This week of Days had us shaking our heads. Things happened that didn’t make sense which says something since this is Salem we’re talking about. In no particular order let’s talk about them.
Tate told Julie the truth about Doug stealing the necklace. Julie was understandably upset because he stole the necklace. Unfortunately, Julie wasn’t the only one upset about it. Holly was upset and broke up with Tate because of what he did to Doug. Are you kidding us? She was willing to break up with Tate for doing the right thing. Tate’s confession was a betrayal to her. This logic didn’t make any sense. Why would the writers make Doug come off like the innocent one while making Tate look like the bad one for telling Julie the truth? If Doug had his way, Julie would have never known what happened with the necklace. He claimed he was going to tell her the truth but that didn’t change the fact that he stole the necklace. The fact that Holly would choose to end her relationship with someone she knows for a thief she barely knows boggles our minds. No matter how much the writers try to manipulate us into thinking Doug is the good one in the story, we’re not falling for it.
Speaking of the necklace, the writers tried to make Julie look like a monster for throwing Doug out of the house. They went the extra mile by having her ignore Doug when he tried reaching out to her. Julie’s reaction was understandable seeing as he stole something from her. He knew he stole the necklace and took advantage of her hospitality. What makes it so bad is he didn’t have the decency to feel guilty about taking advantage of her. Julie did the right thing kicking him out of her house.
Another thing that had us shaking our heads was Amy forcing Sophia and Tate to raise the baby if they didn’t find suitable parents to adopt the baby. Who made Amy the boss over everything? Why does she get to decide what’s going to happen with the baby? She acts as if Sophia and Tate don’t have a say over what happens with the baby. Also, Amy is not the child’s only grandparent. Brady should be involved in the decision-making process, yet he’s taken out of the story. He could let Amy know that she wasn’t going to force his child to raise a baby he didn’t want to raise. Theresa should also have a say since she’s going to be the grandparent too. Instead of having Theresa’s character go to California to be with her mother, she should be helping Tate with the baby.
The next thing that had us shaking our heads was how quickly Johnny turned on EJ. We get that Johnny was upset about EJ raping Sami, but his reaction was over the top. Johnny just found out the truth and had a right to be mad, but Sami was the victim and was willing to get over it. He went the extra mile when he punched EJ. We asked our mother how she would react if we ever hit her and the look on her face was all we needed to know. Let’s just say we wouldn’t be here to write about this. With that said, Johnny has made plenty of mistakes throughout his life and expected forgiveness. He could have extended that to his father. Please don’t misunderstand. We are not defending EJ’s actions by any means. EJ deserves to feel the wrath he is getting, but Johnny isn’t perfect so he shouldn’t EJ.
Let’s get to why Sarah had us shaking our heads. Sarah told Stephanie that Xander thought she and Philip were having an affair. Instead of Sarah suggesting she tell Alex the truth, she wanted Stephanie to go along with the lie that she slept with Philip. She thought the lie would have been better than the truth. Sarah expected Stephanie to put her marriage first. She even went so far as to use Victoria to manipulate her. Sarah had a lot of nerve thinking Stephanie would want to save her marriage over her relationship. We applaud Stephanie for not doing what Sarah wanted. She did try to defend Sarah when she told Alex the truth but at least she didn’t keep him in the dark. Unfortunately, she did end up letting Xander think she slept with Philip, but we give her credit for telling Alex the truth.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Paul Guilfoyle and Eric Aronson of the film “Any Day Now” by Suzanne 3/13 and 3/14/25
This is a good indie movie about a real-life art museum heist that happened in 1990…but really, it’s about two (fictional) men (one older) that meet and get involved in a plot to steal the art. Marty (Paul Guilfoyle) ropes Steve (Taylor Gray) into helping him with the job. Marty is a career criminal with loads of bad advice for Steve, who is used to people walking all over him. The character studies and the acting are great to watch, and the basic story is unusual and enjoyable. Don’t miss this one! It premieres Friday, 3/21/25 in theaters – 35 years after the real-life museum robbery happened!
It was great speaking to both of these gentlemen about the movie. I’ve long-admired Guilfoyle’s work on CSI and other shows. Aronson not only came up with the idea for this movie, but he wrote, directed and produced it. Both he and Guilfoyle are from Boston, where the movie takes place (and where the real heist happened). See more info below. Enjoy the videos!
*Winner – Audience Favorite Feature Award – 2024 Boston Film Festival**
Starring: Paul Guilfoyle (L.A. Confidential) Taylor Gray (Saturday Night) Alexandra Templer (“Only Murders in the Building”) Thomas Kee (Blow the Man Down) Armando Rivera (Wolves)
Written and Directed by Eric Aronson
Produced by Eric Aronson, Mark Donadio, Dana Scott, Emily Sheehan
Executive Produced by Jan Egleson, Paul Guilfoyle
Steve (Taylor Gray) is a night watchman in his early 20s but his life is already getting away from him: his band is falling apart, he owes a ton of money, and he’s in love with his best friend’s girl. When Marty Lyons (Paul Guilfoyle) comes along and ropes Steve into a world of misfits, oddballs, and lost souls as dirty as the Charles River, Steve wonders if this is a change for the better of if he’s about to make the worst mistake of his life.
ABOUT STAR TAYLOR GRAY
Taylor Gray is a versatile actor, best known for his appearance as Al Franken in Jason Reitman’s Saturday Night as well as voicing Ezra Bridger in Star Wars Rebels. With Any Day Now, Gray is making his feature star debut.
ABOUT STAR PAUL GUILFOYLE
Paul Guilfoyle commands the screen as Marty Lyons in Any Day Now. Born in Boston, is best known for his role as Captain Jim Brass on “CSI: Crime Scene Investigation.” His film credits include L.A. Confidential, Air Force One, and Spotlight, while his TV roles range from “Miami Vice” to “Star Trek: Discovery’s Guardian of Forever.”
ABOUT DIRECTOR ERIC ARONSON
Eric Aronson is a Boston-based writer/director with 22-years of experience as a Hollywood screenwriter. He’s written numerous high-profile projects for Warners, Disney, Miramax, Lionsgate, and has worked closely with the likes of Sacha Baron Cohen, etc. Any Day Now is not only a labor of love to Boston, but also his directorial debut.
RT: 81 Minutes (the exact duration of the robbery)
FBI Confiscated Stolen Rembrandt! ANY DAY NOW Unique Activation for Upcoming Heist Film | Directed by Eric Aronson
Based on a true-ish art heist of Boston’s Isabella Stewart Gardner Museum and the thieves who walked away with hundreds of millions of dollars’ worth of art – the single largest unsolved property theft in the world.
The team behind the upcoming heist film ANY DAY NOW
staged a unique art gallery experience in NY in a guerilla-marketing stunt that was captured by numerous influencers causing a social media commotion
leading to 6.8M+ views across platformsOf these influencers, @davidwma shared his coverage to his 1.3M Followers and his video currently sits at 3M views. Similarly, @kaylakrasnow shared with her 27K Followers and her video is sitting at 1M views; @itsnickholiday 541K Followers and 76.9K views; @definitely_kai_13 16.9K followers and 19.3K views.
The gallery exhibition, which was titled “13 Masterpieces, An Exclusive One-Weekend-Only Exhibition in Chelsea”, appeared to the general art gallery crowd – who lined up outside for entrance and packed the space on opening night – simply as any other gallery.
However, it was be revealed that the art was in fact fake and the security protecting the precious artifacts were actually from Improv Everywhere who partnered with the film to set up this special event.
Brady needs to get his priorities straight. His concern should be with his family, but he only worries about Ava. We understand that he has been unlucky in love, but he should be focused on what’s going on with his family. His son is dealing with giving his baby up for adoption, yet he hasn’t been involved in the story. John is missing yet he didn’t want to do anything to help find him. The only thing on his mind is Ava and making sure she doesn’t break up with him. We do give him a little credit for mentioning Rachel, but he doesn’t care about anyone else.
Why are the writers shoving Chad and Cat down our throats? Cat may have had a “justifiable” reason for scamming Chad, but it doesn’t change what she did. Her actions made him lose Abby all over again so you would think he wouldn’t want anything to do with her. We get that the writers don’t want Chad to be alone, but they didn’t have to pair him up with Cat. The writers must think having her be a “good” person to people changes her actions. Unfortunately, all of us aren’t fooled by her nice girl act.
Jada is the hypocrite of the week. She demands truth and honesty from people, yet she didn’t tell Rafe the truth about sleeping with Shawn. The only thing she told him was she kissed Arnold. She had the opportunity to tell him that she slept with Shawn, but she kept it from him. We all know the secret will come out, but she will expect him to forgive what she did. If the shoe were on the other foot and Rafe slept with another woman, Jada would have broken up with him.
Was there a reason why the writers suddenly put EJ raping Sami on the front burner? They went out of their way to romanticize EJ and Sami’s relationship as if the rape never happened. Suddenly the rape came back into the story. Roman set up Johnny finding out that EJ was a rapist. Kate ended up telling Johnny the truth. This is a secret that has been kept for years and now it’s suddenly come to light. Roman was suddenly so appalled by what EJ did to Sami, yet he hasn’t said anything about it. Sami went on to marry him as well as have another child with him so she couldn’t have been that phased by the rape.
Speaking of Roman, he resents EJ for bringing Arnold in Sami’s life yet he’s willing to let Ava stay in the pub. Did he forget that Ava killed his father? You would think that he wouldn’t want anything to do with her after what she did to his father. In the grand scheme of things what Ava being responsible for Shawn’s death should measure up to what EJ did with Arnold.
What is going on with Belle? She’s obsessed with EJ. We understand that she is suddenly attracted to dangerous men, but sleeping with EJ again was ridiculous especially when she knows what he did to Rafe and Jada. She was the same person who was determined to make EJ pay for what he did, but she ended up in bed with him anyway. Paulina warned her that she could lose her job if she slept with him again, yet she did it anyway. It will serve her right if EJ uses her to get her fired. Let’s see how obsessed she will be with him then.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Enrico Colatoni of “Suits LA” on NBC by Suzanne 3/13/25
It was quite an honor to interview Enrico because I’ve long admired him as an actor. He seemed surprised but pleased when I told him that I’d first seen him 30 years ago in the show “Hope & Gloria,” which was also his first regular TV role. The show didn’t last long, but he went on to do many good roles, such as playing the alien Mathesar in the now-classic scifi comedy movie “Galaxy Quest,” and then in the long-running sitcom “Just Shoot Me”. He’s done so many wonderful roles since. I particularly loved his role in “Veronica Mars,” where he played Keith, Veronica’s father.
This Sunday, March 16th, he’s guest-starring on an episode of “Suits LA” on NBC. He’s playing himself…or rather, a more quirky and irascible version of himself. I hope you can tune in just for his role on the episode, but that’s not the only thing in store for viewers because there is another famous guest-star that will be seen (I won’t spoil it for you, but if you scroll down to the bottom of this page, you’ll see who it is). It’s not exactly a spoiler because the photo was all over social media already. It’s a very good episode and very fun. I wasn’t sure, at first, if I would like this version of “Suits” as much as the original, and the jury is still out (pardon the pun). However, I am definitely enjoying the intrigue, the office politics and the quirky humor. Don’t miss this one! “Suits LA” airs Sundays, 9/8c on NBC and then streaming on Peacock.
I completely forgot that I had interviewed Enrico back in 2013 for “Warehouse 13!” Wow! That’s what happens when you’ve been doing this for 18 years, I guess! The interview here is short, but it was fun. He was in a bit of a playful mood. Please watch and enjoy…
Ted Black, a former federal prosecutor from New York, has reinvented himself representing the most powerful clients in Los Angeles. His firm is at a crisis point, and in order to survive, he must embrace a role he held in contempt his entire career. Ted is surrounded by a stellar group of characters who test their loyalties to both Ted and each other while they can’t help but mix their personal and professional lives. All of this is going on while we slowly unravel the events that years ago led Ted to leave behind everything and everyone he loved.
The series stars Stephen Amell, Lex Scott Davis, Josh McDermitt and Bryan Greenberg.
Aaron Korsh is creator and executive producer. David Bartis, Doug Liman, Gene Klein, Anton Cropper, Genevieve Sparling, Rick Muirragui and Jon Cowan also executive produce.
“Suits LA” is produced by UCP, a division of Universal Studio Group.
104, “BATMAN RETURNS” (Sunday, March 16 at 9 p.m. ET/PT)
Ted and Erica take on Samantha to save Lester’s movie, but the battle may hurt his murder trial. Rick enlists Stuart’s help when a difficult actor is arrested. In the past, the danger of going against a mob boss sends Ted to an old friend.
About Enrico Colantoni:
Enrico Colantoni most recently co-starred on the FX comedy series “English Teacher,” opposite Brian Jordan Alvarez. He’ll also recur opposite Arnold Schwarzenegger in the upcoming season 2 of Netflix’s action comedy “FUBAR.”
