Days Transcript Wednesday, October 2, 2024

Days of Our Lives Transcript

 

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Transcript provided by Thane

THIS STILL NEEDS EXTENSIVE EDITING!

[ominous music]

That son of a bitch is finally going to pay.

Doing a victory dance?

And what if I am? Your brother put my wife in a wheelchair. So what if I rejoice at his downfall? Look, I don’t know why you’re here, but I have an international conglomerate to run, so if you could just, uh–

I’m not going anywhere. Not until you and I have a little chat.

[tense music]


Tate.

Hey, Dad.

Always glad to see you. Aren’t you supposed to be in school?

Uh, school’s out. It’s after :.

Wow, yeah. Well, it’s hard to keep track of time in here.

How are you doing, Dad?

Today I’m a lot better than I was last night when you found me, that’s for sure. And I’m–I’m sorry you had to see me like that.

Passed out drunk, you mean?

Oh, no, no.

That’s–that’s the thing.

[mysterious music] I wasn’t drunk.


What the hell are you thinking, EJ? You had Brady arrested again.

Good afternoon to you, too, Kristen.

You do get that this is harassment, right? You have no concrete evidence linking Brady to Sarah’s hit-and-run. And yet here you go again, having those morons you call a police force dragging him in.

Oh. Then you obviously haven’t heard. An eyewitness has come forward.

 

[laughs] Really? And who is this eyewitness?

The victim herself, Sarah Kiriakis.


It’s such a beautiful day.

Well, fresh air is the best medicine, isn’t it?

Yes, it is. Thank you for wheeling me here.

[laughs]

My pleasure. Besides, it gives us some time alone to talk.

Talk about what?

 

[sighs] About what you told the police you remembered seeing.

You mean Brady driving the car that hit me? What about it?

Sarah, I know that you were lying.

[dramatic music]

[soft orchestration] announcer: Like sands through the hourglass, so are the “Days of Our Lives.”


[suspenseful music]

Believe me, I know how it must have looked when you found me. But, Tate, I was not drinking last night.

How can you even say that, Dad? You were slurring your words. I had to carry you to bed. Like, come on.

I don’t– I don’t–I don’t remember everything exactly how it happened. But here’s what I remember. I was totally out of it. I was totally out of it. But it had nothing to do with being drunk.

Come on, Dad.

I’m telling you the truth. I swear to God. Something knocked me out, Tate. It wasn’t alcohol. It might have been a bug. It might have been– I don’t know what it was, but here’s what I understand. After what happened to Sarah, I’m never drinking again. And I sure as hell wasn’t drinking last night. Please believe me.


[mellow acoustic music]


Holly. Hey.

God, what? What do you want, Sophia?

Whoa. No need to be so harsh. I only wanted to congratulate you.

Congratulate me for what exactly?

Well, I heard about your new after-school job.

What are you talking about? The last time I had a job was the one you blackmailed me into, remember?

Wait. So you’re saying you didn’t get hired by the DA’s office to be their new teen detective?

Sarah is your eyewitness?

Well, you obviously haven’t seen the news today.

[clears throat] Yes. Sarah came forward last night saying she remembers seeing Brady in the driver’s seat of the car that hit her. So despite your car crushing antics, Brady Black is finally going to pay for his crimes.

Huh. So Sarah–

[laughs] Suddenly remembered that Brady was the one driving that night after all this time?

What? That’s not so implausible, is it? That memories just slowly come back after trauma?

Yeah. It is implausible, actually. Oh, come on. You know as well as I do that Sarah is lying through her pearly white teeth.

[tense music]


Why–why do you think that I’m lying?

I just know that you can’t possibly remember seeing Brady behind the wheel that night.

Well, how could you possibly know that?

[tires screeching]

Oh, my God!

Answer me, Fiona. Why do you think that I don’t remember? Why do you– why do you think that I don’t remember seeing Brady driving the car that hit me?


Look, if you’ve come here to beg for mercy for your brother, you can save your breath. We now have concrete evidence that he was the drunken bastard who crippled my wife.

Right. I heard. But I’m not here to seek absolution for my brother.

Then why are you here?

I want to know what the hell you were doing alone in my parents’ house last night, standing over my brother who was all but dead to the world.

[soft dramatic music]


Please tell me you believe me that I wasn’t drinking last night.

Yeah. Okay, Dad, I–I believe you. And I– I want you to know that I am % in your corner.

 

[sighs] That means a lot to hear– hear you say that. I know this hasn’t been easy for you. It’s like this whole town just thinks the worst of me. I deserve their scorn, but you don’t. And you don’t deserve to have both of your parents in prison. I’m sorry about that.

Hey, stop worrying about me. I’ll be fine.

I know you’ll be fine because you have– you have so many people in this town that love you, Tate, and want to support you. Your grandparents are % behind you. You know that, right?

Yeah, I do.

What about Holly? How’s that going?

Not great. Actually, quite badly.

Did something happen?

 

[sighs] Yeah, something happened. She just–she hasn’t been understanding at all about the accident, about you having a disease and not meaning to hurt anyone. She just– God, she’s so damn angry, Dad.

Tate, her–her aunt is in a wheelchair. She’s going to be angry about it.

Yeah, but she won’t even try to see things from my point of view. She–like, she doesn’t get that you’re my dad, and I’m worried about you. So when she talks about wanting to make you pay, come on. I can’t hear that. And how could I possibly be with someone who doesn’t respect that I love my father, and I’m going to stand by him no matter what?

Like I said, she’s– she’s just angry about her aunt.

 

[sighs]

All right? Give her time.

Yeah, I was trying to give her time until I found out what she did.

What–what do you mean? What did she do?

[tense music] Tell me, what did she do?


She snuck into your room at Grandma and Grandpa’s, looking for dirt on you.

New teen detective? What the hell are you talking about?

As if you don’t know. I heard all about your pathetic little spy games, Holly. Who are you trying to be, Harriet the Spy? Oh, no. She’s too frumpy. Not fashion forward enough for Holly Jonas, right? Maybe Nancy Drew or Veronica Mars?

Mm-mm, no, they’re too old school. Oh, I know. Charlie Cale! Oh, sweetie. I hate to be the one to break it to you, but you’re no poker face.

Yeah, and you’re really mean and petty and vindictive. Aside from which, you have no idea what you’re talking about.

I know what Tate told me.

What Tate told you?

Poor guy had to talk to someone since you were being so extra.

[scoffs] Seriously, Holly? Lying about wanting to get back together with Tate just so you could sneak into his dad’s bedroom and snoop around? That’s low, even for you. And I bet your ex-stepdaddy, Mr. Big Man DA, put you up to it, right?

[mellow acoustic music]

Why don’t you believe Sarah’s memory about that night could have returned?

Because I’m not an idiot. Because I have a functional frontal lobe. And even Marlena couldn’t bring back that woman’s memories after she hypnotized her.

So?

So–

[scoffs] So Sarah miraculously experienced a total recall shortly after she found out that Brady, what, wasn’t going to face charges? It’s a little convenient, wouldn’t you say? Hmm?

[tense music]

You have to tell me. Why do you think that I’m lying about Brady?

Well, it’s just that I heard you and Xander talking yesterday in the bedroom. I wasn’t eavesdropping. I just happened to be passing by. And you were telling Xander how you had lied to the police.


 

[sighs] Oh.

And I just can’t figure out why. Is it because you want to see Brady punished?

No. No, it’s not that.


I had no choice.

I don’t understand.

Xander has been so consumed with anger. And he is obsessed with getting revenge against Brady. And, Fiona… he was going to kill Brady and make it look like a suicide.

Oh, dear God.

So you see, I had no choice. I had to lie to the police. It was the only way to save Brady and your son.


You caught Holly snooping around in my room?

Yeah, I did. And, Dad, she had already gotten into your briefcase when I caught her. And at first, she tried to act all innocent, which is stupid and lame because she knew that I was on to her. But then she admitted what she was doing, and I– I was beyond pissed off.

Mm-hmm. What did you do?

I threw her out. I made her leave the house. Like, Dad, I can’t even stand to look at her.

Tate, I’m– I’m sorry that my situation caused you two to have a fight.

 

[sighs] Dad, there’s more. I– just I think that EJ and Holly have been teaming up.

What–what do you mean? What do you mean, she’s teaming up with him?

I just– I think that EJ put Holly up to going after you. They’ve been acting all buddy-buddy ever since Holly found out that Eric killed her father. And God, I just– I wish that I hadn’t told her that. Like–

Look, there is no way– there’s no– son, there’s no way that you could have known that she didn’t already know. Okay? Furthermore, you are not to blame for any of this. Your uncle Eric and I made horrific mistakes. Her Aunt Sarah is in a wheelchair because of me. And she doesn’t have a father because of him, while my brother did. I think EJ is using her anger as a weapon against me. So I don’t want you to be too hard on Holly. Tate, I know both of you are angry right now, but in the end, I think you’re going to need her as much as she needs you.

Maybe.

I love you. I am–I am so grateful that– I’m just proud of you. Thank you for your compassion and your kindness.


I love you, too, Dad.


All right, well, I, uh, should probably get going. I have a lot of schoolwork to catch up on.

Yeah. Yes.

So, well– I guess, uh… I’ll see you soon, yeah?

