Interview with Monique T. Parent

TV/Movie Interview!

 

Monique T. Parent (from her Instagram)

Interview with Monique T. Parent of “That’s a Wrap!” by Suzanne 8/9/23

It was nice to speak to Monique. We had a great chat. I even asked her about some makeup things after our “official” chat here. She’s had a long and interesting career. I’m not a big fan of horror movies…especially “slasher flicks” like this one, but it has quite a lot of comedy and art to it that was fascinating to see.  Monique did a great job in it.

 

"Blood Scarab" poster starring Monique T. ParentMORE INFO: Trailer

Known as ”The Thinking Man’s Sex Symbol”,  the sci-fi and horror vet also runs a YouTube channel offering makeup and hair tips for women over 40 as well as sharing her life as an actress. She is an advocate for celebrating natural beauty and graceful aging. She lives in L.A with her two cats.

Instagram

"That's a Wrap" key art

THAT’S A WRAP

STARRING Cerina Vincent, Monique T.Parent, Sarah French, Gigi Gustin, Dave Sheridan

DIRECTED BY Marcel Walz

ON DIGITAL AUGUST 25

Award winning director Marcel Walz’s upcoming horror/thriller THAT’S A WRAP is scheduled to release on digital platforms on August 25th, 2023 from Quiver Distribution.  Cerina Vincent (Cabin Fever), Monique T. Parent (Jurassic City), Sarah French (Space Wars : The Quest for Deepstar), Gigi Gustin (The Retaliators) and Dave Sheridan (The Devil’s Rejects) star in a film written by Joe Knetter and Robert L. Lucas.

The cast of a film arrive to a wrap party, but someone has dressed up as the slasher in the film, and begins to stage their own kill scenes. One by one, the cast disappear until the true nature of the evening is revealed.

Joe Knetter, Marcel Walz and Sarah French produce, with BJ Mezek, Andreas Tremmel, Justus Heinz, Yazid Benfeghoul,  Tina Limbeck , Robert L. Lucas and Kai E. Bogatzki executive producing.

Says director Walz (Blind, Pretty Boy), “I’m so excited to have a colorful Giallo slasher as the first movie from our own production company, Neon Noir. Everyone involved in this project brought so much love and talent to the table and made the whole process from start to finish something special. I know the audience will see the love in the end product. My favorite film of all time is Wes Craven’s Scream. That’s a Wrap is a fun meta slasher that showcases my love for that series of films combined with my love of Ryan Murphy’s American Horror Story. As a gay director I’m thrilled to have an opportunity to have LGBTQ characters represented in the film. One even plays a key part in a scene that will no doubt get people talking about how that kill is something they’ve never seen before. It’s so ridiculous. I love it.”

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Monique T. Parent in "That's a Wrap" (from her Instagram)

 

Review of “The Flash: The Ninth and Final Season” [Blu-ray]

DVD Review!

THE FLASH: THE NINTH AND FINAL SEASON Blu-Ray DVD cover

The Flash: The Ninth and Final Season” Review by Suzanne 8/22/23

This is one of my favorite TV series, and I’m still in mourning that it ended. However, this season was so great that it almost makes up for it. I just wish the whole series had been as good as season 9. The writing was excellent this whole season, and they really pandered to long time fans (in a good way) by bringing back so many favorite characters like Hartley and Wally (but not Ralph, unfortunately), as well as other Arrowverse characters (especially Oliver). It would have been really nice to see Kara again, though.

The only drawback to the DVD is that there aren’t enough features. There is just the gag reel, some deleted scenes, and an entertaining featurette, “The Flash: The Saga of the Scarlett Speedster,” which is about the legacy of “The Flash” from comic books and TV series (it oddly never mentions the movies). I guess we’ll have to buy the complete series set to get more.

“The Flash” Season 9 delivers an exhilarating and satisfying conclusion to the beloved series, taking fans on an emotional rollercoaster through time, alternate realities, and the very essence of heroism. With a gripping narrative, impressive character development, and the return of familiar faces, this season proves to be a worthy and thrilling final chapter.

The ninth season kicks off with a bang, as Barry Allen faces off against a trio of formidable adversaries: Red Death, Bloodwork, and Cobalt Blue. The stakes are higher than ever as Barry navigates through time loops, alternate timelines, and his own past mistakes. The writers skillfully weave together complex storylines that keep viewers engaged and invested in the characters’ fates.

One of the standout aspects of this season is the exploration of destiny and choice. Barry’s struggle with fate versus free will is beautifully portrayed as he grapples with the idea that some events are predetermined while others are shaped by his decisions. This theme resonates not only with Barry’s journey but also with the overall conclusion of the Arrowverse, creating a profound sense of closure for fans who have followed these characters for years.

The return of familiar faces, including Jay Garrick and Eddie Thawne, adds a nostalgic layer to the season, tying up loose ends and providing heartfelt moments of reflection. The interactions between characters, especially the poignant moments between Barry and Eddie, tug at the heartstrings and remind us of the deep connections that have been built over the course of the series.

The action sequences are as electrifying as ever, showcasing Barry’s super-speed in creative and visually stunning ways. The battles against the season’s antagonists are epic and well-choreographed, creating moments of suspense and awe. The use of the Negative Speed Force as a central plot element adds a unique and intriguing dimension to the superhero dynamics.

The character growth throughout the season is commendable, particularly for supporting characters like Chester and Allegra, who step into their own as heroes. The relationships between characters are given the spotlight, leading to heartwarming resolutions and growth that feel earned and authentic.

The narrative structure, divided into “Graphic Novel” storyline arcs, keeps the pacing engaging and the momentum flowing. Each arc contributes to the overarching plot while also delving into character-driven moments, ensuring a well-rounded viewing experience.

In its final episodes, the season delivers a powerful message about legacy and the impact of a hero’s choices. The decision to introduce new speedsters in the closing moments of the series not only encapsulates the essence of “The Flash” but also leaves the door open for future stories and possibilities.

Overall, “The Flash” Season 9 is a captivating and emotional journey that celebrates the show’s legacy while delivering a fitting and memorable conclusion. With its intricate storytelling, exceptional character development, and pulse-pounding action, this season is a must-watch for fans of the series and the Arrowverse as a whole.

Visit our Flash Page

Buy this DVD

MORE INFORMATION: Promo

cast pic from "The Flash Season 9" promo on The CWTHE FINAL RUN!

THE FLASH: THE NINTH AND FINAL SEASON

COMING TO BLU-RAYTM DISC AND DVD AUGUST 29, 2023

BURBANK, CA (June 1, 2023) – The fast-paced DC Super Hero drama ends its nine-season run as The Flash: The Ninth and Final Season arrives on Blu-rayTM Disc and DVD on August 29, 2023. The action continues through all 13 episodes of the final season along with brand-new bonus content. The season is also available to own on Digital via purchase from digital retailers.

Also available on August 29, is The Flash: The Complete Series on Blu-ray Disc and DVD, which includes 184 episodes from the exhilarating DC series along with hours of bonus content from all nine seasons in one complete set.

After defeating the Reverse Flash once and for all, the ninth season of The Flash picks up one week after their epic battle, and Barry Allen aka The Flash and Iris West-Allen are reconnecting and growing closer than ever. When a deadly group of Rogues descend on Central City, led by a powerful and unknown new threat, The Flash and his team including Meta-Empath Cecile Horton, the light-powered meta, Allegra Garcia, brilliant tech-nerd Chester P. Runk and reformed cryogenics thief Mark Blaine, must once again defy the odds to save the day. But as The Rogues are defeated, a deadly new adversary rises to challenge Barry Allen’s heroic legacy. In their greatest battle yet, Barry and Team Flash will be pushed to their limits, to save Central City one last time.

The Flash stars Grant Gustin (ArrowGlee), Candice Patton (The Game), Danielle Panabaker (Sky High, Friday the 13th), Danielle Nicolet (Central Intelligence), Kayla Compton (Making Moves), Brandon McKnight (The Shape of Water) and Jon Cor (Shadowhunters). Based on the characters from DC, The Flash is produced by Berlanti Productions in association with Warner Bros. Television, with executive producers Greg Berlanti (Arrow, Supergirl, DC’s Legends of Tomorrow, Riverdale), Eric Wallace (Teen Wolf, Z Nation, Eureka), Sarah Schechter (Batwoman, Riverdale, Black Lightning, Supergirl), Jonathan Butler, and Sam Chalsen (Sleepy Hollow).

SPECIAL FEATURES INCLUDE:

  • The Flash: The Saga of the Scarlett Speedster (featurette)
  • Deleted Scenes
  • Gag Reel

The Flash: The Complete Ninth Season and The Flash: The Complete Series will be available to purchase August 29, 2023 on Blu-ray Disc and DVD both online and in-store at major retailers. The series is also available now to purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more.

Pricing and series information:

The Flash: The Ninth and Final Season

Includes 13 one-hour episodes:

  1. Wednesday Ever After
  2. Hear No Evil
  3. Rogues of War
  4. The Mask of the Red Death, Part 1
  5. The Mask of the Red Death, Part 2
  6. The Good, the Bad and the Lucky
  7. Wildest Dreams
  8. Partners in Time
  9. It’s My Party and I’ll Die if I Want To
  10. A New World, Part 1
  11. A New World, Part 2
  12. A New World, Part 3
  13. A New World, Part 4

PRODUCT                                                      SRP

Blu-ray Disc                                                    $29.98 SRP US ($39.99 in Canada)

DVD                                                                $24.98 SRP US ($29.98 in Canada)

Blu-ray Audio: English DTS 5.1

Blu-ray Subtitles: English SDH

DVD Audio: English (5.1) DD

DVD Subtitles: English SDH, Latin Spanish​

Blu-ray and DVD Presented in 16×9 widescreen format

Run Time: Approx. 13 hours

About Warner Bros. Discovery Home Entertainment

Warner Bros. Discovery Home Entertainment (WBDHE) distributes the award-winning movies, television, animation, and digital content produced by Warner Bros. Discovery to the homes and screens of millions through physical Blu-ray Disc™ and DVD retail sales and digital transactions on major streaming, video-on-demand cable, satellite, digital, and mobile channels.  WBDHE is part of Warner Bros. Discovery Content Sales, one of the world’s largest distributors of entertainment programming.

About DC

DC, part of Warner Bros. Discovery, creates iconic characters and enduring stories and is one of the world’s largest publishers of comics and graphic novels. DC’s creative work entertains audiences of every generation around the world with DC’s stories and characters integrated across Warner Bros. Discovery’s film, television, animation, consumer products, home entertainment, games, and themed experiences divisions, and on the DC Universe Infinite digital comic subscription service. Learn more at DC.com.

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

Photo from The CW site for "The Flash"

Primetime TV Review: Battle of the Decades

TV Review!

“Battle of the Decades” Review on by Eva 8/17/2023

This show is a nostalgic look at different decades of cooking starting with the year 2002.

Two chefs from different generations team up to cook. In the first round, the teams have to cook a classic dish using gadgets and ingredients from the year assigned to them. The second round sees the chefs putting their spin on a dish that is viral on the internet. One team is eliminated in each round. The remaining team of two is split up and the two chefs who were once a team put their modern spin on a classic dish. The show has three judges from different generations. The winning chef wins $10,000. The show is hosted by amiable former “All My Children” star and Hallmark movie vet Jonathan Bennett.

The show is fun to watch because the show includes classic commercials, as well as trivia questions from the year which the episode is focused on.

The show airs on the Food Network on Mondays and can be streamed on Max. I give the show 5 out of 5 stars.

More Information:

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Primetime TV Review: Superfan

TV Review!

“Superfan” Review on by Eva 8/14/2023

Superfan is hosted by Nate Burleson (CBS Morning) and Keltie Knight (E! News correspondent).

The first episode featured Superfans of rapper and actor LL Cool J. The contestants play several different trivia games that test how much they know about LL Cool J and, after each round, one contestant is eliminated. The final round has two contestants, and the winner of the show is chosen by the home audience via Twitter voting. The winner of the show gets a day with LL Cool J in which they get backstage passes to his concert, exclusive concert merchandise, and access to one of his recording sessions. The show will feature different stars over seven of the remainder of its eight-episode first season.

In my opinion the show has a lot of problems, the major one is its too boring and slow. The show would be much better if they would just play trivia games to eliminate contestants and get rid of the Twitter vote at the end, there is no need for it.

The other problem is they have two hosts. This game show doesn’t need two hosts. If you have insomnia this show will put you to sleep. The only thing that I like about this show is that the star that is featured in the episode sings a song.

I give this show a 2 out of 5 you can watch the show on CBS or stream it on Paramount+.

More Information:

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Star Trek Wallpaper

Star Trek Desktop Wallpaper

 

“Terra Firma, Part 1” — Ep#309 — Pictured: Michelle Yeoh as Georgiou and Sonequa Martin-Green as Commander Michael Burnham of the CBS All Access series STAR TREK: DISCOVERY. Photo Cr: Michael Gibson/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.

Simply click to see the larger photo, then right-click and go to “Set As Wallpaper” or “Set as Background” on your desktop.

Wallpapers by Suzanne

TOS cast                     Captain Kirk               Spock

thumbnail for "Star Trek" TOS cast wallpaper Captain Kirk wallpaper thumbnail Mr. Spock wallpaper thumbnail

Uhura                          Discovery                   Strange New Worlds

Uhura wallpaper thumbnail "Star Trek: Discovery" wallpaper thumbnail thumbnail for "Star Trek: Strange New Worlds" cast wallpaper

More Star Trek Wallpapers on our older site

 

Pictured: Santiago Cabrera as Rios of the CBS All Access series STAR TREK: PICARD. Photo Cr: James Dimmock/CBS ©2019 CBS Interactive, Inc. All Rights Reserved.

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Star Trek: The Next Generation Trivia Quiz

Star Trek: The Next Generation (TNG) Trivia Quiz

 

"Star Trek: The Next Generation" cast

Star Trek: The Next Generation Trivia Quiz

1. What did Riker acquire in the second season?

a. a wife
b. a guitar
c. a cat
d. a beard
e. all of the above

2. Which villainous aliens are new in TNG?

a. Borg
b. Klingons
c. Romulans
d. Changelings
e. Trill

3. TNG was the first Star Trek series to be which of these things?

a. syndicated first-run
b. colorized from black and white
c. integrated bridge crew
d. streamed on Paramount+
e. remastered for greater clarity

4. What was the Picard family business?

a. racing
b. bartending
c. winemaking
d. teaching
e. writing

5. What was Captain Picard’s favorite beverage?

a. black coffee
b. Earl Grey tea
c. water
d. Saurian brandy
e. orange juice

6. Who was the security chief of the show in season 1?

a. Worf
b. Riker
c. Crusher
d. Tasha
e. Wesley

7. Which character did many fans find annoying?

a. Wesley
b. Worf
c. Geordi
d. Data
e. Beverly

8. Which aliens debuted on TNG before going on to greater prominence in DS9?

a. Klingons
b. Romulans
c. Ferengi
d. Borg
e. Tribbles

9. Which character is most like Pinocchio?

a. Worf
b. Picard
c. Riker
d. Data
e. Wesley

10. Which card game did the crew enjoy playing?

a. Risk
b. Backgammon
c. Blackjack
d. Hearts
e. Poker

ANSWERS

1. d, 2. a, 3. a, 4. c, 5. b, 6. d, 7. a, 8. c, 9. d, 10. e.

 

 

Riker, Shelby, Crusher and Data in "Star Trek: The Next Generation" episode The Best of Both Worlds.

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Star Trek (TOS) Trivia Quiz #2

Original Star Trek Trivia Quiz

 

Spock, McCoy, Scotty and Uhura in "Star Trek"

1. Which creature was featured in the first aired episode?

a. Klingon
b. gorn
c. salt vampire
d. horta
e. Redjac

2. What is the main thing Charlie X, Trelaine and Q all have in common?

a. men
b. humanoid
c. visit the Enterprise
d. have god-like powers
e. all of the above

3. Which one of these is not a change from either of the Star Trek pilots to the main series?

a. short skirts
b. Mr. Spock
c. Dr. McCoy
d. grey uniforms
e. phasers

4. What did the “Ultimate Computer,” Nomad, take away from Uhura?

a. her memory
b. her voice
c. her spirit
d. her legs
e. her hair

5. Before they starting using the names Starfleet or Federation, what did the crew of the Enterprise refer to?

a. Earth
b. Space Central
c. Space Command
d. Star Service
e. all of the above

6. Who had the tallest hair?

a. Uhura
b. Chapel
c. Rand
d. Pike
e. Kirk

7. How many nacelles does the Enterprise have?

a. 2
b. 1
c. 3
d. 5
e. 50

8. How many times did Kirk get someone pregnant (that we know of)?

a. 10
b. 5
c. 1
d. 2
e. 0

9. What was Spock’s childhood pet?

a. tribble
b. targ
c. dog
d. sehlat
e. cat

10. Which Enterprise crew member became and stayed admiral?

a. McCoy
b. Kirk
c. Spock
d. Scotty
e. Sulu

ANSWERS

  1. c, 2. e, 3. b, 4. a, 5. e, 6. c, 7. a, 8. d, 9. d, 10. a.

 

Captain Kirk and Yeoman Rand in "Star Trek"

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Star Trek Trivia Quizzes

Test Your Star Trek Trivia Knowledge!

 

Pictured: Evan Evagora as Elnor of the CBS All Access series STAR TREK: PICARD. Photo Cr: James Dimmock/CBS ©2019 CBS Interactive, Inc. All Rights Reserved.

Star Trek (TOS) Trivia Quiz #1 SUPER EASY!

TOS Trivia Quiz #2

Star Trek: The Next Generation Trivia Quiz

More to come soon!

 

 

Pictured: Jack Quaid as Ensign Boimler of the CBS All Access series STAR TREK: LOWER DECKS. ©2019 CBS Interactive, Inc. All Rights Reserved.

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Star Trek (TOS) Trivia Quiz #1

Easy TOS Trivia Quiz!

 

Captain Kirk and Mr. Spock with 3D chess board in "Where No Man Has Gone Before"

1. What is Captain Kirk’s middle name?

2. What game does Spock like to play?

3. Who does Nurse Chapel have a crush on?

4. What musical talent does Uhura have?

5. According to Chekov, which country invented everything?

6. What does Scotty refer to as his “wee bairns?”

7. Who was Kirk’s predecessor as captain of the Enterprise?

8. Name one of Sulu’s hobbies.

9. Which group of hostile aliens are Captain Kirk’s biggest foes?

10. How long is the Enterprise’s original mission?

ANSWERS:

1. Tiberius
2. chess
3. Spock
4. singing
5. Russia
6. the Enterprise engines
7. Pike
8. fencing, botany, collecting ancient weapons
9. The Klingons
10. 5 years.