Colantoni is currently in the CBC police drama “Allegiance” and the Crave comedy series “The Trades,” both shooting their second seasons.
TV credits include “The Hot Zone: Anthrax,” “Station Eleven,” “Ghosts,” the revival of “Veronica Mars,” “Just Shoot Me,” The Good Fight,” “Westworld,” “Madam Secretary,” “iZombie,” “Hot in Cleveland,” “Warehouse 13” and “American Gothic.”
Film credits include “A Beautiful Day in the Neighborhood,” “Galaxy Quest,” “A.I. Artificial Intelligence” and “Contagion.” He has also enjoyed success as a writer/director with two short films – “The Bike” and “Issues” – the latter of which premiered at the Toronto Film Festival.
Colantoni’s theatre credits include Neil LaBute’s “The Distance from Here” at the Almeida in London, “The Merry Wives of Windsor” at the New York Shakespeare Festival’s Delacorte Theater in Central Park, “Arabian Nights” at the Manhattan Theatre Club, “The Triumph of Love” at the Guthrie Theatre and “Dracula” at San Diego’s famed Old Globe Theatre. He also played the title role in Shakespeare’s “Macbeth” at the Matrix Theater and “Uncle Vanya” at the Lillian Theatre in Los Angeles.
Interviews with Alexander Hodge and Matt Davis of “Grosse Pointe Garden Society” on NBC by Suzanne
I had a blast speaking with both of these amazing artists. Alexander plays Alice’s husband, Doug, who’s an artist. Matt plays a world-weary cop. Both actors were a lot of fun to chat with – the complete opposite of their somewhat-dour characters. I hope you watch the show, which twists and turns with many mysteries and has lots of humor, too. It reminds me of “Desperate Housewives,” with a little bit of “Devious Maids” and “How to Get Away with Murder” thrown in. The show airs Sundays 10/9C or streaming on Peacock.
“Grosse Pointe Garden Society” follows four members of a suburban garden club who find their lives intertwined by scandal, mischief and a shared secret – a murder no one wants to talk about. As dark truths begin to rot their lives under the surface, they struggle to remain as perfect as the flowers blooming in their garden above.
The cast includes Melissa Fumero, Aja Naomi King, Ben Rappaport, AnnaSophia Robb, Matthew Davis, Alexander Hodge, Nancy Travis and Felix Wolfe.
Grosse Pointe Garden Society is written and created by Jenna Bans and Bill Krebs. They serve co-showrunners and executive producers alongside Casey Kyber.
Alexander Hodge
Doug, “Grosse Pointe Garden Society”
Alexander Hodge plays Doug on the new NBC drama “Grosse Pointe Garden Society.”
Hodge is well known to audiences for role on Issa Rae’s groundbreaking, Emmy Award-winning HBO series “Insecure.” Other credits on Hodge’s resume include the films “Joy Ride,” “She Taught Love,” “Adult Best Friends,” “Which Brings Me to You” and the TV series “Wellmania.”
He will soon appear on the Netflix series “The Madness,” opposite Colman Domingo.
Matthew Davis
Joel, “Grosse Pointe Garden Society”
Mattew Davis plays Joel on the new NBC drama “Grosse Pointe Garden Society.”
Davis previously co-starred in the CW fantasy drama “Legacies,” a role he originated on the hit series “The Vampire Diaries” and portrayed for eight seasons. He also previously starred in the ABC comedy-drama series “What About Brian” and the CW mystery series “Cult.” He had recurring roles on “CSI: Crime Scene Investigation” and “Damages.”
On the film side, he will next be seen in the independent feature “Held Hostage in My House” and is well known for co-starring in “Legally Blonde,” opposite Reese Witherspoon. Other film credits include “Blue Crush,” “Tigerland” and “Bloodrayne.”
Interview with Candi Milo of the film “The Day the Earth Blew Up: A Looney Tunes Movie” by Suzanne 3/11/25
It was so much fun to chat with Candi about this movie, playing Petunia, and more. She was delightful! I hope you enjoy the video and you can see how she has so much enthusiasm, and we laughed a lot. If you grew up loving the Warner Bros. cartoons like Porky Pig, Daffy Duck, Bugs Bunny and the rest, you should love this new movie! It’s very funny, entertaining and zany, with a good story. It premieres March 13th nationwide in theaters.
Ketchup Entertainment will release THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE in theaters nationwide on March 14, 2025
SYNOPSIS
That’s not all folks! From Ketchup Entertainment, Warner Bros. Animation, director Peter Browngardt, and the creative team behind the award-winning “Looney Tunes Cartoons” comes THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE, a brand new buddy comedy starring one of the greatest comedic duos in history–Porky Pig and Daffy Duck! This richly-crafted, hand-drawn 2D animated adventure marks the first fully-animated feature-length film in Looney Tunes history, told on a scope and scale that’s truly out of this world.
Porky Pig and Daffy Duck venture to the big screen as unlikely heroes and Earth’s only hope when their antics at the local bubble gum factory uncover a secret alien mind control plot. Faced with cosmic odds, the two are determined to save their town (and the world!)… that is if they don’t drive each other totally looney in the process.
Featuring the voices of acclaimed actors Eric Bauza, Candi Milo, Peter MacNicol, Wayne Knight, and Laraine Newman with the laugh-out-loud gags, vibrant visuals, and beloved characters that make the Looney Tunes so timeless and iconic. Ketchup Entertainment will release THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE wide in theaters on March 14, 2025.
CREDITS
Director: PETER BROWNGARDT
Line Producer: MICHAEL BAUM
Supervising Producer: ALEX KIRWAN
Executive Producers: PETER BROWNGARDT, SAM REGISTER
Written By: DARRICK BACHMAN, PETER BROWNGARDT, KEVIN COSTELLO,
ANDREW DICKMAN, DAVID GEMMILL, ALEX KIRWAN, RYAN KRAMER,
JASON REICHER, MICHAEL RUOCCO, JOHNNY RYAN, EDDIE TRIGUEROS
Music By: JOSHUA MOSHIER
Edited By: NICK SIMOTAS
Art Director: NICK CROSS
Production Designer: AARON SPURGEON
Production Company: WARNER BROS. ANIMATION
Run Time: 91 MINUTES
MPA Rating: PG FOR CARTOON VIOLENCE ACTION AND RUDE
Interviews with Josh McKenzie and Patrick Sabongui of “The Hunting Party” on NBC by Suzanne
I enjoyed speaking with both of these actors. I interviewed Josh a few times previously, for the show “La Brea,” also on NBC. He’s very popular due to his previous roles. I’m very glad I got to speak with Patrick because not only is he doing a bang-up job on this show, but he was amazing in “The Flash” as Captain Singh (a small but notable role). I hope they get a second season!
Josh McKenzie stars as Shane Florence, former solider and current prison guard, on the NBC drama “The Hunting Party.”
He first broke out in native New Zealand in the acclaimed feature “Hopes & Dreams of Gazza Snell,” for which he won the Oscar equivalent for Outstanding Feature Film Debut.
He’s familiar to audiences for his starring role on the NBC series “La Brea.” Prior to that, he was featured in the Australian series “Five Bedrooms.”
Other credits include roles in the international series “Shannara Chronicles” and “The New Legends of Monkey” on Netflix. He can be seen in season two of the Australian series “The Twelve.”
Patrick Sabongui
Jacob Hassani, “The Hunting Party”
Patrick Sabongui stars as CIA agent Jacob Hassani on the NBC drama “The Hunting Party.”
Sabongui’s most recognizable television credits include “Homeland,” “Shameless,” “Firefly Lane,” “Shooter” and CW’s “The Flash,” where he played Captain David Singh for nine seasons.
On the big screen, his credits include “Godzilla,” “300,” “Drone,” “Between Borders” and the upcoming feature film “In Cold Light,” with Oscar winners Helen Hunt and Troy Kotsur. Other films include Zack Snyder’s “Watchmen” and “Sucker Punch,” “Tron: Legacy” and “Interrogation.”
On stage, credits include the Canadian premiere of Ayad Akhtar’s Pulitzer Prize-winning play, “Disgraced,” and, most recently “Art” by Yasmina Reza at The Guthrie Theatre.
Sabongui earned a BFA in drama for human development from Concordia University, Montreal; a collegiate degree in drama from Vanier College, Montreal; a certificate from the National Theatre Conservatory Intensive, Colorado; and a Master of Fine Arts degree in acting from the University of California.
Sabongui is an advocate for underrepresented voices and professor of theater and head of the BFA acting program at CUNY: Brooklyn College.
The Hunting Party
Series Premiere Monday Feb 3 on NBC (10 pm ET/PT)
A high-concept crime procedural about a small team of investigators who are assembled to track down and capture the most dangerous killers our country has ever seen, all of whom have just escaped from a top-secret prison that’s not supposed to exist.
The cast includes Melissa Roxburgh, Nick Wechsler, Patrick Sabongui, Josh McKenzie and Sara Garcia.
Co-showrunners JJ Bailey (creator) and Jake Coburn are writers and executive producers. Thor Freudenthal is director and executive producer. Keto Shimizu is writer and executive producer.
“The Hunting Party” is produced by Universal Television, a division of Universal Studio Group.
Interview with Nikohl Boosheri and Amber Afzail and with activists/writers Roya Mahboob and Elaha Mahboob from the film “Rule Breakers” by Suzanne 2/13/25
This is a truly inspiring story that everyone should watch. It’s based on the real story of how Aghani entrepeneur Roya Mahboob taught young women in Afghanistan and put together a female robotics team that entered in world-wide robotics competitions for students during war and oppression in Afghanistan. Besides the drama, it has moments of fun, too, and you’ll be cheering on the women, no matter what. I enjoyed speaking to two of the actresses: Nikohl Boosheri (who played Mahboob) and Amber Afzail, who played Esin (one of the young women), and real-life heroines Roya Mahboo, and her sister, Elaha, who co-wrote the movie. Usually, I only interview actors, producers, etc. but this is one of the few times I’ve interviewed the real-life people whose story has been brought to life. It’s always fascinating. I have to say that all of these women are beautiful, inside and out. Don’t miss the movie, which premieres today, Friday, March 7, in theaters everywhere. Buy tickets here!
Nikohl Boosheri as Roya Mahboob (“Supergirl,” “Altered Carbon”) + Amber Afzail as Esin (“Dear Home”) (Paired)
Executive Producer and Subject of the Film Roya Mahboob + Co-Writer Elaha Mahboob (Paired)
Synopsis: In a nation where educating girls is seen as a rebellion, a visionary woman dares to teach young minds to dream. When their innovation draws global attention, their success sparks hope-and opposition. As threats loom and sacrifices are made, their courage and unity ignite a movement that could forever transform the world.
Directed by: Bill Guttentag
Produced by: Bill Guttentag and Samudrika Arora
Written by: Jason Brown, Bill Guttentag, Elaha Mahboob
Cinematography: John Pardue (The Girl; Resistance; And Then There Were None)
Cast:
Nikohl Boosher (“Circumstance”) as Roya Mahboob
Ali Fazal (“Death on the Nile”)
Phoebe Waller-Bridge (“Fleabag”)
BIOS
Nikohl Boosheri is a Canadian actress based in Los Angeles. She made her film debut in 2011 with the Sundance Film Festival Audience Award Winner, “Circumstance.” Her acclaimed performance in the film won Best Performance at three other Film Festivals: LA Outfest, International Rome Film Festival, and the Noor Film Festival.
At the Tribeca Film Festival, 2013, Nikohl was named among the 10 Actors to watch for by IndieWires for her performance in Meera Menon’s feature “Farah Goes Bang.”
Nikohl’s credits include acting opposite Thandie Newton in DirectTV’s “Rogue”, and portraying the colorful character Sara in Daniel Grove’s “The Persian Connection.” This has been a busy year for Nikohl, she is playing a wide range of roles across several Networks this fall. Nikohl is also a songwriter, frequently collaborating with LA artist Wild the Coyote.
Born in Las Vegas, Nevada, Amber Afzali discovered her passion for acting at an early age. After moving to Southern California with her family when she was eight, Afzali’s parents enrolled her in acting classes to help her overcome her shyness. It didn’t take long for Afzali’s natural talent to shine through and, when her teacher presented her with an award for best commercial skit, her confidence began to flourish. While she loved the creative freedom that performing afforded her, Afzali soon found it difficult to balance the demands of acting classes with her school work and made the decision to focus on her education as she pursued her dream of attending an Ivy League University. She channeled her energy into academics and other pursuits including serving as school president and in student government, among many other activities. After graduation, her Ivy League dreams came true when she enrolled at The University of Pennsylvania to study Political Science with an emphasis in International Relations. It wasn’t until the COVID-19 pandemic forced Afzali to return to California and continue her studies remotely, that she began to realize her creative spark was missing. As the world began to reopen, she sought out a local acting class and once again found her love for performing. With her passion reignited, Afzali decided to seriously pursue a career in acting which would ultimately lead to an audition that would change her life forever.