I’ll see you soon.

Take care, Dad.

All right.


You just never let up, do you, EJ? Damn you.

You’ve got it all wrong, Kristen. You see, Sarah isn’t like you. She wasn’t raised by Stefano, wasn’t taught to get through life by hatching one nefarious plan after another.

Pot, meet kettle.

Yes, I am cut from the same cloth as you. I don’t deny that. But Sarah is a Horton. She’s a stand-up citizen.

Uh-huh, stand-up citizen who lied not once, but twice about the paternity of her children.

You’re grasping at straws, Kristen, because you don’t want Brady to pay for his crime, because you still love him– God knows why, because he detests you and always will.

Brady does not detest me. In fact, he and I are getting closer lately.

 

[laughs]

Not to mention, it would break Rachel’s heart if her father goes to prison. But you don’t give a damn about your niece, do you? All you want is for Brady to hurt because that hurts Eric. Damn you, EJ. It isn’t Brady’s fault that Nicole left you.

No, but it is his fault that Sarah is crippled. And I am going to do everything in my power to make sure Brady Black pays, and pays dearly.

Huh. We’ll see about that.

[suspenseful music]


I asked you a question, Xander. What the hell were you doing in my parents’ house last night?

Well, surely you can figure it out. I went there to warn Brady that I wasn’t going to rest until he was behind bars for what he did to Sarah.

And?

And that’s it.

So if that’s all that happened, then how did my brother end up smashed out of his mind?

Well, I’m so sorry to break this to you, Eric, but your brother is a drunk. So I imagine he got smashed the way people usually do– by pouring a tremendous amount of booze down his throat.


So he was smashed when you got there? When he opened the door?

The door was unlocked when I got there. I let myself in and found him in a sorry state. Next thing I knew, the police barged in and arrested him.

And that’s your story?

That’s the truth.

I don’t buy one word of it.

[dramatic music]

So Xander was going to kill Brady and make it look as though he’d taken his own life?

Yes. And as much as I hate lying to the police, it was the only way to stop him. Actually, I was in this park when I saw Xander plotting against Brady with some random guy.

[tense music]

And Xander’s admitted to what he was planning?

Well, no, not at first, but I got it out of him. Fiona, I’m so sorry. I know this has to be so upsetting.

 

[crying] And it’s all my fault. I have hurt you so badly, and my son, too, and Brady. God.

What? No. You’re not to blame for any of this. What–

 

[laughs] Yes, I am. I am to blame.


I’m to blame for all of it.


I’m sorry, but how is this any of your business?

Tate made it my business when he confided in me, which, by the way, he’s been doing a lot lately. And look, I am really sorry about what Tate’s Uncle Eric did to your father, like, a million years ago. But that doesn’t mean you should take it out on Tate and his dad.

First of all, you have no idea what I’ve been going through, so don’t you dare tell me what I should or shouldn’t do. Okay? And just for the record, Sophia, I’m not angry because I just now found out that Eric Brady was the one who killed my dad. No. No. I’m angry because Tate’s dad drove drunk, ran over my Aunt Sarah, and didn’t even stop to see if she was okay. She may never be able to walk again.

Well, that’s all super sad, but how is any of that Tate’s fault? Wow, you totally betrayed his trust when you broke into his dad’s room.

Oh, my God. I didn’t break into his dad’s room. The door was unlocked.

Oh. Well, in that case, totally Okay to violate his privacy. My bad. So what’s your explanation for prying open his briefcase?

Oh. See, that’s the thing. I don’t owe you an explanation for anything.

I guess not. But I don’t see how you could use Tate like that. No wonder he keeps coming to me for comfort.

Oh, my God, you are just loving this, aren’t you? You know, you’ve been trying to steal Tate from me for months now, and this just couldn’t be the more perfect opportunity, could it?

Oh, I don’t have to steal Tate from you, Holly. You’re handing him over gift-wrapped just by being the same broken, hot mess you’ve been since we were kids. And not just a hot mess, but obviously sexually repressed.

Shut the hell up right now!

I’m just saying. You not putting out for the guy– it’s kind of an advantage for me since he’s raring to go, and I can’t wait to get him into bed and to satisfy him like you refuse to. Although, I’m guessing even if you did put out, you wouldn’t be able to satisfy him like I can. Like I will.

[dramatic music]


Holly! What the hell are you doing?


God. Hey, are you all right?

I’m fine. I just need a little ice.

[soft dramatic music]

What is the matter with you?

Me? Nothing’s the matter with me. She started it.

Okay, yeah, whoever started it, like, damn, you didn’t have to hit her.

But Tate, Holly’s telling the truth. I did start it.


Kristen.

Hey. I am so sorry. I came as soon as I heard.

Does Rachel know?

No, no, no, not yet. Are you okay? I mean, how are they treating you?

Fine. They’re treating me fine.

Damn it, Brady. You know, you shouldn’t be in here. I could just strangle EJ.

Oh, no, no, don’t blame EJ. He’s just doing his job. I’m where I should be, and I’m getting what I deserve, Kristen.

All right, all right. You know what? And what about what Rachel deserves? She deserves to have her daddy.

Yeah, we’ve–

Yes!

We’ve talked about this. Rachel’s going to be fine because she has you. She has my parents. She will be fine.

Oh, my God. I really, really hate that you are resigned about this and so passive. Brady.

[smacks] Dang it, you need to fight. I will fight with you. The daughter of Stefano DiMera is not just going to stand by and watch the father of her daughter go to prison.

Kristen, Kristen, stop.

What?

There’s nothing more that can be done.

Oh, the hell there isn’t. The hell there isn’t. I have a plan.

Mm. what–what plan?

I could make Sarah Horton disappear.

[suspenseful music]


Fiona, why do you think that you are to blame for any of this?

 

[crying] Well, because– because I was with Brady just before he drank and ran into you. And I’m a recovering alcoholic, too, and I should have seen the signs. And maybe if I had, I could have taken him to a meeting. And he–and he would–

[sighs]

[soft dramatic music] I’m so sorry, Sarah. I hope you can forgive me.

There is nothing to forgive. There’s nothing to forgive. You–you couldn’t have known that Brady was going to get behind the wheel of a car. There was no way for you to know. And what is– what’s done is done. And as much as I did hate lying to the police, because I did, Brady is going to face the consequences of his actions.


I was with my brother last night at the pub, and he wasn’t drinking.

Well, of course he wouldn’t drink right there in front of you. He must have knocked a few back on his way home.

He said he wasn’t drinking, and I believe him.

Well, of course you believe him. You’re one of his enablers.

You know, Brady also told me that, well, he had an encounter with some guy who was claiming to be a regular from his AA meeting, but Brady said he didn’t even recognize him.

You do realize that he’s probably loaded when he attends those meetings.

He also mentioned that…

[soft dramatic music] He scratched his hand with this ring after they shook hands.

So?

And the next thing you know, that Brady’s back home, blacked out.

Eric, what exactly are you getting at? What are you implying here?

I’m not implying anything, Xander. I’m straight up calling you out. I know what you did. You took a page right out of Victor’s playbook, and you hired a thug to do your dirty work.


Let me get this straight. You think I hired some AA mystery man to shake Brady’s hand and what? Roofie him with a poison ring? What is this, the th century? Or are you just delusional?

Xander, I know you had something to do with it.

[tense music] I intend to prove it.

All right, look, just for argument’s sake, I’ll play along. What exactly do you think my supposed henchmen and I have planned for Brady?

I’m not sure yet. I don’t know. Maybe you planned on killing Brady. The police showed up just in time to stop you from doing it.

My wife remembered seeing your brother hit her with his car. And now Brady’s in police custody, where he belongs. Whatever I was doing at his house last night is beside the point.

No, the point is, you mess with my family, you mess with me. I’m warning you, Xander.

You’re threatening me? Brady is the reason my wife might be stuck in a wheelchair for the rest of her life. You know what? Screw you and your degenerate brother. Get the hell out of here before I do security’s job for them.

There’s no need for that.


You’re going to make Sarah disappear? That’s your big plan?

It wouldn’t be the first time. Just say the word, Brady, and I will have Dr. Sarah rolling around the DiMera Island compound by tomorrow afternoon.

Oh, my God. Oh, my God.

Or I could take a page out of Connie Vininski’s book and just toss her in the basement and set off a bomb.

Okay, okay. Kristen, you’re not doing this. You’re not doing this. Don’t even think about it, okay? For my sake and for Rachel’s, please promise me you’ll stay out of it. Just let justice take its course, okay?

I’m sorry, Brady. That is a promise I wouldn’t be able to keep. Not only does your daughter need you, but I need you too. I love you, Brady. And I’m going to do whatever it takes–

No.

To save you.

Don’t. Don’t. Kristen.

I am.

Kristen? Krist–damn it! No!

[tense music]


I haven’t heard you say that before, that you want Brady to pay for what happened to you.

Well, I guess at first, I didn’t. You know, I didn’t really have any desire to see Brady punished. I understood that he didn’t do it intentionally. You know, it was an accident, obviously. But…

[soft dramatic music] The more time that I had to think about it, you know, I do believe that if someone drives drunk, they should be punished to some extent, and especially with what Brady did. You know, and he hit me, and he left me there, not knowing whether I was alive or dead.