 

Star Trek's Kirk, Spock and McCoy

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Review of “Babylon 5: The Road Home”

DVD Review!

 

"Babylon 5: The Road Home" DVD cover

“Babylon 5: The Road Home” Review by Suzanne 8/23/23

I really enjoyed this animated movie that reunites most of the main characters and living actors of the original “Babylon 5” TV series. If I had a tiny quibble, it would be that I wish they had tried to make the characters of John, Delenn, Ivanova, Lochley and Sinclair look more like the actors (Garibaldi, and the aliens, look great!).  This is not to say that the animation isn’t fantastic, because of course it is. I really enjoyed the DVD’s featurette as well as the main movie. It’s sad that so many of the actors have died since then, but they did an excellent job of recreating their characters with new actors.

It’s available to buy on Amazon or other places DVDs are sold, or you can watch it streaming on Prime Video and other outlets.

“Babylon 5: The Road Home” is an awe-inspiring cinematic gem that marks a new and exciting chapter in the Babylon 5 franchise. This 2023 American animated film, produced by Warner Bros. Animation and directed by the talented Matt Peters, takes viewers on an unforgettable journey through time, space, and alternate realities. With a screenplay crafted by the visionary creator of the Babylon 5 universe, J. Michael Straczynski, the film captures the essence of the original series while pushing the boundaries of storytelling in an animated format.

The film’s release brings with it a wave of excitement for fans of the franchise, and it does not disappoint. Seamlessly incorporating cutting-edge CGI animation, “The Road Home” visually resurrects the iconic Babylon 5 universe with remarkable attention to detail. The characters, settings, and spaceships come to life in stunning fidelity, offering a feast for the eyes that pays homage to the series’ aesthetic while infusing it with new vitality.

At its core, the film introduces us to President Sheridan and Delenn at a pivotal moment in their journey, as they set out to develop the Interstellar Alliance after the Shadow War. However, it’s Sheridan’s unexpected encounter with tachyons that sets the stage for an exhilarating narrative. As he becomes unstuck in time and space, the audience is treated to an intricate web of alternate realities, each expertly woven to explore the consequences of different choices and actions.

The animation captures the emotional depth of the characters’ experiences, bringing to life the struggles, dilemmas, and triumphs they face across different timelines. Bruce Boxleitner delivers an outstanding performance as John Sheridan, infusing the character with a palpable sense of determination, vulnerability, and introspection that audiences have come to love.

The film’s strength lies not only in its captivating animation but also in its rich and thought-provoking narrative. As Sheridan navigates through various realities, encountering familiar faces like Susan Ivanova, Londo Mollari, and others, the film invites viewers to ponder profound questions about existence, love, and the interconnectedness of all things.

The exceptional voice cast, including Claudia Christian, Peter Jurasik, Bill Mumy, and more, brings a sense of authenticity and familiarity to the characters, fostering a genuine connection between the audience and the on-screen personas.

“Babylon 5: The Road Home” is a triumphant celebration of the franchise’s legacy, combining the beloved elements that fans adore with fresh and innovative storytelling. The film’s release as a direct-to-video installment makes it accessible to a wide audience, both long-time enthusiasts and newcomers eager to delve into the Babylon 5 universe.

In conclusion, “The Road Home” is a captivating cinematic experience that masterfully captures the essence of Babylon 5 while exploring uncharted territory in the animated format. Its rich storytelling, breathtaking animation, and thought-provoking themes make it a must-watch for anyone seeking a thrilling journey through time, space, and the boundless realms of imagination.

Buy this DVD

 

MORE INFORMATION:

Trailer

The Beloved Sci-Fi Saga Returns in an

Epic Journey Through Space and Time

Babylon 5: The Road Home

Purchase Digitally and 4K Ultra HDTM & Blu-Ray™ August 15

#B5AnimatedMovie

Sheridan and Delenn of "Babylon 5: The Road Home"

BURBANK, CA (June 15, 2023) – The highly anticipated continuation of the beloved series is finally here with an all-new original animated movie! Arriving on August 15, 2023, Babylon 5: The Road Home will be available to purchase Digitally and on 4K Ultra HD and Blu-Ray from Warner Bros. Discovery Home Entertainment. Series creator J. Michael Straczynski returns with a story about the iconic Babylon 5 space station and its inhabitants as they take a journey through the past to determine the future.

Babylon 5 celebrates its 30th anniversary this year and returning to voice their characters from the original series are Bruce Boxleitner as John Sheridan, Claudia Christian as Susan Ivanova, Peter Jurasik as Londo Mollari, Bill Mumy as Lennier, Tracy Scoggins as Elizabeth Lochley, and Patricia Tallman as Lyta Alexander.

The film also stars Paul Guyet (World of Warcraft) as Zathras and Jeffery Sinclair, Anthony Hansen (God of War) as Michael Garibaldi, Mara Junot (Green Lantern: Beware My Power) as Reporter and Computer Voice, Phil LaMarr (Futurama) as Dr. Stephen Franklin, Piotr Michael (Hogwart’s Legacy) as David Sheridan, Andrew Morgado (Doctor Strange in the Multiverse of Madness) as G’Kar, and Rebecca Riedy (Magic: The Gathering Arena) as Delenn. Babylon 5: The Road Home was written and Executive Produced by series creator J. Michael Straczynski. The film was directed by Matt Peters (Batman and Superman: Battle of the Super Sons), Supervising Producer is Rick Morales (Mortal Kombat Legends: Snow Blind) and Executive Producer is Sam Register.

Babylon 5: The Road Home will be available on August 15 to purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more. 4K Ultra HD and Blu-Ray Discs will be available to purchase online and in-store at major retailers. Pre-order your copy now.

SYNOPSIS:

Return to Babylon 5 as the epic interstellar saga continues with The Road Home. Travel across the galaxy with John Sheridan as he unexpectedly finds himself transported through multiple timelines and alternate realities in a quest to find his way back home. Along the way he reunites with some familiar faces, while discovering cosmic new revelations about the history, purpose, and meaning of the Universe.

SPECIAL FEATURES INCLUDE:

Babylon 5 Forever (New Featurette) – join the cast and filmmakers as they reveal the process behind creating the first state-of-the-art, animated adaption of Babylon 5.

Audio Commentary with creator/writer/executive producer J. Michael Straczynski, actor Bruce Boxleitner and supervising producer Rick Morales.

Pricing and film information:

PRODUCT                                                                             SRP

Digital purchase                                                                    $19.99

4K Ultra HD Blu-ray Combo Pack + Digital Version*            $39.99 SRP USA

4K Ultra HD Blu-ray Combo Pack                                       $44.98 SRP Canada

Blu-ray + Digital Version*                                                     $29.98 SRP USA

Blu-ray                                                                               $39.99 SRP Canada

4K/Blu-ray Audio: English, Spanish

4K/Blu-ray Subtitles: English, Spanish, French

Running Time: 78 minutes

Rated: PG-13 for some action/violence

*Digital version not available in Canada

About Warner Bros. Discovery Home Entertainment

Warner Bros. Discovery Home Entertainment (WBDHE) distributes the award-winning movies, television, animation, and digital content produced by Warner Bros. Discovery to the homes and screens of millions through physical Blu-ray Disc™ and DVD retail sales and digital transactions on major streaming, video-on-demand cable, satellite, digital, and mobile channels. WBDHE is part of Warner Bros. Discovery Content Sales, one of the world’s largest distributors of entertainment programming.

About Warner Bros. Animation

Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s current series include Batman: Caped Crusader, Bat- Family, Batwheels, Bugs Bunny Builders, Creature Commandos, Gremlins: Secrets of the Mogwai, Harley Quinn, Jellystone!, Looney Tunes Cartoons, Merry Little Batman, My Adventures with Superman, Noonan’s, Teen Titans Go!, Tiny Toons Looniversity, and Velma. The studio is currently in production with New Line Cinema on the upcoming original anime feature film, The Lord of the Rings: The War of the Rohirrim. WBA’s full-length theatrical film, Teen Titans GO! to the Movies, was released in summer 2018. As home to the iconic animated characters from the DC, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Movies — for DVD, Blu-ray® and digital media. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 40 Emmy® Awards, the George Foster Peabody Award, a BAFTA Children’s Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 21 Annie Awards (honoring excellence in animation).

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

 

The entire "Babylon 5" cast

Primetime TV Review: Worst Cooks in America: Love at First Bite

TV Review!

“Worst Cooks in America:  Love at First Bite” Review on by Eva 8/8/2023

Season 26 of Worst Cooks in America has Chef Ann Burrell and Chef Jeff Mauro teaching a group of sixteen boot camp recruits how to cook. The twist this season is that all the recruits are single and want to learn how to cook so they can find a significant other.

I enjoy watching the show because I like watching the contestants become better cooks each week. I do, however, recommend that the first two weeks you eat before you watch the show because after you watch the food they make, you may not want to eat for a few hours.

This year the Blue Team and the Red Team, known as the Rocking Red Stars, are divided into pairs and the winning pair that cooks a restaurant quality meal will win $ 25,000.

I like this show because it is fun to watch and you get attached to the contestants and want them to learn how to cook. The show lasts 8 episodes and can be streamed on Max.

I give this show 5 out of 5 stars.

More Information:

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Star Trek Transcripts: Where No Man Has Gone Before

TREK title

 

LOS ANGELES - SEPTEMBER 22: Sally Kellerman as Dr. Elizabeth Dehner, James Doohan as Montgomery "Scotty" Scott, Paul Fix as Dr. Mark Piper and George Takei as Lt. Sulu in the STAR TREK episode, "Where No Man Has Gone Before." Season 1, Episode 3. Original air date, September 22, 1966. Image is a frame grab. (Photo by CBS)

Kirk: Captain’s log, Star date 1312.4. The impossible has happened. From directly ahead, we’re picking up a recorded distress signal, the call letters of a vessel which has been missing for over two centuries. Did another Earth ship once probe out of the galaxy as we intend to do? What happened to it out there? Is this some warning they’ve left behind?


SPOCK: Your move, Captain.

KIRK: We should have intercepted by now. The Bridge said they’d call.

SPOCK: I’ll have you checkmated your next move.

KIRK: Have I ever mentioned you play a very irritating game of chess, Mister Spock?

SPOCK: Irritating? Ah, yes. One of your Earth emotions.

KIRK: Certain you don’t know what irritation is?

SPOCK: The fact one of my ancestors married a human female…

KIRK: Terrible having bad blood like that.

KELSO: Bridge to briefing lounge. Object is now within tractor beam range.

KIRK: No visual contact, Mister Kelso?

KELSO: No, sir. It’s too small to be a vessel. It only reads about one meter in diameter.

SPOCK: Not large enough even for a lifeboat.

KELSO: Small enough to bring it aboard, sir, if you want to risk it.

KIRK: Lock onto it, Mister Kelso.


SCOTT: Materializer ready, sir.

KIRK: Bring it aboard. Old-style ship recorder that could be ejected when something threatened the ship.

SPOCK: More like destroyed the ship in this case. Look at it. Burnt, pitted.

KIRK: Let’s hope its tapes are intact. We’ll feed it through Mister Spock’s computer.

SCOTT: Yes, sir. It’s begun transmitting, sir.

KIRK: Flash the Bridge. Put all decks on the alert.


MITCHELL: Hold it, Jim.

KIRK: Getting into shape?

MITCHELL: Yeah, well, I figured you weren’t on the Bridge. Kelso’s voice sounded a little nervous. Well, uh, you finish the game?

SPOCK: He played most illogically. His next move should have been the rook.


MITCHELL: You’re relieved, Mister Alden.

ALDEN: Acknowledged, Mister Mitchell.

KIRK: Screen on.

KELSO: Screen on, sir. Approaching galaxy edge, sir.

KIRK: Neutralize warp, Mister Mitchell. Hold this position.

MITCHELL: Neutralize warp, sir.

KIRK: Address intercraft.

MITCHELL: Intercraft open.

KIRK: This is the Captain speaking. The object we encountered is a ship’s disaster recorder, apparently ejected from the S.S. Valiant two hundred years ago.

SPOCK: The tapes are burnt out. Trying the memory banks.

KIRK: We hope to learn from the recorder what the Valiant was doing here and what destroyed the vessel. We’ll move out into our probe as soon as we have those answers. All decks, stand by.

MITCHELL: Department heads, sir. You wanted everybody on the Bridge before we left the galaxy. Jones.

SMITH: The name’s Smith, sir.

SULU: Astro sciences standing by, Captain.

SCOTT: Engineering division ready, as always.

PIPER: Life sciences ready, sir. This is Doctor Dehner, who joined the ship at the Aldebaran colony.

DEHNER: Psychiatry, Captain. My assignment is to study crew reaction in emergency conditions.

SPOCK: Getting something from the recorder now.

DEHNER: lf there was an emergency, I’d be interested in how that crew reacted, too.

MITCHELL: Improving the breed, Doctor? Is that your line?

DEHNER: I heard that’s more your specialty, Commander, line included.

MITCHELL: Walking freezer unit.

SPOCK: Decoding memory banks. I’ll try to interpolate. The Valiant had encountered a magnetic space storm and was being swept in this direction.

KIRK: The old impulse engines weren’t strong enough.

SPOCK: Swept past this point, about a half light year out of the galaxy, they were thrown clear, turned, and headed back into the galaxy here. I’m not getting it all… The tapes are pretty badly burned. Sounds like the ship had encountered some unknown force. Now, orders, counter orders, repeated urgent requests for information from the ship’s computer records for anything concerning ESP in human beings.

KIRK: Extrasensory perception. Doctor Dehner, how are you on ESP?

DEHNER: In tests I’ve taken, my ESP rated rather high.

KIRK: I’m asking what you know about ESP.

DEHNER: It is a fact that some people can sense future happenings, read the backs of playing cards and so on, but the esper capacity is always quite limited.

SPOCK: Severe damage. Seven crewmen dead. No, make that six. One crewman seemed to have recovered. That’s when they became interested in extrasensory perception. More than interested, almost frantic about it. No, this must be garbled. I get something about destruct. I must have read it wrong. It sounded like the captain giving an order to destroy his own ship.

KIRK: Comments?

PIPER: The only fact we have for sure is that the S.S. Valiant was destroyed.

KIRK: That’s probably the best argument to continue the probe. Other vessels will be heading out here someday and they’ll have to know what they’ll be facing. We’re leaving the galaxy, Mister Mitchell. Ahead, warp factor one.

SPOCK: Force field of some kind.

MITCHELL: We’re coming up on it fast.

SPOCK: Sensor beam on.

KELSO: Sensor beam on, sir.

SPOCK: Deflectors full intensity.

KELSO: Deflectors full intensity.

SPOCK: Deflectors say there’s something there; sensors say there isn’t. Density negative. Radiation negative. Energy negative.

KELSO: Whatever it is, contact in twelve seconds.

KIRK: Gravitation on automatic. Emergency stations. All decks on fire alert. Neutralize controls. Kelso, put it on manual. Any radiation? Anything?

SPOCK: Negative!

KIRK: Helmsmen, take us out of here. Helmsmen!  Lateral power! Take damage reports.

SPOCK: Damage control reports, all stations!

CREWMAN: Gravity control switching to batteries.

DEHNER: Something hit me, like an electrical charge.

PIPER: He’s alive. Appears to be in shock.

CREWMAN: Engineering Deck Three, can you give damage report?

CREWMAN 2: Sensor beams. Full power on the deflectors.

SPOCK: Main engines are out, sir. We’re on emergency power cells. Casualties: nine dead.

CREWMAN: Gravity is down to point eight.

CREWMAN 2: All decks, this is Bridge Engineering. Due to emergency conditions…

KIRK: Gary. Gary, are you all right?

MITCHELL: I’m a little weak for some reason, Jim, but I feel all right now.


KIRK: Captain’s log, Star date 1312.9. Ship’s condition: heading back on impulse power only. Main engines burned out. The ship’s space warp ability gone. Earth bases which were only days away are now years in the distance. Our overriding question now is, what destroyed the Valiant? They lived through the barrier, just as we have. What happened to them after that?


DEHNER: Autopsy report, sir. Each case showed damage to the body’s neural circuit. An area of the brain was burned out.

KIRK: And you… are you feeling all right?

DEHNER: Yes. Mitchell, too, except for his eyes. We’re trying to find a reason for that now, and why, out of our whole crew, only certain people were affected.

SPOCK: I think we’ve found that answer, Doctor.

KIRK: You mentioned that tests show you have a high degree of extrasensory perception. So do the records of the others. Gary Mitchell has the highest esper rating of all.

DEHNER: lf you’re suggesting there’s anything dangerous…

SPOCK: Before the Valiant was destroyed, its captain was frantically searching for ESP information on his crew.

DEHNER: Espers are simply people with flashes of insight.

SPOCK: Are there not also those who seem to see through solid objects, cause fires to start spontaneously?

DEHNER: There’s nothing about it that could possibly make a person dangerous.

SPOCK: Doctor Dehner is speaking of normal ESP power.

DEHNER: Perhaps you know of another kind?

KIRK: Do we know for sure, Doctor, that there isn’t another kind?


MITCHELL: Hello, Jim. Hey, you look worried.

KIRK: I’ve been worried about you ever since that night on Deneb IV.

MITCHELL: Yeah, she was nova, that one. Not nearly as many after-effects this time, except for the eyes. They kind of stare back at me when I’m shaving.

KIRK: Do you feel any different?

MITCHELL: Well, in a way, I feel better than I’ve ever felt before in my life. Actually seems to have done me some good.

KIRK: How?

MITCHELL: Well, I’m getting a chance to read some of that longhair stuff you like. Hey man, I remember you back at the Academy. A stack of books with legs. The first thing I ever heard from an upperclassman was, “Watch out for Lieutenant Kirk. In his class, you either think or sink.”

KIRK: I wasn’t that bad, was I?

MITCHELL: If I hadn’t aimed that little blonde lab technician at you…

KIRK: You what? You planned that?

MITCHELL: Well, you wanted me to think, didn’t you? I outlined her whole campaign for her.

KIRK: I almost married her!

MITCHELL: Better be good to me. I’m getting even better ideas here.

KIRK: You? Spinoza?

MITCHELL: Once you get into him, he’s rather simple though. Childish, almost. I don’t agree with him at all.

KIRK: Go on.

MITCHELL: Hey, I’m trying to tell you I feel fine. When do I go back on duty?

KIRK: I’m going to ask Doctor Dehner to keep you under observation for a while.

