of it all, it was such a gift for Howard to call me and sort of came out of the blue.  I directed my first feature a couple of summers ago that debuted on Amazon this year, and I’ve been directing in the theater for about 20 years, and I have wanted this expansion to happen.  So I sort of came in and the script ‑‑ and I read the script, and what I loved about the script so much is that it fit right in line with my intention as an artist and where we are as a culture.

It’s time for the people whose stories are being told to tell their own stories.  And so when I read this, it was like this a queer ‑‑ a queer sort of story, and they’re actually calling a queer person ‑‑ it’s about a black drag performer, and they’re actually calling a black queer person to direct it.  Yay.

So it was an immediate yes to me ‑‑ yes for me because what I love in this space for my life is I get to shape these narratives and control these narratives in the most authentic way possible, and that is a gift.

QUESTION:   And my quick follow-up was, as you mentioned, you’ve directed a movie, you’ve done episodes of Pose, you’ve done theatre.  Is there a particular challenge that comes with directing an episode in an anthology that is different than those other directing duties that you’ve done?

BILLY PORTER:  Well, know because, just like Michael Chiklis said, you know, my experience in directing for film and television in particular, which is – this is only my second one — is that, you know, when you’re directing a movie, it’s your own vision.  So to sort of fall in line with this anthology series, it was also ‑‑ I was also allowed to employ my own vision.  And that was nice and that was ‑‑ that was good for me.

With Pose, I was supposed to direct — and just so we’re clear, I ultimately did not get a chance to direct because COVID happened.

QUESTION:  Thank you very much for doing this.  This question is for Billy and Marlee.  I’m wondering ‑‑ you know, you’re both ‑‑ you both have an extensive resume of acting credits. You’re doing directing now.  I’m wondering, of the two, which do you find more challenging or perhaps more difficult to do?  Is it acting or it is directing?

BILLY PORTER:  Marlee?

MARLEE MATLIN:  Thank you.  Thank you, Billy.  I adore you, by the way, Billy.  I adore you.

BILLY PORTER:  Right back at you.

MARLEE MATLIN:  Anyway, muah.  As an actor, you know, clearly, for 35 years I’ve always thought, you know, when I’m developing a character, I focus on that and I do my thing.

I show up on set.  I go to makeup. I go to hair. I go into my trailer. I wait for my call.  They call me to set and that kind of thing.  It’s the long hours you spend waiting, mostly.  Now, as a director, my time passes so quickly.  I mean 12 hours has already happened?  I’m so focused on every aspect of production, you know, that takes on a set.  I have to be involved with a crew.  I have to work with the creative team.  I have to work with the cinematographers.  It’s a completely different experience, and it accesses a different and creative side of my personality at the same time.

The pleasure of mine was to be able to learn about how each and every person on the set works and how my fellow actors work.  I get a chance to watch them work as actors, as actors to actors, and I became enthralled.  It was a treat for me to be able to direct.

BILLY PORTER:  I personally, as an actor, I realized early on ‑‑ well, I knew early that I would want to direct, and I thought oh, you know, I will direct when the acting sort of becomes boring. Maybe in the twilight of my career, you know, I will begin to act ‑‑ I mean, began to direct. You know, like a Clint Eastwood kind of thing.  I thought, oh, I’ll do it then.

It never occurred to me ‑‑ you know, as a minority African American performer, when I came out in the business, there wasn’t a whole lot for me to do. So I got bored really quick.  And all a sudden, I found myself in this space of directing that sort of activated my mind, my creative mind that never stops.  So similar to Marlee, as an actor, you know, I find ‑‑ I found myself sitting around and my brain being inactive.

What I love about directing and which is also the most challenging part, is all cylinders are firing at the same time.  I have never in my life done anything harder than directing film and television.  It is so hard.  I am so exhausted at the end of every day, because just like Marlee it’s like it never stops.  And, like, you know, for me it’s like as an actor you get to focus on the one moment.

MARLEE MATLIN:  You’re on the move.  You’re constantly on the move.  You’re never stopping.