Sarah… I know we haven’t known each other for very long, but I hope you know how much you mean to me. If it hadn’t been for you, I would never have come to Salem. I would never have reconciled with my son. And I would never have met my beautiful granddaughter. I love you, Sarah. You’re like a daughter to me.


You don’t have to do this.

Do what?

Take the blame for what just happened. I mean, I saw Holly hit you just now.

Are you seriously taking her side?

Wait a minute. To be fair, yes, Holly did hit me. But like I said, I started the argument.

Thank you.

I should have just stayed out of it.

Yeah, you damn well should have.

It’s just that when I saw her, I got so mad about what she did to you and your dad. And I mean, I know it’s none of my business, but I just feel so bad for you, Tate.

Unbelievable. Please tell me you’re not buying this crap.

And then when I called her out about sneaking into your dad’s room, she just totally wilded out and slapped me.

Oh, my God. You are such a freaking liar. Go on! Go on! Tell Tate exactly what you just said to me–

Holly, that’s enough.

What do you mean, “that’s enough, Holly”?

Just stop. Like, come on. Don’t you think you’ve caused enough damage for one day?

[tense music]

Tate–


Look, you know, my dad told me that I should take it easy on you because he thinks that EJ is manipulating you, but I think he’s wrong. I’m done.

Done? Done– what do you mean, done? Tate, what are you saying?


Are you breaking up with me?


So that’s it, then? It’s just over between us?

[somber music] You know what? You’re obviously too much of a coward to just tell me the truth, so I’ll save you the trouble. Yeah, it’s done. We’re over, Tate. So you and Sophia, you guys can have a happy life together. You two totally deserve each other. Goodbye, Tate.


 

[sighs]

Thank you for saying all of that. I love you too.

[chuckles] But what we were talking about earlier, that– that needs to stay between us. Okay? No one can know.

Yeah. Yes, of course. I understand completely. It’ll be–it’ll be our little secret.

[tense music]


You better hope the justice system works fast where your brother is concerned, Eric. Otherwise, I’ll have no choice but to take matters into my own hands.


[door clicks]

Oh, God, EJ. What do you want? I already confessed. Sarah remembers that I was the driver of the car that hit her. There’s no need to interrogate me anymore. So why don’t you just get the hell out of here, please?

Did you– did you forget, Brady? You don’t tell me what to do. I tell you.

Mm. Hmm.

So I saw on the visitors log that my sister was here to see you. I sincerely hope she didn’t fill that liquor-addled brain of yours with visions of another th-hour reprieve. You see, I’ve got you dead to rights this time, Brady. Thanks to Sarah’s statement, there isn’t anything Kristen can do to spare you from spending the next or more years in Statesville.


 

[sighs] Oh, Father. I know John Black was your sworn and mortal enemy. But his son, Brady… he really is a good man. And he is the father of my child and the father of your grandchild.

[somber music] I love him.


I love him with all my heart. And because you love me, Father, I know if you were here, you would– you would help me save him. But of course.

[laughs] Of course, you’re not here. And now EJ has Sarah’s statement. And there is nothing I can do… to get Brady out of this.

[sighs] Well, I mean, not without a miracle.

[clattering]

[grunting]

What the hell?

[mysterious music]


[sighs]

Rolf?

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Interview with Arlen Escarpeta

TV Interview!

 

Arlen Escarpeta as Zeke Wallace on "Found" on NBC -- (Photo from Arlen's Instagram)

Interview with Arlen Scarpeta of “Found” on NBC by Suzanne 9/10/24

This was such an enjoyable interview with Arlen, who plays Zeke on “Found” and seems like a great guy. If you aren’t that familiar with the show, Zeke is the one that has agoraphobia (is afraid to leave his place).  He has some great scenes at the beginning of this season. No spoilers here! I hope you enjoy our video. Don’t miss the season premiere October 3rd on NBC!

 

MORE INFO: Official Site  Trailer

Arlen Escarpeta

Zeke Wallace, “Found”

FOUND -- Season: 2 -- Pictured: Arlen Escarpeta as Zeke Wallace -- (Photo by: Kwaku Alston/NBC)

Arlen Escarpeta stars as Zeke on the NBC drama “Found.”

Escarpeta is best known for co-starring in the OWN series “David Makes Man,” from executive producers Oprah Winfrey and Michael B. Jordan. Previous TV credits include “Grimm,” “Extant,” “American Dreams,” “Boston Public,” “House,” “Law & Order: SVU” and the Lifetime film “Whitney.”

On the film side, Escarpeta earned critical acclaim for his breakout role in the IFC drama “American Gun,” making its premiere at the 2005 Toronto International Film Festival and starring Forest Whitaker, Marcia Gay Harden and Donald Sutherland. Earlier film roles include Carl Franklin’s courtroom thriller “High Crimes,” opposite Morgan Freeman and Ashley Judd.

He has also appeared in “High Crimes,” “Brotherhood,” “Friday the 13th,” “We Are Marshall,” “Final Destination 5” and “The Ten.”

Escarpeta moved to Los Angeles from his native country of Belize.

FOUND -- Pictured: "Found" Key Art -- (Photo by: NBCUniversal)Found

Season 2 Premiering Oct 3 on NBC (10-11p.m. ET/PT)

In any given year, more than 600,000 people are reported missing in the U.S. More than half that number are people of color that the country seems to forget about. Public relations specialist Gabi Mosely (series star and producer Shanola Hampton), who was once herself one of those forgotten ones, and her crisis management team make sure there is always someone looking out for the missing. Gabi, however, has a chilling secret: In the midst of grief, she imprisoned her childhood kidnapper, Sir (Mark-Paul Gosselaar). Now Sir has escaped and is on the loose, and her biggest secret is now her biggest threat.

The cast includes Shanola Hampton, Mark-Paul Gosselaar, Kelli Williams, Brett Dalton, Gabrielle Walsh, Arlen Escarpeta and Karan Oberoi.

In addition to Nkechi Okoro Carroll, Sonay Hoffman serves as executive producer, along with Greg Berlanti, Sarah Schechter, Leigh London Redman and Lindsay Dunn.

The series is produced by Berlanti Productions and Rock My Soul Productions in association with Warner Bros. Television and Universal Television, a division of Universal Studio Group.

In any given year, more than 600,000 people are reported missing in the U.S. More than half that number are people of color that the country seems to forget about. Public relations specialist Gabi Mosely (series star and producer Shanola Hampton), who was once herself one of those forgotten ones, and her crisis management team make sure there is always someone looking out for the missing. Gabi, however, has a chilling secret: In the midst of grief, she imprisoned her childhood kidnapper, Sir (Mark-Paul Gosselaar). Now Sir has escaped and is on the loose, and her biggest secret is now her biggest threat.

 

The cast includes Shanola Hampton, Mark-Paul Gosselaar, Kelli Williams, Brett Dalton, Gabrielle Walsh, Arlen Escarpeta and Karan Oberoi.

In addition to Nkechi Okoro Carroll, Sonay Hoffman serves as executive producer, along with Greg Berlanti, Sarah Schechter, Leigh London Redman and Lindsay Dunn.

The series is produced by Berlanti Productions and Rock My Soul Productions in association with Warner Bros. Television and Universal Television, a division of Universal Studio Group.

Arlen Escarpeta as Zeke Wallace -- (Photo by: Fernando Decillis/NBC)

Proofread and Edited by Brenda

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Y&R Short Recap Wednesday, October 2, 2024

Daytime Soap Opera Short Recaps

 

Y&R logo

 

Recap written by Eva

Kyle finds Diane’s open computer at home and steals information about Jabot’s top secret new moisturizer and takes the information to Victor. Kyle asks Victor to fire Audra in exchange for him giving him the top-secret Jabot product. Victor agrees and calls Audra into his office and fires her.

Nick observes Sharon closely because her sudden willingness to go see her doctor and get on with life seems off to him.

Daniel tells Phyllis and Summer that he is worried about Heather. Daniel calls Paul and asks him if he has heard from Heather. Paul tells Daniel that Hesther sent him a text message telling him she needed to get away for a few days. Daniel gets a call from the police telling him that a fisherman found Heather’s body in the river. The police tells Daniel that they took fingerprints and the prints were a match for Heather. Daniel goes to the police station and when the coroner lifts the sheet Daniel sees Heather’s face.

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Days Short Recap Monday, September 30, 2024

Daytime Soap Opera Short Recaps

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Recap written by Michele and Cheryl

Johnny had a nightmare of Chanel and Alex making love on the set of Body and Soul. Chanel talked to Paulina about her problems with Johnny. While they were talking, Johnny showed up. He told Chanel that he couldn’t believe she moved out after one fight. She said she went to her mother’s place to take a shower because they needed space. Johnny said she was right and he overreacted. He said the photo shoot brought up old memories, but he wanted to apologize. Chanel said she forgave him as long as he didn’t overreact again. She said she and Alex would talk to Abe and Kate about it being too soon for their characters to have sex. When Chanel left, Paulina talked to Johnny about his jealousy. He said the feeling took him by surprise because he thought he would be okay with Chanel and Alex working together. Paulina told him he was the one Chanel loved. She said he should be secure with that. Alex went to see Stephanie and apologized for keeping her up so late. He said he spent the night stressing over the show and wanted her advice on how to talk to the producers about making a mistake. Alex told her that it was too soon for his and Chanel’s characters to have sex on the show. Stephanie said he and Chanel should talk to them together. Alex sent Chanel a text about them talking to the producers together. Jada called Stephanie to tell her the truth about Everett’s death. When Stephanie told Alex that Connie murdered Everett. She couldn’t believe she invited Everett’s killer to his funeral. Every time she thought she was healing, she loses him. Alex comforted her and said he was there for her. She apologized and told him to go since he had to talk to Kate. He asked if she would be okay. She said she appreciated him being there for her.