MITCHELL: With almost a hundred women on board, you can do better than that, friend Captain.

KIRK: Consider it a challenge.

MITCHELL: That doesn’t seem very friendly. Didn’t I say you’d better be good to me?


SPOCK: He’s reading even faster now than just a few moments ago. Is that Gary Mitchell, the one you used to know?

KIRK: Put a twenty-four-hour watch on the Sickbay. Fullest possible range of examinations and tests.


PIPER: Perfect, perfect. I’ve never had a patient like you, Gary. Even the healthiest are generally off on some reading.

DEHNER: I know you don’t particularly like me, Mister Mitchell, but since I am assigned here, can we make the best of it?

MITCHELL: I’ve got nothing against you, Doctor.

DEHNER: Nor against the walking freezer unit?

MITCHELL: Well, I… sorry about that.

DEHNER: Women professionals do tend to overcompensate. Now let’s talk about you. How do you feel?

MITCHELL: You know, everybody– everybody seems worried that I don’t have some kind of fever or something. Maybe if we could just change these dials… Now back to normal, I think.

DEHNER: How did you do that?

MITCHELL: I’m not sure… I– I just thought of making it happen, and it does. It’s… hey, er, hey, watch this, Doc.

DEHNER: Stop it. Stop it! You were dead for almost twenty two seconds. There were no readings at all.

MITCHELL: Yeah. Oh, boy. You– you know, Doc, there have been other things, too, like going halfway through the ship’s library in hardly a day. Yeah. Oh, what’s happening to me?

DEHNER: Do you remember everything you read that quickly?

MITCHELL: Yeah.

DEHNER: On any tape?

MITCHELL: Sure. Yeah.

DEHNER: Try this one.

MITCHELL: Yeah.

DEHNER: Page three eighty seven.

MITCHELL: My love has wings. Slender, feathered things with grace in upswept curve and tapered tip. The Nightingale Woman, written by Phineas Tarbolde on the Canopius planet back in 1996. It’s funny you picked that one, Doctor.

DEHNER: Why?

MITCHELL: That’s one of the most passionate love sonnets of the past couple of centuries. How do you feel, Doctor?

DEHNER: What?

MITCHELL: How do you feel?

DEHNER: I just fell. Nothing happened.

MITCHELL No? Are you sure? Are you sure?

KELSO: Er, I was on my coffee break. I thought I’d check up on

MITCHELL Yeah, that’s okay, Lee, come on in. Don’t let the light in my eyes bother you, pal. It’s all for our– our good-looking lady doctor here.

KELSO: Yeah. Sure.

MITCHELL: So, er, so, how go the repairs?

KELSO: Well, the main engines are gone, unless we can find some way to re-energize them.

MITCHELL: You’d better check the starboard impulse packs. Those points have about decayed to lead.

KELSO: Oh, yeah, sure, Mitch.

MITCHELL: I’m not joking, Lee! You activate those packs, and you’ll blow the whole impulse deck.

KELSO: I’ll, er, I’ll get on it right away. I just wanted to stop by and make sure you were okay. See you later.

MITCHELL: He’s a fool. A fool. He’d seen those points and he hadn’t noticed their condition.

DEHNER: How do you know?

MITCHELL: The image of what he’d seen was still in his mind.


KELSO: Well, it didn’t make any sense that he’d know, but naturally, I checked out the circuit anyway. I don’t know how, but he was right. This point is burned out exactly the way he described it.

DEHNER: Sorry I’m late. I became so interested in observing Gary– Mister Mitchell.

SPOCK: Our subject is not Gary Mitchell. Our concern is, rather, what he is mutating into.

DEHNER: I know those from your planet aren’t suppose to have feelings like we do, Mister Spock, but to talk that way about a man you’ve worked next to for years is worse than–

KIRK: That’s enough, Doctor.

DEHNER: I don’t think so. I understand you least of all. Gary told me that you’ve been friends since he joined the service; that you asked for him aboard your first command.

KIRK: It is my duty, whether pleasant or unpleasant, to listen to the reports, observations, even speculations, on any subject that might affect the safety of this vessel, and it’s my science officer’s duty to see I’m provided with that. Go ahead, Mister Spock.

SPOCK: Have you noted evidence of unusual powers?

DEHNER: He can control certain autonomic reflexes. He reads very fast, retains more than most of us might consider usual.

KIRK: Mister Scott, would you repeat what you just told us?

SCOTT: About an hour ago, the Bridge controls started going crazy. Levers shifting by themselves, buttons being pushed, instrument readings changing.

SPOCK: And on my monitor screen I could see Mitchell smiling each time it happened, as if this ship and crew were almost a toy for his amusement.

KIRK: Are they right, Doctor? Has he shown abilities of such magnitude?

DEHNER: I saw some such indications.

KIRK: And you didn’t think it worth mentioning?

DEHNER: No one’s been hurt, have they? Don’t you understand? A mutated superior man could also be a wonderful thing. The forerunner of a new and better kind of human being.

KIRK: Mister Sulu.

SULU: If you want the mathematics of this, Mitchell’s ability is increasing geometrically. That is, like having a penny, doubling it every day. In a month, you’ll be a millionaire.

SPOCK: In less time than that, he will have attained powers we can’t understand and can’t cope with. Soon we’ll be not only useless to him, but actually an annoyance.

KIRK: There’ll be no discussion of this with the crew. Thank you.

SPOCK: We’ll never reach an Earth base with him aboard, Jim. You heard the mathematics of it. In a month he’ll have as much in common with us as we’d have with a ship full of white mice.

KIRK: I need a recommendation, Spock, not vague warnings.

SPOCK: Recommendation one. There’s a planet a few light days away from here. Delta Vega. It has a lithium cracking station. We may be able to adapt some of its power packs to our engines.

KIRK: And if we can’t? We’ll be trapped in orbit there. We haven’t enough power to blast back out.

SPOCK: It is the only possible way to get Mitchell off this ship.

KIRK: If you mean strand Mitchell there, I won’t do it. That station is fully automated. There’s not a soul on the whole planet. Even the ore ships call only once every twenty years.

SPOCK: Then you have one other choice. Kill Mitchell while you still can.

KIRK: Get out of here.

SPOCK: It is your only other choice, assuming you make it while you still have time.

KIRK: Will you try for one moment to feel? At least act like you’ve got a heart. We’re talking about Gary.

SPOCK: The captain of the Valiant probably felt the same way, and he waited too long to make his decision. I think we’ve both guessed that.

KIRK: Set course for Delta Vega.


KIRK: Star date 1313.1. We’re now approaching Delta Vega. Course set for a standard orbit. This planet, completely uninhabited, is slightly smaller than Earth. Desolate, but rich in crystal and minerals. Kelso’s task: transport down with a repair party, try to regenerate the main engines, save the ship. Our task: transport down a man I’ve known for fifteen years, and if we’re successful, maroon him there.


MITCHELL: I’m thirsty. It’s like a man who has been blind all of his life, suddenly being given sight. Sometimes I feel there’s nothing I couldn’t do, in time. Some people think that makes me a monster, don’t they, Jim?

KIRK: Are you reading all our thoughts, Gary?

MITCHELL: I can sense mainly worry in you, Jim. Safety of your ship.

KIRK: What would you do in my place?

MITCHELL: Probably just what Mister Spock is thinking now. Kill me while you can.

DEHNER: Stop it, Gary!

MITCHELL: I also know we’re orbiting Delta Vega, Jim. I can’t let you force me down there. I may not want to leave this ship, not yet. I may want another place. I’m not sure yet just what kind of a world I can use.

DEHNER: Use?

MITCHELL: I don’t understand it all yet, but if I keep growing, getting stronger, why, the things I could do, like– like maybe a god could do.

KIRK: I want him unconscious for a while.


MITCHELL: You fools! Soon I’ll squash you like insects.

KIRK: Energize.


KIRK: Can you do it, Lee?

KELSO: Maybe, if we can bypass the fuel bins without blowing ourselves up.

KIRK: Take him.

DEHNER: There’s not a soul on this planet but us?

KIRK: Nobody but us chickens, Doctor.


ALDEN: I think I’ve got the 203-R set, Lee.

KELSO: Good, Alden. Transport it up with you, will you?

ALDEN: Okay.

KIRK: The fuel bins, Lee. Could they be detonated from here?

KELSO: A destruct switch? I guess I could wire one up right there.

KIRK: Do it.

SPOCK: He’s regaining consciousness.


KIRK: Doctor Piper. I want only one medical officer here at any one time. The other will monitor him on the dispensary screen.

DEHNER: I’d like to stay now… try to talk to him.

MITCHELL: My friend James Kirk. Remember those rodent things on Dimorus? The poisoned darts they threw? I took one meant for you.

KIRK: And almost died. I remember.

MITCHELL: So why be afraid of me now?

KIRK: You’ve been testing your ability to take over the Enterprise. In the transporter room, you said something about us seeming like insects by comparison, squashing us if we got in your way.

MITCHELL: I was drugged then.

KIRK: Yes. In the Sickbay, you said if you were in my place, you’d kill a mutant like yourself.

MITCHELL: Why don’t you kill me then? Mister Spock is right, and you’re a fool if you can’t see it.

DEHNER: You don’t mean that, Gary.

MITCHELL: Man cannot survive if a race of true espers is born. In time you’ll understand that.

KIRK: Gary. Gary, don’t!

MITCHELL: Jim.

KIRK: His eyes went back to normal.

SPOCK: Fighting the force field drained his strength, for a while at least. He could be handled now.

MITCHELL: I’ll just keep getting stronger. You know that, don’t you.


SCOTT: It fits like a glove, Captain.


SCOTT: Oh, did Mister Spock get the phaser rifle we sent down?

KIRK: I didn’t order an– Affirmative. Landing party out.

SPOCK: He tried to get through the force field again. His eyes changed back faster. He didn’t become as weak.

KIRK: Doctor Dehner feels he isn’t that dangerous. What makes you right and a trained psychiatrist wrong?

SPOCK: Because she feels. I don’t. All I know is logic. In my opinion we’ll be lucky if we can repair this ship and get away in time.

KELSO: Direct to the power bins. From here you could blow up this whole valley.

KIRK: If Mitchell gets out, at your discretion, Lee, if sitting here, you think you’re the last chance, I want you to hit that button.


KIRK: Captain’s log, Star date 1313.3. Note commendations on Lieutenant Kelso and the engineering staff. In orbit above us, the engines of the Enterprise are almost fully regenerated. Balance of the landing party is being transported back up. Mitchell, whatever he’s become, keeps changing, growing stronger by the minute.


DEHNER: He’s been like that for hours now.

KIRK: Have Doctor Piper meet us in the control room with Kelso. We’ll all transport up together.

SPOCK: If he should try to stop us…

KIRK: Kelso will be on the destruct button until the last minute. I think he knows that.

DEHNER: I’m staying behind with him.


KELSO: Fission chamber three checks out. The station seems to be running fine.

SCOTT: You’re a talented thief, Kelso. Everything you sent up seems to be fitting in place.

KELSO: I’m kind of proud of the job we’ve done. We’re going to be ready to transport up–


KIRK: You’re leaving with the ship, Doctor.

DEHNER: He is not evil.

KIRK: I gave you an order, Doctor.

MITCHELL: You should have killed me while you could, James. Command and compassion is a fool’s mixture.

PIPER: It hit me, too, whatever it was. Kelso is dead, strangled. At least Spock’s alive.

KIRK: Doctor Dehner?

PIPER: She went with Mitchell.

KIRK: Don’t give him a pill until after I’m gone. It’s my fault Mitchell got as far as he did. Did you see their direction?

PIPER: Yes, there was some morning light. They were headed across the valley, to the left of the pointed peaks. There’s flatlands beyond.

KIRK: When Mister Spock recovers, you’ll both transport up immediately to the Enterprise.

PIPER: But Captain–

KIRK: If you have not received a signal from me within twelve hours, you’ll proceed at maximum warp to the nearest Earth base with my recommendation that this entire planet be subjected to a lethal concentration of neutron radiation. No protest on this, Mark. That’s an order.


DEHNER: It would take almost a miracle to survive here.

MITCHELL: Then I shall make one. Behold. You’ll soon share this feeling, Elizabeth. To be like God, to have the power to make the world anything you want it to be.

DEHNER: What’s wrong?

MITCHELL: A visitor. A very foolish man. You’ll enjoy being a god, Elizabeth. Blasphemy? No. Let there be food. Kaferian apples. Whenever we visited that planet, I always favored these. Can you hear me, James? You cannot see me. I’m not there. You follow the right path, James. You’ll come to me soon.

DEHNER: I can see him in my mind, too.

MITCHELL: Go to him, Elizabeth, talk to him. Now that you’re changing, I want you to see just how unimportant they are.

DEHNER: Yes, it just took a little longer for it to happen to me.

KIRK: You must help me… Before it goes too far.

DEHNER: What he’s doing is right for him and me.

KIRK: And for humanity? You’re still human…

DEHNER: No, I–

KIRK: At least partly, you are, or you wouldn’t be here talking to me.

DEHNER: Earth is really unimportant. Before long, we’ll be where it would have taken mankind millions of years of learning to reach.

KIRK: What will Mitchell learn in getting there? Will he know what to do with his power? Will he acquire the wisdom?

DEHNER: Please go back while you still can.

KIRK: Did you hear him joke about compassion? Above all else, a god needs compassion. Mitchell! Elizabeth.

DEHNER: What do you know about gods?

KIRK: Then let’s talk about humans, about our frailties. As powerful as he gets, he’ll have all that inside him.

DEHNER: Go back.

KIRK: You were a psychiatrist once. You know the ugly, savage things we all keep buried, that none of us dare expose. But he’ll dare. Who’s to stop him? He doesn’t need to care. Be a psychiatrist for one minute longer. What do you see happening to him? What’s your prognosis, Doctor?

DEHNER: He’s coming.

KIRK: Then watch him. Hang on to being a human for one minute longer.

MITCHELL: I’m disappointed in you, Elizabeth. I’ve been contemplating the death of an old friend. He deserves a decent burial, at least.

DEHNER: Stop it, Gary.

MITCHELL: Morals are for men, not gods.

KIRK: A god, but still driven by human frailty. Do you like what you see?

MITCHELL: Time to pray, Captain. Pray to me.

KIRK: To you? Not to both of you?

MITCHELL: Pray that you die easily.

KIRK: There’ll only be one of you in the end. One jealous god.  If all this makes a god, or is it making you something else?

MITCHELL: Your last chance, Kirk.

KIRK: Do you like what you see? Absolute power corrupting absolutely.

DEHNER: Hurry. You haven’t much time.

KIRK: Gary, forgive me.

MITCHELL: For a moment, James, but your moment is fading.

DEHNER: I’m sorry. You can’t know what it’s like to be almost a god.

KIRK: Enterprise from Captain Kirk, come in.


KIRK: Captain’s log, Star date 1313.8. Add to official losses, Doctor Elizabeth Dehner. Be it noted she gave her life in performance of her duty. Lieutenant Commander Gary Mitchell, same notation. I want his service record to end that way. He didn’t ask for what happened to him.

SPOCK: I felt for him, too.

KIRK: I believe there’s some hope for you after all, Mister Spock.

 

LOS ANGELES - SEPTEMBER 22: Gary Lockwood as Lt. Cmdr. Gary Mitchell and Sally Kellerman as Dr. Elizabeth Dehner in the STAR TREK episode, "Where No Man Has Gone Before." Season 1, Episode 3. Original air date, September 22, 1966. Image is a frame grab. (Photo by CBS)

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Transcripts taken from Chrissie’s Transcripts Site and modified.

Star Trek Transcripts: Charlie X

Star Trek: Charlie X Transcript

 

LOS ANGELES - SEPTEMBER 15: Robert Walker Jr. as Charlie Evans and William Shatner as Captain James T. Kirk in the STAR TREK episode, "Charlie X." Season 1, episode, 2. Original air date September 15, 1966. Image is a screen grab. (Photo by CBS)

KIRK: Captain’s Log, star date 1533.6. Now maneuvering to come alongside cargo vessel Antares. Its Captain and First officer are beaming over to us with an unusual passenger.


KIRK: All right, Chief, begin materialization. Captain Ramart, I’m Captain Kirk.

RAMART: This is my navigator Tom Nellis.

KIRK: How do you do?

NELLIS: How do you do?

RAMART: And this is our young castaway Charlie, Charlie Evans. His dossier.

KIRK: Mister Evans. We’ve heard a great deal about you. Welcome aboard.

RAMART: Wonderful boy, Charlie. Its been an honor having him aboard.

NELLIS: Why, it’s been a great pleasure. The things that he’s learned in the last

RAMART: Absolutely. To think this boy spent practically his whole life alone on that planet. Everyone killed; just a few microtapes to learn from.

CHARLIE: How many humans like me on this ship?

RAMART: Like a whole city in space, Charlie. Over four hundred in the crew of a starship, aren’t there, Captain?

KIRK: Four hundred and twenty eight, to be exact. Is there anything we can do for you, Captain? Medical supplies, provisions?

CHARLIE: Hundreds. All human, like me. That’s exciting. Is that the right word?

NELLIS: That’s perfect. It’s the exact word.

RAMART: You see, we’d like to keep Charlie with us, but with his closest living relatives on Colony Five and your vessel going that way, why–

CHARLIE: I’d like to see your ship now. All of it. The people and everything.

KIRK: You keep interrupting, Mister Evans. That’s considered wrong.

CHARLIE: I’m sorry.

KIRK: We have a large supply of entertainment tapes, gentlemen.

RAMART: No, we’ve a tight schedule to make, Captain. Just twenty of us, we’re making out fine.

KIRK: This must be a space first. A transport ship that doesn’t need anything?

RAMART: Nothing.

KIRK: Not even Saurian brandy?

RAMART: We’re fine, thank you. Pleasant journey, Captain.

KIRK: Thank you.  Yeoman Rand, this is Charles Evans. Show him to his quarters and drop his records off at Doctor McCoy’s office, if you will?

RAND: Yes, sir. Come with me, please.

CHARLIE: Are you a girl? Is that a girl?

KIRK: That’s a girl.


KIRK: Captain’s Log, star date 1533.7. We have taken aboard an unusual passenger for transport to Colony Alpha Five: Charles Evans, the sole survivor of a transport crash fourteen years ago. The child, alone from age three, has not only survived, but has grown to intelligent, healthy adolescence.


MCCOY: Tell me….The ship’s supply of food concentrates couldn’t have lasted fourteen years.

CHARLIE: After that I found other things to eat, just growing around.

MCCOY: And you learned to talk by just listening to the ship’s tapes?

CHARLIE: The memory banks still worked. They talked to me, and I talked back.