BILLY PORTER:   Right.  And it’s only you.  But when you’re directing, it’s like ‑‑ you know, I’ve had to learn ‑‑ you know, I’ll be sitting there directing a scene and somebody is asking me a question about three weeks later.  And I’m like, I don’t know.  I don’t know.  I don’t know the answer that to that. Ask me in a ‑‑ ask me on a break in three hours, you know.  I love it.  I love every single solitary second of it.

It really does bring me joy creatively in a way that instinctively I knew it would, and in the process ‑‑ and in the process of being able to do it, it really does.

MARLEE MATLIN:  You know, for me, people would warn me:  You’re going to be a director. You’re going to be asked questions all day.  All day.

I said, okay. So I’ll have to deal with that.  How am I going to prepare for that?  Okay.  You know what, this is what I’m going to do:  Yes, no, maybe, and I don’t know.  Those are the four answers I’m going to give everybody.

And that’s how I worked every day.

BILLY PORTER:  Yes.  You actually have to make a choice.  You have to actually make a choice, because when you make a choice, then you can pivot from a choice.  If people know what they’re doing, then the pivot from the choice is so much easier if it changes.

HOWARD GORDON:  I was going to say the energy you’re hearing from Marlee and from Billy and also Taz, I hope I’m not speaking out of turn, but I’m sharing the story that you mentioned, maybe you should tell it, about the opportunity for me to have this show and for it to sort of be the Trojan horse for these voices and these stories has been one of the most incredible, you know, pleasures of my ‑‑ you know, of my career.

Just to sort of ‑‑ for one thing is to just sort of shut up and listen but and also to bring to bear my knowledge of this ‑‑ of the mechanics and the dramatics of this particular series but also to just get out of the way and let other voices, you know, speak and have a chance.

And Taz mentioned to me ‑‑ there was an anecdote you mention when we were working, you said, “You know, I’ve always been the only woman in the room, or the only Indigenous woman in the room.”

But on Res Dogs, and I think on ours as well, you said that energy and freedom that comes when the people in front of the camera and behind the camera are all the same, I was so struck by that.  You were just like ‑‑ I think you said you can breathe in a way that’s very different.

TAZBAH CHAVEZ:  Yeah, absolutely.  I think that when you have ‑‑ and I think I see it come across mostly in performance when you have Indigenous actors who are being directed by a Native person. And in the case of Accused, it was incredible because we were able to cast ‑‑ three of our four leads were actually Navajo actors playing Navajo characters. And for so long, we’ve been told, you know, there aren’t Native actors. And then if you want to get Tribal-specific actors, that’s even harder. And we pulled it off.  And I thank you for — and all the team for going to the lengths to find folks.  But what that ultimately did was that created a certain comfort and energy on the set and a trust that’s, I think, hard to replicate.

It’s like we know where each other came from. We know the story we’re trying to tell.  And also, what I think I had shared with you previously, what I experienced on Reservation Dogs and also in the Accused with that is it’s also a different culture in the way a set can be run.  And I think that’s really incredible to be able to create for the Accused set, which is there’s ‑‑ that you bring your way of working and your way of community with you, and I think it creates a really fun experience that I think reads across in performance in the final product.

MARLEE MATLIN:  You know, she’s absolutely right.  The same with me in the deaf community.  The fact that we were able to cast the actors — I applauded Howard and the entire production team’s encouragement of that, knowing we were telling authentic stories and representing our community appropriately, showing our culture, showing our community.  In my particular episode, it’s just exactly as she just said.  It’s the exact same feeling for me.

MICHAEL CHIKLIS:  Can I just weigh in on the actor/director aspect of the question if I might?

LES EISNER:  Go ahead.

MICHAEL CHIKLIS:  There’s just countless examples of actors who have become directors over the course of their careers, and I honestly think it’s a natural progression.

For anybody like myself or Marlee or Billy who’ve spent many years in front of the camera, there’s ‑‑ some actors are sort of trailer actors.  They go and they sit in their trailer and they wait, or, you know, they’re sort of off set.  But I’ve never been that kind of an actor, and most actors are very curious people naturally.  So I’ve spent a tremendous amount of time on set and asking questions and making directors and photographers’ eyes roll because I was simply bothering them with questions — Why are you doing that?  What’s that do? — you know, from when I was ‑‑ when I first started as an actor.  So constantly asking questions, constantly, you know, talking to different people in different departments.