Kate and Abe talked about the first day of shooting. She said Kayla gave them permission to use the hospital. Abe told her that Hattie gave him an ultimatum about Bonnie and said one of them had to go. He said Hattie was the star and held all the cards. Kate wondered if he felt that way because Hattie was playing his favorite character. Abe said the character held a special place in his heart and the fans loved her. Kate said Bonnie’s character is popular too. He said the fans love when the characters fight, but Hattie threatened to quit. Kate said giving in to Hattie’s demand could be dangerous because they didn’t know how long the next demand would happen. She thought other actors would do the same thing. Abe agreed with what she was saying. When Abe left, Alex showed up to talk to Kate about his love scenes with Chanel. He said it was too soon for their characters to have sex. Kate thought it was about his relationship with Chanel in the past, but he said it was just too soon. He said it was better to make the viewers wait and give them a reason to watch. When Chanel showed up, she was upset that Alex started without her. Once Chanel found out what was going on, she asked Kate if she agreed. Later on when Johnny showed up at the office, he found Chanel and Alex in there. Johnny asked if the scenes were going to be changed. Chanel said it wasn’t because Kate saw the chemistry between them. Bonnie went to Leo’s room and told him she refused to do the scenes with Hattie. Leo said he didn’t change any of the scenes and suggested that she be professional and happy to be a working actor. Bonnie thought Hattie got to him. Leo said Abe told him not to make any changes. She said that didn’t work for her, but he reminded her that they were under the gun and had to tape a show in one day. Bonnie said she knew how things worked. Leo said he wished Johnny did and told her about his jealousy. She said she understood how Johnny felt, but she was protecting her character. He said to take it up with Abe and Kate. When Bonnie left, Abe showed up to talk about Bonnie and Hattie. Leo said Bonnie showed up demanding more rewrites and was upset that Abe didn’t want to make any changes. Abe said he and Kate talked things out and Bonnie was going to be getting new pages, but not the ones she thought she was getting. Leo was shocked at the changes. He said there would be no turning back to which Abe said he understood. Hattie showed up at the pub for her scenes. When Bonnie showed up, Hattie wondered why she was there. Bonnie said she worked on the show too. Hattie said she was supposed to be fired. A shocked Bonnie couldn’t believe she went behind her back to get her fired. Hattie said she drove her crazy and wasn’t a team player. They argued with each other. While they were arguing, Leo showed up with the new pages Bonnie wanted. Leo said they were Abe’s orders. Bonnie said she was glad he came through, but Leo said it might not be with she thought. When Bonnie read the pages, she realized she was getting killed off.

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Days Short Recap Tuesday, October 1, 2024

Daytime Soap Opera Short Recaps

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Recap written by Michele and Cheryl

Seth Burns told Kayla that he didn’t want Body & Soul to shoot at the hospital because of the legalities. Kayla changed his mind, but he had one condition before they could film. Chanel and Alex let Johnny know that they wanted to delay their love scenes, but Kate wanted them to have it more. Alex knew it would be hard for Johnny to watch him touching his wife. He thought they should have a different director to shoot their scenes. Johnny got upset but he said he would do them. Leo tried to console Bonnie after getting written out of the show. Bonnie knew that Marlena was responsible for her getting written out of the show. Hattie thought keeping her happy over Bonnie was a no-brainer. Leo let her know that wasn’t exactly true. Bonnie insisted that Justin wouldn’t let them get away with what they’re doing. She stormed off. Hattie was happy that things were going her way. Kate and Abe talked about the drama happening on their set. Once Hattie gave them an ultimatum, they had a decision to make. Kate hoped they made the right choice. Abe called Johnny to meet them at the hospital for a location change. Stephanie arrived at the police station to thank Jada for letting her know that Everett was innocent. Jada was sorry that she was alone when she heard. Stephanie told her that Alex was with her. Jada got excited about it, but Stephanie told her they were just friends. She wondered if Stephanie was sure about that. Bonnie called Justin to tell him what happened to her. She thought she would do a good job on the show. Hattie heard her call and seemed sympathetic. She approached Bonnie and she told her that she was looking forward to working with her. Bonnie said they were going to be a team like when they replaced Adrienne and Marlena. Hattie said there was no fun or magic this time, and Bonnie stormed off Kate talked to Kayla about getting approval to shoot at the hospital. Seth let her know that he was playing the role of Dr. Drake Lamoray. Kate was frustrated at the idea, but she left to get rid of the actor who was playing the part.

Abe couldn’t get through to Justin about why they had to let Bonnie go. He sat with Leo in the square. Leo was finishing new pages for Bonnie’s character. He left as Hattie arrived. Hattie told Abe that she didn’t expect Bonnie exit to be final. She was nervous about the way she’s being written out. Johnny showed up at the hospital and wondered why Bonnie was made to look like she was dying. Bonnie told him that she was being killed off the show. She was proud to be on the show. Bonnie cried and wondered why they were doing that to her. She hugged Johnny as she tried to make sense of what happened to her. Chanel and Alex made up and wanted to be friends. He liked to get back to where they used to be and work together. Chanel knew what happened with Allie wasn’t entirely his fault. She wanted to see the best in each other. Alex was willing to do that. He got a text from Leo telling him to go to the hospital. Chanel was surprised as she watched him leave. She checked out her love scene with Alex, and she knew Johnny would hate the scenes. Stephanie confessed to Jada that she kissed Alex when she got Everett’s ashes. She told her that he stopped her because of Theresa and Everett. He didn’t want to ruin their friendship. She didn’t want to ruin it either, but she admits that she’s been thinking about him. Stephanie didn’t think Alex wanted her. She decided to take a break from relationships for a while. Seth’s acting was stiff as he brought Hattie’s character to see Bonnie’s character at the hospital. She told Hattie that she had an incurable disease. Hattie became emotional as she let her know that she would miss her. Johnny read the script and let Hattie know she was done for the day. Hattie wished Bonnie well even though she hates her. Bonnie agreed that she hated her. Alex’s character rushed to his mother’s (Bonnie) side and told her that he had a rare flower that could save her. Bonnie broke character and wondered if she was staying on the show after all. Hattie approached Abe and Leo to find out what happened. She found out that she’s the one dying instead of Bonnie’s character.

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Days Update Tuesday, October 1, 2024

Days of Our Lives Update

 

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Update written by Joseph

The head of the hospital Seth Burns goes to Kayla’s office and questions the proposal to use the hospital as a set for a soap opera and declares his answer is absolutely not.

Johnny joins Alex and Chanel at the studio and asks if they talked to Kate. They confirm they did and said they didn’t want to do the love scene as they believe it’s too soon for their characters, but Chanel reveals that Kate said their arguing just reminded her of how sparks fly when they are together so the love scene is still on. Johnny doesn’t understand. Chanel thought they made a compelling case to Kate. Alex says apparently not because the scenes are still on.

In the town square, Kate asks Abe if he talked to Leo. Abe confirms that he did and he was surprised there was no pushback as Leo is making the changes they requested. Abe adds that Bonnie is getting her rewrites as they speak, so he just hopes there’s no blood shed. Kate jokes that if there is, maybe they can catch it on camera. Kate adds that she’s beginning to understand what people say about how all the drama behind the scenes on a soap opera could be a show on it’s own.

At the Brady Pub, Bonnie questions Leo killing her character off from Body and Soul. Leo tells her it’s nothing personal and praises her while Bonnie questions why she’s being fired. Leo insists it has nothing to do with her and it’s just storyline dictated. Bonnie disagrees and blames Hattie.

Abe tells Kate that he knew it would be crazy but not before they even shoot their first scene. Kate hopes he’s not having second thoughts. Abe assures that he loves what they are doing. They talk about the casting process. Abe states that it’s over now and once Hattie gave that ultimatum, the decision had to be made. Kate hopes it’s the right one.

Kayla argues that last time they spoke, Seth was excited about the prospect. Seth says he was until he read the numbers and points out the expenses of shooting a TV show. Kayla doesn’t think he read the full proposal and points out that the show has their own liability insurance, so the hospital is covered any time they shoot there. Seth adds what a disruption it would be to their operation. Kayla explains that the show will be shot on the fifth floor wing that is completely vacant, so there would be virtually no crossover between fiction and reality and the patients won’t even know what’s going on. Kayla reminds Seth that the city gave them credits, so it would pay for itself and then some. Seth says on paper maybe. Kayla argues that Seth said they needed to come up with innovative budget solutions, so this might be their answer. Kayla declares that Body and Soul might just save them.