Her big break came when she went on her first audition after returning to acting and landed a lead role in the upcoming Angel Studios film Rule Breakers. The movie chronicles the inspiring true story of the first all-girls robotics team from Afghanistan founded by Roya Mahboob, which would defy cultural expectations and go on to compete in competitions around the world. Afzali stars as Esin, a member of the team, alongside a talented cast including Phoebe Waller-Bridge, Nikohl Boosheri, and Ali Fazal just to name a few. It is set to be released in theaters March 7th.
Roya Mahboob is Afghanistan’s first female tech CEO and entrepreneur, making a significant impact beyond the business world. She leverages her tech success to foster education and empowerment for Afghan women and girls and champions their rights. Mahboob founded the Digital Citizen Fund (DCF) to improve Afghan women’s technological and financial literacy. She is also the co-founder of the Afghan Girls Robotics Team and supports their endeavors while promoting robotics education through the Inoura platform. Additionally, she started a robotics company and is launching her educational project called Roby Robot, which is set to hit the market on July 25. She is also launching Zalla, an online platform to elevate the voices of Afghan women and journalists.
Roya Mahboob’s commitment to STEAM education and economic opportunities for women, with a strong emphasis on human rights, has earned her global recognition. She was named among TIME’s 100 Most Influential People in 2013, received the Tribeca Disruptive Innovation Award in 2014, and received other prestigious accolades, such as the Advancement of Gender Equality through Education Award. She was a Young Leader at the World Economic Forum in 2015, an Asia Game Changer in 2019, and received the Doha Forum Award in 2022. Her contributions have been honored with the Lantos Human Rights Awards, the Presidential Leadership Scholarship, and an honorary Doctorate of Science from McMaster University.
Elaha Mahboob is a tech entrepreneur, social impact advocate, and Forbes 30 Under 30 Finalist in Social Entrepreneurship. She co-founded the Digital Citizen Fund (DCF), an organization dedicated to advancing opportunities for Afghan women and children through technology education, digital literacy, and entrepreneurship training. Among DCF’s innovative programs was the creation of the Afghan Girls Robotics Team, whose remarkable journey is the subject of the feature film Rule Breakers. Through its IT centers across Afghanistan, DCF has equipped thousands of women with essential skills in technology and entrepreneurship, building pathways to economic independence.
As the co-writer of Rule Breakers: The Story of the Afghan Girls Robotics Team, Elaha brings to life the resilience and determination of young women breaking barriers in science and technology.
Elaha is also the founder of Teamix, a platform that connects startups in emerging technologies—AI, Web3, and Robotics—with top talent to drive innovation and scale. Teamix is on a mission to create meaningful, human-centric jobs that AI and automation cannot replace, while addressing the growing demand for skilled professionals in these industries.
With expertise in driving growth and forging strategic partnerships, Elaha has been instrumental in delivering impactful solutions within the tech sector. She holds a Bachelor’s degree in Computer Science from Herat University in Afghanistan and a Master’s in Public Administration from Cornell University, combining her technical expertise with a deep understanding of leadership and public policy.
It’s so obvious that Chad and Cat had to work together to save the hospital. The writers had to come up with an excuse to have them together. You would think Chad wouldn’t want anything to do with her after what she did. She may have schemed to save her mother but that doesn’t change what she was willing to do. The writers should have come up with a better way to get Chad and Cat together.
Speaking of the writers, they are going overboard trying to make the audience believe that Stephanie is the only one with a brain in Salem. She was the only one who realized that Rafe could be Arnold. Gabi has been around him, but didn’t realize he could have been Arnold. Unless we remember it wrong, we thought Gabi was in town when Arnold was the first time. Gabi couldn’t be the one to figure it out. It had to be Stephanie. How many ways do we have to be told that Stephanie saves the day?
Jada wasted no time sleeping with Shawn. We know “Rafe” cheated on her, but she wasn’t right to do the same thing. She basically used Shawn to get over Rafe. Just because she said she was attracted to Shawn when they were partners doesn’t change that she used him. How was she any different from Rafe? Now that she knows that Rafe wasn’t himself, she cheated on him for nothing. We know the truth will come out eventually and she will expect Rafe to forgive him.
Why would Marlena expect Kayla to accept Cat so easily? Kayla was right to think Chad shouldn’t want to be around Cat after what she did. Marlena forgives everyone no matter what they do to her family and friends. This is the same person who embraced Ben after he tried to kill Will so it’s not a surprise that she would be Team Cat.
We don’t understand why it was so hard to believe that Arnold could be alive. People never die in Salem so they should know that it was possible that he could still be alive. Did they really have to be convinced that someone is still alive? Look at all the other people who have returned from the dead.
It was so convenient that EJ was able to get Rita to get rid of Arnold before he got busted. We know the writers had to come up with something to get EJ off the hook but that was too convenient. The same thing happened with Kristen. She conveniently talked Brady into convincing Ava not to press charges against Kristen for kidnapping her. The writers shouldn’t have come up with stories like these when it paints their characters into a corner.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
-The music playing while Marlena and Cat were shown could be heard playing while Chad and Leo were show.
-Shawn could be heard talking to Jada while Alex and Stephanie were shown kissing.
-Gabi could be heard talking to Javi while Jada was shown.
-Leo could be heard talking to Chad while Marlena was shown.
-Why would Will call Alex to tell him about a birthday video with Sonny and Arianna when Sonny could have called himself? Alex is Sonny’s brother, not Will’s so you would think Sonny would have called him.
Tuesday
-Cat could be heard talking to Chad while Jada and Shawn were shown kissing.
-Alex could be heard talking to Stephanie while Cat was shown.
-Jada could be heard talking to Shawn while Cat was shown.
-Arnold could be heard talking to Gabi while Stephanie and Alex were shown.
-Shawn could be heard talking to Jada while Arnold and Savannah were shown.
Wednesday
-Why was it hard for Belle to believe that Rachel Blake was alive when her mother has returned from the death several times?
-Kristen could be heard talking to EJ while Belle and Brady were shown.
-Jada could be heard talking to Stephanie while Rafe was shown.
-Gabi could be heard talking to Arnold while Shawn was shown.
-Shawn could be heard talking to Jada and Stephanie while Arnold was shown.
-Brady could be heard talking to Belle while Kristen and EJ were shown.
-When did Ava become Brady’s girlfriend when they only went on one date?
Thursday
-Belle could be heard talking to EJ while Brady was shown.
-Marlena could be heard talking to Kayla while EJ was shown.
-In Wednesday’s episode, Rafe had dog tags on his neck, but in this episode, the tags were gone.
-EJ could be heard talking to Belle while Shawn and Jada were shown.
-Rafe could be heard talking to Shawn and Jada while Gabi was shown.
-Kayla could be heard talking to Gabi while Ava was shown.
Friday
-Sophia could be heard talking to Tate while Holly was shown.
-Marlena could be heard talking to Johnny while Tate was shown.
-Chanel could be heard talking to Paulina while Johnny was shown.
-The music in Doug’s scene could be heard while Holly was shown.
-Doug’s flashback could be heard before it was shown.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Eric McCormack, David Ajala, Peter Gadiot and Lydia Wilson of “Nine Bodies in a Mexican Morgue” on MGM+ by Suzanne
Interview date: 2/26/25
I enjoyed speaking with these talented actors. I’ve loved their previous work, and they all do a wonderful job in this intriguing drama. I only had about 10 minutes to speak with them, but it was well worth it. I can’t wait to see the last two episodes of this 6 part miniseries! It premieres March 2nd on MGM+.
Nine Bodies in a Mexican Morgue is a strikingly original and taut thriller series with a jaw-dropping reveal waiting at the end. A light aircraft with nine passengers crashes in the Mexican jungle – and everyone survives. But then, one after another, they begin to die in strange and violent ways and very soon they begin to realize that, for some inexplicable reason, somebody wants them dead. As the story unfolds in flashback, we meet the survivors as they fight against the heat, a shortage of supplies, the many dangers of the jungle – and each other. The setting becomes increasingly tense and claustrophobic until finally the identity of the killer and the truth are revealed.
Credits
Written, Created, and Executive produced by
Anthony Horowitz CBE
Executive Produced by
Anthony Horowitz, Jill Green & Eve Gutierrez for Eleventh Hour Films
Produced by
Eleventh Hour Films, a Sony Pictures Television (“SPT”) backed company
Richard Burrell
Directed by
Brian O’Malley, Viviane Andereggen
Cast
Eric McCormack, David Ajala, Lydia Wilson, Peter Gadiot, Siobhán McSweeney, Ólafur Darri Ólafsson, Adam Long, Jan Le
Interview with JJ Bailey, co-creator/showrunner of “The Hunting Party” on NBC by Suzanne 2/20/25
This was a nice interview. I always enjoy talking to writers and producers because they know more about the background and creation of a show than the actors do. I was supposed to speak with his co-creator/showrunner, Jake Coburn, but I was told at the last minute that he wasn’t feeling well. It was a short interview, but I asked most of my questions, so I was happy with it. It’s an interesting show, so I hope it gets a second season.
A high-concept crime procedural about a small team of investigators who are assembled to track down and capture the most dangerous killers our country has ever seen, all of whom have just escaped from a top-secret prison that’s not supposed to exist.
The cast includes Melissa Roxburgh, Nick Wechsler, Patrick Sabongui, Josh McKenzie and Sara Garcia.
Co-showrunners JJ Bailey (creator) and Jake Coburn are writers and executive producers. Thor Freudenthal is director and executive producer. Keto Shimizu is writer and executive producer.
“The Hunting Party” is produced by Universal Television, a division of Universal Studio Group.
J Bailey
Executive Producer/Co-Showrunner, “The Hunting Party”
JJ Bailey is the creator, executive producer and co-showrunner on the NBC drama “The Hunting Party.”
After receiving a degree in business and economics from Westmont College in Santa Barbara, Bailey made the left turn into entertainment, moving to Los Angeles in order to pursue a career in screenwriting. Since 2017, he has developed several projects with UTV/NBC, which include two pilot orders for “Echo” and “Getaway.”
Now working under an overall deal with NBCUniversal, Bailey has his first series order with “The Hunting Party” along with another project currently in development.
He currently lives in Los Angeles with his wife and two sons.
Interview with Sara Garcia of “The Hunting Party” on NBC by Suzanne 2/14/25
This was fun, but short. It was nice to speak to Sara, whom I interviewed (in a group) 2 years ago for the family drama “Ride” on Hallmark. This new series is quite a different show, about a team of FBI agents that chase down serial killers that have escaped from a high-tech prison. She plays the army tech person that helps the field agents. It sounds a bit far-fetched, but it’s got a wonderful cast and solid action. It seems a little bit like “The Blacklist” crossed with “Criminal Minds,” but it’s got its own original take.
A high-concept crime procedural about a small team of investigators who are assembled to track down and capture the most dangerous killers our country has ever seen, all of whom have just escaped from a top-secret prison that’s not supposed to exist.
The cast includes Melissa Roxburgh, Nick Wechsler, Patrick Sabongui, Josh McKenzie and Sara Garcia.
Co-showrunners JJ Bailey (creator) and Jake Coburn are writers and executive producers. Thor Freudenthal is director and executive producer. Keto Shimizu is writer and executive producer.
“The Hunting Party” is produced by Universal Television, a division of Universal Studio Group.
Sara Garcia
Jennifer Morales, “The Hunting Party”
Sara Garcia stars as Jennifer Morales, an intel officer and major in the Army, on the NBC drama “The Hunting Party.”
Ontario-born and Toronto-raised, Garcia applied and was accepted to one of Toronto’s most prestigious arts schools, the Etobicoke School of the Arts. When it came time for college, Garcia chose to attend the renowned Queen’s University, where she double majored in global development and theater.
Her first foray on TV was a role on FX’s “Man Seeking Woman.” Other television credits include CW’s “The Flash” and “Reign,” “Zoey’s Extraordinary Playlist,” Hallmark’s “Ride,” the USA series “Falling Water,” the SYFY movie “Stickman” and the action series “X Company” for the CBC.
Most recently Garcia had a leading role in the animated Netflix series “Unicorn Academy,” which garnered her a Canadian Screen Award nomination; a recurring part on Netflix’s “My Little Pony” franchise; Amazon’s “Gary & His Demons”; and the Apple TV/Dreamworks project “Pinecone & Pony.”
Outside of film and television, she has displayed her acting skills with major roles in two incredibly successful video game franchises, “Far Cry 6” and “Starlink: Battle for Atlas.”
