Y&R Transcript Wednesday, June 21, 2023

Young & The Restless Transcript

 

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Sharon: Faith, could you bring these setups to the patio for me?

Faith: Got it. Mom, dad! Don’t come any closer, it’s a trap!

Cameron: Surprise.

Sharon: Faith. You okay?

Faith: Yeah. Yeah. I– I just had a moment.

Sharon: In the sewer with cameron? I think, um, we can expect some more of those for a while. They won’t just magically go away, but this is how we start. One day at a time, or one hour, if that’s what it takes us to get through. And talking about it. Don’t keep those feelings, the anger, the fear, bottled up. You talk to me or your dad or someone you trust about it, okay?

Faith: I will. But you have to promise as well.

Sharon: Oh, me? I never stop talking. Everyone around here knows that.

[ Sharon chuckling ]

[ Knocking on door ]

Chance: Hey, ladies.

Sharon: Hey, detective. This is a surprise.

Chance: Yeah, I was gonna say the same. I went by the ranch to check on you two and they said you were here. I figured after yesterday, you’d at least take one day off.

Sharon: Well, we talked about it, but we decided it was best to stay busy.

Faith: As opposed to sitting at home and thinking about that maniac cameron almost blowing us up. Which didn’t happen, thanks to you. The other best thing that we could do is get you some coffee and a couple of those butterscotch scones that you love, on the house.

Chance: Oh, come on, that’s not necessary.

Faith: You saved our lives. Scones are definitely necessary.

Chance: How’s she really doing?

Sharon: Um, she’s trying really hard.

Chance: What about you? Tell me how you’re really doing.

Nikki: Good morning.

Victoria: Oh, good morning. Um, I’m glad you’re here. I wanted to discuss the lamarca partnership if you’re up for it. Oh.

Nikki: Yes, of course I am. I’m sorry. I– I just need a hug. Thank you. After everything our family’s been through, I’m not going to take anything or anyone for granted.

Victoria: I’m just glad that everyone’s okay. Thank you for letting me know.

Nikki: They’re still so shaken.

Victoria: Yeah.

Nikki: Do you know that that animal demanded that nicholas choose between sharon’s life and faith’s?

Victoria: Oh, my gosh, that must have been so terrifying. This is gonna take some time for them to get past. That’s yet another reason why nick has earned a well-deserved break, I think.

Nikki: What? Are you still pushing for that? Even now?

Victoria: I think that it’s even more imperative given the trauma that he’s been through. I’m hoping that you’ll support me. I would like for you to join me when I talk to nicholas about taking a leave of absence.

Nikki: Victoria, the last thing your brother needs in his life is more upheaval.

Victoria: It’s so that he can recover from what happened with cameron. It’s no– it’s not compounded.

Nikki: Oh. You don’t know. This isn’t just about cameron kirsten. Sally lost the baby.

Nick: Sally, you awake? I brought you something. Thought it might be a little early for hot sauce. It’s a blueberry muffin.

Sally: Thank you.

Nick: Can I sit with you for a while?

Sally: [ Sighing ] Yeah.

[ Nick sighing ]

Nick: Can I do anything?

Sally: He showed up this morning. I pretended I was asleep. Just made me sick knowing he was in my room. How dare he think that anything has changed?

Nick: Sally…

Sally: No, adam let our baby die. And he wants forgiveness.

[ Nick sighing ]

Sally: What?

Nick: Adam lost his child, too. The right age for

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Victoria: My heart goes out to sally and adam and nicholas. It’s just– losing a child is devastating.

[ Victoria sighing ] But as strong as nicholas is, I think he’s gonna need to step back from his duties at newman, take some time to recover. He’s gotta spend some time with his family and with sally.

Nikki: Are you suggesting this out of sisterly concern?

Victoria: Of course I am. Just as you were concerned about me as a mother after what happened with ashland.

Nikki: Okay. For the record, you refused to take even one minute off. You said that work was the best remedy. Now, nicholas may feel the same way. If he needs a vacation, by all means, he should take all the time that he needs. But it should be his choice, victoria.

Sally: Are you seriously defending your brother and justifying his decision? Adam lost a child because he chose to let her die.

Nick: He was thrust into an impossible situation, sally. And, unfortunately, this morning I understand what that feels like a little bit better.

Sally: What do you mean?

Nick: I was faced with the same situation.

Sally: What?

Nick: Faith or sharon.

Sally: Wh– what?

Nick: Yeah, cameron had strapped some explosives to faith and at the same time was threatening to stab sharon.

Sally: Oh, my god. Are they okay?

Nick: They’re fine. But when cameron forced me to decide who lives and who dies, in that moment, that awful, soul-crushing moment, I couldn’t give an answer. An answer that I could live with.

Sally: What happened?

Nick: We had given sharon a, uh– a knife, and she was able to kill cameron.

Sally: I’m so sorry.

Nick: I’m just grateful everyone’s okay. I’m grateful that I didn’t have to decide who lives and who dies. Sally, adam… he wasn’t spared that. He faced the same black hole I did. I can’t fault his decision.

Sally: It’s just not entirely the same, nick. My little girl never even got a chance to take her first breath. She deserved that and adam took that from her.

Sharon: Well, I’m not up for a big night on the town, but I’m doing okay. I’m mostly grateful that things didn’t turn out any worse than they were. Um, it’s a little unnerving that I took a life, but I know that I made the right decision.

Chance: Well, if it’s any comfort, I saw the look in the guy’s eyes and he was not gonna surrender. I mean, he had no intentions of walking out of there alive, and I think he was willing to take whoever he could with him.

Sharon: To think we came so close to losing faith…

Chance: And we didn’T. She’s alive and she’s giving me free scones.

[ Sharon chuckling ] And that’s because of you, sharon. I mean, what you did, you, uh– you saved lives.

Sharon: Oh, good morning, adam.

Adam: Oh, great. No cops when you need them, but they always show up bright and early for their donuts.

Sharon: Adam, please–

Adam: Where the hell were you and the gcpd when sharon and faith needed you? I swear to god, if anything would have happened to them, it would have been on your head, chance. Hi, I’m darlene

Adam: I mean, how many clues did you miss? I heard the psycho was staying at the athletic club. I mean, what a clever hideout. Nobody would ever think to look there.

Sharon: Adam, okay, that’s enough, all right? You don’t know the whole story. Chance was a hero yesterday.

Adam: A hero? Really?

Sharon: Yeah, if he hadn’t arrived when he did, faith and i might not be here right now.

Adam: Well, maybe if he had found kirsten sooner, faith wouldn’t have been kidnapped at all.

Faith: Be nice. You and chance actually have a lot in common.

Adam: Okay, somehow I doubt that.

Faith: You risked your lives to save mine. So, like it or not, you’re both heroes in my book.

Adam: No, I’m no hero.

Sharon: Give me a minute. Hey.

Adam: Hey. I’m sorry for the lack of manners back there.

Sharon: Well, you’ve been through a lot in the last 24 hours.

[ Sharon sighing ] I’m sorry about the baby.

[ Adam sighing ] How is sally? When will she be released?

Adam: I don’t know. Probably another day or two. I’m not sure, she’s not speaking to me.

Sharon: Okay, well, do me a favor.

Adam: Mm-hmm? What’s that?

Sharon: Be kind to yourself.

Adam: You know, elena recommended that same thing. H-how do you do that? How do you be so generous after what I’ve done to you in the past, sharon? I let you think you lost a baby. A lot of people would say I deserve to be going through every bit of hell that I’m going through right now.

Sharon: Okay, if anybody says that to you, they have no decency. A lot of people have been through the kind of loss you’ve suffered and no one deserves that.

Nikki: Your stance on this wouldn’t have anything to do with the fact that you have someone eagerly waiting in the wings to jump behind nicholas’ desk, would it?

Victoria: Mom, let me say this again. This is not some attempt to remove nicholas from the company permanently. He is far too valuable for that. It’s merely a tactical move for newman and it’s in nick’s best interest.

Nikki: And if you care about his best interest, you will see that it needs to be his choice.

[ Knocking on door ]

Nate: This a bad time?

Victoria: It’s perfect timing, as usual.

Nate: Nikki. Oh, I’m sorry if I’m interrupting you.

Nikki: No, no. Good morning. I, uh, just had some ideas I want to run by victoria.

Nikki: Uh, ideas for newman media or newman enterprises?

Nate: Uh, for my purview, newman media, of course. I would never presume to suggest ideas for the parent company when victoria does such a great job of leading us.

Nikki: Ah. Spoken like a man in favor of her agenda regarding nicholas.

Nate: I remember victoria bringing up the matter of nick’s leave to you and victor, but I don’t know of any agenda.

Nick: Did adam know you felt this way before you went to the hospital?

Sally: I mean, it all happened so fast. But I mean, even if there was time, there’s no way that I was letting myself think that things could have gone like this.

Nick: Well, I’m sure there’s no way adam, you know, had any idea it would end like this either. But if I know my brother, I know, in that moment, he was focused on you, sally. He was trying to calm you down and help you through this. But when you lost consciousness, he was all his own, he… he was faced with the worst possible scenario. It’s an impossible choice. So, he went with his first instinct. That instinct to say he loves you. He will always, always put you first.

Sally: I have to ask. Faced with your own impossible choice… would you have saved sharon over faith?

Nick: Like you said… it’s not the same situation.

Sally: You would’ve just saved faith, wouldn’t you? A girl with her whole life ahead of her. Would you have saved my little girl, too? Trelegy for copd.

Nikki: All right. I have a meeting, so I will speak with you later. And I know how you get when you’ve made your mind up about something.

[ Victoria scoffs ] Please wait a few days, see how nicholas comes out of this, and then talk to him before making any rash decisions.

Victoria: I will take that under advisement.

Nikki: And if you insist on forcing this, don’t count on me to back you up. Nate.

Victoria: I apologize for my mother. That was borderline rude.

Nate: Something tells me she’s not too keen on the idea of me picking up the slack if nick takes that leave.

Victoria: But that’s not mom’s call to make. My brother needs to take some personal time off. And I want you more involved in the bigger corporate picture.

Nate: I like the sound of that.

Sharon: Don’t do that, adam, okay? Don’t try to look for reasons to say that this is karma or payback or some kind of cosmic judgment of your past because it’s not. This was a medical emergency. You– you are capable of– of a lot of love and compassion, even if you don’t want anyone to know about it.

Adam: Okay, I am not feeling very loving or compassionate right now.

Sharon: Okay, well, that’s understandable. You’ve been through quite a loss and it’s gonna take some time to get over.

[ Adam scoffing ]

Adam: Get over? My baby died because of me. My one true pure bond with sally is gone and she hates me for it, and I don’t blame her.

[ Phone ringing ]

Nick: Sorry, let me just take this.

[ Sighing ] Hey, vic. What’s up?

Victoria: Mom told me about sharon and faith, and about sally losing the baby.

[ Sighing ] How is everyone? How are you?

Nick: It’s been a rough couple days, I’m sure you can imagine.

Victoria: Well, that’s why I feel bad asking you this given everything you’re dealing with, but… is there any way that you can come by the office later? There are some things that we need to discuss.

Nick: [ Sighing ] Vic, it’s got to be tomorrow, all right? I’m with sally in the hospital.

Sally: Just go do what you need to do.

Nick: I don’t want to leave you.

Sally: No, I’m– I’m exhausted. I– I need to get some sleep anyway.

Victoria: Nick?

Nick: Yeah, I’m– I’m here. Um, yeah. All right. I’ll, uh– I’ll swing by the office, but I got to go out and check on sharon and faith first.

Victoria: All right. I appreciate it. I’ll see you later.

Nick: Yeah. I hate leaving you.

Sally: I’m okay, really. I’m half asleep anyway.

[ Nick sighing ] Look, before I go, um, adam is–

Sally: Look, I don’t wanna talk about adam.

Nick: He loved that little girl as much as you do, sally. His dreams for her were just as big.

[ Sally sighing ] I asked adam to look out for you, because I couldn’T. I’m so sorry about that. But he was here every moment. At your side every second. He was all in. I know how angry you are with him, but I really hope you can find some way to forgive him.

Sally: God, you’re such a good man, standing up for your brother whether or not he deserves it.

Nick: He does. And I’m not just saying it for his sake, all right? Yours too. With everything that’s going on, you don’t need the added stress of hating adam right now. I promise you, if you can find some way to let that go, you will heal faster. I’ve been thinking about what’s important to me. You’re important to me. And I love you. And I don’t know how you feel about this, but when you get out of here… what would you say to moving in with me?

Sally: You want to live together?

Nick: Yeah, I do. But don’t decide right now. Take some time and think about it, all right? Sometimes, the lows of bipolar depression

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Sharon: Medicinal sugar and caffeine. Call me if you need to talk.

Adam: Hey. Have you, uh, been to the hospital?

Nick: Yeah, I have.

Adam: Sally was, uh, asleep when I got there. I mean, how’s she doing? How does she seem?

Nick: Oh, you know, she’s, uh– she’s going through a rough time.

Adam: [ Scoffs ] Yeah. Because of me.

Nick: Because of events that were out of your control. Look, I’ve already told you, I think you made the best decision in the moment that you could.

Adam: Yeah, and she never wants to talk to me again. You know, if I could talk to her, if I could make her understand the situation–

Nick: Look, adam, if I were you, I would just give her some space, all right? She needs some time to deal with her emotions. See ya.

Sharon: My heart goes out to him.

Nick: Yeah, me too. I mean, we know as well as anyone, losing a kid is just the worst thing in the world.

Sharon: We came very close to that again last night.

Nick: But we didn’T. Because you’re a badass mama bear. And you did what you needed to do to save our daughter. There she is. Oh, you don’t mind if I just sort of hang on for really long time, right?

Faith: [ Laughing ] Dad.

Nick: How you doing?

Faith: Considering everything? Great. So, I don’t want you to freak out when I tell you I want to get out of here.

Sharon: Yeah, go ahead. It’s a slow morning. Go home, go do whatever you want.

Faith: I mean genoa city.

Nick: Wait, what? You want to leave town?

Faith: I thought that I might be able to still pick up a summer class, get a head start on next fall or get a job near campus.

Sharon: Well, you have been through a major trauma. I don’t know if right now is a good time to be making big decisions.

Nick: I’m with your mom on this.

Faith: It’s just… that man was in our house. He was here. He found me at chancellor park. Now… everywhere I look, or I go…

[ Sighing ] …It hits me all over again. I just– I– I don’t want to live with that fear.

Sharon: Well, it’s not that healthy to just run away from the memories.

Faith: I’m not running away. I just want to live my normal life again. Be normal again with my friends. I promise. I’m not flipping out or gonna do anything crazy. I can handle this. And I have amazing parents who are a phone call away.

Nick: Well, she’s not wrong. I mean, we are amazing.

[ Sharon laughing ]

Faith: So, is that a yes?

Sharon: Yeah, if this is what you really want.

Faith: It is.

Sharon: And you promise to call every day-ish?

Nick: [ Whispers ] Every day.

Sharon: Well, you know. Okay, I guess we can live with that.

Faith: Thank you.

Nate: Your mother isn’t too happy about this decision. And I doubt victor will be pleased. Are you sure this is the move you want to make?

Victoria: You know I haven’t made this decision lightly. Nicholas has been through such hell in the last few days. There’s no way, given the trauma that he suffered, that he’s gonna be able to do his job. He needs time to heal. So, I’m just–

[ Sighing ] I’m giving him that opportunity.

Nate: You aren’t afraid he’ll see this not as a sister looking out for him, but as some unilateral move to remove him as coo? Because you will have a battle on your hands.

Victoria: That’s not a battle I want to fight.

Nate: It’s not easy being at the top.

Victoria: It’s a lot easier when you have somebody that you trust by your side.

Nate: Well, I will let you prepare for this meeting and I will come back later with those ideas of mine which were, in fact, for newman enterprises, not newman media.

[ Both chuckling ] I hope that’s not a problem.

Victoria: No, it’s not. It’s what’s always impressed me about you. Thinking big. You’re always two steps ahead. Like what you did with the door.

Nate: What do you mean?

Victoria: I know that you closed it so we could have some privacy.

[ Adam sighing ]

Adam: I know that you don’t want to… see me, but… I couldn’t stay away, I– I had to come. Had to talk to you, and… try to explain.

[ Sighing ] When I was in that corridor and elena asked me who they should save, my heart stopped. I mean, the thought of losing you, I– I– I was overwhelmed. We may not be– be together, but I– I couldn’t imagine a world in which you no longer existed. And when she said that our child might not survive, I couldn’t face losing both of you. Sally, you need to know that I dreamed… of this baby. I loved who she would be. Our spicy little girl. That would have been as amazing and bossy as her mom. It rips me apart that I’m never gonna get to meet her. But you did. She was part of you. And you felt her. You talked to her. Sang to her. I knew the choice that you would want. You would choose her. Because you love her. I chose you. Because I love you. As someone living with type 2 diabetes,

Victoria: [ Clears throat ] So, um, where are we on the white paper for the streamer that you’re interested in newman acquiring?

Nate: You will have it by the end of the day. Audra’s all over it.

Victoria: Yeah, I saw you two with your heads together at the club last night.

Nate: You should have joined us.

Victoria: No, it looked like you were in the middle of something, I didn’t want to interrupt. Besides, it’s not like we hadn’t spent the entire evening together.

Nate: Oh, and I’m so sad it had to end. Audra is actually working on the white paper, and I had some questions.

Victoria: She seemed very energized.

Nate: She’s a machine, that one. Nonstop business.

Victoria: Mm-hmm, well, you and I both know how interested she is in more power at newman media.

Nate: She certainly is.

Victoria: You’re okay with that? Her… rabid ambition?

Nate: Audra’s drive to prove herself has done wonders for the company. We just need to keep that ambition harnessed and focused, and she will be a star.

Victoria: Hmm. Well, if you trust her, then so do I.

Nick: Hey.

Nate: Well, I will let you two speak in private.

[ Nate clears throat ] It’s good to hear your family’s safe.

Nick: Thanks.

Victoria: How are you holding up?

Nick: Everyone keeps asking me that. Cameron’s gone, we can all move on.

Victoria: Well, what about sally and losing the baby?

Nick: Sally’s devastated. It’s gonna take her a long time to get to the other side of this.

Victoria: I know that the child wasn’t yours, but I know that you were also very excited about helping sally raise her. Something so traumatic, I mean, she’s gonna really need your support, nicholas.

Nick: So, now you’re a fan of my relationship with sally?

Victoria: She needs you. And your family needs you.

Nick: So much concern. What’s going on?

Victoria: Nick, I think that you need to take a leave of absence from newman enterprises.

Chance: Are you okay? What’s going on?

Sharon: Just… faith is going back to ann arbor.

Chance: Already? I thought she was gonna hang here for the summer.

Sharon: After everything that’s happened, I wish she could feel safe here, but that’s just not possible. Not right now.

Chance: Well, she’ll be back. Weekends, celebrations, you name it.

Sharon: That’s what she says.

Chance: Yeah. She’ll be okay. So will you.

Sharon: Thank you. You know, I think I needed to hear that. There’s something you need to hear. What adam said earlier, he was incredibly wrong. Nobody blames you for what happened with cameron.

Chance: Well, if I’d have gotten a bead on him sooner, stopped him before he got to faith–

Sharon: You did everything you could.

Chance: Yeah, well…

Sharon: My daughter is alive because of you. We all are. And I’m never gonna forget that.

Nikki: Thank you so much. We’ll talk again soon.

Nate: Nikki. You look like you just had a very successful meeting.

Nikki: Well, yes, it was. And I have to give you your due.

Nate: Hmm. Why is that?

Nikki: I just heard very positive feedback about newman media. They are impressed with your work on the social media platform we just acquired.

Nate: Oh, wow. I am grateful for the compliment. And I won’t lie, I am pretty excited about it.

Nikki: Sounds like you’re looking forward to overseeing such a high profile project.

Nate: Well, I am certain it will be a huge success. However, audra will be heading it up moving forward.

Nikki: So… you’re already shifting your focus to newman enterprises and nicholas isn’t even gone. Why give your family just any eggs

Nate: I hope you don’t think I’m out of line.

Nikki: By hijacking my son’s position?

Nate: Nothing of the sort, I assure you. I’m only trying to respect victoria’s wishes, and do what’s best for the company.

Nikki: You haven’t always done what’s best for the company you work for, though, have you?

Nate: I’ve made mistakes at chancellor-winters. I learned from them. My ambitions may upset nick. And you. But victor and I have spoken at length, and he seems to respect it. Encourage it even.

Nikki: Well, my husband and i have differing opinions about where and when business can take precedence over family. I would advise you to proceed very carefully. Have a good day.

Adam: I just hope that someday, if you can bring yourself to look at me, that you would let me explain the unexplainable, the– the– the impossible. But I will understand if you never want to hear from me again. Doesn’t mean I’ll stop loving you. Because that is impossible. All that I wanted was to protect you. And the baby. And I’ll never forgive myself for breaking your heart.

[ Sobbing ]

Nick: Take time off? Thank you, but that won’t be necessary.

Victoria: I disagree. You might be able to let go of what happened with cameron, but is it gonna be as easy for sharon or for faith? I– I would completely understand if you needed to take time to be there for them.

Nick: Faith wants to leave genoa city to put this behind her. I mean, she’s already packing, but even if she wasn’t leaving, I don’t need to stop working to support the people I love, which includes sally.

Victoria: Maybe you just need a little more time to think about it.

Nick: Uh, look, sharon and faith went to crimson lights this morning because they know working will help them get past the memories of what they survived. It’s the same with me. I would think you understood that as well as anyone.

Victoria: It’s a very different situation.

Nick: No, it’s not. Uh, it’s not. The situation with ashland, mom, dad, me, we all tried to convince you to stop working, but you refused to do it because you said working made you whole. So, again, I appreciate the offer, but no thank you. I feel like I need to be here now more than ever.

Victoria: Last night, you almost lost sharon. You almost lost faith. Sally lost her baby. You have been through so much trauma in the last few days, there’s no way that you can see clearly to make a sound decision. That’s why it’s important for you to take the time.

Nick: I don’t want to.

Victoria: No, I’m not asking you. The decision has already been made, and I need you to step away from your role as coo.

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B&B Transcript Wednesday, June 21, 2023

Bold & The Beautiful Transcript

 

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Transcript provided by Suzanne

[ Romantic music ]

Brooke: This is the big day!

Hope: I know. I’m just so happy that you’re here.

Brooke: This is your moment. You’ve been working so hard on hope for the future. Now, the world’s gonna be able to get a glimpse of your new collection.

Hope: Well, I am just excited to share the stage with you.

Brooke: Oh, gosh I– I almost fell over when ridge suggested I model one of your gowns.

Hope: I think it’s sweet. It’s just another reminder about how much he loves you. Yeah, I don’t know. I think, uh, maybe the romantic magic of rome is working on the two of you.

Brooke: Maybe.

Ridge: So, you’re okay with this?

Thomas: No. Yeah, of course. Including brooke is a great idea.

Ridge: Yes, it is. Two generations of logan women. You want that. And then the press can eat it up.

Thomas: Yes, you’re right. Brooke is a legend and I’m sure hope is gonna enjoy sharing the limelight with her mom.

Ridge: All right. What about you? It’s a big day for you. Nervous?

Steffy: Better not be. You and hope need to kill it today.

Thomas: Mm. You know what? I have all the confidence in the world in the message, in my designs and hope and i both understand how big of a day this is for hope for the future.

Carter: It’s gonna be huge. But I am surprised that liam isn’t here with his wife.

Bill: We’re on our way, son. A little later than anticipated, but we’ll have you in rome before you know it.

Liam: You know how like, unbelievably generous this is, right? Because every– every commercial flight I looked at was booked. I mean, I never would have made it to the event.

Bill: I told you I was going to europe anyway to do some business on the stella maris. I’ll drop my son in rome. No big deal.

Liam: What would I do without my daddy? Huh?

Bill: Hmm.

Liam: This is working out great. I’m– I just– I can’t wait to see hope.

Zende: Time difference with italy is no joke.

Eric: [ Laughing ] Yeah.

Rj: Can’t believe I skipped my morning workout to be here.

Eric: Good morning, rj. Very glad you could join us.

Rj: It’s always a pleasure.

Zende: Feels kind of surreal. The preview is actually happening, today.

Paris: The culmination of many months of long hours and perseverance.

Eric: Yeah, the two of you have been vital to the success of the line. You should be very proud of yourselves.

Rj: I’m excited for all of you guys, really, especially hope.

Carter: Everyone get the latest rundown?

Ridge and thomas: Yes.

Carter: Okay. We’ll start with the showcase and the photo shoot and then move on to the press conference.

Steffy: Sounds good.

Carter: Fair warning, no topic is off limits. Be prepared for business questions and personal questions too.

Ridge: Great.

Carter: And just you wait. They’ll have a field day when they find out you’re here with brooke.

Hope: Thoughts?

Brooke: Oh, I love it. It’s a great speech.

Hope: I just– I wanted to keep it brief, but heartfelt.

Brooke: It’s spectacular. You never cease to amaze me, hope.

Hope: Well, it’s certainly a group effort. Gosh, it’s almost time to be a piazza navona.

Brooke: You okay? You seem–

Hope: No, it’s just um… I wish liam was here. I just– I feel bad that I– I waited until the last second to invite him and…

Brooke: Honey, this is a work trip.

Hope: No, I know, it’s just… this could be one of the biggest milestones in my career and it feels wrong that my husband isn’t here to celebrate it with me.

Bill: You’re a good husband flying all this way to support your wife.

Liam: Yeah, well, it probably should have been my plan all along.

Bill: Hope is going to be over the moon when she sees you.

Liam: Hey. Are you– are you getting cell service? I’m not getting any cell service.

Bill: Sorry, liam, I should’ve told you I’m upgrading the system. The wi-fi is down.

Liam: Oh. Okay, you know what? It’s fine. It’s for the best, honestly, because I don’t want anybody to know I’m flying to rome. It would spoil the surprise. This isn’t charmin!

Liam: My whole thing was, I didn’t want hope to feel like I was chaperoning. Like– like I want to be a bodyguard.

Bill: Against thomas?

Liam: Yeah, I know it sounds crazy.

Bill: No, not crazy. You have legitimate reason to be concerned about thomas. Now, if– if I were playing devil’s advocate…

Liam: What if I’m wrong? What if he’s the angel everybody says he is?

Bill: Well, look, I’m– I’m– I’m living proof that people can change.

Liam: That’s an interesting point. I mean, yeah, you’re not the man you were a year ago.

Bill: Right? How come you’re the only one who sees it? I’ve– I’ve been telling that to everybody.

Bill: Speaking of, any– any progress with katie?

Bill: I was actually hoping that katie would join me on the stella maris, but that wasn’t in the cards.

Liam: You don’t know that. That could still happen down the line.

Bill: Well, in the meantime, your dad is flying solo. Hey, you know what? When you’re done in rome, you should bring hope to the stella maris. I’ll– I’ll make myself scarce.

Liam: Really?

Bill: Yes. You guys need some alone time.

Liam: That’s like, incredible. Thank you.

Bill: You two need to decompress. Spend a few days on the yacht.

Liam: I– I totally agree. I think that’s great. In fact, I think hope would love knowing it’s– it’s just the two of us, like a little getaway together.

Eric: Thanks, carter. All right, good luck. All right, everything is moving ahead.

Paris: Ooh, everything’s running smoothly?

Eric: Yeah, they’re about to start.

Zende: All right, so then they’ll be starting right on time.

Eric: Well, carter runs a tight ship, you know that.

Paris: Ooh, have you seen the location?

Zende: The piazza navona.

Eric: Che magnifica!

Paris: It is stunning.

Rj: That’s a sick place. I’m not gonna lie. You guys got the hook-up in rome, I see.

Eric: Well, we’ve always had a really good relationship with our italian partners.

Zende: And press is coming from all across the globe to cover this event.

Eric: You and thomas really hit it out of the park.

Zende: Thanks, granddad.

Eric: And paris, thank you. You’ve really elevated the philanthropic division. You’ve really done a great job.

Paris: Thank you, eric. It’s honestly been such a rewarding experience. And I’m just glad I got to help hope with her speech before she left. It’s through her leadership that we can bring about real, positive social change and touch so many lives.

Eric: Well, it’s going to be a big event for everybody. For the– for the corporation and for thomas, and for hope especially.

Ridge: Welcome. Thank you for coming.

Steffy: Ginevra, it is so good to see you. We’re so happy to have you here.

Ginevra: Trust me, I wouldn’t miss this.

Ridge: Just glad you’re here.

Ginevra: Thank you for having me.

Ridge: Of course.

Steffy: Well, let us know if you need anything and enjoy the show.

Ginevra: Thank you so much.

Hope: Yes to the bracelet. I don’t know, let’s kill the necklace.

Carter: Okay, how’s everything going back here?

Hope: Yeah, it– it’s going very well. Except my mother somehow managed to get lost on her way over here.

Brooke: Thank you. Honey, you know me. I’m directionally challenged. I took a wrong turn trying to find the piazza. I don’t know. I– I just got turned around.

Carter: Well, you made it. That’s what’s important and you both look beautiful.

Hope: Thank you.

Brooke: Thank you.

Hope: You don’t look too shabby of yourself.

Carter: Aw, thank you. You got this.

Hope: Thank you. And I still haven’t heard from liam, and that is very unlike him. So, I’m going to try texting one more time, letting him know how much I love and miss him and wish that he was here.

Brooke: Ooh, that’s so cute, so sweet. You stay so connected with him when he’s thousands of miles away.

Hope: Yeah.

Thomas: Okay, we are almost ready to start. How’s it going?

Hope: It’s good, it’s just you know, nerves and adrenaline flowing.

Thomas: Of course, of course, yeah. It’s exhilarating though, right? I mean, being here at the piazza navona, bringing your new line to life.

Hope: Feels like a dream come true.

Thomas: It should feel like a dream come true. It’s amazing. It’s incredible. And you are going to be sensational. And I got to say, your line is incredible and I am just so proud to be here for you and to be a part of this line, bringing it to life. So just go out there and– and shine. Well, why am I saying that? Of course, you’re going to shine, so go out there and be you. Febreze!

Rj: There you go.

Paris: Ooh, maybe I need to ease up on the coffee a little bit. I’m just really nervous. And I just hope everything goes well in rome.

Eric: I’m sure it will. Come on. Carter’s got an excellent crew going. Everything’s in place.

Rj: Yeah, well, let’s keep in mind, you know, it still is a logan/forrester event, so let’s just keep sending out the no-drama vibes with hope.

Paris: Hey, rj, don’t jinx us. We’re on a roll here.

Zende: I have to say, thomas seemed pretty cool and collected when I spoke to him a bit ago. He also had some breaking news.

Paris: About what?

Zende: Brooke will be joining hope on stage wearing one of the looks.

Paris: Oh, that’s brilliant. The press will totally eat that up. Brooke is a massive celebrity in the fashion world.

Eric: Let me guess, ridge’s idea?

Zende: Yep.

Eric: Of course, I would say that rome is having a big impact on your parents.

Bill: You getting hungry?

Liam: Honestly, I think I’m just too excited to eat.

Bill: Save room for that pasta. Nothing like a true italian meal.

Liam: Yeah, what am I doing? I know there’s no service, I gotta stop.

Bill: Yeah, I know. It’s really inconvenient. The good news is, wyatt can’t text you busting your chops about anything.

Liam: Ooh, that’s– that’s a great point. Honestly, I’m just grateful for the ride. Hopefully I– I make it in time for the photo shoot.

Bill: Well, you’re doing your best to be there, you’re making a tremendous effort. That’s a gift in and of itself.

Liam: Yeah, no, I know. It’s just like, I don’t want to miss anything, you know?

Bill: Well, the jet’s going full throttle. Before you know it, you’ll– you’ll be there and you can wine and dine your wife, romance the heck out of her. Show her how much she means to you.

Liam: Yeah. Yeah. I can picture it now, hope standing there in all her glory. She’s going to be so surprised when she sees me.

[ Music: Lyrics in italian ]

Photographer: This way.

Carter: Just fine, huh?

Brooke: [Indistinct] If you have heart disease and are on a statin,

I can see clearly

I feel like

our dream came true

suddenly

you feel with me

a sound that’s never been

so pure

your fear in my eyes

your beautiful smile

believe this is happening

to me, this love

the songs are for us

they’re waking me up

I see you, baby, by my side

your fear in my eyes

your beautiful smile

believe this is happening

to me, this love

the songs are for us

they’re waking me up

I see you, baby, by my side

I see you, baby, by my side

I see you, baby, by my side

I see you, baby, by my side

I see you, baby, by my side

Liam: What, er, what did the pilot say?

Bill: We should be landing soon.

Liam: Yeah, but like how soon?

Bill: Depends on air traffic.

Liam: Shoot. Okay.

Bill: When’s the event start?

Liam: I mean, I think it’s happening now.

Bill: All right, well, relax, romeo. I have a car waiting for you on the tarmac, will take you straight to the shoot.

Liam: Damn, you thought of everything. I ever told you what a mensch you are?

Bill: You have, but I can’t hear that too many times. I’m just glad I’m here to help.

Liam: If only if I– if I hadn’t been so foolish, you know, putting hope in between me and thomas. Like why? That’s such a waste. Like I– I believe in my wife. I have faith in her. She’s strong and capable and she can handle herself. She just– what she needs is my support, right? She needs to know that I love her and I’m there for her. And if I– if I could just– if I do that, I really think this could be a new beginning for us.

Carter: Ladies and gentlemen, the heart and soul of hope for the future, miss hope logan.

Hope: Grazie. Grazie. Um, thank you all so much for joining us here today. It is an honor to be here in beautiful roma, the city of eternal love. A city which holds a very special place in my heart. Your country has always welcomed forrester creations as if we were family, and we are very proud of this new collection. As we all know, fashion can be anything, from fun to glamorous to even pushing boundaries once in a while, but… it is a way for us to express ourselves and our identities, and here at hope for the future, we like to think that we stand for something more than just beautiful clothes. For us, it’s about creating fashion with a social conscience because it’s our responsibility to be mindful of what kind of world we want to leave our children and our grandchildren. Because it’s our responsibility to nurture and to protect our world for future generations.

[ Crowd applauding ] Thank you, but I– I couldn’t do any of this alone. I am surrounded by some of the most hardworking, dedicated team. They’ve stuck by my side, but none of which have been more important to our success than our brilliant and talented, lead designer, thomas forrester. Thomas, would you join me, please?

[ Applause ] Now, we all know thomas is a brilliant artist. He is the creative force behind the look and the feel of this latest collection and I am deeply, deeply fortunate to have his foresight and his imagination because he has an unparalleled gift for fashion, as we all witnessed here today. So on that note, thomas, we will be accepting questions.

[ Overlapping talking ]

Hope: Yes.

Reporter: Hope and thomas, can we get a photo of you two together?

Thomas: Of course. Sure, yeah.

[ Applause ]

Reporter 2: Look at each other, please.

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Y&R Transcript Tuesday, June 20, 2023

Young & The Restless Transcript

 

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Transcript provided by Suzanne

[ Nick sighing ]

Nick: Man, I hope faith can get some sleep.

Sharon: Yeah. I hope she can get the sewer smell off of her. It’s a constant reminder of what she’s been through.

Nick: Of what you went through too. You know, I can stick around and make sure everything’s locked up until you get cleaned up yourself.

Sharon: Well, with victor’s security team and all the cops hovering, I think we’re okay. You should get to the hospital and check on sally. Faith and I can look after each other.

Nick: Nah, I– I don’t want to leave you until I know you’re safe.

Sharon: I think we’re safe. Go. Go check on sally and then you need to get some sleep too.

[ Nick exhaling ]

Nick: Yeah, I probably should go.

Sharon: I will call you if anything happens and you do the same, but cameron’s gone, faith is fine and it’s all good news from here.

Nick: Hope you’re right.

Sally: How could you do this?

Adam: I don’t understand.

Sally: I don’t either. So please, find the words because the last thing I remember is I was pregnant with our little girl and now, she’s gone?

Adam: I had to make a decision. Your symptoms, they were getting worse. Elena gave me no time. You were unconscious. I mean, who lives and who dies? This wasn’t a scenario that we discussed. They said that there was a chance that they could only save one of you and it was too soon for her. Her lungs, they wouldn’t be ready.

Sally: So, you just told the doctor…

Adam: I chose you. How could I not?

Sally: You chose me over her?

Adam: No. Look, when you say it like that, that’s not–

Sally: Why? Why would you?

Adam: How could I not?

Sally: She was my everything.

Adam: I couldn’t lose you.

Sally: But you already did, adam. You made that choice a long time ago. I’m not yours anymore. I was hers and she was mine. She was all I had and you let her die! You didn’t even– you didn’t even try and fight for her!

Adam: This– sally, this was the hardest decision of my entire life.

Sally: Could you just not envision a life where someone actually needed you, where you had to step up, possibly on your own, and be the man that nobody thinks you could be?

Adam: I thought that I was making the right choice.

Sally: You destroyed her life. And mine.

Adam: This is not fair, okay? This– this– it’s not–

Sally: Fair? Fair? You want fair? I just lost my baby, my reason. The life that we created and you want fair? I want the life that was ripped out of me! Can you give me that? Can you? With all of your power and your connections, can you give me what was taken away?

Adam: It was taken from us, sally.

Sally: Exactly. She had no one but us.

Adam: Okay. I’m– I’m worried about you.

Sally: Well, you should’ve been worried about her, adam, because she had no one to fight for her but us and I couldn’t do it, but you could and you forced me to let her down. But I promised her that I wasn’t gonna let her down or leave her to fight for herself the way that my parents did to me and that is exactly what she had to do! God! Oh, my god! Someone needs to stop this from hurting so much!

Adam: Do you– do you need the doctor?

Sally: No, I want her! I want her, adam, but you let her die. You’re the reason that she’s dead.

[ Sally sobbing ]

Sometimes, the lows

of bipolar depression

Announcer: Additional sponsorship provided by… look in that mirror and ask,

Sally: If you loved me at all…

Adam: You know I do.

Sally: Then you should’ve known and saved her.

Adam: I couldn’t let you go.

Sally: But she was your daughter. Your blood. You should have fought for her. Who are you?

Adam: I’m the man that is here for you. I fought for you, sally.

Sally: But I didn’t need saving, adam. There had to have been something they could have done.

Adam: She needs more than friends and a father. She needs you.

Sally: Yes, I know, I know, so you should’ve just let me go with her.

Adam: No, no, no. Okay. Don’t say that.

Sally: No, I’m serious. I don’t want to be here without her. I just want my baby.

Adam: Sally, don’t do this to yourself.

Sally: This was done to me, adam. By you. I didn’t even want this. I was terrified of being a mom because I didn’t– I didn’t want to fail my child the way that my mom failed me, but then… you got me pregnant. And you made me love her. And you told me everything was gonna be okay, and now she’s gone. Maybe I just didn’t do enough.

Adam: Of course, you did.

Sally: I was just happier than I’ve ever been because I was gonna bring her into this world. She was– she was gonna be better than me. She was gonna be my game changer and I was gonna give her the life that I never had and if I couldn’t, I trusted– I trusted that you could. And now, there’s just nothing.

Adam: Sally, you were in critical condition, okay? You… you could have died.

Sally: You loved her, didn’t you?

Adam: With all my heart.

Sally: And you would’ve taken care of her and given her a family and a world beyond her wildest dreams.

Adam: It wouldn’t be much of a world without you.

Sally: But you… you would’ve loved her and you would’ve given her to care and attention that a little girl needs?

Adam: I would’ve spoiled her rotten. There’s nothing that I wouldn’t have done for her. Or you, sally. We would’ve spoiled her rotten. We would’ve given her the moon as a toy.

Sally: You would’ve done anything for her.

Adam: That’s right.

Sally: Anything but let me go.

Adam: You– you had to be in the world, sally. You had to live.

Sally: Get out.

Adam: Sally–

Sally: No, get out.

Adam: Sally–

Sally: Get out, please. I’m awake and I’m saying these words that I couldn’t say when you were letting our little girl die. I do not want you. I want her. I want our baby. I just want my baby.

Elena: Sally? Sally, hey. Look at me, look at me.

Sally: No.

Elena: What’s going on? Are you in pain?

Sally: Yes.

Elena: Okay, adam, I think it’s time. Give us some–

Adam: I’m sorry, okay? I’m sorry. I– I’m just– I’m trying to explain to you.

Elena: It’s gonna be okay. It’s gonna be okay. Take a breather.

[ Sally sobbing ] Deep breaths.

[ Adam sighing ]

Sharon: Oh, gosh, faith.

Faith: I didn’t mean to scare you.

Sharon: That’s all right. It’s actually nice to know that I still have some adrenaline. I thought you were trying to sleep.

Faith: I missed you and I was kind of freaked out being up there alone.

Sharon: Well, that’s understandable, you know, um, after everything you’ve been through.

Faith: Feels like nothing will ever be normal again. What’s that?

Sharon: Um, that’s just something that chance left here when we were looking for you. He thought it might be evidence that would help us find where cameron was hiding.

Faith: Can you– can you put it outside until the cops come to pick it up?

Sharon: Yeah. Yeah, I’ll– I’ll put it out on the porch. I used to wait to run my dishwasher With cirkul, your wa deliciously flavored at the turn of a dial, with zero sugar and zero calories. And cirkul has over 40 flavors, so your water can be as unique as you are. Try cirkul at drinkcirkul.Com (buzz) are you guys telling secrets?

[ Nick sighing ]

Nick: Sally being examined?

Adam: She’s, uh, she’s with elena.

Nick: It’s just precautionary, right?

Adam: Look, I, um, I wanted to tell you this face-to-face.

Nick: Tell me what?

Adam: When you talked to sally on the phone tonight–

Nick: Yeah, I was– I was with sharon. Uh, seems like a lifetime ago. It was before cameron showed up.

Adam: Right. She was frustrated from being cooped up, okay? She was worried about you, what you were doing, so she wouldn’t sleep. She was threatening to leave if she didn’t get some food that wasn’t room service, so I took her out.

Nick: Oh, come on, man. You were supposed to keep her blood pressure low.

Adam: I know that. Don’t you think that I know that? I wish to god– we were having a good time, okay? We were laughing, we were relaxed. I was trying to keep her mind off of what you were doing with faith and sharon, but her headache would not go away, so I brought her in and I reassured her that everything was going to be okay. They gave her medicine and we waited for it to work, but nothing helped.

Nick: I mean, okay. Wait, sally, I–

Adam: We called you about a hundred times.

Nick: Yeah, I couldn’t answer.

Adam: And what was more important than being with sally?

Nick: Things were getting out of control for us, man. It was life and death.

Adam: Yeah, for us too.

Nick: What are you talking about?

Adam: Nick, you don’t have a damned clue about what we went through. I mean, everything that could’ve gone wrong went wrong.

Nick: What are you saying, adam?

Adam: The baby… she didn’t make it. Our little girl is gone.

Sharon: I guess I have my answer to how far I would go to keep you safe.

Faith: Were you scared when I was gone?

Sharon: Are you kidding? I was terrified.

Faith: Because I wasn’T. Maybe a little, but I knew you would find me.

Sharon: And I knew that you were doing everything you could to stay alive until I got to you. I’m so proud of you.

Faith: You’re the one who saved our lives.

Sharon: For selfish reasons. I love you too much.

Faith: I’m okay with that.

Sharon: Cameron won’t be coming back ever again. There’s no question that he is very dead.

Faith: Thanks to you.

Nick: Adam, I, uh, I don’t know what to say.

Adam: Because there is nothing, so don’t try.

Elena: Hey, nick.

Nick: Hey. Can I see her?

Elena: Yeah. She was just asking about you. Go on in. She’s been through a lot tonight. Looks like you have too.

Nick: I won’t keep her long.

Elena: Okay.

[ Sally whimpering ]

Nick: I’m so sorry. I should’ve been here.

Sally: It should’ve been me.

Nick: What should’ve been you?

Sally: Adam had a choice. To choose between me or the baby and he chose me.

Nick: It was the right choice. I think he chose right, don’t you?

Sally: I already had my life. I’ve tried and I’ve screwed up so many times, but she was pure and perfect and she had her whole life ahead of her. She was… she was going to be feisty and spirited. You would’ve loved her.

Nick: Of course, I would’ve.

Sally: I would’ve made a different choice.

Nick: Look, um, I know how much you hate this, I hate it too, sally, but you got a lot of people who love you. You’re gonna get through this.

Sally: What if this was a test to see if I could be good? I failed. I failed her. She needed me. I need her.

[ Sally sobbing ]

[ Nick sighing ]

Nick: Look, the only thing– they don’t want me to be in here too long, so you’ve gotta– you’ve gotta just get some rest, okay?

Sally: No. No. Please just– please. Just let me go. Just let me go.