Bonnie tells Leo to admit that this is because of Hattie. Leo calls it more complicated than that. Bonnie argues that Hattie already told her about her ultimatum and she can’t believe they gave in to her outrageous demands. Hattie insists that her character Charlemagne is the star of the show and guesses they all agreed it was more important to keep her on the show, but Leo says not exactly. Bonnie complains that Leo got bullied by Hattie and didn’t have the guts to stand up to her. Bonnie declares that Justin is her agent and won’t let them get away with this. Bonnie calls Justin and tells him that she won’t believe what just happened as she storms out of the Pub. Hattie remarks that she doesn’t blame Bonnie for being mad, but she does blame her for being impossible to work with. Hattie declares that she’s so happy because everything is going her way.

Kate tells Abe that on the subject of problematic talent, Alex and Chanel came to her with an ultimatum of their own. Abe asks what now. Kate explains it wasn’t exactly an ultimatum but they were balking at the sex scenes as they feel their characters wouldn’t be doing that this soon. Kate admits there was merit to their argument but she wasn’t about to ask Leo to do more rewrites when they all have enough on their plate. Abe asks about the status of the hospital. Kate informs him that she just got a text from Kayla that she’s following up with Seth Burns as they speak.

Seth tells Kayla that his first thought was how much free publicity they would get for the hospital, but then he watched Body and Soul and it occurred to him that it’s not portrayed in the best light. Kayla argues that the hospital would never be mentioned and there would be no bad publicity at all. Kayla asks what other objections he could have. Seth then agrees to change his mind and allow Body and Soul to shoot at the hospital, on one condition.

Jada works in the interrogation room at the police station as Stephanie arrives. Jada says Rafe will be returning to his office soon, so she figured she would start clearing her stuff out. Jada mentions that she didn’t mind being in charge but she hated the reason for it. Jada asks if everything is okay. Stephanie says she just wanted to come thank her for letting her know the truth about Everett. Stephanie is relieved that he turned out to be innocent, but she feels terrible for ever believing the fake suicide note. Jada feels since she’s a cop, she should’ve figured it out. Stephanie points out that Jada did feel something was off. Jada says it just seemed impossible that someone could forge that but it turns out Connie was some criminal genius. Jada remarks that Connie is in Bayview now where she belongs. Jada apologizes for not coming to tell Stephanie in person so she wouldn’t be alone when she found out. Stephanie then reveals that she wasn’t alone as Alex was there.

Chanel explains that because Leo had to rewrite all the scenes with Bonnie and Hattie, Kate said there is no time for rewrites. Johnny thought they would’ve at least considered a rewrite if all three of them had an issue with it. Alex comments on understanding why Johnny would have a bigger issue with it since he wouldn’t want his hands all over his wife. Johnny argues that he didn’t say that and he only said the sex scene was too soon and not good for the show. Alex thinks it’s a little bit more than that, insisting that it has to be uncomfortable for him. Alex says the last thing he’d want is for the woman he loves to even be faking it with another guy. Johnny decides he’s not talking to him about this. Alex says he’s just trying to help and declares that he thinks he has a solution but asks Johnny not to get upset or take it the wrong way. Alex then suggests maybe they should just get another director for the love scenes.

Jada asks Stephanie about Alex being with her when she called and says she didn’t mention that they were spending time together again. Stephanie says it’s hard not to since they are neighbors, informing Jada that Alex moved back in down the hall. Stephanie adds that she’s doing PR work for Body and Soul and Alex is on the show, so they’ve been running in to each other a lot. Jada asks if that’s weird given their history. Stephanie insists that it isn’t because their relationship is completely behind them and they are just friends now, so that’s how they want to keep it. Jada asks if she’s sure about that.

Alex feels it seems pretty basic to him if Johnny is not comfortable with he and Chanel having a love scene, that they just have someone else direct it, and then Johnny comes back for the rest. Johnny laughs off the idea and says he’s not going to tell Abe and Kate that he’s incapable of directing a love scene with his wife. Chanel knows Johnny is capable, will do it, and everything will be fine. Johnny then gets a call from Abe, who informs him that there’s a schedule change as they are no longer shooting at the Pub this morning, so he needs to get to the hospital ASAP. Abe adds that Leo just did a slew of rewrites so he will see him later on set. Abe hangs up and then runs in to Leo, so he asks about the rewrites and how they received. Leo responds that there were tears, legal threats, and theatrics but blood shed was barely avoided. Abe remarks that unfortunately, one of them had to go, so now they just have to get through the scenes.

Bonnie goes back in to the Pub while on the phone with Justin. Bonnie cries that she’s not upset with him and she knows he would’ve made it happen if he could. Bonnie says she loves him and will see him later as she hangs up in tears. Hattie approaches and says she couldn’t help but overhear there’s no lawsuit. Bonnie says it’s none of her business but confirms that according to her contract, the producers can let her go at any time and just have to pay what’s left of her guarantee. Hattie encourages that she gets paid for 26 weeks without having to go to work. Bonnie remarks that she doesn’t have to go to work with her anymore. Bonnie adds that she was really looking forward to working with her as she thought it’d be a lot of fun and pictured them having a lot of laughs like the old days. Bonnie says they were going to be a team like when they replaced Marlena and Adrienne, except this time no one was going to get hurt but it was exactly the opposite of what she pictured and someone did get hurt real bad. Bonnie then storms out of the Pub in tears.

Kate goes to see Kayla in her office. Kayla says she was just texting her. Kate hopes for good news and asks if they will be able to tape the show at the hospital. Kayla confirms that Seth approved it. Kate thanks her for making that happen. Kayla says she was happy to do it but reveals that Seth did have a condition that she was forced to accept. Seth then enters the office and greets Kate, presuming that Kayla gave her the good news. Kate confirms she did and thanks Seth for green lighting their proposal. Seth then reveals the condition is that he will now be playing a character on the Body and Soul, the Pine View Hospital Chief of Staff, Dr. Blake Lamore. Kayla clarifies it was the only way to get him to agree. Seth admits he doesn’t have much acting experience. Kate reluctantly congratulates him and says she’s now going to find the original actor for the role to inform him that he’s been replaced. Seth remarks that he better go learn all five of his lines as he exits.

Abe gets a call from Justin and says he knows he’s upset, but he has to give him a chance to explain. Justin hangs up on him. Abe sits with Leo and remarks that he’s been made an awful lot of enemies today. Leo mentions getting an e-mail about Marie Fallon being pregnant and production wanting to change the swarm of killer bees to carbon monoxide. Abe says they can handle those problems another day and asks if he’s finished up the new pages for Cassandra. Leo confirms he has, so Abe says they need to get those to the hospital now and he’ll be right behind him. Leo then walks away as Hattie comes through. Hattie tells Abe that she appreciates all of his support but she’s a little bit surprised. Hattie says she always knew she would come out on top, but she didn’t expect Bonnie’s exit to be quite so final. Abe argues that she is the one who said Pine View wasn’t big enough for the two of them, and he and Kate and agreed. Hattie mentions that she just read the new scenes and says what a way to go.

Bonnie is set up in a hospital bed for her scenes as Johnny arrives and questions why she’s made up like that. Bonnie asks if he hasn’t heard what’s happening to Cassandra. Johnny says he hasn’t had a chance to read the new rewrites. Bonnie reveals that she’s being killed off on her first day. Johnny says he’s so sorry. Bonnie cries about how she worked for hours on her lines and was so proud to be a part of Body and Soul. Bonnie questions why they are doing this to her and how this could happen to her. Bonnie breaks down crying as she hugs Johnny.

Alex comments to Chanel about Johnny having a big problem with the sex scenes. Chanel confirms they had a big fight about it last night. Alex says he’s sorry but he’s sure that Chanel can convince him he has nothing to worry about. Alex points out that Chanel is not a big fan of him and can’t stand him. Chanel admits that’s actually not completely true.

Stephanie jokes with Jada about reading her rights as she repeats that she and Alex are just friends, but when she got Everett’s ashes, she was pretty upset and she impulsively kissed Alex but Alex put the brakes on it right away. Jada jokes that it sounds unlike him. Stephanie explains that Alex is still getting over Theresa and she’s still getting over Everett, so he doesn’t want to do anything that could ruin their friendship again. Jada asks how she feels about that. Stephanie doesn’t want to ruin their friendship either, but admits she’s been having some thoughts. Stephanie says it doesn’t matter since Alex is not in the same place, which is for the best. Stephanie feels she needs to take a break from relationships as she told herself that after Chad but then started spending time with Everett. Stephanie worries that she’s going on and keeping Jada from running the police department. Jada assures that she’s on break and there for her any time she needs to talk. Stephanie says she’s there for her too. Jada is sure that she and Alex will figure it out. Stephanie mentions having to get going to the Body and Soul set, so they hug and then Stephanie exits.

Alex asks Chanel if she can stand him. Chanel admits she can because sometimes, he’s not so bad. Alex jokes that he likes her a small percent of the time too. Chanel jokes about them bonding. Alex says they used to be good friends back in the day, so maybe if they could back to that for work, it might be less of a nightmare. Alex admits he’d like to get back to that. Chanel admits she’s been a bit hostile in making him feel bad for what happened to Allie which wasn’t really his fault. Chanel says that she and Allie obviously weren’t meant to be. Chanel adds that she could use one less stresser in her life, so she suggests they try to see the best in each other and get along. Alex assures that he’s all for that, but jokes that hopefully their on-screen chemistry won’t fizzle out because of it. Alex then gets a text from Leo that he’s adding another scene for him, but guesses not for Chanel. Alex decides he will head to the hospital now and see her on set as he then exits.