And I think one of wonderful things about being an actor and becoming a director is you become the filter where all departments filter through you and you really have a love and a respect for all departments and what they do. So ‑‑ oh, you lost me on camera but ‑‑ oh, there I am again.  But I just think that it’s a natural progression for an actor, and that’s why there’s so many examples of actors who do it well and successfully because we’re storytellers at our core.  We’re natural storytellers, and if you give me motion pictures, music, and sound and say, “Go tell a story with all of those tools” — so there you go.

QUESTION:  Tazbah, because you’re the one who’s got the ‑‑ kind of takes the story from the start, tell us about that.  What made you think of this particular story?  Is there any particular protest when you first had it in your mind?  And you ended up directing an action adventure that people didn’t have there.  So tell us how the whole thing evolved in your mind.

TAZBAH CHAVEZ:  Yeah, absolutely.  Howard and the co‑writer of the episode that I directed, I met with them and they had an idea.  You know, they had a story area written out of the story they wanted to tell, and there was environmental justice issue at the core of it, and I was so excited they wanted to tell this kind of story on the show.  And I had pitched to them an alternative environmental issue, and I chose uranium.  And the reason I chose uranium is because I saw ‑‑ my mother’s side were Navajo and my father’s side was Apache.

 

And there was a uranium spill in 1979 on the Navajo Nation that was the U.S.’s largest radioactive spill that went largely overlooked all of these years.  And when I started talking about uranium, we also started to talk about how there are still 500 ‑‑ over 500 abandoned mines on the Navajo Nation that are very far from being cleaned up.  There is still uranium mining happening that’s potentially going to happen near the Grand Canyon.  There’s an operating mill near White Mesa in Utah.  And so we looked at the Southwest.  I thought that this was a really cool opportunity to shed a light on an environmental issue that I think has gone largely overlooked.

And I think the episode serves as a cautionary tale not to repeat the past, and we made a conscious choice to put something in 2022 to make it very present, to create a sense of care and humanity at the core of these issues.  And, you know, there are environmental justice issues in Indigenous communities all over the country, and this was the one that felt closest to home for me and one of the ones that I thought was most emblematic of sort of the unfortunate environmental racism that Indigenous communities face in the Country.  And also to say this is all of our issue because we all share this land and the water resources together.  But that’s sort of the genesis of sort of where it came from.  It was something that they had, and then I threw in the uranium topic at the core of it.

QUESTION:  This is question is for Michael.  First of all, hi, Michael.  What is it that every time you attack a character you bring a little bit of yourself into that character?  You share a part of yourself in that, whether that be a good part or a part you’d like to bury.  As a director what parts of yourself do you bring to that role?  To that aspect?

MICHAEL CHIKLIS:  That’s a great question.  My camera keeps going out on you guys.  I’m so sorry.

LES EISNER:  Your audio’s fine Michael. So you’re good

MICHAEL CHIKLIS:  Okay.  Very good.  As a director, when you’re looking at ‑‑ there’s a remarkable freedom actually with regard to directing that isn’t there when you’re acting.  As an actor, you’re sort of constrained to the particular role that you’re working on, that you’re cast in.

I think one of the wonderful things about directing is your creative mind really, really is firing, as my fellow directors mentioned earlier, on all cylinders.  Because, again, there’s someone coming to you with the nail polish color of a particular actress or, you know, whatever it is.

So also, you’re creating the narrative.  You’re able to put your sort of vision of a particular story that’s being told.  You’re controlling the way it’s told.  And I think it has to do with opening your imagination.  You’re constantly asking yourself the question “How would I respond to this?  What would I do if this were me?”  And I think when you bring that sort of openheartedness to storytelling – see, it’s not enough for me ‑‑ and I’ve always said this as an actor and now especially as a director. It’s not enough for me for you to watch something that I’ve made in some sort of passive none‑involved way.

Ideally, I want to entertain you, but I want you to think and particularly to feel.  I want you to be moved, and in two dimensions, that’s not always the easiest thing, but it’s the goal.  And it’s very, very important to me as a director and as an actor to move you.  So I want to find whatever is authentic and human about the story and the characters that I’m telling and bring that to the fore so that you as an audience member can be moved.   Does that answer your question?