[ Sally sobbing ] If you have heart disease and are on a statin,

Elena: Hey, adam?

Adam: Hm?

Elena: It’s important to remember that sally’s not the only person who lost a baby tonight. So, be kind to yourself, okay? A memento.

Adam: What is it? How’s she doing?

Nick: She said she could use something to help her sleep.

Elena: I already put a note in her chart. Something should be here soon.

Nick: Thanks, elena.

Elena: You both should go home. Get some rest. Sally’s already exhausted and you’ve all been through a lot. Good night.

Nick: Good night.

Adam: Good night.

[ Nick sighing ] Man, you look like hell.

Nick: You should see the other guy.

[ Adam chuckling ] I could use a drink. You wanna go somewhere to talk?

Adam: Um, just, there’s something that I need to do first, but uh, meet you at society?

Nick: Yeah.

Elena: I’m so sorry. I really wish things had turned out differently.

Sally: These things happen, right?

Elena: Doesn’t make it any easier. If you want to talk about it…

Sally: Maybe later.

Elena: Or I could just sit here and not talk, if you don’t want to be alone.

Sally: What I’d really like to do is sleep.

Elena: Okay. The nurses should be bringing in your sleep aid soon.

Sally: Thank you.

Elena: The thing that we talked about doing, when you’re up to it, if you change your mind about seeing her.

Sally: I won’T.

Elena: There’s a button on the side of your bed. You just press it and you tell them what you want. This is a gift from the nurses. Good night, sally.

Sally: Good night.

Adam: Thanks.

Nick: Yeah.

Adam: Well, um, I’m sure that you wanna hear the rest of the story. Sure that you’re gonna hear it from her when she’s up to it.

Nick: So, I guess they put her on medication and it wasn’t working?

Adam: The, um, the condition that they warned her about, the eclampsia, they just– they said that they had to induce labor. There– there was a risk, there wasn’t any time and I understood the risks, but you know, the worst thing that could happen, it never happens.

Nick: But it did tonight.

Adam: There was a complication and elena said– she said I had to make a decision. She said if you had to choose only one, who would you choose? Would you choose sally or the baby? And I mean… I mean could you imagine such a thing?

Nick: Yeah, actually, I can.

Adam: I chose sally.

Nick: Well, I’m sorry that you had to make that choice alone, adam. But, I’m glad you were there. Thank you.

Adam: Well, I didn’t do it for your gratitude. I mean, I’m the last person that she wanted to see after I told her what they made me do. I mean, she blames me for everything. I mean, I don’t know. Maybe you would’ve made a different decision.

Nick: It was never my place to make any decisions about sally or the baby. That was all you. The three of you.

Adam: The three of us.

Nick: Look, uh…

[ Nick sighing ] I know this is probably not gonna make you feel any better right now, but you did the right thing, adam.

Adam: I just– I couldn’t imagine a world without sally in it… and now she’s alive, but she’ll never forgive me.

…I’m over 45.

Announcer: The young and the restless will continue. I used to wait to run my dishwasher

[ Adam groaning ]

Adam: You know, they say your world can change in the blink of an eye and I– I swear to you, it was faster than…

[ Finger snapping ] …That.

Nick: I’m never gonna be able to convince you it’s not your fault, am I?

Adam: It doesn’t matter if it’s true or not because all I care about is sally. Or if she’s okay, her well-being. God, yeah, I was really looking forward to getting to know that little girl. I was ready to give her the world. I would’ve given my life for her and now, we’re just– we’re just supposed to go on. The sun still comes up, the world keeps spinning without her in it. How are we supposed to do that?

Nick: I don’t know, adam, but we do. We endure.

Adam: Look, um, you should– you should go home.

Nick: No, I don’t have to.

Adam: No, come on. I mean, you should be with sharon and you should be with faith. They need you more than I do.

Nick: You sure?

Adam: Mm-hmm.

Nick: All right.

[ Adam sighing ]

[ Adam sniffling ]

[ Sally sighing ]

[ Sally sobbing ]

Sally: No. Okay. Your name… is ava… hope… spectra. You’re the daughter of sally spectra and adam newman. Oh, you were the light of our lives. Oh, they said that I could hold you, but– I just have to press a button, but… I’m so afraid that you’re gonna be disappointed in me. Please don’t hate me. Oh. God, I wish I had a lifetime with you. I loved you your whole life. I know it wasn’t very long, but… there was a joy and a lightness that I never had. I finally had that slice of happiness I’d always seen in other people. And I wasn’t alone anymore. I was never gonna be alone again. Somebody to love… and loved me. Maybe you were more than I deserved.

Faith: Dad.

Sharon: Hey. How’s sally? How’s the baby? Is everything okay?

[ Nick sighing ]

Nick: The baby, um… there was a procedure. The baby didn’t make it.

Faith: Oh, my god. That can’t be what happened.

Nick: I’ll tell you all about it later, faith. Just know that sally’s okay. As okay as she could be.

Faith: I’m so sorry.

Sharon: Wow. Um, how’s adam?

Nick: Uh, struggling. Um, you know, sally’s gonna be fine. She’s got me and chloe, but adam…

Sharon: He’s got no one.

Nick: God only knows how he will deal with it.

[ Adam sighing ]

Adam: Damn. – We got this! – Great! – Bye!

[ Adam sighing ]

Victor: Sorry for your loss.

Adam: Thank you.

Victor: How’s sally?

Adam: She hates me, but she’ll be just fine. At least, that’s what they say anyway. I mean, how is a person supposed to bounce back after everything goes out of control? I mean, no matter how many prayers you say, no matter how many times that I apologize for doing something wrong, nothing changes, dad. I mean, I thought this time, it would be different. I thought, “I’m gonna be good.” This is a chance for me to do it right. A new baby. So, I’m gonna pay attention. I’m gonna do things right. I’m gonna cherish every moment. There’s something in me. I did this to her. There’s something corrupt in me, did this.

Victor: Son–

Adam: No, it has to be me. I’m the one that causes problems with connor. I mean, there’s something in my genetic makeup that just ruins things. One touch from me and it’S…

Victor: What’s her name?

Adam: Her name… it was ava.

Victor: Ava. That’s a beautiful name. Wish I’d known her.

Adam: I wish you had known her too. You guys could have… never mind.

Victor: If it helps you at all to know that I’ve gone through something like this, hm?

Adam: What did you do?

Victor: I turned away from everyone. Big mistake. What you do in moments like this is you turn to people who love you.

Adam: Who the hell would that be? I mean, I look around, I– I’m alone. There’s no sally, no siblings, no daughter. Nuh-uh. I have to get through this alone.

Victor: No, son, you don’T.

[ Nick sighing ]

Sharon: You’re, uh, welcome to the guest room.

Nick: Thanks. I should probably get home to christian, but if you’re not in a rush to go to bed…

Sharon: Stay as long as you like. Sad news about the baby.

Nick: Yeah. Real sad. I mean, you’re always looking out for everyone else.

Sharon: That’s because I’m fine.

Nick: I know what it’s like to kill a man, sharon. What you did was justified. You saved all of our lives.

Sharon: You would’ve done the same thing.

Nick: Well, that’s how I know. Until you deal with those emotions, you’re never gonna be able to move forward. What we did will haunt you and grow in size until you face it and stare it down. My a1c was up here; now, it’s down with rybelsus.

Victor: You must know that you have people in your life who have experienced, you know, big losses. I mean, they’d be–

Adam: What? What? Happy to see my life in shambles again? So what, they can smugly hold it over my head?

Victor: Son. I want you to know that I’ll always be there for you. I’ll be there for sally, I’ll be there for connor. All you have to do is ask.

Adam: All that I want is forgiveness from sally and that is not gonna happen.

Victor: Look, you can’t expect that right now. This is– this is– she’s in a very emotional–

Adam: Listen, it doesn’t matter, okay? It doesn’t matter. I appreciate you trying, but nothing matters anymore.

Sharon: You know, it may not seem like I am processing recent events, but…

Nick: It’s in your system now, sharon. You can try and process it on your own, but until you talk about it with someone in real terms– you know, it’s ugly and terrifying, but if you just try and stuff those feelings down, it’s gonna come back and screw up your life in other ways. It doesn’t just go away.

Sharon: And where did you get advice like that?

Nick: Oh, it’s uh, this good friend of mine. She told me that after I… killed the man that was hurting my sister.

Sharon: Well, she gave you very good advice.

Nick: She did. She’s real smart. You’d like her.

[ Sharon chuckling ] So, tell me what happened. You know, talk me through it.

Sharon: That animal had my daughter strapped with enough explosives to level a building and I promised her that I would do whatever it took to keep her safe and that is what I did. I killed the man who was trying to hurt my child and if it ever happened again, I wouldn’t change a thing.

Nick: And how are you doing with that?

Sharon: Honestly, nick? I feel alive. Like, activated. Like I’ve been asleep since rey died, just pouring coffee and listening to other people’s problems and now… now, I’m awake.

[ Sally sighing ]

Sally: Oh, your life was brief. But you changed me. Because of you, I smiled at the silliest things. I’d just stop in the middle of the day and smile because… I was gonna be someone’s mom. I was gonna be your mom. And I’m so sorry that we don’t get the life that I promised you, but I promise, I promise that I will always love you and I will always be your mom and I will never forget you. Oh, god. Oh, I know I have to say goodbye to you. I know, I know, I know, I know. Okay. I’m gonna do it while I hold you, okay? Okay. Okay. Okay, okay. Okay. Okay. Hello? Yes, I would… I would like to see my baby now, if that’s okay.

[ Sally sobbing ] Okay.

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B&B Transcript Tuesday, June 20, 2023

Bold & The Beautiful Transcript

 

B&B logo

Transcript provided by Suzanne

[ Romantic music ]

Brooke: The colosseum has withstood the test of time. It has. It’s endured so much, just like you and me. Please tell me you believe in us.

Ridge: I want to.

Liam: Yeah. Okay, so obviously a direct flight is not gonna work. What do you– what do you have in terms of connections? Do you have anything? You do? That– okay, that’s fantastic. So, now what– what time would that put me in rome? No, no, no, no, that’s– that’s way too long. I can’t wait that long. I– I know that you’re trying, I’m not saying you’re not trying. I– I’ll call back. You know that when I text you, you don’t have to drive all the way over here, right?

Bill: You reschedule a meeting, you tell me you’re flying to rome and not to tell anyone. You think I’m not gonna check in on my son? What the hell’s going on?

Liam: I’m– I was trying to fly to italy to be with my wife.

Hope: What do you think?

Thomas: It’s like your fourth or fifth draft, right?

Hope: Yep. I’ve been working on it on and off for a few weeks now.

Thomas: I wouldn’t change a word.

Hope: Really?

Thomas: Yeah. Really. I mean, the way that you talk about your line and what you wanna do, how you wanna help people, you wanna help the environment and young women through fashion. Just the inspiration that it shows and– and that– the spirit that you have that comes through in every single word, it– any person who hears this tomorrow is gonna love you even more than they already do.

Hope: I needed to hear that.

Thomas: They’re gonna love you.

Hope: No, they’re going to love us because this was a team effort and sure, I might have had the vision, but you– you were the one who brought it to life with your creativity and your imagination. I mean, thomas, sometimes I don’t think you even realize how talented you are.

Thomas: Thank you.

Hope: Like I said, I mean, we’re hope for the future now and there can’t be one without the other and I am just so, so grateful to be here in this magical city with you.

Bill: You’re going to see hope?

Liam: That was the plan. Yeah, I mean, I already spoke to eric and donna. They agreed to watch the kids. I– I was trying to make it to– to the press event, but I can’t– I can’t find a flight that gets out of here soon enough.

Bill: I’m confused. Wyatt said you were staying with us.

Liam: No, I said, yeah, he did– I said– I did tell him that, but then I– I changed my mind last minute.

Bill: Why? What happened?

Liam: I just– I just realized I wanted to be over there with my wife. Why? Is that weird?

Bill: Well, no, of course, it’s not weird. I know how proud you are of hope and what a big deal rome is to her and her line.

Liam: Yes, it is. It’s a big, it’s a huge deal and I wanna be there to share that moment with her. I was just– no matter how much I want it to happen, I don’t– I don’t think it’s going to.

Bill: You think you might be forgetting something.

Liam: What?

Bill: My jet.

[ Bill chuckling ]

Hope: What are you doing?

Thomas: You know, there’s nothing like being in rome to make you inspired. You walk down the streets and you get, like, the amazing food, the– the– the awesome people, the architecture, the history, the art, it’s just so much to bring it out of me. What?

Hope: Nothing. I just, I– I like seeing you like this. I mean, you’re never more alive than when you’re sketching. Oh, or when you’re teaching douglas something new.

Thomas: Ah, or him teaching me because we have an incredibly smart kid on our hands.

Hope: Mm, that is very true. Incredibly smart and incredibly kind.

Thomas: Yes. Yes, he is. Um, you know, I– I think– I think I wanna do something special with him. You know, I– I– I– I wanna, like, take him somewhere, just the two of us. Maybe we can go camping or something. Make up for some of the time we’ve lost.

Hope: I know he would love that, but he also understands how important this is for both of us and I don’t think he holds it against us.

Steffy: Who’s holding what against who?

Thomas: We were actually wondering what happened to you two.

Carter: It’s insane. Everyone wants a sneak peek at the collection. Not that we give it to them, but.

Steffy: They wanna see it and they’re willing to do anything for it.

Carter: So you guys ready to check out the location for tomorrow? Make sure it’s everything you have in mind?

Hope: Well, I am sure it’s perfect because how could it not be? We’re here in rome and I can’t imagine a better backdrop for our collection than this.

Brooke: Well, just trust me. Let me lead the way.

Ridge: You’re gonna lead the way?

Brooke: Mm-hmm.

Ridge: You’re gonna get us lost.

Brooke: Well, that’s true, but not when it comes to you and me. Come on, let’s go.

Looking for a bladder leak pad

that keeps you dry?

Carter: Okay, so I’ve coordinated with the photographer and the digital team, hair and makeup as well. They’re all set.

Steffy: Carter and I have been schmoozing with the press.

Carter: It’s no secret there’s a crazy buzz about the showcase tomorrow.

Steffy: How’s your speech coming along? Is it wrapped up?

Hope: Uh, mostly.

Steffy: Oh, I thought you would have nailed it by now.

Thomas: Well, you know hope. She, uh, she wants to make sure every word counts. It’s an opportunity to really reach a lot of people and so she’s choosing every word carefully.

Carter: Mm. Sounds like someone’s gotten a sneak peek.

Hope: Well, I wanted thomas’s feedback. You know, if anyone understands hope for the future and in particular, this collection, it– it would be my lead designer.

Thomas: Well, thank you, but I could never put it in the words that you have. You have this eloquence and passion. It’s incredible and everyone’s gonna love it.

Steffy: You two just love singing each other’s praises.

Thomas: Well, we’re a team, right? So we respect each other’s contributions. Do you have a problem with that?

Steffy: No, no, just an observation.

Hope: Well, one thing I do know for certain is that we wouldn’t be here right now if it wasn’t for thomas. I mean, we all know hope for the future was struggling. Steffy was about to pull the plug and–

Steffy: I– I didn’t want to do that, hope.

Hope: Well, I know, obviously. You would have if you wanted to, but you didn’t because you knew that your brother could turn it around. And you were right. I mean, I mean, thomas, you jumped back in and you practically turned things around overnight.

Carter: And here we are. A day away from showcasing some of your most beautiful, elegant designs to the world in the most beautiful, elegant city in the world. Doesn’t get better than that, right?

Thomas: Tomorrow is gonna be amazing, but not just because of my designs. Also because of hope’s speech. It’s gonna be amazing and you’re gonna kill it. I have no doubt.

Liam: Hope and thomas in rome together, it’s just not an imagery that inspires a ton of confidence in me. That’s all. Whatever, it doesn’t– I know I sound paranoid.

Bill: No, son. You are looking out for the woman you love and I would do the exact same thing.

Liam: Yes. Yes. I do love her. I love her so much, which is why it is so frustrating that she lets her guard down when it comes to thomas. And she– you know, she doesn’t see it that way. She– she says that she would be the first one to read the signs if he started to relapse and she would, you know, take the appropriate steps or whatever.

Bill: Right, cut him loose if he crossed any lines.

Liam: Yeah, but, like, that’s not how it works. I mean, they are so entwined at the office, you know? Like, as hope puts it, we are hope for the future, which I’m sure thomas loves hearing. And plus they co-parent douglas, which means–

Bill: They’re connected on many different levels.

Liam: Yes. And it would be so easy for him to misread that. You know, to start reading into things, to– to let his obsession fester again and I just– I– this is why me being in rome with hope, it just, it might be a nice little reminder to thomas, like, don’t– don’t go there.

Bill: Then you should definitely go.

Liam: Yeah, I should, I should definitely go. But, dad, see everything I just said, that’s not even the reason I should go. The real reason I should go is because I just want to be there with my wife. I wanna support hope.

Bill: It’s understandable.

Liam: Also, I think maybe after the event, hope and i could spend some much needed private time together. Connect a little bit, recharge. I think we need that so badly at this point.

Bill: Say no more. It’s done.

Liam: What’s– what’s done?

Bill: I’m headed to europe anyway. Jet’s ready to go. You and I are going to rome.

Brooke: Now, this is statue garibaldine. You like?

Ridge: I like.

Brooke: Okay, what is that twinkle in your eye?

Ridge: I had an idea. I think it’s a really good idea.

Brooke: Uh-oh. I’m afraid to ask.

Ridge: How about this? How about you wear one of hope’s gowns tomorrow at the preview?

Brooke: That is my daughter’s line.

Ridge: I know, but think of this: Mother and daughter are together, the press would eat this up. I mean, look at you. You’re as beautiful as the city. You’ve been the face of forrester for so long. What do you say? I need you. (Man) what if my type 2 diabetes takes over?

Bill: Hey, sarah. Uh, listen, we got a slight, uh, change in the flight plan. Still going to stella maris, but we’re gonna drop my son, liam, off in rome first. Yeah. Okay, thanks. All right, done.

Liam: Father of the year right here. Oh, my god. Oh, my god. Thank you.

Bill: Happy to do it, son. All right, let’s go. Let’s get you to the jet and off to rome to see hope.

Liam: Yeah!

Carter: There it is, where we are holding the preview. Piazza navona, home of the magnificent statue of the four rivers created by gian lorenzo bernini, one of the greatest baroque artists of his time.

Steffy: Wow. I’m impressed.

Carter: So what do you think, hope? Will this work for showcasing your line?

Hope: Yes, I– I do think that this is going to work. Absolutely. I mean, how did– how did you get this to happen?

Thomas: Yeah, and did you just memorize the whole brochure before or what happened there?

Hope: You know, I actually did read that piazza navona was created as a race track by a roman emperor.

Carter: Well, that fits because I’ll be racing around from now until the showing, so that works.

Steffy: Carter, what you pulled off is nothing short of miraculous. Locking this place, the contracts you got signed and notarized. I’m confident tomorrow is going to be a huge success.

Thomas: Yeah, well, how could it not be? With all of us and with hope, front and center.

Ridge: So you’re sure you know where you’re going?

Brooke: Uh, yes. Uh, no. But since I’m a history buff–

Ridge: A history buff? Since when?

Brooke: Since today.

Ridge: Okay.

Brooke: This is…

Ridge: A cannon.

[ Brooke laughing ]

Brooke: It’s more than just a cannon. This is il cannone del giancolo, a very important cannon. It goes up at the same time every single day since 1842, but not during the second world war.

Ridge: No, huh? You are a history buff and a tour guide. This is amazing. What else? What else you got?

Brooke: Okay, you’re making fun of me.

Ridge: Yeah. No. Can’t make fun of somebody like you, who’s gonna be in the preview tomorrow.

Brooke: Since you’re making me do that, I’m gonna make you do something. You’re gonna put on a roman suit of armor and you’re gonna model with me.

Ridge: Yeah, I know.

Brooke: Oh, wait, better yet. You’re gonna wear a roman toga and you’re just gonna totally titillate the ladies.

Ridge: Yeah? No one needs to see that.

Brooke: I wanna see that.

Ridge: Where are we going?

Brooke: Uh, well, I know my nav was saying we’re nearly there.

Ridge: Nearly where?

Brooke: Nearly where I was taking you. Mm-hmm.

Ridge: You’re lost, aren’t you?

Brooke: Maybe. But there is one destination that I’m sure of. It’s you and me and our future together.

If you have this…

Sarah: Filed the new flight plan as you requested. Rome, then onto stella maris.

Bill: Thanks, sarah.

Liam: And like when are we taking off?

Sarah: Just doing final checks and waiting for clearance from atc.

Bill: Perfect. All right, relax, will you? We’re gonna have you there on time.

Liam: You’re a lifesaver. You know that right?

Bill: I need to know that, yes. Just call me dollar cupid. All right? Anything for true love.

Liam: Well, I tell you what, dollar cupid, thanks for working your magic. Hope is gonna be so surprised to see me.

Steffy: Okay, so we’ll have staging over here, easy access for entrances, and did you get the addition for pascal? He’s coming from cellino.

Carter: Yep. I have a contract ready just in case.

Steffy: Great.

Thomas: I am so excited and proud to be a part of this and it’s all because of you, hope.

Hope: I really couldn’t have done it without help, so thank you for being such an amazing partner. You are the gifted man behind my line and behind me.

Ridge: My love for you will never die. It’s not a question.

Brooke: But?

Ridge: But if we have to try so hard to make something work, maybe it doesn’t exist anymore.

Brooke: Ridge…

Ridge: Aren’t you tired of it? The pain and the heartache we keep causing each other over and over again? Trying to find a way to protect you, protect me, protect our kids. You understand that, right?

Brooke: Yeah, I understand.

Ridge: So this idea of coming to the city, any city, even here and thinking that we’ll find a love and that– that we will fall into each other’s arms, I just… I just don’t see it.

Brooke: This eternal city, it offers eternal love. Look, I am here to represent forrester. I’m also here to support my daughter and your son and watch their success, but I’m really here for another reason. Because I want to be able to believe that this could be a new beginning for you and me. I believe that. I want to be your logan again and I just need to get you to believe it, too.

[ Dinging ] If only I could show you a sign.

[ Cannon firing ]

[ Cheering & applauding ]

[ Brooke laughing ] See? A sign!

[ Cheering continues ]

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Interview with Cedric the Entertainer, Max Greenfield, Beth Behrs, Tichina Arnold, Sheaun McKinney, Marcel Spears, Hank Greenspan and surprise guest Jerry O’Connell

TV Interview!

 

Cedric the Entertainer, Max Greenfield, Beth Behrs, Tichina Arnold, Sheaun McKinney, Marcel Spears, Hank Greenspan and surprise guest Jerry O'Connell of "The Neighborhood" on CBS

Interview with Cedric the Entertainer, Max Greenfield, Beth Behrs, Tichina Arnold, Sheaun McKinney, Marcel Spears, Hank Greenspan and surprise guest Jerry O’Connell of “The Neighborhood” on CBS by Suzanne 1/31/23

This was a very fun interview. There was a lot of laughter.  The cast is so great and obviously get along very well after 5 seasons and 100 episodes! This CBS press day was, in part, to celebrate the show’s 100th episode, which airs this week, April 10, 2023. As you’ll read below, you’ll see how funny the panel was, and how the surprise guest made it even funnier! However, he did interrupt my question, and I wish they would have another crossover episode between their show and their sister show, “Bob Hearts Abishola!”

CBS

2023 WINTER PRESS DAY

THE NEIGHBORHOOD

Cedric the Entertainer

 Max Greenfield

 Beth Behrs

 Tichina Arnold

 Sheaun McKinney

Marcel Spears

 Hank Greenspan

  Virtual via Zoom January 31, 2023

SHAWNA MALCOM: Good morning, everyone. I’m Shawna Malcom with CBS Publicity. And along with my CBS Studios counterpart, Tagan Lee Green, I’d like to welcome you all to the panel for our hit comedy “The Neighborhood,” which, as you just saw, is celebrating its 100th episode this season. The milestone episode, directed by Cedric the Entertainer, just wrapped filming last week and includes guest appearances from the hosts of “The Talk.” We will be sending out a screener of the episode closer to when it airs in April.

Today, we are happy to have the full cast joining us here during a break in production, starting with Cedric, who is also an executive producer of the series, Max Greenfield, Beth Behrs, Tichina Arnold, Sheaun McKinney, Marcel Spears, and Hank Greenspan. In a moment, Cedric will kick things off with some opening remarks, but, first, just a quick reminder that if you’d like to ask a question during the panel, please use the “raise hand” icon, and when I call your name, please remember to unmute your microphone before asking your question. And with that, I’ll turn it over to Cedric.

CEDRIC THE ENTERTAINER: Hey. Good morning, everybody. Thank you, Shawna. Good morning. Welcome, everybody, to the panel. It’s been a while since we’ve done one of these. So I appreciate it. I’m really excited to be here, talking about our show still, man. We are in our fifth season. The show has grown a lot. Of course, the cast is just really dynamic. That’s been really one of the key things, I believe, to the longevity and the success of the show that we’ve had. It’s such a dynamic cast and the way that we gel together, of course, our writing staff and just the whole family environment here. I’m really excited to meet this milestone this year of 100 episodes, something that’s very rare in the business of television these days. So we don’t take it for granted. We feel very blessed to be able to be doing a show on a big, major network at this time. And so I’m really proud of that milestone as well as getting the great news that we’ll be back for a sixth season. So, again, I’m very excited that we have the support of CBS, our fan base, people who watch us on Monday nights, love this show, and continue to support us. So thank you, guys, for being here, and go ahead and spread the word even more so. Thank you.

QUESTION: Hi. Thank you. It’s great to see you guys. Most of you have been on hit sitcoms before. What makes this one special compared to those? And will there be another “Bob Hearts Abishola” crossover?

CEDRIC THE ENTERTAINER: Is that for anybody in particular?

QUESTION: Any of the actors.

CEDRIC THE ENTERTAINER: Well, I guess I’ll jump in. I mean, of course, having someone I was a part of a show that did a hundred episodes. That was rare. I’ve been a part of shows that did nine, you know, ten episodes, and so we just are very excited about you know, I think there’s a real opportunity of having a show where you come to work, you love coming to work.

(Jerry O’Connell joins the panel.)

JERRY O’CONNELL: What’s up, Ced? Ced, what’s up? It’s Jerry. I’m getting ready to do “The Talk.” How are you, man?

CEDRIC THE ENTERTAINER: Jerry O’Connell, you look good, man. I was just talking about you. I wasn’t, right?

JERRY O’CONNELL: Is anybody else on this meeting?

BETH BEHRS: Hi, Jerry.

CEDRIC THE ENTERTAINER: Just me and you, Jerry.

MAX GREENFIELD: Jerry, you have your shirt off, and you are putting on spray deodorant. You are kind of

JERRY O’CONNELL: I’m getting ready.

MAX GREENFIELD: getting dressed.

JERRY O’CONNELL: We do a live show here. Hey, guys, congrats on a hundred episodes. I just wanted to ask, who was your favorite guest? your favorite guest costar? your favorite guest star?

TICHINA ARNOLD: You, Jerry.

MAX GREENFIELD: Jerry, your shirt is off, and you are putting on deodorant

TICHINA ARNOLD: You.

MAX GREENFIELD: and it’s inappropriate.

JERRY O’CONNELL: A hundred. Max, we’ve been friends for a long time.

MAX GREENFIELD: Jerry, is that hair spray or deodorant? I’m so confused because you were spraying it under your armpits, and you are spraying it in your hair, also totally inappropriate, what you are doing right now.

TICHINA ARNOLD: He’s shaving.

CEDRIC THE ENTERTAINER: Is he shaving under his arms now?

TICHINA ARNOLD: Let him shave.

MAX GREENFIELD: I don’t think you know that you are on camera, Jerry.

JERRY O’CONNELL: By the way, such an honor to be a part of “The Neighborhood” and the hundred episodes. If anyone wants, I have these little autograph cards that I give out. I signed my name. I’m going to give them to anybody.

TICHINA ARNOLD: Wow. Wow.

JERRY O’CONNELL: I get to sign my name.

MARCEL SPEARS: Jerry, I’d like one.

CEDRIC THE ENTERTAINER: I’ve been folding those up and using them to balance out my table at restaurants.

(Laughter.)

JERRY O’CONNELL: Hey, guys, I did want to jump in, and I wanted to say congratulations. It was so much fun seeing how everybody works. And you realize why there’s been a hundred episodes, and there will probably be a hundred more. I’m going to go do a live show.

MAX GREENFIELD: You so should have done that just the way you did and not had to open up with your shirt off and spraying hairspray under your arms.

JERRY O’CONNELL: I just wanted to show everyone my process and the magic of TV. I love you guys.

SHEAUN MCKINNEY: Thank you, man.

TICHINA ARNOLD: We love you, Jerry. We love you, Jerry.

MAX GREENFIELD: We can get in a lot of trouble for showing your process to people, Jerry.

TICHINA ARNOLD: Jerry is a nut, man.

MAX GREENFIELD: Jerry guest starred in our hundredth episode, for those of you who are confused.

CEDRIC THE ENTERTAINER: It was literally one scene, guys. So I don’t know what the whole thing is where he needed all of this.

MARCEL SPEARS: I think it was a memorable scene. It was memorable.

TICHINA ARNOLD: Very memorable, yeah.

CEDRIC THE ENTERTAINER: We could not get him to take his shirt off, and, eventually, I guess, it finally happened, like, days later where he decided, like, “Yes. Do you know what? I’ll do it.” So he made an effort.

MARCEL SPEARS: I was honestly jealous because I didn’t get a chance to none of my scenes were with him, but I know, like, Max and Beth, you guys got a scene with him.

TICHINA ARNOLD: Yeah, nice.

CEDRIC THE ENTERTAINER: Yeah. Beth got, on her own, to be approved by Jerry O’Connell.

BETH BEHRS: Monkeying, too, to Jerry O’Connell, I

CEDRIC THE ENTERTAINER: From Max, from Jerry O’Connell, but it was a very tight group.

TICHINA ARNOLD: Inside joke. Inside joke.

BETH BEHRS: As you can see, this cast has many inside jokes. That’s why we are all dying right now.

CEDRIC THE ENTERTAINER: Yeah.

BETH BEHRS: Well, to piggyback off of the question that you asked 20 minutes ago

TICHINA ARNOLD: Yes, please, do that.

BETH BEHRS: this that you saw right here is different from any job I’ve been a part of, and I think you can tell, like, there is a certain camaraderie here and a certain amount of fun. Like, there’s never a day where I wake up and I’m, like, bummed to go to work. It’s, like, no matter what’s happening in my personal life, I come here, and I laugh all day long with these people. And our crew is the same way. I’ve never been around a tighter crew of 300 people, and, you know, the way everyone stands up for each other. And when someone gets cancer or someone needs fertility treatments, this is a cast and crew that literally comes together and pools all of our money and fights for our own, and I’ve never been a part of something like that. So that’s why we want to do 200 more. We just want to hang out all day.

TICHINA ARNOLD: And, hence, why we were able to laugh. We are survivors. We are survivors. We are here five seasons later and still, you know, coming into people’s homes and making you feel better.

QUESTION: Hi. My question is for Cedric. You have the unique opportunity to say your own words on stage as a stand up comedian and saying the words in a sitcom situation. How are they different? And how are they the same?

CEDRIC THE ENTERTAINER: You know, I guess, one, by being the executive producer of this show, I actually have a lot of voice and opportunity to make sure that the show is in tone, that we do try to be very real to the characters and what the characters are saying and what we want to convey. Each actor has an opportunity to as we are developing the show, we get the words from the writer. We get the scripts. But almost every actor on this show, if they have something that they want to say with a scene, if they have something that they feel like they want to get off, I’m a big supporter of that.

So I think that that is where it kind of parallels the stand up is the opportunity for inside the show, inside the character, for us to actually take on subject matters, say things in a different way, find the words in which either you, as a person, as an actor, would like to say something or uncomfortable with saying something and then have the ability to be able to change that and make it work. The thing about stand up I always say this about being the last stand up performing: You just don’t get any better than that as an opportunity of just, kind of, walking out and truly voicing your own opinion and letting that go into the world.

Now, of course, in the day of the cancel culture, even that is something that you have to approach with great care and trepidation. You can’t be careless and reckless knowing that for me, it is that I do have all of these other people that are counting on me to be able to come to work and do a job. And if I go out there and get us canceled by saying some joke that was reckless and careless and ruthless and mean spirited, then I can damage it for other people. So these are things that you have to be a lot more aware of nowadays than you used to be as a comedian, but I do embrace the freedom of being able to go on stage and just, kind of, saying what I’m thinking.

QUESTION: Well, thank you, guys, and I wish you another 200.

CEDRIC THE ENTERTAINER: Thank you, brother.

QUESTION: Hello, everyone. Thanks for doing this. My question is for Beth. A hundred episodes, Gemma wears a lot of hats: neighbor, family woman, school administrator.

What is your view, over 100 episodes, of the arc that Gemma has gone through?

BETH BEHRS: Hi, Jay.

QUESTION: Hi.

BETH BEHRS: Good to hear your voice.

QUESTION: Thank you.

BETH BEHRS: It’s been a long time.

QUESTION: Yes.

BETH BEHRS: Yeah, she has worn a lot of hats, and I really think, especially her, sort of, relationship to motherhood I think Tichina’s character, Tina, and Gemma have really gone on a journey, both, in their friendship, but I was thinking about it recently, about also what she’s learned from Tina as a mother. And I think that that’s something super special that I’ve seen play out on this show and also in my personal life with Tichina as my friend now becoming a mother. So I think she’s grown in a lot of ways, as I have.

That’s one of the cool things about being on even on “Two Broke Girls,” it was my whole twenties, and this has been almost my whole thirties. And it’s like you are growing up with your character. So it’s just kind of meta and cool to play out. But I’m excited to see what we can do in the future because, like Cedric said, I think there’s just so many ways to go with this because these families are growing in real time, in real world society, like all of us are. And so, yeah, I’ve really enjoyed growing up on this show and growing together with this group of people.

QUESTION: Thanks a lot.

QUESTION: Yeah. This is for Max and Cedric. They say, nowadays, a lot of people just don’t see their neighbors very much. They just don’t meet them. So I was wondering, for you guys, first of all, when you were growing up, did you have a neighborhood like this where you knew your neighbors and talked to them? And, nowadays, do you have that kind of a situation, or do you wish it was like on the show? Max first.

CEDRIC THE ENTERTAINER: Go ahead, Max.

MAX GREENFIELD: Yeah, I don’t know. When I was growing up, I grew up in a neighborhood where we definitely knew our neighbors. You were able to walk around the town, and it felt like I had a lot more freedom back then. It was a smaller town in upstate New York. And now I know none of my neighbors, and I care not to.

(Laughter.)

QUESTION: How about you, Cedric?

CEDRIC THE ENTERTAINER: Yeah, the same.

MAX GREENFIELD: People are weird these days. I’m not I’m not I don’t know.

CEDRIC THE ENTERTAINER: Yeah, the same thing. I grew up in St. Louis, definitely the kind of neighborhood where you knew everybody up and down the block, the different families. You knew their parents, you know. You knew the houses not to go to. All of these things were a part of being a great neighborhood. Now, of course, it’s very different. One, I’m extremely rich. I have to live behind 13 gates, I believe, right now, if I’m counting. There’s, like, several security guards to even get to my own bedroom, I believe.

No. But it is so different. It is one of these things, like you know, the pandemic was really good for that, though, for that particular reason in the sense that everybody had to get outside. We were walking. And that was the first time that, you know, in recent years, that I must say I had an opportunity to kind of find out people who lived near me and see their faces and knew who they were. We didn’t live in a car.

MAX GREENFIELD: You didn’t meet any of those people.

CEDRIC THE ENTERTAINER: I did, man. I know them.

MAX GREENFIELD: No, you didn’t.

CEDRIC THE ENTERTAINER: I know people now. I forgot their names.

MAX GREENFIELD: You didn’t meet any of those people.

CEDRIC THE ENTERTAINER: I met them. At the time, I knew them well.

MAX GREENFIELD: Name one.

CEDRIC THE ENTERTAINER: But, since then, we are back in our cars. We don’t see each other.

MAX GREENFIELD: Name one neighbor.

CEDRIC THE ENTERTAINER: It’s, uh oh, here Victor. Victor.

MAX GREENFIELD: That’s our director, Cedric.

CEDRIC THE ENTERTAINER: Oh, yeah. John and Karen. John and Karen, they live around there.

MAX GREENFIELD: Those aren’t real people, Cedric. Those aren’t real people.

QUESTION: Hi, guys. Thanks for talking to us today. So a couple of minutes ago, you were talking about growing. So I’m just curious, after having doing this so many years, are there still things that you learn about acting, about comedy, that kind of thing, from each other, just kind of as you go?

CEDRIC THE ENTERTAINER: Sheaun, Marcel, are you guys going to jump in?

SHEAUN MCKINNEY: Yeah. For me, absolutely. I’m surrounded by some of the funniest people, I think, on TV and in this profession from Cedric, of course, and Tichina and Beth and Max. And Marcel is freaking hilarious. Hank is funny. So I’m learning still how to craft jokes, how to make something work that’s not working in physical comedy because Tichina and Beth are amazing at physical comedy, and that doesn’t come easy. And they are naturally great at it, and so is Max and Marcel. And Hank’s capacity to understand things at his age is amazing. So I’m learning every single day to be a student of each one of these people.

MARCEL SPEARS: Yeah. I think, personally, I’m learning how to teach because I am a complete human being. I’m perfect, and I don’t

CEDRIC THE ENTERTAINER: Yes.

MARCEL SPEARS: have to learn anything from any of these people.

CEDRIC THE ENTERTAINER: No.

MARCEL SPEARS: I do have a master’s degree

SHEAUN MCKINNEY: A great actor.

MARCEL SPEARS: from Columbia University.

BETH BEHRS: He’s the only one with a master’s, so

CEDRIC THE ENTERTAINER: A master’s from Columbia.

MARCEL SPEARS: Yeah, Columbia. No. Every day is, like, the best class ever. It’s the best acting class. It’s the best class in how to be a producer. It’s the best class in directing. It’s an honor and a privilege every day to come to work because of how much I am learning from these people, and then I just get to turn up and have fun, which is also so really good for me.

QUESTION: The rest of you have to say you have a master’s degree from the Columbia Broadcasting System.

CEDRIC THE ENTERTAINER: Nice.

QUESTION: But when was the turning point for this show? Because, in the beginning, it was just this antagonistic kind of relationship between neighbors, but it shifted. When was that, and when did you see that shift?

CEDRIC THE ENTERTAINER: You know, it was actually very intentional, though. It was one of those things that in order to really get to the show that we were intending to do is to show the kind of contentious nature of what happens when people just assume somebody is different from you because of skin color, religion, background, whatever these things that this natural assumption that we kind of live in a culture where, if somebody is different from me, I don’t like them.

That’s what it is; right? It takes you back to the, kind of, early Norman Lear shows with, you know, “All in the Family,” “The Jeffersons.” And so that was, kind of, very intentional in the way we — especially me, the way I wanted to approach the show. And so, of course, Max the actors and the people that you meet just come in, and they are just, you know we were friends. We were friendly. We enjoyed each other. We laughed a lot. We got each other’s sense of humor, and so it’s harder to act that when you have this kind of natural connection.

So, eventually, it just made sense to kind of lean towards the friendship if we wanted to tell a funnier show. Plus, we didn’t want to be like this was a situational comedy. We are not here to argue each week or everybody stand on their soapboxes. So it started to be toward the end of the first season where we wanted to lay in this idea that there was hope, that there was this opportunity for these guys to find common ground. And so, when we kind of started this second season, we had a great opportunity to do something unique there, and so that was the spirit of the attitude of the show, and I think that’s the thing that people can really chew on about it. And now it’s just really fun, digestible, fun people, watching them be on the show together. We don’t really care about the racial dynamics or anything anymore. We are just, like, “They are friends.” I love it.

QUESTION: Thank you.

CEDRIC THE ENTERTAINER: But you earn that.

QUESTION: Hi. One of the things that we talked about one of the things that is promoted here is the idea that you can take really serious subjects and explore them more if you make people laugh about them. Have you found that to be true? Let’s ask Max and Tichina and Marcel.

MAX GREENFIELD: Yeah. I think it goes back a little bit to what Cedric said. When we discovered these characters and we discovered their relationships with each other, I think that then allows you to tackle more difficult subjects with a sense of humor because we and the audience are familiar with who these people are and where they are coming from.

TICHINA ARNOLD: Well, I love uncomfortable laughter, and the reason why I love uncomfortable laughter, there’s a reason why a person is uncomfortable. That’s because they are learning as they are laughing. And I am a true believer in, if it’s funny, I’m doing it. And I think, if a lot of people in the industry took more of that type of approach, we would be able to they would be able to be like this show and what this show has done. It has opened a lot of doors. It’s bridged a lot of gaps racially.

Just between each other on set, you know, like Beth said earlier, we teach each other about each other and about each other’s culture. So it’s a very fine line, and it’s awesome to have someone like Cedric The Entertainer, who is at the helm of that, because he keeps the integrity, he pulls us back, mainly me, but you have to have that because it comes from an honest place. So this show comes from an honest place. So we can get away with certain things. And I say “get away” loosely because, unfortunately, you have a lot of content out there, and it’s saying a lot a bunch of nothing, but this show says a lot. And so that’s pure testament to having somebody like Cedric that actually is looking it over, mulling it over, thinking it over, and culminating it to a place where it’s presentable.

MARCEL SPEARS: Yeah. I think comedy disarms you. Comedy lets down the defenses. And it’s the artist’s duty to reflect life, and I think Cedric has been really intentional. And our showrunners and our creative team has been really intentional about making a show about who we are right now as a country, as a community, like, who are we and really looking at that through the lens of comedy and creating a safe place for the people who watch this show to really reflect on maybe some serious things but also, like, laugh and get a chance to enjoy each other, laugh with each other, grow together, learn about each other from the safety of their homes, obviously from the safety of their living rooms. But I think it does the comedy of it does a lot to bridge that gap and make it more approachable and understandable and digestible.

TICHINA ARNOLD: And, Hank, how do you feel about our comedy night? Because you are, like, the only kid. And sometimes we go a little too far, but he gets it. And so I always wondered watching it because I always used to be the kid. So I always ask Hank questions as we go on. But how does it feel being a part of this type of comedy?

HANK GREENSPAN: I don’t know. It feels weird because I’ve grown up on the show. We started when I was seven, I think. That was when we shot the original pilot. And now I’m 12. So it’s really bizarre because a lot of the jokes I really just simply don’t get, and everybody will be dying laughing. And I’m “What’s the punch line? Did you say it already?”

TICHINA ARNOLD: Thank God for that. Thank God for that.

HANK GREENSPAN: Yeah. No. It’s really bizarre, but watching everybody perform, it’s a learning experience, not only for me, but for everybody involved, so yeah.

CEDRIC THE ENTERTAINER: It’s interesting. It’s funny because immaturity I said this on another interview recently is that Hank, in his latest especially in this season and watching him grow up, his timing, his ability to deliver a joke has been impeccable. Of course, when you have a young character on the show and the only kind of kid that’s in this show as a child, you are trying to figure out how to tell your tone and your adult story, and you try to give him some lines to not just let him be a straight man. And so now that he’s getting more and more maturity, you find the ability to give him lines that a kid that’s 12, that’s preadolescent, that’s, you know, in the world can say and question. I’ve just been enjoying it more and more this season. He just knocks them out of the park with these little, cool, like, flash through, walk through lines that are just awesome. Oftentimes, they are one of the funniest things in the show, and he’s just been able to, as an actor, I think, kind of grow into that and see it in that way. So it’s been fun to watch his growth.

MAX GREENFIELD: Hank, do you think that’s natural, or do you think that you learned it from somebody?

HANK GREENSPAN: Oh, it’s definitely natural. No.

MAX GREENFIELD: Do you think maybe you just picked it up somewhere? It just rubbed off on you, or are you just saying it’s all you?

HANK GREENSPAN: Yeah. Thank you, Marcel, for teaching me how to deliver jokes correctly.

TICHINA ARNOLD: There you go, Hank. That’s nice.

HANK GREENSPAN: I did it. I said a funny.

(Laughter.)

MARCEL SPEARS: I’m telling you, man, this is good.

MAX GREENFIELD: Just think about who set you up for that. No credit.

TICHINA ARNOLD: That was so good.

SHAWNA MALCOM: We have time for one last question.

QUESTION: Cedric, do you remember when you first realized you had this comedic skill? And when you realized it, what did you do about it?

CEDRIC THE ENTERTAINER: You know

MAX GREENFIELD: I can answer that. It was somewhere in Season 4.