Kate finds Abe at the hospital and tells him that every time they put out a fire, another one comes up. Kate says it’s nothing major and she handled it, but it’s good to know she has backup. Abe is sure things will get better once they get in to the groove. Kate worries that this whirlwind may never end.

Johnny asks Bonnie if she needs a minute but she says there’s no sense in dragging this out. Johnny then announces they are ready to roll, so everyone exits the room and Johnny begins directing Bonnie as Cassandra in her hospital bed while Seth as Dr. Blake enters to inform her that she has a visitor. Hattie then enters as Charlemagne to ask her what happened. Cassandra explains that she contracted a fatal disease. Charlemagne cries that she’s going to miss her as Johnny then ends the scene.

Stephanie enters the Brady Pub, not knowing about the rewrites, and looks around wondering where everyone is.

Chanel decides to read some of the upcoming script, describing her and Alex’s characters about to make mad, passionate love. Chanel says to wait until Johnny sees this.

Johnny congratulates Bonnie and Hattie on bringing the emotion to their scene. Johnny then gets the last few pages sent in from Leo. Johnny asks if they want to rehearse before going ahead, noting that Leo said Hattie is done with the scene so they only need Seth and Bonnie. Hattie tells Bonnie that she hopes she gets a fabulous sendoff party and she’ll be there. Hattie wishes Bonnie well, even if she does hate her guts at the moment which Bonnie confirms. Hattie then exits as Johnny begins directing the next scene. Seth questions some of the rewrites while Johnny explains that they are due to the budget. Johnny then calls for Alex to enter as Arrow, who informs Cassandra that she is not going to die as they embrace.

Kate returns to Kayla’s office. Kayla asks how it is going on set. Kate says it’s very smoothly and jokes that they could still write Kayla a cameo which Kayla declines. Kate thanks her for changing Seth’s mind. Kayla says that Seth does love being the center of attention and jokes that now she can get rid of him for a few hours a week. Kayla adds that she does feel bad about Bonnie. Kate tells her to stay tuned because not everything is as it appears and there’s always a twist…

Johnny continues directing a scene where Arrow presents Cassandra with a flower that will save her life. Bonnie stops the scene to question if this means she’s not getting killed off after all which excites her.

Leo joins Abe at the hospital. Abe appreciates his speed and thanks him for getting the pages done so quickly. Abe adds that he also appreciates his discretion. Leo understands why he didn’t want anyone to see those pages until after Hattie and Bonnie filmed their final scenes together. Hattie comes by, so Leo asks how the scene went with Bonnie. Hattie says it went okay and then admits she feels kind of sad that Bonnie is getting fired. Abe is glad to hear that as he reveals that Bonnie is not the one being killed off, Hattie is.

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B&B Short Recap Tuesday, October 1, 2024

Daytime Soap Opera Short Recaps

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Recap written by Suzanne

Ridge tries to come to grips with the idea that Taylor is dying. She doesn’t want him to tell anyone, especially Steffy and Thomas, because she doesn’t want to be a burden to them. He’s very frustrated because he went through the same thing with Eric. He’s glad to hear that she told Li, who recommended some cardiologists, but she doesn’t think they can help her. He gets upset, and they hug. He tells her how important she is to him and that he can’t lose her.

Brooke and Steffy are working in the same office. They talk about work a little, but when talk turns to Ridge, Steffy suggests to Brooke that Ridge and Taylor will always have a bond. Brooke agrees but makes it clear that Ridge’s future is with her. Brooke assures Steffy that she’s not threatened by Taylor and that both she and Ridge agree that it’s great that she came home to spend time with her family.

Will and Katie are at Forrester after lunch. He’s worried that she’ll get back with Bill, who will hurt her again. She appreciates his concern but tries to convince him to join Forrester as an intern.

 

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Days Transcript Tuesday, October 1, 2024

Days of Our Lives Transcript

 

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Transcript provided by Thane

THIS STILL NEEDS EXTENSIVE EDITING!

[pensive music]

Ah, Seth. I was just coming to see you.

Then I saved you a trip. I just looked over this proposal from your sister-in-law to shoot a soap opera here at the hospital.

Well, I mean, it’s just– it’s just some scenes.

Right. So I wanted to take some time to give it the careful consideration it deserves.

And?

My answer is… absolutely not.


Hey, did you guys talk to Kate already?

We did.

Yes, we did. And we explained that, um, we didn’t wanna do the love scenes. We believe that it’s happening too soon for our characters.

All right. That’s great. So it’s off, then, yeah?

No, uh, she said our arguing only reminded her of the way that sparks fly whenever we’re together. So it’s still on.

I-I don’t understand.

Yeah, me neither. I thought that we made a compelling case to Kate.

But apparently, it’s not compelling enough because the scenes are a go.

A go.

So you spoke to Leo?

I did.

How did that go?

Well, he was surprised, but there was no pushback on making any of the changes that we requested.

Okay, so it’s done.

Bonnie has her pink pages in hand as we speak.

Hmm.

I just hope there’s no bloodshed.

Well, if there is, maybe if we capture it with a camera, you know–

[laughs] Just kidding. But actually, I’m beginning to understand what people say about all of the drama behind the scenes on a soap opera. It could be a whole nother show of its own.

You’re killing me off? You’re killing me off?

Bonnie, it’s nothing personal, I swear. We–we think you are a wonderful actress. You have incredible presence. You are charming and charismatic. You’re sexy and beautiful.

Then why are you firing me?

Ooh. That’s such an ugly word. We don’t like to use that one. We are allowing you to pursue other career opportunities. It has nothing to do with you, not at all. See, it’s–it’s storyline dictated, as we say in the biz.

Storyline dictated?

Yeah. Tat means that–

No, I know what it means. And the hell it was storyline dictated! This is Hattie dictated.

[tense music]

[soft orchestration] announcer: Like sands through the hourglass, so are the “Days of Our Lives.”


I knew things were gonna be crazy. But before we’ve even shot our first scene?

[laughs]

Oh, no. I hope you’re not having second thoughts.

Oh, no, no. I love– I love what we’re doing, despite, uh, a few headaches.

Yeah, me too. I do. I just wish we had been a little bit more discerning in the casting process.

As do I. As do I. But it’s over now. And once Hattie gave that ultimatum, the decision had to be made.

Yep. Let’s just hope it’s the right one.

 

[sighs] I don’t get it, Seth. Last time we spoke, you were excited about the prospect of this.

And I was until I ran the numbers. Kayla, the legal and insurance liabilities of shooting a TV show here– prohibitively expensive.

But it isn’t. Did–did you even read the whole proposal?

Most of it, but–

No, I don’t think you did. Because right here– look, right here it says that the show has their own liability insurance and that we are covered anytime they shoot here. I mean, it’s not even an expense that we need to consider.

Okay, point taken. But I haven’t even gotten started about what a disruption it would be to our operation.

No, no, no, it wouldn’t– okay, okay. I know I saw it here. Let me see. It’s, um–here it is, the third page. Um, “The show will be shot on the fifth-floor wing “where there is just completely vacant, and the patient consensus shows that.” So that means there will be virtually no crossover between fiction and reality. Our patients won’t even know what’s going on up there. And if somebody happens to find out, they’ll probably get a big kick out of it.

Yes, but–

No, no, no. And do I need to remind you about the city giving us subsidy credits? So, you know, all in all, it is gonna pay for itself and then some.

On paper, maybe.

No, no. Come on. You said that we need to come up with some innovative budget solutions. And like all the hospitals in the country, we have been running at a deficit. So this might be our answer. “Body & Soul” might just save us.

[mysterious music]


Admit it. This is because of Hattie, isn’t it?

Well, it’s a little more complicated.

Oh, don’t bother denying it. That stuck-up diva already told me about the ultimatum that she gave the producers. I just can’t believe they caved to your outrageous demands!

Nothing outrageous about them, Miss Sore Loser. Charlemagne is the star of the show.

Oh, says you.

Says me. And I guess everybody seemed to agree that it was more important to keep me happy than it is to keep you happy. No-brainer, Leo?

Not exactly.

“Not exactly”? You mean it wasn’t a no-brainer to–to fire Bonnie?

Well, I mean, we did actually use our brains in–in– in giving the matter careful consideration.

Careful consideration, my foot. You got bullied by Hattie Adams, and you didn’t have the guts to stand up to her. Well, I’ll tell you something. My husband is my agent now, and he’s not gonna let you get away with this!

[mumbles furiously] Goodness gracious. Just–look–yes. You won’t believe what just happened.

[door slams shut]

I’d say she’s mad as a wet hen.

Oh. Do you blame her?

Well, n-no. I gue–I guess I don’t blame her. But you know what I do blame her for? Being impossible to work with. I also think that she goes around telling people she’s a great actress, which I won’t comment on because my mother told me that if you can’t say something nice about somebody–

Post it on Nextdoor.

 

[laughs] That’s what I like about you. You’re so quick. You are so funny. Oh, you put a smile on my face.

Oh, I don’t put a smile on everybody’s face, though.