MICHAEL THORN:  I think it’s one of the powerful things about this series is that, on one hand, it’s an entertaining, provocative, thrilling courtroom drama at its most simplistic.  But on the other hand, it has this emotional contrast in every episode with the audience where we’re going to move and surprise, you know, the audience.

And our goal, really, is to pierce culture and the best way to do it, we believe, is to reflect culture.  And you look at this panel, this incredible panel under Howard’s, you know, writing and showrunning.  But you look at this panel and can’t really talk about the stories we’re talking about when it’s not borne out of authentic voices and authentic storytellers.

And it’s so exciting to start with this group right here and bring that show out to America to really talk about these both entertaining and weekly provocative stories. So — but I hope every one of these episodes moves people in a different way and connects people to these kind of universal stories.

LES EISNER:  We have time just for two more questions.

HOWARD GORDON:   I was just going to say thank you, Michael.  Michael was very good.  So crucial in literally saying go for it.  Don’t pull ‑‑ I mean, and we did.  And it was like he gave us like the green light but, you know, insisted that every one of these has to be something that you’re dying to tell.  Every story has to be.  And I feel like that metric and really the north star stood for the whole duration of the whole show. So thank you.

LES EISNER:  So we’re going to close out with two questions.  We’re running out of time.

QUESTION:  Yeah, Michael.  You’re constantly met with challenges, whether it’s acting or directing.  Are you ever scared when you start a new challenge? And if you are, what do you do?

MICHAEL CHIKLIS:  I think everyone on this panel would agree.  Every single time — I don’t care what I’m doing — I’m always terrified before I do it, and it’s because I care.  I think experience helps a lot because you’ve been there before.  You know, my father used to say to me, “Kid, be afraid, but do it any way.”  Because you have to fight through your fear and realize that the payoff is so much greater than ‑‑ you know, the fear is just a natural ‑‑ it’s anticipation.  It’s anticipation of the unknown, what might happen, all that could go wrong.  You still have to marshal that, put it aside, walk through the fire, and go, “You know what? This is important.  This is something that I want to do.  It’s all going to be okay.”  And you take some deep breaths, and you move forward.  That’s what you do.

QUESTION:  This is for the actors/directors.  How do you treat actors, then?  Are you very reticent, then, to give them, you know, line reading directions?  How do you deal with that?  Because I’m sure you hated it if any director tried to give it to you.

BILLY PORTER:  Well, I know what I like and I know how I want people to talk to me and I know how I want people to communicate with me and I know how I want directors to respect me.  So I do that.  I live by that example, and I treat my actors with the utmost respect.

MICHAEL CHIKLIS:  Golden Rule.

BILLY PORTER:  Because they are smart people that make it work.

MARLEE MATLIN:  Exactly.  Exactly.  Yeah, I find, myself, that I am transparent.  I am extremely transparent.  I have to be transparent with my actors.  I always start the day when I shoot by saying, you know, let’s first focus on safety.  Let’s talk with our A.D.s.  Let’s talk with our set and crew.  And I take 30 seconds to say hello to each and every actor, and I give them a pep talk of sorts. And “Let’s kick ass” is basically what I say.  And then, as we began shooting, then I just make it my point, especially with my deaf actors, to communicate clearly and make us both, as actor and director, to communicate without any barriers. And that’s the fact.

It’s never happened for these actors before.  Many of them said we’ve never had a director talk to us this way because we’ve never worked with a director that’s deaf.  So if I feel like my hearing actors aren’t hearing me, then I work with my interpreters and I make sure that the communication is just as clear with the deaf actors.  I pay attention.  I let them be who they are and treat them, as Billy just said, with respect as how I would want to be treated.

MICHAEL CHIKLIS:  Also, you invite them into the collaboration.  A lot of times, my direction comes in the form of a question.  You know, I’ll say to an actor “What do you think is” – “do you think there’s any room for her to be angry here?”  You know, “do you think there’s” ‑‑ and just by virtue of coming to them and asking, you’re inviting them in to collaborate with you.