You would never know that Paulina wanted to hire Jada as the police commissioner when she got rid of Rafe. Paulina acted as if she was on a mission to make Jada pay for the “crime” she thought committed. If she felt so strongly about getting rid of Jada, she shouldn’t have hired her in the first place. Paulina practically prosecuted Jada with little to no evidence. When the truth comes out, Jada doesn’t need to take the commissioner job back.
We want to applaud Joy for breaking up with Alex. She could have easily strung him along to keep him from being with Stephanie, but she chose to have self-respect for herself. We thought Joy was going to keep dating Alex so Stephanie couldn’t be with him. There have been plenty of times when people stay in relationships to keep people apart.
Speaking of Alex, Stephanie has become obsessed with Alex. She went from barely wanting to talk to him to be willing to quit her job for him. Also, she talks about him constantly as if she wasn’t with him before. You would never know she was the one who wanted to be friends when they first dated. They could be together now if she didn’t dump him to be with Chad. Fast forward and now she talks about him nonstop.
The writers wasted time with Body and Soul. If Abe and Kate were going to give up the show, they could have let it go to Los Angeles before. We understand people didn’t care for the story, but the writers could have kept it going. It gave Kate and Abe a storyline. If the writers took their time with the story. it could have worked. Now they will go back to barely being shown.
Why did it take so long for Seth to tell Kayla the hospital was closing? If he knew for months, why didn’t he say something? Also, why did he care if Bonnie sued the hospital if it was closing? You would think he would have said something sooner. With the hospital closing, where is everyone supposed to go when they are sick or hurt?
Jada brought her problems on herself when she got EJ fired. She should have known EJ would retaliate when she got him fired. Did she really think he would sit by and let her cost him his job? If she left well enough alone, she would have her job and not have to worry about being set up. We aren’t trying to make excuses for what EJ did to her, but she made it easy for him to set her up.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
-Jada could be heard talking to Belle while EJ was shown.
-Steve could be heard talking to Brady while EJ was shown.
-Kristen and the woman in white cried without any tears.
-Rafe screamed in the tunnels, but Jada didn’t recognize his voice.
-How was EJ able to bring Rafe to the Blake house without anyone seeing him?
Tuesday
-Stephanie could be heard talking to Kayla while Leo was shown.
-Joy’s flashback could be heard before it was shown.
-When did Bonnie make a miraculous recovery? The last time they showed her she could barely speak but now she’s seemingly better.
-Alex could be heard talking to Joy while Stephanie was shown.
-Kayla could be heard talking to Stephanie while Alex was shown.
Wednesday
-Kayla could be heard talking to Seth while Joy was shown.
-If Seth knew the hospital was closing, why did he care if Bonnie sued the hospital?
-Speaking of the hospital, where are the people supposed to go if the hospital is closed?
-Joy could be heard talking to Alex while Johnny was shown.
-Leo could be heard talking to Seth while Alex was shown.
Thursday
-Kristen’s flashback could be heard before it was shown.
-Why does everyone talk to a portrait out loud? You would think they would keep the thoughts in their heads especially since they are in open space and anyone could hear them.
-Arnold could be heard talking to himself while Kristen was shown.
-Sarah could be heard talking to Kristen while EJ was shown.
Friday
-Kayla could be heard talking to Steve while Holly was shown.
-Steve’s flashback could be heard before it was shown.
The music playing in Chanel, Johnny, and Kayla’s scene could be heard while Julie and Doug were shown.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Kathleen Gati of “General Hospital” on ABC by Suzanne 2/8/25
It was a lot of fun to speak with Kathleen! She’s not only an amazing actress (as “General Hospital” viewers saw), but she’s very good to her fans. She’s acted in many other wonderful shows, such as “24,” “Arrow” and “Fear the Walking Dead: Flight 462.” I was very tired during the interview because I hadn’t slept much the night before, so I apologize if I seem low-key. Don’t miss the two Zoom fan events below!
Two great events where you can see Kathleen on Zoom!
The second event is in May 3rd and 4th with other daytime actors!
BIO: Two time Emmy Nominee for Outstanding Actress (2020, 2016), and winner of seven Best Actress awards, a Best Supporting Actress Award and a Best Actress Nominee, Kathleen Gati is very well known as the stewardess on AMC’s Fear The Walking Dead: Flight 462; for her role as Raisa on (CW) Arrow; Zora on S.W.A.T. (CBS), eleven seasons (522 episodes) as Dr. Liesl Obrecht on (ABC) General Hospital (1963) and as the CEO on (BET) Being Mary Jane. She is also very popular for her two seasons on 24: Redemption (2008) as Anya Suvarov, the First Lady of Russia. She has garnered nine Audiofile Earphones Awards for her over 80 audiobook narrations.
Gati was born and raised in Canada by Hungarian immigrants and was brought up in an artistic environment. Her father was a symphony conductor and her mother an opera singer, so performing was in her blood. She started acting at the age of three, wrote, directed and starred in her first play at the age of eight. After high school, she moved to New York to pursue her dream, where she studied and performed in dozens of plays both on and Off Broadway, as well as working in numerous roles on television and in film. Gati was invited to Hungary to be in the feature Goldberg variácók (1992), for which she won the Television and Film Critics Best Supporting Actress award.
She subsequently stayed on in Hungary for six years, during which time she starred in numerous films, television series and several movies of the week, winning multiple additional awards along the way, including the Film and Television Critics award for her story and lead role for A színésznö és a halál (1995) (The Actress and the Death). Her performance in Hungary’s biggest hit of the 1990s, Sose halunk meg (1993) (We Never Die), which made the final 35 films selected for Best Foreign Film entries for the Academy Awards, made her an extremely popular actress in eastern and central Europe. She won Best Actress at the Los Angeles Hungarian Film Festival in 2011 for her lead role in Retrace (2011) and was nominated for Best Actress at the New York International Film Festival in 2015 for A Play on Words (2015). Her lead role in Lifeline (2015) has garnered Gati five Best Actress awards.
Interview with Selina Ringel and Ritesh Rajan of the film “You, Me & Her” by Suzanne 2/7/25
It was fun to speak to these two actors (even though I was having a very bad hair day! LOL!). The film is sexy, fun, entertaining, and it shows marriage in a real way. Make sure to catch it when it opens tomorrow, February 14, in theaters nationwide.
The romantic comedy YOU, ME & HER, presented by Two Hands Productions, starring Selina Ringel (Single Mother By Choice), Ritesh Rajan (Definition Please, Russian Doll), and Sydney Park (First Love, The Walking Dead), will be released in 250+ theaters nationwide as the Alpha Test film for The Fithian Group’s new platform Attend on Valentine’s Day, Friday, February 14, 2025.
The film is directed by Dan Levy Dagerman and written by Selina Ringel, a husband-and-wife powerhouse.
“A thoughtful, provocative and ultimately moving marital drama that feels more realistic and more honest than any number of Hollywood romcoms.”
– Action Reloaded
ABOUT YOU, ME & HER
94 minutes | Comedy | 2025 | English | USA | MPA Rated R for sexual content, nudity, drug use, and language
SYNOPSIS | For Mags and Ash, marriage has become a series of arguments and compromises, leaving them both yearning for more. On their first vacation alone since becoming parents, their arguments threaten to ruin the trip—until they meet Angela, a free-spirited digital nomad who stirs unexpected feelings in Mags and gives her permission to be a version of herself she has not been in years, fun! Intrigued by Angela, the couple flirts with the idea of a threesome, but it’s never as simple as it seems.
LOGLINE | A chronically married couple flirts with a threesome to rediscover themselves.
TAGLINE | Don’t Make it Weird.
THEATRICAL RELEASE | Valentine’s Day, February 14th, 2025
DIRECTED BY | Dan Levy Dagerman
WRITTEN BY | Selina Ringel
PRODUCED BY | Selina Ringel, Dan Levy Dagerman, Fernando Lebrija, Pablo Lebrija, Ritesh Rajan, and Cameron Fife
STARRING | Selina Ringel (Single Mother By Choice), Ritesh Rajan (Definition Please, Russian Doll), and Sydney Park (First Love, The Walking Dead).
PRODUCTION COMPANY | Two Hand’s Productions
IN PARTNERSHIP | Fifthian Group and Attend
BIOGRAPHIES:
ABOUT DAN & SELINA: Dan Levy Dagerman and Selina Ringel are a filmmaking husband and wife team. Their last movie Single Mother By Choice sold directly to HBOMax. Their newest film You, Me & Her has partnered with the Fithian Group as the Alpha Test for their new platform called Attend which might reshape the independent theatrical model. Their film will be in over 200 theaters nationwide on Valentine’s Day! They both graduated from AFI.
SELINA RINGEL, Mags (Lead Actress, Writer, Producer): A dynamic Mexican-American filmmaker, has carved a niche in the independent film scene with her compelling narratives and unique voice. An award-winning writer, producer, and actress, her recent project, “You, Me & Her,” has won 15 awards, including Best Picture at the Mexican-American Film & Television Awards, and boasts a perfect score on Rotten Tomatoes. Selina’s groundbreaking film “Single Mother by Choice” captured her real-time pregnancy journey during COVID-19 and premiered on HBO Max. She is also known for her engaging comedy special on Amazon Prime, “2 Moms 1 Mic,” and her internationally recognized film “The Best People,” distributed domestically by Samuel Goldwyn Films. Selina’s work continues to resonate globally, pushing boundaries and sparking conversation.
RITESH RAJAN, Ash (Lead Actor): A graduate of NYU Tisch, you can see Ritesh’s work as the lead in Sujata Day’s new film “Definition Please” produced by Mindy Kaling & Ava DuVernay, as Farran in the Emmy award-winning hit “Russian Doll” and as the voice of Ken in “Barbie: Dream House Adventures”: and more all on Netflix. Other credits include recurring on Shonda Rimes “Station 19,” Disney’s “The Jungle Book, FreeForm’s “Stitchers,” “NCIS LA,” “Star Wars,” “Rebels,” “Beavis & Butthead” and the Hulu original, “Dollface.”
DAN LEVY DAGERMAN (Director): Dan is a distinguished director, producer, and innovator in the film industry, known for blending poignant narratives with groundbreaking cinematic techniques, establishing himself as a formidable force in modern independent cinema. After earning an MFA in Directing from AFI Conservatory, Dan co-founded Two Hands Productions with his wife, Selina Ringel. Their most recent feature, “You, Me & Her,” has garnered significant success on the film festival circuit, winning 15 awards, including Best Picture at the 2024 Mexican-American Film & Television Festival, and achieving a 100% rating on Rotten Tomatoes, ahead of its 2025 theatrical release. Their previous feature, “Single Mother by Choice,” documented Selina’s real-life pregnancy during the COVID-19 pandemic and was acquired by HBO Max, receiving critical acclaim and the Best Indie Feature award at Film Threat’s Annual AWARD THIS! in 2022, showcasing Dan’s directorial sensitivity to intimate, real-life stories. Dan founded High Concept Entertainment, a production company at the intersection of cannabis and entertainment, pioneering content marketing and distribution strategies that reflect the evolving demands of digital-age audiences. His career is marked by a commitment to innovation, storytelling excellence, and a keen understanding of cultural trends, whose work continues to inspire and drive change.
SYDNEY PARK, Angela (Supporting Actress): Sydney got her start at the age of 6 doing stand-up comedy at the Hollywood Improv. At the age of 8, she competed on reality competition show “America’s Got Talent” as “Syd the Kid,” the youngest stand-up comic to compete. She went on to guest star on hit Disney Channel series “That’s So Raven” and “Hannah Montana,”, in addition to HBO’s “Entourage,” “Comedy Central’s “The Sarah Silverman Program” and CBS’ “CSI: NY.”. Continuing her versatile work, Sydney starred in Nick at Nite’s “Instant Mom,” AMC’s “The Walking Dead,” the Netflix animated series, “Spirit Riding Free” and Freeform’s spin-off series “Pretty Little Liars: The Perfectionists.” Her performance was highlighted as “the standout of the young cast” by Variety magazine. Sydney‘s credits also include season 3 of the hit Netflix series “Santa Clarita Diet,” the 2017 horror film “Wish Upon” and the Netflix slasher film “There’s Someone Inside Your House.”
FILMMAKERS STATEMENT
As a husband and wife team, we write stories that are a hyperbole of our lives. We believe that this approach allows us to create films that resonate with audiences on a deeper level, sparking conversations about love, relationships, and the human condition. You, Me & Her is a romantic comedy that draws on our personal lives and influences as diverse as Knocked Up, Scenes from a Marriage, and Force Majeure to bring the audience into the exploration of Mags and Ash’s relationship.