MCCOY: You’re four-oh.

CHARLIE: Four?

MCCOY: Four-oh. One hundred percent. Sound of wind and limb.

CHARLIE: That, that Captain. Kirk?

MCCOY: Yeah.

CHARLIE: Why does he call me Mister Evans?

MCCOY: Because that’s your name.

CHARLIE: He’s not.. well, he isn’t like Captain Ramart.

MCCOY: Well, no. Captain Kirk is one of a kind, Charlie.

CHARLIE: Do you like me?

MCCOY: Why not?

CHARLIE: Some… the other ship…. they didn’t like me. I tried. I’m trying to make people like me. I want them to like me.

MCCOY: Most seventeen year olds do. Come on, let’s go. I’ll show you to your quarters.


CREWMAN 1: Hey, I’ll put the equipment away. See you in the rec room, huh?

CREWMAN 2: You got a deal, friend.

CREWMAN 1: All right. Hello.

CHARLIE: I brought you a present.

RAND: Oh, thank you. I really appreciate it, but– but I have to go. I’m on duty.

CHARLIE: Do you like that kind?

RAND: Yes, I… it’s my favorite. Where did you get it? They don’t have any in the ship’s stores.

CHARLIE: It’s a present.

RAND: I know, but where did…? Gee, I’m late, Charlie. I really have to go.

CHARLIE: Can’t you stay and talk a little while?

RAND: Look, I’m off duty at fourteen hundred. Why don’t you join me in recreation room six, Deck Three.

CHARLIE: You got a deal, friend.

RAND: Charlie!

CHARLIE: I thought… Don’t be angry. I didn’t– I wanted–

RAND: Charlie, you– you– you just don’t go around slapping girls on the– It’s okay, but er, just don’t do it again.

CHARLIE: Don’t be angry.

RAND: Look, why don’t you tell Captain Kirk or Doctor McCoy what you did. They’ll explain it to you. Okay?

CHARLIE: I will.

RAND: Okay.


MCCOY: But tell me, what reason would he have to lie if there are Thasians?

SPOCK: That is a very intriguing question. Scanners show no disturbances in this quadrant, Captain.

KIRK: Good. Doctor McCoy, Mister Spock is working out–

UHURA: Excuse me, Captain. Status report.

KIRK: Thank you. He’s working out a training program for Charlie Evans. Earth history, his own background, that sort of thing. I’d like you to give him the necessary medical orientation on the problems of, um, er, adolescence.

MCCOY: Well, don’t you think it’d be better for a strong father image like you? He already looks up to you.

KIRK: The job is yours, Bones. Flattery will get you nowhere.

SPOCK: Doctor, didn’t the boy make any reference at all to Thasians?

KIRK: Do you believe the legend, Mister Spock, that Thasians still exist on that planet in some form?

SPOCK: Charlie’s very existence proves in fact there must be some intelligent form of life on Thasus. He could not possibly have survived alone. The ship’s food concentrates would have been exhausted in a year or so.

MCCOY: By which time he would have been eating fruits, vegetables.

SPOCK: Probes of Thasus indicate very little edible plant life.

MCCOY: And probes have been known to be wrong, Spock.

MCCOY: Doctor, are you speaking scientifically or emotionally?

KIRK: Gentlemen, the fact is the boy is here, and he’s alive, and he needs our help.

MCCOY: And he needs a guide, and he needs a father image, Jim.

KIRK: Hmm. I’ll depend on your astute abilities to supply him with that, or find him one.


UHURA: I’m sorry. I did it again, didn’t I.

UHURA: Oh, on the starship Enterprise There’s someone who’s in Satan’s guise Whose devil ears and devil eyes Could rip your heart from you. At first, his look could hypnotize And then his touch would barbarize His alien love could victimize And rip your heart from you. And that’s why female astronauts, Oh, very female astronauts Wait terrified and overwrought To find what he will do. Oh, girls in space, be wary, be wary, be wary, Girls in space, be wary. We know not what he’ll do.

RAND: One more time!

UHURA: Now from a planet out in space, there comes a lad, not commonplace. A-seeking out his first embrace. He’s saving it for you. Oh, Charlie’s our new darling, our darling, our darling. Charlie’s our new darling. We know not what he’ll do.


CHARLIE: Want to see something? Turn them over.

RAND: Well, how did you do that?

CHARLIE: Oh, I can do a lot of card tricks. One of the men on the Antares showed me.

RAND: I don’t believe this!


KIRK: On Earth today, it’s Thanksgiving. If the crew has to eat synthetic meat loaf, I want it to look like turkey. Charlie.

CHARLIE: Captain? I’m supposed to ask you something. Why shouldn’t I…? I don’t know how to explain it….

KIRK: Say it right out, Charlie. That usually works.

CHARLIE: Well, in the corridor I saw– When Janice– when Yeoman Rand was… I did that to her. She didn’t like it. She said you’d explain it to me.

KIRK: Me. I see. Well, um, er… there are things you can do with a lady, er… Charlie, that you– er… There’s no right way to hit a woman. I mean, man to man is one thing, but, er… man and woman, er… it’s, er… it’s– er… Well, it’s– er… another thing. Do you understand?

CHARLIE: I don’t know.

UHURA: Captain Kirk.

KIRK: Excuse me. Kirk here.

UHURA: Captain Ramart of the Antares is on D channel.

KIRK: I’m on my way to the Bridge now.

CHARLIE: Can I come with you?

KIRK: I don’t think so, Charlie.

CHARLIE: I won’t get in the way.

KIRK: Okay.


UHURA: Can you boost your power, Antares. We’re barely reading your transmission.

RAMART: We’re at full output, Enterprise. I must speak to Captain Kirk.

KIRK: Kirk here, Captain Ramart.

RAMART: Captain, we’re just barely in range. I’ve got to warn…

KIRK: Re-establish contact.

UHURA: They’re not transmitting.

KIRK: Keep trying.

CHARLIE: It wasn’t very well constructed.

KIRK: Sweep the area of the Antares transmission with our probe scanners, Mister Spock.

SPOCK: Affirmative, Captain.

KIRK: You think something happened to the Antares, Charlie?

CHARLIE: I don’t know.

SPOCK: Picking up some debris on our scanners, Captain.

KIRK: What about the Antares?

SPOCK: The debris is what’s left of the Antares.

CHEF: Captain Kirk from ship’s Galley.

KIRK: Kirk here.

CHEF: Sir, I put meat loaf in the ovens. There’s turkeys in there now. Real turkeys.

KIRK: Chief, have you been


KIRK: Captain’s Log, star date 1535.8. UESPA headquarters notified of the mysterious loss of science probe vessel Antares.


SPOCK: Your mind is not on the game, Captain. Check. The Antares?

KIRK: A survey ship with twenty men aboard lost. No reason. Obviously, Captain Ramart was not aware of any trouble. I can’t figure it.

SPOCK: My own concern is more immediate. The boy.

KIRK: I can usually follow you, Mister Spock, but this time…?

SPOCK: He seemed to know what happened to the Antares before we did.

KIRK: I’d call it a pretty long reach for evidence, Mister Spock. Come in, Charlie.

SPOCK: And again, check.

KIRK: Checkmate.

SPOCK: Your illogical approach to chess does have its advantages on occasion, Captain.

KIRK: I prefer to call it inspired.

SPOCK: As you wish. At any rate, the game is yours.

KIRK: You play chess, Charlie?

CHARLIE: Oh, I– I watched them play on the Antares. Can I try?

KIRK: I place you in the hands of our chess master.

SPOCK: The principles of three-dimensional chess are basically mathematic, Charlie. You put the white here and the black on the secondary level.

CHARLIE: I know what it is. Let’s play.

SPOCK: Very well. That was a mistake, Charlie.

CHARLIE: No, it wasn’t.

SPOCK: Checkmate.

CHARLIE: No, it isn’t.

SPOCK: If you’ll excuse me.


RAND: Oh, Charlie. I was looking for you. I’d like you to meet Tina Lawton, Yeoman Third Class. Charlie Evans.

TINA: Hello, Charlie.

RAND: I thought you might enjoy meeting someone your own age.

CHARLIE: Can I talk to you, alone…?

RAND: Charlie, Tina’s–

TINA: Excuse me. I must be wanted somewhere.

RAND: That was– that was rude and completely uncalled-for.

CHARLIE: But I don’t need her. I want to talk to you.

RAND: That’s no excuse. You’d better learn that right now. You have to live with people, Charlie. You’re not alone anymore.

CHARLIE: But she’s not as– She doesn’t– She’s not the same. Not like you. She’s– she’s just a girl. You’re– you smell like a girl. All the other girls on the ship they– they look just like Tina. You’re the only one who looks like you. You can understand, can’t you? You know about being with somebody? Wanting to be? If I had the whole universe I’d give it to you. When I see you, I feel like I’m hungry all over. Hungry. Do you know how that feels?


KIRK: What?

RAND: I wasn’t sure I should, er, talk to you about this.

KIRK: Charlie’s a seventeen-year-old boy.

RAND: Exactly, and he’s–

KIRK: I talked to him about the swat.

RAND: It’s not that. Captain, I’ve seen the look before, and if something isn’t done, sooner or later I’m going to have to hurt him. Tell him to leave me alone, and that wouldn’t be good for him right now. You see, I’m his first crush, his first love, and his first–

KIRK: Yes, Yeoman, I’ll talk to him. I’ll look into it.

RAND: Thank you, sir.


KIRK: Come in, Charlie. Er, Charlie… Charlie, do you know anything about this chess piece? Did you notice anything peculiar in them when we were using them this afternoon?

CHARLIE: No, sir. Is that all?

KIRK: Er, no. No, no. Sit down. Charlie, being seventeen is more than how many years you’ve lived. It’s a whole other thing. Doctor McCoy could probably explain the biological conditions. Well, let’s– let’s use a specific… Yeoman Rand is a woman.

CHARLIE: Oh, I won’t hit her like that anymore.

KIRK: No, there’s more to it than that.

CHARLIE: Everything I do or say is wrong. I’m in the way, I don’t know the rules, and when I learn something and try to do it, suddenly I’m wrong!

KIRK: Now wait, wait….

CHARLIE: I don’t know what I am, or what I’m supposed to be, or even who. I don’t know why I hurt so much inside all the time.

KIRK: You’ll live, believe me. There’s nothing wrong with you that hasn’t gone wrong with every other human male since the model first came up.

CHARLIE: What if you care for someone? What do you do?

KIRK: You go slow. You be gentle. I mean, it’s not a one-way street, you know, how you feel, and that’s all. It’s how the girl feels, too. Don’t press, Charlie. If the girl feels anything for you at all, you’ll know it. Do you understand?

CHARLIE: You don’t think Janice– You– She could love me!

KIRK: She’s not the girl, Charlie. The years are wrong, for one thing, and there are other things.

CHARLIE: She can.

KIRK: No, Charlie.

CHARLIE: She is.

KIRK: No.

CHARLIE: But if I did what you said? If I was gentle…

KIRK: Charlie, there are a million things in this universe you can have, and there are a million things you can’t have. It’s no fun facing that, but that’s the way things are.

CHARLIE: Then what am I going to do?

KIRK: Hang on tight and survive. Everybody does.

CHARLIE: You don’t.

KIRK: Everybody, Charlie. Me, too.

CHARLIE: I’m trying, but I don’t know how.

KIRK: Kirk here.

UHURA: You asked to be notified when we were to make our course adjustments, sir.

KIRK: Ask Mister Spock to see to it. Charlie, come on with me.


KIRK: You’ve got to slap the floor to absorb the energy when you fall. Go ahead, try it. Like everything else, it takes practice, Charlie. Try again. Good. That’s much better. Here, now I’ll show you a shoulder roll. Try that.

CHARLIE: I don’t want to do that.

KIRK: Well, it makes it hard to teach you–

CHARLIE: I don’t want to do that.

KIRK: All right, Charlie. Lesson’s over for today.

CHARLIE: You were going to teach me how to fight.

KIRK: You have to learn to protect yourself in a fall before I do that. It’s more than teaching you to defend yourself. Charlie, I want you to learn. Charlie? Hey, Sam, let me borrow you for a couple easy throws, all right?

SAM: Right.

KIRK: Watch this, Charlie. That wasn’t so bad, was it? Now I’ll throw him. Here we go, Sam.

CHARLIE: That looks hard.

SAM: Oh.

KIRK: Come on, Charlie. Try it. Attaboy. Let’s go.


CHARLIE: Oh!

KIRK: That wasn’t so bad, was it?

CHARLIE: Don’t laugh at me.

KIRK: Cool off.

CHARLIE: Don’t laugh at me!

KIRK: Charlie.

CHARLIE: He shouldn’t have done that. It’s not nice to laugh at people.

KIRK: What happened to him, Charlie?

CHARLIE: He’s gone.

KIRK: That’s no answer.

CHARLIE: He’s gone! I didn’t mean to do that. He made me do it! He laughed at me.

CREWMAN: Bridge.

KIRK: Kirk here. Two men from security, on the double.

CREWMAN: Affirmative.

CHARLIE: What are you going to do to me?

KIRK: I’m confining you to quarters. I want you to stay there.

CHARLIE: I won’t let them hurt me. I’ll make them go away, too.

KIRK: They won’t hurt you, Charlie. They’ll take you to your quarters, Charlie. Go with them.

CHARLIE: No!

KIRK: Go to your quarters.

CHARLIE: He was going to hurt me.

KIRK: Go to your quarters or I’ll pick you up and carry you there.

CHARLIE: I won’t let you.

KIRK: That’s your choice, Charlie.

CHARLIE: I won’t let them hurt me.

KIRK: They won’t hurt you.

UHURA: Captain Kirk.

KIRK: Kirk here.

UHURA: Security reports that all phaser weapons have disappeared. Shall I repeat, Captain?

KIRK: No, I heard you. Have Doctor McCoy and Mister Spock meet me in the Briefing room.


SPOCK: Thasians have been referred to in our records as having the power to transmute objects or render substances invisible. It has generally been regarded as legend, but Charlie does seems to possess this same power.

KIRK: What are chances that Charlie’s not an Earthling, that he’s a Thasian?

MCCOY: No, I don’t think so… not unless they’re exactly like Earthlings. The development of his fingers and toes exactly matches the present development of mans on Earth.

SPOCK: Agreed.

KIRK: Well, whatever he is, we have some idea of the power he has. I know what I saw him do in the gymnasium.

MCCOY: Considering the effect a normal adolescent has on a home… Charlie, with the power he has–

KIRK: Short-tempered, because he doesn’t understand. He needs, he wants. Nothing happens fast enough.

SPOCK: The probability is he’s responsible for the destruction of the Antares, which would indicate a total disregard for human life.

KIRK: He doesn’t understand what life is. He’s a boy.

MCCOY: Well, what do we do with this boy, Jim? How do we keep him caged up?

KIRK: It goes even further than that, Doctor. We can’t take him with us to Earth Colony Five. Can you imagine what he’d do in an open, normal environment? I’ve talked with him, listened. He’s a boy in a man’s body, trying to be an adult with the adolescence in him getting in the way.

SPOCK: And with a weapon in him which could destroy you or anyone, anywhere on this ship.

MCCOY: Well, for the moment he’s stopped. You’re an authority he respects, Jim.

SPOCK: Agreed. The struggle must remain between you and him. Should any of us interfere…


CHARLIE: You wanted to ask me something, he said.

KIRK: Are you responsible for what happened to the Antares, Charlie?

CHARLIE: Why?

KIRK: Answer me.

CHARLIE: Yes. There was a warped baffle-plate on the shield of their energy pile. I made it go away. It would’ve blown up anyway. Well, they weren’t nice to me! They wanted to get rid of me. They don’t now.

KIRK: What about us, Charlie?

CHARLIE: I don’t know.

SPOCK: We’re in the hands of an adolescent.


KIRK: Lieutenant, raise Colony Five. I want to speak directly to the governor.

UHURA: Yes, sir.

KIRK: Navigator, lay a course away from Colony Five. Buy me some time.

NAVIGATOR: Yes, sir.

KIRK: Spock, get the doctor up here on the double. How bad is it?

UHURA: I think it’s all right, sir. Sir, there’s no reason for that panel to cross-circuit like that. I checked it over myself not fifteen minutes ago.

NAVIGATOR: Captain! I can’t feed any course co-ordinates into the panel, sir. It rejects the course change.

PILOT: Helm doesn’t respond either, sir.

KIRK: Mister Spock, you getting any readings on your instruments?

SPOCK: Yes, sir. There’s a Tyger, tyger, burning bright in the forest of the night.

KIRK: Mister Spock.

SPOCK: I’m trying to– Saturn rings around my head, down a road that’s Martian red.

CHARLIE: You’re trying to change course, Captain. You can’t do that. I want to get to Colony Five as soon as we can.

KIRK: Release the transmitter.

CHARLIE: You don’t need all that subspace chatter.

MCCOY: What’s going on here? Spock calls me to the Bridge and goes into some kind of poetry.

KIRK: See to her, Doctor.

SPOCK: Once upon a midnight dreary while I pondered, weak and weary.

CHARLIE: Very nice, Mister Ears. Oh, I can make him do anything, whirl around, laugh, anything.

KIRK: That’s enough, Charlie.

CHARLIE: Don’t you think he’s funny? I think he’s funny.

KIRK: Leave my crew alone.

SPOCK: Jim, he’ll soon reach a point where he won’t back down.

KIRK: I know.


TINA: Charlie, what’s wrong?


CHARLIE: I have something for you. Pink is your favorite, isn’t it?

RAND: You don’t walk into a room without knocking.

CHARLIE: Don’t ever lock your door on me again, Janice. I love you.

RAND: I’ll lock it when I please. What is it you want, anyway?

CHARLIE: You. I only want to be nice to you. I can give you anything. Just, just tell me.

RAND: I want you to get out.

CHARLIE: But I only want to be nice to you.

RAND: Get out, Charlie.

KIRK: Spock.

RAND: I can’t make it any plainer than that.

CHARLIE: I love you.

RAND: You don’t know what the word means.

CHARLIE: Then show me.

RAND: No! Charlie!

CHARLIE: Why did she do that? I loved her, but she wasn’t nice at all. What you did wasn’t nice either, but I still need you, Captain. The Enterprise isn’t quite like the Antares. Running the Antares was easy. You have to be nice. All right?

KIRK: Mister Spock?

SPOCK: My legs. They’re broken.

KIRK: Let him go, too, Charlie.

CHARLIE: Why?

KIRK: Because I’m telling you to. Because you need me to run the ship, and I need him.

CHARLIE: If you try to hurt me again, I’ll make a lot of people go away.