And actors really appreciate that.  They want for their voices to be heard.  They want to be respected, as Billy said.  And that’s the way ‑‑ you know, if you treat someone the way you ‑‑ it’s the Golden Rule.  Treat them the way you want to be treated, with respect and dignity.

LES EISNER:  Okay.  That’s all the time we have for Accused today.  There’s a number of questions still in the queue, and we apologize we couldn’t get to you, but we’re on a really tight schedule this afternoon.

As I mentioned earlier, Accused will premiere on Sunday, January 22nd and then make its time period premiere on Tuesday, January 24th, following the season 4 debut of 911: Lone Star.

Alison Daulerio and Aly Sands are running point on the Accused publicity campaign. So please reach out to them if you have any follow-ups or need more information.

Michael Chiklis in "Accused" on FOX

MORE INFO:

Accused is a collection of 15 intense, topical and exquisitely human stories of crime and punishment. Each episode is a fast-paced provocative thriller, exploring a different crime, in a different city, with an entirely original cast. Based on the BBC’s BAFTA-winning crime anthology, each episode opens in a courtroom on the defendant, with viewers knowing nothing about their crime or how they ended up on trial. Told from the defendant’s point of view through flashbacks, the show holds a mirror up to current times with evocative and emotional stories. In the end, audiences will discover how an ordinary person gets caught up in extraordinary circumstances, and how one impulsive decision can impact the course of that life – and the lives of others — forever. The show features cinematic auspices and production values anchored by Oscar, Tony and Emmy-winning talent, including Michael Chiklis, Abigail Breslin, Whitney Cummings, Margo Martindale, Malcolm-Jamal Warner, Wendell Pierce, Rachel Bilson, Jack Davenport, Molly Parker, Rhea Perlman, Betsy Brandt, Keith Carradine, Aisha Dee, Jason Ritter and directors Billy Porter, Marlee Matlin, Tazbah Chavez and Michael Chiklis.

Accused is co-produced by Sony Pictures Television and FOX Entertainment, and executive-produced and developed for American television by Howard Gordon, and executive-produced by Alex Gansa, David Shore, Glenn Geller, Erin Gunn, All3Media America’s Jacob Cohen-Holmes, and Jimmy McGovern, Sita Williams, Roxy Spencer and Louise Pedersen for All3Media International. Frank Siracusa and John Weber also serve as executive producers. Created by Jimmy McGovern, the original series debuted in 2010 on BBC One.

Proofread and Edited by Brenda

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Aaron Ashmore and Megan Boone in "Accused" on FOX

Primetime TV Review: Night Court (2023)

TV Review!

“Night Court” Review on by Eva 1/22/2023

I was a big fan of the original Night Court sitcom from the 1980’s which you can stream for free on freevee if you have never seen the original show. I was wondering how funny the updated version would be because, sadly, all of the cast of the original show have passed away except for John Larroquette who plays Dan Fielding on both shows.

Melissa Reach (from The Big Bang Theory) plays Abby Stone the daughter of the late Harry T Stone who leaves her job as a judge in upstate New York to take over her late father’s court room because she loved hearing her father’s stories about night court. Abby persuades Dan to return to night court as a defense attorney this time to help her learn how night court works. Abby, like her father, is very optimistic and wants to get to know the people that comes before her court.

This show is funny but the cast needs time to get their comedic timing together, as an ensemble cast. Melissa Reach and John Larroquette have great chemistry together and Dan is like a combination mentor and father figure for Abby. I look forward to seeing how their relationship will develop in future episodes.

The show is worth watching but it still needs a little work. I give this show 4 out of 5 stars.

More Information:

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Y&R Best Lines Friday, January 20, 2023

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Victor: I’m here to talk to Kyle about Harrison, alright? He’s part of the next generation of Newmans.

Adam: Mm-hmm. I have no doubt that you’re already planning the kid’s future. Are you hoping he’ll stick to the program better than I did?

Victor: For your information, he is being given the same opportunities that you were.

Adam: [Chuckles] So, he’ll succeed where i failed. Is that it?

Victor: Son, why does everything have to be an argument between us?