Yeah, well, uh-uh-uh, sorry about that. But you know what?

[sighs] I can’t complain right now. I’m so happy ’cause everything is just going my way.

And since we’re on the subject of problematic talent, Alex and Chanel came to me this morning and gave me an ultimatum of their own.

Ugh. What now?

Okay. Well, I mean, it wasn’t exactly phrased as an ultimatum, but they’re balking at doing their sex scenes. In their opinion, the characters wouldn’t be doing that so soon. I mean–and I could see there’s some merit to that argument, but there’s no way I’m gonna ask Leo to do more rewrites. He has too much on his plate already. So do we all.

I-I-I agree. I agree. You know, speaking of that, what’s the situation at the hospital?

Well, I just got a text from Kayla, and she’s following up with Seth Burns as we speak.

My first thought when you came to me with this was how much free publicity we’d get for the hospital. But then I watched the show, and it occurred to me that “Body & Soul” won’t exactly portray us in the best light a lot of the time.

But University Hospital will never even be mentioned. As far as the viewers are concerned, this will be Pineview Hospital.

I see.

And there will be no bad publicity at all.

Right.

What other objections could you have?

None. I suppose…

So yeah?

So… I changed my mind. They can shoot their soap opera here.

Great.

On one condition.

 

[sighs]

[siren wails]

[knocking on door]

Knock, knock.

Oh, hey, Steph.

Hey. Oh. So you’re in here now, huh?

Yep. Well, Rafe will be coming back to his office soon, so I just figured that I’d start clearing my stuff out.

Any regrets about leaving the acting commissioner job?

I mean, I didn’t mind being in charge, but I hated the reason for it.

Yeah, of course.

So everything okay?

Yes, yes. I-I actually just wanted to come see you and thank you for calling earlier, letting me know the truth about Everett. So relieved that it turns out that he was innocent. But I feel terrible for ever believing the things that he said he did in that suicide note.

I mean, we all believed those things, Steph. I’m a cop. I mean, if anyone should’ve figured it out…

Well, you–you had a feeling that there was something off about his note.

I did. I did. It just seemed impossible for me that someone could have forged that.

Work of Connie Viniski.

Yeah, some criminal genius, as it turns out. But she is in Bayview now, where she belongs. Thank God. And, Steph, I’m sorry that I didn’t come tell you this in person. You know, it–it–it didn’t occur to me until later that I should have tracked you down so that you weren’t alone when you heard.

Actually, I wasn’t alone. Alex was there.

So because Leo had to rewrite all those scenes with Bonnie and Hattie, Kate said that there’s no time for him to rewrite anything else.

Even though you and Alex and I objected to it?

Wait, wait. You objected too?

Yeah, he even pleaded our case to Leo, who also said no.

 

[sighs] Damn. I mean, uh…

[clears throat] It’s just, I would’ve thought that if we all three had an issue with it, they would have at least considered a rewrite.

Yeah, no. You would definitely think so. And, bro, I get it. I mean, it’s gotta be an even bigger problem for you than it is for Chanel and me, right?

[chuckles] Why wouldn’t it be? You don’t want these hands all over your wife.

Did I say that? What I said was, I agree that it’s too soon for the Faith-Arrow sex scene, or love scene. All right, whatever you wanna call it. It’s just not good for the show. That’s it.

Yeah, I think it’s a little bit more than that, Johnny. Right? It’s gotta make you uncomfortable. It’s got to. I mean, I-I can relate. The last thing I’d want is for the woman I love to even fake be making out with another guy.

Okay, well, I’m not gonna talk about this with you anymore, Alex.

Wait. I just– I just wanna help. That’s all I’m trying to do right now. Now, I-I-I think I have an idea that might possibly solve the problem. Uh, and promise me that you will not get upset about this, Johnny–

Just-just–

Don’t take it the wrong way.

Okay, just tell us your idea, okay?

Well, I think maybe the, uh– the sex scenes between– the love scenes between Faith and Arrow, maybe we should just get another director.

[tense music]

 

[laughs]


So Alex Kiriakis was with you when I called?

Mm-hmm.

Hmm. You didn’t mention that you two were spending time together again.

Well, it’s kinda hard not to, since we’re neighbors.

Neighbors?

Yeah. He moved back to my building a few weeks ago. Did I not tell you that?

Um, no, you didn’t.

Well, he did. He did, and he’s right– right down the hall. And since I’m doing PR work for “Body & Soul,” and since he’s on the show, we’ve run into each other a lot lately.

Is that weird at all? I mean, given your history?

You’d think it would be somewhat awkward, but it isn’t. Our relationship is completely behind us. We’re just friends now, and that’s the way we wanna keep it.

Sure about that?

Why are you looking at me like I just grew two heads then, Johnny? Because it seems like a pretty basic thing to me. If you’re not comfortable being on set while Chanel and I are shooting a sex scene, or a love scene, whatever it may be, maybe we just get another director to fill in.

Another direct– are you suggesting that I quit?

Uh, absolutely not. Of course not. I’m suggesting that maybe for those particular scenes, we have somebody else do them, and then you come back to do the rest of them.

Well, thank you, Alex. That’s a brilliant idea. But I’m not gonna go to Kate and Abe and tell them that I’m not capable of directing a love scene with my wife.

Yes, because you are capable, and you’ll do it, and everything will be fine. Right, Gio?

Right, right.

[phone ringing]

[sighs, clears throat] Abe, I was just about to head down to the pub. What’s up?

Well, schedule change. We’re not shooting at the pub this morning, so I need you to get over to the hospital ASAP.

All right. Guerrilla filmmaking. Gotta love it.

And Leo just did a slew of rewrites. You’ll have ’em emailed to you by the time you get to the set. So I will see you later, Johnny. Uh, uh, Leo, did you get those new pages sent over to Bonnie and Hattie?

I did.

And how were they received?

Tears, legal threats, enough theatrics to put anything I write to shame. In other words, what we’d expect. But at least bloodshed was avoided, though just barely.

Well, unfortunately, one of them had to go. Now we just have to get through those scenes.

Oh, Justin, look.

[sighs] No, I’m not upset with you. I know you would have made it happen if you possibly could. No, I do.

[sniffles] I love you too. I’ll see you later.

[sighs]

Uh…

[clears throat] Sorry.

 

[groans]

Couldn’t help but overhear. No–no lawsuit, huh?

Not that it’s any of your business, but no. As per my contract, the producers can let me go at any time. They just have to pay what’s left of my guarantee. Okay?

Well, look at the bright side of that. That means you– you get paid for weeks, and you don’t even have to go to work.

No, that means I don’t have to hang around with you anymore. And you know what, Hattie? I was really looking forward to working with you. I thought it was gonna be more fun than a barrel of monkeys. You and me starring on a soap opera? I pictured us having a whole lot of laughs, just like we did back in the old days, you know?

[laughs sadly] You and me, we were gonna be a team, just like when we replaced Marlena and Adrienne, except this time, no one was gonna get hurt.

Bon Bon–

But it was exactly the opposite of what I pictured. No fun, no laughs, and no teamwork. And this time, someone did get hurt. Bad. Real bad.

[somber music]


Yep, yep, yep. Ah, Kate, I-I was just texting you.

Oh, good. Good news, I hope. Are you–are we gonna be able to tape the show here?

Yes, um, Seth approved it.

Oh, that’s fabulous. Thank you so much for making that happen.

Yeah, I was happy to do it. But I just–

But, uh, what?

Um, he did have a condition that I was forced to accept.

Wha–

Hello, Kate.

Hello.

I presume Kayla gave you the good news.

Yes, she did. And I want to thank you so much for green-lighting our proposal, Seth.

Oh, I’m not Seth. I’m the new chief of staff of Pineview Hospital. Meet Dr. Blake Lamoray.

[whimsical music]


So you, um, promised Seth a role on the show, did you?

Well, that was his condition. That’s the only way I could get him to agree.

Now, I have to admit, I don’t have much acting experience, except in a couple of high-school productions. Played, um, George Gibbs in “Our Town.”

Mm-hmm. I bet your parents thought you were brilliant.

They were very proud.

Yeah. I’m sure they were. Well, congratulations, Seth. You’ve booked it. Now I’m gonna go find the actor who was originally hired to play the role and let him know that he’s been replaced as Dr. Lamoray.

And I’d better go learn my lines, all five of them.

Yeah.

[pensive music]

[scoffs]

Justin, uh–Justin, I-I-I know you’re upset and–and, uh, justifiably so. But you have to give me a chance to explain, all right? I…

[sighs]

[gentle ambient music]


I have made an awful lot of enemies today.

You and me both. Also, I just got an email from our line producer. Marie Fallon is pregnant.

What? But she plays a nun.

Maternity habits–they’ll be the next big fashion craze. Oh, and production would like to change the swarm of killer bees to an invisible miasma of carbon monoxide.

Well, we can handle those problems on another day. Have you–have you finished up those final pages for Kassandra?

Just now.

Well, we need to get those over to the hospital right now. I’ll be right behind you.

Copy that.

Oh, hey, Hattie.

Oh, Abe.

What is it?

Listen, Abe. I appreciate all your support. You know I do, but I’m just a little bit surprised. I-I always knew that, um, I would be the one to come out on top of all this, but I– I didn’t expect Bonnie’s exit to be quite so final.