KIRK: And what about Yeoman Janice? Is she dead? Gone? Destroyed?

CHARLIE: I won’t tell you. Growing up isn’t so much. I’m not a man, and I can do anything! You can’t.


SPOCK: I’ll activate the force field myself. You can return to your section.

CHARLIE: He had a mean look. I had to freeze him. I like happy looks. Aren’t you coming in?

CHARLIE: That wasn’t nice. You’ll be sorry. You wait, you’ll see, you’ll be sorry you did that. You will.  No. No laughing!


UHURA: Captain Kirk, my instruments show we’re receiving a message on subspace frequency three, ship-to-ship. I can’t hear it, sir.

KIRK: Are you creating that message, Charlie, or you’re blocking one that’s coming in.

CHARLIE: It’s my game, Captain. You have to find out. Like you said, that’s how the game’s played. You can have it now. I’ve locked on course for Colony Five again.

KIRK: I’ve waited long enough. I’m going to take him on.

MCCOY: You don’t have any special immunity. Not anymore. Pushed far enough, he’d send you off to oblivion, too.

KIRK: Mister Spock?

SPOCK: Out of the question.

KIRK: Wait a minute. Does Charlie…? Now, wait, Spock, has he done away with anybody since he took over?

SPOCK: Not so far as we know.

KIRK: Maybe he can’t. Could be he’s overreached himself. It’s a big ship. He’s taken full control. If we could tax his power, turn on every device on the ship, every circuit, every light, all of it, and while he’s fighting that… if I could distract him, maybe you could tranquilize him, keep him under until we reach Colony Five.

MCCOY: Risky, Jim.

KIRK: If we don’t try, Doctor, he’ll get rid of us anyway. There’s no choice, gentlemen, none at all.


CHARLIE: I can make you all go away anytime I want to.

KIRK: Get out of my chair, Charlie, and get out of it now.

CHARLIE: I’ve got your ship, Captain.

KIRK: Maybe, Charlie, but I don’t think you can handle any more. I think you’ve reached your limit and can’t take on one more thing, but you’re going to have to.

CHARLIE: I could’ve sent you away before, but I didn’t.

KIRK: You’re going to have to take me on.

CHARLIE: Don’t make me do it now.

KIRK: You’ve got my ship, and I want it back. I want my crew back, whole, if I have to break your neck to do it!

CHARLIE: Don’t push me. Sorry. I’m sorry, but… Stop it. I said stop it!

SPOCK: Captain, the navigation console is clear now. The ship is answering the helm.

UHURA: Sir, something off our starboard bow. The message says they’re from Thasus.


CHARLIE: Oh.

RAND: Captain, how did I…?

KIRK: It’s all right, Yeoman.

SPOCK: Sensors show there something’s there, Captain. Deflectors indicate no solid substance.

CHARLIE: No! Oh, no, please, don’t let them take me. I can’t live with them anymore. You’re my friends. You said you were my friends, remember? When I came aboard! Please, I want to go home. Take me home.

THASIAN: I have taken my form from centuries ago, so that I may communicate with you. We did not realize until too late that the boy had gone, and we are saddened that his escape cost the lives of the first ship. We could not help them, but we have returned your people and your ship to you. Everything is as it was.

CHARLIE: I won’t do it again. Please, I’ll be good. I won’t ever do it again. I’m sorry about the Antares. I’m sorry! When I came aboard! Please, I want to go with you. Help me!

KIRK: The boy belongs with his own kind.

THASIAN: That would be impossible.

KIRK: With training, we can teach him to live in our society. If he can be taught not to use his power…

THASIAN: We gave him the power so he could live. He will use it, always, and he would destroy you and your kind, or you would be forced to destroy him to save yourselves.

KIRK: Is there nothing you can do?

THASIAN: We offer him life, and we will take care of him. Come, Charles.

CHARLIE: Oh, please, don’t let them take me. I can’t even touch them! Janice, they can’t feel. Not like you! They don’t love! Please, I want to stay.

UHURA: Charlie’s back on board the Thasian ship, sir. They signal they’re leaving.

KIRK: It’s all right, Yeoman. It’s all over now.

 

"Charlie X" Charlie gets in trouble with his parents for torturing the Enterprise crew. "Star Trek" season one.

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Transcripts taken from Chrissie’s Transcripts Site and modified.

Star Trek Transcript: The Man Trap

Star Trek: “The Man Trap” Transcript

 

American actor DeForest Kelley (1920 - 1999) as Dr. Leonard 'Bones' McCoy and American actress Jeanne Bal (1928 - 1996) as Nancy Crater appear in a scene from 'The Man Trap,' the premiere episode of 'Star Trek,' which aired on September 8, 1966. (Photo by CBS Photo Archive )

KIRK: Captain’s log, Stardate 1513.1. Our position, orbiting planet M-113. On board the Enterprise, Mister Spock temporarily in command. On the planet the ruins of an ancient and long-dead civilisation. Ship’s surgeon McCoy and myself are now beaming down to the planet’s surface. Our mission, routine medical examination of archaeologist Robert Crater and his wife Nancy. Routine but for the fact that Nancy Crater is that one woman in Doctor McCoy’s past.


KIRK: Shall we pick some flowers, Doctor? When a man visits an old girlfriend, she usually expects something like that.

MCCOY: Is that how you get girls to like you, by bribing them? There doesn’t seem to be anybody around, does there?

KIRK: They’ll be along. You rushed us down ten minutes early.


KIRK: Professor Crater? Professor? Mrs. Crater? Nervous, Dr. McCoy?

MCCOY: Yeah, a little bit, I guess. You see, we walked out of each other’s lives ten years ago. She married Crater, and for all I know she may have forgotten me completely. Of all the bonehead ideas, Jim, how’d I let myself in for things like this?

NANCY: Leonard!

MCCOY: Nancy.

NANCY: Hello.

MCCOY: It’s good to see you.

NANCY: Let me look at you.

MCCOY: You haven’t aged a day. Oh, this is Captain Jim Kirk of the Enterprise.

KIRK: Mrs. Crater. I’ve heard a great deal about you.

NANCY: All good, I hope.

MCCOY: And Crewman Darnell.

DARNELL: How do you do, ma’am?

KIRK: Something wrong, Darnell?

DARNELL: Excuse me, sir, but, ma’am, if I didn’t know better I would swear you were someone I left behind on Wrigley’s Pleasure Planet. It’s funny, you’re exactly like a girl that–

MCCOY: A little less mouth, Darnell.

DARNELL: I’m sorry. I didn’t mean to. I mean, I know it’s impossible, of course.

KIRK: Why don’t you step outside, Darnell?

DARNELL: Yes, sir. Thank you, sir.

KIRK: Maybe I’ll step outside, too.

NANCY: What? And let Plum examine me all alone?

KIRK: Plum?

MCCOY: Plum.

NANCY: A nickname I gave Leonard when we were very young.

MCCOY: I’ll, er, I’ll wait for the professor and I’ll catch you both at once.

NANCY: I’d better go get Bob. Every time he starts digging he forgets time, sleep, food, everything. Be back in a minute.


BLONDE NANCY: It’s quite warm here, isn’t it?


Kirk: Captain’s log, additional entry. Since our mission was routine, we had beamed down to the planet without suspicion. We were unaware each member of the landing party was seeing a different woman, a different Nancy Crater.


KIRK: Professor Crater, I’m Captain Kirk. This is–

CRATER: The heroic Captain and the intrepid doctor cross interstellar space to preserve our health. Your sense of duty is overwhelming. Now will you please go back where you came from and tell whoever issues your orders to leave me and my wife alone. We need salt against the heat. Aside from that, we’re doing very well, thank you.

MCCOY: I’m pleased you’re doing well, but I’m required to confirm that fact.

CRATER: Doubtless the good surgeon will enjoy prodding and poking us with his arcane machinery. Go away, we don’t want you.

MCCOY: What you want is unimportant right now. What you will get is required by the book.

KIRK: Quote: All research personnel on alien planets are required to have their health certified by a starship surgeon at one-year intervals.” Like it or not, Professor, as commander of the starship, I’m required–

CRATER: To show your gold braid to everyone. You love it, don’t you?

KIRK: He’s all yours, Plum. Doctor McCoy.

MCCOY: Sit down and breathe deeply, please.

CRATER: Did I hear you call him Doctor McCoy?

MCCOY: You did.

CRATER: McCoy. I’ve heard Nancy speak of a Doctor McCoy.

MCCOY: That’s me. Didn’t she mention I was here?

CRATER: You’ve seen Nancy?

KIRK: She went out to get you.

CRATER: You’ve seen her too? You were with the good Doctor?

KIRK: Yes. Why?

CRATER: Nothing. It’s just that it gives me pleasure to know that she’s gotten to see an old friend and has a chance for some company. It’s different for me, I enjoy solitude. But for a woman. You understand, of course?

MCCOY: Well, it certainly hasn’t aged her. She looks exactly as I knew her twelve years ago. Amazing, Jim. Like a girl of twenty five.

CRATER: Sorry. I’m sorry, Captain, sit down. I seem to have forgotten my manners.

KIRK: Quite all right.

MCCOY: I’m not joking, Jim. She hasn’t aged a day. She doesn’t have a grey hair on her head.

KIRK: She’s got some grey, Bones. Excuse me, Professor, she’s a handsome woman, yes, but hardly twenty five.

CRATER: You’ve seen my wife with the eyes of your past attachment, Doctor. I’m sure when Nancy lets– when you see her again, she’ll be a believable age.

MCCOY: Well, at any rate, she doesn’t look a day over thirty.

CRATER: Genuine affection. I’m glad you still feel it for her. Leonard, isn’t it? She’s a fine woman.

MCCOY: Open your mouth.

CRATER: Why, I thought the machine–

MCCOY: The machine is capable of almost anything, but I’ll still put my trust in a healthy set of tonsils. Now, open your mouth.


KIRK: McCoy.

MCCOY: Dead, Jim. Strange. A red mottling all over his face.

KIRK: What happened?

CRATER: What do you suppose happened, Captain? You beam down a crewman who doesn’t know better than to eat an untested plant.

KIRK: I’ve just lost a crewman, Mrs. Crater. I want to know what happened.

NANCY: Well, I, I–

MCCOY: Take it easy, Nancy. Just tell us what you know.

NANCY: I was just… I couldn’t find Bob, and I was coming back. I crossed to your crewman. I wanted him to know I wasn’t offended by the things he’d said back there. You remember…. Then I, I noticed he had a Borgia plant in his hand. Before I could say anything, he, he’d taken a bite from it. He fell, his face all twisted, and– Leonard, you’re looking at me like you don’t believe me.

MCCOY: No, no, no, no, it’s not that. It’s something entirely different. Jim, I suppose we could complete these examinations later.

CRATER: We don’t need an examination.  You can see that. Perhaps you’d better take your man and–

KIRK: We’re well aware of our next duties, Professor. We’ll complete your examinations tomorrow. Transporter room.

CREWMAN: Transporter room, Captain.

KIRK: Lock onto us. Three beaming up.

SCOTT: Locked onto you, Captain.

NANCY: Salt. You did ask them about more salt tablets?

CRATER: I’ll take care of the provisioning, Nancy.


SPOCK: Miss Uhura, your last sub-space log contained an error in the frequencies column.

UHURA: Mister Spock, sometimes I think if I hear that word, “frequency” once more, I’ll cry.

SPOCK: Cry?

UHURA: I was just trying to start a conversation.

SPOCK: Well, since it is illogical for a communications officer to resent the word, “frequency,” I have no answer.

UHURA: No, you have an answer. I’m an illogical woman who’s beginning to feel too much a part of that communications console. Why don’t you tell me I’m an attractive young lady, or ask me if I’ve ever been in love? Tell me how your planet Vulcan looks on a lazy evening when the moon is full.

SPOCK: Vulcan has no moon, Miss Uhura.

UHURA: I’m not surprised, Mister Spock.

CREWMAN: Transporter room to Bridge. Landing party returning. They report one death.

SPOCK: Bridge acknowledging.

UHURA: I don’t believe it.

SPOCK: Explain.

UHURA: You explain. That means that somebody is dead and you just sit there. It could be Captain Kirk. He’s the closest thing you have to a friend.

SPOCK: Lieutenant, my demonstration of concern will not change what happened. The transporter room is very well-manned and they will call if they need my assistance.


MCCOY: She called it a Borgia plant.

KIRK: Something new to me.

SPOCK: Bridge to Dispensary.

KIRK: Go ahead, Mister Spock.

SPOCK: Borgia plant listed in library record tapes as carbon group three vegetation similar to Earth nightshade family. Alkaloid poison. Chemical structure common to Class M planets. About the strange mottling on his facial skin surface…there is no reference to this symptom.

MCCOY: Hmm. Well, then, this man wasn’t poisoned.

KIRK: Stand by, Mister Spock. She said she saw him eat the plant.

MCCOY: She’s mistaken. I know alkaloid poison– what to look for. There’s not a trace of it in his body.

KIRK: There were bits of the plant in his mouth.

MCCOY: Jim, don’t tell me my business. He could not have swallowed any. My instruments would have picked up any trace of it whatsoever.

KIRK: Then what kills a healthy man–

MCCOY: I’ll tell you something else. This man shouldn’t be dead. I can’t find anything wrong with him. According to all the tests he should just get up and walk away from here. I don’t know. I’ll have the tests double-checked. My eyes may be tricking me. I swear, Jim, when I first saw her she looked just as I’d known her ten years ago. Granted, for a moment I may have been looking at her through a romantic haze…

KIRK: How your lost love affects your vision, Doctor, doesn’t interest me. I’ve lost a man. I want to know what killed him.

MCCOY: Yes, sir.


Kirk: Captain’s log, Stardate 1513.4. In orbit around planet M-113. One crewman, member of the landing party, dead by violence. Cause unknown, but we are certain the cause of death was not poison.


UHURA: Message, Captain. Starship base on Caran 4 requesting explanation of our delay here, sir. Space Commander Dominguez says we have supplies he urgently needs.

Kirk: Tell Jose he’ll get his chili peppers when we get there. Tell him they’re prime Mexican reds. I handpicked them myself, but he won’t die if he goes a few more days without them. Got it?

UHURA: Got it, Captain.

KIRK: Well?

SPOCK: No mistake in our record tapes. Borgia plant. Its sole deadly property is alkaloid poison.

KIRK: And Professor Crater and wife?

SPOCK: Check out perfectly. They arrived here nearly five years ago. Visited by various vessels, made fairly heavy shipments out, of artefacts and reports. However, there has been a marked drop in shipments during the last year.

MCCOY: Dispensary to Captain.

KIRK: Kirk here.

MCCOY: We found something.

KIRK: What is it?

MCCOY: I’d rather not put it on the speaker.


SPOCK: Fascinating.

MCCOY: So improbable we almost didn’t check it.

KIRK: What?

SPOCK: Sodium chloride. Not a trace of it.

MCCOY: This man has no salt in his body at all.

KIRK: Can you explain that, Doctor?

MCCOY: I can’t, except that what we normally carry in our bodies is gone from his.

SPOCK: He would die almost instantly.

KIRK: How? There isn’t a mark on his body.

MCCOY: Except the red rings on his face.

KIRK: You called that skin mottling.

MCCOY: I thought it was, sir. Another error on my part.

KIRK: I’m not counting them, Bones. Are you in the mood for an apology?

MCCOY: Oh, forget it. I probably was mooning over her. I should have been thinking about my job.

KIRK: Perhaps you were. Both Nancy and Crater went out of their way to mention one item they needed.

MCCOY: Salt tablets.

KIRK: Mister Spock, outfit a landing party. We’re beaming down with some questions.


CRATER: One might think that you had more important duties than harassing people, Captain.

KIRK: I have, Professor. Believe me, I have. Where is Mrs. Crater? I want to talk to her, too.

CRATER: Captain, you can’t just beam down here and bully us, and interfere with our work.

KIRK: Mrs. Crater. I won’t ask again.

CRATER: Possibly at the other diggings. We don’t keep military logs.

KIRK: Green, find her.

GREEN: Yes, sir.

KIRK: Mister Spock.

SPOCK: Standing by.

KIRK: Sturgeon, transport a sample of the plant to Mister Spock. We’ll check if it’s actually the Borgia plant or something we don’t understand. You got that, Mister Spock?

SPOCK: Complete analysis.

CRATER: Captain, considering the inescapable fact that you are a trespasser on my planet…

KIRK: Your complaint is noted, sir. Look, something we don’t understand killed one of my men. It could prove to be a danger to you and Mrs. Crater, too.

CRATER: We’ve been here for almost five years. If there were anything hostile here we would know about it, wouldn’t we?

KIRK: Bones, tell the professor what the autopsy revealed.

MCCOY: Our crewman died of salt depletion. Sudden, total loss of it. Medically impossible by any standards.

KIRK: And by coincidence, both you and Mrs. Crater requested salt tablets.

CRATER: And your esteemed physician cannot explain our need for salt tablets?

KIRK: We’re all aware of the need for salt on a hot and arid planet like this, Professor, but it’s a mystery, and I don’t like mysteries. They give me a bellyache, and I’ve got a beauty right now.

CRATER: Nancy and I started with twenty five pounds. This is what we have left. Now, what is so mysterious about that?

MCCOY: Salt.

KIRK: One of the missions of the Enterprise is to protect human life in places like this. I’m going to have to ask you and Mrs. Crater to stay aboard my ship until we find out what killed that crewman.

CRATER: But you can’t do that.

KIRK: But I can, Professor.

CRATER: It’ll interfere with our work.

KIRK: How? You’ve been here five years. Will a couple of days make a difference? Mister Spock.

SPOCK: Spock here.

KIRK: Arrange quarters for Professor and Mrs. Crater. Did you get the plant analysis?

SPOCK: It is the Borgia variety, Captain. Could not have caused Darnell’s death.

MCCOY: Jim, he’s run off.


CRATER: Nancy! You! Salt! I’ve got salt! Smell it! Smell it, Nancy!

KIRK: Professor Crater! Professor Crater!

MCCOY: Professor Crater!

KIRK: Professor Crater! Professor! Professor!

MCCOY: Jim! Jim, it’s Sturgeon. He’s dead.

KIRK: We’d better locate Crewman Green. Green! Green! Crewman Green, report! Green!


MCCOY: Crewman Green, report! Green! Green, where are you? Could it be Crater? He came this way.

KIRK: I don’t know. Green! Did you see this?

GREEN: Yes, sir. Sturgeon was dead when I found him. I was circling to find whatever it was.

MCCOY: Same red rings on his face. Have you seen Nancy? Mrs. Crater?