It’s fair to say everyone in a relationship has fantasized about what it would be like to be with someone else and on the surface the idea of a threesome seems like the ultimate loophole for a couple. In our film, we were determined to explore these complex emotions honestly and authentically within the characters and ourselves. The film poses the question of whether this ‘relationship band-aid’ can save a relationship or if festering issues buried under the surface have become too deep of a wound to fix.
You, Me & Her is the first film for the Fithian Group’s experimental Alpha development phase of its recently announced online theatrical digital distribution and marketing platform, Attend. (The Hollywood Reporter).
The release will allow the parties to harness the conversations between filmmakers and theater owners into automated tools that will combine with the industry’s leading data set to form Attend.
The Fithian Group and the groundbreaking distribution platform Attend, are endorsed by over 90 significant filmmakers and producers including Damien Chazelle, Patty Jenkins, Steven Soderbergh, Sean Baker, and many more.
You, Me & Her is actively partnering with influencers, content creators, and brands that authentically resonate with the themes of the film. Their brand partners to date include Lindt Chocolate, Lyft, Lalo Tequila, Zomoz Mezcal, The Pleasure Chest, PleasureMed, Candier by Ryan Porter, Simmr, Potli, PYM Mood Chews, FemmeFun and La Nua.
The You, Me & Her team will be activating unique experiences in different theaters all over the nation. In partnership with Riviera Nayarit, Hotel Ysuri and Casa Selva audience members will even have the chance to win a trip to Mexico.
Selina and Dan will participate in a Panel at Sundance 2025, Revolutionizing Theatrical Distribution to Expand the Range and Impact of Independent Films. Speakers include, Elizabeth Woodward (Founder and CEO, Willa) Selina Ringel (Screenwriter, You, Me & Her) Dan Levy Dagerman (Director, You, Me & Her), Jackie Brenneman (Co-Founding Partner, The Fithian Group). Please see the recorded Q&A here.
ADDITIONAL INFORMATION:
Selina identifies as a bisexual woman and is married to Dan who identifies as a straight man
The film was sparked by a moment that made Selina question her sexuality, societal conventions, and honesty in relationships, which, needless to say, was quite a journey to experience with her husband, Dan.
Selina is Mexican-American and was raised in Guadalajara, Mexico.
The movie was shot in Spanglish and half of it was shot in Nayarit, Mexico.
AWARDS & NOMINATIONS:
Grand Jury Award Best Feature Film Comedy Sherman Oaks Film Festival 2023
Grand Jury Award Best Performance by a Cast 2023
Grand Jury Award Best Screenplay 2023
Best RomCom Amsterdam World Canvas Film Festival 2024
Best Picture Festigious 2024 (2/6/2024)
Best Original Story Festigious 2024 (2/6/2024)
Best Comedy Festigious 2/6/2024
Best Romantic Comedy Los Angeles Film Awards 2023
Best LGBTQ+ Film Athens International Film Festival
Best Picture New York Film Awards 2023
Best Actor New York Film Awards 2024 (1/10/2024)
Best Actress New York Film Awards 2024 (1/10/2024)
Best Picture Mexican American Film Festival 2024 (5/18/2024)
Best Queer Feature Film Lone Wolf International Film Festival 2024
Best Director Paris Awards Film Festival 2024
PRESS QUOTES & REVIEWS
“Attend allows for an unprecedented collaboration between filmmakers, theater owners and marketers in expanding the reach of theatrical moviemaking. With You, Me & Her, and Dan and Selina’s embrace of experimentation, we think we have an ideal projet to build the tools that will become Attend.”
“We tell stories inspired by our lives. This film was sparked by a moment that made me question my sexuality, societal conventions, and honesty in relationships, which, needless to say, was quite a journey to experience with your husband [Dagerman]” said Ringel.
“Dagerman and Ringel walk the line masterfully between titillation and meditation. There’s no reason a film can’t do both, but generally, filmmakers don’t even try to approach sex thoughtfully or with any emotional depth. The beautiful Mexican beach and Latin party music for the trip provides a visual feast, serving as a getaway for the audience as well as the characters.”
“With a compelling storyline, strong performances, and a tasteful approach to adult themes, You, Me & Her succeeds in offering a refreshing perspective on love, laughter, and the unconventional paths that relationships may take.”
“What looks to be a raunchy sex comedy eventually turns into something more substantial, as Ringel’s nuanced script finds surprising depth as well as humor in a strained domesticity nearing the breaking point.”
“Attend expands possibilities for filmmakers and non-studio movies to reach audiences and to expand the reach and efficiency of existing distributors. Over many years of grappling with the challenges and opportunities facing the theatrical market worldwide, as industry leaders we have sought solutions that grow the business for all stakeholders.”
January 16, 2025: “’You, Me & Her’ Releases First Trailer; Romantic Comedy Will Test Fithian Group’s Digital Distribution Marketplace (EXCLUSIVE)” https://x.com/Variety/status/1879966894402294260
*Please note, this was shared with VARIETY’s X (2.9M Followers).
Interview with Gary Anthony Williams, Nyambi Nyambi and Lacretta of “Night Court” on NBC by Suzanne 2/6/25
It’s always great fun to speak to these actors from “Night Court!” They are hilarious. I was paired with another journalist this time, Russ Milheim of The Direct. It’s always nice to meet fellow members of the press. We each asked very different questions, which is great. I hope you enjoy these fun interviews!
Tuesdays on NBC (8:30 -9p.m. ET/PT); Season Premiere: Nov 19
Eternally optimistic Abby Stone (Melissa Rauch) follows in the footsteps of her revered late father, Judge Harry Stone, as she takes on the challenge of overseeing the night shift of a Manhattan arraignment court.
In her quest to bring order and dignity to the court and reign in its colorful crew of oddballs, Abby enlists former night court district attorney Dan Fielding (John Larroquette) to serve as the court’s public defender. Still exceedingly self-confident, Fielding must adjust to a new boss and a new job – defending the downtrodden. And, beneath his arrogant demeanor, there is an empathetic side to Fielding that Abby is determined to unearth.
They both must contend with Julianne Walters (Wendie Malick), a reformed convict and former love interest of Dan, who is the new prosecutor. A sophisticated, savvy woman and accomplished attorney who also knows how to make a shank out of a spoon, she’ll keep everyone in the courthouse on their toes. Donna “Gurgs” Gurganous (Lacretta) is the night court’s sharp-witted bailiff. Gurgs takes her job very seriously and is fiercely protective of her night court colleagues. Wyatt Shaw (Nyambi Nyambi) is the court’s clerk. He’s a jack of all trades and devoted single dad trying to make it all work as a law student at the same time.
From executive producer and writer Dan Rubin (“Unbreakable Kimmy Schmidt”), “Night Court” is based on the original hit series that ran for nine seasons on NBC. Executive producers also include Melissa Rauch, Winston Rauch, John Larroquette, Mat Hawawitz, Lon Zimmet, Lindsey Shockley and Mona Garcea.
“Night Court” is produced by Rauch’s After January Productions in association with Warner Bros. Television and Universal Television, a division of Universal Studio Group.
BIOS
Lacretta
Donna “Gurgs” Gurganous, “Night Court”
Lacretta stars as Donna “Gurgs” Gurganous on the NBC comedy “Night Court.”
Born and raised in Kansas City, Mo., Lacretta made her stage debut at 14 at the Coterie Theater – an institution in which she holds great affection. It was there where she starred in numerous performances throughout the ’90s, such as “A Wrinkle in Time” and “101 Dalmatians.”
In 2011, she appeared in “Hairspray” at Broadway Rose in Portland. She then originated the role of Levora Verona in the Off-Broadway run of “Disaster!” in 2012 at the Triad in New York, and made her Broadway debut with the same role in 2016.
Following her on-stage success, Lacretta guest starred on “Law & Order,” “30 Rock,” “Broad City” and “Gotham.”
In film, Lacretta appeared in the romantic comedy “Second Act” before making her return to the stage in “Avenue Q” in the closing cast of their Off-Broadway run at New World Stages. She was also featured in the first national tour of “The Book of Mormon.”
In her off time, Lacretta loves gaming and is very active on Twitch TV. In 2022, she helped announce the first Streamers for Education Scholarship for Black Women going into the fields of STEM, Digital Media and film. She is also an avid cook and often shares recipes from “Cretta’s Kitchen” on her Instagram.
She currently resides in Los Angeles.
Nyambi Nyambi
Wyatt Shaw, “Night Court”
Nyambi portrays Wyatt Shaw on the NBC comedy “Night Court.”
Nyambi most recently co-starred as investigator Jay DiPersia in Paramount+’s “The Good Fight” and co-starred for six seasons alongside Billy Gardell and Melissa McCarthy in the CBS sitcom “Mike & Molly.” Nyambi can be seen in the Billy Crystal and Alan Zweibel film “Here Today” as well as starring in the indie film “The Sleepless,” available on Amazon Prime.
Nyambi’s TV resume includes “Mercy Street,” “Blindspot,” digital series “American Koko” and “Titans.” Additionally, Nyambi had voiceover roles in “The Death of Superman” and “Reign of the Supermen.” He also narrated the three-part PBS nature documentary “Primates.”
Nyambi has participated in New York’s Public Theater’s Shakespeare in the Park. Working alongside Al Pacino and Ruben Santiago-Hudson, Nyambi starred in “The Merchant of Venice” and “The Winter’s Tale.”
Additional theater credits include the first Broadway revival of August Wilson’s “Joe Turner’s Come and Gone” and the Classic Stage Company’s “The Tempest,” opposite Mandy Patinkin. He has worked with the Classical Theatre of Harlem and the Williamstown Theater Festival, and is a proud member of the Labyrinth Theatre Company.
Alongside Danai Gurira, Nyambi serves on the board for Almasi Collaborative Arts, an organization dedicated to developing emerging African artists.
Nyambi is a first-generation Nigerian-American and earned a bachelor’s degree in business administration from Bucknell University before earning his Masters of Fine Arts from NYU. He played basketball for four years at Bucknell and made the ESPN Dick Vitale “All-Name Team,” which honors the best names in college basketball. Post-college, Nyambi took on the role of coach and led basketball teams at teen camps.
Gary Anthony WIlliams
Judge Flobert, “Night Court”
Gary Anthony Williams is an American actor, comedian and filmmaker. He has voiced the character Uncle Ruckus on The Boondocks, General Horace Warfield in StarCraft II: Wings of Liberty and Dr. Richard Tygan in XCOM 2, portraying Anton “Bebop” Zeck in Teenage Mutant Ninja Turtles: Out of the Shadows.
Interview with Sean Kanan of “The Bold and the Beautiful” on CBS and “Cobra Kai” on Netflix by Suzanne 2/4/25
This is my second Zoom interview with Sean Kanan. It’s always great to speak with him because he’s an interesting guy, and an amazing actor, and he always has a lot of things going on. Soap fans know Sean from his role as Deacon on both B&B, Y&R and GH; others may know him from “Karate Kid 3” and the “Cobrai Kai” series, or his Emmy-winning series “Studio City” on Prime. Right now, Sean is busy promoting a new line of hot sauces, some personal appearances, and the latest in his motivational Way of the Cobra book series with his wife, Michele: “Way of the Cobra: Couples“. If you’re a fan of the soaps or of the “Cobra Kai” series or “Karate Kid” movies, you should enjoy this chat!
If you live in the SoCal area, go see Sean Kanan, his wife, and his co-star Kimberlin Brown (who plays Sheila) this Saturday, February 8th at Barnes & Noble in Palm Desert 2 PM! Sean will also be appearing at the Pasadena Comic-Con May 24th. You can find out about Sean’s future events on his Instagram. Wait him daily on “The Bold and the Beautiful,” too. Sounds like he has some great story coming up.
Incidentally, if you haven’t watched “Cobra Kai” or the “Karate Kid” movies, I would suggest you check them out because they’re a lot of fun to watch. I just binge-watched them all in the past few months. The last five episodes of “Cobra Kai” drop Feb. 13! Then there’s a new movie, “Karate Kid: Legends” coming out in the summer, starring Ralph Macchio and Jackie Chan! It looks good.
Emmy® award-winner Sean Kanan portrays irresistible bad boy “Deacon Sharpe” on The Bold and the Beautiful.
After the character’s success on The Bold and the Beautiful, “Deacon Sharpe” also appeared on sister show, The Young and the Restless. Kanan’s first role in Hollywood was of iconic villain “Mike Barnes” in the blockbuster film Karate Kid III, which he reprised for season five on Netflix’s pop-culture classic Cobra Kai in 2022. He also played the role of “AJ Quartermaine” on General Hospital. His many film credits include two 2021 films with Bruce Willis, Survive the Game and The Fortress, and the Lifetime movie Sinister Society.
In 2021, Kanan won the Daytime Emmy® award for Outstanding Limited Series as the Executive Producer and Creator of Studio City (Amazon Prime), for which he was also Emmy® nominated in the categories of Outstanding Lead Actor and Outstanding Writing Team. Kanan previously won the Indie Series Award for Outstanding Lead Actor for portraying Studio City protagonist “Sam Stephens.”