(Laughter.)

CEDRIC THE ENTERTAINER: Wow.

BETH BEHRS: I’m dying.

CEDRIC THE ENTERTAINER: That late in life?

MAX GREENFIELD: I’m going to mute myself.

CEDRIC THE ENTERTAINER: You know, I think it was definitely you know, for me, it was in the junior high school, you know, eighth, ninth grade kind of era of your life when you are kind of transitioning from being your mother’s kid to this guy that’s going to have your own identity and your friend group. You are getting a little more independence. And I think that’s when my sense of humor started to, kind of, like, jump out and when I was aware of it, especially when I started getting in trouble at school for being funny, like, doing things that I thought was just, like, me being myself and find out I would have the kids all laughing.

And then the teacher would blame me for being disruptive. And I was, like, “Oh, this is something.” But because my mother was a school teacher, it was something I never really chose to look at as a kind of life goal until much later in life. I didn’t even approach stand up or anything until after I was out of college. So I never even knew I could do this as a kind of profession or anything until it was much later in my life. But I always knew that I had this thing where I could make people laugh, and I enjoyed it. So that was much younger.

SHAWNA MALCOM: Okay. Before we wrap, I’ll throw it to Max for some closing remarks.

MAX GREENFIELD: I just wanted to say thank you, everyone, for coming. But, first, before I say that, I just want to apologize for Jerry O’Connell’s behavior. He guest starred on the hundredth episode and has sort of been showing up ever since, trying to back into the show.

CEDRIC THE ENTERTAINER: Yes.

MAX GREENFIELD: We thought it was possible he would join this Zoom, a slim possibility. But, nonetheless, here he was today. So if anyone was offended, I apologize. I know Beth was offended. Sheaun, I could tell, was really upset. Marcel, I’ll have to Hank doesn’t understand it, what happened, but

HANK GREENSPAN: Unfortunately, I do. I saw everything.

MAX GREENFIELD: Again, that’s the timing that I taught Hank if he found it very funny. It’s quick. You know, the secret of comedy is the timing. Isn’t that right, Hank?

HANK GREENSPAN: Yes, Marcel.

MAX GREENFIELD: Got it. So here

(Laughter.)

We just want to thank you guys for coming and continuing to support this show. As you can see, we have no fun here. None of us like each other. It’s a very tense environment.

TICHINA ARNOLD: Borderline embarrassed.

MAX GREENFIELD: And the idea that you have continued to support us through now six seasons or what will be six seasons, which very, very few shows are able to do nowadays and, trust me, there’s not a person on this panel or on this set that doesn’t understand that, know that, and is unbelievably grateful and appreciative of that reality. We thank you all, and you are such a part of what we do here. And thank you for joining us today. It’s so nice that we get to do this. We haven’t been able to do it since, Shawna had told us, 2018.

CEDRIC THE ENTERTAINER: Yes.

MAX GREENFIELD: This was a real treat. Thank you, guys, so much.

CEDRIC THE ENTERTAINER: We appreciate you guys starting this big campaign to get us an Emmy nomination. We thank all of you on there for your sincere over, overwriting about this show, saying “Hey, guys, don’t skip over sitcoms because they are multi-cams and they don’t deserve Emmys.” And this is you use our show as an example of why a show should be Emmy nominated as a situational comedy. And, just, each and every one of you, I’m looking at you on here, at your blank screens, and I’m saying, hey, congratulations, guys. Thank you so much. We appreciate it.

BETH BEHRS: If Jerry O’Connell gets an Emmy before any of us, we’re going to have a real problem, especially for guest starring. I’m just saying.

TICHINA ARNOLD: You know he’s banking on it. You know he’s banking on it.

CEDRIC THE ENTERTAINER: Thank you.

SHAWNA MALCOM: On that note, thank you, everybody, on Zoom for joining us for “The Neighborhood” panel. Please stay tuned for a message from Emmy winning host Jeff Probst and a sneak peek at “Survivor’s” two hour premiere airing Wednesday, March 1st, at 8 p.m. on CBS and available to stream on Paramount+.

TICHINA ARNOLD: God bless. God bless.

MORE INFO:  Preview Official Site

"The Neighborhood" key art Max Greenfield as Dave Johnson, Cedric the Entertainer as Calvin Butler, Beth Behrs as Gemma Johnson, Tichina Arnold as Tina Butler from the CBS series THE NEIGHBORHOOD, scheduled to air on the CBS Television Network. Photo: Chris Patey/CBS © 2022 CBS Broadcasting, Inc. All Rights Reserved.THE NEIGHBORHOOD stars Cedric the Entertainer in a comedy about what happens when the friendliest guy in the Midwest moves his family to a neighborhood in Los Angeles where not everyone looks like him or appreciates his extreme neighborliness. Dave Johnson is a good-natured, professional conflict negotiator. When his wife, Gemma, gets a job as a school principal in L.A., they move from Michigan with their young son, Grover, unfazed that their new dream home is located in a community quite different from their small town. Their opinionated next-door neighbor, Calvin Butler, is wary of the newcomers, certain that the Johnsons will disrupt the culture on the block. However, Calvin’s gracious wife, Tina, rolls out the welcome wagon; their chipper younger son, Marty, thinks the Johnsons could be good for the community; and their older son, Malcolm, finds Dave may finally be someone who understands him. Dave realizes that fitting into their new community is more complex than he expected, but if he can find a way to connect with Calvin, they have an excellent chance of making their new neighborhood their home.

The fifth season premieres Monday, Sept. 19 on the CBS Television Network, and will be available to stream live and on demand on Paramount+.

CALVIN STRUGGLES TO FIND THE PERFECT BIRTHDAY GIFT FOR TINA, ON THE 100TH EPISODE OF “THE NEIGHBORHOOD,” MONDAY, APRIL 10

Milestone Episode Directed by Series Star and Executive Producer Cedric the Entertainer

The Hosts of Daytime Emmy Award-Winning “The Talk” – Akbar Gbajabiamila, Amanda Kloots, Natalie Morales, Jerry O’Connell and Sheryl Underwood Guest Star as Themselves

“Welcome to the Milestone” – Calvin struggles to find the perfect birthday gift for Tina. Also, Gemma works a connection to actor Jerry O’Connell, whose kids attend Walcott Academy, to secure VIP tickets to THE TALK for her school’s fundraiser, on the100th episode of THE NEIGHBORHOOD, Monday, April 10 (8:00-8:30 PM, ET/PT) on the CBS Television Network and available to stream live and on demand on Paramount+*. Series star and executive producer Cedric the Entertainer directs the milestone episode, featuring guest appearances from the hosts of Daytime Emmy Award-winning THE TALK: Akbar Gbajabiamila, Amanda Kloots, Natalie Morales, Jerry O’Connell and Sheryl Underwood.

WRITTEN BY: Jacqueline McKinley & Antonia F. March

DIRECTED BY: Cedric the Entertainer

*Paramount+ Premium subscribers will have access to stream live via the live feed of their local CBS affiliate on the service as well as on-demand. Essential tier subscribers will have access to the on-demand the following day after the episode airs.

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Cedric the Entertainer, Max Greenfield, Beth Behrs, Tichina Arnold, Sheaun McKinney, Marcel Spears, Hank Greenspan and surprise guest Jerry O'Connell of "The Neighborhood" on CBS

 

Interview with Omar Miller

TV Interview!

 

Omar Miller, star of "True Lies" (photo from CBS)

Interview with Omar Miller of “True Lies” on CBS by Suzanne 3/7/23

It was really fun to chat with Omar again! He’s very nice and laid back. I hope you can watch and enjoy his show, which is a lot of fun, and our interview below.

Omar Miller with Ginger Gonzaga in "Public Secrets" episode of "True Lies" on CBS

 

MORE INFO:

"True Lies" on CBS

TRUE LIES, inspired by James Cameron’s hit action-comedy film of the same name, follows Harry (Steve Howey), a first-class international spy for U.S. intelligence agency Omega Sector, and his wife, Helen (Ginger Gonzaga), a language professor bored with her daily routine, who makes the shocking discovery that her seemingly ordinary husband is leading an extraordinary double life. With the secret out, Omega recruits Helen, who impresses everyone with her formidable skills (thanks to Tae Bo and yoga), and she joins Harry and his team of top-notch operatives, embarking on covert missions around the globe and an exhilarating life of danger and adventure … all while keeping their adventures a secret from their three teenage children. The renewed bond between them adds much-needed sizzle to the Taskers’ emotionally distant marriage and upends the top-secret world of Omega Sector. But, as Harry says, if you’re going to save the world, you might as well do it for the ones you love.

Series premiere Wednesday, March 1 (10:00-11:00 PM, ET/PT) on the CBS Television Network and available on the CBS app and streaming on Paramount+

ON AIR:

ORIGINATION:

Wednesdays (10:00-11:00 PM, ET/PT)

Atlanta

FORMAT:

Drama (Filmed in HD)

STARRING:

Steve Howey

(Harry)

Ginger Gonzaga (Helen)

Erica Hernandez (Maria)

Omar Miller (Gib)

Mike O’Gorman (Luther)

Annabella Didion (Dana)

Lucas Jaye (Jake)

PRODUCED BY:

20th Television

EXECUTIVE PRODUCERS:

Matt Nix, James Cameron, Rae Sanchini, McG, Mary Viola, Corey Marsh, Josh Levy and Anthony Hemingway

Omar Miller, star of "True Lies" (photo from CBS)

Gib in TRUE LIES

Hometown: Los Angeles

Birthday:

Biography

Omar Miller has a long list of television and feature film credits. He started his Hollywood acting career in the comedy Sorority Boys, which was shot while he was still enrolled in film school at San Jose State University. Subsequently, he was named Best Male Actor of his graduating class. Immediately following graduation, Miller landed a highly coveted role opposite Eminem in the feature film 8 Mile, alongside Mekhi Phifer and Kim Basinger.

Miller’s television credits include a starring role with Dwayne “The Rock” Johnson in the series Ballers for which he received an NAACP Image Award nomination, CSI: Miami, the voice of Raphael on the Emmy-nominated animated series Rise of the Teenage Mutant Ninja Turtles, and Undefeated alongside John Leguizamo.

Recently, he created and hosted Esquire Network’s reality travel series Weekend Fix, which he parlayed into #advantageOmar for Tennis Channel’s Grand Slam coverage and created the sports-oriented O-ZONE podcast.

Miller’s feature film credits include Homefront written by Sylvester Stallone and starring James Franco, Jason Statham, and Winona Ryder, Above Suspicion, The Express, Things We Lost in the Fire with Halle Berry and Benicio del Toro, Get Rich or Die Tryin’ with 50 Cent and Terrence Howard, and Shall We Dance? with Jennifer Lopez, Susan Sarandon, and Richard Gere. Additional film credits include Spike Lee’s war drama Miracle at St. Anna, Transformers, Blood Done Sign My Name, The Sorcerer’s Apprentice, and Gordon Glass, which he also had the distinction of writing, producing and directing. The Lion of Judah marked Miller’s foray into the world of animation.

Born and raised in Anaheim, CA, Miller currently lives in Los Angeles. His birthday is Oct. 7. Follow him on Twitter @omarmiller and Instagram @omarbensonmiller.

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Omar Miller with Steve Howey in "Pilot" episode of "True Lies" on CBS (photo from CBS)

Interview with “True Lies” cast

TV Interview!

 

"True Lies" panel 1/31/23 for CBS

Interview with actor Steve Howey, Ginger Gonzaga, Omar Miller, Mike O’Gorman, Erica Hernandez, Annabella Didion, Lucas Jay, and producer/creator Matt Nix of “True Lies” on CBS by Suzanne 1/31/23

This is a fun new spy show that reminds me of some older shows like “Castle,” “Remington Steele” and “I Spy.” I think anyone who likes fun, adventure and romance should enjoy it. The CBS panel was a lot of fun, too. I asked the question towards the end about which show this one reminds them of, so they had some interesting answers.

CBS 2023 WINTER PRESS DAY

TRUE LIES

Matt Nix, Executive Producer

Steve Howey

Ginger Gonzaga

Omar Miller

Mike O’Gorman

Erica Hernandez

Annabella Didion

Lucas Jaye

Virtual via Zoom January 31, 2023

© 2023 CBS. All rights reserved.

TRACEY RAAB: Good morning. I’m Tracey Raab with the CBS Communications Group, and on behalf of our team and studio counterparts, we would like to thank you all for joining our winter press junket.

We are pleased to host two panels today. First up is our action packed new series “True Lies,” which premieres on March 1st after the new season of “Survivor.” Our second panel is “The Neighborhood,” which recently filmed their 100th episode and got a renewal for Season 6. Finally, we will conclude our sessions with an extended sneak peek of Season 44 of “Survivor” that is not to be missed.

This morning, you should have received information about our April 4th “FBI” global crossover event, the castaways’ announcement for the upcoming season of “Survivor,” and the announcement from Grammy winner Questlove that he is curating the Hip Hop 50 tribute performance at the Grammys this Sunday, February 5th. The performance is part of the Paramount global initiative to honor the 50th anniversary of hip hop in partnership with Mass Appeal. The all star lineup will be announced in the coming days. Kindly check your inboxes for additional content, and if you need any more information, please reach out and we’ll make sure we get it to you.

Thank you again, and here is “True Lies.”

(Clip shown.)

SIENNA SANDERS: Good morning, everyone. I am Sienna Sanders from the CBS network publicity team, along with my network counterpart, Erin Freilich, and our 20th Television Studios counterpart, Ryan Aguirre. I would like to welcome you all to our panel for our exciting and fun new series “True Lies.” You will all be receiving the “True Lies” key art and the two minute extended trailer that you just saw shortly. So look out for that in your inboxes.

Please welcome our cast that is joining us here today. We have Steve Howey, Ginger Gonzaga, Omar Miller, Mike O’Gorman, Erica Hernandez, Annabella Didion, and Lucas Jaye. We also have our executive producer and showrunner, Matt Nix.

If you would like to ask a question, please use the “raise hand” function on Zoom, and I will call on you. Make sure to unmute your microphone when you are called on. But before we begin taking questions, Matt Nix would like to share some opening remarks.

MATT NIX: Hey. So, yeah, when McG first approached me about doing “True Lies” as a TV series, to be honest, I was sort of intimidated. “True Lies” was obviously one of the most iconic films of the 1990s. It was the first film that cost over $100 million, which would be like $160 million today. And of course, it’s a film by the great James Cameron.

So it kind of seemed like a tough act to follow, but at the same time, I found that I couldn’t get the prospect out of my mind. I kept imagining myself coming out of the movie theater in 1994, mind completely blown, and there I was with an opportunity to be a part of that. And how do you turn that down? You can’t.

And it was really that spirit that guided me through the process of making a pilot and this season of television, remembering what it was to see “True Lies” in 1994. It was exciting. It was funny. It was romantic. It was a giant action film, but it was also a character piece about a father trying to do his best. It didn’t take itself too seriously, but at the same time, it had real heart. And I wanted to do something that had that same spirit.

CBS understood what I was going for right away and encouraged me in that direction. Our executive producers, Josh Levy, Rae Sanchini, James Cameron, McG, Mary Viola, and Corey Marsh, were great partners in holding onto that vision.

And as we brought together the team, it began to feel more and more possible. Finding the great Steve Howey and Ginger Gonzaga for our Harry and Helen was the first step. They’re both accomplished comedians and great dramatic actors. They have amazing chemistry. They’re reminiscent of Arnold and Jamie Lee, but they have their own take on the characters and a magic that is totally theirs. Their kids, Dana and Jake, played by Annabella Didion and Lucas Jaye, felt like a real family. And we had a great time building out the world of Omega Sector with Omar Benson Miller, Mike O’Gorman, and Erica Hernandez on the team. They have their own family dynamic and rounded out our spy world in a really fun way.

We had some amazing guest stars over the course of the season, including Beverly D’Angelo, Matt Lillard, the great Tom Arnold, and many others. Our pilot director, Anthony Hemingway, did a great job of capturing the scope and tone of “True Lies,” which I have to say was a real feat because the budget was a little bit over 5 percent of the budget of the film.

But the thing that was reinforced again and again as we went through the season was that the essence of “True Lies” isn’t spectacle. Now, don’t get me wrong. I love spectacle, and we were able to do some big stunts and effects that I’m really proud of. We did the biggest car flip I’ve ever done, and I’ve done a lot of car flips. We blew up a lot of buildings, and, yes, we dangled Helen from a helicopter.

But the thing that really matters to me, and I think to all of us, about “True Lies” is the spirit of the thing. It’s a show about family, about a group of people that really care about each other and are working through real issues. It’s a show about decent people who are trying to make a difference in the world. “True Lies” invites the audience to laugh and have some fun and remember that whatever insanity might be going on in the world, we are all human beings trying to do our best. That’s what I remember most from coming out of that theater in 1994, and that’s the spirit of what we’ve tried to do with this show. So I hope you enjoy.

SIENNA SANDERS: Thank you, Matt.

QUESTION: Hi. Thanks, Sienna. Hi, everyone. Thanks for doing this.

Steve, my question is for you. I know you suffered an injury toward the end of filming. Number one, how are you doing with that right now? And, number two, by that point

(Steve Howey shows bandaged finger.)

(Laughter.)

QUESTION: And, number two, by that point in time, did you expect you were going to come through this unscathed? Or how did you feel about it before this happened?

STEVE HOWEY: Great question. This was the hardest thing I’ve ever done. This was really, really hard and, at the same time, a lot of fun. But there was a time on I think it was Episode Ginger, help me out. What was it? Episode 5 or 6. I had 103 temperature.

GINGER GONZAGA: Oh, yeah.

STEVE HOWEY: She lost her voice. She was mouthing the words. I hurt my back. I pulled my left quadriceps. So that was happening. And then on Matt’s episode, Episode 12, is when I had this stunt that I had to throw Luther against the wall, and I threw his stunt double against the wall, and it snapped my finger back. So it went that way, and then I had to pop it back.

So, yeah, it hurt, but it was kind of fun, too, at the same time, because it was like, oh, we’re actually really doing something. But doing your own stunts, careful what you wish for, because it just might happen.

(Laughter.)

STEVE HOWEY: It’s not that great. It’s really not that great. I did it, and I’m really hoping for next season to really use my stunt double a lot. Because

GINGER GONZAGA: I would like to point out that, when he had 103 fever, it also just so happened to be the episode where he needed to pick me up multiple times

STEVE HOWEY: Over and over again.

GINGER GONZAGA: in a scene. Over and over. You just had to deadlift my body.

STEVE HOWEY: Yeah. You’re light as a feather, though.

OMAR MILLER: Stiff as a board. Light as a feather. Stiff as a board.

(Laughter.)

QUESTION: Hi, everyone. Thanks so much for doing this. This question is for Steve and Ginger. Obviously, like we said in the intro to this, and Matt has already touched on it, this is such an iconic film. So what was some of the connective tissue that you wanted to kind of bring from Jamie Lee and Arnold’s performance? And then, also, what did you want to do that makes this dynamic in this show feel completely different than the one that we see in that film?

STEVE HOWEY: Well, I said that I would never out of respect for the man, never do the impersonation. I’ve never done it, not once, and I never will. Because it’s an iconic actor, an iconic man. And it’s an iconic film, like Matt said.

And it was daunting, but after meeting Ginger and realizing that she’s one of the funniest people I’ve ever met literally she it was always a good day working with her because I knew I was going to laugh. And we just wanted to do something on our own. You know? We couldn’t mirror the movie. We didn’t want to do it exactly. We wanted to bring our own flair. And I think we did. I don’t know. Like, I think we had we had a lot of fun. Again, it was hard, but this cast, I adore so much. Actually, I hate them. No, that’s not true.

(Laughter.)

STEVE HOWEY: No. We all, like, supported each other, and we were doing something that was really exciting, but we wanted to make it our own. And hopefully we did that. Hopefully we did that. Ginger?

GINGER GONZAGA: Yeah. And thank you. Yeah, I was in a lucky position where I had never seen the film, and so even before the pilot, I committed to not watching it, because I know Jamie has an iconic performance. The last thing I want to do is an impression of Jamie Lee Curtis. I love her so much. I have so much respect for her. And I want to be able to I didn’t want to feel like I didn’t want to absorb any of it.

And so I was lucky in that, when I auditioned for this, I got to literally just take the script for what it is and be like, “Okay, here’s Helen,” like I would have done at any audition. How can I make this pop? How can I make this a character I want to play? How can I make this super funny? And so I was just I got to organically just make it based off of, like, a script that was brand new to me.

Steve Howey and Ginger Gonzaga star in "True Lies" on CBSAnd, you know, since the chemistry session that I had with Steve, this project has always been insanely, like, joyous and really funny and fun. Like, I think about our chemistry test, and, I mean, all of us, Matt and Anthony, like, we were just giggling and laughing. That’s how most of our scenes ended, and that’s how most of the days went on this job.

So, yeah, I’m lucky that I just got to keep it separate. I know the DNA is in the writing, and then I just kind of put my Ginger version onto this Helen in a way that kind of like, by default I didn’t have to do the job of separating myself from Jamie because I kept myself clean of it, basically, is how that worked.

And, yeah, I mean, the DNA of the show is in the film, and there’s so many winks at it. And I think just because of the year it is now it’s 2023 it already has that freshness to it. It’s the perfect amount of time between when the film happened and when we remade this, because it’s not so close that you’re like, “Oh, I remember the other one.” It’s that perfect amount of time where the society has evolved. Everyone’s evolved. The actors are going to be different. And so we’re lucky in that way. It really makes it just kind of easy to be this fresh, new thing. Yeah.

QUESTION: Hi. Thanks for being here today. I enjoyed the three episodes. It reminded me of certain shows I’ve seen in the past that I really enjoyed. If you guys could choose one show in the past that you think this show is similar to or that it reminds you of, what would you choose? Any of you.

GINGER GONZAGA: Oh, “Handmaid’s Tale.”

(Laughter.)

SIENNA SANDERS: Erica or Mike, would you like to answer?

MIKE O’GORMAN: I was going to say “Cagney & Lacey.”

ERICA HERNANDEZ: I’m comfortable letting Mike take that answer. He’s been trying to educate me on TV. So it’s probably better for him to answer that.

STEVE HOWEY: You know, we talked about this before, and I was mentioning shows like “Moonlighting.”

MIKE O’GORMAN: “Remington Steele,” you brought up.

STEVE HOWEY: “Remington Steele,” these man and woman

GINGER GONZAGA: “DuckTales.”

(Laughter.)

STEVE HOWEY: “DuckTales” of course. Scrooge McDuck.

But, yeah, I mean, and again, you know, this action/drama/comedy, you know, the elements that we were doing, this is all from the cast of what we talked about, we all dreamt about doing something like this. So while we were doing it, it was like, “Oh, my God. We’re doing it. This is amazing.” But it’s so much work. I don’t even know how to say it.

(Laughter.)

STEVE HOWEY: It was so much. But, again, like Ginger was saying, we had this chemistry, and we were supporting each other, and it was fun. And we had laughs and tears and all of the and broken bones and all the above.

MATT NIX: Yeah. Just to add onto that, I think the definitely some of those like “Moonlighting” is a great example of a show that, you know, definitely was playing real romance and fun, and there was a case, and it didn’t take itself too seriously. At the same time, though, one of the challenges for us was like, name the action comedies on television. You know what I mean? They’re just not I mean, you could find a few action shows with comedy elements. You know what I mean? But in terms of, like, true action comedy, it’s mainly a movie genre. And, you know, as Steve keeps hinting at, we did discover there’s kind of a reason people haven’t done it, actually.

(Laughter.)

MATT NIX: Because, you know, you really have to one of the challenges was, you know, like, you got to have a real case. You know what I mean? You got to do all the things that a regular spy show would do, and then you’ve got to do all the things that kind of a family drama would do. You know, you’ve got to play all those emotional beats. And then you’ve also got to do a bunch of comedy things. You know? So finding a way to do all of those things without having the comedy undermine the action or without having the heart of the family story overwhelming the other elements, it’s a balance.

And so, you know, we definitely had tonal touchstones, you know? And a lot of them were pretty retro. You know what I mean? A lot of them were older shows, when, you know, basically I don’t know. We’ve been through a period where there’s a lot of television out there that’s sort of like vegetables TV, and this is more like dessert TV. Like, that’s kind of how we roll. Hopefully, it’s maybe a more balanced meal than that. But it is true there’s not a lot of action comedy on television. So, you know, we had touchstones, but we didn’t really have models.

QUESTION: Thank you.

QUESTION: There we go. We love TV shows about strong kick ass female characters. Ginger, how did you prepare for some of Helen’s fight scenes?

GINGER GONZAGA: Oh, I just fight people on the street in my life.

(Laughter.)

GINGER GONZAGA: I’m very scrappy. Haven’t learned

MATT NIX: You did, though, in the pilot. You fought someone in the pilot on the street.

GINGER GONZAGA: Oh, I did. But, listen, if you want a fascinating tale, this cast is insanely close, and on the very last night of the pilot, we did go out in New Orleans. And I was assaulted by a woman, literally taken by my hair and thrown onto the ground. And it wasn’t until I saw Steve Howey’s legs marching over my body to stop said woman that I knew that I was going to be okay. So I was unfortunately a damsel in distress in real life in that situation. I think we, like, somehow recreated the movie with Steve literally having to come and save me.

But, yeah, this show is super physical. I like to say that I’m stupidly brave, so I kind of just assume I can do things when that’s not always the case. I’ve learned how to do everything that way, riding horses, skiing. I just end up someone throws me down a black diamond, and I’m like, “Oh, I figured it out.” But, you know, I had done gymnastics in my life, and so I tried to incorporate a little bit of that.

I’m grateful that I like, I had no idea how much I would need Pilates for this job. You physically have to be strong. Like, I literally need the muscle that comes from that in order to do some of the work. And in my free time, you know, I was taking some boxing classes. I would take I took a parkour class, and the other students were like 14 years old. So it was just me and little 14 year old boys, and I was weirdly, like, trying to show off by dismounting on gymnastics bars and stuff, trying to, like, look cool to my 14 year old friends.

But for this show I mean, Howey is already I say he Howey’s already a fighter, so he had this skill set, you know? And you can he learns fight choreography like a Lady Gaga dancer, you know? Like these people that learn dance choreography so quickly. So, you know, that’s not something I had. But being knowing that you have to stay physically strong is so important for this. So it was mostly about really, like, maintaining muscle and being ready for whatever I had to do, like truly physically able to accomplish it.

And I love that. I love kind of being, like, my healthiest ever for this job and staying really strong and not being, like, waify and knowing, oh, I need I really need to be powerful and strong for this. That’s how the job gets done.

QUESTION: Thank you. I’m a big fan of Helen already.

GINGER GONZAGA: Thanks.

SIENNA SANDERS: Thank you, Ginger.

We have a question that came in for Omar. Omar, your character, Gib, was played by the incredible Tom Arnold in the film. He also guest stars in the movie. Did he give you any advice for taking on the role of Gib?

OMAR MILLER: No, but he was great. He was really well above expected. And, man, we had a great time. We, you know, had the Gib squared moment, and we spent a lot of time on the episode together. I think one thing about the show is that the interaction of all of the characters is pretty consistent, and he’s one of our favorite guest stars. And, you know, I think that his the biggest advice that he’s given me was just to have fun with it, because that’s what he did. And I can remember being a teenager and coming out of the movie theater, just like Matt was saying, with my mind blown. I was like, “Wow, this is wild.” It was, you know, a very special time as far as action movies goes if you grew up in that period.

And he was just a really solid he was a really solid actor. Man, he would turn it on. You even saw in the trailer, one of the things in the trailer was an improv of his. He was completely prepared, and he was constantly professional and ready to go. He was game for whatever. Really good time with him.

QUESTION: This is for Steve and Ginger. There’s a lot of talk about compartmentalizing, something that’s important for all of us, compartmentalizing. But if you can each give an example in your life of when compartmentalizing is important or difficult.

GINGER GONZAGA: Well, for example, Steve is toxic.

(Laughter.)

GINGER GONZAGA: So when I go to work, I put that in a box. You know? And I might pretend, “Oh, this guy’s nice. He’s fun to work with. He’s so funny.” And then I go home, and then I fall apart, and I remember the horror of my experience. (Laughter.) No. I don’t know.

Compartmentalizing. Jeez. Well, there is the whole work home life balance actually on our show. And so I think that’s where I compartmentalize the most. I have to like at work it’s a bizarre thing to be an actor. I look at this panel right now, and I look at Annabella and Lucas, and, like, I’m still my mind is still tricked. Like, I think they’re my children. You know? So I’m protective of them on set and all these things. And then I go home and I take away that imaginary and I put everything away. I don’t know. That’s my answer.

QUESTION: Let me ask Steve that same thing. Because, I mean, like you’ve had twins, and it’s got to be hard to be a dad at one point and be a movie actor hitting people in the other. What’s the hard part about difficult part about compartmentalizing?

STEVE HOWEY: Well, I think you have to compartmentalize, especially if you have a family. My kids were in LA. I was in Atlanta. We were in Atlanta for five months. So that was that was tough. But, you know, Daddy had to be an action star. So that was the priority.

And, actually, I saw the pilot with my son, with my 13 year old, last night, and the one thing he said many things. He was very complimentary, but he said, “You’re a good dad on the show.”

(Laughter.)

STEVE HOWEY: And I said, “Oh, wow. Thanks.”

And he goes, “Yeah, you know, it’s probably because of us that you’re so natural at being a good dad.”

And I was like, “You’re right. Absolutely right.”

And I think, to go back, what Matt was saying is that, you know, there’s not a lot of shows like ours that have the comedy, that have the action, that have the drama. And that in itself we had to compartmentalize, because, you know, finding a moment of sincerity and then still try to hit the joke in the same time period, and then have a stunt sequence, not easy. Not easy work, but it was lot of fun.

QUESTION: Cool. Thanks.

STEVE HOWEY: Yeah. Thanks, Mike.

SIENNA SANDERS: We’re going to take a question for Annabella and Lucas. Ginger and Steve play your loving parents on the show. Did Steve and Ginger teach you anything on or off screen while you were making the show? Annabella, do you want to go first?

ANNABELLA DIDION: I’ll go first. Yeah. It’s mind blowing. It really is mind blowing. I feel like Ginger plays my mom, and then off screen, when I’m moving, she’s like, “Come stay at my house.” You know? And it’s a lot of industry things as well as acting, and with Steve too. I mean, he’s been doing this so long that just the way the technical things that I haven’t really had to or, you know, had the opportunity to work on previously. It’s really great to watch them work.

And they I mean, at times, they really don’t even have to say anything. It’s just like watching them is enough. And Steve with the comedy and Ginger with the comedy. And I also had the opportunity to be behind the camera and observe some directors. And so watching on the screen of everything that they’re doing and how it plays, it’s really, really special. So, yes, I have learned quite a bit. Very grateful, as you guys know.

SIENNA SANDERS: Lucas?

LUCAS JAYE: Yeah. Working with Steve, it was you know, off screen, he would give me a lot of acting advice. And, you know, I can any time, like, I’m around Ginger, I could just kind of like I can feel the mom energy just kind of, like, radiating, you know, off of her. And, you know, you just kind of like she kind of lifts the mood.

And, you know, like Annabella said with, you know, the comedy and the improv with the two of them, I just got to say it is legitimately so hard to, like, stay in character while they’re improv’ing. They’re so funny. And, honestly, I feel like I wasted a lot of takes by laughing from their improv.

(Laughter.)

LUCAS JAYE: So, sorry, but it’s so funny.

GINGER GONZAGA: I second that.

QUESTION: This is for Steve. What kind of a mental leap was it to go from “Shameless” to this? Was it difficult? And especially when you’re the lead of the show. I mean, that’s a huge responsibility.

STEVE HOWEY: Yeah. It was a leap. I told Ginger, I said, the great thing about us, and Harry and Helen, is that we get to exchange the responsibility of being the straight man, straight woman, straight actor. It’s like, so you have the person who’s going to set up the joke for the other actor, and her and I went back and forth with that, and I thought that was really special.

But, you know, Omar, he brought it up to me at the pilot, and he goes, “You ready? You ready to be number one?”

And I’m like, “Yeah, yeah. What do you mean?”

And he goes, “All right. You’ll see.”

And so, you know, Omar has been doing this for 20 plus years, and he was a really great support system about how to be number one and to the responsibility. I just wanted to take care of the cast, and I was like, you know and lucky enough, they casted amazing actors and amazing people. And I think the latter first.

We all hang out afterwards. Omar brought me dinner one time. He knew I had a tough day, brought me some food. I go out with Mike. We’ve hung out with Ginger. And then, yeah, we laugh and we play, and then we work really, really hard. But it really helped that we had this synergy among us, because those difficult days of working all day, beating our bodies up, and then coming to work the next day, it was a lot easier because of the support amongst us.

QUESTION: Thanks.

STEVE HOWEY: Yeah. Thank you.

SIENNA SANDERS: Great. And we’re actually near the end of our panel, so thank you all for joining us today. Before we hop off, Steve and Ginger are going to share some closing remarks with everyone.

STEVE HOWEY: Ladies first.

GINGER GONZAGA: Oh, gosh.

(Laughter.)

GINGER GONZAGA: Well, I just wanted to say we didn’t get to hear from Mike and Erica, so I just want to sing their praises and say that we’re really lucky to have them. I mean, they both have such strong comedy backgrounds, and I hope you really enjoy their dynamic on the show.

And we are I always feel like it sounds so fake when you’re like, “The cast really loves each other, and they get along, and it’s the best,” because I think that’s what, you know, the networks want you to say, but we are we got so lucky with this show, with everyone kind of having the same true north, that we wanted everyone to shine. We knew how multitalented everyone was. Even, you know, we had Annabella shadowing directors. Like, I know how much talent and how much intelligence is involved in this whole show and this whole cast. And we everyone was very protective of each other, and we really wanted everyone to shine.

So in doing that, we for as hard as our days were, really squeezing in seven day episodes and such, you know, I’ve never been on a show where I end up, like, crying three times a week from laughter. Sometimes I’d just be looking at Annabella in a scene, or we’d have a guest star do something ridiculous. Or, you know, I went very rogue on this show, and they let me, and I get to do things, and I’m just giggling that they let me get away with an improv.

So I hope that our joy and that the fun that we had translates to audiences and viewers for this show, because we’re just so blessed with so much talent, and we really did there was just so much fun. So I hope people watch this show and it’s not only necessarily like a break, but I just hope it’s I hope it’s fun and exciting for them.

And I’m grateful to the press. I’m sad we don’t get to see you today. This is so weird. I’m talking to a black void looking at my friends. But, yeah, thanks for your time. And, yeah, that’s all I have.

STEVE HOWEY: Ditto.

(Laughter.)

GINGER GONZAGA: That’s cheating.

SIENNA SANDERS: All right. Well, thank you, everybody. Enjoy the next panel.

MORE INFO: Trailer

"True Lies" key art

TRUE LIES, inspired by James Cameron’s hit action-comedy film of the same name, follows Harry (Steve Howey), a first-class international spy for U.S. intelligence agency Omega Sector, and his wife, Helen (Ginger Gonzaga), a language professor bored with her daily routine, who makes the shocking discovery that her seemingly ordinary husband is leading an extraordinary double life. With the secret out, Omega recruits Helen, who impresses everyone with her formidable skills (thanks to Tae Bo and yoga), and she joins Harry and his team of top-notch operatives, embarking on covert missions around the globe and an exhilarating life of danger and adventure … all while keeping their adventures a secret from their three teenage children. The renewed bond between them adds much-needed sizzle to the Taskers’ emotionally distant marriage and upends the top-secret world of Omega Sector. But, as Harry says, if you’re going to save the world, you might as well do it for the ones you love.

Series premiere Wednesday, March 1 (10:00-11:00 PM, ET/PT) on the CBS Television Network and available on the CBS app and streaming on Paramount+

ON AIR:

ORIGINATION:

Wednesdays (10:00-11:00 PM, ET/PT)

Atlanta

FORMAT:

Drama (Filmed in HD)

STARRING:

Steve Howey

(Harry)

Ginger Gonzaga (Helen)

Erica Hernandez (Maria)

Omar Miller (Gib)

Mike O’Gorman (Luther)

Annabella Didion (Dana)

Lucas Jaye (Jake)

PRODUCED BY:

20th Television

EXECUTIVE PRODUCERS:

Matt Nix, James Cameron, Rae Sanchini, McG, Mary Viola, Corey Marsh, Josh Levy and Anthony Hemingway

Facebook: facebook.com/TrueLiesCBS

Twitter: @TrueLiesCBS

Instagram: @TrueLiesCBS

CBS Twitter: https://twitter.com/CBSTweet

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

Steve Howey and Ginger Gonzaga star in "True Lies" on CBS

Y&R Update Friday, December 23, 2022

Young & The Restless Update

Y&R logo

Update written by Barbara

Seated at the Glam Club with Noah, Sharon, Mariah and Tessa on Christmas Eve, Nick tells them that as excited as Christian is about Christmas, it was easy to get him to sleep. He adds that Christian is a cakewalk compared to Noah at that age.

As Tessa and Mariah get tipsy from champagne, Tessa tells the group that she and Mariah don’t have to be concerned about driving home because she booked a suite downstairs in the hotel as a holiday surprise for Mariah. The two of them look forward to getting comfortable in the cozy robes the hotel provides.

Once inside their suite and relaxing in the big bed, Mariah gives Tessa an ornament to celebrate their first Christmas as a married couple. Tessa mentions that continuing to add ornaments could become a tradition and hopefully they can add one for their baby’s first Christmas next year.

When Mariah and Tessa wake up on Christmas Day, they realize they’re running late and rush over to Crimson Lights to help Sharon pack the holiday presents and food boxes that Noah will bring to the shelters.

A pregnant woman comes into the coffeehouse asking for help. She tells Sharon, Mariah and Tessa that she needs a tow and her phone is dead, and asks if they can help her.When Sharon asks what happened, she tells her that she hit a patch of ice and skidded into a pole.  Her name is Sonia and she is very upset, and a little dazed. Tessa calls a tow truck, but she’s unable to find one that would be able to get to Crimson Lights in a timely manner.

After being introduced to Mariah and Tessa, Sonia recognizes Tessa from her music and one of her songs that’s playing in the coffeehouse. When Mariah and Tessa ask Sonia about being with her family on Christmas, she tells them that she was driving away from her parents because she hasn’t been getting along with them. She mentions that she was supposed to finish college in the spring and then go to grad school but adds she doesn’t know how that will happen.

When Sonia anxiously says that she doesn’t know if she can be the mom that her baby deserves, especially with all the people out there who can’t wait to be parents. Mariah looks at Tessa, who tells Sonia that it’s a really big decision, but she’s sure Sonia will make the right decision for her and her baby. Mariah tells Sonia,”it’s your story to write; nobody else’s”.

Sonia’s water breaks, followed by contractions, and she goes into labor in the coffeehouse. Mariah tries unsuccessfully to get an ambulance over there on time because the roads are almost impassable.

Sharon calls Elena, who is close by and can get to Crimson Lights. Elena delivers Sonia’s  baby girl. The EMTs finally arrive and get Sonia and the baby ready to go to the hospital with her baby.

Having told Mariah and Tessa that she felt that the universe brought her together with them, Sonia says she feels like she can do anything now that she’s holding her daughter.

In their hotel room on Christmas Morning, Mariah is sitting up in the bed looking serious and upset. When Tessa wakes up and they talk for a few minutes, they realize they both had the same intense dream.

Mariah worries that this is an omen that they might not get what they want, whereas Tessa remains optimistic and suggests that Mariah look for the good parts of the dream. She tells Mariah that they’ll be “kickass moms”.

Mariah and Tessa come into Crimson Lights to greet Sharon and Noah. Sharon observes that they they don’t seem to be their usual effervescent selves, but Mariah assures her that they’re fine.

Then, she and Tessa get texts from Delphine, the potential birth mother they’re supposed to meet after New Year’s. Delphine has sent a sonogram of her baby girl, with a message that says to Mariah and Tessa, “We can’t wait to meet you”.

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Interview with Karen David, Tyler Hilton and Robert Tate Miller

TV Interview!

Karen David and Tyler Hilton in "When Christmas Was Young" on CBS

Interview with Karen David, Tyler Hilton and Robert Tate Miller of “When Christmas Was Young” on CBS by Suzanne 11/3/22

This is a fun holiday movie with some great music. You probably will recognize the two actors who star in it. Karen David (Melody) is in “Fear of the Walking Dead” and has been in many series, including “Legacies” and “Once Upon a Time.” Tyler HIlton is most known for “Extant” and “One Tree Hill.” They do an excellent job in this movie, which is produced by Sheryl Crowe and features her original music. The main tune is very good. It premieres tonight on CBS, 12/18/22, but you can watch it as well on Paramount+.

CBS 2022 HOLIDAY PROGRAMMING PANELS
WHEN CHRISTMAS WAS YOUNG
Karen David
Tyler Hilton
Robert Tate Miller, Writer

Virtual via Zoom
November 03, 2022
© 2022 CBS. All rights reserved.

ERIN FREILICH: Hi, everyone. I’m Erin Freilich, and together with the ever so festive Noelle Llewellyn, I am pleased to welcome you to the panel for “When Christmas Was Young.” The movie, which premiers on Sunday, December 18th on CBS and will be available to stream live and on demand on Paramount+, is a Nashville music themed movie for which award winning singer songwriter Sheryl Crow executive produced and wrote the title song.

The story follows a headstrong music manager in desperate need of a hit song for his last remaining client who finds himself falling for a gifted singer songwriter with abandoned dreams of making it big as he attempts to secure the rights to a Christmas song she wrote years ago.

On today’s panel, we have the stars of the movie, Karen David and Tyler Hilton, as well as our wonderful screen writer, Robert Tate Miller.

Before I hand the virtual mic over to Robert, just as a reminder, if you have a question, please raise your hand in the chat feature, and I will call on you by your screen name when it’s your turn.

Over to you, Robert, for your opening remarks.

ROBERT TATE MILLER: Thank you very much. Noelle, good to see you guys. Thanks for being here.

We are very, very excited about this project. Originally, coming up with this idea, wanted to do something that had not really been done that really had a sense of uniqueness about it. And I know you’ve heard there’s 150 movies new movies coming out. Wanted to do a project where you remembered it and said, “Yeah, I remember that one, When Christmas Was Young, it was a little different.” And we feel like we’ve created something that is unique and different, and Tyler and Karen were just phenomenal in this. They really bring this story to life.

All of us have music to me – I don’t have the musical gifts that Karen and Tyler have, but music has been so important in my life. And I think we all have these soundtracks from our life, songs that evoke memories, happy, sad, romantic, that just take us right back to another time. And this movie is revolves around a song which drives the story, and we were fortunate enough to have Sheryl Crow write this song, a gorgeous song, and it is the centerpiece, the core of this movie. And the song brings our couple together and drives the story. So we hope that you love seeing this movie and enjoy the screening, and we really love it and have such a sense of gratitude because we all had a wonderful time doing it. Hopefully you’ll have a wonderful time seeing it.

ERIN FREILICH: Thank you, Robert.

And that was actually a perfect lead in because right before the panel started, you all actually heard Karen’s recording of When Christmas Was Young, which she’ll be releasing very soon as a holiday single.

So, Karen, before we take the first question, can you tell us a little bit about how you brought this song to life and when the single will be coming out?

KAREN DAVID: Yes. Oh, gosh, well, hats off to Sheryl Crow. I mean, it’s such a dream to have someone like her, you know, crafting a song for your character. I remember when Tom Mazza, our producer, sent sent the track over, I was in London, and I was on a busy commuter train. And everyone was all like 6:00 rush hour, and they’re all, like, grouchy and grumpy, and there I was just beaming, thinking, Oh, my God, I’m hearing Sheryl Crow singing this demo on a packed commuter train in London. And it just it was a dream come true from there.

I we knew that we wanted to do a record and a single, and my husband, who’s a Grammy nominated music producer, I kind of said to him, I said, “Are you” “do you have some time on your hands maybe to produce this album?”

And I’m in this our studio, this is our home studio here, and it was so special because we just had this studio built in May during the pandemic, and this was the first song that we recorded and he mixed and everything and produced here in the studio. So it was really special for us in our in our home, which was still in the middle of house remodeling, but it was it was a dream come true to sing such a beautiful song and a beautiful Christmas song, which I just think is I mean, the lyrics and everything, it says it all and just makes this whole film just so magical.

ERIN FREILICH: Thanks, Karen.

KAREN DAVID: It comes out November 11. 11/11. So I’m hoping there’s some good you know, good energy around that.

ERIN FREILICH: For sure. Thanks, Karen.

QUESTION (this was my question): Hi. Yes, my question’s for Tyler. Since you’re a musician in real life, was it strange for you playing a music manager rather than playing and singing yourself?