GREEN: No, sir. I checked all through the ruins.

MCCOY: I’m worried about her, Jim. She’s not at the quarters, she’s not at the diggings. She could be in trouble. Nancy!

KIRK: Crater!

MCCOY: Nancy, it’s Leonard!

KIRK: We’re beaming aboard the ship, Doctor.

MCCOY: You can’t leave her!

KIRK: We can’t search this whole planet on foot.

MCCOY: Jim!

KIRK: You could learn something from Mister Spock, Doctor. Stop thinking with your glands. We’ve equipment aboard the Enterprise that could pinpoint a match lit anywhere on this planet, or the heat of a body. Transporter room, Kirk speaking. Three to beam up.


KIRK: Kirk to Bridge.

SPOCK: Spock here.

KIRK: Break out the surface search equipment. I want co-ordinates on two people.

SPOCK: Acknowledged.

KIRK: There’s a body down there. Sturgeon.

TRANSPORTER OPERATOR: We’ll bring him home, sir.

KIRK: You could use some sleep, Bones.

MCCOY: All right, Jim.


KIRK: Bridge.


RAND: Oh, Green, what went on down there? Who do you think you are?


SPOCK: Something odd, Captain. You said two people.

KIRK: Professor and Nancy Crater.

SPOCK: We get a reading on only one person… probably Crater. He’s circling as if searching for something.

KIRK: Expand search radius.

SPOCK: Yes, sir.


RAND: Why don’t you go chase an asteroid?

REDSHIRT: Hey, Janice, is that for me?

RAND: Don’t you wish it was?

BLUESHIRT: How about that?

REDSHIRT: Yeah, how’d you like to have her as your personal yeoman?


RAND: Where are you, Sulu?

SULU: In here feeding the weepers, Janice.

RAND: I’ve got your tray.

SULU: May the Great Bird of the Galaxy bless your planet.

RAND: Thank you. Hello, Beauregard. How are you today, darling?

SULU: Her name’s Gertrude.

RAND: No, it’s a he plant. A girl can tell.

SULU: Why do people have to call inanimate objects she, like, “She’s a fast ship.”

RAND: He is not an inanimate object. He’s so animate he makes me nervous. In fact, I keep expecting one of these plants of yours to grab me.

SULU: Hello, Green.

RAND: He’s not talking today. You been nipping Saurian brandy or something?

SULU: Take it easy. Calm down. Very sensitive.

RAND: He’s the real spook. Suppose he’s going space happy or something?


UHURA: The door to my quarters still rattles when it opens. Would you stop by and see if you can do something about it? Thanks, Bobby. Crewman, do I know you?

CREWMAN: In a way, ma’am. You were just thinking of someone like me. I’m guessing of course, but you do look a little lonely.

UHURA: I see. So naturally, when I’m lonely I think of you.

CREWMAN: Ina cuvanea mwanamke turee.

UHURA: Una kafeeri Hur. You’re Swahili?

KIRK: Lieutenant Uhura to the Bridge. Lieutenant Uhura to the Bridge.

RAND: I’d better get this tray back. Bye, Beauregard.

SULU: Wait a minute, I’ll walk along.

KIRK: Lieutenant Uhura, report to the Bridge.

UHURA: Lieutenant Uhura. On my way, sir.


MCCOY: McCoy to Bridge. Captain there?

KIRK: Kirk here. Nothing to report, Doctor. We haven’t located Mrs. Crater. What’s the matter, can’t you sleep?

MCCOY: Nope.

KIRK: Try taking one of those red pills you gave me last week. You’ll sleep.


SPOCK: The simple fact is unless there’s something seriously wrong with the ship’s equipment, there’s only one person within a one hundred mile circle.

KIRK: All right. We’ll triangulate on him. We’ll let Professor Crater explain what happened to his wife. Remember my instructions, Lieutenant. Keep a tight fix on us. If we let out a yell, I want an armed party down there before the echo dies.

UHURA: Yes, Captain.


MCCOY: Nancy. Well, come in. come in. I’ve been worried sick about you. I wonder why Jim didn’t tell me he found you.

NANCY: I’m so happy to see you, Leonard. The others, they– I, I don’t relate to them as much as you. You have such strong memories of me.

MCCOY: Well…

NANCY: You do care, don’t you, Leonard? It makes me feel so, so safe.

MCCOY: Nancy, er…

NANCY: My husband? I like your feelings better. Much stronger. But you’re tired, You need to rest.

MCCOY: You’re as bad as Jim Kirk. He’s been telling me to take these.

NANCY: I think you should. I’ll get you some water.


RAND: Look at his face!

SULU: Bridge. Sulu. Trouble on Deck Nine, Section Two. We need a medical team.


KIRK: Captain’s log, Stardate 1513.8. I am now certain that the violent death of my crewmen was caused by some strange life-form.


MCCOY: I was so worried. Your husband acting strange, crewmen dying…

NANCY: You’re so tired, darling. Just rest now.

UHURA: Medical department alert. Doctors and medics acknowledge.

NANCY: It’s nothing, dear. It’s nothing. You just sleep. Nancy will take care of everything.

UHURA: Dr. McCoy to the Bridge. Dr. McCoy to the Bridge. Dr. McCoy to the Bridge.


KIRK: Captain’s log, additional. Armed and able-bodied crewmen are not attacked and slaughtered this easily. Apparently, the killer can immobilize them as it approaches perhaps with some hypnotic or paralysing power. The answer lies with Professor Crater.


KIRK: Professor Crater.

CRATER: Go away! We don’t want you here.

KIRK: We? Where’s your wife, Professor? We’re concerned about her.

CRATER: I’m armed. Go away.

KIRK: Where’s your wife, Professor?

CRATER: She’s no concern of yours.

KIRK: We’re worried about her safety, aren’t you? Professor, you’re a reasonable man, let me– Kirk here.

SULU: Casualty, Captain. Barnhart was found dead on Deck Nine. Same symptoms.

SPOCK: Spock cutting in, Captain. Something here, through the arches to your left.

KIRK: Stand by, Mister Sulu. Spock has something.

SPOCK: Green.

KIRK: He beamed up to the ship with us.

SPOCK: Or something did.

KIRK: Enterprise from Kirk.

SULU: Bridge. Sulu.

KIRK: You have an intruder aboard. Could be masquerading as Crewman Green. General quarters, security condition three.

SULU: GQ security three, sir.


SULU: General quarters three. Intruder alert. GQ three. Intruder alert. General quarters three. Intruder alert. GQ three. Intruder alert.

UHURA: Reporting GQ three secure, Captain. Do you require assistance there?

SPOCK: Crater knows the creature. If we could take him alive…

KIRK: Negative, Lieutenant, but keep locked in on us. Kirk out. Let’s get him.

CRATER: We don’t want you here! We’re happy alone! I’ll kill to stay alone. You hear that, Kirk? Or you’ll have to kill me. I don’t care either way.

SPOCK: Obviously, taking him alive is going to be difficult.

KIRK: Set your phaser on one quarter. I’ll leave mine on stun.

SPOCK: Why risk your life for his?

KIRK: He’s not trying to kill us, he’s trying to frighten us, and he’s doing a pretty good job.


SULU: GQ three now secured except for Decks Five, Seven, and Ten. Come in, please.

UHURA: He’s not in supply and maintenance.

SULU: Go to Engineering now. Run through file photos of the crewmen there.

UHURA: Check.

SECURITY: Deck Five reporting. Crewman Green is not in his quarters. No one has seen him

SULU: Keep in mind if you find him, he’s not Crewman Green. The Captain reports Crewman Green is dead.

RAND: And he, or rather it, followed me. I thought there was something twitchy about him.

SULU: He– whatever, was probably your crewman, too, Lieutenant.

UHURA: He must have been it. You know, I would have remembered a crewman like him.

MCCOY: The creature leading you a merry chase, Mister Sulu?

SULU: The creature?

MCCOY: Or whatever it is that’s killing the crewmen. Perhaps I can help. Fill me in.


KIRK: Set.

SPOCK: Acknowledged. Crater!

KIRK: Your wife, Professor. Where is she? Your wife, Professor. Where is she?

CRATER: She was the last of her kind.

KIRK: The last of her kind?

CRATER: The last of its kind. Earth history, remember? Like the passenger pigeon or buffalo. Ooh! I feel strange.

KIRK: Just stunned. You’ll be able to think in a minute.

SPOCK: The Earth buffalo. What about it?

CRATER: Once there were millions of them… prairies black with them. One herd covered three whole states, and when they moved they were like thunder.

SPOCK: And now they’re gone. Is that what you mean?

CRATER: Like the creatures here. Once there were millions of them. Now there’s one left. Nancy understood.

SPOCK: Always in the past tense.

KIRK: Where’s your wife? Where is she now?

CRATER: Dead. Buried up on the hill. It killed her.

KIRK: When?

CRATER: Oh, a year, or was it two?

KIRK: Kirk to Enterprise.

SULU: Bridge to Captain. Sulu here.

KIRK: It’s definite, Mister Sulu. The intruder can assume any shape. Crewmen, you, myself, anyone. Do you understand?

SULU: Affirmative, Captain.

KIRK: Go to GQ four.

SULU: General quarters four, Captain.

CRATER: The creature was trying to survive. It has that right, doesn’t it?

KIRK: Kirk to transporter room. Three to beam up.

CRATER: They needed salt to stay alive. There was no more salt. It’s the last one. The buffalo. There is no difference.

KIRK: There’s one, Professor. Your creature is killing my people.


KIRK: Captain’s log, continuing. The Enterprise has been invaded by a creature capable of assuming any form, and with the capacity to paralyse and draw the life from any one of us.


SULU: Deck Five, Section Three. Deck Five, Section Three. Report.

SECURITY: Security 3 A here. 3 B in sight.


UHURA: Negative, Captain. I’ve checked every face on this vessel. It was not a crewman I saw.

KIRK: Yeoman Rand, how long was this Green with you?

RAND: As long as he… it thought it could get to the salt on my tray, sir.

KIRK: Mister Spock?

SPOCK: Supplies of salt have been set out as bait at all decks and engineering levels, Captain. However, no one or nothing has approached them as yet.

KIRK: Dr. McCoy?

MCCOY: Yes?

KIRK: Medical department report, Doctor.

MCCOY: Oh. Well, we could offer it salt without tricks. There’s no reason for it to attack us.

SPOCK: Your attitude is laudable, Doctor, but your reasoning is reckless.

CRATER: The creature is not dangerous when fed.

MCCOY: No, it’s simply trying to survive by using its natural ability to take other forms.

CRATER: The way the chameleon uses its protective colouring, an ability retained no doubt from its primitive state, the way we have retained our incisor teeth. They were once fangs. Certain of our muscles were designed for chase. It uses its ability the way we would use our muscles and teeth if necessary, to stay alive.

MCCOY: And like us, it’s an intelligent animal. There’s no need to hunt it down.

SPOCK: A very interesting hypothesis, Doctor. Briefing room.

SULU: All the halls sealed off. All weapons accounted for and locked away. Security four in effect on every level. Still no lead on intruder.

KIRK: Thank you, Lieutenant. Continue the search. Crater, we don’t know who or what we’re looking for. We need your help, and now.

CRATER: I demanded, I even begged that you get off my planet.

KIRK: Can you recognise this thing When you see it? Professor, I’ll forego charges up to this point but this creature’s aboard my ship and I’ll have it, or I’ll have your skin, or both. Now where is it?

CRATER: I loved Nancy very much. Few women like my Nancy. She lives in my dreams. She walks and sings in them.

KIRK: And it becomes Nancy for you.

CRATER: Not because of tricks. It doesn’t trick me. It needs love as much as it needs salt. When it killed Nancy, I almost destroyed it, but– it isn’t just a beast. It is intelligent and the last of its kind.

KIRK: You bleed too much, Crater. You’re too pure and noble. Are you saving the last of its kind, or has this become Crater’s private heaven, here on this planet? This thing becomes wife, lover, best friend, wise man, fool, idol, slave. It isn’t a bad life to have everyone in the universe at your beck and call, and you win all the arguments.

CRATER: You don’t understand.

KIRK: Have you learned to see this thing in whatever form it becomes?

CRATER: Yes.

KIRK: Are you going to help us find it?

CRATER: Sorry, I can’t.

SPOCK: Recommend we use truth serum, Captain.

KIRK: Doctor?

MCCOY: Well, I resist using it, but in this case the professor will give us the truth.

KIRK: Take him.

SPOCK: I’ll accompany you, Doctor.

MCCOY: Oh, yes. Of course.


CREWMAN: Captain Kirk to dispensary. Captain Kirk to dispensary.


SPOCK: It wasn’t McCoy. It was the creature. It hit me. Crater grabbed my phaser. I wondered about McCoy. Doubt had crossed my mind.

RAND: Captain. Professor Crater.

KIRK: Dead. But it had you, too.

SPOCK: Fortunately, my ancestors spawned in another ocean than yours did. My blood cells are quite different.


NANCY: Leonard. Leonard, wake up. Please help me. Help me, Leonard. They’re trying to kill me. Don’t let them kill me!

MCCOY: Easy, easy. Nobody’s going to–

NANCY: But you must help me!

KIRK: Move aside, Bones.

MCCOY: What’s going on here, Jim?

KIRK: She’s not Nancy, Bones.

MCCOY: Are you insane?

KIRK: It killed four crewmen. Now Crater.

MCCOY: It?

KIRK: The creature. It kills. It needs salt to live. Bones, move aside.

MCCOY: No!

KIRK: My guess is she needs more. You want it, Nancy? Come and get it.

MCCOY: You’re frightening her, Jim.

KIRK: Not fright. Hunger. Look at her.

NANCY: Leonard, if you love me, make him go away.

KIRK: Come on. You want this, Nancy? Come on Nancy. Come and get it. Come and get it. Here it is.

NANCY: Leonard, help me.

MCCOY: Stop it, Jim!

KIRK: McCoy, get out of the way!

MCCOY: Are you out of your mind?

KIRK: Get out of the way.

SPOCK: It’s killing the Captain. Shoot it, Doctor, quickly!

MCCOY: No! No!

SPOCK: It’s killing the captain! Shoot, quick!

MCCOY: I won’t shoot Nancy.

SPOCK: This is not Nancy. If she were Nancy, could she take this?

MCCOY: Stop it! Stop it, Spock! Stop it!

SPOCK: Is that Nancy, Doctor?

MCCOY: No. No!

NANCY: Leonard. Leonard, no. Leonard, please.

MCCOY: Lord, forgive me.

KIRK: I’m sorry, Bones.


SULU: Ready to leave orbit, Captain.

SPOCK: Something wrong, Captain?

KIRK: I was thinking about the buffalo, Mister Spock. Warp one, Mister Sulu.

SULU: Warp one, sir. Leaving orbit.

 

The M-113 Creature attacks Captain James T. Kirk, played by Canadian actor William Shatner, in a scene from 'The Man Trap,' the premiere episode of 'Star Trek,' which aired on September 8, 1966. The monster is alternately known as the Salt Creature or the Salt Vampire. (Photo by CBS Photo Archive)

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Transcripts taken from Chrissie’s Transcripts Site and modified.

Star Trek Transcript: The Cage

Star Trek: The Cage Transcript

 

"The Cage" Star Trek first pilot with Jeffrey Hunter as Captain Pike and Leonard Nimoy as Mr. Spock

SPOCK: Check the circuit.

TYLER: All operating, sir.

SPOCK: It can’t be the screen, then. Definitely something out there, Captain, headed this way.

TYLER: It could be these meteorites.

NUMBER ONE: No, it’s something else. There’s still something out there.

TYLER: It’s coming at the speed of light, collision course. The meteorite beam has not deflected it, Captain.

NUMBER ONE: Evasive maneuvers, sir?

PIKE: Steady as we go.

GARISON: It’s a radio wave, sir. We’re passing through an old-style distress signal.

PIKE: They were keyed to cause interference and attract attention this way.

GARISON: A ship in trouble making a forced landing, sir. That’s it. No other message.

TYLER: I have a fix. It comes from the Talos star group.

NUMBER ONE: We’ve no ships or Earth colonies that far out.

SPOCK: Their call letters check with a survey expedition. SS Columbia. It disappeared in that region approximately eighteen years ago.

TYLER: It would take that long for a radio beam to travel from there to here.

SPOCK: Records show the Talos group has never been explored. Solar system similar to Earth, eleven planets. Number four seems to be Class M, oxygen atmosphere.

NUMBER ONE: Then they could still be alive, even after eighteen years.

PIKE: If they survived the crash.

SPOCK: We aren’t going to go, to be certain?

PIKE: Not without any indication of survivors, no. Continue to the Vega Colony and take care of our own sick and injured first. You have the helm. Maintain present course.

NUMBER ONE: Yes, sir.


BOYCE: Boyce here.

PIKE: Drop by my cabin, Doctor. What’s that? I didn’t say there’s anything wrong with me.

BOYCE: I understand we picked up a distress signal.

PIKE: That’s right. Unless we get anything more positive on it, it seems to me the condition of our own crew takes precedent. I’d like to log the ship’s doctor’s opinion, too.

BOYCE: Oh, I concur with yours, definitely.

PIKE: Good. I’m glad you do, because we’re going to stop first at the Vega Colony and replace anybody who needs hospitalization and also– What the devil are you putting in there, ice?

BOYCE: Who wants a warm martini?

PIKE: What makes you think I need one?

BOYCE: Sometimes a man’ll tell his bartender things he’ll never tell his doctor. What’s been on your mind, Chris, the fight on Rigel Seven?

PIKE: Shouldn’t it be? My own yeoman and two others dead, seven injured.

BOYCE: Was there anything you personally could have done to prevent it?

PIKE: Oh, I should have smelled trouble when I saw the swords and the armor. Instead of that, I let myself get trapped in that deserted fortress and attacked by one of their warriors.

BOYCE: Chris, you set standards for yourself no one could meet. You treat everyone on board like a human being except yourself, and now you’re tired and you–

PIKE: You bet I’m tired. You bet. I’m tired of being responsible for two hundred and three lives. I’m tired of deciding which mission is too risky and which isn’t, and who’s going on the landing party and who doesn’t, and who lives and who dies. Boy, I’ve had it, Phil.

BOYCE: To the point of finally taking my advice, a rest leave?

PIKE: To the point of considering resigning.

BOYCE: And do what?

PIKE: Well, for one thing, go home. Nice little town with fifty miles of parkland around it. Remember I told you I had two horses, and we used to take some food and ride out all day.

BOYCE: Ah, that sounds exciting. Ride out with a picnic lunch every day.