Kanan has authored four books. His latest, Welcome to the KUMITE, is the second in the Way of the COBRA (WOTC) series, which draws on intimate personal stories to illustrate his strategies and philosophy for achieving success: “Transform yourself, and you can transform the world.” Sean’s first book, The Modern Gentleman: Cooking and Entertaining with Sean Kanan, received rave reviews. His second, Success Factor X, became an Amazon New Release Best Seller after less than one week and was named one of the twenty most inspirational books in the last two decades by Book Authority.
To give back, Kanan has turned his personal success and the knowledge about his approach to achieving goals for a healthy, happy, and successful life into a successful and highly sought-after life coaching program.
Whether lobbying on Capitol Hill to raise awareness about bullying or performing stand-up comedy in Bosnia to entertain the troops for the USO, Kanan remains active in numerous charitable organizations, including The American Cancer Society, various animal advocacy groups, and serving as the international youth ambassador for Boo2Bullying.
In 2016, Kanan received the 400th star on the Palm Springs Walk of Fame for his creative work and acts of charity in Hollywood.
Born in Cleveland, Ohio, and raised in New Castle, PA, Kanan resides with his wife, Emmy®, award-winning producer and writer Michele Kanan, in California. He celebrates his birthday on November 2.
SEAN KANAN aka “Karate’s Bad Boy”
Kanan has unleashed a line of artisan crafted small batch hot sauces that hit harder than a spinning back kick.
DON’T LET YOUR HOT SAUCE BE A JOKE
Say goodbye to bland and hello to bold with knockout flavors like:
These aren’t your average sauces— they’re weapons of mass deliciousness, packing Scoville heat levels from a solid 4/10 to a face-melting 10/10. Buy Now!
Interview with Josh Stamberg, Jacqueline Christy and Miriam Shor of the movie “Magic Hour” by Suzanne 2/5/25
This is a very entertaining and interesting film, especially for women, or for anyone who wants to make movies. It’s premiering today at the Santa Barbara Film Festival and will also show there tomorrow. I really enjoyed speaking to the writer/director/producer, who seems very down-to-earth, and the film’s main star, Miriam Shor, as well as the actor who plays her husband, Josh Stamberg. We had a couple of great chats. I hope that they will make the movie available outside of the film festival at this point, so you can all see it!
Public 1 (Premiere) Screening – Wednesday, February 5 at 5:00pm PST at Film Center Auditorium #1
Public 2 Screening – Thursday, February 6 at 8:20am PST at Film Center Auditorium #2
RUN TIME
94 minutes
SYNOPSIS
Harriet, a once-promising filmmaker, is stuck in the suburbs of New Jersey. Alienated from her cheating
husband and spurned by her teenage daughter, she secretly enrolls in film school. She leads a double life
and loves the grueling yet exhilarating world of student filmmaking. But, when she gets fired off her own
film and found out by her daughter, Harriet must decide if her life’s ambition is pure folly or a dream
worth saving.
DIRECTOR’S STATEMENT
Six years ago, at the age of not-22, I decided to go to film school – and this movie is what happened.
OK, Magic Hour is not precisely what happened. The film is a highly fictionalized account of what
happens when, after many years of procrastination and self-recrimination, one puts their dream to the
test. The adventures and self-reckoning I experienced going back to film school with classmates half my
age are at the root of my inspiration for Magic Hour. Beginning again is exciting but humbling, and no
reality can live up to the imagined perfection of a dream. Ultimately, I found the beautiful, supportive
film tribe I had hoped for, and in this film, I attempt to depict all of that with love (and gentle satire).
When I had my first few brushes with the professional filmmaking world, I pined (as the protagonist
Harriet does) for the love-fest of film school. On professional film sets, I witnessed forms of bullying and
misogyny that I had seen in the corporate world, but I had found blissfully absent at film school. I knew it
was possible – and better – to create films without that bullying culture. Magic Hour posits a world in
which kindness rules the day, “even in the goddamned film business.”
While Harriet’s estranged husband, her boss, her cinematographer, and the rival Lacrosse coach all
believe they live in a “dog-eat-dog” world in which kindness equals weakness. Harriet challenges that
idea with leadership that is fuelled by creativity and collaboration.
This movie is for timid, neurotic people with a huge dream that they are absolutely certain they can
never achieve. I hope my audience will see themselves in the hopeful and hapless lead character, and
feel the excitement of their own untested dreams; the lure of unknown adventure and the endless
potential within them. I’d love the audience to leave the theater awake and glowing with a reignited
connection to their own powerful destiny.
The magic hour is a time of transition. The beloved beauty of “magic hour” light comes from this
transition into the mysterious unknowability of what might come next.
—Jacqueline Christy
ABOUT THE CAST
MIRIAM SHOR | “Harriet”, ASSOCIATE PRODUCER
Miriam Ruth Shor is an American actress. She gained prominence for her performance in the
Off-Broadway rock musical Hedwig and the Angry Inch (1998–2000) and in the 2001 film adaptation of
the same name. She later starred in a number of short-lived television series, including Swingtown
(2008) and GCB (2012). From 2015 to 2021, Shor starred as Diana Trout in the TV Land/Paramount+ comedy-drama series Younger for which she received Critics’ Choice Awards nomination for Best
Supporting Actress in a Comedy Series. Shor played Madelaine True in the Encores! production of The
Wild Party at the New York City Center in 2015 alongside Younger co-star Sutton Foster. She has
appeared in the films Bedazzled (2000), The Cake Eaters (2007), Lost Girls (2020), Maestro (2023) and
American Fiction (2023). She is directing the upcoming documentary film, My NDA. Shor plays the
starring role of Harriet in the upcoming feature film Magic Hour which will premiere at the Santa Barbara
International Film Festival February, 2025.
JOSH STAMBERG | “Bob”
Josh Stamberg works steadily in television, film, and theatre. He can currently be seen in BASED ON A
TRUE STORY and TED on Peacock, and opposite Claire Danes in the FX limited series FLEISHMAN IS IN
TROUBLE. He also recently appeared in the HBO series THE TIME TRAVELER’S WIFE, as well as the
Marvel/Disney+ series WANDAVISION opposite Elizabeth Olsen. Other recent credits include the
Showtime Roger Ailes series THE LOUDEST VOICE, THE AFFAIR, NASHVILLE, PARENTHOOD, and
DISTRACTED, a play in which he starred opposite Cynthia Nixon at Roundabout Theatre Company. Last
year he also starred in EXCLUSION at Arena Stage, directed by Trip Cullman.
Stamberg will next be seen in the films MAGIC HOUR and ISAAC, which he also produced. He also
recently joined the cast of the Paramount+ limited series JONBENET RAMSEY. He works frequently with
LA Theaterworks and the Ojai Playwrights Conference, and lives in Los Angeles.
ABOUT THE FILMMAKERS
JACQUELINE CHRISTY | DIRECTOR, WRITER
Jacqueline Christy is a writer, director, and founder of Access Theater. She received her MFA from the
NYU Graduate Film Program at Tisch and received grants from the NYC Women’s Fund, the NY State
Council on the Arts, the Hollywood Foreign Press grant, and the Sloan Foundation.
Through Access Theater’s 33-year history, she has produced hundreds of plays, including The Killing Act
starring Peter Dinklage, written and directed by Tom McCarthy; Aasif Mandvi’s Sakina’s Restaurant;
Stephen Belber’s Tape; and Bedlam’s acclaimed production of Saint Joan.
She was Assistant Director of the feature films Radium Girls and Equity and the short film Jungle, which
premiered at the Sundance Film Festival. She was Assistant Director of the short film Fry Day, which
premiered at SXSW.
Her directorial film work includes short films Rehearsal (Austin Film Festival), Other People (St Louis
International Film Festival), and The Dependents (LA Shorts International Film Festival). Christy was
recently selected by SHOOT magazine for their New Directors Showcase.
Magic Hour, starring Miriam Shor, Sendhil Ramamurthy, and Austin Pendleton, is her feature debut.
EVA MINEMAR | PRODUCER
Eva Minemar is an award-winning producer of over 50 plays, one-woman shows, branded content, TV,
and film. She is a member of the Actors Studio Director’s Unit and has also conceived and directed the
touring women’s theatre staple, ‘Angry Jello Bubbles’, which was performed at the United Nations for
International Women’s Day. Eva is also the Co-founder and Artistic Director of both the LA LUPA Italian
Cultural Arts Festival (LA LUPA FEST), and served as the Artistic Director of The Piano Store Theatre in
NYC. She is a producer of the upcoming feature film Magic Hour, starring Miriam Shor, Sendhil
Ramamurthy and Austin Pendleton. In her work, she continues to fulfill her lifelong desire to provide
opportunities and support for women in the theatrical arts, giving women writers a voice and the
opportunity to have their work performed worldwide, without the pressure of commercial concerns.
JOSÉ RIVERA | EXECUTIVE PRODUCER
José Rivera is a playwright, screenwriter, and director. His screenplay The Motorcycle Diaries was
nominated for 2005 Best Adapted Screenplay Oscar—making him the first Puerto Rican writer ever
nominated for an Academy Award—as well as a BAFTA and Writers Guild Award and received top
screenwriting awards in Argentina and Spain. He has written 18 episodes of the acclaimed Netflix series
based on One Hundred Years of Solitude. Other films include On the Road, Trade and The 33. Rivera
co-created and produced Eerie, Indiana, (NBC) and was a consultant and staff writer on Penny Dreadful:
City of Angels (Showtime). Rivera wrote and directed the short films The Fall of a Sparrow and The Civet.
He is the recipient of two Obie Awards for Marisol and References to Salvador Dali Make Me Hot. His
other plays include Cloud Tectonics, Boleros for the Disenchanted, Massacre (Sing to Your Children),
Another Word for Beauty, Sueño, The Untranslatable Secrets of Nikki Corona, Sonnets for an Old Century,
School of the America, Brainpeople, Adoration of the Old Woman, The Maids, The Kiss of the
Spiderwoman (Menier Chocolate Factory, London); Each Day Dies with Sleep, Lovesong (Imperfect) and
The Street of the Sun . He has served on the boards of TCG and the Sundance Institute and was a Creative
Advisor at Sundance Screenwriting Labs in Utah, Jordan and India.
MIRIAM SHOR | “Harriet”, ASSOCIATE PRODUCER
See bio above.
JONATHAN GRAY | CONSULTING PRODUCER
Jonathan Gray is highly regarded in the independent film community as an attorney, producer, and
advisor to filmmakers, producers, financiers, and distributors. He has acted as production counsel on
noted documentary films including One Child Nation (2019 Sundance Documentary Grand Jury Prize);
American Factory (2019 Sundance Documentary Directing Award); and Life, Animated (2016 Sundance
Documentary Directing Award; 2017 Academy Award Nomination for Best Documentary Feature); as
well as seminal independent narrative films such as The Station Agent, Black Swan, and Precious,
providing filmmakers with legal and creative consultation from acquisition of rights through delivery to
the distributors. His producing credits include Blue Caprice (2013 Sundance); Words with Gods (2014
Venice International Film Festival); Nightingale (HBO – 2015 Primetime Emmy Nomination for
Outstanding Television Movie); and Dark Night (2016 Sundance). A former adjunct professor at Columbia
University School of the Arts, Gray earned his J.D. from Fordham University School of Law.
NANCY COLLET | ASSOCIATE PRODUCER
Nancy Collet is a seasoned entertainment professional with over three decades of experience in the film
industry. Her career is marked by significant contributions to film programming, festival management,
and strategic consulting.
As Director of Programming at AFI FEST for 10 years, Collet played a pivotal role in the festival’s growth
and international recognition. During her tenure, she secured premieres of numerous Academy
Award-winning films, including Life Is Beautiful, Monster, The Lives of Others, and Pan’s Labyrinth,
solidifying its status as a world-renowned event, and curated a diverse selection of critically acclaimed
films, such as Hotel Rwanda, Talk to Her, and City of God.
Following her success at AFI FEST, Collet founded Cinema Collet, a strategic consulting firm. Her client
portfolio includes major film festivals like the Toronto International Film Festival, educational institutions
such as NYU, cultural organizations like The French Consulate, distribution companies and independent
filmmakers seeking festival guidance.
Collet’s expertise is widely recognized in the film community, evidenced by her roles as a juror,
moderator, and panelist for international film festivals and events. Collet’s career is characterized by her
ability to identify and promote groundbreaking cinema, foster industry relationships, and elevate the
profile of film festivals and organizations. Her work continues to shape the landscape of independent
and international film, supporting emerging talents and established filmmakers alike.