TYLER HILTON: Yeah, it was fun. Like, it wasn’t weird. I kind of felt like I was getting away with something, you know? Like, I sing in everything I do, so I was kind of like, oh, I don’t I don’t have to do anything except kind of watch everyone else do it.

And I’ve never yeah, I’ve always played the musician, I’ve never really played the music business side of things. But I’ve been doing this like, music professionally since I was 15 or whatever and been around all kinds of record people in all different, like, phases of the industry. So it was kind of fun to embody a lot of the people I think I’ve worked with or whatever and also to see, like, the compassion on that side of it too, you know, the kind of pressure they’re under and what the stakes are for them and stuff. But I really liked it. It was fun.

QUESTION: Karen, just tell us more about your relationship with music and with the with acting. I see you’ve been doing music forever, musicals and on stage and everything else. But tell us a little bit about what your first love was and was there ever sometime where you thought, oh, maybe you were going to be more of an actress and you weren’t going to get to do that much music.

KAREN DAVID: Hi, Mike. That’s such a good question. You know, I blame my older sister. She’s she’s a bit older than me, so she’s always been like my second mom in a way and got dumped with babysitting duties ever since I was a little girl. And whatever she listened to, I had to listen to.

And my parents had this big love for music. Right from when I was four years old, they would take me on weekends when I was growing up in Toronto for a bit. I would go to Ontario Place on the weekends because they’d have these free concerts, and I saw everyone from, like, Neil Sedaka to Kool & The Gang and The Temptations, you name it.

And my sister one day sat me down when I was six years old and introduced me to Olivia Newton John, God rest her soul, and she’s the reason why I went into wanting to sing and to act. I didn’t necessarily know about musicals, I just knew that I loved to just kind of write and make up tunes in my head and wanted to act in film or TV like her. So that’s what I was bitten so hard since I was a little girl, so it was always wanting to do both both of them.

When I went to drama college in England, after I graduated, I had my first sort of taste of musical there because I’ve never done a musical before. I was in the original cast of Mamma Mia!, and I remember all my classmates just saying, “You’re going to ruin your whole career before it even started because you’re going to do this musical based on ABBA, this is going to be the biggest flop, and you’ve just done Chekhov and Ibsen and you know, and Shakespeare at The Globe, and now you’re going to go do this musical.” And we still have a laugh about it that it yeah, not quite the biggest flop.

But that kind of opened my eyes of really wanting to pursue my music whilst I was in London, and it was then that I got signed to BMG at the time and then embarked on this chapter for a bit of being a recording artist. I learned a lot, a lot about my myself and, you know, music and stuff. And, of course, you know, I think every musician maybe Tyler can relate and loads of other musicians can relate too, and if you’re lucky enough to get signed to a deal and then when a company merges when BMG merged with Sony after having two singles out, I I lost my whole team, and that was a really soul destroying point in my life.

But acting, my agents were so happy. They’re like, “Great, now you can act and have time to do that.” So then the acting kind of took over and got really busy. So now it’s been trying to come back to it. And, you know, certainly on Galavant, I was able to sing, which was so wonderful, with Alan Menken. And then on Fear of the Walking Dead, the same, they kind of infused that with Ruben Blades, which was wonderful. And it’s just been so nice to be able to come and do a movie like this.

TYLER HILTON: They should do Walking Dead: The Musical. They should do that.

KAREN DAVID: We should do an episode with like a thriller section with zombies.

TYLER HILTON: I’d go see the regional touring company of that. That’s amazing.

KAREN DAVID: I like the way you think, love.

But, you know, I’m just with this movie, I just love that music is the core and the heart of this film, and it’s what unifies all of us together, and on top of that, to work with, you know, the family that we’ve had was just a dream. And, yeah, it’s kind of ruined me now. So it’s nice to be back in the studio and recording again. I’m really excited about that.

QUESTION: Hi. Getting back, Tyler, to what we were talking about, you know, did you find it easy to play your role as a music manager being that you are a musician, and were there any challenges that you didn’t expect to face?

TYLER HILTON: You know what? Here’s what I’ll say: I feel like this is one of those, like, rare scripts and one of those rare characters where as you’re reading as I was reading it, it all came it all made sense right away in my brain. It wasn’t even the fact that he was a music manager, it was just I understood the guy. Whether he worked at a car factory or whatever, I just totally understood this guy, whether he was in music or not. And I think that’s definitely a testament to the writing. And it was so funny as well.

And so the vibe I got from him was that he was just kind of this guy that was using, you know, humor and hubris as like a shell, and I just like, I related to it. I, like, felt for this guy. I thought he was funny. I, like, felt for his plight. And it wasn’t weird for me at all. I don’t know the music thing didn’t even really come into it for me as much, it just seemed like a guy who was struggling.

And, in fact, like, I was trying I think knowing a lot about music would have been a detriment, you know, if I think part of his thing is he knows talent, he knows, like, feeling, he gets a vibe. And I’ve met so many people like that, that are so successful in the industry, can’t sing or play a note but just can identify a vibe, a feeling. A lot of us are like that, you know. I mean, I play, so I don’t have that, but but anyway, I just I just really connected with him, which was funny and is the best thing that you can do, I feel like, when you’re acting. And the most surprising and wonderful thing too is, like, finding that you relate so much to somebody that has nothing to do with your life experience. But I just got him, you know?

QUESTION: Robert, what made you want to write this film?

ROBERT TATE MILLER: Well, I love a good love story, and I love music, and it just sort of just the title came to me first, to be honest. I thought, I got to build a story around this title. And then I thought, Well, let’s make it a song title. And I thought it’s kind of unique that a Christmas movie is centered around a song, an original song. And so that appealed to me. It was different than anything I’d ever done. The story came quickly, although it was a couple years of revisions and notes. I believed in it from the beginning and knew it was going to go all the way. I just wanted to make a good Christmas love story, to be honest.

QUESTION: Karen, this question is for you. And please understand it’s coming from somebody who cannot either sing nor act. But I’m curious, to me, as a singer, it’s the world asking you to strip yourself down to your heart and soul and put that out there to an audience. When you’re acting, you’re told to put on a different face and not show your true self. Does it feel that way to you, or is it all just part of your artistic soul coming through just in different formats?

KAREN DAVID: Thank you, Rick. All these questions are so good.

You know, I think, again, as Tyler said, speaking to the writing of what Rob created with this with this film and this story, there is just I can’t explain this inexplicable sort of symbiosis between, you know, Melody and all the characters too. I just it just felt so me. It touched upon when I read the script, I got so excited because it was nostalgia for me. It just took me back to my singer songwriter days and what that was like even starting out and, you know, doing the slog and fighting the good fight of trying to go through those struggles that you do when you’re first starting out. And it just it just brought me back to that place.

And I remember it so well as if it was yesterday. I just felt this connection so deeply with Melody, and I knew it was something I had to do. It felt easy for me because of not only Rob’s writing but also working with someone like Tyler. I mean, I keep telling Tyler this: He’s such a magical scene partner, he was so supportive and just elevated every scene and brought the best out in me.

And our director, Monika Monika Mitchell, who’s just a force of nature, I’m sure all of us will say this, you know: She’s a really, really special soul, and being on this journey with her just made everything easy and seamless and so cohesive. So I’m really grateful I’m really grateful to have done this with these guys. They made my job so much easier.

QUESTION: I have one for Robert and then one for Tyler too.

But, Robert, what are the musts that you have to have in a Christmas movie?

And, Tyler, you’ve done several. What why is that? Is there a thing about you and Christmas?

TYLER HILTON: Yes. I am Santa.

No, I’ll let you go first, Robert.

ROBERT TATE MILLER: I think the musts, you’ve got to have a good solid story with conflict, you’ve got to find a way to bring them together and split them up, you’ve got to have try to have a unique story that hasn’t I mean, I’ve written a number of Christmas movies, and I wanted this one to be something that really hadn’t been done before. I felt like we accomplished that.

You need snow, and you need a nice small town, usually. You just need a really good solid heart warming story that people can identify with and relate to. And you need to have them solve everything by the end, in the final act.

This is my favorite of the ones I’ve done, and I really, really mean that. I’ve done a number of movies. This is definitely number one, the best experience I had.

TYLER HILTON: That’s so cool. You know what I also like about my favorite part of Christmas movies that you put in this one is somebody who’s not really in the Christmas spirit.

ROBERT TATE MILLER: You’re right.

TYLER HILTON: I like that.

KAREN DAVID: There’s a lot of (inaudible) moments, a lot of funny moments on set.

TYLER HILTON: Yeah. And, no, I don’t know I don’t know why I’ve done so many, but they I don’t I just like to do things that are fun to do, and every one has been either with friends or people that I’ve kind of worked with before, and the same was true with this one. I’d worked with Monika Mitchell, the director, before, and I think she’s very cool, and she sent me the script. And I would have done it I probably either way just to hang out with her, and then I read the script, and I was totally blown away. I don’t mean any disrespect to any other holiday movies or whatever, but I told my wife, I was like, “Oh, my God, this movie is so good, this is like a real movie,” you know? And, I mean, it’s not just a holiday movie, a genre movie, like, it’s a good movie. I really was touched when I read it.

You know, I think the thing that gets me the most about this one is it’s not just whatever, like a holiday thing, it’s like this guy in particular is at this point in his life we’ve all been, and I’ve definitely been there recently where you’re kind of playing this game, you know, the way you keep scoring your life is one way, and he was kind of using a certain metric of success to keep score, and you hit the ceiling where you realize, This is as far as I can take this personally, emotionally. And then what? How do you pivot when you’re that far into your career, when you’re that old? Pivot mentally, pivot emotionally, pivot back to who you actually might be instead of the image you had for yourself as a puffed up, you know, early 20s or something. And I think this guy, you explored all that in a holiday movie or whatever. But I was super touched by it. So I would have done it regardless, if it was a if it was like an action film, you know, and it was like but I just love this movie.

QUESTION: You’ve heard a lot of comments, a previous one about Christmas movies. We’ve heard a lot of comments about this feels like a real movie, these feel more like real people, it doesn’t feel like a formula. And obviously millions of people love the current rom com Christmas formula. But I’ve always thought it’s possible to tell a real story with real emotional content and a grounded story line within the context of a Christmas movie. So do you think you achieved that, and how how did you go about achieving that while still leaving in all the things that people love about a classic Christmas rom com?

KAREN DAVID: We were just talking about that, and having just watched the screener, is that I think one thing that really touched our hearts deeply is just how grounded and how genuine and accessible, you know, this the tone of this whole movie is, which I think just speaks to what Rob and Monika have created and our producers too and Tyler and the whole gang.

I know Tyler and I did a lot of hanging out and, like, you know, just bonding. I think, you know, you never know what it’s going to be like when you meet your scene partner for the first time, and I remember when Tyler and I flew in, we were both so tired from our journeys. And as soon as I met Tyler, it was just as if I had known him all my life. We didn’t know that we were going into a table read right away with everyone, but yet just everything fit, everything fit seamlessly together. And I think that’s because of, you know, who Tyler is, who Rob is, who Monika is, Tom, everyone involved.

But I just love that this is this does feel real, and that’s something that was really, I know, important to all of us, to create something that especially, you know, coming off the back of the pandemic and everything, something that really just makes you feel good but in such a grounded and very genuine way.

TYLER HILTON: Yeah. I agree. I feel like I feel, like, the same way. We had so much in common right away, I thought, Oh, this is such a relief. And I also feel like in some projects that really work, there is an element of everyone showing off for each other a little bit. Like, the opposite of that is phoning it in. And, like, I think I can speak to me, but, like, with Sheryl Crow being involved with Karen, right away, I was like, Oh, my gosh, she’s so talented, so pro, so much experience. Rob, Monika. I was like I don’t know, like, I wanted to be I wanted it to be good. I love the script, and there’s just an element of like “Let’s do this” in every moment, you know? And I felt that from everyone. Like, every day of this film, I felt I didn’t feel anyone was phoning it in or just, like, doing another Christmas film. Everyone was into it and trying to make this real, which sounds cheesy, and I’m sure, like, everyone’s saying that about their movies, but I’m serious. I’m not lying. But it really was, you know?

KAREN DAVID: Everyone was cheering for each other.

TYLER HILTON: Yeah.

KAREN DAVID: Very much so, every day. And my God, the laughs we had on set. Guys, I mean, the pie scene in the beginning, we were just talking about it, how we were laughing so much. If you guys could see the blooper reel of how many times there’s a reason why I’m wearing that apron.

TYLER HILTON: Oh, my God.

KAREN DAVID: Tyler with the whipped cream can.

TYLER HILTON: Yeah. They got this fancy whipped cream canister for me, and I was like, Oh, this is going to be great, and every take I did, it exploded all over her blouse. So there was like white whipped cream everywhere, we’d have to reset. It happened so many times, I felt horrible.

KAREN DAVID: It went on you first, and then the whole camera crew, and then it went onto my blouse. And they were like, “Oh, dear.” So then the apron went on, and we were trying not to laugh. That was really tough during that

TYLER HILTON: We also ate a lot of pie in the movie, so maybe that’s why we were so excited because we were on a sugar high the whole time. Lots of pie in the movie.

QUESTION: Maybe Robert could address this also, about making it more grounded, more real, more grown up, if you will.

ROBERT TATE MILLER: Yeah. I mean, whenever I came up to a point where a cliche was easy to go, I went the other direction and just said, “I want to do something different, I don’t want to go down that road.”

And the producers and CBS were so supportive of just trying to make this a little more real, and I think it kind of just shines it shines through. I think you’ll see it when you watch the screener. It was just a desire not to go down the road I’d gone down a number of times before and to consciously resist that and create something original and new and different. And our incredible cast brought it to life, and I couldn’t I was on set for a good bit of it. It was just like a writer’s dream, being there, to see it all come to life. I think we pulled it off. I think you can be a judge for yourself when you watch the screener, though.

ERIN FREILICH: Thanks, Robert.

And thank you to all of our panelists and to all of you for joining today. I’m going to throw it back to Robert for some final thoughts.

ROBERT TATE MILLER: Thanks all you guys for being here. This is so much fun for me and such a thrill. I love this project. It was a couple years in the making. The first time I saw Karen and Tyler in the table read, within 30 seconds, I thought, We’ve got the right people. Their chemistry was immediate. I was so thrilled after that table read. I hadn’t met them yet, but I knew they were right. They really drive this movie and make you fall in love with this world, I hope, and with their characters and their story.

So thank you for being here and being a part of this, and thank you for your great questions, and I hope you love the movie.

MORE INFO:

Karen David and Tyler Hilton in "When Christmas Was Young" on CBS

A headstrong music manager (Tyler Hilton) in desperate need of a hit song for his last remaining client finds himself falling for a gifted singer-songwriter (Karen David) with abandoned dreams of making it big, as he attempts to secure the rights to a Christmas song she wrote years ago. Features original music by Sheryl Crow, who also executive produces.

CBS ORDERS THREE NEW ORIGINAL HOLIDAY MOVIES FOR 2022

Award-Winning Musician Sheryl Crow to Executive Produce and

Write the Title Song for “When Christmas Was Young”

The Talk’s” Amanda Kloots to Star in and Executive Produce “Fit for Christmas”

Prolific Holiday Film Writer and Producer Mark Amato to Pen

Must Love Christmas”

CBS announced today that it has ordered three new original holiday movies to air in December 2022.

Award-winning singer-songwriter Sheryl Crow will executive produce and write the title song for WHEN CHRISTMAS WAS YOUNG, a Nashville music-themed movie from a script by screenwriter and bestselling novelist Robert Tate Miller (“Hope at Christmas,” Forever Christmas). The story follows a headstrong music manager in desperate need of a hit song for his last remaining client, who finds himself falling for a gifted singer-songwriter with abandoned dreams of making it big, as he attempts to secure the rights to a Christmas song she wrote years ago. Tom Mazza, David Calvert-Jones and Karen Glass (Everywhere Studios) will executive produce, together with executive producers Shawn Williamson and Jamie Goehring for Lighthouse Pictures.

THE TALK’s Amanda Kloots will star in and executive produce FIT FOR CHRISTMAS from writer and executive producer Anna White (“Christmas Wonderland”), the tale of Audrey, an enthusiastic Christmas-obsessed fitness instructor at a beloved, financially beleaguered community center in quaint Mistletoe, Mont., who begins a holiday romance with a charming, mysterious businessman, complicating his plans to turn the center into a more financially profitable resort property. The movie will be produced by Brad Krevoy’s Motion Picture Corporation of America.

Mark Amato, who has created a dozen holiday-themed films, including last season’s CBS Original movie A CHRISTMAS PROPOSAL, as well as “A Kiss Before Christmas,” is writing MUST LOVE CHRISTMAS. In it, a renowned romance novelist famous for her Christmas-themed books finds herself snowbound in the charming town of Cranberry Falls, where she unexpectedly becomes involved in a love triangle between her childhood crush and a reporter determined to interview her to save his dying magazine. The movie will be produced by Brad Krevoy’s Motion Picture Corporation of America.

In December 2021, the CBS Original movies “Christmas Takes Flight” and “A Christmas Proposal” were the first original holiday television movies to air on CBS since 2012, and the newest additions to CBS’ longstanding holiday programming slate, which includes family-favorites like The Thanksgiving Day Parade on CBS and the annual broadcasts of beloved animated classics, including “Rudolph the Red-Nosed Reindeer” and “Frosty the Snowman.”

Proofread and Edited by Brenda

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Karen David and Tyler Hilton in "When Christmas Was Young" on CBS

Interview with Liza Lapira, Neal Bledsoe, Nathan Witte and Mark Amato

TV Interview!

Liza Lapira, Neal Bledsoe, Nathan Witte and Mark Amato of "Must Love Christmas" on CBS

Interview with Liza Lapira, Neal Bledsoe, Nathan Witte and Mark Amato of “Must Love Christmas” on CBS by Suzanne 11/3/22

This is a cute little Christmas movie. I’d never seen Neal Bledsoe before, but he reminds me of one of my favorite actors, Dan Stevens. Liza Lapira has been on many TV shows I’ve watched, such as NCIS, so it’s nice to see her starring in this. She does a great job as a stressed-out romance novelist. I’ve chatted with Nathan Witte before, and he is truly great in this role as Liza’s past boyfriend. The plot sounds a bit like your standard Christmas movie, but it has a nice twist. Mark Amato, the writer of this film, has written many Christmas movies before, so he knows how to take the formula and tweak it a bit.

Enjoy the transcript of this panel! I’m asking question #3…I mispronounced Liza’s name, but she was super nice about it.

CBS 2022 HOLIDAY PROGRAMMING PANELS

 MUST LOVE CHRISTMAS

 Liza Lapira

Neal Bledsoe

Nathan Witte

Mark Amato, Writer

Virtual via Zoom

November 03, 2022

© 2022 CBS.  All rights reserved.

NOELLE LEWELLYN:  Hi, everyone.  I’m Noelle Lewellyn and on behalf of myself and my counterpart, Eric Freilich, we’d like to welcome you to the panel for our CBS original movie, Must Love Christmas.  We will be presenting you with festive panels today for all three of this year’s holiday films.

“Must Love Christmas” premieres Sunday, December 11 on CBS and will be available to stream live and on demand with Paramount+, and the movie stars CBS’s very own Liza Lapira of our hit drama series “The Equalizer.”

The movie is a charming holiday tale in which Liza plays Natalie, a Christmas romance writer who becomes involved in a love triangle and finds inspiration, both personal and professional.

I would like to welcome our panelists, Liza Lapira who plays Natalie.  Our movie screen writer, Mark Amato.  Neal Bledsoe, who plays Nick, and Nathan Witte, who plays Caleb.  And I think I spoil nothing by saying Nick and Caleb are Christmas contenders for Natalie’s heart.

Before I hand the virtual mic over to Mark for some opening words, just a reminder that if you’d like to ask a question, please raise your hand in the chat feature and I will call on you by your screen name when it’s your turn.

Now over to Mark.  Mark, if you’d like to say a few words.

MARK AMATO:  Yes, thanks.  Writer’s block is a crippling disorder that haunts every writer, present company included.  Even with dozens of Christmas movies that are under my belt, you sit at a computer and the words aren’t coming.  Or worse, they’re coming, just not any good.

So just a plug for our movie Must Love Christmas.  Natalie Wolf is America’s reigning queen of Christmas romance.  Her novels have earned her legions of fans so much so that our hopeless, hopeless romantic rarely leaves her New York apartment these days.

Until, that is, our recluse finds herself in the cross‑hairs between a horrible case of writer’s block and a looming Christmas deadline.  So to shake things up, she takes a tiny step out of her comfort zone for a quick road trip to Buffalo, the town that inspired her very first Christmas novel.  But when a freak snowstorm leaves her stranded on the side of the road, Natalie’s world is about to turn upside down when the tow truck driver, who comes to her rescue, happens to be her very first high school crush, an inspiration to the lead character in one of her novels.

Stuck in an idyllic small town that looks ripped from the pages of a Natalie Wolf classic is where fiction and real life collide, but if Natalie is brave enough to take a leap of faith, turn the page, she just might find her own happily ever after.

QUESTION #1:  Thanks, Noelle.  Nice attire today, by the way.  (She was wearing a VERY festive Christmas sweater!)

Liza, my question is for you, actually two questions.  Number one, is there something very particular in your mind about being a lead in a Christmas movie specifically.  And, number two, I don’t know if there’s also an “Equalizer” episode that night, but if there is, do you get a kick out of the idea that that will lead into this?

LIZA LAPIRA:  I do.  I’ll take the second one first because that’s first and foremost in my mind.  I am really excited for viewers to see me play one vastly different thing one week and then ‑‑ I don’t know ‑‑ couple weeks later or the next week to see this just 180 in terms of a personality shift.

Yeah, this character is ‑‑ Mel, the character I play on “The Equalizer,” is much more self‑assured, to put it mildly, and much more aggressive than Natalie in this movie so that ‑‑ I get a kick out of that.

And then, yeah, it’s really special for me to be the protagonist in this kind of movie because I’ve been a fan for so long.  And, you know, on a separate note, it’s special for me to be a protagonist in something. When growing up I didn’t see many protagonists that look like me so this has just been a doubly wonderful, wonderful thing for me to be a part of.

QUESTION:  Thank you.

QUESTION #2:  Mark, you have a lot in common with the character.  I mean, you write books and you write movies, but it’s the same thing.  So I was wondering, do you sometimes feel that same thing of falling into a trap, you don’t want to have the guy saying my candy coated dreams, things like that.

What are the things you want to avoid when you’re doing a movie and what are the things you’re really trying to have?

MARK AMATO:  The truth is it’s sort of like ‑‑ there are so many tropes that you have to kind of sort of like find a way to recycle and I don’t want to recycle.  So sort of like, you know, I always get like my critics would say, you know how it’s going to end, sort of in the royal matchmaker.  You see two characters.  We know they’re going to be together in the end.  I said but do you know how.  You don’t know how.

So the last act right before you come back, I guarantee no one is going to be able to predict the ending, and for me that becomes the biggest challenge because if I get to a situation where it feels a little too comfortable and a little too easy, I haven’t tested myself so each one I hope to get better and better.

QUESTION:  Cool.  Thanks.

QUESTION #3:  Hi, yeah.  It’s great to talk to you guys.  My question is for Liza.  What is your favorite holiday?  We know what your character’s favorite holiday is, obviously.

LIZA LAPIRA:  Yeah, it’s Liza.  It’s Lisa with a Z.

QUESTION:  I’m sorry.  I’m sorry.

LIZA LAPIRA:  No, everybody ‑‑ I’m sorry.  My mom couldn’t figure out Ss.  It’s a whole thing I have with Mrs. Lapira.  It has nothing to do with you.

But, yeah, I’m in line with Natalie.  Christmas is pretty much up there.  It’s a time for family.  I come from a very, very big one and it’s the one holiday of the year that we all make the trek to, you know, the main home and congregate and eat and drink and eat and eat.  Lots of eating.

QUESTION:  Thank you.

QUESTION #4:  Yes.  Thank you.  It’s a question for both Mark and Liza.  One of the main stakes of these kind of movies, two of the main stakes are the meet cute and then the final decision, the kiss or whatever it is.

And, Mark, in your case of writing that, which one is harder to do to make sure you don’t fall into the tropes?

And, Liza, which one of those is easier to play and which one is more difficult?

MARK AMATO:  It’s interesting because it’s sort of like in my mind I know what I need to do so it’s sort of I kind of reverse engineer.  I go to the first place where they meet.  I think okay, well, how am I going to dove that tail to the middle and end, and that ending ‑‑ that ending completely predicts or dictates to me how I’m going to get these two characters to clash.

And the way I describe it is the two characters, they really are sort of like better if you squeeze them two together they make one really, really good character so that’s how I create sort of like that meet cute.

Liza, take it.

LIZA LAPIRA:  Okay.  Meet cute versus the end ‑‑ well, if the actors I’m working with and the scripture working with and the director you’re working with is great, then they’re both pretty easy and both pretty fun to play.

For this movie in particular, I enjoyed ‑‑ I had two meet cutes.  I enjoyed both of them immensely.  Yeah.  I like ‑‑ I always enjoy a meet cute.  You know I got ‑‑ I got both kinds of meet cute.  I got the meet cute with the high school crush, the guy in my dreams that I haven’t seen in forever, the unrequited love re‑meeting meet cute, and then I got the antagonistic banter witty meet cute so I’m thoroughly spoiled by this movie.  Thanks, Mark, and Neal and Nick.

Liza Lapira and Neal Bledsoe in "Must Love Christmas" on CBS

QUESTION #5:  Hi.  Thanks for doing this.  Question for Mark, but also for anybody who wants to answer.  I was curious to know if the concept of a novelist who strictly writes Christmas romance, if there was anyone in particular that inspired that?

And if any of you have a favorite romance writer who does primarily holiday fare.

MARK AMATO:  I can’t believe anybody wants to talk to me.  I’m just the writer.  But certainly the inspiration for this movie for me was “Romancing the Stone.”  You know are you Joan Wilder, the Joan Wilder, and my version for this was sort of like, if you had somebody who was so completely introverted, who’s just lived in her novels and the occupational hazard that that would create.  And then put them into essentially a world where, wait a minute, you’re living out the fantasies that you create and that’s what happens with Liza’s character.

And I really would like Neal to talk for five seconds at least because you create that ‑‑ the opposite side of the meet cute because it really is sort of like a love triangle.  So how is that to play?

NEAL BLEDSOE:  Fantastic.  I guess that would be the meet ugly that we — our meet is anything but cute, but the good news is that we have nowhere to go but up from there.  It’s definitely for the holiday romance films that I’ve done it’s definitely a different way to meet a leading lady, but I think it makes the payoff at the end that much more wonderful and unexpected.

LIZA LAPIRA:  I agree with Neal.  I loved ‑‑ the thing I loved about our romance, without giving too much away or giving it all away, you guys won’t say anything, is the ‑‑ you know after the sort of antagonistic meet the audience gets to see a friendship develop and then it blossoms into a romance and I really enjoyed that.

You know both these characters, I thought about it, both of the leading men in the love triangle helped this character grow just as friends.  She confronts like a traumatic thing that happened years before this movie takes place and she gets to not only confront it, but step out of the shell that she’s been living in and ‑‑ and leap ‑‑ leap into her life as an active participant.

The other thing I’ll say, Mark, is that you said I was playing you at the ‑‑ we had a pre‑meet before I signed on and he said, yeah, all she does is write Christmas romance novels.  Basically you’re playing me.  And I said, sir, it is my honor and my privilege to be you.

MARK AMATO:  Thank you so much.  It’s the truth though only I’m super extroverted so I’m not afraid of getting out of my shell.  But, yeah, you totally were.  I mean, this is what I do all day.  And every time I do, it’s sort of like, okay, I finished this one.  There’s not another Christmas movie to be told.  Hey, wait a minute, what if.  So thank you.

LIZA LAPIRA:  And the other thing I’ll say is to speak to Mark’s point, she did ‑‑ she is an introvert and it’s for a reason and it’s crafted in the script so it was fun to play and relatively easy to play someone who had like a humiliating public social mediaish thing happen and kind of be traumatized by that in a little way, and that’s so relatable now because, I mean, I feel like that happens every five seconds someone is embarrassed by something they say and then have to get over that trauma, and but not everybody has two handsome guys to help them get through that trauma so that was worth it.

QUESTION #6:  Yeah.  Liza, do you remember when it first occurred to you that you wanted to be an actress and what did your parents say?

LIZA LAPIRA:  It was a circuitous route because I came out of the womb singing.  I was like the 3‑year‑old that mom would pick up on the counter and be like entertain and so I was just singing and dancing, and then I thought that that’s what I was going to do so I started doing musicals.  And then I thought, you know, then I started wanting to do plays without music.  I wanted to do straight plays and then it segued into film and TV.

Funnily enough, I think my parents — with the singing, because it was so obvious, they were along those lines. “And get your law degree too, Liza. But clearly you have some ability there, so do that.”  Acting was a bit of a shock and they eventually ‑‑ they came around in their own ways.  They were never not supportive.  If anything, they were just fearful.

And I think for dad it was ‑‑ it was NCIS that he was like, all right, my girl.  Like re‑runs to this day and he’s like, yep, that’s my girl.  And I think mom I physically, physically had to take her to sets for her to see and she was like, oh, okay this is a job, not only is this a job, it’s a good job and it’s a job with an army of people.  Like it’s not just you and a camcorder.  It’s like an army.  It’s like a team and you’re all a team creating this thing, and that really crystallized it for her so now we’re one big happy family.

NOELLE LEWELLYN:  Thank you.  Thank you both. “NCIS,” saving families nationwide globally.  Actually, I have a question for Neal and Nathan.  The both of you are pros at this genre.  I’m just wondering, how is it ‑‑ how was the experience of filming Must Love Christmas and was it different?  How was it different in any way from your previous projects knowing that you guys have done some of these before?

NATHAN WITTE:  Yeah, sure.  I’ll just tip my hat to Mark, of course.  It’s always the script that reels me in right away, and what I loved about this script is ‑‑ that’s kind of contrary to a lot of other Christmas scripts that I’ve done is that this meet cute that’s happening in this love triangle it just ‑‑ it feels like it happens around Christmas as opposed to like we’re going to do Christmas and shove this ‑‑ this triangle into Christmas.

What I find in a lot of scripts, they’re just — every scene it’s like we got to just let everybody know that we’re doing Christmas in this movie, and every scene you’ve got bells, mistletoes, shirts and sweaters, and everything, cookies. And what I loved about this script is that it was much more nuanced and had its moments of subtlety, but then it had its moments of grandeur Christmas, which I think it allowed to bring up that — Christmas in those moments and make it a lot more special.

And I love the nuance between my character and Neal’s character going after Liza’s character because it really reminded me of ‑‑ I don’t know if anyone else has seen it, but “This Means War,” and I found that to ‑‑ is one of like my favorite romantic comedies and I just tipped that one right next to that just with the sprinkle of Christmas on it so I had a tremendous amount of fun with Neal and Liza.

NEAL BLEDSOE:  That’s well put.  I think for me, and I just watched the film actually last night, and it was the first time coming back to it since we shot it and I think the thing that stuck out for me the most was that this really allowed the people themselves to be real and the obstacles that they were overcoming to be real, and so often in the Christmas film landscape the problems of the people are eroded away to absolutely nothing.  They don’t have any obstacle to overcome.  It’s just like oh my god, I do love Christmas, wow.  And there’s no ‑‑ there’s no hurdle to overcome so I think there’s no ‑‑ and therefore there’s no catharsis to ‑‑ for these people to learn any lesson and so it feels, in other words, in many of these things that I’ve done it feels that the force ‑‑ the plot has been forced upon them rather than these characters coming to these realizations themselves.

And to kind of go back to something that Liza said, which is that these characters all teach something to each other and because of that there’s this extraordinary human web in this film that at first blush you’re like how are we going to make this work, but it really is that all of these characters are working in triplicate to really feed off one another and therefore they come across as so utterly human in a way that I don’t think I’ve seen in pretty much any other Christmas film that I’ve been in.  And that’s fine.  I think that’s the genre of those other networks and those other films, but this really felt like the most human of Christmas films I’ve done.

NOELLE LEWELLYN:  Thank you, both.  That’s really great to hear about that it feels more human and hear about that nuance.  We appreciate that.

QUESTION #7:  Absolutely.  This is for Nathan, Liza, and for Neal.  When you go back to where you came from, sometimes the things that you thought were special turn out to be not so special, if ‑‑ if you get my nuance here.

When you have a childhood crush or a teen crush or whatever and you go back and you meet that person let’s say at a high school reunion, they are never what you thought they were.  And this is not saying anything against you, Nathan, or the character that you play, but ‑‑ but what has that experience been like for you and what did you ‑‑ what informed the character that you played in this?

NATHAN WITTE:  For myself, this — I feel like that Caleb and Natalie didn’t really get to connect back in high school and I feel like Natalie remembered Caleb more than Caleb remembered Natalie.  And for Caleb, Natalie turned out better than, in his mind, what she was back in high school and I think that was in part because he’s ‑‑ he was totally enthralled in the school popularity and sports and ‑‑ and going after any chick that was kind of willing to put themselves in his way, and it was kind of the recognition of Natalie coming back again.  It was like a refresher, a nice reminder because Caleb going through his difficulties and being in a small town. And if anyone knows what it’s like being in a small town there’s not much of a selection. And so having somebody that is not only way better than you thought she would have turned out to be come back into town, it’s kind of like a refresher, almost like opening up a brand-new present.  And I think it was a little too far ahead for Caleb because he’s still dealing with a little bit of his adolescence that kind of gets in the way.

QUESTION:  Liza.

LIZA LAPIRA:  Yeah, Caleb to me is this shiny, glittering illusion.  You know there’s ‑‑ there’s ‑‑ her projection and I don’t even think he plays into it because that sounds manipulative.  I think he’s just a charming guy.  I’ve got guys like this in my family and he’s just a charming guy and he is who he is.  Like even at the end of the movie you don’t hate him.  He’s just that guy that does that thing and he has his own love story and has his own, you know, he has his own life.

But as far as going back, I think in high school Caleb probably was the same in that he’s just this charming illusion, this dream guy, and he’s going to live his life and have fun.  And I think the only difference between the Natalie/Caleb dynamic or, I should say, Natalie’s relationship to Caleb in high school and in present day is she has more access now.  They were close as friends back then and, you know, of course she’s had success in her career.  They’ve lived and had their careers and their lives, and now she has access and agency and so she can see that illusion up close. And, unfortunately, she doesn’t until, you know, she gets the help of her new friend, played by Neal.

QUESTION:  And Neal.

NEAL BLEDSOE:  Well, Howard, if I understood your question right, part of it is about what ‑‑ when we get what we wanted when we were children, when we get that as adults, how is that payoff different.  Do I have that right?

QUESTION:  Absolutely.

NEAL BLEDSOE:  So I think that’s a really insightful question.  Thank you for asking it.  I think that would ‑‑ that certainly plays itself out in ‑‑ in their love ‑‑ in their love story and what happens to this thing.  Do we find it as valuable, in other words, as adults as we did as children and I think that that is such a profound question.  It’s something that I could ask myself about acting.  It’s something I could ask myself about really kind of anything because who we were as children and why we needed those things that we thought would make our lives complete or thought we would make us the best version of ourselves, those things inevitably change as we become older and if they don’t that speaks to a certainly kind of regression of who we are as adults.

So, yeah, of course.  And I think in attaining those things that we so desperately wanted as kids, once we get them as adults we’re allowed to re‑examine them and say like, wow, this actually doesn’t matter as much and I am ‑‑ I am whole without this thing.  They become totems and the totems then perhaps become illusions.

QUESTION:  Very well spoken.  Yes, very, very good.

NOELLE LEWELLYN:  Thank you, all.  Thank you, Howard.  And that is actually the time we have for today.  I would love to thank all of our panelists and all of you for joining.  We are really grateful.  And we are going to say goodbye with Liza who has a few final thoughts.

LIZA LAPIRA:  Okay.  Oh, I see me.  I don’t want to see me.  Telling myself.  Everybody, I’m just ‑‑ thank you for being here.  I hope you guys enjoy the movie.  I hope you see it.  I can’t wait.  It’s a joyous, fun ride and there’s some sweet relationships in it and I ‑‑ I can’t wait to hear what everybody thinks.

And on a personal note, it has just been a career highlight and a thrill to lead one of these movies.  As I said, I’m a big fan of this genre and ‑‑ and, as I said, again, it’s been a thrill to be a protagonist, period, but then a protagonist in this great story. And coming from someone who didn’t see many protagonists growing up, this has just been an embarrassment of riches.  And the fun that the cast and I and the crew and the collaborative nature of making this is apparent on screen, and I am ‑‑ I’m very, very proud of that. And I hope you all enjoy it.

NOELLE LEWELLYN:  Thank you, Liza.  We really appreciate that.  Thank you, everyone.  Please stay tuned.  Our panel for the CBS original movie “When Christmas Was Young” is up next.

MORE INFO:

"Must Love Christmas" key art

CBS ORDERS THREE NEW ORIGINAL HOLIDAY MOVIES FOR 2022

Award-Winning Musician Sheryl Crow to Executive Produce and

Write the Title Song for “When Christmas Was Young”

The Talk’s” Amanda Kloots to Star in and Executive Produce “Fit for Christmas”

Prolific Holiday Film Writer and Producer Mark Amato to Pen

Must Love Christmas”

CBS announced today that it has ordered three new original holiday movies to air in December 2022.

Award-winning singer-songwriter Sheryl Crow will executive produce and write the title song for WHEN CHRISTMAS WAS YOUNG, a Nashville music-themed movie from a script by screenwriter and bestselling novelist Robert Tate Miller (“Hope at Christmas,” Forever Christmas). The story follows a headstrong music manager in desperate need of a hit song for his last remaining client, who finds himself falling for a gifted singer-songwriter with abandoned dreams of making it big, as he attempts to secure the rights to a Christmas song she wrote years ago. Tom Mazza, David Calvert-Jones and Karen Glass (Everywhere Studios) will executive produce, together with executive producers Shawn Williamson and Jamie Goehring for Lighthouse Pictures.

THE TALK’s Amanda Kloots will star in and executive produce FIT FOR CHRISTMAS from writer and executive producer Anna White (“Christmas Wonderland”), the tale of Audrey, an enthusiastic Christmas-obsessed fitness instructor at a beloved, financially beleaguered community center in quaint Mistletoe, Mont., who begins a holiday romance with a charming, mysterious businessman, complicating his plans to turn the center into a more financially profitable resort property. The movie will be produced by Brad Krevoy’s Motion Picture Corporation of America.

Mark Amato, who has created a dozen holiday-themed films, including last season’s CBS Original movie A CHRISTMAS PROPOSAL, as well as “A Kiss Before Christmas,” is writing MUST LOVE CHRISTMAS. In it, a renowned romance novelist famous for her Christmas-themed books finds herself snowbound in the charming town of Cranberry Falls, where she unexpectedly becomes involved in a love triangle between her childhood crush and a reporter determined to interview her to save his dying magazine. The movie will be produced by Brad Krevoy’s Motion Picture Corporation of America.

In December 2021, the CBS Original movies “Christmas Takes Flight” and “A Christmas Proposal” were the first original holiday television movies to air on CBS since 2012, and the newest additions to CBS’ longstanding holiday programming slate, which includes family-favorites like The Thanksgiving Day Parade on CBS and the annual broadcasts of beloved animated classics, including “Rudolph the Red-Nosed Reindeer” and “Frosty the Snowman.”

Proofread and Edited by Brenda

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Liza Lapira and Nathan Witte in "Must Love Christmas" on CBS

Interview with Amanda Kloots, Paul Greene, Rebecca Budig, director/producer Jessica Harmon, and writer/producer Anna White

TV Interview!

Panel for "Fit for Christmas" on CBS with Actors Amanda Kloots, Paul Greene, Rebecca Budig, director/producer Jessica Harmon, and writer/producer Anna White (all photos from CBS)

 

Interview with Actors Amanda Kloots, Paul Greene, Rebecca Budig, director/producer Jessica Harmon, and writer/producer Anna White of “Fit For Christmas” on CBS by Suzanne 11/3/22

This is a typical holiday movie, but I most enjoyed seeing Rebecca Budig in it (even though it’s a fairly small part) and being able to chat with her. It airs Sunday, 12/4 on CBS.

Here is the transcript of our interview:

CBS 2022 HOLIDAY PROGRAMMING PANELS

FIT FOR CHRISTMAS

Amanda Kloots, Executive Producer/Star

 Paul Greene

Rebecca Budig

Jessica Harmon, Director/Executive Producer

Anna White, Executive Producer/Writer

Virtual via Zoom

November 03, 2022

© 2022 CBS.  All rights reserved.

NOELLE LLEWELLYN:  Hi, everyone.  I’m back.  I’m Noelle Llewellyn.  And on behalf of myself and my counterpart, Erin Freilich, we’d like to welcome you to our final panel of the day for our CBS original movie, “Fit for Christmas.”

Amanda Kloots, cohost of our Emmy-award-winning daytime talk show, “The Talk,” wears many Christmas hats for this film, both in front of and behind the camera.  In addition to starring as Audrey, Amanda developed the movie, cowrote the film concept, and serves as an executive producer of the film.  “Fit for Christmas” premieres Sunday, December 4th, on CBS and will be available to stream live and on demand on PARAMOUNT+.

“Fit for Christmas” follows Audrey, an enthusiastic, Christmas‑obsessed fitness instructor teaching classes at her beloved, financially beleaguered community center in quaint Mistletoe, Montana.  Audrey begins a holiday romance with a charming mysterious businessman, which complicates his plans to turn the center into a more profitable resort property.  That’s what I call a Christmas conundrum.  Sorry.  Had to do it.

I would like to welcome our panelists today, Amanda Kloots; Paul Green, who plays Griffin; Rebecca Budig, who plays Lisa; our movie screenwriter and executive producer, Anna White; and our movie director and executive producer, Jessica Harmon.

Before I have Amanda kick things off with a few opening remarks, just a reminder that, if you have a question, please raise your hand in the chat feature and I will call on you by your screen name when it is your turn.  Now over to Amanda, who would like to say a few words.

AMANDA KLOOTS:  There we go.  Thanks, Noelle.  By the way, Noelle, I need that sweater.  That’s amazing.  You look incredible.

NOELLE LLEWELLYN:  Done.  In the Amazon cart.

AMANDA KLOOTS:  I just want to thank everyone for being here today.  I want to thank my incredible cast and Anna and our director, Jessica.  This has been an absolute dream come true for me.  I can’t still believe that it happened.  And it was a lot of fun to film.  And I’m so excited for everybody to see it.  Thank you for watching and thank you for being here.  And let’s get this ball rolling.

NOELLE LLEWELLYN:  Okay.  Let’s hop right in.

QUESTION:  Thank you, Noelle.  I’ve got two for Amanda.  Hi, Amanda.  Hi, everybody.

AMANDA KLOOTS:  Hi.

QUESTION:  Hi.  First of all, I know when you talked about this first on “The Talk,” I think it was in early fall, so can I assume that you filmed this during a break from “The Talk,” during a hiatus during the summer?

AMANDA KLOOTS:  That is correct, Jay.  We went on hiatus in August, and I pretty much flew a couple days later off to Vancouver to shoot the film on my hiatus, finished the movie, came back, and started Season 13 of “The Talk.”  No rest.

QUESTION:  For the weary.  Sure.

The other question, I spoke with somebody else who wrote a movie they starred in recently for the holidays.  It’s one thing to star in a holiday movie, but to see characters and perhaps dialogue ‑‑ I know you cowrote it with Anna, but to see words and characters come to life that you developed, not only for yourself but other actors, can you talk about that feeling, being on set and observing that?

AMANDA KLOOTS:  Absolutely.  I didn’t cowrite the movie.  Anna is the writer of the movie, Anna White.  I co-created the idea and, you know, definitely helped, you know, conceptualize the entire movie, right up until we were filming.  And it was amazing.  I have to tell you there was a day on set ‑‑ I’ll never forget it ‑‑ it was ‑‑ we were filming at the Mistletoe Inn.  And I just ‑‑ it was so perfectly Christmas.  And I looked around and I just ‑‑ I couldn’t believe it was happening.  I literally pinched myself because I remember being in my bed in July of 2020 thinking of this idea at 3:00 a.m. in the morning and then having it come to life, and it was just so beautiful.  The set that day where we were filming, it was so gorgeous.  And I think it was like right in the middle of filming, so the cast had really bonded, and we were all just, like, really gelling that day.  And it just felt like magic, literal Christmas magic.

QUESTION:  Thank you.  Anna, sorry about that misstep about the writing.  I’m sorry about that.