Well, you’re the one who said that Pineview wasn’t big enough for the two of you, and, well, ultimately, Kate and I agreed.

Yeah, yeah, but I-I-I just read the new scenes and– oof. Ooh, yikes. What a way to go!

Oh. Oh.

[sighs]

Bonnie, hey. You look, uh–

What? Like I have a flesh-eating disease, festering sores?

Just a-a little pale, actually. Um, why are–why are you made up like that?

What, you haven’t heard what’s happening to Kassandra?

No, no, I haven’t, uh– I haven’t had a chance to read the new pages yet, so.

I’m being killed off, on my first day, no less.

Oh, no, Bonnie, I’m sorry. I’m sorry.

I thought they liked my acting. Johnny, I was so excited. I mean, I worked for hours on my script, and I was so proud to be a part of “Body & Soul.”

[sobbing] Why are they doing this to me? Why? How could this happen, Johnny? Johnny, why? Why?

[somber music]


So Johnny’s got a big problem with these sex scenes, huh?

Oh, yeah. Yeah, We had a big fight about it last night.

Damn, really? I’m sorry, Chanel. But I’m sure you can convince him that he has absolutely nothing to worry about, right? Considering you’re not really a huge fan of mine for a whole lot of reasons. In fact, you can’t stand me, right?

Actually, that’s not completely true.

Don’t you have to read me my rights before making accusations like that?

Nothing you say will be held against you.

Well, that’s a relief. And I repeat, Alex and I are just friends. But…

But?

 

[sighs] When I got Everett’s ashes, I was pretty upset.

Understandably.

And so I, stupidly, impulsively, kissed him.

Oh. I see. So is there any more to this tale?

No. Alex put the brakes on it right away.

Oh. That sounds unlike him.

I know, right? Trying not to take it personally. But, uh, seriously, Alex is still getting over Theresa. I’m still getting over Everett. And he doesn’t want to do anything that could ruin our friendship again.

Right. And how do you feel about that?

[pensive music]

And honestly, I don’t wanna ruin my friendship with Alex either. It’s just, I’ve been having some… thoughts.

Thoughts or “Thoughts”?

Well, it doesn’t matter, because Alex is obviously not in the same place, which is probably– definitely for the best. I mean, I just–what I need to do is take a break from relationships in general. I mean, I told myself that after Chad and I broke up, and then I started spending time with Everett and– oh, God. I’m–I’m going on and on, keeping you from running the police department.

Oh, no, it’s fine. Listen, I’m on break right now, okay? And I am here for you, Steph, whenever you need to talk.

Well, I am here for you too, Jada. I hope you know that.

I do. And as for you and Alex, I’m sure you’ll figure it out.

Yeah. Anyway, I promised that I would make it to set today, so I’d better get going.

Oh, okay.

[sighs]

I’ll see you.

See you.

 

[laughs]

And take care, okay, Steph? All right.

Sooo you can stand me?

Yeah, I can. Because sometimes you’re not so bad.

Ah. Well, thank you. You know, I actually like you a small percentage of the time myself.

 

[chuckles] Okay, well, look at us, bonding like champs.

Hey, hey. We used to be good friends back in the day, so maybe if we could get back to that, at least for work’s sake, it wouldn’t make it a complete nightmare. And I would like to get back to that and at least maybe peacefully coexist.

Look, Alex, I admit that I have been a bit hostile and belligerent even, making you feel bad for what happened with Allie, which really wasn’t your fault. Okay, she and I, we weren’t meant to be, obviously. And, uh, look, what I’m trying to say is that I can use one less stressor in my life. So I say, why don’t we just, uh, try and see the best in each other and get along?

I am all for that. Trust me. Let’s just hope that our on-screen chemistry doesn’t fizzle out now that we’re not snipping at each other in real life.

 

[laughs] Right.

[phone beeps]

Just got a text from Leo. He’s adding another scene for me.

Mm, but not for me?

Mm. I guess not.

Hmm.

Gotta head over to the hospital right now.

Okay.

See you on set.

[mysterious music]


[elevator dings]

Ah, Abe. Thank goodness you’re here. You know, every time we put out a fire, another one crops up.

Oh, my God. What? What now?

Okay, it’s nothing major. I handled it. It just feels good to know I have backup. That’s all.

Always. But I am sure things will get better once we get into the groove.

I don’t know about that. I think this whirlwind may never end.

Hey. You need a minute?

No. No sense dragging it out. Let’s just, uh–

Yeah.

Let’s do it. Let’s do it.

Okay.

You got it.

Okay.

[clears throat] Everyone, places. We are ready to roll. Ready to roll. Places, everybody. Thank you, thank you, thank you. Okay. And action.

Ms. Lovegood, you have a visitor.

Oh? And who might that be? Ugh, Charlemagne.

Hello, Kassandra. I heard you’re not long for this world.

Word gets around, doesn’t it?

It does. So tell me, what happened?

Well, it seems I contracted a disfiguring and… Fatal disease after I moved to Tangier. It’s also incurable, unfortunately.

Yes, well, that’s very tragic.

[somber music] I know we haven’t always been very close.

Bit of an understatement, don’t you think? We’ve been at each other’s throats since I first stepped foot in this burg.

Yes, I– I suppose that’s true. I-I will admit that I have… wished for your death more than a few times, as I assume you have wished for mine.

Damn right I have.

But now that you’re– now that you’re at the end, this awful, ruthless period, I-I-I should tell you that– I should tell you… I’m gonna miss you.

[sniffles]


Okay, cut.

[clears throat] Cut.

[tense music]


Where is everyone?

No harm in seeing what is coming up in the next few days. “Faith groans, arching her back in pleasure as Arrow, “lying on top of her, gazes at her longingly, lustfully, as we know they are about to make mad, passionate love.” Oh, Lo-Lordy, Lordy. Wait until Johnny sees this.

Wow. Hey, congratulations, ladies, on–on the genuine emotion in that scene.

[phone beeps] Uh. Oh, okay, good. Um, all right. We just got the last few pages from Leo. Uh, so, Seth, Bonnie, before we go ahead, do you guys wanna do a brief rehearsal?

Oh.

Hey.

Yeah?

What about me?

Uh, yeah, Leo said you’re done, so.

All right. Uh, okay. Well, I hope they give you a-a fabulous send-off party. And, uh–and I hope they get you a great big cake with–with your face on it. And I’ll–I’ll, uh– I’ll be there.

I’m sure you will.

I wish you well, even if you do hate my guts at the moment.

You got that right.

Okay, um, are we ready to go? Yeah? Yeah. Let’s go. All right. And… action.

Okay, Doc, be honest with me. This is the end, isn’t it?

Try to relax, dear. We’ll give you something to make you comfortable. It says here that I administer morphine. That would really be a nurse, though.

No, it’s you. Uh, look. A nurse would cost production hundreds of dollars, so.

Oh.

Mm-hmm.

Got it. So here goes.

Here we go.

[sighs] You didn’t answer my question. I’m dying, aren’t I?

It says here that I nod gravely. How does one nod gravely? Can’t I just get a line instead?

Look…

[clears throat] You’re an under-five, okay? That means that we have to keep you under five lines. Otherwise, it’s gonna cost production–

Hundreds of dollars.

Yes.

Yes, exactly.

Okay, here I am, nodding gravely.

Okay, good. Uh, now enter Arrow.

Mom.

Arrow, oh, my handsome son! I’m so grateful you came. I was so afraid I wouldn’t see you before I passed on, breathe my last.

But that’s just it, Mother. You’re not going to do either.

What? What are you saying? What do you mean?

I’m saying that you’re not going to die, Mother. Thank God. Thank God.

Oh!

[gentle music]


Yep, yep, yep. Ah.

Hey.

How’s it going on set?

Very smoothly.

Oh.

But happy, very happy to say. Uh, but there’s still– there’s still a possibility of us writing a cameo for you, you know.

Oh, very kind of you to offer, but no, I will not change my mind.

Well, thank you for changing Seth’s mind.

Well, he does love to be the center of attention. So now that he’s a working actor, I at least will get rid of him for a few hours a week.

Well, so it’s a win-win-win for you.

Yeah, I suppose so. I do feel bad about Bonnie, though.

Well, stay tuned. Not everything is as it appears.

What does that mean?

Well, they have a saying in soap operas– there’s always a twist.

So I’m not going die?

No, Mother, you’re not going to die. Because I found this. I just got back from the jungles of Iguazu, where I discovered this rare begonia, the juice of which will save your life.

Hold on. Wait. Save my life? Wait, what? Does this mean I’m not getting killed off after all?


Leo, I appreciate your speed and, uh, thank you for getting those pages done so quickly. And I also– I also appreciate your discretion.

Well, I understand why you didn’t want anyone to see those final pages until after Hattie and Bonnie had shot their last scene together. Not like anyone could have, since they weren’t written yet.

Hey, fellas.

Hattie, how did that scene go with Bonnie?

Oh, it went okay. You know, I can’t believe I’m saying this, but I feel kinda sad that she’s gettin’ fired.

Well, actually, I’m glad to hear that.

You are?

Yes, because Bonnie, aka Kassandra, she’s not the one being killed off.

Really? She’s not?

No. You are.

[stirring music]

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