Adam: Look, I know that you hate that I am here at Jabot…

Victor: Uh-huh.

Adam: …Working for Jack.

Victor: Right.

Adam: And Kyle feels the same way. He would love it more than anything if I wasn’t here. I know you also believe Jack only gave me this job to stick it to you.

Victor: You’re correct about all the above. But I’ve often told you — and don’t ever forget it — that you are a very talented businessman.

Adam: And yet here you are. You’re gathering intelligence. Are you hoping to hear that I’m crashing and burning?

Victor: Son, what the hell are you doing here selling lipstick and makeup, for heaven’s sake? What’s the matter with you?

Adam: What are you trying to do? Are you trying to strong-arm Victoria into giving me some rinky-dink position so I can be under your thumb at Newman? It’s not gonna happen, okay?

******†”****************”””””””

Sharon: I’m sure there are all kinds of fields that you could explore. I mean, for instance, take all those quick, precision moves that you learned, you know, in the military. Just give them a little tweak, and soon you could be a — a dance instructor.

Chance: [Laughs]

Sharon: No, really!

Chance: Nice. That was nice. Good job.

Sharon: Or you know how you can drop from the ceiling on a wire? Cirque du Soleil would hire you in a heartbeat. And I can just see it now. You’d be juggling a ping-pong ball and a sledgehammer and a chainsaw.

Chance: Wow. Hmm. Would I have to wear sequins?

Sharon: Well, yeah. I mean, otherwise no one in the back would be able to see you.

Chance: No, that’s where i draw the line. I can’t do it. I can’t do it.

Sharon: That’s where you draw the line?

Chance: Yeah, no sequins for me.

[Sighs] Thank you.

Sharon: For what?

Chance: Making me laugh, distracting me. You are remarkably good at getting me out of my head.

Sharon: Well, I’m glad that you feel comfortable enough being silly with me.

Chance: Mm, it’s easy. It feels natural.

[Cellphone pings] Sorry. It’s Chicago PD. It’s about Stark’s arrest. I need to follow up on this. I, um… I wish I didn’t have to leave, though.

Sharon: Well, go. Take care of business. I’ll be here thinking about all the new career paths you can consider.

Chance: I cannot wait to hear what you come up with. See you.


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Y&R Best Lines Thursday, January 19, 2023

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Connor: Hey. What took you so long?

Johnny: Math. I thought I’d never finish my homework. Just wait until you get to my grade. The word problems feel like some kind of punishment.

Connor: When I get to be ancient like you, maybe you can teach me how to do them. Unless you’ve forgotten by then. I know how hard it is to remember things when you get to be old — like you.

Chelsea: [Chuckling] Ouch! Why don’t you both go get something to drink? Dinner’s on the way.

*********†*****************

Johnny: Pizza!

Billy: The name’s dad.

Connor: Hi, Billy.

Johnny: Hey, dad.

Billy: Hey. How are you, guinea pigs? Because that’s what you are today, okay? This is Abby’s new pizza from Society, and she wants our honest opinion.

Connor: Cool.

Billy: Okay, well, let’s get it while it’s hot.

Johnny: Mom, are you staying for dinner?

Connor: Of course she is. Who says no to pizza?

Victoria: I guess I-I could stay and have a slice.

Johnny: Yes


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Y&R Best Lines Tuesday, January 17, 2023

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Sharon: More coffee?

Chance: [Sighs] You caught me. I was, uh, light-years away.

Sharon: Yeah, I’m thinking about adding “soul searching” to the menu.

Chance: [Chuckles] Well, if you start charging for that, you’re gonna have to add a double-shot to my tab.

Sharon: In all of that searching, have you come to any conclusions?

****************†”””””””””””””””

Jeremy: Well, all good things must come to an end.

Phyllis: Alrighty.

Jeremy: While you may have made my morning a bit more entertaining, I have some place more important to be.

Phyllis: Oh, with a woman who’s so terrified of you that she tried to get you to leave town because she was afraid you were gonna hurt her family?

Jeremy: Slight misunderstanding.

Phyllis: What do I have to say to you to get you to tell me what Diane is up to?

Jeremy: Don’t push it. I’m a better friend than an enemy. Trust me.


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