QUESTION:  Amanda, this is for you.  When you were dancing on Broadway, did you say, “Oh, I want to be a producer some day and I want to star in a show that I’ve influenced”?  Or was that just ‑‑ was it just in an evolution?  And where did “The Talk” play in all of that evolution?

AMANDA KLOOTS:  Oh, my gosh.  It was a complete evolution, Bruce.  I can’t believe what I’m doing right now.  I think ‑‑ when I look at my life and how much has changed, especially in the last three years, I mean, just ‑‑ I moved to LA three years ago, and I ‑‑ my sole job was my fitness business.  And since then, in those three years, even just since joining “The Talk,” my life has completely changed.

And I can’t believe what I get to do now.  I can’t believe that, you know, CBS, they were so generous in taking a chance on me and this concept and allowing this to come to fruition.  I’m so entirely grateful to them for doing this with me and having faith that I can act and that I can executive produce and create something.  It’s amazing.  I just am constantly, I think, blown away by the idea of how life can change and how it can change so quickly and how dreams can come true.

QUESTION:  That’s great.  Thanks so much.

AMANDA KLOOTS:  Yeah.

QUESTION:  Hi, everybody.  This is for Amanda as well, and then I have a question for Paul.  Amanda, what was it like working with Anna White?  Can you talk about that?

AMANDA KLOOTS:  Yes.  I feel like I have met my creative soulmate with Anna White.  I could not feel like a luckier human being.  She is just the brightest light.  She is so funny, consistently creative, and on top of every idea and pun and concept.  We met through a friend, a new friend of mine and an acquaintance of hers.  Thank God this woman put us together.  And ever since we chatted on the phone ‑‑ I think it was October in 2020 ‑‑ and I told her of this idea, we ‑‑ I just knew.  It was like stars aligned.  And I hope there’s so much more to come from us, because we’ve got a lot of ideas in the bank.  And I just ‑‑ I love working with her.

QUESTION:  (Inaudible) films that you’ve starred in?  Can you talk about that?

NOELLE LLEWELLYN:  You’re a little hard to hear.  Do you want to repeat yourself?

QUESTION:  Yes.  Sorry about that.  I was just asking Paul, how (inaudible) starred in?

NOELLE LLEWELLYN:  We’re still having trouble hearing you.  I think you’re asking ‑‑ I think you’re asking Paul how did this film “Fit for Christmas” differ from the other holiday films he starred in.  Does that sound accurate?

QUESTION:  Correct.  Yes.

NOELLE LLEWELLYN:  Perfect.  Paul?

PAUL GREENE:  Awesome.  Well, thanks.  So it was super ‑‑ it was so unique because I’ve worked with Anna before on a movie prior, and that was a really great experience, and there’s a lot of serendipity with Anna, and I going 20 years back.  It’s a long story and a good one.

And then ‑‑ but what made this so different is, you know, working with Amanda in this way, knowing that this was her first experience like this, that it just had this crackling newness and possibility to it that was really unique.  There was ‑‑ it was very improvian, in the moment, and spontaneous and exciting.

And then just, you know, immediately, there was this chemistry and friendship between us ‑‑ all of us actors, really, and especially between Amanda and myself, like from the first minute.  We were just like long lost friends.  And that translated really quickly into a feeling of having each other’s back in the scenes and improvising and ‑‑ which Anna loved when we improvised.

(Laughter.)

And, yeah.  It was ‑‑ and what’s unique, too, is having our writer on set, which is the first time I’ve had a writer on one of these Christmas movies, or even a romantic comedy like this, be on set from front all the way through, which was really unique and special, because we went to her with all these really nuanced questions about character and where we were headed and arc, and it was ‑‑ yeah, it was cool.

And for me, it’s special because it’s my first of these with CBS.  And so there was a lot of excitement and a lot of trust and a lot of newness to it that made it just super fun.

QUESTION:  Yes, hi.  My question is for Rebecca.  I’m a big fan of yours from “All My Children” and “General Hospital.”  This is the first Christmas movie you’ve been in, right?  And is there anything that surprised you about it?

REBECCA BUDIG:  Thank you so much.  That’s really sweet of you.  Yes, it is the first Christmas movie I’ve done.  And I would say ‑‑ I mean, I’ve shot in all different kind of situations, but definitely shooting with, you know, heavy sweaters and coats in 100 degree heat wasn’t that fun.  But actually being with this group of people, it ‑‑ to what Paul said, it really was kind of a magical grouping of people.  And I felt like I was in an episode of “Three’s Company” a lot of the time.  But it was a lot of fun.  It was a lot of fun.

QUESTION:  Thank you so much.

QUESTION:  Hey, thank you very much for speaking to us.  I have two questions.  I’m wondering, first, how long did it take to shoot the movie?  And secondly, for any of the actors, I’m wondering ‑‑ I always love to ask this question:  When the show ‑‑ when the movie will air, will you actually sit down and watch it?  And when ‑‑ if you do, can you actually enjoy watching it?  Or do you watch to review yourself?  Anybody.

(Laughter.)

REBECCA BUDIG:  Well, I ‑‑

QUESTION:  Nobody likes to answer that question, ever.

PAUL GREENE:  Ladies first.

AMANDA KLOOTS:  You know, I’ll say to your second question, Mark, that because I’m an executive producer on this film, I’ve already watched a lot of ‑‑ a lot of the cuts.  So I do feel like that day, on December 4th, and watching it ‑‑ we are all going to watch it together, actually, except for Paul because he’ll be away.  But we’re all going to watch it together.  I do think that I’ll be able to watch it on the 4th and finally put, like, my producer hat off and just watch it and enjoy it.  And I plan to live tweet that night as well and just really celebrate the premiere of the movie and all the hard work that we all did.

REBECCA BUDIG:  I will say, like, my first run‑through, I’m always looking at it, you know ‑‑ at myself with a critical eye.  But like Amanda said, like, I think on the 4th when we’re all watching it together, it will just be just really fun and to relive those moments.

QUESTION:  Paul?  Your thoughts?

PAUL GREENE:  This took us about 15 filming days, I’d say.  Right?  Crazy enough, that is the average for these romantic comedies that happen, these holiday movies, and a lot of the kind of seasonal movies that you see.  15 ‑‑ 14 or 15 shooting days.  I know.  There’s some long weeks and long days, especially for number one on the call sheet and sometimes number two as well.

And for me, I love to watch them.  Like, I ‑‑ I haven’t seen this yet.  And so I ‑‑ I sometimes try to watch just little pieces and ‑‑ but never the whole thing so that it’s a good surprise.  And so I’m looking forward to watching it, yeah.  I don’t have ‑‑ I don’t have too much of a hard time watching it.  It makes me ‑‑ I get so excited about ‑‑ you know, I love the nostalgic feeling of Christmas movies.  And then just that I’ve been a part of a lot of them and got a chance to do it and get to do that for my job and knowing that so many people are at home and they’re getting so much out of it, it’s a great feeling.

QUESTION:  Thank you.

NOELLE LLEWELLYN:  And I actually have a question for Jessica, our movie director, Jessica Harmon.  Jessica, you work in front of and behind the camera.  You are a movie director for this, but you also act.  And I’m just wondering, is ‑‑ do you prefer one over the other now?  Do you want to continue to do both indefinitely?  It was just ‑‑ it’s so great to see that you work, you know, in front of and behind the camera and was just curious about that process for you and how that works just for yourself and for your own ‑‑ for your process.

JESSICA HARMON:  Well, thanks for the question, Noelle.  I’m just only obsessed with your outfit and the whole look right now.  It’s kind of awesome.  People are answering questions, and I’m just watching Noelle like I’m loving this.

Do I have one over the other?  Yeah, directing, because I think directing is so incredibly exhausting that I can’t put myself in front of a camera anymore.  So it’s ‑‑ for me, I think, you know, I was an actor for 25 years, and it was wonderful and I loved it, but I found, personally, my favorite thing was when I started directing, to kind of come in and have these ideas and work with the crew, who I love.  And the crew on this film should get a pretty solid shoutout because, you know, it’s really difficult, like Paul was saying, for everyone to do a film in 15 days and in that heat that these poor actors had to sit in.  It was ‑‑ you know, in Canada, it was 30‑something degrees, which in Fahrenheit is a whole other situation.  But it’s hot, for you Americans listening.  It’s a lot.  And the crew, you know, puts their all into this.  And this film, this cast, and this crew all kind of came together like lightning in a bottle, and it was amazing.

And there’s something that happens when you spend the time directing and you have a vision and you’re working with people like Anna and, you know, people like Amanda who come in with this incredible idea and this incredible vision themselves and they trust you to kind of take it and go forward with it.  And then so many people get involved, but at the end of the day, when all of that work kind of comes together and you’re speaking to the actors on set, and they come in and they do something and it’s wonderful, and you kind of come in and you collaborate together, and you step back and you watch it, there’s a feeling that is so special to me as a director now that when I get to watch fellow actors light up the screen, especially in the way that this cast did ‑‑ and no offense to my other casts ‑‑ but that this cast, the chemistry that these people had with one another, and the work that they put into this, and what they brought to ‑‑ the emotion that they brought to these characters, it’s so much more than just kind of a sweet rom‑com, you know, holiday movie.  We’ve all seen these movies be made before, but watching these people just explode on camera and the chemistry that they had with each other and bringing these characters to life, it’s like ‑‑ it genuinely brings emotion to me that I don’t ‑‑ I couldn’t even pull myself as an actor.

So when it comes to one or the other, I have to side with directing because I just love working with actors, and I love working with actors like this.  And these guys just light this movie up.  It was a wonderful script to begin with, but it’s ‑‑ what they’ve done and what I hope the audience ‑‑ you know, what I know the audience will see from them is it’s explosive.  Like, the chemistry between all of them is incredible.  But you look at Griffin and Audrey’s storyline and where they begin and where they end, every day on set I was shocked by them, because I just ‑‑ I didn’t see them bringing the characters that they brought.  I saw Griffin played a different way in my mind.  I saw Audrey a little bit different in my mind, and they showed up and they surprised me every single scene.  And it was just ‑‑ it was a wonderful, wonderful thing to watch.

So directing wins, but…

NOELLE LLEWELLYN:  No.  Thank you for that.  We will miss you in front of the camera, but we understand and we appreciate your work.  And the chemistry does feel very special for the film, so thank you.

QUESTION:  This is for Rebecca.  This movie, like a lot of movies, a lot of the Christmas movies, makes it feel that a small town, growing up in a small town, living in a small town, you’re very lucky.  I sympathize with that.  I’m from a small town myself.  But on the other hand, you got to go to, like, the Cincinnati School of Performing Arts.  And if it hadn’t been for ‑‑ you know, if you hadn’t been in a city, you wouldn’t have been able to do that.  A million people from that school went on to become really successful.  So when you look at the what’s good or bad about growing up in a small town or a big city, how do you look at it?

REBECCA BUDIG:  Yeah.  You make a good point, Mike.  Because, you know, when you’re in a bigger city, you’re exposed to a lot more opportunities, and there’s maybe a lot more culture and things to experience.  But I also really, really, really ‑‑ especially as I get older ‑‑ really appreciate a small town and what that has to offer, because that’s ‑‑ it offers a lot more heart sometimes, a lot more familiarity, and that’s what I think this movie brings, like, warmth to it, because everyone’s connected.  You’re more connected with other people.  I think in big urban towns, in cities, you get a little disconnected, even though you have your friends and things, but you don’t get to really, like ‑‑ things don’t matter as much as they do in a small town, and that’s what I think this movie brings to it, you know, like, things that matter.

QUESTION:  Okay.  Cool.  Thanks.

NOELLE LLEWELLYN:  Next, I just have a question for Anna White, our movie writer.  Anna, I’m very curious, what was the process like for you working with Amanda and really shepherding this concept and this idea that she had and bringing that to the screen and writing the script?  Can you tell us a little bit about that?

ANNA WHITE:  Yeah.  I’d love to.  It was ‑‑ it was great.  Because, actually, I followed Amanda’s story and, like, I ‑‑ my heart went out to her.  And then when our mutual acquaintance said, “Hey, Amanda has a great idea for a Christmas movie.  She needs a writer,” and we had our first, like, FaceTime and just, like, everything clicked. I thought it was a great idea because we hadn’t seen a fitness instructor Christmas movie yet.  And if anyone was going to do it, it was going to be Amanda Kloots.

And so I just ‑‑ yeah, honestly, from there, we kind of went back and forth.  We came up with a longer synopsis.  We pitched it to CBS I think that December.  And then kind of just worked on it and wrote.  And every draft of the outline, every draft of the script, Amanda ‑‑ I’d send to her first, she’d give her notes, and then we both would be on the notes calls with CBS. So that way, anything that came up that they wanted to change, like, Amanda and I can bounce ideas off of each other.  And Amanda is so creative and thinks outside the box in such great ways, and she knows ‑‑ I mean, like, my workout is walking to Starbucks every day. So Amanda was able to work in a lot more of the “this is the fitness lingo,” and ‑‑ for, like, the fitness scenes and stuff like that, which was very helpful because, you know, I couldn’t write what I know ‑‑ I did her class in Vancouver, though, and let me tell you, I need to work on my endurance.

But the point being, it was great having Amanda there as a partner the entire time.  And, you know, any time ‑‑ like if a note was frustrating, I’d be like, “Isn’t this note crazy?”  And she’d be like, “Yeah, this note is crazy.”  And then we’d figure out how to do it better together.  So that was really cool.

And then seeing her come alive on scene as the character was just ‑‑ I’m so glad I got to be part of it and see it.  You will not believe that this is her first scripted movie/television role.  When you watch it, she was a natural.  She went like that.  She was so present.  I just like ‑‑ I can’t wait for everyone to see ‑‑ I mean, no one’s surprised she has all these talents, but I’m excited for everyone to see her acting chops.

NOELLE LLEWELLYN:  Thank you, Anna.  And that is a great callout regarding this being a first for Amanda in many, many ways, which makes this such a special story around the movie overall, but thank you.  And I, too, will not be fit for Christmas.  I might be fit for Easter.  We will see.

(Laughter.)

Thank you.  That’s all of our time for today, so I think I’m going to throw to Jessica, our movie director and one of our EPs, just to make some final remarks and give us some final thoughts.

JESSICA HARMON:  No pressure or anything.  Thank you, Noelle,  amazing panel, everyone.  It was good to see everyone again.

I kind of touched on this with answering your question earlier, but having done this for ‑‑ not this specifically, but having been in the film industry for 27 years, I can honestly say that, you know, I love my job, I love being on set, but it’s not always the easiest thing to pull off.  And I think Christmas isn’t always the easiest thing for everybody.  Holidays aren’t the easiest time for a lot of people.  And I know for Amanda, this movie was, you know, borne out of a very difficult time in her life and grief, and what she’s done with that is an incredible thing that the world has watched and seen.  And I know every single person on this cast and every single person watching has also had difficult times in their lives.  And this film, for me, I was going through something difficult prior to it, and it was such a wonderful, wonderful experience to make this movie.  And I really, really do believe that the performances that these people gave really came from the heart.  And I think the audience is going to recognize that and see that.

And, you know, Christmas isn’t always the easiest time for people.  And I really do just hope that this movie coming from a group of people that has all had hardships and has all been through difficult times in their own lives and brought beautiful emotions to this story, I really hope that that translates for people.  And in my opinion ‑‑ and I’m likely biased, but in my opinion, it really did.  And anyone that I’ve shown the film to agrees that there’s just something really incredibly joyous about this.

And I think that, you know, sitting around at Christmas with your family, this is a wonderful movie to watch.  Because if you’re in a great mood, it’s going to keep that great mood going; and if you’re feeling a little down, it’s something that you can watch and it’s going to elevate you because it’s just ‑‑ it’s a group of really, really talented, wonderful people who really put their all into it.  And I think it’s something that everyone here can certainly be proud of.  And anybody that worked on the film I know is very proud of it.  And I just can’t wait for everybody to watch it and love it the way we love it.

So just thank you.  And I’m just proud to be a part of this film.  And seeing all these faces again ‑‑ I’m in Bulgaria shooting a movie right now.  And seeing their faces, I’m like — I just feel happy.  I think people are going to be happy to watch.  So thank you.

NOELLE LLEWELLYN:  Thank you for that.  And, you know, that’s such a powerful message of triumph and hope and, you know, something that we all ‑‑ a lot of people do need at the holidays.  So thank you for pointing that out.

And thank you all for being a part of what is an incredibly fun film.  And we are very much looking forward to it.  So thank you to our panelists today.  We appreciate you.

And everyone, this concludes our CBS holiday collection press junket.  I will be immortalized in your mind for the next year in this sweater.  Do I regret it?  No.  We thank you for joining us, and we wish you all a very, very happy holiday season.

MORE INFO:

CBS holiday special FIT FOR CHRISTMAS, scheduled to air on the CBS Television Network.Photo: Linsday Siu/CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.CBS ORDERS THREE NEW ORIGINAL HOLIDAY MOVIES FOR 2022

Award-Winning Musician Sheryl Crow to Executive Produce and

Write the Title Song for “When Christmas Was Young”

The Talk’s” Amanda Kloots to Star in and Executive Produce “Fit for Christmas”

Prolific Holiday Film Writer and Producer Mark Amato to Pen

Must Love Christmas”

CBS announced today that it has ordered three new original holiday movies to air in December 2022.

Award-winning singer-songwriter Sheryl Crow will executive produce and write the title song for WHEN CHRISTMAS WAS YOUNG, a Nashville music-themed movie from a script by screenwriter and bestselling novelist Robert Tate Miller (“Hope at Christmas,” Forever Christmas). The story follows a headstrong music manager in desperate need of a hit song for his last remaining client, who finds himself falling for a gifted singer-songwriter with abandoned dreams of making it big, as he attempts to secure the rights to a Christmas song she wrote years ago. Tom Mazza, David Calvert-Jones and Karen Glass (Everywhere Studios) will executive produce, together with executive producers Shawn Williamson and Jamie Goehring for Lighthouse Pictures.

THE TALK’s Amanda Kloots will star in and executive produce FIT FOR CHRISTMAS from writer and executive producer Anna White (“Christmas Wonderland”), the tale of Audrey, an enthusiastic Christmas-obsessed fitness instructor at a beloved, financially beleaguered community center in quaint Mistletoe, Mont., who begins a holiday romance with a charming, mysterious businessman, complicating his plans to turn the center into a more financially profitable resort property. The movie will be produced by Brad Krevoy’s Motion Picture Corporation of America.

Mark Amato, who has created a dozen holiday-themed films, including last season’s CBS Original movie A CHRISTMAS PROPOSAL, as well as “A Kiss Before Christmas,” is writing MUST LOVE CHRISTMAS. In it, a renowned romance novelist famous for her Christmas-themed books finds herself snowbound in the charming town of Cranberry Falls, where she unexpectedly becomes involved in a love triangle between her childhood crush and a reporter determined to interview her to save his dying magazine. The movie will be produced by Brad Krevoy’s Motion Picture Corporation of America.

In December 2021, the CBS Original movies “Christmas Takes Flight” and “A Christmas Proposal” were the first original holiday television movies to air on CBS since 2012, and the newest additions to CBS’ longstanding holiday programming slate, which includes family-favorites like The Thanksgiving Day Parade on CBS and the annual broadcasts of beloved animated classics, including “Rudolph the Red-Nosed Reindeer” and “Frosty the Snowman.”

Proofread and Edited by Brenda

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Scene from "Fit for Christmas" with Amanda Kloots and Paul Greene on CBS

Interview with “Reindeer in Here” producers

TV Interview!

"Reindeer In Here" panel for CBS with producers Candace Cameron Bure, Adam Reed and Lino DiSalvo - photos from Reindeer in Here Official site, and social media

Interview with Candace Cameron Bure, Adam Reed and Lino DiSalvo of “Reindeer In Here” on CBS by Suzanne 11/3/22

This is a really good animated Christmas special on CBS. I hope you watch it! This panel was fun but a little confusing at first because they didn’t tell us who would be there, and they put up a photo of the cast right beforehand, which made me think that the cast would all be on the panel. However, most of them weren’t, so that was also disappointing. I was the one asking the first question here, and I was using my tablet, which sometimes only shows part of the panel on the screen if it’s a large group, so that’s why I asked if there were more.  Also, one of the panel members has said some controversial remarks since this panel occurred.  I hope that no one foregoes watching the special because of her. She plays a very minor role, and the special is very good. It’s based on a book, or series of books, and a new one is coming out, so it has that product tie-in, along with the toys they mentioned.

Here’s the transcript of the panel!

CBS  2022 HOLIDAY PROGRAMMING PANELS

REINDEER IN HERE

Candace Cameron Bure

 Adam Reed, Executive Producer/Creator

 Lino DiSalvo, Executive Producer/Director

 Virtual via Zoom

November 03, 2022

© 2022 CBS.  All rights reserved.

TRACEY RAAB:  Hi, there.  I’m Tracey Raab from the CBS communications team.  And on behalf of our entire group, we want to thank you for joining us for our holiday collection press day.  We’re excited to be adding even more content into our already robust annual slate of animated specials, movies, concerts, and more.  Today we have some first looks and great panels on deck and, at the end of our presentation, a sneak peek at a special one‑hour holiday episode of our hit comedy “Ghosts.”

Hopefully you all saw the announcements this morning for the cast of our newest animated Christmas special, “Reindeer in Here,” and information on a few of our annual traditions:  “A Home for the Holidays,” “The Thanksgiving Day Parade,” and the “National Christmas Tree Lighting.”  Also, we have two special episodes of “The Greatest At-Home Videos” for Thanksgiving and the holidays, hosted by Cedric the Entertainer, airing November 11th and December 16th.

Throughout the day, please check your inboxes for a link to video content we hope you will share on your social platforms.  And finally, a reminder to use the raise hand function to ask a question during our sessions.  We will now begin with our first panel, “Reindeer in Here.”  Enjoy.

(Clip played.)

KATE FISHER:  Hi, everybody.  I’m Kate Fisher.  On behalf of myself and my counterpart, Victoria Saavedra, we’d like to welcome you to the “Reindeer in Here” panel.  We’re so excited to share a sneak peek today of our new animated holiday entry, a heartwarming tale featuring Blizzard or Blizz, a young reindeer living at the North Pole who bands together with his unique group of friends to save the future of Christmas.

The animation and story line are truly unique, and the special is a wonderful addition to our holiday slate.  The special premieres Tuesday, November 29th, on CBS and will stream live and on demand on Paramount+.

Now, please welcome our panelists, star Candace Cameron Bure, executive producer and creator Adam Reed, and executive producer and director Lino DiSalvo.  I’ll turn it over to Adam first for some opening remarks and a sneak peek at a scene from the special before taking your questions.  Over to you, Adam.

ADAM REED:  Hey, everybody.  Thanks for having us.  We’re super thrilled to be here.  You know, just a little quick back story.  When I sat down six years ago to write this book, it was out of a need for my own family that I couldn’t find a positive Christmas tradition that also didn’t stress me out as a parent.  And so I really kind of sat down and tried to write a story that I felt would be unique and different and you would fall in love with the characters at the most magical time of year and hopefully someday become a Christmas classic.

And when I sat down with my illustrator and we were looking at different reindeers, because, of course, reindeer are the most magical thing outside of Santa, there was one reindeer that we focused on specifically, and that one reindeer had one antler smaller than the other.  And that is the hero of our story, Blizzard or Blizz.  And the reason is because he’s a different reindeer.  Right?  And every child at some point in their life feels different, because being different is normal, and our film celebrates the uniqueness of every child and of course shows that Christmas wishes really do come true.

And I will tell you my Christmas wish has come true because I know we announced our amazing ‑‑ our amazing cast this morning.  I’m so thrilled to have Adam Devine, Henry Winkler, Candace Cameron Bure, Jo Koy, Donald Faison, Melissa Villaseñor, and of course Jim Gaffigan as Santa.  So we are so thrilled to be here.

And just to toss to the clip, you’re going to see a little moment here that has almost all of our main characters in it.  It has a little bit of funny, a little bit of emotion, and a lot of heart.  And we hope you enjoy.

(Clip played.)

KATE FISHER:  We’re so thrilled to start taking your questions.  As a reminder, if you have a question, please raise your hand in the chat feature and unmute yourself.

QUESTION:  Hey.  Thanks for talking to us today.  Is ‑‑ I can only see four of you on the screen.  Is everybody else there?  Or is it just the four of you?

KATE FISHER:  Just the four of us for this panel.

QUESTION:  Oh, okay.  I was confused.  Sorry.

So how long did it take to make this special?  I really enjoyed it, by the way.  I thought it was very cute and clever.  How long did it take to make?  And how long did it take for the actors to work on their voices?

LINO DISALVO:  Adam, you’re muted.

KATE FISHER:  Adam, you’re still muted.  I should remind the panelists ‑‑

ADAM REED:  Apologies.  Sorry, guys.  You know, how long did it take us to make and how long should we have had to make, two different things.  Lino, over to you on this one.

LINO DISALVO:  Yeah.  So we did this in about 13 months.  And, you know, you always wish you had a little bit more time, but 13 months.  And we had actors ‑‑ well, the thing is, is that going back and forth in total, from casting and finding just the right actors, I would say three ‑‑ three weeks, four weeks.

ADAM REED:  And by the way ‑‑ and Candace can speak to this.  You know, typically, before COVID times, we would be in the VO booth with all of our actors working with them.  And of course, you know, during COVID times, we can’t do that.  So everything was recorded remotely.  Candace, do you want to talk about that a second?

CANDACE CAMERON BURE:  Oh, sure.  Well, we did, I mean, lots of work on the computer over Zoom first, but then went into the recording booth solo.  And you guys were all on monitors in the booth with me.  And it was really only a day, day and a half, maybe, of working on that.  So much fun.

cast of "Reindeer in Here" on CBS

QUESTION:  And does that include all the animation as well?

LINO DISALVO:  Yeah, the animation was about ‑‑ was about eight months.

QUESTION:  Cool.  Thank you.

LINO DISALVO:  You’re welcome.

QUESTION:  For Adam, I can’t help noticing that this is the exact opposite of Archer in so many ways.  I mean, Archer just ripples with cynicism, and this is the precise opposite.  So what was it like to go from one to the other?  And which one of those two is really you?

ADAM REED:  Well, here’s what I’ll tell you.  I’m actually not the Adam Reed that created Archer.  That is a different Adam Reed, and that Adam Reed and I always get confused.  He gets my e‑mails; he gets ‑‑ and I get his e‑mails.  So very, very different.  So luckily, to answer your question, this is my only baby.

QUESTION:  Okay.  And let me ask you, what’s it like for so often people to assume you’re the other Adam Reed?  Do you enjoy that or is it weird?

ADAM REED:  No, look, we were at the same agency for a long time, and we’ve never actually met.  So, you know, it’s just kind of funny.

QUESTION:  Okay, thanks.

QUESTION:  Hi.  Question for Lino.  Obviously you’ve been a head of animation before this, but I believe this is your first time as director.  I was curious to know how different that responsibility has been for you being that you used to lead a team of just animators and now you’re managing the whole pipeline.

LINO DISALVO:  Yeah.  I love it.  I mean, especially that ‑‑ I think when you find a script that speaks to you and feels honest to you and you can relate to the characters, it’s really enjoyable.  It’s wonderful.  I mean, you know, the team that I was leading at Disney was ‑‑ you know, I would oversee a couple hundred people, and I think the crew on our show was less than 200 people.  So, listen, I loved it.  Like, as an animator becoming a director and working on a holiday movie, dude, I’m thrilled.  I loved it.

QUESTION:  Okay.  Thank you.

LINO DISALVO:  Thank you.

QUESTION:  Hi.  Thanks, Kate.  Hi, everyone.  Candace, you’ve obviously got a lot going on this holiday season, like a lot.  And you’re very associated with another network these days.  Do you have a special ‑‑ I don’t know if the word is “out” or “out clause” or whatever ‑‑ in your deal with them that if something like this comes up that’s animation only, it’s okay for you to do it for another firm?  And also, did this fit in comfortably with everything else that you’ve got going for this holiday season?

CANDACE CAMERON BURE:  So to answer your question, yes.  Obviously I’m in the project, so I was ‑‑ I was able to do it.  And it’s been a huge dream of mine for a very long time to be in something animated that’s very special.  And it was so fitting to ‑‑ for my first animated movie to be in a Christmas one.  So that was very exciting for me.  And I’m forgetting the second part of your question.

QUESTION:  I’m sorry.  The “yes” part was to that you have a special out clause with the other network in terms of doing something with animation?  Was that what the “yes” was for?  I’m sorry.  Was that ‑‑ there were two questions.  I’m sorry.  The “yes” that you gave was to the question about ‑‑

CANDACE CAMERON BURE:  Oh, that, yes, I was able to do this project.  And, yep.

QUESTION:  And then the other question was ‑‑ I guess the “yes” takes care of both of those.  Thank you.

CANDACE CAMERON BURE:  Okay.

QUESTION:  We’re good.  Thank you.

ADAM REED:  And can I say one thing that is super important?  When we started concepting this movie and how it was going to be, the first person we had in mind was Candace.  She is obviously the queen of Christmas and just an amazing human being.  And so when we created the roles, we ‑‑ you know, she literally was the first person we thought of.  And she is so incredible at this role, there is even a little Pinky plush that ‑‑

CANDACE CAMERON BURE:  Oh, I have her.

ADAM REED:  ‑‑ everyone is going to love.  That is her character and as amazing as she is.

CANDACE CAMERON BURE:  Adam, thank you.  That was so sweet.  I have the little Pinky plush right here.  All my nieces are going to get this.  And godchildren.

And, yes, I ‑‑ you know, I did remember the second part of your question, if this movie was fitting into all of the other things that I’m doing.  And the answer to that is yes.  This movie is such a beautiful story that’s so heartwarming and so encouraging to kids to celebrate our uniqueness, and I just ‑‑ I absolutely love it as a mom first and what the message sends.  And then of course as an actress, it was just delightful to be in.

QUESTION:  Thank you.

QUESTION:  Hi, everyone.  Thanks so much.  I love the special.  My two‑year‑old daughter has a little reindeer in here.  Her name is Ida.

ADAM REED:  Oh, I love that.

QUESTION:  And, yeah, we’ve had her since last year.  So she was home sick yesterday, so she actually watched the screener with me, and then all day today, she wants to watch the Ida movie.  So I really ‑‑ it was really great.

But I was just wondering, did you ‑‑ because the book is done in, like, obviously a different animation style than the show.  Were other animation styles considered when you did the special?

ADAM REED:  Well, I want to toss that to Lino in a second.  The only thing I want to say is you will see very quickly this year there’s a new vision of the book and plush set.  So the art is elevated.  It’s a completely new and fresh look.  And it was very important that we not only elevate it, but we kept it classic.  And when Lino and I first started talking, we wanted to have ‑‑ look, for us, we want this to be a Christmas classic, right?  To outlive us all, like Rudolph.  So for us, we wanted something that was contemporary but also had classical feels to it and felt hand‑painted.  And I got to give Lino all the credit for that.  He was the one that said, “Look, it’s CG‑looking, but we’re going to hand‑paint all these elements.”

Lino, can you give some context to that?

LINO DISALVO:  Yeah, yeah, yeah.  I wanted to capture the charm of the illustrations from the new book that’s coming out.  So, you know, a lot of times in CG, you’ll put this default fur on a character, and it’s very challenging to art‑direct the silhouette of the characters.  The two things that’s very common and which makes illustration so appealing is when you handcraft and suggest fur in silhouette, you do the little drawings of a tuft of fur on the elbow.

So you’ll see ‑‑ when you watch Blizz, you’ll notice that he has these little hero elements on him that really stand out and are really handcrafted.  And the other is a lot of the times, you know, when two textures meet on a CG character, they kind of blend together.  And I wanted to celebrate, again, what the illustration ‑‑ what illustration artists would do, which is maybe use a dry blush to blend in the textures.  So when you look at Blizz again, if you look at his nose, like at the top of his nose, there’s a dry brush stroke there.

And, yeah, I really love the idea that the movie is handcrafted and very high quality.  We take pride in that.

ADAM REED:  And by the way, if you want to be mom of the year, have Ida bring a special new gift, there is ‑‑ we have “Reindeer in Here” PJs this year and blankets.  Yeah, at Target.  So they just ‑‑ they just launched and they’re pretty awesome.  So maybe an early little Thanksgiving gift from Ida.

QUESTION:  Very cool.  Thank you.

QUESTION:  Certainly.  It’s a question for Candace.  I’m wondering how you ‑‑ you found the voice.  I mean, it’s not that very different from your own voice, but, yet, it does have a distinctness to it.  How did you find the voice for the character?

CANDACE CAMERON BURE:  Well, that was ‑‑ that was Lino.  Really, I didn’t know if I was ‑‑ if they even wanted me to try a different kind of voice.  And we worked on that, and they initially were like, “No, we just ‑‑ we really want your voice.”  I think my voice is distinctive.  I hear a lot from people on the street that they’re not sure if it’s me when they see me, but as soon as they hear my voice, they instantly know that it’s me.  And so they really did want my voice.  So it was just really working on the delivery of the lines and the little nuances of how we wanted her to be.

And I feel like ‑‑ I feel like Pinky, she’s that ‑‑ she’s that friend that tells it straight, but she has a little bit of a motherly quality to her, or that big sister quality, that she’s still gentle in speaking the truth.

QUESTION:  Well, it’s a charming character.

CANDACE CAMERON BURE:  Thank you.

KATE FISHER:  We have another question actually for Adam.  Adam, what has been your favorite part about bringing the book to life?

ADAM REED:  Oh, my gosh.  That’s a great question.  Truly, that we get the opportunity to ‑‑ for everybody in the world to see this.  For every child at the most magical time of year to celebrate their uniqueness and their differences, to me, is the most important thing.  And certainly my Christmas wish, the only thing I ever wished for was that ‑‑ at some point in every child’s life, they feel different, and to celebrate those uniquenesses at the most magical time of year is all I could wish for, and the fact that this is happening is just all still surreal.

KATE FISHER:  Thank you.  And a question actually for Candace.  What was one of the defining reasons you agreed to be part of the animated movie?

CANDACE CAMERON BURE:  Well, one of my ‑‑ my longtime friends ‑‑ I have a very close friendship with Jonathan Koch, who’s a part of this movie.  And then meeting with Adam.  They ‑‑ I talked to both of them, and I was very excited once I heard about the project.  But after I read the script, I was like, “Oh, I’m in.  Please.  Anything.  Like, anything that I can do, I would love to be a part of it.”

QUESTION:  Thank you.  Candace, I’m just curious.  We know you so well for all these holiday projects.  Has this been a case of you just wanting to do that because you love Christmas so much?  Or do you find that when people start talking about Christmas projects, they think of you automatically?  And is there a point where you ever went, “Gosh, I’d just like to do an Arbor Day movie”?

(Laughter.)

CANDACE CAMERON BURE:  Christmas truly is my favorite holiday of the year.  I’m a woman of faith, so there’s no bigger holiday than to celebrate Christmas.  I love that I’ve become synonymous with Christmas because of the movies that I’ve done over the past 15 years.  So it’s a great joy for me.

But, again, I’ve dreamed of being a part of a classic animated movie for a very long time.  And when I was ‑‑ was offered and pitched this project, it was just, I mean, even more magical for the fact that it was Christmas and it’s for children.  I ‑‑ you know, I’m a mom of three and I’ve written several children’s books myself.

So all ‑‑ just the culmination of everything was a no‑brainer and ‑‑ and just a delight to be a part of.  So I’m ‑‑ I’m happy ‑‑ I’m happy to be, you know, a part of people’s Christmas traditions hopefully for years to come.

QUESTION:  Thank you.

QUESTION:  Yes.  For Candace, when you do a regular holiday film, you’re dressed up in the holiday outfits and your makeup, and you’ve got the surroundings of Christmas.  How did you get yourself into the holiday spirit for doing this when it’s ‑‑ it wasn’t all decorated ‑‑ set wasn’t decorated?

CANDACE CAMERON BURE:  Oh, well, this was so exciting for me.  I remember leaving the booth where ‑‑ after recording the voices, and I was just like on the biggest high from recording these.  I don’t think I need to have the surroundings of Christmas to feel like I’m in the Christmas spirit.  I feel like I’m in Christmas 24/7 because I’m constantly ‑‑ you know, 365 days a year, because I’m always reading Christmas scripts and always developing the next Christmas movies, whether I’m starring in them or producing them.

But it was ‑‑ animation is just a whole different ball game and very new for me.  So to be able to voice a character, to see some images on a screen, but then work with such an incredible director as Lino who really just pulled all different kinds of just different performances out of me through the character was so incredibly exciting.  And I think that was ‑‑ that’s a challenge as an actor when you are in front of the camera and you’re not used to doing things off camera.  Everything about your voice has to change because people don’t get to see your facial expressions.  They don’t get to see your hand movements.  And I’m a big ‑‑ I move.  I had to move around that room.  I had to move around the booth and really perform it as an actor.  But you have to make sure that it all carries through your voice and you can’t rely on your body.

KATE FISHER:  Thank you so much.  I’m just going to ask Adam to maybe make a few final remarks to close our panel.

ADAM REED:  Sure.  Look, Candace and Lino and everybody at CBS, thank you.  Look, this movie and the “Reindeer in Here” tradition is really to celebrate the uniqueness of every child and show that Christmas wishes really do come true, not only at the most magical time of year, but year‑round.  And this movie, we have created not only to be a Christmas classic that I hope outlives us all, but also is meant for the whole family.  This is not just for children.  It is funny.  It works for adults.  It works for children.  You can really sit down with your entire family.  And the adults will pick up on things that children don’t, and maybe vice versa.  But we really hope you enjoy.  And thank you, everybody.  I’d encourage you to watch the whole film.  And thanks for having us.  We’re excited to share this tradition with the world.

KATE FISHER:  Thank you so much to our panelists and journalists for participating in our “Reindeer in Here” panel.

MORE INFO: Trailer

"Reindeer in Here" key art Celebrate the holiday season with a festive new special full of adventure and cheer for the whole family! “Reindeer in Here®,” a new one-hour animated holiday special, will premiere Tuesday, Nov. 29 on cbs Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved. Highest quality screengrab available.

“REINDEER IN HERE®” ANNOUNCES THE STAR-STUDDED CAST BEHIND THE NEW ONE-HOUR ANIMATED HOLIDAY SPECIAL, PREMIERING TUESDAY, NOV. 29, ON CBS

Cast Led by Adam Devine, Jim Gaffigan, Melissa Villaseñor, Henry Winkler, Candace Cameron Bure, Donald Faison, Jo Koy, Gabriel Bateman and Brooke Monroe Conaway

Click HERE for REINDEER IN HERE Voice Cast Graphic

CBS announced today the star-studded voices behind the new CBS Original animated holiday special REINDEER IN HERE®, which premieres Tuesday, Nov. 29 (9:01-10:01 PM, PT/ET), on the CBS Television Network and will be available to stream live and on demand on Paramount+*. The one-hour special, filled with joy and magic for the whole family, will immediately follow the beloved holiday classic RUDOLPH THE RED-NOSED REINDEER (8:00-9:01 PM, ET/PT).

REINDEER IN HERE’s cast includes Adam Devine voicing Blizzard “Blizz;” Jim Gaffigan voicing Santa; Melissa Villaseñor voicing Candy; Henry Winkler voicing Smiley; Candace Cameron Bure voicing Pinky; Donald Faison voicing Bucky; Jo Koy voicing Hawk; Gabriel Bateman voicing Theo; and Brooke Monroe Conaway voicing Isla.

Based on the award-winning Christmas book and plush set created by acclaimed author Adam Reed, written for the screen by Greg Erb & Jason Oremland, and directed by former head of animation for Walt Disney Animation Studios Lino DiSalvo, REINDEER IN HERE is the heartwarming story of how Blizzard (Blizz), a young reindeer who has one antler that is significantly smaller than the other, and his unique group of friends band together to save the future of Christmas. In doing so, they unknowingly create a magical holiday tradition like none other.

Full Press Release

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"Reindeer in Here" on CBS

Y&R Short Recap Monday, November 7, 2022

Daytime Soap Opera Short Recaps

Y&R logo

Recap written by Barbara

Diane called Kyle and Summer at work to tell them that Harrison was ill, probably relating to his trip to Costa Rica. When they get home, Kyle and Summer gently tell Harrison that they’re taking him to the hospital; he asks for DiDi to come. The adults reluctantly let DiDi (aka Diane) go with them. Summer has been cold and distant with Diane. Kyle, on the other hand, has a heart-to-heart talk with his mother and tells her he is letting go of whatever she did in LA.

At home, Devon has flashbacks of Neil, how supportive he was and how he gave Devon unconditional love and trust. There is a knock on the door, and it’s Abby with Dominic. First he spills to her about his situation with Nate, then he gets her to spill, and she tells him about the problems she and Chance are having in their marriage. One thing leads to another and they wind up kissing. Amanda comes out of the elevator and is about to open the penthouse door.

Michael, Lauren and Phyllis disagree about Diane and her involvement with Tucker. They’re suspicious of her colluding with Tucker, but Michael is willing to cut her some slack.

Nikki wants Diane out of town, and Victor is suspicious of Tucker. Victor summons Michael to the ranch; Michael tells him that Tucker is connected to Audra Charles.

Unbeknownst to Victor and Michael, Audra arrives at Tucker’s room at The Grand Phoenix and gives him inside information about Chancellor-Winter’s planned IPO, which he says he can use to turn Devon and Lily against each other.

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Interview with Mark Labella

TV Interview!

Mark Labella on the set of "The Cleaning Lady" - Instagram photo

Interview with Mark Labella of “S.W.A.T.” on CBS by Thane 10/13/22

This was quite an interesting interview as you can tell from the video below! I enjoyed speaking with Mark.

MORE INFO:

MARK LABELLA Emerges on Season Six of CBS Police Drama ‘S.W.A.T.’ Premiering October 4, 2022

LOS ANGELES – Actor Mark Labella gets entangled in an elaborate heroin operation in Thailand when he recurs as a guest star on the six season of the hit CBS police drama series, S.W.A.T., premiering on October 4th.

In the season opening episode “Thai Hard,” Hondo surfaces in Bangkok training alongside Thailand’s premiere S.W.A.T. team. When Hondo and his former military buddy stumble upon a wide-ranging heroin operation with ties to Los Angeles, they find themselves on the run from a powerful drug kingpin. Labella emerges as Lek, who proves vital when the danger heats up.

Labella was excited to be part of this special storyline, sharing “S.W.A.T. was the best set I’ve ever been on. I have never felt as safe with my choices, as appreciated for my work, and as welcomed on the first day.”

Born in the Philippines and raised in America, Labella is a U.S. Navy Veteran turned Medical Doctor, who has been building a solid reputation for his talents since setting his sights on the entertainment industry. His notable on-camera credits include a role in the upcoming Gerard Butler action thriller feature film for Lionsgate, previously titled The Plane, as well as appearances in the fan favorite TV shows Magnum P.I. and NCIS: Los Angeles.

Behind the camera, Labella has been discovering success as a screenwriter and producer. His background in medicine has become the basis for many of his original projects, including the television drama series, MisDiagnosed, which won the Boston Screenplay Awards and gained enough attention to land him further opportunities as a screenwriter and producer.

Labella has received awards and accolades for a several of his projects: Breathe – ISA Screenplay Contest Top 10, HollyShorts Semi-Finalist and currently on third round of Launchpad Writing Competition; Soul & Spice – PAGE Int’l Awards Competition Top 25 Comedy, Austin Film Festival 2nd Round, WeScreenPlay TV Pilot Competition Finalist; To The Last Girl I Ever Loved – Blastoff Screenplay Competition Winner, Queen Palm Int’l Film Festival Gold Winner, Best Script Award (London) Finalist, Independent shorts Awards Winner, and many others.

Currently, Labella is producing the U.S. leg of the Filipino feature film project, Labyu with an Accent, starring Filipino superstars Coco Martin and Jodi Sta. Maria. In addition, he is the writer for the upcoming comedy series, Soul & Spice, starring the Philippines’ ‘Comedy Queen’ Ai-Ai delas Alas, Tony Winters, and Johari Johnson; and his latest psychological thriller feature film script, Catholic School, has just been optioned and will head into production soon.

When he is not on-set, Labella spends much of his spare time participating in medical missions and supporting medical and veteran charities. He also volunteers his time writing PSA’s to spread the word to his fellow Filipino-Americans to vote. Labella believes, “My main goal as a creative artist is to tell the stories that I’ve witnessed during my experiences around the world.” Because of his commitment to telling these untold stories, Labella accepted the nomination as the incoming Executive Director of the 13-year-old non-profit organization, Fil-Am Creative. He is excited to honor his performance to coincide with October’s Filipino-American History month in the United States.