PIKE: I said that’s one place I might go. I might go into business on Regulus or on the Orion colony.

BOYCE: You, an Orion trader, dealing in green animal women, slaves?

PIKE: The point is this isn’t the only life available. There’s a whole galaxy of things to choose from.

BOYCE: Not for you. A man either lives life as it happens to him, meets it head-on, and licks it, or he turns his back on it and starts to wither away.

PIKE: Now you’re beginning to talk like a doctor, bartender.

BOYCE: Take your choice. We both get the same two kinds of customers. The living and the dying.

SPOCK: Mister Spock here. We’re intercepting a follow-up message, sir. There are crash survivors on Talos.


GARISON: Eleven survivors from crash. Gravity and oxygen within limits. Food and water obtainable, but unless. The message faded at that point, sir.

PIKE: Address intercraft.

TYLER: System open.

PIKE: This is the captain. Our destination is the Talos star group. Our time warp, factor seven.

TYLER: Course computed and on the screen.

NUMBER ONE: All decks have acknowledged, sir.

PIKE : Engage.

TYLER: On course, sir.

PIKE: Yeoman.

COLT: Yes, sir.

PIKE: I thought I told you that when I’m on the bridge–

COLT: But you wanted the reports by oh five hundred. It’s oh five hundred now, sir.

PIKE: Oh, I see. Thank you.

NUMBER ONE: She’s replacing your former yeoman, sir.

PIKE: She does a good job, all right. It’s just that I can’t get used to having a woman on the bridge. No offense, Lieutenant. You’re different, of course.


TYLER: We’ve settled into orbit, sir.

GEOLOGIST: Geological lab report complete, Captain.

SPOCK: Preliminary lab survey ready, sir.

PIKE: Spectography?

GEOLOGIST: Our reading shows an oxygen nitrogen atmosphere, sir, heavy with inert elements but well within safety limits.

PIKE: Gravity?

GEOLOGIST: Zero point nine of Earth.

TYLER: Captain? Reflections, sir, from the planet’s surface. As I read it, they polarize out as rounded metal bits. Could be parts of a spaceship hull.

PIKE: Prep a landing party of six. You feel up to it?

SPOCK: Yes, sir.

TYLER: Yes, sir.

PIKE: Sorry, Number One. With little information on this planet, we’ll have to leave the ship’s most experienced officer here covering us.

NUMBER ONE: Of course, sir.


PIKE: There’s no indication of problems down there, but let’s not take chances.

PITCAIRN: Yes, sir. There’s a canyon to the left. We can set you there completely unobserved.


GARISON: Sir.

OLD MAN: They’re men. They’re humans.

PIKE: Captain Christopher Pike, United Space Ship Enterprise.

HASKINS: Doctor Theodore Haskins, American Continent lnstitute.

SURVIVOR: Is Earth all right?

PIKE: The same old Earth, and you’ll see it very soon.

TYLER: And you won’t believe how fast you can get back. Well, the time barrier’s been broken. Our new ships can…

HASKINS: This is Vina. Her parents are dead. She was born almost as we crashed.

PIKE: Enterprise.

NUMBER ONE: Landing party, come in.

PIKE: We’ll begin transporting the survivors and their effects up to you very shortly.

NUMBER ONE: Quarters are being prepared, sir. Have I permission to send out scouting and scientific parties now?

PIKE: That’s affirmative on the

VINA: You appear to be healthy and intelligent, Captain. A prime specimen.

NUMBER ONE: I didn’t get that last message, Captain.

PIKE: Er, affirmative on request. Landing party out.

HASKINS: You must forgive her choice of words, Captain. She’s lived her whole life with a collection of aging scientists.

BOYCE: If they can spare you a moment, I’d like to make my medical report.

VINA: I think it’s time to show the Captain our secret.

BOYCE: Their health is excellent. Almost too good.

HASKINS: There’s a reason for our condition, but we’ve had some doubt if Earth is ready to learn the secret. Let the girl show you. We’ll accept your judgment.

VINA: You’re tired, but don’t worry. You’ll feel much better soon. Don’t you see it? Here and here.

PIKE: I don’t understand.

VINA: You will. You’re a perfect choice.


TYLER: Captain!

SPOCK: Spock here.

ONE: Landing party, come in.

SPOCK: There is no survivors’ encampment, Number One. This is all some sort of trap. We’ve lost the Captain. Do you read?


PIKE: Can you hear me? My name is Christopher Pike, commander of the space vehicle Enterprise from a stellar group at the other end of this galaxy. Our intentions are peaceful. Can you understand me?

TALOSIAN: It appears, Magistrate, that the intelligence of the specimen is shockingly limited.

MAGISTRATE: This is no surprise, since his vessel was baited here so easily with a simulated message. As you can read in its thoughts, it is only now beginning to suspect that the survivors and encampment were a simple illusion we placed in their minds.

PIKE: You’re not speaking, yet I can hear you.

MAGISTRATE: You will note the confusion as it reads our thought transmissions.

PIKE: All right then, telepathy. You can read my mind. I can read yours. Now, unless you want my ship to consider capturing me an unfriendly act…

MAGISTRATE: You now see the primitive fear threat reaction. The specimen is about to boast of his strength, the weaponry of his vessel, and so on. Next, frustrated into a need to display physical prowess, the creature will throw himself against the transparency.

PIKE: If you were in here, wouldn’t you test the strength of these walls, too? There’s a way out of any cage, and I’ll find it.

MAGISTRATE: Despite its frustration, the creature appears more adaptable than our specimens from other planets. We can soon begin the experiment.


SPOCK: The inhabitants of this planet must live deep underground, and probably manufacture food and other needs down there. Our tests indicate the planet surface, without considerably more vegetation or some animals, simply too barren to support life.

NUMBER ONE: So we just thought we saw survivors there, Mister Spock.

SPOCK: Exactly. An illusion placed in our minds by this planet’s inhabitants.

BOYCE: It was a perfect illusion. They had us seeing just what we wanted to see, human beings who’d survived with dignity and bravery, everything entirely logical, right down to the building of the camp, the tattered clothing, everything. Now let’s be sure we understand the danger of this. The inhabitants of this planet can read our minds. They can create illusions out of a person’s own thoughts, memories, and experiences, even out of a person’s own desires. Illusions just as real and solid as this table top and just as impossible to ignore.

NUMBER ONE: Any estimate what they might want one of us for?

SPOCK: They may simply be studying the Captain, to find out how Earth people are put together. Or it could be something more.

TYLER: Then why aren’t we doing anything? That entry may have stood up against hand lasers, but we can transmit the ship’s power against it. Enough to blast half a continent.

SPOCK: Look. Brains three times the size of ours. If we start buzzing about down there, we’re liable to find their mental power is so great they could reach out and swat this ship as though it were a fly.

TYLER: It’s Captain Pike they’ve got. He needs help, and he probably needs it fast.

NUMBER ONE: Engineering deck will rig to transmit ship’s power. We’ll try blasting through that metal.


TALOSIAN: Thousands of us are already probing the creature’s thoughts, Magistrate. We find excellent memory capacity.

MAGISTRATE: I read most strongly a recent death struggle in which it fought to protect its life. We will begin with this, giving the specimen something more interesting to protect.


VINA: Come on, we must hide ourselves. Come, come. Hurry. It’s deserted. There’ll be weapons and perhaps food.

PIKE: This is Rigel Seven.

VINA: Please, we must hide ourselves.

PIKE: I was in a cage, a cell, in some kind of a zoo. I must still be there.

VINA: Come on.

PIKE: They’ve reached into my mind and taken the memory of somewhere I’ve been.

VINA: The killer!

PIKE: It’s starting just as it happened two weeks ago. Except for you.


PIKE: Longer hair, different dress, but it is you, the one the survivors called Vina. Or rather the image of Vina. But why you again? Why didn’t they create a different girl?

VINA: Quick. If you attack while it’s not looking…

PIKE: But it’s only a dream.

VINA: You have to kill him as you did here before.

PIKE: You can tell my jailers I won’t go along with it. I’m not an animal performing for its supper.

VINA: It doesn’t matter what you call this, you’ll feel it. That’s what matters. You’ll feel every moment of whatever happens to you. Please, don’t you know what he’ll do to us?

PIKE: Why would an illusion be frightened?

VINA: Because that’s the way you imagined me.

PIKE: Who are you? You act as if this were really you.

VINA: Careful.


VINA: It’s over.

PIKE: Why are you here?

VINA: To please you.

PIKE: Are you real?

VINA: As real as you wish.

PIKE: No, no. No, that’s not an answer. I’ve never met you before, never even imagined you.

VINA: Perhaps they made me out of dreams you’ve forgotten.

PIKE: What, and dress you in the same metal fabric they wear?

VINA: I have to wear something, don’t I? I can wear whatever you wish, be anything you wish.

PIKE: So they can see how their specimen performs? They want to see how I react, is that it?

VINA: Don’t you have a dream, something you’ve always wanted very badly?

PIKE: Or do they do more than just watch me? Do they feel with me, too?

VINA: You can have whatever dream you want. I can become anything, any woman you’ve ever imagined. You can have anything you want in the whole universe. Let me please you.

PIKE: Yes. Yes, you can please me. You can tell me about them. Is there any way I can keep them from probing my mind, from using my thoughts against me? Does that frighten you? Does that mean there is a way?

VINA: You’re a fool.

PIKE: Since you’re not real, there’s not much point in continuing this conversation, is there?


NUMBER ONE: All circuits engaged, Mister Spock.

SPOCK: Standing by, Number One.

NUMBER ONE: Take cover.

SPOCK: Ten, nine, eight, seven, six, five, four, three, two, one.

NUMBER ONE: Increase to full power! Can you give us any more?

SPOCK: Our circuits are beginning to heat. We’ll have to cease power.

NUMBER ONE: Disengage. The top of that knoll should have been sheared off the first second.

BOYCE: Maybe it was. It’s what I tried to explain in the briefing room. Their power of illusion is so great, we can’t be sure of anything we do, anything we see.


VINA: Perhaps if you asked me some questions, I could answer.

PIKE: How far can they control my mind?

VINA: If I tell you, then will you pick some dream you’ve had and let me live it with you?

PIKE: Perhaps.

VINA: They can’t actually make you do anything you don’t want to do.

PIKE: But they try to trick me with their illusions.

VINA: And, they can punish you when you’re not co-operative. You’ll find out about that.

PIKE: Did they ever live on the surface of this planet? Why did they go underground?

VINA: War, thousands of centuries ago.

PIKE: That’s why it’s so barren up there?

VINA; The planet’s only now becoming able to support life again.

PIKE: So the Talosians who came underground found life limited here and they concentrated on developing their mental power.

VINA: But they found it’s a trap. Like a narcotic. Because when dreams become more important than reality, you give up travel, building, creating. You even forget how to repair the machines left behind by your ancestors. You just sit, living and reliving other lives left behind in the thought record.

PIKE: Or sit probing minds of zoo specimens like me.

VINA: You’re better than a theatre to them. They create the illusion for you, they watch you react, feel your emotions. They have a whole collection of specimens, descendants of life brought back long ago from all over this part of the galaxy.

PIKE: Which means they had to have more than one of each animal.

VINA: Please.

PIKE: They’ll need a pair of humans, too. Where do they get intend to get the Earth woman?

VINA: You said that if I answered questions…

PIKE: But that was a bargain with something that didn’t exist. You said you weren’t real, remember?

VINA: I’m a woman as real and as human as you are. We’re like Adam and Eve. If we– Don’t. Please don’t punish me!

MAGISTRATE: The vial contains a nourishing protein complex.

PIKE: Is the keeper actually communicating with one of his animals?

MAGISTRATE: If the form and the color is not appealing, it can appear as any food you wish to visualize.

PIKE: And if I prefer–

MAGISTRATE: To starve? You overlook the unpleasant alternative of punishment. From a fable you once heard in childhood. You will now consume the nourishment.

PIKE: Why not just put irresistible hunger in my mind? Because you can’t, can you? You do have limitations, don’t you?

MAGISTRATE: If you continue to disobey, from deeper in your mind, there are things even more unpleasant.

PIKE: That’s very interesting.

MAGISTRATE: Now to the female.

PIKE: You were startled. Weren’t you reading my mind then?

MAGISTRATE: As you’ve conjectured, an Earth vessel did crash on our planet, but with only a single survivor.

PIKE: No, let’s stay on the first subject. All I wanted for that moment was to get my hands around your neck.

MAGISTRATE: We repaired the survivor’s injuries and found the species interesting.

PIKE: Do primitive thoughts put up a block you can’t read through?

MAGISTRATE: It became necessary to attract a mate.

PIKE: All right, all right, let’s talk about the girl. You seem to be going out of your way to make her attractive, to make me feel protective.

MAGISTRATE: This is necessary in order to perpetuate the species.

PIKE: It seems more important to you now that I begin to accept her and like her.

MAGISTRATE: We wish our specimens to be happy in their new life.

PIKE: Assuming that’s a lie, why would you want me attracted to her? So I’ll feel love in a husband-wife relationship? That would be necessary only if you intend to build a family group or perhaps a whole human community.

MAGISTRATE: With the female now properly conditioned…

PIKE: You mean properly punished! I’m the one who’s not co-operating! Why don’t you punish me?

MAGISTRATE: First, an emotion of protectiveness. Now one of sympathy. Excellent.


VINA: You want some coffee, dear? I left the thermos hooked to my saddle.

PIKE: Tango! You old devil, you. I’m sorry I don’t have any sugar. Well, they think of everything, don’t they?

VINA: Hey, your coffee. Is it good to be home?

PIKE: They read our minds very well. Home, anything else I want, if I co-operate, is that it?

VINA: Have you forgotten my headaches, darling? I get them when you talk strangely like this.

PIKE: Look, I’m sorry they punish you, but we can’t let them–

VINA: My, it turned out to be a lovely day, didn’t it?

PIKE: It’s funny. It’s about twenty four hours ago I was telling the ship’s doctor how much I wanted something else not very different from what we have here. An escape from reality. Life with no frustrations. No responsibilities. Now that I have it, I understand the doctor’s answer.

VINA: I hope you’re hungry. These little white sandwiches are your mother’s recipe for chicken tuna.

PIKE: You either live life, bruises, skinned knees and all, or you turn your back on it and start dying. The doctor’s going to be happy about one part, at least. He said I needed a rest.

VINA: This is a lovely place to rest.

PIKE: I used to ride through here when I was a kid. It’s not as pretty as some of the parkland around the big cities, but. That’s Mojave. That’s where I was born.

VINA: Is that supposed to be news to your wife? You’re home. You can even stay if you want. Wouldn’t it be nice showing your children where you once played?

PIKE: These headaches, they’ll be hereditary you know. Would you wish them on a child or a whole group of children?

VINA: Foolish.

PIKE: Is it? Look, first they made me protect you and then feel sympathy for you. Now we have these familiar surroundings and a comfortable husband-wife relationship. They don’t need all this for just passion. What they’re after is respect and mutual dependence.

VINA: They say in the olden days all this was a desert. Blowing sand and cactus.

PIKE: But we’re not here, neither of us. We’re in a menagerie, a cage!

VINA: No.

PIKE; I can’t help either one of us if you won’t give me a chance. Now, you told me once they used illusions as a narcotic. They couldn’t repair the machines left by their ancestors. Is that why they want us, to build a colony of slaves?

VINA: Stop it. Don’t you care what they’ll do to us?

PIKE: Back in my cage, it seemed for a couple of minutes that our keeper couldn’t read my thoughts. Do emotions like hate, keeping hate in your mind, does that block off our mind from them?

VINA: Yes. They can’t read through primitive emotions. But you can’t keep it up for long enough. I’ve tried. They keep at you and at you year after year, tricking and punishing, and they won. They own me. I know you must hate me for that.

PIKE: Oh, no. I don’t hate you. I can guess what it was like.

VINA: But that’s not enough. Don’t you see? They read my thoughts, my feelings, my dreams of what would be a perfect man. That’s why they picked you. I can’t help but love you and they expect you to feel the same way.

PIKE: If they can read my mind, then they know I’m attracted to you.


PIKE: I was from the very first moment I saw you in the survivor’s camp.

TALOSIAN: A curious species. They have fantasies they hide even from themselves.

VINA: I’m beginning to see why none of this has worked for you. You’ve been home, and fighting as on Rigel. That’s not new to you, either. A person’s strongest dreams are about what he can’t do. Yes, a ship’s captain, always having to be so formal, so decent and honest and proper. You must wonder what it would be like to forget all that.


OFFICER: Nice place you have here, Mister Pike.

PIKE: Vina?

ORION: Glistening green. Almost like secret dreams a bored ship captain might have.

OFFICER: Funny how they are on this planet. They actually like being taken advantage of. Suppose you had all of space to choose from, and this was only one small sample.

ORION: Wouldn’t you say it was worth a man’s soul?


SPOCK: We’ve located a magnetic field that seems to come from their underground generator.

GARISON: Could that be an illusion too?

NUMBER ONE: Now, you all know the situation. We’re hoping to transport down inside the Talosian community.

SPOCK: If our measurements and readings are an illusion also, one could find oneself materialized inside solid rock.

NUMBER ONE: Nothing will be said if any volunteer wants to back out.

SPOCK: The women!


NUMBER ONE: Captain! Captain.

VINA: No! Let me finish!

NUMBER ONE: But we were a party of six.

COLT: We were the only ones transported.

VINA: It’s not fair. You don’t need them.

PIKE: They don’t work.

NUMBER ONE: They were fully charged when we left. It’s dead. I can’t make a signal. What is it?

PIKE: Don’t say anything. I’m filling my mind with a picture of beating their huge, misshapen heads to pulp, thoughts so primitive they black out everything else. I’m filling my mind with hate.

VINA: How long can you block your thoughts? A few minutes, an hour? How can that help?

COLT: Leave him alone.

VINA: He doesn’t need you. He’s already picked me.

COLT: Picked her? For what? I don’t understand.

VINA: Now, there’s a fine choice for intelligent offspring.

COLT: Offspring, as in children?

NUMBER ONE: Offspring as in he’s Adam, is that it?

VINA: You’re no better choice. They’d have more luck crossing him with a computer.

NUMBER ONE: Well, shall we do a little time computation? There was a Vina listed on that expedition as an adult crewman. Now, adding eighteen years to your age then…

VINA: It’s not fair. I did what you asked.

MAGISTRATE: Since you resist the present specimen, you now have a selection.

PIKE: I’ll break out of this zoo somehow and get to you. Is your blood red like ours? I’m going to find out.

MAGISTRATE: Each of the two new specimens has qualities in her favor. The female you call Number One has the superior mind and would produce highly intelligent children. Although she seems to lack emotion, this is largely a pretense. She has often has fantasies involving you.