LASSE ULVEDAL TOLBØLL | DIRECTOR OF PHOTOGRAPHY
Lasse Tolbøll is an Oscar-nominated director of photography from Odder, Denmark. He was the
cinematographer for Knight of Fortune, which was nominated for Best Live Action Short Film at the 2024
Academy Awards. Lasse shot seven features including Alendre Rockwell’s Sweet Thing which won the
Crystal Bear at Berlin. Lasse’s work has been recognized at film festivals across the world, including the
British Film Awards, Asian Cinematography Awards, and Seattle International Film Festival among others.
Short films Under the Heavens and Pale Saint each won the award for best cinematography at the
HollyShorts film festival in 2021 and 2020 respectively. Lasse completed the graduate film program at the
NYU Tisch School of the Arts and became an HBO-sponsored BAFTA Scholar. Lasse was the 2018 recipient
of the ARRI Volker Bahnemann Award for outstanding cinematography.
https://www.lassetolboll.com/cv
CARLA PATULLO | MUSIC COMPOSER
Carla Patullo is a GRAMMY®-Winning artist who works as a film score composer, solo artist, songwriter,
and multi-instrumentalist. Following a near-death experience, Carla recorded So She Howls, a
self-produced and self-released album that is both cathartic and cinematic. In 2024, So She Howls won
the GRAMMY® Award for “Best New Age, Ambient, or Chant Album.”
Carla is a lifelong musician who earned a bachelor’s degree in songwriting and a master’s of film music
from Berklee College of Music. Some of Carla’s recent film scores include the feature film Bitterroot,
which had its world premiere at the Tribeca Film Festival in 2024; the Disney+ film Maxine, starring
Margaret Cho; Everybody Dies . . . Sometimes, which premiered at the Tribeca Film Festival; Magic Hour,
an upcoming dramedy starring Miriam Shor; My Name Is Maria De Jesus, an HBO Latino film; Porno,
Fangoria’s recent SXSW hit; and the IDA shortlisted documentary Lotte that Silhouette Girl.
She is a Sundance Film Music and Sound Design Lab alumna, and four-time Hollywood Music in Media
Award Nominee. This past year, because of Carla’s work related to animation pioneer Lotte Reiniger, two
of Carla’s film scores were presented at The Academy of Motion Pictures and Sciences Museum. She is
also a prolific songwriter, having written over 100 songs with placements on film and TV shows, such as
the Sundance award-winning film Spa Night, Teen Titans Go (Cartoon Network), The Ellen DeGeneres
Show, Skins (UK), Sabrina the Teenage Witch, L.A. A Queer History (PBS), and many more.
LEW GOLDSTEIN | SOUND DESIGNER
Lew Goldstein is a 3-time Emmy nominated sound editor and re-recording mixer. Lew has over 100 film
credits and a career that spans over 30 years. Some of his recent work includes Mean Girls, In the
Heights, Black Bear, Hereditary, and The Greatest Showman. Lew was Emmy-nominated for Outstanding
Sound Mixing For a Variety Series or Special in 2021, Outstanding Sound Mixing For A Comedy or Drama
Series (Half-Hour) And Animation in 2019, and Outstanding Sound Editing For A Comedy Or Drama Series
(Half-Hour) And Animation in 2019 for Last Week Tonight With John Oliver and Russian Doll respectively.
ELIE AKOKA | COLORIST
Elie Akoka made his debut as a colorist in 2009 with Nader T. Homayoun’s Tehroun (International Critics
week award in VENICE). He has gone on to work with Abdellatif Kechiche on the Palme D’Or winning
Blue is the Warmest Color, Gaspar Noe (Love), Pablo Larrain, Claire Denis (High Life). Elie loves to work
with directors from around the world, among them Lui Bingjian’s (The Back- China) Jen Lien (Sons of
Norway- Norway), Brillante Mendoza-Captive (Philippines). Elie’s work runs the gamut from big budget
US films like Immortals to independent films such as Give Me Liberty, Dark Night, Sollers Point,
Meditarenea, A Ciambra, A Chiara, and Bonne Mere. Recently, he worked as the colorist on Sukkwan
Island, which had its premiere at the 2025 Sundance Film Festival.
CREDITS
Production – DGA
Unit Production Manager Dolores Diaz
First Assistant Director Jacqueline Dow
First Assistant Director Natalia Shaufert
First Assistant Director Joseph Sackett
Second Assistant Director Gabrielle Rice
Cast
HARRIET Miriam Shor
EMMA Cameron Morton
HANK Sendhil Ramamurthy
BOB Josh Stamberg
BEATRICE Anna Suzuki
FELICITY Delissa Reynolds
JOSEPH Austin Pendleton
TED Michael Panes
BILL John Harrington Bland
MICHAEL Patrick Breen
TRISH Joy Suprano
KLAUS Richard Lowenburg
MOTH GUY Louis Mustillo
MOMMOM Renee Taylor
PROFESSOR WOODS Alastair Boag
ANNA Morgan Wolk
YOUNG BOSS Adit Dileep
MONICA Nadia Dajani
JAYDEN Josh Salt
ALISON Danielle Davenport
TOMMY Gilles Geary
MARGARET Jane Elias
PROFESSOR JAMES Asa James
PROFESSOR MILES Amy Staats
JUSTIN Sam Gilroy
TOUGH COACH Jason Nuzzo
STUDIO FRONT DESK GUARD Patrick McGuinness
MADELINE Jenson Smith
MADELINE (VOICE IN FRENCH) Cristina Spina
SOUND MIXER Jasir Romero
ANDY Adam Bryant
KEVIN Marlon Quijije
VANNA Vanna Pilgrim
JAMIE Brough Hansen
JAMIE (VOICE IN FRENCH) James Christy
CHARLES DEREK HANDEL Derek Ragin
LAURA ING Ivana Sabar
STREET CREW PA Elliot White
CHILD BOB Jacob Morrell
CHILD HARRIET Avery Emerson
CHILD BULLY Giuseppe Virzi
AIRBNB HOST Walid Chaya
LACROSSE AMY Amanda Jane Stern
STREET CREW CINEMATOGRAPHER Ariel Dreicer
STREET CREW DIRECTOR Jacqueline Christy
SUPPORTIVE 1950S ACTRESS Nancy Pop
NERVOUS 1950s ACTRESS Alina Mihailevschi
GEORGE Ed Witt
KIND FELLOWSHIP PANELIST Mizuo Peck
AMANDA Jan Jalenak
FELLOWSHIP PANELIST Cristina Spina
SMILING LACROSSE PLAYER Celia Cumiskey
FRANCOIS EVENT BICKERING WOMAN Francine Christy
VOICE OF FRANCOIS GUEST Christine Renee Miller
MOPEY ART PA Emily Gleeson
STUDENT CAMERA ASSISTANT Lizzy Harding
STUDENT ASSISTANT DIRECTOR Katherine Lane
ACTRESS IN HARRIET’S MOVIE Laura Lee
MOVER #1 Tim Brunnock
MOVER #2 Arti Finn
Mover #3 Thomas Heban
JAMES Isaiah Zeavin-Moss
Monica’s baby Ada Bland
Trish’s Baby Helena
CRYING COLLEAGUE McKenna Cox
COLLEAGUE Hannah Atkinson
WAITRESS Molly Barrett
CLERK Elizabeth Pepe
BOUNCER Gillette
FATHER ACTOR Tom Bozell
DAUGHTER ACTRESS Brinda Dixit
STUDENT PRODUCER Stella Pejo
YOUNG HARRIET Zoë Van Tieghem
LUNCH WAITRESS Liana Feliciano
RUDE COLLEAGUE Jenny Zerke
Background Actors
Harriet Lacrosse Player #2 Yulia Kez
Harriet Lacrosse Player #3 Sadie Rose Darwish
Harriet Lacrosse Player #4 Christy Hillebrecht
Harriet Lacrosse Player #5 Ero Christy
Mom in bleachers #1 Kara Smith Cumiski
Mom in bleachers #2 Julie DeVuono
Paramus Lacrosse Number 3 Cate Osborne
Paramus Lacrosse Number 7 Baldwin Classmate’s daughter
Paramus Lacrosse Number 6 Celia Cumisky
Students Josh Catubig
Natalia Shaufert
Co-Producer Laura Lee
Co-Producer John Rafanelli
Associate Producer Miriam Shor
Associate Producer Janet Antich
Associate Producer Colin Stackpole
Associate Producer Ann Clark
Associate Producer Nancy Collet
Associate Producer Jaqueline Dow
Associate Producer David Allen
In Association with Good Violet
Camera
Camera Operator Lasse Ulvedal Tolbøll, DFF
First Assistant Camera Edna L. Biesold
First Assistant Camera Kerstin Ebert
Second Assistant Camera Sehee Kim
Second Assistant Camera Skyla Page
Second Assistant Camera Lydia Marie Smith
Digital Imaging Technician Josh Catubig
Second Unit Director of Photography Joel Wolter
First Assistant Camera Aniket Desai
First Assistant Camera Alice Shcherbak
Still Photographer Dennis P. Mong Jr.
Still Photographer Coordinator Cheryl Mong
Continuity
Script Supervisor Natalia Shaufert
Secondary Script Supervisor Tuesday Blue
Production Sound
Production Sound Mixer/Boom Operator Rebecca Martos
Second Unit Production Sound
Production Sound Mixer Sam T. Wilson
Production Sound Mixer Robbie Kush
Art
Production Designer Lorenza Astengo Fefer
Art Director Kelvin Pater
Art Department Assistant Jessica Hudspeth
Art Department Assistant Grace Crummet
Art Department Assistant Emily Steiker
Art Department Assistant Christina Krioutchkova
Assistant Costume Designer Sadie Rose Darwish
Assistant Costume Designer Sabrina Kridler
Set Costumers Yulia Kez
Hair & Makeup
Hair & Makeup Department Head Rita Mae Sylvester
Hairstylists Christine Kennedy
Paula Salas Bloise
Gina Petruzzi
Makeup Artists Christine Kennedy
Paula Salas Bloise
Gina Petruzzi
SFX Makeup
SFX Makeup Artist Rita Mae Sylvester
Construction
Master Carpenter Greg Brown
Carpenter Jill Brown
Grip
Key Grip Gabriel Eduardo Solorzano
Key Grip Jonathan Tang
Key Grip Brandon Zheng
Key Grip Matt P. Andersen
Electric
Gaffer Ruochen Liao
Gaffer Tannie Xin Tang
Gaffer Jacob Mallin
Gaffer Anthony Saxe
Gaffer Jared Diaw
Swing Aaron Argomido
Swing Maria Nazarouk
Production
Key Production Assistant Thomas Heban
Production Assistants Sean Brogan
Production Assistants Cate Osborne
Production Assistants Phillip Pyle
Script Coordinator J.D. Stewart
Legal Counsel
Legal Services provided by Greenberg Traurig, LLP
Production Counsel Ann Brigid Clark
Production Accounting
Payroll Accountant ABS Payroll
Post Production
Post Production Production Assistant Harrison Jeffs
Post Production Intern Adriana Ellis
Post Production Intern Mati Rogers
Editorial
Editor Edward Chin
John Rafanelli
Alan Wu
Consulting Editor Lee Percy
First Assistant Editor Wadeh Arraf
Picture Finish
Colorist Elie Akoka
Sound Post
Post Production Sound Services Parabolic NY
Supervising Sound Editor/Re-Recording Mixer Lewis Goldstein
Dialogue Editor/Re-Recording Mixer Vinny Alfano
Assistant Sound Editor Julia Skubisz
Additional Post Production Sound by Gigantic Studios
Re-Recording Mixer Tom Paul
Supervising Sound Editor Andres E. Marthe Gonzalez
Dialogue Editor Peter Russell
Sound Effects Editor Ai Miyatake
Sound Effects Editor Ignacio Bonet
Additional Sound Editor Julie Hu
ADR Mixer Greg Crawford
ADR Mixer Nathan Hasz
ADR Supervisor Tristan Baylis
ADR Recorded at Gigantic Studios
ADR Supervisor Greg Crawford
ADR Recorded at Smart Post Atlanta
ADR Supervisor Carla Patullo
ADR Recorded at The Soundry
Loop Group
Loop Group Coordinator Katie Fabel
Loop Group Sebastian Beacon
Loop Group Jeffrey Auer
Loop Group Carol Todd
Loop Group Kimberly Yates
Original Score
Music by Carla Patullo
Original Score Production
Orchestra Recorded at The Soundry
Original Score Performers
Musicians Patti Kilroy
Lisa Liu
Drew A. Forde
Ro Rowan
VFX Management
Visual Effects Consulting Artist Colin Stackpole
Visual Effects Supervisor Jo Shaffer
Compositor Adam DeSantes
Titles
Title Design Janet Antich
Title Producer John Rafanelli
End Titles supported by Endcrawl.com
Transportation
Transportation Coordinator Tony Lepore
Choreography
Choreography Lisa Schwartz
Catering
Catering provided by EatLikePaul
Head Chef Paul Cavalcante
EPK
EPK Producer Natalia Shaufert
Safety
COVID Compliance Officer Arielle Dreicer
The Producers Wish to Thank Kaufman Astoria Studios
New York University Graduate Film Program
Haynes and Boone, LLP
Financial Solutions Partners
Anthology Film Archives
DVDepot
Dee’s Restaurant
Eastern District Camera
Special Thanks Noelie Hillebrecht
Christopher Hillebrecht
James & Francine Christy
Jim Christy
Erica Freed Marker
Alex Steyermark
Andy Hafitz
Barbara Ghammashi
Ashley Alexander
Ellen McGinnis
Rachel Gordon
Gail Segal
Jatin Dasgupta
Jerry Reen
Jessica Boucher
Joel Figueroa
John Sloss
Jonathan Gray
Hilary Stabb
Joshua Foster
David F. Schwartz
Stephen Guirgis
Julie Rottenberg
Kate Stahl
Kevin Wilson
Lawrence Mattis
Spike Lee
Maddy Seidman
Mandy Ward
Tom Mangan
Matthew Tynan
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With support from: The NYC Women’s
Fund for Media, Music and Theatre by theCity of
New York Mayor’s Office of Media and
Entertainment in association with The New York
Foundation for theArts
Magic Hour is made possible by the New York
State Council on the Arts with the support of the
Office of the Governor and the New York State
Legislature
Fiscal Sponsorship Provided by: New York Foundation for the Arts
Women Make Movies
Pitcher Productions
Artwork courtesy of Janet Antich
Joe Walsh
MADE IN NYC
SAG-AFTRA
Camera and Lenses Provided by ARRI
Grip & Lighting Equipment Provided by New York University
Grip & Lighting Equipment Provided by Kaufman Astoria Stages
Insurance Provided by Fractured Atlas Insurance Program
Digital Cinema Mastering by Elie Akoka
Sound Stages provided by Kaufman Astoria Stages
Does Holly have any friends other than Sophia? Whenever she has a problem with Tate, she goes running to Doug. Why doesn’t she go to one of her other friends? She needs to stop telling him all her problems, especially since she doesn’t know him. We know the writers are heading towards putting them together, but it doesn’t make sense for her to keep talking to someone she barely knows about her boyfriend.