Mark Labella is represented by Walter Tabayoyong at Altamero Management and Rachel Tolliver at Firestarter Agency.

Follow MARK LABELLA on Instagram: @MarkJLabella

FB: /Mark.Labella.73

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Mark Labella in a scene from "S.W.A.T." - screencap from Instagram

Interview with the cast of Fire Country

TV Interview!

The cast of "Fire Country" on CBS.

Interview with stars Max Thieriot, Billy Burke, Kevin Alejandro, Diane Farr and Jordan Calloway; and Executive producers Tia Napolitano and Tony Phelan of “Fire Country” on CBS by Suzanne 9/16/22

This was a TCA panel, so there were a lot of journalists there, and we’re only allowed one question (more or less). I’m not allowed to give you a transcript or video, so below is my summary of the panel. I really enjoyed the first episode, so I’m adding this show to my watch list. It’s a unique idea and very well done.

CBS 2022 FALL TCA PRESS TOUR
FIRE COUNTRY
Max Thieriot, Creator/Star/Executive Producer
Billy Burke
Kevin Alejandro
Diane Farr
Jordan Calloway
Tia Napolitano, Showrunner/Executive Producer
Tony Phelan, Executive Producer

Virtual via Zoom September 16, 2022
© 2022 CBS. All rights reserved.

This was the first panel of the day, so we heard a general CBS introduction from Phil Gonzales, Senior Vice President, Communications, CBS Entertainment, and he played a promo for their shows. Then we heard from another executive, Mallor Mason. She told us, “We’d like to welcome you to the “Fire Country” panel. The drama inspired by series star Max Thieriot’s experiences growing up in northern California fire country premieres Friday, October 7th on CBS and streaming on Paramount Plus.” That’s right, the star of the show, Max Thieriot, is also the creator of the show, and it’s based on his own experiences! Also, he’s an executive producer (of course).

Then showrunner Tia Napolitano said, “We are so excited to bring you “Fire Country.” We’ve got a fun show that is about redemption and family. It’s a character driven thrill ride. We have had so much fun making it. I got excited just watching the sizzle reel again. It is inspired by the reality of the fires in California, and our characters are the heroes that are custodians of a community deep in fire country in California. Let’s get this started. We’re so excited to be here.”

Billie Burke and Diane Farr in "Fire Country"Most of the press asked Max questions, but I really love Billy Burke (ever since I saw him in the “Twilight” movies! And he’s been great in many shows I love, such as “Revolution” and “Major Crimes”), and Diane Farr (who plays Sharon) is also great. They play spouses in this show. There’s a bit of familial reveal at the end of the first episode, too. I asked them if they could speak a little bit about their characters’ relationship, and their relationship with the main character, Bode (Max).

Diane was very funny but really didn’t answer my question. She spoke more about working with Billy than about the characters. That’s fine – it was very entertaining. She revealed that it was fun to work with Billy because he’s “really not a morning person.” She made a funny noise and said that’s the noise he makes when he works. Then she compares him to Max, who comes in very bright, cheery and friendly. She said that he’s “Jesus, who was born in the manger” and then added, “And the juxtaposition of those two men is where I live.” She did say that she was just joking. She went on to speak more seriously about how she and Billy worked well together because they both have strong personalities, are veteran actors, “we negotiate our scenes. I usually want more emotional stuff, and he wants a little more action, and we literally negotiate, “Okay, if you kiss me here, I’ll do that thing you asked for.” Like, we barter for who’s going to give what.” I found that to be very interesting. She also praised Max for being such a great guy and full of heart.

Billy replied, “I’m going to go ahead and let you guess who wins most of those negotiations”. Then he praised Diane for making the acting easy and interesting. He’s very happy, he said, as long as he “feels like there’s something happening there.” He then went on to praise the entire cast, saying that they’re the best cast he’s worked with in a long time. He conceded that he does sometimes arrive in the mornings grumpy (or as he put it, “I’m all grumbly”) but working with them all makes things “a whole lot better.” They joked around a bit more. It was very fun to watch them play together.

The rest of the press had their own questions. The first one asked about how Max had to negotiate (there’s that word again!) his work on this show with his work on “SEAL Team,” where he’s also a part of the cast. Max admitted that it was a little difficult to “juggle,” but what helped is that they were already shooting season 6 of “SEAL team” before they started on “Fire Country” in earnest. He was able to make it work during breaks in the shows. He explained, “It’s been crazy, but, you know, life’s crazy, and I got a couple kids to throw in there, and I’m moving around, up to Vancouver to shoot a TV show…but I’m young, and I can keep up, and … I like staying busy, so it works for me.”

He added that when he started working writing this show, it was the start of COVID, and he didn’t know “how long this process would be.” He’d never tried to pitch an idea to a studio, and he’d never finished writing anything. He joked about being “a little bit of a hummingbird where, like, I’ll start on something and then I’m off to, like, another idea.” This started like that, but then he felt “locked into it.” He theorized that this is “just because it was personal.” He wasn’t sure whether he would play Bode, but then the producers convinced him that he needed to.

Max was also asked where he grew up in Northern California, and why he thought it would make a good TV show setting. The reporter also wanted to know whether the show will have self-contained episodes or be more serialized. Max answered that he grew up in Occidental, although he was born in Los Altos because his family was staying in a friend’s garage unit at that time. He told us that Occidental, which is in Sonoma County, only has about 1,000 people in it. He left there to work in the big cities, so he didn’t value how interesting the small town could be. He looked back on his life there and realized how different it is. He described it as “the comfort that you have and the familiarity you have with everybody and how close this community is. You know, in times of struggle and when everybody needs to come together, they really do, and they all support each other.” He felt that this would be a good “core foundation for the show.” Diane chimed to say that this is why she calls him Jesus Christ, because he was born in a manger.

Tony answered the other question, saying that it’s somewhat serialized, but he believes that it will be easy for the audience to catch up if they miss some episodes. He conceded, “There are obviously fire events, rescue events. Our firefighters battle wildfires from the Oregon border all the way down to Mexico..they also do water rescue, they do search and rescue. So there’s all sorts of stories to tell.” Their personal lives, and the mysteries involving them, will be the more serialized parts.

Billy was asked whether playing a fire captain on “911: Lone Star” helped him prepare for this role. Billy replied that he did a movie called “Ladder 49” (2004). He joked that maybe he’s a “closet pyro” because he loves fire. Then he thought about it and said that it’s really the characters he cares about, more than the world they’re in. His character on 911 was “just this despicable yet somehow likable guy,” which is completely opposite his character here of Vince. He’s not sure that he’s ever played a character like this one before.Manny and the other firefighters of "Fire Country" on CBS.

The same reporter asked Kevin (who plays Manny) about his role. He’s played a lot of cops, but here he’s more of a “fire cop.” Kevin is very honored to have played by many cops, but he’s new to the world of fire fighters. He shared that they, as actors, “dive as deep as we can to kind of figure out and respect not only the script but respect the job that’s put in front of us.” He’s really enjoying playing the role, but he feels that “it’s still a mystery to me. He just wants to do his best to represent firefighters on the show. He praised their “fire consultants” that show them how to do things. They have to stick close to the real firefighting but within the boundaries of entertainment. He agrees with Max about the small-town aspects of their show. He enjoys that aspect of “community and understanding that heart.”

The cast was asked whether anyone is afraid of fire in real life. No one thought that anyone there was. I mean, even if an actor had that kind of fear, I would think they wouldn’t want to admit it because they might lose their job (as long as they were able to conquer it and not let it interfere with the role). Max responded by talking about great their visual effects team is. Sometimes they have real fires in front of them, and sometimes it’s just visual effects, and their team “makes that look much scarier than it is.”

Max was asked about whether he’d experienced any great fire storms when he was living in Sonoma County; specifically whether his family ever had to be evacuated. Max revealed that there was one that happened when he was two, but he doesn’t remember. It. Most of his writing was based on the fires of the past few years, where a lot of Santa Rosa was destroyed by the fires. That one affected him the most emotionally because of all the damage and lives lost. He described to us that it came very fast, so the firefighters only had time to try to save lives and nothing else. He was texting with his friends who work as firefighters in that area and some of their stories were “pretty horrific.” He lives by the beach, but his mom lives up there, as well as friends. She had to be evacuated. How scary! She has horses and other animals on their faimly farm, so he had to go up and help them get the animals out and go to a safer area, like the dairy land in the southern part of the county.poster for "Fire Country" on CBS

Diane was asked about her past fire experiences on the movie “SuperFire” and in “Rescue Me” – specifically comparing real fire with CGI fire, and how it’s less risky now. She did agree that they’re much safer now.

She told a great story (she really should be on a podcast or writing) about her jobs. In the movie, she “had to learn how to fly a Cessna.” Then, with the series, “I had to learn everything because nobody thought I could be a firefighter. I trained with three ladies in three states. It was super hard.” She said that didn’t know anything before this series about Cal Fire (California Department of Forestry and Fire Protection) or about the different types of fires. She alluded to climate change making the world hotter and creating more fires, and how scary that is. She went back to the original point, saying that she doesn’t get to do too many dangerous things as an actor. However, she does “ride a motorcycle in real life,” which they wrote into the show. She thinks it’s probably too dangerous, but when a large stunt man tried to take it away, she didn’t let him, so we will see her riding that.

Actor Jordan Calloway (Jake) is most known for playing Khalil/Painkiller on “Black Lightning.” He was asked how “the physicality of that role” helped to prepare him to play a firefighter. Jordan said, “I’m still laughing after Diane. She’s hilarious. That’s mama bear on set.” He went on to explain that the two roles are very different. With the earlier show, “there was a heavy martial arts, heavy weaponry work.” He mentioned that Max probably has that on “SEAL Team” as well. He praised the real life firefighters for what they do, such as carrying around a heavy oxygen tank all day, as they had to do in one episode, as well as having to run around, check their surroundings, and deal with forest fires. He said admiringly that those are long days they have to stay fit and focused. He has some firefighter friends that deal with the fires in California because he’s from the Altadena area, which is in the mountains north of Pasadena. He remembers a big fire they had in 1996 where they had to evacuate. He laughed, telling us a story where his mom was up on the roof, watering it to make sure it wouldn’t catch fire. She also had “12 gauge shotgun” to keep looters away. However, they found out later that it wasn’t even loaded.

He went back to talking about how tough it is physically for the real firefighters, who spend long hours fighting the fires that can change very quickly. The stunt guys have it much easier, since the fire is fake, but he praised them for how great they are. He said they’re “crushing it.”

The journalist replied that he’s “been evacuated three times,” so he knows what it’s like for the real firefighters. He asked Max how he handles his heavy workload and whether it’s ever scared him. Max doesn’t think he’s ever been scared of the amount of work. He likes to “give a hundred percent” at whatever job he gets. He said that it may seem like his time is very “divided,” but compared to his “grandpa who farmed corn for 72 years,” it’s no big deal. His grandpa said, “Make hay while the sun shines.” He doesn’t shy away from the hard work. He enjoys “the sense of accomplishment in completing things.” He revealed that, “I have my work jeans on right now underneath my fancy shirt because I’m going to go out and finish my chicken coop that’s in the back as soon as we Max Theriot, star, creator and EP of "Fire Country" on CBSget off this call.” Whether he’s filming or working at home, it’s no different for him. He just has a bit more work than he’s used to, and he’s getting “a lot more emails” than he’s used to from his “Fire Country” co-workers, so he has a hard time keeping up on that, but he enjoys the work.

Actor/comedian Richard Kind, who was on the next panel for “East New York,” arrived early, so Diane Farr said, “I just want to welcome Richard Kind to our Zoom meeting. Richard, I’m so glad you can join ‘Fire Country.'” He didn’t seem to know where he was, so he asked, “Is that true? Am I with all you guys?” So she told him that he was. He replied, without missing a beat, “Well, I look forward to putting on my suit and wearing a big hat. Really big. How do I do that?” It was pretty hilarious.

Then they let Max give some closing remarks. He talked about how much he loves everyone on the show and how great they are. He’s excited to share the stories of the heroic firefighters.

MORE INFO: Trailer

"Fire Country" key art

MAX THIERIOT STARS AS BODE, A YOUNG CONVICT SEEKING REDEMPTION BY JOINING A PRISON RELEASE FIREFIGHTING PROGRAM WHERE HE AND OTHER INMATES ARE PARTNERED WITH ELITE FIREFIGHTERS TO EXTINGUISH MASSIVE, UNPREDICTABLE WILDFIRES, ON THE SERIES PREMIERE OF “FIRE COUNTRY,” FRIDAY, OCT. 7

Inspired by Series Star Max Thieriot’s Experiences Growing Up in Northern California Fire Country

Series Also Stars Billy Burke, Kevin Alejandro, Diane Farr, Stephanie Arcila, Jordan Calloway and Jules Latimer

“Pilot” – Max Thieriot stars as Bode Donovan, a young convict seeking redemption and a shortened prison sentence by joining a prison release firefighting program in Northern California where he and other inmates are partnered with elite firefighters to extinguish massive, unpredictable wildfires across the region. It’s a high-risk, high-reward assignment, and the heat is turned up when Bode is assigned to the program in his rural hometown, where he was once a golden all-American son until his troubles began. Five years ago, Bode burned down everything in his life, leaving town with a big secret. Now he’s back, with the rap sheet of a criminal and the audacity to believe in a chance for redemption with Cal Fire, on the series premiere of FIRE COUNTRY, Friday, Oct. 7 (9:00-10:00 PM, ET/PT) on the CBS Television Network and available to stream live and on demand on Paramount+*. Series also stars Billy Burke, Kevin Alejandro, Diane Farr, Stephanie Arcila, Jordan Calloway and Jules Latimer.

REGULAR CAST:

Max Thieriot

(Bode)

Billy Burke

(Vince)

Kevin Alejandro

(Manny)

Diane Farr

(Sharon)

Stephanie Arcila

(Gabriela)

Jordan Calloway

(Jake)

Jules Latimer

(Eve)

GUEST CAST:

Marcelo Arroyo

(Julio)

Michelle Choi-Lee

(Ana)

W. Tre Davis

(Freddy)

Aleita Northey

(Lindsey)

Ty Olsson

(Cory)

Kaylah Zander

(Aydan)

STORY BY: Joan Rater, Tony Phelan and Max Thieriot

TELEPLAY BY: Joan Rater and Tony Phelan

DIRECTED BY: James Strong

GENRE: Drama

*Paramount+ Premium subscribers will have access to stream live via the live feed of their local CBS affiliate on the service as well as on demand. Essential-tier subscribers will have access to on-demand the day after the episode airs.

Website: https://www.cbs.com/shows/fire-country/

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cast shot for "Fire Country" on CBS

Interview with Jerry O’Connell and Rebecca Romijn

TV Interview!

Jerry O'Connell and Rebecca Romijn, hosts of "The Real Love Boat" on CBS

Interview with Jerry O’Connell and Rebecca Romijn, hosts of “The Real Love Boat” on CBS

by Suzanne 9/15/22

CBS 2022 FALL TCA PRESS TOUR
THE REAL LOVE BOAT
Rebecca Romijn, Host
Jerry O’Connell, Host
Captain Paolo Arrigo
Matt Mitcham, Cruise Director
Ezra Freeman, Bartender
Jay Bienstock, Executive Producer
Virtual via Zoom September 16, 2022
© 2022 CBS. All rights reserved.

They played a great preview of the show for us. The hosts, Rebecca Romijn and Jerry O’Connell, performed the theme song. They are certainly multi-talented. They also reminded us that “The Real Love Boat” premieres Wednesday, October 5th, on CBS and streaming on Paramount+.

Executive Producer Jay Bienstock addressed us with these opening remarks:

So when you hear “The Love Boat” theme song like we just did, you cannot underestimate the power of nostalgia. You can hum that theme all day long, and it will make you smile. So our new series “The Real Love Boat” caps into that nostalgia. So when you hear the theme song and when you see Ted Lange show up dressed up in that famous red bartender’s outfit that he wore when he played Isaac, when we see Jill Whelan, who played Captain Stubing’s daughter, Vicki, arrive on the ship, I mean, you feel like you are in the middle of a mist of friends. It feels like you are coming home. “The Real Love Boat” has this great sense of adventure. Now, the ship, the Regal Princess — which, by the way had 3,200 paying customers on board when we were shooting, no less. The ship visits these beautiful ports around the Mediterranean Marseille and Santorini and Crete it’s really magical, and it’s the perfect environment to fall in love. It’s fun to imagine that, at any port, at any given time, our singles may find the love of their life. And our singles, these are regular people who have great stories, have been in love and fallen out of love. We have a firefighter and a nurse, a youth basketball coach, real people looking for real love. So not only do we have the real ship and real singles and we have a real married couple as our hosts, Rebecca and Jerry, all we needed was the secret sauce. So, like the original series, we needed real crewmembers to be our matchmakers. So we have our captain. We have our bartender. We have our cruise director. And they are the real deal. I mean, those roles are their day jobs. They are not TV people. They are ship people, and over the years, they have made matches for many people on their cruises, and they did so on ours. It was sort of this interesting combining of roles of television and real life. So you take these real singles, take the real Princess Cruise Line, take real crewmembers, and you add them all together, and you throw in one of the most iconic theme songs ever, and — you heard Rebecca and Jerry — it’s amazing. I can listen to that all day long. It’s so fun the way they sing it together. You put that all together, and we have a really, really fun show, and that is “The Real Love Boat.”

I don’t normally watch any kind of unscripted or non-fiction TV shows. I would rather watch great acting and writing. However, I was very happy to speak with Jerry O’Connell and Rebecca Romijn, my favorite celebrity husband-and-wife team. At first it was just these two, and they brought out the crew later.

I’m not embarrassed to say I had a huge crush on Jerry from when he starred in “Sliders” on FOX back in 1995-2000. He was a child actor who got his start in the movie “Stand by Me” when he was only 12. Both he and Rebecca are now in different “Star Trek” series, which I love because I’m a long-time Trekkie. She stars as Number One in “Star Trek: Strange New Worlds” and he does the voice of Commander Ransom in “Star Trek: Lower Decks.” I told them that I think they’re “amazing actors” and asked them what made them want to do this project. Rebecca answers that they “love watching reality television” and “watching love stories,” so they’re very excited to do it in person rather than from their sofa. They also enjoyed the “beautiful locations.” Jerry agreed, saying, “We as a couple consume an unhealthy amount of unscripted television.” They joked for a few minutes about how they shouldn’t be admitting that. They should, instead, say that they only watch “premium streaming shows” with “people with accents who live in manors.” They love the CBS competition shows and jumped at the opportunity to host this show. Rebecca had previously hosted “Skin Wars,” but he hadn’t hostead before. Since they’re actors, “This is a muscle we had not flexed before,” Rebecca said.

Jerry talked about how the show drew him in emotionally. Someone got eliminated in their first episode. He started to say something, but Rebecca interjected that he “cried.” He denied that, saying he was just “emotional,” but she repeated that he “cried.” It was a very funny moment. They have a great rapport that’s fun to watch. Jerry said that his “superiors” let him know that he can’t be so invested in what’s going on with the “singles” on the show. Rebecca agreed that being neutral is hard for Jerry. He gets “very caught up in the emotion” because he’s an actor. He added that when he watches at home, he definitely takes sides and shares his strong opinions on social media. Jay jumped in to say that this all proves how real the show is, that the singles wnat to find love and how real it is for them. He thinks that watching them do this is great TV. Jerry shared that he was shocked at how “emotionally attached I became to our couples and how much I was rooting for them.” When they’re acting, they know it’s pretend, but with this, it’s real.

Other members of the press asked their questions as well. They asked if the singles on the show remember the original “Love Boat,” since they’re so young? Rebecca assumed that they probably didn’t know about it. She thinks that the one of the show’s strengths is the nostalgia for people who grew up in the 80’s. Jerry wonders if some do have awareness of the show because of the Princess cruises, where there is a “Love Boat channel” and you can watch all of the episodes there.

This reminded him that he had asked Jay and their other boss, Eden, what he should do to prepare for the show. They just told him to watch the original “Love Boat” because it was all about people trying to find love. Rebecca agreed that both the old and new shows are about “people whose hearts have been broken, who are looking for a second chance at love.” Jerry hopes that people will watch the new show and get that same “warm, fuzzy feeling.”

Jay reminded Jerry that he’s not his boss. He talked about scouting to find the people for the show, and he met the ship’s captain, Captain Paolo. He explained how it worked to film on the ship. He impressed them all with how charming, good-looking, and well-mannered he was, so they decided they wanted him to be their captain on the show. They had to find someone else to actually drive the ship instead of him. He related that the Captain and others are the “matchmakers” on the ship. They “bring people together,” along with Jerry and Rebecca. At that point, they brought out their crewmembers and introduced them.

Captain Paolo Arrigo; Matt Mitcham, Cruise Director; and Ezra Freeman, BartenderCaptain Paolo was asked if he’d had any acting experience, but he hadn’t. He said he was just playing himself in the show, so he doesn’t consider this acting experience, but he said it was “incredible.” He was asked whether the singls on the show really talk to the captain about how much they want love and whether he believes their stories, and how did he help them. He confirmed that the cruise director, Matt, and the bartender, Ezra, gathered info about the singles and what happened with them, and they all worked to help them out, “to either fortify or strengthen their bond or maybe try to open themselves up to other opportunities out there with other singles until they find the real love.”

Jerry and Rebecca were asked if they’re good matchmakers in real life. Jerry claimed that he was responsible for two couples getting married. Jerry went on to talk about how the setting for “The Real Love Boat” is made for couples to get together and find romance because it’s in the Mediterranean and other beautiful locations. Jerry mentioned that he and Rebecca have been together 15 years. He also admitted that he’d never been on a cruise before. He thinks it’s a very romantic place. Rebecca added that “Water is sexy” while Jerry went on to say that “time stands still.” He understands it now. He compared it to other traveling, like by airplane, which is stressful and not romantic. Rebecca also admitted that she’d never been on a cruise before, either. She said she loved sleeping on the boat, “I have never slept better in my life, like, rocked like a little, gentle baby, oh, so beautiful.”

Bartender Ezra was asked how long it took her “perfect the iconic Isaac finger point to your liking” and what it was like to meet Ted Lange (who played Isaac, the bartender, on the original “Love Boat’). Ezra replied that the finger point is a lot harder than it looks and Ted helped her with it. You have to tuck the thumbs in but point the fingers out. She said that it was “amazing” working with Ted. She was already a huge fan of the original show because of working on the Princess cruise line. She had always joked “that it should be required viewing for crewmembers to watch Season 1.” So she was very excited about the show and to meet Ted. In fact, she said, “Jay told me to stay away from him until we got the cameras rolling because I was so excited to see him and work with him.” She gushed about great he’s been to her. Jay also shared with us that Ted is working behind the bar in some scenes.

Jay was asked whether their partnership with the Princess line was to help promote it and get the cruise industry to be popular again, since it took quite a hit during COVID and via several revealing documentaries. Jay denied that and said that it was just about being “The Love Boat” and nothing else. Jay was also asked whether anyone else besides Ted and Jill (Whelen, who played Vicki on the original series) were going to be on the show. He let Captain Paolo talk about Jill. He had meet Jill on a previous cruise. He used to watch the show with his grandfather who was on the original as an executive chef. They were discussing this before they show the new show, and “all of these nostalgic things.” It was a great conversation for both of them.

Rebecca said a few closing words about how much they love the show and enjoyed traveling to the various beautiful locations. “We are very proud to be a part of it, and we hope everybody enjoys it as well.”

MORE INFO:

The Love Boat key art

REBECCA ROMIJN AND JERRY O’CONNELL COME ABOARD AS CO-HOSTS OF “THE REAL LOVE BOAT”

The Dating Adventure Series Premieres Wednesday, Oct. 5, as Part of

CBS’ All-Reality Wednesday

CBS announced today Rebecca Romijn (Paramount+’ STAR TREK: STRANGE NEW WORLDS) and Jerry O’Connell (CBS’ THE TALK) as co-hosts of THE REAL LOVE BOAT. The husband-and-wife team will take the helm guiding viewers through the dating adventure series inspired by “The Love Boat,” the hit scripted series in the ‘70s that used Princess Cruises ships as its setting. The series sets sail Wednesday, Oct. 5 (9:00-10:00 PM, PT/ET), following SURVIVOR (8:00 PM PT/ET) and leading into THE AMAZING RACE (10:00 PM, PT), to create the Network’s all-reality night.

“After years of consuming, arguing about and dissecting unscripted television, hosting a reality series where a group of singles look for love while aboard a Princess Cruise ship, seemed like a dream come true,” said Romijn and O’Connell. “When we heard it was aboard THE REAL LOVE BOAT, that dream got an iconic theme song – ‘we promise something for everyone.’”

Rebecca Romijn continues to maintain her leading lady status in Hollywood since famously starring as Mystique in the FOX X-Men franchise. Currently, Romijn stars in the Paramount+ series STAR TREK: STRANGE NEW WORLDS, reprising her role as the iconic character Number One, whom she also portrayed in STAR TREK: DISCOVERY. As co-host of THE REAL LOVE BOAT, the former Sports Illustrated swimsuit issue cover model returns to familiar territory – she served as the host of MTV’s iconic “House of Style” and as host and executive producer of the GSN bodypainting competition series “Skin Wars.”

Actor, director and television personality Jerry O’Connell serves as host of THE TALK, CBS’ Daytime Emmy Award-winning talk show that examines topical events and contemporary issues. O’Connell began his acting career at age 11 when he co-starred as Vern Tessio in “Stand by Me,” spawning a career of roles in critically acclaimed films and televisions series. O’Connell currently voices Commander Jack Ransom in STAR TREK: LOWER DECKS for Paramount+ and he can now be seen in the thriller “Endangered Species” opposite his wife, Romijn, and Philip Winchester.

THE REAL LOVE BOAT brings singles together to sail the Mediterranean on a luxury cruise ship while looking for love. Destination dates, challenges and surprise singles will test the couples’ compatibility and chemistry. Like the beloved original scripted series, the indispensable crew members, including captain and cruise director, will play pivotal roles in the matchmaking and navigation of the romantic (and sometimes turbulent) waters ahead.

After nearly one month at sea, one winning couple will dock in the final port and take home a cash prize plus a once-in-a-lifetime trip courtesy of Princess Cruises, the series’ exclusive cruise line partner.

THE REAL LOVE BOAT is produced by Eureka Productions in association with Buster Productions. Chris Culvenor, Paul Franklin, Wes Dening and Jay Bienstock serve as executive producers for Eureka.

Jerry O'Connell and Rebecca Romijn, hosts of "The Real Love Boat" on CBS

Biography

Jerry O’Connell is an actor, director and television personality. He serves as host of The Talk, CBS’ Daytime Emmy Award-winning talk show.

O’Connell began his acting career at age 11 when he co-starred as Vern Tessio in Stand By Me. Born and raised in New York City, O’Connell graduated from New York University with a BFA before returning to feature films. He received critical acclaim for his role as quarterback Frank Cushman in Jerry Maguire.

Most recently he appeared in the film Endangered Species, with additional credits including Scream 2, Can’t Hardly Wait, Mission to Mars, Tomcats, the Jerry Bruckheimer-produced comedy Kangaroo Jack, Yours, Mine and Ours, Man About Town, Obsessed, Piranha 3-D, The Lookalike, Deep Murder, and The Secret: Dare to Dream. O’Connell was also seen in the big screen follow-up to the cult hit television series Veronica Mars. In addition to his film work, he has been seen in multiple hit television series, including Scream Queens (FOX), Mistresses (ABC), The Big Bang Theory (CBS), Billions (SHOWTIME), The Mysteries of Laura (NBC), Carter (OWN) and currently voices Commander Jack Ransom in Star Trek: Lower Decks (PARAMOUNT+.)

Additionally, O’Connell hosted his own daytime talk show Jerry O in 2019 and starred in the Broadway play A Soldier’s Play in early 2020.

O’Connell resides in Los Angeles with his wife, Rebecca Romijn, and twin daughters. His birthday is Feb. 17. Follow him on Twitter and Instagram @mrjerryoc.

Rebecca Alie Romijn was born on November 6, 1972 in Berkeley, California. Her father was Dutch-born and worked as a custom-furniture maker. Her mother was American-born, with Dutch and English ancestry, and was a teacher of English. Rebecca attended Berkeley High School where her nickname was the “Jolly Blond Giant”, then she attended the University of California at Santa Cruz where she majored in Music, but left in 1995.

She was a natural for modeling, and has posed for Sports Illustrated, Christian Dior and Victoria’s Secret, to name but a few. Rebecca first met John Stamos in 1994, at a Victoria’s Secret Fashion Show and had her first date with him at Disneyland. They married in September 1998, but have since gotten divorced.

Rebecca’s favorite foods are fillet mignon, tuna sashimi and Häagen-Dazs Cappuccino Commotion ice cream. But to keep her weight at a svelte 130 pounds, she stays fit with a rigorous stretching and strengthening routine (her firm body tone is evident when compared to photos of her earlier modeling, where she was very slim but not toned). Rebecca’s most famous movie role, so far, was as the shapeshifting Mystique in X-Men (2000), based on the long-running comic book series about teenage mutant superheroes (that Jack Kirby and Stan Lee created in 1962). To play Mystique every day, Rebecca had to start out nude, and then two female makeup artists would apply blue body paint and other stick-on parts for 8 hours a day. Rebecca told Jay Leno on The Tonight Show with Jay Leno (1992) that things like tissue paper would stick to her hips; and, one day, the long hours of wearing sticky paint makeup made her so upset that director Bryan Singer told her to have a glass of white wine and relax. Notwithstanding those technical difficulties, X-Men (2000) was a box-office bonanza, and Rebecca’s future in films was assured.

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Jerry O'Connell and Rebecca Romijn, hosts of "The Real Love Boat" on CBS

Interview with Skylar Astin

TV Interview!

 

Skylar Astin and Marcia Gay Hardin of "So Help Me Todd" on CBS. Photos from paramountpressexpress.com

Interview with Scott Prendergast, Elizabeth Klaviter, Marcia Gay Harden, Skylar Astin, Madeline Wise, Tristen J. Winger, Inga Schlingmann and Rosa Arrendondo of “So Help Me Todd” on CBS by Suzanne 9/21/23

CBS 2022 TCA PRESS TOUR
“SO HELP ME TODD”
Scott Prendergast, Creator/Executive Producer; Elizabeth Klaviter, Showrunner/Executive Producer; and actors Marcia Gay Harden, Skylar Astin, Madeline Wise, Tristen J. Winger, Inga Schlingmann and Rosa Arrendondo
Virtual via Zoom September 21 2022
©2022 CBS All rights reserved.

Here were some introductory remarks about the show. First, from the moderator: The series is inspired by our creator and executive producer Scott show premieres Thursday, September 29th, at 9/8 Central on CBS and Paramount+.
Joining us today is the cast and executive producers of the series. Please welcome creator and executive producer Scott Prendergast, showrunner and executive producer Elizabeth Klaviter, stars Marcia Gay Harden, Skylar Astin, Madeline Wise, Tristen J. Winger, Inga Schlingmann, and Rosa Arredondo.

The second remarks were from the creator/EP Scott Prendergast: “I’m so happy to be here with my showrunner Elizabeth Klaviter and our six incredible cast members. Just a quick recap. This show is based on a true story. My mother’s husband did disappear and I helped her find him and that’s where we drew the inspiration for the show. So it’s very exciting to be here. The cast is incredible. And I’ll just quickly tell you that when I pitched the show, the first thing I said to CBS was if you took Alicia, the lawyer, from “The Good Wife” and Kalinda, the investigator, made them mother and son and had them do “Moonlighting,” that’s the show, and here we are a year and a half later.

This press panel was for the TV Critics Association. They give us a transcript of the interviews, but we’re not allowed to post them verbatim, and there’s no video or audio.

This is a fun new dramady starring Oscar winner Marcia Gay Harden (whom you may remember from “Law and Order” and other shows) and Skylar Astin, who’s probably best known for playing Zoey’s love interest in “Zoey’s Extraordinary Playlist” (ZEP) I spoke with Marcia before, years ago, so I was very happy to get a chance to speak to Skylar because I really loved ZEP.
CBS/Paramount let us watch one episode before airing. It’s a quirky show, and those rarely do well on TV, but you never know. One of the more interesting things about it is that the idea for the story came from the show’s creator’s real life experiences.

With these large press panels, we’re lucky to get one question in, so I was ecstatic to ask him if he would be singing on this show. He not only starred in ZEP but was in the musical movie “Pitch Perfect.” He said that they had no plans to do that yet. He didn’t think his character, Todd, would be a very good singer.

The follow-up question to mine asked if filming the show was easier because there wasn’t choreography and everything, like on ZEP and Pitch Perfect. He felt very comfortable doing musicals, but this show has its own “specific rhythm,” so he treats it the same way. He was talking about the dialogue, which is “very rhythmic.”

“So Help Me Todd: A Quirky Blend of Comedy and Mystery Unveiled in CBS’ New Series”

In a recent Television Critics Association (TCA) panel, the creators, cast, and executive producers of CBS’ upcoming series “So Help Me Todd” gathered to share insights into this intriguing blend of comedy and mystery. The series, set to premiere on Thursday, September 29th, at 9/8 Central, promises to captivate viewers with its unique storyline and a cast that seamlessly mixes humor and drama.

Inspiration from Real Life

The show’s creator and executive producer, Scott Prendergast, kicked off the event by sharing the series’ origin story. He revealed that the inspiration for “So Help Me Todd” came from a real-life experience where his mother’s husband disappeared, and he played a pivotal role in helping her find him. This deeply personal narrative forms the foundation of the show’s premise.

Prendergast described the series as a blend of “The Good Wife,” “Moonlighting,” and classic CBS procedurals, with a strong focus on the unique mother-son dynamic at its core.

Balancing Comedy and Mystery

A recurring theme during the panel discussion was how the show successfully balances comedy and mystery. Skylar Astin, who plays the titular character Todd, explained that while the show has its comedic moments, it also explores deeper emotional aspects. Astin noted that Todd is a complex character, and he enjoys portraying the character’s messiness and vulnerability.

Executive producer Elizabeth Klaviter emphasized that the humor in the show is grounded in authentic character development. The cast’s performances and the witty scripts allow viewers to relate to the characters while enjoying the comedic elements.

A Cast of Characters

The cast of “So Help Me Todd” includes the talented Marcia Gay Harden, Skylar Astin, Madeline Wise, Tristen J. Winger, Inga Schlingmann, and Rosa Arredondo. Each actor brings their unique qualities to the series, contributing to the chemistry that makes the show stand out.

Finding Laughter in the Unusual

One of the standout aspects of the show is its willingness to embrace humor in unusual situations. Scott Prendergast shared a real-life anecdote where he pretended to be someone else to locate a missing person. This blend of absurdity and suspense is at the heart of “So Help Me Todd,” making it an engaging and entertaining watch.

Plans for the Future

When asked about the show’s future, Scott Prendergast revealed that they have ambitious plans for seven seasons. He believes that the evolving mother-son relationship and the characters’ growth will provide endless material for captivating storylines. The panelists expressed their excitement about exploring the family dynamics further, including relationships between siblings, colleagues, and adversaries.

A Quirky Family Saga Awaits

As the panel concluded, it was evident that “So Help Me Todd” promises to be a unique addition to CBS’ lineup, offering viewers a captivating blend of comedy and mystery while delving deep into the intricacies of family dynamics. With a strong cast and a commitment to maintaining the delicate balance between humor and drama, this series is poised to become a must-watch this fall.

Prepare to embark on a journey with the Todd family as they navigate life’s twists, turns, and absurdities, all while seeking answers to intriguing mysteries. Tune in on September 29th to catch the premiere of “So Help Me Todd” on CBS and Paramount+.

 

MORE INFO: Trailer

So Help Me Todd Skylar Astin and Marcia Gay Harden Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.

SO HELP ME TODD stars Academy Award winner Marcia Gay Harden and Skylar Astin as razor-sharp, meticulous attorney Margaret Wright (Harden) and Todd (Astin), her talented but scruffy, aimless son whom she hires as her law firm’s in-house investigator. As the black sheep of the well-heeled Wright family, Todd is a laidback, quick-thinking, excellent former private detective who fell on hard times after his flexible interpretation of the law got his license revoked. Margaret’s penchant for excellence and strict adherence to the law is at complete odds with Todd’s scrappy methods of finding his way through sticky situations: by the seat of his wrinkled pants. When Todd inadvertently teams with his mother on a case, she’s surprised to find herself duly impressed by – and proud of – his crafty ability to sleuth out information with his charm and his wide-ranging tech savvy. At last, Margaret sees a way to put her son on a “suitable” path to living an adult, financially solvent life she approves of, and she asks him to join her firm. Todd agrees, since it means getting his license back and once again doing the job he excels at and loves. Mother and son working together is a big first step toward mending their fragile, dysfunctional relationship, and they may even come away with a better understanding of each other at this pivotal point in their lives. But whether Todd and Margaret will be able to accept each other for who they are is another case entirely.

Marcia Gay Harden Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.Marcia Gay Harden

July 2022

Academy Award-winning actress Marcia Gay Harden has forged an incomparable body of work, and like a chameleon she transforms into each character she plays. Her critically lauded performances are myriad – from glamorous Ava Gardner in “Sinatra,” to artist Lee Krasner in “Pollock” (winning an Academy Award for Best Supporting Actress), to the down-and-out Celeste in “Mystic River” (Oscar-nominated in the same category) – and her versatility has been praised in other films such as “Miller’s Crossing,” “The First Wives Club,” “Meet Joe Black,” “Mona Lisa Smile,” “The Hoax” and “Used People.”

Harden stars in the comedy series “Uncoupled” opposite Neil Patrick Harris. She plays a socialite in the middle of a bitter divorce who commiserates with Harris’ character when his husband walks out on him.

On the film side, Harden will be seen in “Roadside’s Gigi & Nate” with Jim Belushi, Josephine Langford and Charlie Rowe, set for a September theater release, along with Greg Mattola’s “Confess, Fletch” opposite Jon Hamm.

Currently, she recurs on the Emmy-nominated series “The Morning Show” opposite Jennifer Aniston and Reese Witherspoon, for which she was just nominated for an Emmy Award for Outstanding Guest Actress in a Drama Series. Most recently, she starred in the Amy Poehler-directed comedy “Moxie” and the miniseries “Barkskins.”

Harden lives in Los Angeles. Her birth date is August 14. She can be followed on Twitter @MGH_8 and Instagram @mgh_8.

So Help Me Todd Skylar Astin Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.Skylar Astin

July 2022

Skylar Astin is a celebrated actor with a varied career across stage and screen. This past summer, Astin returned to the theater in the Off-Broadway revival of “Little Shop of Horrors” as Seymour, directed by Tony winner Michael Mayer. Also, he appeared in the documentary “Spring Awakening: Those You’ve Known.” Astin and the rest of the cast revisited their roles and re-sparked the cultural phenomenon which put Astin on the map and went on to win eight Tony Awards in 2007. Following the release of the documentary, he performed a special rendition of “Touch Me” at this year’s Tony Awards with the original cast.

Most recently, Astin starred in two seasons of “Zoey’s Extraordinary Playlist” alongside Jane Levy, Mary Steenburgen and Peter Gallagher.

Additional television credits include appearing opposite Golden Globe-winner Rachel Bloom in the final season of “Crazy Ex-Girlfriend,” the Golden Globe-nominated dark comedy “Graves,” Frank Coraci’s comedy “Hot Air,” “Ground Floor,” “Girls,” “Halt and Catch Fire,” “House” and “Love Bites.”

Astin is perhaps best known for his star turn as Jesse in the hit “Pitch Perfect” franchise. Additional big screen credits include “Ghosts of War,” “21 and Over” opposite Miles Teller, “Taking Woodstock” for director Ang Lee, the Sundance cult-hit “Hamlet 2,” “Flock of Dudes,” “Cavemen” and the beloved animated film “Wreck It Ralph.”

In 2020, Astin appeared in “Secret Society of Second Born Royals,” an original live action film. Astin was nominated for a Critics’ Choice Award in the category of Best Actor in a Superhero Movie for his role in this film.

A native New Yorker, Astin portrayed the iconic role of Tony in Carnegie Hall’s performance of “West Side Story” and received rave reviews in Encore’s production of Kurt Vonnegut’s “God Bless You, Mr. Rosewater.” He was also seen in Pulitzer Prize nominee Theresa Rebeck’s play, “What We’re Up Against.”

Currently, Astin resides in Los Angeles. He can be followed on Twitter @SkylarAstin and Instagram @skylarastin.

So Help Me Todd Madeline Wise Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.Madeline Wise

July 2022

 

Madeline Wise is an actress with a diverse background. After studying at Bard College, with a stint at the London Academy of Music and Dramatic Art, she co-founded New Saloon Theatre Co. and worked extensively in the downtown theatre scene in New York.

Wise made her television debut in season three of the Pete Holmes semi-autobiographical comedy “Crashing,” produced by Judd Apatow. She also played Sir Patrick Stewart’s mother in season two of STAR TREK: PICARD and has appeared in “Single Drunk Female,” EVIL and “Curb Your Enthusiasm.”

Her film credits include Noah Hutton’s sci-fi “Lapsis” and Sophia Silver’s meditation on adolescent female friendship “Over/Under.”

Currently, she resides in New York. Her birth date is March 1 and she can be found on Twitter and Instagram at @wise_dumb.

So Help Me Todd Tristen J. Winger Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.Tristen J. Winger

June 2023

Born and raised in South-Central Los Angeles, Winger discovered his love for acting at a young age. He notes he was a “TGIF” kid, looking forward to Friday nights where he could tune in to “Family Matters” and see himself represented for the first time on television through Jaleel White and his on-screen character Steve Urkel. Winger attended the Amazing Grace Conservatory (AGC), where he was able to hone his craft in theater, bringing characters to life on stage. He went on to attend the King Drew Magnet High School of Medicine and Science, where he became friends with Issa Rae (who would eventually give him his first big break with “The Misadventures of Awkward Black Girl”), graduating one year early. While Winger initially thought he would pursue a career in the medical field, even studying science, math and engineering at California State University Northridge, the performing arts kept calling his name. He dabbled in music production and audio engineering, learning to produce and make music while in college, and took a few retail jobs while he auditioned for acting projects in Los Angeles. While working at the Apple store he landed one of his first big jobs on “Insecure,” and he has been booking film and television projects ever since.

On television, Winger has played a variety of characters that come from many different backgrounds. He is best known for his role as Thug Yoda on the award-winning series “Insecure” from creator/writer/producer Issa Rae. His other credits include “Bigger,” “East of La Brea,” “50 Central,” “Almost 30,” and his first big break, comedy web series “The Misadventures of Awkward Black Girl” opposite Issa Rae, which debuted on YouTube in 2011.

Winger’s feature film credits include Tripp in the short film “The Hostage,” which was accepted into the Nantucket Film Festival. Winger also appeared in the award-winning short “Baldwin Beauty,” which went to the Sundance Film Festival in 2020 and was nominated for Short Film Grand Jury Prize and Best Short Film. The project was also nominated for a NAACP Image Award in 2020 for Outstanding Short Form (Live Action).

Winger frequently lends his voice to projects. He voiced multiple characters in the highly popular PlayStation 5 video game “Horizon: Forbidden West.” Recently, he starred in the podcast “We Stay Looking” (six episodes), which was produced by HBO Max. The podcast was nominated at the 2022 Ambies for Best Scriptwriting, Fiction and secured back-to-back wins at the 2021 and 2022 Webby Awards in the Podcasts – Scripted (Fiction) (Limited-Series & Specials) category.

Winger is passionate about giving back to his community and bringing awareness to the growing food insecurity issues in South L.A. Winger is also an advocate for shining a light on the stigma around mental health and lack of adequate mental health resources for Black men, as he has been on a personal journey through therapy and building deeper, meaningful relationships with others, and himself. For years, Winger has championed the Amazing Grace Conservatory where he got his start, supporting emerging artists and at-risk youth in the performing and digital arts by offering a well-rounded and culturally enriching educational program in an environment that is nurturing for their personal, artistic and professional growth.

Currently, Winger lives in South-Central L.A. with his rescue dog, a Yorkiepoo named Frito. He can be found on Instagram and Twitter at @tristenjwinger.

So Help Me Todd Inga Schlingmann Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.Inga Schlingmann

June 2023

Inga Schlingmann is a first-generation American, whose parents immigrated to the U.S. from Taiwan and Germany. She attended NYU, where she was pre-med and majored in art history, with minors in chemistry and psychology.

While at NYU, Schlingmann was crowned Miss Manhattan, with a platform focused on lowering infant and maternal mortality rates. After NYU, she worked with Americorp as a birth doula and lactation aide for underserved and undocumented women in Brooklyn.

Schlingmann left healthcare to work at Bloomberg LP and later went on to work for LinkedIn, where she was a senior account director when she landed the role of Susan in SO HELP ME TODD.

Schlingmann currently resides in New York. Follow her on Instagram @ingaschlingmann.

So Help Me Todd Rosa Arredondo Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.Rosa Arredondo

June 2023

Rosa Arredondo’s career includes work in film, television and on stage. An Alvin Ailey-trained dancer, Arredondo transitioned to acting early in her career, though she continues to take dance class regularly. Her most recent film, “The Secret Art of Human Flight,” appeared in competition at the 2023 Tribeca Film Festival.

Arredondo’s stage credits include the Blair Underwood/Daphne Rubin-Vega Broadway production of “A Streetcar Named Desire” at the Broadhurst Theatre, Sonnet Repertory’s production of “The Maids” and Arredondo’s one-woman show “Journeys,” which she wrote, produced and performed herself as part of the Female Forward Festival at The Royal Family Theater in N.Y.C.

Currently, she resides in New York. Her birthday is Jan. 13.

Read Eva’s Review of the show!

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So Help Me Todd Skylar Astin and Marcia Gay Harden Photo: CBS ©2022 CBS Broadcasting, Inc. All Rights Reserved.

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Interview with the cast and creators of “CSI: Vegas”

TV Interview!

 

"CSI: Vegas" banner

Interview with Paula Newsome, Marg Helgenberger, Matt Lauria, Mandeep Dhillon, Jason Tracey and Anthony Zuicker of “CSI: Vegas” on CBS by Suzanne 9/16/22

It was great to be on this TCA panel and ask Marg Helgenberger a question. I’ve watched the show since it’s first episode, so I’m a huge fan. I think the newer version is just as good! Although the original cast is missed, I’m glad they’re able to bring some of them back, occasionally.

CBS 2022 FALL TCA PRESS TOUR
“CSI: VEGAS”
Paula Newsome, Marg Helgenberger, Matt Lauria, Mandeep Dhillon, Jason Tracey (showrunner/EP) and Anthony Zuicker (EP/creator).
Virtual via Zoom September 16, 2022
© 2022 CBS. All rights reserved.
Opening remarks: The new season premieres Thursday, September 29th and will also be available to stream live and on demand on Paramount+. Joining our panel today is our showrunner, Jason Tracey; “CSI” creator, Anthony Zuiker; Paula Newsome who plays Maxine Roby; reprising her role as Catherine Willows, Marg Helgenberger; Matt Lauria as Joshua Folsom; and Mandeep Dhillon as Allie Rajan. This is a fantastic time in the “CSI” culture, coming back after five iterations. We started this whole shebang on October 6th of the year 2000. Yet here we are on our 841st episode in a 21 episode run season with “CSI: Vegas” with a fantastic showrunner Jason Tracey and an awesome cast. Our show has always been about justice for victims. We’re a forensic procedural show. We’re still here solving crime and providing hope. And we welcome you and we’re very excited about season two.

CBS 2022 Fall TCA Press Tour: CSI: Vegas Panel

CSI: Vegas, the iconic crime procedural series that has captivated audiences for decades, is back with a second season, and the CBS 2022 Fall TCA Press Tour provided a unique opportunity to dive into the world of forensic science once more. In this virtual panel, key figures from the show, including showrunner Jason Tracey, creator Anthony Zuiker, and the talented cast members, Paula Newsome, Marg Helgenberger, Matt Lauria, and Mandeep Dhillon, offered a fascinating glimpse into the upcoming season and the enduring legacy of “CSI.”

The panel began with a warm welcome from Sienna Sanders of CBS Network Publicity and Rachel Wesolowski from CBS Studios. They introduced the panelists, setting the stage for a lively discussion about the show’s evolution, themes, and its profound impact on both the entertainment industry and the real world.

Creator Anthony Zuiker, reflecting on the show’s enduring popularity, said, “It’s our show that has always been about justice for victims. We’re a forensic procedural show. We’re still here solving crime and providing hope.” With 841 episodes under its belt, CSI: Vegas continues to deliver gripping stories of justice through the lens of forensic science.

The first question addressed the unresolved serial killer storyline from the previous season. Showrunner Jason Tracey assured fans that this storyline would indeed continue but not immediately. He emphasized that the show would explore other compelling narratives before delving deeper into the serial killer plot.

A highlight of the panel was the collaboration between Marg Helgenberger and Anthony Zuiker on a Catherine-centric episode. The two reminisced about a breakfast meeting at the Beverly Hills Hotel, where they discussed the episode’s creation. Helgenberger revealed that their motivation for the episode came from the personal loss of their mothers, making the episode particularly meaningful to both of them.

Marg Helgenberger, who reprises her role as Catherine Willows, shared her experiences working with a new cast and a different set. She expressed her gratitude for the warm welcome she received from the new team, praising their professionalism and enthusiasm. Despite the changes, Helgenberger conveyed her love for the character and her excitement about exploring Catherine’s continued growth.

The panel delved into the fascinating world of forensic technology, with a focus on the advancements that have excited the creators and writers. Jason Tracey mentioned intriguing developments in arson technology and molecular map making, while Anthony Zuiker shared his experiences at a facial reconstructionist workshop in Austin, Texas. He highlighted that advancements in both old and new technologies continue to play a vital role in the show.

Phenotyping, a technique using DNA to determine physical characteristics, was discussed as a valuable tool for storytelling and investigative purposes in the series. Paula Newsome, who plays Max Roby, a geneticist on the show, emphasized how the series highlights the real-life dedication of forensic professionals who work tirelessly to solve cases.

Marg Helgenberger’s return to the role of Catherine Willows was a significant topic of discussion. She shared her personal journey of rediscovering the character after a hiatus, explaining that she missed Catherine’s passion, swagger, and spunk. Helgenberger also discussed the personal growth she has experienced, both as an actress and as an individual, through her portrayal of Catherine.

The panelists reflected on the unique legacy of “CSI,” a series that has inspired countless individuals to pursue careers in forensic science. Anthony Zuiker recalled that when the show first aired, there were only 10 applications for crime scene analyst positions, but today, there are over 10,000 submissions annually. The show’s influence on aspiring forensic professionals has been immense.

Paula Newsome, who portrays Max Roby, the boss of the crime lab, shared her thoughts on the importance of representation. She expressed the significance of being a woman in a leadership role in a male-dominated field and how her character sets an example for others interested in forensic science.

The panel concluded on a heartfelt note, with the cast and creators expressing their gratitude to the real-life forensic scientists who inspire their work. Marg Helgenberger dedicated the season to these dedicated professionals and emphasized the importance of science, facts, and evidence in a world often marred by divisiveness.

As “CSI: Vegas” returns for its second season, it continues to uphold its legacy of showcasing the power of forensic science in seeking justice for victims. With a talented cast, engaging storylines, and a commitment to authenticity, the series remains a beloved and enduring fixture in the world of crime procedural television.

MORE INFO: Trailer

CSI: VEGAS returns for its third season and continues the legacy of the global hit franchise. Amidst the neon lights and long shadows, dark threats lurk in Sin City. Maxine Roby (Paula Newsome) leads her brilliant team of crime scene investigators – Catherine Willows (Marg Helgenberger), Allie Rajan (Mandeep Dhillon), Detective Serena Chavez (Ariana Guerra), Chris Park (Jay Lee) and Beau Finado (Lex Medlin) – as they use science to solve baffling mysteries. Chief among them: who framed their colleague, Joshua Folsom (Matt Lauria), for a gruesome murder? The most daunting and dangerous cases in the history of this storied franchise are coming, and the team will have to deploy the latest forensic techniques to preserve and serve justice in Sin City.

FORMAT:

Drama (Filmed in HD)

 

STARRING:

Paula Newsome

(Maxine Roby)

Marg Helgenberger

(Catherine Willows)

Matt Lauria

(Joshua Folsom)

Mandeep Dhillon

(Allie Rajan)

Ariana Guerra

(Detective Serena Chavez)

Lex Medlin

Jay Lee

(Beau Finado)

(Chris Park)

PRODUCED BY:

CBS Studios in association with Jerry Bruckheimer Television

EXECUTIVE PRODUCERS:

Jason Tracey, Jerry Bruckheimer, Jonathan Littman, KristieAnne Reed, Anthony Zuiker, Carol Mendelsohn, Ann Donahue, Craig O’Neill, William Petersen, Cindy Chvatal, Steven H. Kram and Steven H. Blume

Marg Helgenberger (Catherine Willows) on "CSI: Vegas" on CBS. CSI: Vegas Season 2 Photo: Sonja Flemming ©2022 CBS Broadcasting, Inc. All Rights Reserved.

Marg Helgenberger reprises her role as Catherine Willows, a single mother working as a crime scene analyst, in season two of “CSI: VEGAS.” She earned two Emmy Award nominations as well as two Golden Globe nominations for this role in the critically acclaimed series “CSI: CRIME SCENE INVESTIGATION.” Helgenberger ended her twelfth season of this global hit series in 2013.

Helgenberger was last seen in the CBS series “All Rise.”  She also starred in “Intelligence” and “Under the Dome” for the Network. Marg’s breakout role as K.C. on “China Beach,” won her an Emmy Award in 1990.

In Fall of 2017, she starred in the off-Broadway premiere of Theresa Rebeck’s play “What We’re Up Against” at the WP Theatre. Other recent stage appearances include the Arena Stage production of “The Little Foxes” in which she played Regina and the Barrington Stage Company’s production of “The Other Place.”

Helgenberger appeared in the May 2019 Universal/Amblin release of “A Dog’s Journey,” starring alongside Dennis Quaid. Her other film credits include: “Erin Brockovich,” “Mr. Brooks,” “In Good Company,” “Fire Down Below,” “Species,” “My Fellow Americans,” “Cowboy Way,” “Bad Boys,” and “Always.” She has also appeared in numerous mini-series including starring as Patsy Ramsey in the highly rated CBS miniseries, “Perfect Murder, Perfect Town” based on the bestselling book about the unsolved murder of Jon Benet Ramsey.

Helgenberger was raised in North Bend, Nebraska, and is a graduate of Northwestern University. She currently resides in Los Angeles. Follow her on Twitter @MargHelgen and Instagram @Marghelgenberger.

Paula Newsom (Maxine Roby) on "CSI: Vegas" on CBS. CSI: Vegas Season 2 Photo: Sonja Flemming ©2022 CBS Broadcasting, Inc. All Rights Reserved.

Veteran film, television and stage actress Paula Newsome, prior to CSI: VEGAS, is best known for her standout performance opposite Henry Winkler and Bill Hader as the fierce, funny, and fragile ‘Detective Janice Moss’ in HBO’s Emmy-winning series “Barry,” and hanging from a car in the international blockbuster “Spider-Man No Way Home”.

Newsome was born and raised in Chicago. Four months after moving to New York, she was cast in Lincoln Center’s Tony Award-winning “Carousel.” She then performed in several Off-Broadway and regional productions, before making her big screen debut opposite Dolly Parton in the romantic comedy “Straight Talk.”

Newsome co-starred alongside Angie Harmon in the police drama “Women’s Murder Club.” She has made numerous guest star appearances on notable television series, most recently an emotional arc on the popular Dick Wolf franchise’s “Chicago Med” and Steven Bochco’s “City of Angels,” with Viola Davis and Gabriel Union. Other television credits include “Suits,” “Transparent,” “Pretty Little Liars,” “NCIS,”, “Suburgatory” and “How to Get Away with Murder,” opposite Viola Davis.

On the big screen, Newsome appeared in “Guess Who” opposite Bernie Mac and Ashton Kutcher, “Little Miss Sunshine,” “Things We Lost in the Fire,” “Black or White” and “Reign Over Me” alongside Don Cheadle, Adam Sandler and Jada Pinkett Smith.

Newsome attended Webster University in St. Louis, Missouri and earned her degree in Musical Theatre. She is trilingual, speaking English, French and Italian, and enjoys riding horses. Currently, she resides in Los Angeles. Follow her on Twitter @mepaulanewsome and Instagram @therealpaulanewsome.

Matt Lauria (Josh Folsom) on "CSI: Vegas" on CBS. CSI: Vegas Season 2 Photo: Sonja Flemming ©2022 CBS Broadcasting, Inc. All Rights Reserved.

Matt Lauria is perhaps best known to audiences for his role as ‘Luke Cafferty’ on “Friday Night Lights.” Most recently, he co-starred opposite Juno Temple in Sky TV’s original series “Little Birds” in the UK; opposite Hailey Steinfeld in the Apple series “Dickinson”; and on the Paramount+ series “Tell Me A Story.” For four years, Lauria starred in the critically acclaimed drama “Kingdom.” His additional television credits include Shawn Ryan’s “The Chicago Code,” Jason Katims’ “Parenthood” and “Lipstick Jungle,” “CSI: Crime Scene Investigation” on the Network, “Burn Notice,” “The Forgotten,” “Traitors,” “30 Rock” and the ‘February’ episode of “Down” from Hulu/Blumhouse.

In film, Lauria will next be seen opposite Andrea Riseborough and Allison Janney in “To Leslie.” He last appeared alongside Samuel Jackson and Jesse T. Usher in New Line’s “Shaft,” and with Gina Rodriguez and Anthony Mackey in Catherine Hardwick’s “Miss Bala” for Sony. On the stage, Lauria starred in Paul Down Calaizzo’s play “Really Really” at MCC for director David Cromer, and David Auburn’s “(Proof) An Upset”.

Lauria was born in Washington, D.C. and is a graduate of University of North Carolina School of the Arts. Currently, he lives in Los Angeles.

Mandeep Dhillon (Allie Rajan) on "CSI: Vegas" on CBS. CSI: Vegas Season 2 Photo: Sonja Flemming ©2022 CBS Broadcasting, Inc. All Rights Reserved.

Before CSI: VEGAS, Mandeep Dhillon is perhaps best known for her reprisal of sarcastic and uptight math-geek ‘Saz Kaur’ on the BBC hit “Some Girls” written by Bernadette Davis. Recently, she starred in a pivotal role in “Star Wars: The Rise of Skywalker.” In 2020, she starred alongside Ricky Gervais in season two of the critically acclaimed Netflix series “After Life.” Also, she starred opposite David Morrissey in the BBC crime thriller “The City and the City,” and alongside Ashley Walters and Noel Clarke in Sky 1’s cop crime thriller “Bulletproof.”

Prominence on the big screen came in “David Brent: Life on the Road,” alongside Ricky Gervais. It was nominated for best comedy at the National Film Awards. Other film credits include Jamie Adams’ “A Wonderful Christmas Time” and “Garfield,” for which she won Best Actress at the Underwire Film Festival.

Dhillon’s television credits include “Doctor Who,” “24: Live Another Day,” “Finding Fatimah,” “Hospital People,” “Wolfblood,” “Fried” “Whitechapel” and “Lucky Man,” written and produced by Marvel movies legend Stan Lee. Additionally, Dhillon stars in a new BBC3 sitcom, “Avoidance,” as writer Romesh Ranganthan’s sister Danielle.

Dhillon hails from London and currently resides in Los Angeles. She trained at the prestigious Central School of Speech and Drama. Her birthday is Dec. 21. Follow her on Instagram @mandidhillon.

Jason Tracey wrote and served as an executive producer on “Elementary,” on the Network, and “Burn Notice” on USA. Prior to that, he was a child. Well behaved. The kind that would not bother you if you sat next to them on an airplane.

Anthony E. Zuiker is the creator of the “CSI” franchise, which has earned the title of the “most-watched show in the world,” spawned three television spin-offs (“CSI: Cyber,” “CSI: Miami” and “CSI: New York,” all on the Network), aired hundreds of episodes, and even garnered a GUINNESS WORLD RECORD®. As one of the most groundbreaking storytellers today, Zuiker continues to innovate across every platform, from TV to Digital to Books and Broadway. He was the creator of “Cybergeddon,” the first digital blockbuster for Yahoo and the best-selling digi-novel series “Level 26.” In addition to his publishing company, Zuiker Press, which he co-owns and co-runs with wife, Michelle, Zuiker is also executive producing the “Soul Train” musical for Broadway.

Zuiker grew up in Las Vegas and currently lives in Los Angeles. His birthday is August 17. Follow him on Instagram @aezuiker.

Proofread and Edited by Brenda

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Lex Medlin, Paula Newsom and Eric Szmanda on "CSI: Vegas" on CBS. CSI: Vegas Season 2 Photo: Sonja Flemming ©2022 CBS Broadcasting, Inc. All Rights Reserved.

 

B&B Update Thursday, 6/30/22

Bold & The Beautiful Updates

B&B logo

Update written by Chris

At the club, Eric and Quinn talk about how they’re ending their marriage. Eric points out that Quinn loves Carter, who’s getting married right now to Paris.

At Il Giardino, the wedding March is played and Paris walks down the aisle. We see her mom Grace, with Carter in the background. Charlie is happy to be there, officiating the ceremony. Charlie refers to Paris as “Future Mrs. COO” and he welcomes everyone to the wedding. Grace doesn’t look happy at all, and Ridge doesn’t look too sure about it, either. Also in attendance or Hope, Zende and Bill. Zende also doesn’t look too happy to be there.

Eric urges Quinn to go. She’s reluctant, at first, but then leaves.

Charlie asks if there is anyone present that believes that Carter and Paris should not be married. Paris looks around to Grace, but there is no reaction. Carter looks around to Ridge, and again, there is no reaction.

Eric looks at his wedding ring thoughtfully. The door opens and Donna comes in, saying she saw Quinn leave. She asks if anything is okay. He holds her hands, and she caresses his cheek.

Quinn calls for the valet, but no one shows up. Quinn tries to get into the box with all the keys in it but can’t. She takes a hairpin out of her hair to try to open it, but it doesn’t work. She walks away, taking her phone out of her pocket.

Eric tells Donna that Quinn left to go find Carter. Donna wonders if he’s sure about this, and he shows her that he’s taken off his ring and that they’re ready to be together. Donna is happy to hear it. He tells her that Quinn was hurt and angry, but she left to stop Carter from marrying Paris. He hopes she can do it.

Quinn tries to phone Carter, but he doesn’t answer. She figures he probably doesn’t have his phone with him, but she leaves a message, anyway. She begs him not to marry Paris before calling her. Quinn is near a bike rental place on the beach, so she takes a bike and rushes off, telling the attendant to charge it to Eric.

Back at the wedding, Carter has a dazed look on his face. Hope gives a speech to say that their family and friends are thrilled that they have found love with each other (although no one looks too thrilled).

Quinn tries to get to the ceremony, speeding down the boardwalk on her bike, yelling at people to get out of her way. Trying to avoid hitting a man, she rides over to the sand, where she falls over after almost getting hit with a volleyball. She gets back up on the bike.

Charlie continues the ceremony. We see flashbacks with Carter and Quinn, to show that Carter is thinking about Quinn. Charlie tells the couple to join hands, but then Ridge interrupts the ceremony. Ridge talks about Carter’s good qualities and says that he’s not usually impulsive, but he is now. He guesses that if Carter is going to do that, he should do it with a “beautiful, amazing woman like Paris.” Ridge goes on and on about how great Paris is but then says that we should all have “true love” (as Hope said in her speech) and we shouldn’t settle for anything less. He’s hinting to Carter that he shouldn’t be marrying Paris if he’s not committed to her. Carter cuts him off by thanking him. He says that his friendship means a lot.  Charlie gets control of the ceremony again. They bow their heads in prayer.

Quinn continues to ride her bike, having her own flashbacks of being with Carter. She gets so hot and bothered thinking of Carter that she has to unbutton her shirt a little. Quinn keeps yelling at people to get out of her way: a skateboarder, a woman bouncing a ball, etc. She cuts through a park as a shortcut.

Carter and Paris prepare to read their own vows. Paris just speaks from her heart. She’s nervous at first and talks about how she fell for Carter unexpectedly. She lists his great qualities. Grace, Zende and Ridge frown throughout the entire ceremony. Carter says that, contrary to Ridge’s speech, he doesn’t feel like he’s acting impulsively. He’s wondering what took him so long to realize what he needs. Charlie tells them that it’s time to exchange rings, so Carter takes them out. Paris places one of the rings on Carter’s finger and repeats the vows after Charlie.

Quinn finally arrives, drops the bike and runs inside. She sees Carter and Paris standing together, smiling, and Charlie is also smiling at them. She looks shocked and perhaps wonders if she’s too late.

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Y&R Article: Should Characters Be Brought Back From the Dead?

Young and the Restless Opinion Article

 

Susan Walters plays Diane on "Young and The Restless" on CBS

Article by Suzanne 5/10/22

The biggest news lately on the show is the return of Diane Jenkins, Jack’s ex-wife and father of Kyle, who was thought to be dead.  At first, the story seemed to be about Jack finding his long-lost son, Keemo, and then Keemo’s daughter, Allie.  They sure surprised us by having that springboard into the DIANE’S ALIVE! story. (See what they did there?)

Of course, on soaps (as the saying goes) no one is really dead. It’s a cliché, really, so it’s hardly a big surprise when anyone comes back. However, having Diane return fixes one of the mistakes they made back in 2012 when Nikki and Deacon both confessed to murdering Diane.They bashed her head in many times, and her body was found. The writers seemed to be saying, “Yes, she’s really dead! Dead, dead, dead!”

Deacon went to jail for awhile for that. He’s over on B&B now, so maybe someone will mention to him that she’s alive, and they can stop calling him an ex-con!  At any rate, it’s usually a bad idea to kill off a major character, even one like Diane who seems to have few redeeming qualities. She was a trouble-maker, but not evil, like, for instance, David Kimble. He deserved to die, and no one was unhappy to see him go.

Diane spent most of her time on Y&R sleeping around, stealing husbands and trying to get money and fame from Jack and Victor, among others. Susan Walters is an amazing actress who managed to play Diane well, to make her seem more human than the writing reflected. It’s great to have her back.  When her character was “murdered,” she was played by Maura West, who had previously played Carly on “As The World Turns” and now plays Ava on “General Hospital“.  She’s another fabulous actress.

Now we’re supposed to believe that Diane faked her death and has been alive all this time. Also, she has supposedly changed and gotten therapy. If they’re going to make her into a better person now, that would be boring, so I hope it’s not true.

Of course, like a lot of stories in Soapland, it makes little sense. She not only died, but there was a body.  Whose body was that if not Diane’s? Y&R is not like GH or “Days of Our Lives“. There’s no Helena Cassadine or Dr. Rolf there to give people magical drugs to make them seem dead, so it strains credulity. I wonder if they will even address this point?  This is why it’s a bad idea to kill off major characters because later on you have to really jump through illogical hoops to bring them back. Leaving town or going to jail is a much better way to get rid of them, IMHO. I’m sure the writers would argue that killing off a character makes for great drama and gives them more story to work with. However, it’s happened so often now that it’s no longer such great story. It’s not even very surprising.  Kill off someone who’s been there for 30 or 40 years (Nikki, Victor, Jack, Lauren et al.) and maybe then it would be surprising. Diane died after pissing everyone off, and everyone threatened her, so it was pretty obvious that she would die.

I was not very happy when they killed off Cassie on Y&R because it was just too sad (and had already been done with better effect on GH).  Although I love the actress who played her, bringing her back as Cassie’s twin sister Mariah later on was pretty ridiculous. This is why soaps get such a bad rap. Stories like this would rarely fly on primetime or in movies, unless it happened in a comedy or scifi. I hate when people say, “It’s just a soap.” Stories like this are why they say that.  Then people wonder why the poor soaps actors are unable to further their careers (or have to start all over again) when they’re trying to get roles elsewhere. It’s really unfair because the acting is usually really good on soaps (aside from a few newbies).   It’s really the writers and producers who should have trouble getting more work outside soaps if you ask me. They just keep throwing up the same crap on our screens over and over. I’m sure the Y&R writers thought that bringing Diane back was a brilliant idea.

I hope that they turn Diane’s return into more than just the usual story about how she’s just coming back to cause more trouble. It would be nice to see something unusual and interesting happen for her, Jack and Kyle (and Summer, who’s returning). As I said, nobody wants to see her be a goody-two-shoes, either.

How about some original and unusual ideas? The idea to have lesbians on Y&R was a great one. The writing of the two characters has been hit-and-miss, but the idea was great.  I hope the writers do drag more of the show into the 21st century.  I’m not really in favor of having Kevin suddenly becoming gay because I hate when they change history, but if it will keep the actor happy, maybe they should. Then he won’t keep running over to Days.  Or if you must use a soap trope, how about having Kevin learn that he has a twin gay brother? Maybe this Diane is not the real Diane, but the mother of the twins.  Now that would be exciting!

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

 

Proofread and Edited by Brenda

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Jack and Diane on Y&R

Interview with Chi McBride

TV Interview!

"How We Roll" cast on CBS

Interview with actors from “How We Roll” on CBS by Suzanne 3/23/22

This was a nice CBS press day – my first with them. I was very happy to be included, even though I was only able to ask one question.

This seems like a fun sitcom, so I’ll definitely be checking it out when it airs tomorrow.

CBS SPRING 2022 VIRTUAL PRESS DAY
“How We Roll” with actors Pete Holmes, Katie Lowes, Chi McBride, Julie White and Mark Gross, Executive Producer
Virtual via Zoom
March 23, 2022
© 2022 CBS Broadcasting Inc. All Rights Reserved.
“How We Roll” premieres Thursday, March 31st, at 9:30 p.m. Eastern on CBS, and streaming on Paramount Plus.

The show is based on the life of real-life Midwestern dad, Tom Smallwood, who decided to pursue his dream of becoming a pro bowler after he was laid off from his job

There was a video from Brian d’Arcy James, Executive Producer, who couldn’t be there. He told us about how the show came about. He heard about Smallwood because they’re both from Saginaw, MN. He fell in love with the idea of this guy deciding to follow his dream, regardless of the odds against him, in order to take care of his family. They loved and supported him, and so did his whole community. James thought this would make a great story. It’s certainly an interesting idea. I don’t think there’s every been a sitcom about bowling before. There was the comedy-drama, “Ed,” about a lawyer who returns to his hometown and buys a bowling alley…he practiced law out of it. There have been many sitcoms about working class people who go bowling regularly, such as “Laverne and Shirley” and “Roseanne.” There’s never been one that’s mostly about bowling, let alone one that is about a professional bowler. I just hope it’s funny because that’s my main criteria for a comedy. It has to make me laugh, often, or I won’t keep watching it. We’ll see!

I was really happy to be able to ask Chi McBride a question because he’s been in so many great shows I’ve watched and loved, such as “Boston Public,” “Human Target,” “House” and many more. I asked him, “You’ve done a lot of dramas over the past — I don’t know, how long it’s been…. A couple of decades. But you got your start in sitcoms. So, what was it that attracted you to this project?”

He gave me an unexpectedly heartfelt answer. It was really nice. He confided that not only did he “love the story,” but he could relate to it. He said, “30 years ago, I left my successful career at the phone company when I was making $300 a week, against the advice of my broker.” He drove from Atlanta to California to be in show business. He mentioned that he had a lot of confidence. He probably had some money to keep him afloat for awhile, too, is my guess, since he decided he wouldn’t be a waiter or anything like that. He credits that confidence with getting into the business, which he’s worked in for 30 years. He can identify with the situation because everyone thought he was crazy, too, for taking this chance.

He talked about his character, Archie, who is a mentor to the main character, Tom (played by Pete Holmes). He told us that Archie has believed in Tom since he was a child. He really loves characters like Archie and felt that this was “a wonderful opportunity.” Also, he added that he knew all the other people in the cast and their work. He praised them for being both talented and “lovely people at the same time.” He shared that it’s “been a real gas, to tell you the truth.” Going back to my question about having done mostly drama for a long time, he did admit that he hadn’t been “in front of three camera format in 25 years” (that’s how they shoot sitcoms), so he found it “daunting” at first. He gave credit to director Mark Cendrowski for helping him figure it out and get over that bump road. He joked, “it was like riding a bike. Like, when you ride a bike into a tree at first.” He was very funny throughout his answer, and we all laughed a lot. The whole panel was pretty funny. Anyway, he concluded that he’s “just glad to be here” and that the basic story inspired him.

Producer Mark Gross talked about his part in bringing the show to life. He wanted to write something with hope in it. James told him about the Tom Smallwood story. He praised Tom’s beautiful writing about Tom and his story. It really inspired him. He spoke in detail about how he worked on it feverishly (sometimes literally, when he had COVID). He can’t believe that they got such an “incredible, amazing cast.” He thinks Tom’s story is filled with miracles.

Pete Holmes was asked to compare his other show, “Crashing,” based on his early days of trying to make it as a comedian, to this one, since they’re both about someone giving up steady work to pursue their dreams.

Pete answered that he never though of that comparison before. He confided that his parents didn’t seem too concerned about his becoming a comedian. He added, “I don’t know if that’s because they believed in me, or they just weren’t paying attention.” Everyone laughed, so he riffed on that idea for a minute. It was hilarious. Then he told us, more seriously, that his parents were always very supportive of him, and other people he knew ere, too. He believes that you should get rid of the “naysayers” in your life if you want to be successful. He also mentioned that he always saw some other comedians that were unsuccessful because they were always comparing themselves or their careers to other comedians, which he referred to as “comedy cancer.” He told us that Mark Gross and one of the other writers (Tommy Johnagin) are both great stand-up performers and writers. He talked about how he and his wife read the script when he got it, praying that it was good. They enjoyed it and laughed, and appreciated that the wife was not just the usual TV “nagging wife.” It reminds him of the series “Ted Lasso,” in the sense that the wife believes more in Tom than he does. He also thought that the other characters were not stereotypes, either. Back to the question, he said that he’s very grateful that he didn’t have people doubting him when he was starting out. He “was one of the first people to go to college” in his family, so they said that he could do whatever he wanted after that.

Another reporter asked a question, but unfortunately, the actors didn’t answer it seriously. It was a very funny time for all of us, though. He/she asked what the actors found it easiest and most difficult as far as connecting to their character. Instead, Pete joked about the other new CBS show “Beyond the Edge,” saying that “I thought the monkeys that were encroaching on our camp were really difficult.” From then on, it only got funnier. I can only hope that the real show is half as funny as these guys were in this panel.

MORE INFO:

CBS ANNOUNCES NEW COMEDY “HOW WE ROLL” TO PREMIERE THURSDAY, MARCH 31 AT 9:30 PM

How We Roll,” Formerly Titled “Smallwood,” Stars Pete Holmes, Katie Lowes,

Chi McBride, Julie White and Mason Wells, and Is Based on the Life of

Professional Bowler Tom Smallwood

CBS will premiere the new comedy HOW WE ROLL (formerly titled “Smallwood”) on Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, after B POSITIVE completes its second season order. The series will also be available to stream live and on demand on Paramount+*. Based on the life story of professional bowler Tom Smallwood, the series stars Pete Holmes as Tom, a stoic Midwest husband and dad who gets laid off from a car assembly line and makes the extraordinary decision to provide for his family by following his dream of becoming a professional bowler.

As a skilled player, Tom knows that in bowling you get two chances: no matter what you do with the first ball, you get another one to make it right – the ultimate second chance. Keeping that in mind, he begins his new career with the loving “OK” from his wife, Jen (Katie Lowes); the unfaltering support of Archie (Chi McBride), his mentor and the proud owner of Archie’s Lanes: Home of the Curly Fry; the cautious backing of his protective mom, Helen (Julie White); and the encouragement of his son, Sam (Mason Wells). It remains to be seen if Tom will strike it big on the pro bowler circuit, but right now, the pins are set, he’s taking his second shot, and it’s 300 or bust.

HOW WE ROLL is produced by CBS Studios. Mark Gross, David Hollander and Brian d’Arcy James are the executive producers. Mark Cendrowski directed the pilot.

*Paramount+ Premium subscribers will have access to stream live via the live feed of their local CBS affiliate on the service as well as on demand. Essential-tier subscribers will have access to on-demand the day after the episode airs.

Official CBS website: https://www.cbs.com/shows/how-we-roll/

BIOS

Pete Holesm on "How We Roll" on CBSPete Holmes (Tom on HOW WE ROLL)

Pete Holmes is a nationally touring standup comedian, actor, “Christ-leaning spiritual seeker,” improviser, writer, cartoonist, and late-night host. Most recently, “Comedy Sex God,” Pete’s first book, was published May 14, 2019 by Harper Wave. Part autobiography, part philosophical inquiry, and part spiritual quest, “Comedy Sex God” is a hilarious, profound, and enlightening romp around his fertile mind.

In March 2019, Pete’s semi-autobiographical HBO comedy series, “Crashing,” that he created, starred in and executive-produced alongside Judd Apatow, celebrated its third and final season. “Crashing” was critically acclaimed and followed a stand-up comic (Holmes) who reevaluates his life and enters the New York comedy scene after discovering his wife’s infidelity. Currently, Pete is the host of the wildly popular podcast, “You Made It Weird,” which is a comedic exploration of the meaning of life with guests ranging from Deepak Chopra and Elizabeth Gilbert, to Seth Rogen and Garry Shandling. With more than 660 episodes, “You Made It Weird” has been downloaded over six million times and is recognized annually as a top podcast.

Since 2011, Pete has starred in CollegeHumor’s hilarious web series, “Badman.” “Badman” parodies the Christopher Nolan Batman films, with Pete playing the Caped Crusader as oblivious and incompetent, much to the annoyance of friends and foes alike. Pete also provided the voice for the talking baby in the award-winning E*TRADE ad-campaign.

An accomplished standup, with three hour-long television specials (HBO’s “Pete Holmes: Dirty Clean,” HBO’s “Pete Holmes: Faces and Sounds,” and Comedy Central’s “Pete Holmes: Nice Try, The Devil!”) and innumerous late-night appearances, Pete also hosted his own late-night TBS talk show, “The Pete Holmes Show,” that aired for two seasons. Pete has written for several television series, including “The Simpsons” and “Outsourced,” and many of his cartoons have been published in “The New Yorker,” which he thinks is pretty neat.

Currently, Holmes lives in Los Angeles with his wife and daughter. His birthday is March 30. Follow him on Instagram and Twitter @peteholmes.

Chi McBride as "Archie" from the CBS series HOW WE ROLL, premiering Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on the CBS app and Paramount+. Photo: Cliff Lipson/CBS ©2021 CBS Broadcasting, Inc. All Rights Reserved.Chi McBride (Archie in HOW WE ROLL)

A prolific actor in both television and film, Chi McBride most recently starred in the hit series “Hawaii Five-0” as Captain Lou Grover, on the Network.

McBride’s extensive feature credits include “I, Robot,” “The Terminal,” “Draft Day” with Kevin Costner and Jennifer Garner, “Annapolis,” “The Kid” with Bruce Willis, “Gone in Sixty Seconds” with Nick Cage, “The Distinguished Gentleman” with Eddie Murphy, and the Oscar-nominated “What’s Love Got to Do With It.”

He is also known for his principal roles in Bryan Fuller’s “Pushing Daisies” and David E. Kelley’s “Boston Public.” McBride has also lent his voice to the Marvel world playing the iconic ‘Nick Fury’ in multiple animated series, including “Avengers Assemble.”

McBride is from Chicago and currently resides in Los Angeles. His birthday is Sept. 23.

Katie Lowes as "Jen" from the CBS series HOW WE ROLL, premiering Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on the CBS app and Paramount+. Photo: Cliff Lipson/CBS ©2021 CBS Broadcasting, Inc. All Rights Reserved.Katie Lowes (Jen on HOW WE ROLL)

Katie Lowes is a force on both stage and screen. She is perhaps best known for starring as ‘Quinn Perkins’ for the entire seven seasons of the hit series “Scandal.” Lowes starred opposite a stellar cast including Kerry Washington and Tony Goldwyn in the fan favorite series created by Shonda Rhimes.

Recently, Lowes starred in the original television movie CHRISTMAS TAKES FLIGHT, on the Network. Currently, she stars in Shonda Rhimes’s Netflix series “Inventing Anna,” alongside Anna Chlumsky, Julia Garner and Laverne Cox.

Lowes is in the fourth season of her popular parenting podcast, “Katie’s Crib,” which is produced by Shondaland in partnership with iHeartRadio. “Katie’s Crib,” which launched in Spring 2018, is a weekly podcast covering the unexpected joys, pains, foibles, and hilarity of new motherhood. Each episode highlights a specific parenting issue from a variety of different points of view. Lowes conducts frank, intimate conversation with fellow moms (such as A-List actresses Kristen Bell, America Ferrera, and more) about the ups and downs of being a new parent.

In summer 2021, Lowes lent her voice to Netflix’s animated film “Vivo.” The film also featured voices from Lin-Manuel Miranda, Zoe Saldana, Gloria Estefan, Nicole Byer and more, with Miranda writing several songs for the movie.

In fall 2018, Lowes made her Broadway debut, starring in the Tony-nominated musical “Waitress,” with Katharine McPhee. Lowes played the role of ‘Dawn’ opposite her real-life husband, actor Adam Shapiro.

Lowes is no stranger to the big or small screen. Over the years she has appeared in big budget films, such as Disney’s “Ralph Breaks the Internet” and Dreamworks’ “Transformers 2,” Bad Robot’s “Super 8” directed by JJ Abrams and was the voice of Abigail in the 2015 Academy Award-winning animated feature film “Big Hero 6.” In addition, she voiced an animated character in the 2015 Academy Award-winning animated short film, “Feast,” as well as the Oscar-nominated Disney film “Wreck It Ralph.” Lowes was the inspiration behind the motion and movement work for Idina Menzel’s character, Elsa, in the movie “Frozen.”

Additionally, she has appeared in several independent films, including “Dinner for Four,” “The Job,” “Callers” and “Bear” and “Café.” She has been a guest star on hit series, such as “The Closer,” “Grey’s Anatomy,” “Private Practice,” “Leverage,” “Castle,” “The Sopranos,” “NCIS,” on the Network, and was a series regular on “Easy Money,” created by producers of “The Sopranos.”

Lowes is regularly seen guest co-hosting “Live with Kelly and Ryan” alongside Ryan Seacrest.

Born in Queens, New York, Lowes is a graduate of NYU Tisch School of the Arts. Lowes is the co-artistic director of IAMA Theatre Company, which was named one of the top 20 regional theatres in the country. IAMA is in the midst of its 13th season in Los Angeles.

Currently, Lowes lives in Los Angeles with her husband. Her birthday is Sept. 22. Follow her on Twitter @KatieQLowes and on Instagram @ktqlowes.

Julie White as "Helen" from the CBS series HOW WE ROLL, premiering Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on the CBS app and Paramount+. Photo: Cliff Lipson/CBS ©2021 CBS Broadcasting, Inc. All Rights Reserved.

Julie White (Helen on HOW WE ROLL)

 Julie White is a Tony Award winner for Best Performance by a Leading Actress in a Play for her role in “The Little Dog Laughed,” and starred in Joe Mantello’s 2015 production of Lisa D’Amour’s play “Airline Highway,” for which she was nominated for Tony, Drama Desk and Drama League awards.

Tony-nominated for her performance in the 2019 Taylor Mac-created “Gary: A Sequel to Titus Andronicus” on Broadway opposite Nathan Lane, White earlier starred on Broadway in Lucas Hnath’s “A Doll’s House 2” with Stephen Henderson and Jane Houdyshell, and opposite Matthew Broderick and Annaleigh Ashford in the revival of A.R. Gurney’s “Sylvia” for director Dan Sullivan.

White’s additional Broadway credits include “Vanya, Sonia, Masha and Spike,” “The Heidi Chronicles,” and Off-Broadway credits “The Understudy” and “Fiction” for The Roundabout, “Twelfth Night” at The Delacorte for The Public Theatre and “Bad Dates” for Playwrights Horizons, to name some favorites. She won an Obie Award, The Elliot Norton Award, the Ovation Award and been nominated multiple times for Outer Critics Circle, Drama Desk, and Drama League Awards.

On television, White recurred as Antoinette, “Nurse Jackie”s AA sponsor; opposite John Goodman in the Garry Trudeau/Amazon series “Alpha House”; and spent a season on “Go On” opposite Matthew Perry, for which she won the Gracie Award. Other memorable TV roles are Mitzi Dalton Huntley in Alan Ball’s “Six Feet Under,” Nadine Swoboda on “Grace Under Fire,” Dr. Anne Morella on “Law & Order: SVU” and comedy appearances on cult favorites “You’re the Worst” and “Man Seeking Woman.”

Coming up, in addition to HOW WE ROLL, White will appear in the new Apple + series “Roar” among an all-star cast, including Nicole Kidman and Cynthia Erivo, as well as the Apple+ miniseries “WeCrashed” opposite Anne Hathaway. Other television credits include White starring opposite Kiefer Sutherland and Anthony Edwards on the final season of “Designated Survivor” and appearing in the critically acclaimed limited series “Mrs. America,” with Cate Blanchett and Sarah Paulson.

On the big screen, White appeared in “Lincoln” for Steven Spielberg opposite Daniel Day Lewis and Sally Field, in addition to being a staple on the indie scene in such festival films as “Breaking Upwards,” “Hello I Must Be Going,” “Morning,” “My Idiot Brother” and “Life Partners.” Additional studio features include the massively successful “Transformers” franchise, “Michael Clayton” opposite George Clooney, “The Astronaut Farmer” with Billy Bob Thornton, and the animated film “Monsters and Aliens”.

White resides in Northern Westchester, NY, when not filming. Her birthday is June 4. Follow her on Instagram @missjuliewhite.

Mark Gross, producer/writer for "How We Roll" on CBS.

Mark Gross is a producer and writer, known for Mike & Molly (2010), Man with a Plan (2016) and Gary Unmarried (2008).

 

 

 

 

 

PETE HOLMES STARS IN THE NEW COMEDY INSPIRED BY THE LIFE OF PROFESSIONAL BOWLER TOM SMALLWOOD, WHO MAKES THE EXTRAORDINARY DECISION TO FOLLOW HIS DREAM OF BECOMING A PROFESSIONAL BOWLER, ON THE SERIES PREMIERE OF “HOW WE ROLL,” THURSDAY, MARCH 31

Katie Lowes, Chi McBride, Julie White and Mason Wells Also Star

“Pilot” – Pete Holmes stars in a new comedy inspired by the life of professional bowler Tom Smallwood, who gets laid off from his factory job and makes the extraordinary decision to follow his dream of becoming a professional bowler, on the series premiere of the CBS Original series HOW WE ROLL, Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*. Katie Lowes, Chi McBride, Julie White and Mason Wells also star.

As a skilled player, Tom (Holmes) knows that in bowling you get two chances; no matter what you do with the first ball, you get another one to make it right – the ultimate second chance. Keeping that in mind, Tom begins his new career with the loving okay from his wife, Jen (Lowes); the unfaltering support of Archie (McBride), his mentor and the proud owner of Archie’s Lanes: Home of the Curly Fry; the cautious backing of his protective mom, Helen (White); and the encouragement of his son, Sam (Wells). It remains to be seen if Tom will strike it big on the Pro Bowler circuit, but right now, the pins are set, he’s taking his second shot and it’s 300 or bust!

REGULAR CAST:

Pete Holmes (Tom)
Katie Lowes (Jen)
Chi McBride (Archie)
Julie White (Helen)
Mason Wells (Sam)

RECURRING CAST:

Tahj Mowry (Lewell)
Amanda Perez (Tia)
Greg Romero Wilson (William)
Matt McCarthy (Carl)
Judy Kain (Mimi)

WRITTEN BY: Mark Gross

DIRECTED BY: Mark Cendrowski

TOM MUST CHOOSE BETWEEN LOYALTY TO ARCHIE, HIS MENTOR AND COACH, AND MONEY WHEN HE’S OFFERED A NEW SPONSORSHIP DEAL, BUT HE CAN ONLY FEATURE ONE LOGO ON HIS BOWLING SHIRT, ON “HOW WE ROLL,” THURSDAY, APRIL 7

“The Sponsor” – Tom must choose between loyalty to his mentor, Archie, and money when his first TV interview leads to a new sponsorship deal, but he can only feature one logo on his bowling shirt: Archie Lanes, Home of the Curly Fry, or Powell Mortuary. Also, Jen’s boss stifles her creativity at the salon, on the CBS Original series HOW WE ROLL, Thursday, April 7 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.

REGULAR CAST:

Pete Holmes (Tom)
Katie Lowes (Jen)
Chi McBride (Archie)
Julie White (Helen)
Mason Wells (Sam)

RECURRING CAST:

Tahj Mowry (Lewell)
Amanda Perez (Tia)
Greg Romero Wilson (William)
Matt McCarthy (Carl)
Judy Kain (Mimi)

GUEST CAST:

McKale Jude Bingham (Lee)
Kerrice Ayanna Brooks (Hannah)
Brittany Baker (TV Reporter)
Sarah Lilly (Sandy)
French Stewart (Jacob Powell)

WRITTEN BY: Michael Glouberman

DIRECTED BY: Betsy Thomas

GENRE: Comedy

TOM CONSIDERS SELLING HIS PRIZED BASEBALL CARD COLLECTION IN ORDER TO BRING IN SOME MUCH-NEEDED CASH TO TREAT JEN, WHO’S BEEN WORKING EXTRA HOURS, ON “HOW WE ROLL,” THURSDAY, APRIL 14

“The Hustle” – Looking for ways to make extra cash, Tom considers selling his prized baseball card collection so he can treat Jen, who’s been working extra hours at the salon, on the CBS Original series HOW WE ROLL, Thursday, April 14 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.