Why did Stephanie tell Chanel that she had her back when it concerned Johnny? Stephanie is Johnny’s cousin, yet she sided with Chanel. Johnny is the one in the wrong, but Stephanie could show some loyalty to her cousin. Stephanie has no loyalty to her family or else she wouldn’t have told Chanel that she would support her.
Belle needs to make up her mind about her feelings for EJ. One minute she considered him a regret that she slept with him and the next she defended sleeping with him again. Does she want to be with him or not? If she doesn’t, she has a hard way of showing it. She may as well give in to temptation and be with EJ if she’s going to keep sleeping with him.
Speaking of EJ and Belle, Marlena was upset about Belle being with EJ after what he’s done to the family. Did Marlena forget that she was willing to give Ben the key to the city after he tried to kill Will? If she’s going to be upset about what EJ’s done to the family, she should be upset with Ben for what he did to her grandson. She must have selective anger when it comes to her family.
We were shocked that Shawn defended Johnny to Chanel. Shawn and Johnny barely interact with each other, yet he was willing to defend Johnny to Chanel. It was good to see family look out for each other even if they don’t interact with each other. We applaud Shawn for telling Chanel that she should fight for her marriage considering he wasn’t willing to do that for his own marriage.
What is EJ’s end game? Does he plan on killing Rafe or keeping him in the wine cellar for life? We see how the writers are trying to make EJ come off like a saint because he’s feeding Rafe, but the man is still holding him hostage. Does EJ expect his plan to work and keep Rafe alive? It doesn’t make sense to keep Rafe tied up in the cellar. How long does he think he can keep people out of there before Rafe is caught?
The writers could have casted an actress to play Jada’s mother. What are the odds that her mother would be sick and not be able to go to Jada’s wedding? Since Jada’s mother has never been on the show, they could have casted her instead of making her miss the wedding. It’s bad enough her sister wasn’t making the wedding, but her mother wasn’t either. Both characters could have been casted so Jada could have someone from her family at the wedding.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
We have to scratch our heads when we watch EJ on the show. What are the writers doing with his character? Do they want us to love him or hate him? He didn’t want Arnold (Fake Rafe) to be with Jada because of what he did to Sami when he was around the first time. It’s good that he didn’t want that to happen a second time. Thumbs up to EJ for wanting to do the right thing. With that said, he dragged Rafe to the tunnels at the DiMera mansion to clean up Arnold’s mess. He felt like Rafe got what he deserved because he wouldn’t leave the mansion when he wanted him to go. Rafe was dumbed down in that moment, but this rant is about EJ. Do the writers want us to be confused about him? He needs to make up his mind about what he wants to do. For example, he kept Rafe in the tunnels and gave him access to his phone. What type of villain would do something like that? He definitely should have taken his phone from him. Jada could have figured out what happened. We know that was wishful thinking, but she might have realized that Rafe was missing. EJ can’t have it both ways. He can’t turn a blind eye when Arnold pursues Jada and then warn him not to do anything with her.
It’s time to shift gears and rant about someone else. Joy had us yelling at the screen. Chanel confronted Joy about making out with Johnny. It should have been a classic moment, but it didn’t turn out that way. Joy had an attitude when Chanel confronted her. She should have humbled herself when Chanel had every right to be mad at her. Joy had the nerve to say that she didn’t ask her to befriend her. We couldn’t believe our ears. Chanel wasn’t the one in the wrong. Joy and Johnny were wrong. They made out and kept the truth from Chanel. She had every right to confront Joy about her role in the secret. Joy has a nasty attitude considering Chanel was trying to be a friend to her. We hoped the value would be bigger since they were friends but that didn’t happen. Joy’s response made the showdown fall flat. If she humbled herself, we would have enjoyed the scene better.
We wonder what we’re supposed to think about Amy (Sophia’s mother). She is a conservative woman and wants her daughter to keep her baby. It looks like the writers are trying to make Amy look like a bad woman for having old fashioned values. Amy is pro-life and there’s nothing wrong with that. For some reason, the writers are choosing to make her look like a monster for wanting Sophia to keep her baby and get married. We know the writers want us to root for Tate and Holly so anyone who keeps them apart will be considered a villain. It must be Amy’s turn now that Sophia has been destroyed. We are being manipulated into hating her character because she wants Tate and Sophia to own up to what they did. On a side note, Holly said the consenting age in Salem was 17 when she wanted to be with Johnny. If that’s true, how come Sophia had to leave Salem to get an abortion? We know that Amy has to be the new interloper for Tate and Holly’s relationship, so she wanted him to marry Sophia. Back to the point of our rant. Tate and Sophia wanted to get an abortion to fix their careless mistake. We are pro-choice and don’t have an issue with abortion. Tate and Sophia decided to get the abortion because the baby was an inconvenience. She could have given the baby up for adoption. For some reason, they didn’t want to consider that option.
Brady and Kristen talked about Rachel’s behavior. They needed to have a conversation about her because she’s out of control. Rachel’s behavior needed to be addressed. They talked about her sending the texts to Ava. Brady suggested they get her help before her attitude gets worse. We applaud the writers for having parents have a conversation like that about their troubled daughter. Kristen tried to defend her, but she had to give in once Brady told her that Rachel would get like them.
The writers showed Julie mourning Doug. We weren’t sure if they were going to have her break down anymore once Doug III arrived. She seemed like she was over Doug’s death once he got there. It broke our hearts to hear her talk about feeling responsible for Doug dying. Most people felt that way when they lost the people they loved. We wonder what we could have done differently. Could one action prevent the person you love from dying? Susan Seaforth-Hayes lost Bill Hayes (Doug) in real life, so watching her grieve on the show was like seeing her pain. We applaud her for her realistic performance.
Writers on shows tend to create stories to get us to shift our opinions about certain characters. We see it happening with Stephanie. They go overboard getting us to believe that Stephanie is a hot character. The woman has been linked to at least five men since she’s been back on the show. She has been with Alex, Chad, Everett, Philip and made out with Harris before he left the show. Stephanie hasn’t been back that long, but she has done her share of bed-hopping. We understand people don’t have to settle with one person, but she is getting around on the show. It’s time for other characters to have fun on the show besides Stephanie. Our next rant has to do with Stephanie too.
Stephanie must be a villain on the show. The only people who overhear things on the show are villains. She overheard Philip’s conversation with Kate. He admitted that Victor’s letter was forged. Stephanie conveniently heard him admit to that. We didn’t think it would get revealed that fast. She told him off for risking her career with the forgery. Philip was stupid to talk about something like that on the phone. Kate already knew that no one could find out, so what was the point of the conversation? He was clearly supposed to get caught that way. Stephanie thought about Alex while she was sleeping in bed with Philip, so it helped her that she heard that conversation. It’s the ticket she needed to get away from Philip. We couldn’t believe that Philip got caught that way. He should have been smarter than that because he did something that could make him go to jail. We think the writers are trying to make us root for Xander while destroying Philip’s character once again.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
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mob boss sends Ted to an old friend. 
Film credits include “A Beautiful Day in the Neighborhood,” “Galaxy Quest,” “A.I. Artificial Intelligence” and “Contagion.” He has also enjoyed success as a writer/director with two short films – “The Bike” and “Issues” – the latter of which premiered at the Toronto Film Festival.
feature “Hopes & Dreams of Gazza Snell,” for which he won the Oscar equivalent for Outstanding Feature Film Debut.
Patrick Sabongui stars as CIA agent Jacob Hassani on the NBC drama “The Hunting Party.”
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Nikohl Boosheri is a Canadian actress based in Los Angeles. She made her film debut in 2011 with the Sundance Film Festival Audience Award Winner, “Circumstance.” Her acclaimed performance in the film won Best Performance at three other Film Festivals: LA Outfest, International Rome Film Festival, and the Noor Film Festival.
Roya Mahboob is Afghanistan’s first female tech CEO and entrepreneur, making a significant impact beyond the business world. She leverages her tech success to foster education and empowerment for Afghan women and girls and champions their rights. Mahboob founded the Digital Citizen Fund (DCF) to improve Afghan women’s technological and financial literacy. She is also the co-founder of the Afghan Girls Robotics Team and supports their endeavors while promoting robotics education through the Inoura platform. Additionally, she started a robotics company and is launching her educational project called Roby Robot, which is set to hit the market on July 25. She is also launching Zalla, an online platform to elevate the voices of Afghan women and journalists.
Elaha Mahboob is a tech entrepreneur, social impact advocate, and Forbes 30 Under 30 Finalist in Social Entrepreneurship. She co-founded the Digital Citizen Fund (DCF), an organization dedicated to advancing opportunities for Afghan women and children through technology education, digital literacy, and entrepreneurship training. Among DCF’s innovative programs was the creation of the Afghan Girls Robotics Team, whose remarkable journey is the subject of the feature film Rule Breakers. Through its IT centers across Afghanistan, DCF has equipped thousands of women with essential skills in technology and entrepreneurship, building pathways to economic independence.
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SELINA RINGEL, Mags (Lead Actress, Writer, Producer): A dynamic Mexican-American filmmaker, has carved a niche in the independent film scene with her compelling narratives and unique voice. An award-winning writer, producer, and actress, her recent project, “You, Me & Her,” has won 15 awards, including Best Picture at the Mexican-American Film & Television Awards, and boasts a perfect score on Rotten Tomatoes. Selina’s groundbreaking film “Single Mother by Choice” captured her real-time pregnancy journey during COVID-19 and premiered on HBO Max. She is also known for her engaging comedy special on Amazon Prime, “2 Moms 1 Mic,” and her internationally recognized film “The Best People,” distributed domestically by Samuel Goldwyn Films. Selina’s work continues to resonate globally, pushing boundaries and sparking conversation.
RITESH RAJAN, Ash (Lead Actor): A graduate of NYU Tisch, you can see Ritesh’s work as the lead in Sujata Day’s new film “Definition Please” produced by Mindy Kaling & Ava DuVernay, as Farran in the Emmy award-winning hit “Russian Doll” and as the voice of Ken in “Barbie: Dream House Adventures”: and more all on Netflix. Other credits include recurring on Shonda Rimes “Station 19,” Disney’s “The Jungle Book, FreeForm’s “Stitchers,” “NCIS LA,” “Star Wars,” “Rebels,” “Beavis & Butthead” and the Hulu original, “Dollface.”
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Lacretta stars as Donna “Gurgs” Gurganous on the NBC comedy “Night Court.”
developing emerging African artists.
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