REGULAR CAST:

Pete Holmes (Tom)
Katie Lowes (Jen)
Chi McBride (Archie)
Julie White (Helen)
Mason Wells (Sam)

RECURRING CAST:

Tahj Mowry (Lewell)
Amanda Perez (Tia)
Greg Romero Wilson (William)
Matt McCarthy (Carl)
Judy Kain (Mimi)

GUEST CAST:

Greg Winter (Ben)
Sean Cook (Brad)
Laura Buckles (Brenda)

WRITTEN BY: Tommy Johnagin

DIRECTED BY: Betsy Thomas

GENRE: Comedy

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

CBS Spring Press Day graphic

 

Interview with Sean Kanan

TV Interview!

Sean Kanan event poster (small)
Way of the Cobra – Release Your Inner Badass. Sean Kanan – Meet the Author. Saturday, March 12, 2pm. Free to the public. Refreshments. Moderated. Q&A hosted by James Lott, Jr. Lots of surprise guests!

Interview with Sean Kanan of “The Bold and The Beautiful” on CBS by Suzanne 3/9/22

This was a very fun interview with Sean! I’ve been watching him on soaps since he started on “General Hospital” way back in 1997. I’ve seen him in many guest-starring roles (as I’m sure you have, too), such as in “Lois and Clark: Adventures of Superman,” one of my favorite shows.  He’s currently reprising his role of Deacon on “Bold and the Beautiful,” a role he also played for a while on “The Young and The Restless.”

He got his start on “Karate Kid III,” and he says that his Cobra philosophy not only helped him get into that movie but saved his life when he had a “near-death experience.”  He’s written this motivational book, “Way of the Cobra” to help others channel their “inner badass.” That’s his third book, mind you… he also wrote “The Modern Gentleman: Cooking and Entertaining with Sean Kanan” and “Success Factor X: Inspiration, Wisdom, and Advice from 50 of America’s Best.”

If you live in the Southern California area, don’t miss the event mentioned on the flyer above. It looks to be very entertaining. There will be other stars there that you’ll want to see as well.

He also won a Daytime Emmy last year for his short-form series “Studio City,” a drama about the life of an aging soap star. It’s somewhat tongue-in-cheek at times, but it also has some heavy drama as it tackles subjects like death/dying, aging, transgender issues, and more. If you’re a daytime fan, you will notice many great actors in the show. More episodes will be coming soon. I can’t wait! Watch it on Amazon Prime.

 

Suzanne: So, tell us how you got back on “Bold and Beautiful” this time around? What was the process that happened?

Sean: Well, it was a pretty easy process, I gotta be honest. You know, last year was really a terrific year for me, just an amazing year in my career. And as we got towards the end of the year, I received a phone call from the executive producer and head writer, Brad Bell. And, uh, he said, you know, I think I found a way that we could bring Deacon back to the canvas, which was great because Deacon had been languishing in prison for a couple of years. And, you know, I love working on the show. I really do. I was excited to get the call. It been such a great year. And now, as the year was kind of coming to an end, to be asked to come back to Bold and the Beautiful was just like, you know, icing on the cake. The biggest question was, did I have the time to do it? Because I had several other projects with which I was involved. We were able to work it out. And next thing I knew, I’m back on the show. I mean, it was pretty simple. It’s when they have the time, and I’m able to do it and, you know, we both decide that it’s a yes….things happen pretty quickly. And if I’m not mistaken, I think Brad called me in September, and I think I started working in September. So it was really quick. Sometimes it happens. We’re thinking of bringing you back. It’s going to be in like two months. This was really quick.

Suzanne: Wow. So, it’s great that they paired Deacon with Sheila. I mean, I don’t know what took them so long to do that. It’s about time.

Sean: Yeah. You know, the two of them are very, unlikely. I think, initially, if I had to guess, my thinking is that probably they thought, okay, these two baddies, even though Sheila is, you know, much more of a villain than Deacon is, and, you know, I’m always trying to infuse humor into my character, and I don’t necessarily know that they expected the relationship to take on that dynamid, you know? I mean, I think maybe it was, I’m going to put these two baddies together and see what happens. But we’ve sort of developed this really fun chemistry, and this banter, which has made the character a lot of fun for us to play. And I think that the fans are enjoying it.

Suzanne: Yes, definitely. And the banter… So, that’s not in the script… or some of it is? And do you guys ad lib?

Sean: You know, one of the really wonderful things about the show is that, if I have an idea for some dialogue, they’re very receptive to it. You know, I mean, as long as we’re not veering too far off the path, but I’m fortunately afforded a lot of latitude, very generously, to offer some suggestions and, you know, sometimes they work and other times they don’t, but,um, yeah, some of it’s ad-libbed, but there’s also a lot of great writing.

Suzanne: Oh good. Oh yeah. It’s interesting because, Deacon usually just comes in by himself. Sheila has a long history of pairing up with some guy. Usually somebody that’s kind of weak or has a crush on her. And she sort of just uses him as a sounding board as some wimpy guy that does her bidding. But with Deacon, she’s got a real…. You know, a real person to really grapple with.

Sean: Yeah, that’s some of what makes it fun. I think, you know, there’s a little bit of sexual tension there, which is fun. And I think also that Deacon has a very healthy respect for the fact that Sheila, you know… Deacon has fun with Sheila, and he pokes and prods at her, but I think he’s very careful in the back of his head to realize that, you know, if she’s ever offended or pushed in the wrong direction that she can be very dangerous and formidable… as can Deacon, but, you know, Deacon has had a rich history of dealing with crazy ladies on the show. You know, I don’t think he’s looking to poke the badger too much…to beat the devil.

Suzanne: He learned his lesson. Yeah. So, Deacon ostensibly came back to spend time with Hope. Did he also think in the back of his mind that he might get back at Brooke? Do you know if that was the case, or they just sort of went there later?

Sean: I mean, I have to believe that he did. I mean, you know, here’s a guy who’s been in prison for four years, looking at cement walls.. no contact with women and Brooke’s the one that got away. So I’m sure he did a lot of extrapolating and, you know, what would I do if things were different? And I also think that Deacon has legitimately made a sincere and earnest effort to become a better man. And I think that Deacon feels that even though he doesn’t have anything, he doesn’t have any material possessions, so to speak. He’s got a crummy job, and he’s living in a broom closet. The one thing that he can bring to the table is that he’s now a better man. And I think that he hopes that that’s going to be enough for Brooke.

Suzanne: Great. And,what about that big fight scene that you had with Thorsten Kaye? That was… that was amazing. What was that like?

Sean: That was a lot of fun. It was challenging for a lot of reasons. You know, Thorsten and I both did all of our own stunts. The big thing is, you’ve got to make sure nobody gets hurt. You got two, big, strong guys throwing punches at each other, [and] things can happen. I’m so fortunate to work with a guy like Thorsten. He’s a total pro, he’s a lot of fun to work with, and our director for that episode, Jennifer Howard, did a phenomenal job… the editors, everything. So I was really pleased with how it came out. You know, that’s just not something you see on daytime very often.

Suzanne: No, you [usually] see a couple of fake punches and that’s it, or wrestling in the mud with the ladies. That’s about it. So, what was… fans really want to know this, and you probably can’t tell us, but I have to ask it. Do you think that there’s any chance in the future, or near future, hopefully, that Deacon is actually going to get together with Brooke again for real, or is she just always going to be with somebody else.

Sean: I’ll preface this by saying that in absolute honesty, I don’t know. Sean doesn’t know. Oh, I just referred to myself in the third person. That sounded kind of jerky… Anyway, I have to believe, yes. And as the character, I have to believe, yes. Deacon has to believe there’s a shot. And if my character believes it, I have to believe it.

Suzanne: Yeah, it seems that the recent episodes I saw that he tried, and she sort of pushed him away, but he knows as long as he just hangs in there, maybe there’s a chance, you know, and he’s always there for her, you know?

Sean: Yeah. Yeah. I think Deacon’s happy. The second string quarterback, sooner or later, twists his ankle in the game. Definitely.

Suzanne: So that actually reminded me… I had asked on Facebook in the groups there, questions for you, ’cause fans like to ask you guys questions. And, one of them was why was Deacon just walking into Brooke’s house without knocking?

Sean: Yep. We discuss that all the time. I say every single time… The Forresters live in a gated community. He just comes and goes as he pleases with impunity. We laugh about it. It’s the same thing as, how come when you watch a movie, sometimes in movies these people still listen to answering machines? You know what I mean? It’s to convey information that you just kind of have to have. So, yeah. It’s that sort of deal.

Suzanne: Yeah. I mean, for free years, you know, they would at least knock, and then you’re like, why do people just keep dropping by, without calling? Nobody does that.

Sean: Right.

Suzanne: Family, that’s about it. But yeah. So it was one of those things they do to cut time. Right?

Sean: Yeah. Definitely. He’s family.

Suzanne: Technically. Yeah, well, it didn’t really bother me so much because he’s living right in the gate guest house, isn’t he? Or not living there, but he’s visiting visiting.

Sean: No, he’s living in the broom closet at Il Giardino.

Suzanne: Which is… okay. But I figured he was visiting Hope and he went up to see her.

Sean: Sure. Let’s go with that.

Suzanne: So, let’s leave “Bold and the Beautiful” for a moment. If you were called back by “General Hospital” to play AJ… bring him back from the dead (Assuming you’re no longer on “Bold and the Beautiful”), would you come back and play him again?

Sean: Um…no, I don’t think so. No. Nope.

Suzanne: Okay. Well, okay. That’s where I first saw you years ago. I still remember that Nurse’s Ball. Might’ve been the first one. when they were talking about AIDS and AJ said something terrible.

Sean: Yeah. That was difficult for me because, you know, I played the role of the ignorant, uninformed, negative Greek chorus. And it was hard for me because I’ve had lots of gay friends, and it was difficult for me to kind of espouse that stuff when it was so different than, you know, who I am. But I realized after talking with them, too, that it was such an important story… That I was playing an important part of how that story needed to be told. And once I kind of wrapped my head around it that way, I was fine with it.

Suzanne: Right. I think in some ways… even though he didn’t go to jail, AJ was much worse than Deacon because he just did a lot of terrible things and he never, until he finally got killed, he didn’t have to pay for anything.

Sean: You probably know a lot more about them than I do, because you know, a lot of those terrible things he did were while Billy Warlock was playing AJ, right? So for me, my AJ, I didn’t really do anything that was that bad other than, you know, giving his brother brain damage. But yeah, from everything I understand, AJ took a much darker turn when Billy was playing the character.

Suzanne: That’s probably true, yeah.. Well, and speaking of that, it was great to see Sarah Brown in “Studio City.” I just love her.

Sean: Yeah. She’s terrific. I think it was wonderful to get the opportunity to work with Sarah again. And, actually, we have six new episodes of “Studio City.” They’re going to be coming out in the next, I would say, less than two weeks.

Suzanne: Oh, good. I was going to ask you that.

Sean: I don’t know when this is going to air, but…

Suzanne: Soon.

Sean: Great.

Suzanne: Great! Yeah, no, I started watching some of that last night. I had to catch up on three week’s worth of “Bold and the Beautiful” first before I watched some of “Studio City.” So, I saw you posted something on Twitter about a podcast. Was that… are you making a podcast?

Sean: So, what I’m going to be doing is a subscription-based Zoom program based on my book, “Way of the Cobra,” where it’ll be a weekly Zoom meeting, and I’m going to be taking people through the philosophy and strategy of “Way the Cobra.” And that’s probably something that we’re going to kick off within the next month. I’ve got so many things going on, and there’s only so much that, you know, that I can do at one time.

This Saturday, also, we have a really big event, and that’s kind of where my focus is right now. For anyone who’s in the Los Angeles area, this Saturday at 2:00 PM at the Barnes and Noble at The Grove. There’s going to be an amazing event. There’s going to be a reading from the book by me. There’s going to be a moderated interview and Q&A by James Law, Jr. We’re going to have refreshments. We’re going to have some great celebrity surprise guests. You know, some people from “Bold and The Beautiful” are going to be there. And it’s open to the public. It’s completely free. There will be copies of the book available, and it’s just sort of my way of thanking everybody who has supported me and supported the book. And it is going to be such a great event. I hope everyone will come out, and, I would get there early. That’s all I would say.

Suzanne: Oh, good. I wish I lived in the area. I’d come for sure.

Sean: Oh, thank you.

Suzanne: I live in Arkansas.

Sean: Oh, ha ha. Since I’m doing plugs, I would also like to say that I’m also very happy that for those people that can’t make it, “Way of the Cobra” is now available on Amazon and the ebook on Kindle.

Suzanne: Cool. Yeah, I saw it on there. I was looking, I was looking through that with the peek thing to see what it was about. Has it been selling pretty well?

Sean: It’s doing great. It’s been doing great. I get messages from people…literally, from all over the world, telling me that they are having paradigm shifts, amazing breakthroughs in their lives, based on this book. And, you know, I mean, I always say this. Yes, I do podcasts and things like that because I want to promote the book and sell it. That’s just what you do when you have a book. But with every fiber of my body, I believe that the material in this book is transformational. And I believe that that if you’re somebody looking to really level up to, to give yourself a kick in the butt, and to live the life that you were meant to live… the information in the book is going to help you do that. Whether or not you take the action, it’s up to you. But I completely stand behind what’s inside of that book. So I hope everyone will.

Suzanne: Great. No, that sounds good…and you got your degree from UCLA in political science, is that right?

Sean: That’s correct.

Suzanne: So why did you choose that particular major?

Sean: Political science is a major that a lot of people choose if they are thinking of potentially going to law school. You know, part of my deal with my parents, way, way back when, when I was coming out to Los Angeles to pursue my career in acting was that, you know, I had to agree to finish college. And, you know, first of all, when you tell your parents you’re leaving to go pursue a career in acting, it’s like saying I’m running away to join the circus. They wanted me to have a plan B in case, you know, the acting didn’t work out. And, I just sort of said, “Okay, well, I guess I could become a lawyer.” I don’t know why I said it. And my dad said, “Okay, well maybe political science is a good degree.” It turns out, though, that unbeknownst to me, I’m a political junkie. I’m fascinated by politics. I’m fascinated by the history of it. I’m fascinated by all of it. I’m, you know, I watch it vociferously. And so it actually worked out to be a really interesting degree for me to earn.

Suzanne: Oh, good. Yeah. There’s a lot to see nowadays and well, every subject, but especially politics. There’s all the news channels and everything. My husband is a political science professor, so that’s why I asked.

Sean: Wow! Where?

Suzanne: We’re in Southern Arkansas right now. He’s at Southern Arkansas University. He’s actually an administrator now, but, he sometimes teaches as well.

Sean: Political science has a lot of different areas of study… everything from international relations to constitutional. So what area of political science?

Suzanne: His is American government, specifically, elections, and he did a lot of work on debates when he was doing research.

Deacon: Oh, that’s great. Well, you know what? Listen, if I ever get the chance to… I’ve been to Arkansas a couple of times, but if I ever get the chance to be at Arkansas, I’m probably gonna monopolize your husband and geek out.

Suzanne: That would be great, but there’s no way you would ever want to come here. It’s a small town in the middle of nowhere. So, even if you’re on the way somewhere…

Sean: Sometimes that sounds very appealing, believe me.

Suzanne: Well, it was a good place to be during the pandemic because it didn’t really give here for a long time. So, congratulations on winning the Daytime Emmy for “Studio City!” I forgot to mention that one

I posted on a bunch of Facebook groups. So I just have a few questions here that I picked out from the many. You know, a lot of times I just get people who say, “Oh, tell him I love him!” or “Say hi…” but I actually had a lot of questions. I was really shocked.

Chelsea wants to know how it feels to be back after all these years with the longer stay, and if you know, if you’re going to be there for awhile?

Sean: It feels great. You know, we just… this month is our 35th anniversary, and it’s a very special time to be a part of “Bold and the Beautiful” and, you know, I I’ve been a part of the show off and on since 2000. Yeah. Wow. A long time. And so many people are still working on the show in front of the camera and behind the camera that were there when I started. And there’s people that are there from when the show first started. So there really is a great sense of community there. I really care a lot about the people with whom I work, again, in front and behind the camera… the producers, the writers, everybody. So for me, it always feels like coming home, you know, I’m very blessed to be able to play this role, whether or not I’m going to stay for a long time. I would like to this time. I really would. You know, it always seems like Deacon is kind of mercenary. You know, I come in, I stick around for a while, and then I go. I would like to stick around for awhile. If we can, if we can make it work.

Suzanne: Right. Okay. And, Michelle asks who in the cast you hang out with? I assume that means lunchtime, between scenes, whatever.

Sean: Well, I do hang out with Kimberlin because we run lines together a lot.. and you know, Kimberlin and I both have places down in Palm Springs, California, so we have some mutual friends, and I adore her. Um, who do I hang out with? You know who I hang out with, actually, who’s not on the show right now is Justin Torkildsen.

Suzanne: Oh, okay. Yeah, I remember him.

Sean: Justin’s a really good buddy of mine. He’s also in “Studio City,” and he’s got a great role this year. So I hang out with Justin. You know, I like everybody I work with. It’s just, you know, when you’re spending 8, 10, sometimes 12 hours a day with these people, a few times a week…that’s enough time. You know, we see each other at events.

Suzanne: Yeah.

Sean: And then you have your other life. So, I guess who I hang out with sometimes depends on who my storyline is with at the time. Annika Noelle’s dressing room is right next to mine, so I always like to go in and knock at her door, and, you know, just kind of chit chat with her. She’s wonderful. But, you know, I’m really lucky to work with people that I like a lot.

Suzanne: Okay. Yeah. It’s great that you have a daughter on the show that is an adult.

Sean: Yeah. I’d like to find out what happened to Deacon’s son.

Suzanne: Yeah, somebody was asking me that, and I’m like, he doesn’t know.

Sean: No idea.

Suzanne: Yeah. They think you know everything that’s going on in Deacon’s mind and what will happen.

Sean: I’m never told… with very, very rare instance, am I told what’s coming up, and I get new scripts sent to me, and the first thing I do is I check and see if I’m in that script. You know, I checked every page and see if Deacon’s on it. And if he’s not, generally, I don’t read it because… you know, it’s information my character wouldn’t know.

Suzanne: Right.

Deacon: And if I am in it, then obviously I read it really carefully. But I don’t know what’s happening until I get a script.

Suzanne: Yeah, I think that’s true of most actors from what I’ve heard from various interviews. Yeah.

Suzanne: Sabra wants to know if there were any other character on the show that you could play, who would it be?

Sean: If I can play any other character, who would it be? That’s kind of a tough one. Hmm. I don’t know, to be honest. I mean, I just feel like I’ve got the best character that I could ever ask for. Um…Hmmm.

Suzanne: That’s a fine answer. You don’t have to think of one.

Sean: That’s my answer, with all due respect to all the other characters on the show. I just don’t think I would have more fun playing anyone else besides Deacon.

Suzanne: Right. Yeah, he does seem like a lot of fun. He’s fun to watch. So, you know…and also, she wants to know which character from the show you might want to bring back from the dead… since that happens so much on soaps.

Sean: Well, I’d have to go with Stephanie. I mean, God, Susan Flannery was amazing, so I would have to go with Stephanie. Who are some of the other characters that have died?

Suzanne: Let’s see, Phoebe…I mean, I’m trying to think that’s don’t put me on the spot. I put you on the spot!

Sean: Macy died, right?

Suzanne: Macy. Sally spectra. I think the actress died, but I don’t remember if they ever killed her.

Sean: Either one of those two. I adored Darlene Connolly and Bobby Eakes, and they’re terrific. Darlene used to have Annika’s dressing room. And so I used to tell her stories about how I’d knock on Darlene’s door and she’d say, “Come on in, kid!” She’d have a beverage and be reading the racing form… I just loved her. I loved talking to her. I loved talking with her about how she worked with Hitchcock and, you know, just stories. She was really special individual, and I miss her.

Suzanne: I’m sure. Yeah. yeah. I always love interviewing people who’ve been around a while more than young actors because they have great stories, and they’ve been around, you know, they just know stuff. They can talk better. Unlike me. I can’t talk.

Sean: You’re doing fine.

Suzanne: Thank you. And one last question, Janet wonders, which character on the show you would like Deacon to be paired with.

Dean: Well, I just, I really think it would be interesting to see, what would it look like if Deacon and Brooke really had a chance? I mean, I have to go with Brooke at this point. You know, I think they have an undeniable chemistry, and I think that they’re both older and more world-wise, and I wonder if this could be there too.

Suzanne: That’d be great. And it would be nice to see. It would be nice to see Ridge and Taylor give it a real shot without some really difficult things happening, like kidnapping.

Sean: Don’t forget that conflict is what makes…

Suzanne: I know. Just for a while, just for awhile.

Sean: ..the boat swaying gently in the water for so long before you need a big wave to come along.

Suzanne: No, no, you’re right. I think it’s just that things move so fast on soaps now compared to when they used to. And it seems like they used to have more time for the romance. And now they go too quickly, so we think, “What happened?”

Sean: That’s true.

Suzanne: And with “Bold and the Beautiful,” they sometimes break people up off camera, and you’re like, “What? What happened? What?”

Sean: I would really like to see what it would look like if Brooke and Deacon are given a chance and see where it’s at…what that Relationship would bring.

Suzanne: Yeah, I think it would, well, you know, it would drive Ridge crazy…

Sean: You know, this thing about driving Ridge crazy. You know, Deacon is such a pariah that just Brooke having Deacon, in kind of, proper society after him being in prison and all that, you know, the cards would be so stacked against them. But I remember there was this great scene that Kelly and I did. We were lying in bed together, Deacon and Brooke. And I think I said something. I said, “You and I’ve been fighting all our lives.” And I think that you and me against the world thing would be really interesting. It would be interesting if everybody… if Brooke started losing a lot of her support, and she chose Deacon. And what would that life look like?

Suzanne: Yeah what would Ridge have to say about that, for instance?

Sean: What if something happened where she somehow didn’t have her financial power base, and she was living in a crappy apartment with Deacon, and it’s like, could they still be in love living, you know, in a tiny little apartment? Or, what would happen… I was wondering what would happen if Deacon somehow actually got a financial power base? What would Deacon Sharpe’s life be like if suddenly he was on equal footing with the Ridges and the Dollar Bills of the world? That would be interesting.

Suzanne: That would be.

Sean: Deacon’s not an educated guy, but he is a smart guy, and he’s resourceful, and he is a cat with nine lives.

Suzanne: Okay. Well, I appreciate your talking to me.

Sean: Oh, it’s my pleasure. Thank you so much.

Suzanne: And yeah, and you know, I watch the show off and on because I have a lot of TV to watch for my site, but I keep up on what’s going on even when I’m not actually watching it, so…

Sean: Well, thank you for the opportunity. I really appreciate it, and I just want to thank everybody who who’s tuned in and watched this.

And, again, I’m going to plug it one more time. If you haven’t had a chance to check out my book, “Way of the Cobra,” please check out “Way of the Cobra,” the ebook is on Kindle. And the book is now available on Amazon. Unleash your inner badass.

Suzanne: All right. Thank you!

MORE INFO:

Sean Kanan of "The Bold and the Beautiful" on CBSFrom Wikipedia: Sean Kanan is an American actor, producer, author and TV host, best known for his portrayals of A. J. Quartermaine on General Hospital, Deacon Sharpe on The Bold and the Beautiful and The Young and the Restless, Mike Barnes in The Karate Kid Part III, and Sam Stevens on Studio City.

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Sean Kanan Interview Screencap

Interview with Javicia Leslie, Meagan Tandy, Billy Gardell, Folake Olowofoyeku and Clayton Echard

TV Interview!

Warner Bros. TCA panel with actors from "Batwoman," "The Bachelor" and "Bob Hearts Abishola"

Interview with Warner Bros. actors by Suzanne 2/14/22

This was a fun panel for TCA (Television Critics Association) put on by Warner Brothers. I enjoyed the one they did last year, so I knew I would love this one, too. They didn’t disappoint.  Last year’s was about comedy, and this year’s was about romance (since it was held on Valentine’s Day). It was called “With Love, Warner Bros. Television Group” and featured some of their best romances from their current shows: Javicia Leslie (Ryan Wilder) & Meagan Tandy (Sophie Moore) from Batwoman, Billy Gardell (Bob) & Folake Olowofoyeku (Abishola) from Bob  Abishola, and Clayton Echard from The Bachelor.

I never miss an episode of “Batwoman” or “Bob Abishola,” so it was great to see the actors here. I’ve spoken with Javicia before, but it was great to see Meagan Tandy as well. Unfortunately, I didn’t get to ask a question this time around, but I enjoyed being there.

With Love, Warner Bros. Television Group

Javicia Leslie, Batwoman

Meagan Tandy, Batwoman

Billy Gardell, Bob  Abishola

Folake Olowofoyeku, Bob  Abishola

Clayton Echard, The Bachelor

2022 Virtual Tour

Los Angeles, CA

February 14, 2022

© 2022 Warner Bros.  All rights reserved.

First, Javicia and Meagan were asked if they feel any special responsibility, since they’re the “first black lesbian leading couple on a superhero show.” Javicia answered that the whole show was a huge responsibility and featured many firsts. They make sure that they present themselves in a good way, both on- and off-camera, especially since their audience includes many children. It’s important to them to show a positive representation. Meagan agreed with that. She realized, after talking with teens, that having LGBTQ and black women on their show is a lot bigger than just the actors. She tries to tell the stories as authentically as she can. She was also asked about going from loving Kate to being with Ryan. She admitted that it was a “love rollercoaster” for Sophie, since she was married to man and in the closet in the first season. Then she had to deal with her feelings for Kate, and then all that happened with Kate leaving, and then Ryan coming into the picture. She said that it was “quite the journey for her,” but it’s been fun for her as an actor.

Javicia was asked whether she had been more concerned beforehand about taking over the physical part of playing Batwoman, or the emotional parts (with all of her family and romantic relationships). Javicia said she was most worried about whether the fans would approve of her or not, since she’s a superhero fan herself and loves “Batman.” She wasn’t worried about the physicality because she had done martial arts before, which is fun. She’s a dramatic actor, so she loves crying and all that. She loves that there are many fans of the show who love “Batwoman,” even if they may have lost some comic fans who don’t like that it’s not the Batman or Batwoman that they knew from the comics. She’s proud to be a part of this “new representation.” She tweets with her fans all the time, and they make it worth while for her. She’s “honored” to be a part of the show’s fanbase.

All of the actors were asked, which TV shows they used to watch that taught them “the most about love and how it gave you more perspective.”

Ryan and Sophie kissing on "Batwoman"Javicia spoke about the show “Martin” and how the characters Martin and Gina teased each other. It showed her that you need to have friendship and laughter in a relationship. She also mentioned watching the show “Family Matters” and other shows from that time.

Meagan said that she watched those shows, too, but her favorite was “The Fresh Prince of Bel-Air” because it was about a whole family’s love for each other, not just a couple. Her friends all loved the Disney movies with princess, which she didn’t like. Now they tease her because she’s in her 30’s and not married, but she has a boyfriend, so she hopes they’ll make it work. Javicia spoke encouraging to her about her boyfriend, saying, “Y’all will,” which was very cute. Then Meagan replied, “We’ll see where he takes me to dinner tonight,” and everyone laughed.

Meagan was asked about Sophie falling for two Batwomen and whether that’s her “type,” and also whether she’ll be talking to the writers about suiting up, like everyone else has. Meagan chattered about how originally she wasn’t going to be with Ryan, but then they changed their minds. Also, she was with Julia, who had also dressed like Batwoman, so it was really three Batwomans that Sophie was with. She joked about it, saying she probably has a bit of a fetish. She said that she doesn’t know about getting any kind of superhero suit. She was wearing the Crows uniform, but now that’s gone. She finished with, “So, for now, it’s just the suit of love,” which made everyone laugh.

Javicia and Meagan were asked what they thought people loved about superheroes – is it the need to be protected, or the need to be strong? Why do we fall in love with them? Javicia thinks that her partner is a superhero because a great partner puts your needs before their own, which is “attractive” and “sexy.” So is maybe having kids one day. She thinks that having a person out there saving everyone and helping people makes them attractive and you feel protected and it “just feels like home.” She said it seems to be the same kind of theme with all of them. Meagan agreed with that. She also observed that previous Batman actors were always portrayed by someone “who was really hot,” which made her desire them a bit. She also said that having a protector who is kind and honest, who wants to save people and “doing bigger work than themselves.” She hopes that might inspire people to be like that. Then there’s the fantasy aspect of having a super suit that keeps them protected.

Billy was asked about his Ozempic commercial and whether it was made, in part, to advertise his show. Billy seemed a bit taken aback by the question. It was a very odd question. Billy told us honestly that he didn’t do the commercial for that reason. He had developed Type 2 diabetes, and he had been on a medication that helped him. They asked him to try their medication, so he did, and he waited a year to make sure it worked before he agreed to do the commercial. It helped him get healthier, and not he doesn’t have to take ANY medication. He was able to “turn the corner,” thanks to the medication and being on the right track. He figured he would do the commercial to help others who might need help as well. He just wanted to hold himself accountable to it. He added, “I had to take that journey.” The journalist who asked that question told him that he did look great (and he does!).

Billy and Folake were asked about the possibility of their characters having a baby together on the show. Billy talked in general about how you have to have the discussion with your partner in marriage about whether you’re going to have children, and when, and that the relationships evolve and change. He said that their ages might be factor, and they might have to discuss that. He gave the example of whether Bob would be asking Abishola, “are you gonna be changing my diaper and the baby’s diaper?” Everyone laughed at that. He then praised the show, saying that “it’s never preachy.” It’s just two people in love and trying to do the best they can to be open and honest with each other, to be a strong couple. He told us that he’s been married for 22 years in real life. Folake talked about how much she has enjoyed the season, especially when they went to Nigeria. She says she watches those scenes over and over and loves how they were able to “share a Yoruba wedding with the world.” She also previewed that there are some good scenes coming “with the entire cast.” They’re going to have “a sock commercial,” which will be “really entertaining.” Neither of them really answered much about the baby plot point. They were obviously trying not to share any spoilers.

It was interesting to hear Folake’s real accent. She’s from Nigeria, but she went to boarding school, so she doesn’t have nearly as much of an accent as Abishola does.

In answer to the TV question, Billy talked about how much he loved “The Honeymooners” growing up, which his dad shared with him. He said that at the end of the day, Ralph knew that no matter how much he had messed up, his wife loved him, which made him a little bit more humble. He thinks that’s still a great message. Folake said that she used to watch Spanish telenovelas with the other girls at school, so that’s where she got most of her TV love experience.

Bob and Abishola kissing at their wedding on "Bob Hearts Abishola"They were each asked what they liked best about their real-life “sweethearts”. Folake replied that hers are her cats, which are named Bob and Abishola! She said, “They’re very adventurous and they can take on coyotes!” Billy said that he likes best about his wife that she stays with him. He went on a bit about how great she is: “She’s an amazing woman, and she has always been my rock.” He says that you should always do whatever your wife says. (As a wife, I agree with that)

They were also asked if they were surprised that the show has been embraced so well, given America’s problems with race. Billy said that he wasn’t surprised because the show is about love, and “love is always the secret sauce.” He said it so beautifully, that the audience knows it’s about love, and how the two love each other but have crazy families, and the show is also about how these families merge and can look past their differences. He stated, “it’s the common thread that we all share. In this world, all anybody wants is someone to love, somewhere to live, and a way to pay for that. If you keep it that simple I think people identify with it.”

Folake agreed that the show is all about love, which is what we all want. She also added that it was always going to be successful because it has Chuck Lorre in charge, and his whole production team that is so well-run. She finished with, “everyone is on their A-game, myself included, because we want to live up to that standard.” Billy agreed to that, too. She says it’s not surprising at all, and she thinks it has effects worldwide. It does very well in Africa and India.

Billy was also asked how much weight he’s loss, and he told us that he’s lost 102 pounds. It really does show. He joked that he would like to go on “The Bachelor” next year.

Folake also added her own comments in to the question about why we like superheroes so much. She thinks that is makes a great escape for viewers to just imagine being in that world. She also complimented the show, saying “this generation of Batwoman is like literally the Batwoman of my dreams. I wish I grew up on this shit. I wish I was a kid growing up watching you guys. It is so awesome. You guys are doing a great job.”

Billy loves the superhero stuff and sharing it with his son. He thinks there’s a “hopefulness with it, and I think that’s what superheroes give you, and it’s the feeling of safety. You feel like, wow, I wish someone was out there looking out for us like that.” He also agrees that it’s a way for people to escape, like Folake said.

Clayton was asked how he’s celebrating Valentine’s Day this year (even though he can’t tell us with whom he’s celebrating). He was also asked whether the show helped him with his holiday plans or if they hindered them. Clayton answered that he was recovering today from a “really fun weekend,” so he was drinking a lot of water and trying to save his voice, which was “a little shot.” He said that the dates on the show were “incredible” and he certainly did some things that set the bar very high, but of course he has to be realistic in the future (and on his own budget).

Clayton Echard kissing a blonde woman
https://www.youtube.com/watch?v=mnlLc4EMRz0
HED: ‘Bachelor’ Colton Echard Says ‘I’m In Love With 3 Women’ In Explosive 1st Look At Season 26

Clayton was also asked about what he learned with being on the show, especially about dating, relationships and what he might not have been doing before. Clayton gave the question some thought before answering. He admitted that he learned a lot, and watching it now on TV has also taught him a lot. He said that learning how to “pick up on body cues” was something that he had previously missed because there is a lot you can miss if you only pay attention to verbal cues. He added that he’s learning more about himself and “how to be a better person” so that he do better in the future.

Clayton replied to the question about TV shows to say that “Spongebob Squarepants” was the one that showed him the most about love. He enjoyed the friendship between Spongebob and Patrick. It showed him that “good friends stand by each other.” He said that we all want that love from both friends and family. Meagan agreed with him about it, saying she watched that show, too.

Clayton also answered about the superheroes. He said that “we’re all dreamers in some aspect, and so as kids we’re told to dream big. And that’s where these superhero movies really allow us to – as we grow up on them, watching them fight and all that – see their super powers. We hope, as we’re kids, to be able to have those same super powers.” We know that we can’t really be that way, but when we’re grownups, we remember that time, back when we were kids and thought we could be Batman or Superman.

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About WarnerMedia

WarnerMedia is a leading media and entertainment company that creates and distributes premium and popular content from a diverse array of talented storytellers and journalists to global audiences through its consumer brands including: HBO, HBO Max, Warner Bros., TNT, TBS, truTV, CNN, DC, New Line, Cartoon Network, Adult Swim, Turner Classic Movies and others.

JAVICIA LESLIE

Ryan Wilder in “Batwoman”

Javicia Leslie stars as Ryan Wilder, a goofy, relatable, and street-smart lesbian who transforms into the hero Gotham’s been missing in The CW’s highly anticipated new drama “Batwoman.”

Leslie is known to television audiences for her role as Ali Finer on “God Friended Me” and Paris Duncan on “The Family Business.” On the feature film front, she recently tackled the lead role in hilarious new comedy, “Always a Bridesmaid,” penned by NAACP nominated Yvette Nicole Brown. Leslie also directed two short films this year, “Black Excellence” and “Howl.”

Born in Germany and raised in Maryland, Leslie graduated from Hampton University where she appeared in several productions including “Seven Guitars,” “For Colored Girls” and “Chicago.” As driven philanthropically as she is in her career, Leslie started The Chandler Foundation which gives back to youth in her community. When not filming, she spends her free time with her dog and staying healthy through her passion for fitness.

MEAGAN TANDY
Sophie Moore in “Batwoman”

Meagan Tandy stars as Sophie Moore, a high-level private security agent and one of Gotham’s staunchest protectors in The CW’s highly anticipated new drama “Batwoman.”

Tandy’s television appearances include roles in “Survivor’s Remorse,” “Teen Wolf,” “Jane By Design,” “Baby Daddy,” “The Mayor,” “Red Band Society,” “Necessary Roughness” and in the breakout critical darling “UnReal,” opposite Shiri Appleby and Constance Zimmer.

On the big screen Tandy starred in John Gulager’s remake of the iconic “Piranha 3DD,” “Unstoppable” and “The Trap,” opposite Queen Latifah and Mike Epps.

At 19, Tandy entered and won the Miss California Teen Pageant. One year later she was named Miss California, USA.

Billy Gardell
Bob in BOB ♥ ABISHOLA

Hometown: Pittsburgh, Pennsylvania

Birthday: August 20

Emmy Award-nominated actor and comedian Billy Gardell starred with Melissa McCarthy in the hit Network series “Mike & Molly” as Officer Mike Biggs from 2010-2016. The series continues to air in syndication. Also, he had a recurring role as Herschel Sparks on YOUNG SHELDON, on the Network, and starred as Col. Tom Parker on the series “Sun Records.” In 2016 he received a Daytime Emmy Award nomination for Outstanding Game Show Host on “Monopoly Millionaires’ Club.”

Prior to “Mike & Molly,” Gardell co-starred in the critically acclaimed series “Lucky.” His other television credits include “Yes, Dear” and “Judging Amy,” both on the Network, “My Name Is Earl,” “The Practice,” “Monk” and “Gary the Rat,” among others.

He made his major motion picture debut alongside Anthony Quinn and Sylvester Stallone in “Avenging Angelo,” and had a memorable scene with Billy Bob Thornton in the film “Bad Santa.” Also, he appeared in “You, Me & Dupree.”

As a stand-up comedian, Gardell took the long road to Hollywood, stopping at every small-town lounge, military base and comedy club along the way. His comedy act took him to Los Angeles where his dedication to acting and stand-up comedy allowed him to grow consistently in both arenas. His stand-up show is a powerhouse with its grounded, down-to-earth point of view that strikes a strong chord with American audiences. Stories about his rough childhood, wild adolescence and new family life are executed with the skill of a master craftsman.

In 2011, his comedy special “Billy Gardell: Halftime” premiered on Comedy Central. His next special “Billy Gardell Presents Road Dogs” premiered on SHOWTIME in 2013.

A native of Pittsburgh, Gardell currently lives in Los Angeles. He loves Steeler football, stand-up comedy and his wife, Patty, and son, Will. His birthday is August 20. He can be followed on Twitter @BillyGardell and Facebook @billygardell.

Folake Olowofoyeku
Abishola in BOB ♥ ABISHOLA

Birthday: October 26

Nigerian-born actress Folake Olowofoyeku has won the hearts of critics and audiences as Abishola in BOB ♥ ABISHOLA. She received the 2019 Breakout Actress in TV Award for her work on the series on behalf of the Sync Con Honors. Her additional television credits include a recurring role on “Transparent” and guest roles on “The Gifted,” “Modern Family,” “How to Get Away with Murder,” “Westworld,” “Law & Order,” “Law & Order: Special Victims Unit” and “Law & Order: Criminal Intent,” among others.

Olowofoyeku’s feature film credits include “When They Could Fly,” which earned her a Best Actress award at the prestigious ReelHeART International Film Festival in Toronto, “Central & Broadway,” for which she won Best Actress in a Fashion Film at the CinéFashion Film Awards, “Female Fight Club,” “The Bride,” “The Child Within” and “Hellbenders-3D,” among others.

As a voiceover artist, Olowofoyeku voiced the Priestess on the video game “Vader Immortal: A Star Wars VR Series – Episode 1.” Olowofoyeku’s other passion is music.

Olowofoyeku grew up in Lagos, Nigeria and spent time in London. Her native language is Yoruba. The youngest of 20 children, she always dreamt of being in the arts, a dream that went squarely against the wishes of her parents, Chief Babatunji and Chief Mrs. Felicia Olowofoyeku, who insisted on the family profession of law and politics. During a summer vacation in New York City, unbeknownst to her family, she began to pursue her goal as a student at City College of New York, where she distinguished herself on the basketball court competing with CCNY’s Beavers in the NCAA and earning a B.A. with honors in theater. Additionally, she earned a diploma in audio engineering from the Institute of Audio Research (IAR).

Currently, Olowofoyeku resides in Los Angeles. Her birthdate is Oct. 26. She can be followed on Twitter and Facebook @TheFolake and on Instagram @the.folake.

Clayton Echard

The Bachelor
DOB : April 29th – St. Louis, Missouri

Clayton Echard, who was first introduced as one of Michelle Young’s suitors in season 18 of “The Bachelorette,” not only connects romantically with the captivating Minneapolis school teacher but is also a favorite of Michelle’s middle school students. Ultimately, however, Michelle sends Clayton home, leading to one of the most emotional and heart-wrenching moments in “Bachelor” history. In that one touching moment, Clayton’s genuine desire to find a partner and start a family shines through, and never has it been so evident that one man deserves a second chance at finding that great love.

Nicknamed “Claynos” by his friends in the house due partly to his sculpted physique, Clayton grows stronger with every rose, opening himself up to Michelle in ways he never thought possible. This Midwestern man proves he is so much more than just a good-looking guy with a rock-hard bod. He’s a throwback romantic who’s not afraid to put himself out there for love.

Proofread and Edited by Brenda

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Review of “Walker: Season One” DVD

DVD Review!

Walker: Season One DVD cover

“Walker: Season One” Review by Suzanne 10/25/21

I wasn’t sure at first whether I would like this series. I love Jared Padalecki’s work on “Supernatural” and “The Gilmore Girls,” so that’s why I tuned in. The cast is great, but at first it seemed pretty mediocre. Then it got better pretty quickly. I can see why it’s a hit for The CW. There is  plenty of drama, action and humor. If you’re expecting anything like the old show that starred Chuck Norris, then you’ll be very disappointed. To me, that’s a good thing because I didn’t really like the old show. He was more of a lone wolf than this Walker, who has a whole family as well as friends and co-workers.

This Cordell Walker is tormented and grieving at the beginning of the season. His wife was murdered and he’s been undercover a long time. He’s distant from his family, and they all resent him. There’s a lot of great conflict.  I really love the characters in the show. They’re what make it. Even though Cordell is the main character, he’s a bit of a likeable doofus sometimes. He doesn’t have all of the answers. That’s what makes him interesting.

You should check this show out and give it a chance. Season two starts this week on The CW!

There are some good Special Features about the show: a special called “Walker: Tragic Hero,” and another one that is really cool called “The Edge of the Coin,” plus the usual gag reel and deleted scenes.  I really enjoyed them.

Buy this DVD

MORE INFORMATION:

WALKERSEASON ONE
Street Date: October 26
Format: DVD
Description: WALKER, a reimagining of the long-running series “Walker, Texas Ranger,” stars Jared Padalecki (“Supernatural”) as Cordell Walker, a widower and father with his own moral code, who returns home to Austin, Texas after being undercover for nearly a year, only to discover there’s harder work to be done at home. Walker will attempt to reconnect with his creative and thoughtful son, August (Kale Culley, “Me, Myself and I”) and his headstrong, somewhat rebellious teenaged daughter, Stella (Violet Brinson, “Sharp Objects”) and navigate changes with the rest of the family. His ADA brother, William “Liam” (Keegan Allen, “Pretty Little Liars”) returned home from New York and stepped in during Walker’s absence, making it all the more difficult for Walker to resume his place in the family. The perceptive matriarch of the Walker clan, Abeline (Molly Hagan, “Herman’s Head”) doesn’t hesitate to speak her mind to keep everyone in line and their traditional rancher father, Bonham (Mitch Pileggi, “The X-Files”) isn’t much for long winded, sentimental prattling, but voices his opinion when it counts most. At work, Walker’s former colleague, Larry James, is now his Ranger Captain, (Coby Bell, “The Game”) and both men need time to adjust to their new dynamic. Walker finds unexpected common ground with his new partner, Micki Ramirez (one of the first women in Texas Rangers’ history) played by Lindsey Morgan (“The 100”). She knows there’s a lot at stake for her in this new job and is quick to school Walker on curbing his maverick ways. Walker’s not Micki’s only distraction, as her relationship with an old friend, Trey (played by Jeff Pierre, “Once Upon a Time”) becomes more serious. The series closely follows Walker as he tries to balance all the new details in his old life while growing increasingly suspicious about the circumstances surrounding his wife’s (Genevieve Padalecki) death.

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

Cordell meets Nikki on Walker: Season One