PIKE: All I want to do is get my hands on you. Can you read these thoughts? Images of hate, killing?

MAGISTRATE: The other new arrival has considered you unreachable but now is realizing this has changed. The factors in her favor are youth and strength, plus unusually strong female drives.

PIKE: You’ll find my thoughts more interesting. Thoughts so primitive you can’t understand. Emotions so ugly.

MAGISTRATE: Wrong thinking is punishable. Right thinking will be as quickly rewarded. You will find it an effective combination.

NUMBER ONE: Captain.

PIKE: No. No, don’t help me. I have to concentrate. They can’t read through hate.


SPOCK: Address intercraft.

GARISON: Open, sir.

SPOCK: This is the acting captain speaking. We have no choice now but to consider the safety of this vessel and the remainder of the crew. We’re leaving. All decks prepare for hyperdrive. Time warp factor.

TYLER: Mister Spock, the ship’s controls have gone dead.

SPOCK: Engine room!

GARISON: Open.

SPOCK: Mister Spock here. Switch to rockets. We’re blasting out.

PITCAIRN: All systems are out, bridge. We’ve got nothing.

TYLER: There’s nothing. Every system aboard is fading out.


PIKE: Now you hold still, or I’ll break your neck.

VINA: Don’t hurt them. They don’t mean to be evil.

PIKE: I’ve had some samples of how good they are. You stop this illusion, or I’ll twist your head off. All right, now you try one more illusion, you try anything at all, and I’ll break your neck.

MAGISTRATE: Your ship. Release me or we’ll destroy it.


SPOCK: Nothing. But for the batteries we’d lose gravitation and oxygen.

TYLER: The computers! I can’t shut it off. It’s running through our library. Tapes, micro-records, everything. It doesn’t make sense.

SPOCK: Could be we’ve waited too long. It’s collecting all the information stored in this fly. They’ve decided to swat us.


VINA: He’s not bluffing, Captain. With illusion they can make your crew work the wrong controls or push any button it takes to destroy your ship.

PIKE: I’m going to gamble you’re too intelligent to kill for no reason at all. On the other hand, I’ve got a reason. I’m willing to bet you’ve created an illusion this laser is empty. I think it just blasted a hole in that window and you’re keep us from seeing it. You want me to test my theory out on your head?

COLT: Captain.


PIKE: Make contact, Number One.

NUMBER ONE: They kept us from seeing this, too. We cut through and never knew it. Captain.

MAGISTRATE: As you see, your attempt to escape accomplished nothing.

PIKE: I want to contact our ship.

MAGISTRATE: You are now on the surface where we wished you to be. With the female of your choice, you will now begin carefully guided lives.

PIKE: And start by burying you?

MAGISTRATE: That is your choice. To help you reclaim the planet’s surface, our zoological gardens will furnish a variety of plant life.

PIKE: Look, I’ll make a deal with you. You and your life for the lives of these two Earth women.

MAGISTRATE: Since our lifespan is many times yours, we have time to evolve you into a society trained to serve as artisans, technicians…

PIKE: Do you understand what I’m saying? You give me proof that our ship is all right, send these two back, and I’ll stay with Vina.

NUMBER ONE: It’s wrong to create a whole race of humans to live as slaves.

MAGISTRATE: Is this a deception? Do you intend to destroy yourselves?

VINA: What is that?

PIKE: The weapon is building up an overload. A force chamber explosion. You still have time to get underground. Well, go on! Just to show you how primitive humans are, Talosian, you go with her.

VINA: If, if you all think it’s this important, then I can’t go either. I suppose if they have one human being, they might try again.

PIKE: Wait.

TALOSIAN: Their method of storing records is crude and consumed much time. Are you prepared to assimilate it?

MAGISTRATE: We had not believed this possible. The customs and history of your race show a unique hatred of captivity. Even when it’s pleasant and benevolent, you prefer death. This makes you too violent and dangerous a species for our needs.

VINA: He means that they can’t use you. You’re free to go back to the ship.

PIKE: And that’s it? No apologies? You captured one of us, threatened all of us.

TALOSIAN: Your unsuitability has condemned the Talosian race to eventual death. Is this not sufficient?

MAGISTRATE: No other specimen has shown your adaptability. You were our last hope.

PIKE: But wouldn’t some form of trade, mutual co-operation?

MAGISTRATE: Your race would learn our power of illusion and destroy itself too.

NUMBER ONE: Captain, we have transporter control now.

PIKE: Let’s get back to the ship.

VINA: I can’t. I can’t go with you.


PITCAIRN: Sir, it just came on. We can’t shut the power off.

SPOCK: Mister Spock here.

TYLER: All power has come on, Mister Spock. The helm is answering to control.

GARISON: The captain?


VINA: You see why I can’t go with you.

MAGISTRATE: This is the female’s true appearance.

VINA: They found me in the wreckage, dying. A lump of flesh. They rebuilt me. Everything works. But they had never seen a human. They had no guide for putting me back together.

MAGISTRATE: It was necessary to convince you her desire to stay is an honest one.

PIKE: You’ll give her back her illusion of beauty?

MAGISTRATE: And more.

MAGISTRATE: She has an illusion and you have reality. May you find your way as pleasant.


PITCAIRN: Mister Spock, the system is coming on again.

COLT: What’s happened to Vina?

NUMBER ONE: Isn’t she coming with us?

PIKE: No. No, and I agreed with her reasons.


BOYCE: Hold on a minute.

PIKE: Oh, I feel fine, just fine.

BOYCE: You look a hundred percent better.

PIKE: You recommended a rest, a change of pace, didn’t you? I’ve even been home. Does that make you happy?

PIKE: Yeoman.

COLT: Yes, sir.

PIKE: I thought I told you that when I’m on the bridge, I– Oh. Oh yes. The reports. Thank you.

COLT: Sir, I was wondering. Just curious. Who would have been Eve?

NUMBER ONE: Yeoman! You’ve delivered your report.

COLT: Yes, ma’am. Yes, sir.

TYLER: Eve, sir? Yes, sir.

BOYCE: Eve as in Adam?

PIKE: As in all ship’s doctors are dirty old men. What are we running here, a cadet ship, Number One? Are we ready or not?

NUMBER ONE: All decks show ready, sir.

PIKE: Engage.

 

"The Cage" video cover

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Transcripts taken from Chrissie’s Transcripts Site and modified.

Star Trek: Original Series Transcripts

Star Trek TOS Transcripts

 

Captain Kirk and Edith Keeler in "The City on the Edge of Forever"

WE’RE WORKING ON THESE RIGHT NOW!

The Cage

The Man Trap
Charlie X
Where No Man Has Gone Before
The Naked Time
The Enemy Within
Mudd’s Women
What Are Little Girls Made of?
Miri
Dagger of the Mind
The Corbomite Maneuver
The Menagerie Part I
The Menagerie Part II
The Conscience of the King
Balance of Terror
Shore Leave
The Galileo Seven
The Squire of Gothos
Arena
Tomorrow Is Yesterday
Court Martial
The Return of the Archons
Space Seed
A Taste of Armageddon
This Side of Paradise
The Devil in the Dark
Errand of Mercy
The Alternative Factor
The City on the Edge of Forever
Operation: Annihilate!

Amok Time
Who Mourns for Adonais?
The Changeling
Mirror, Mirror
The Apple
The Doomsday Machine
Catspaw
I, Mudd
Metamorphosis
Journey to Babel
Friday’s Child
The Deadly Years
Obsession
Wolf in the Fold
The Trouble with Tribbles
The Gamesters of Triskelion
A Piece of the Action
The Immunity Syndrome
A Private Little War
Return to Tomorrow
Patterns of Force
By Any Other Name
The Omega Glory
The Ultimate Computer
Bread and Circuses
Assignment: Earth

Spock’s Brain
The Enterprise Incident
The Paradise Syndrome
And the Children Shall Lead
Is There in Truth No Beauty?
Spectre of the Gun
Day of the Dove
For the World is Hollow and I Have Touched the Sky
The Tholian Web
Plato’s Stepchildren
Wink of an Eye
The Empath
Elaan of Troyius
Whom Gods Destroy
Let That Be Your Last Battlefield
The Mark of Gideon
That Which Survives
The Lights of Zetar
Requiem for Methuselah
The Way to Eden
The Cloud Minders
The Savage Curtain
All Our Yesterdays
Turnabout Intruder

 

Spock, McCoy and Kirk

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1. Word Search – Famous Guest Stars

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Find the names in the puzzle (Print out to play)

F. Murray ABRAHAM      Shohreh AGHDASHLOO        Jason ALEXANDER

Ted  CASSIDY                    Kim CATTRALL                        John CHO

Joan COLLINS                   Nikki COX                                James CROMWELL

Benedict CUMBERBATCH      Mick FLEETWOOD          Louise FLETCHER

Whoopi GOLDBERG        Stephen HAWKING               Chris HEMSWORTH

Jason ISAACS                    Famke JANSSEN                      Dwayne JOHNSON

Daniel Dae KIM                John LARROQUETTE              Malcolm MCDOWELL

Seth MCFARLANE            Ricardo MONTALBAN            Maria MULDAUR

Bebe NEUWIRTH             Ron PERLMAN                        Joe PISCOPO

Iggy POP                            John RHYS-DAVIES                  Rebecca ROMIJN

Zoe SALDANA                   Sarah SILVERMAN                  Jean SIMMONS

Bryan SINGER                   Christian SLATER                     Dean STOCKWELL

Lea THOMPSON              Peter WELLER                         Vanessa WILLIAMS

Rainn WILSON

 

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Ricardo Montalban guest=stars as Khan Noonien Singh in the Star Trek episode "Space Seed"

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Primetime TV Review: Romance at the Vineyard

TV Review!

“Romance at the Vineyard” Review on by Eva 8/6/2023

Romance at the Vineyard is a romantic comedy on Great American Family channel. The movie stars Susie Abromeit as Alexandra and Tim Rose as Ethan.

Alex is trying to save her family winery from being bought by a big chain wine retailer Wine Inc. Alex is unaware that Ethan works for Wine Inc. and has come to Santa Barbara to persuade her to sell her Vineyard to Wine Inc.

This movie is great to watch on a Saturday or rainy Sunday afternoon if you record it on the DVR. I love to watch romantic comedies weekends especially one like this one with beautiful scenery from Santa Barbara. It was an escape from the rainy weather happening outside my window.

The only thing I noticed is that, in my opinion, the actors that played Alexandra and Ethan didn’t have much chemistry with each other at all. However, enjoyed watching the relationship Alexandra had with her brother and her grandparents, it is something you don’t often see in romantic comedies.

The movie will be repeated on Great American Family so you will have a chance to watch it. The movie can also be streamed on pureflix.com. I give the movie 3 out of 5 stars.

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Here are a few in-person photos we have of Star Trek actors over the years!

1. EXCLUSIVE Videos from San Diego Comic-Con from Zina! These were from a special handprint ceremony at TheatreBox 7/22/22 and “An Evening with William Shatner” later in the day

William Shatner (Kirk, TOS) and Paul Wesley (Kirk, SNW)

Wesley alone

William Shatner, critic Leonard Maltin and Paul Wesley

2. Nichelle Nichols at Wondercon 2017 – Photo by Karl!

Uhura at San Diego Comic-Con (small)

3. William Shatner at 2015 SDCC – Photos by Karl!

4. Gates McFadden at 2015 Honolulu Comic-Con from Suzanne

Gates McFadden (Dr. Crusher) from Hawaii Comic-Con (small)

5. Many at Sean’s Photo Pages

 

Riker, Troi and Kestra in "Star Trek: Picard" first season.

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Interview with Jessica Matten and Kiowa Gordon

TV Interview!

 

Jessica Matten as Sgt. Bernadette Manuelito - Dark Winds _ Season 1, Episode 3 - Photo Credit: Michael Moriatis/AMCKiowa Gordon of "Dark Winds" on AMC+ Screenshot from the trailer.

Interview with Jessica Matten and Kiowa Gordon of “Dark Winds” on AMC+ by Suzanne 7/10/23

This is such an excellent show, and was really nice to speak with these two.  I spoke with Jessica on 7/10 and Kiowa on 7/11. Although they were both via Zoom video, it was requested that I only use the audio for Kiowa’s interview. I put both up on YouTube, so I made a slideshow for Kiowa’s audio. This new season is spectacular, with lots of action, drama, more developing story, and great guest stars.

First, the video with Jessica! I hope you enjoy it.

Jessica Matten of "Dark Winds" on AMC+

Here’s the audio interview with Kiowa, and my slideshow. I’m not great with video editing. I use a free program called Clideo.

Kiowa Gordon of "Dark Winds" on AMC+ At the TIFF Premiere of Through Black Spruce. Photo from his Instagram.

 

MORE INFO:

Season 2 of the Noir Thriller Returns to AMC on Sunday, July 30. Available to Stream Early on AMC+ on Thursday, July 27.

"Dark Winds" season 2 on AMC and AMC+ key art

“Perhaps the most ambitious Native-led TV show ever made.” – The Hollywood Reporter 

“Gripping, gorgeously shot…” – TIME

Watch Official Trailer

NEW YORK – June 15, 2023 – The highly anticipated return of AMC’s lauded hit series, Dark Winds, starring Zahn McClarnon (The Son, Westworld, Fargo), Kiowa Gordon (The Red Road, Roswell, New Mexico) and Jessica Matten (Tribal, Burden of Truth), is set for Sunday, July 30 at 9pm ET/PT on AMC, with new episodes airing weekly on Sundays. Episodes will be available early on AMC+ starting Thursday, July 27, with new episodes every Thursday. Produced by AMC Studios, the second season is comprised of six episodes.Jessica Matten as Sgt. Bernadette Manuelito - Dark Winds _ Season 1, Episode 4 - Photo Credit: Michael Moriatis/Stalwart Productions/AMC

A Martinez (Longmire, Days of Our Lives) joins this season as Valencia County Sheriff Gordo Sena, while Joseph Runningfox (The Politician, Valley of the Gods) will portray Henry Leaphorn, Lt. Joe Leaphorn’s father. This season also sees the return of series regulars Deanna Allison (Accused, Edge of America) as Emma Leaphorn and Elva Guerra (Reservation Dogs, Rutherford Falls) as Sally Growing Thunder. All join previously announced Jeri Ryan (Star Trek: Picard, Bosch) who plays Rosemary Vines, and Nicholas Logan (Dopesick, Creepshow), who plays Colton Wolf.

Season one premiered to glowing reviews, earning a 100% score on Rotten Tomatoes. Ahead of the second season, viewers can get caught up on the captivating series on AMC+. Episode 101 is also available to watch for free on the AMC+ YouTube channel.

This season, Lt. Joe Leaphorn (McClarnon), reunites with Jim Chee (Gordon), his former deputy turned private eye, when their separate cases bring them together in pursuit of the same suspect. They find themselves in the high desert of Navajo Country chasing a killer who’s turned his sights on them to protect a secret that rips open old wounds and challenges Leaphorn’s moral and professional code. With the help of Sgt. Manuelito (Matten) and Valencia County Sheriff Gordo Sena (Martinez), Leaphorn and Chee must thwart their would-be assassin and restore balance not only to their own lives, but to the reservation that depends on them.

Based on the iconic Leaphorn & Chee book series by Tony Hillerman, Dark Winds is created by Graham Roland (Tom Clancy’s Jack Ryan, The Returned, Almost Human, Fringe). John Wirth (Hell on Wheels, Hap and Leonard) serves as showrunner. The series is executive produced by Roland, Wirth, McClarnon, Robert Redford, George R.R. Martin, Anne Hillerman, Chris Eyre, Vince Gerardis and Tina Elmo.

"Dark Winds" season 2 on AMC and AMC+ key art

NOTE TO EDITORS

If you have any questions or would like to arrange cast or crew interviews, please contact those listed below. We appreciate your support and coverage of Dark Winds.

 About AMC

AMC is home to some of the most popular and acclaimed original programs on television. AMC was the first basic cable network to ever win the Emmy® Award for Outstanding Drama Series with Mad Men in 2008, which then went on to win the coveted award four years in a row, before Breaking Bad won it in 2013 and 2014, and the network’s series The Walking Dead is the highest-rated series in cable television history. AMC’s current original series include Anne Rice’s Interview with the Vampire, Anne Rice’s Mayfair Witches, Fear the Walking Dead, Dark Winds, Lucky Hank and the forthcoming series The Walking Dead: Dead City and The Walking Dead: Daryl Dixon, among others. AMC is owned and operated by AMC Networks Inc. and is available across all platforms, including on-air, online, on demand, mobile, and on AMC+, the company’s premium streaming bundle featuring content from across AMC and sister networks BBC America, IFC, and SundanceTV as well as streaming services Shudder, Sundance Now and IFC Films Unlimited.

About AMC+

AMC+ is the company’s new premium streaming bundle featuring an extensive lineup of popular and critically acclaimed original programming from AMC, BBC America, IFC, and SundanceTV and full access to targeted streaming services Shudder, Sundance Now and IFC Films Unlimited, which feature content such as A Discovery of Witches, Creepshow, and Boyhood. The service features a continually refreshed library of commercial-free content, with iconic series from the AMC Networks portfolio including Mad Men, Halt & Catch Fire, Hell on Wheels, Turn: Washington’s Spies, Rectify, Portlandia, and series from The Walking Dead Universe, among many others. The service also offers a growing slate of original and exclusive series including Gangs of London, This is Going to Hurt, Dark Winds, and the first two series in a new Anne Rice universe, Anne Rice’s Interview with the Vampire and Anne Rice’s Mayfair Witches. With new movies released every Friday, AMC+ is the newest destination for exclusive film premieres direct from theaters all year long. AMC+ is available in Canada, Australia, New Zealand, India, South Korea, and Spain and is available in the U.S. through AMCPlus.com, the AMC+ app, and a number of digital and cable partners.

 

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Kiowa Gordon and young boy in "Dark Winds" season 2 on AMC+

 

Interview with actors from “Heels”

TV Interview!

 

Stephen Amell and Alexander Ludwig in "Heels" on Starz

Interview with Stephen Amell, Alexander Ludwig and Mary McCormack of “Heels” on Starz by Suzanne 6/21/23

This was a fun press day for the great family wrestling drama. First, there was a roundtable with Amell and Ludwig (and other members of the press). There’s a transcript below for that.  Then I had a short, one-on-one video interview with Mary McCormack. I really love the actors in this show. They’re not only incredibly talented, and in great shape, but they couldn’t have been nicer.  Check out the show because it’s worth watching.

Mary McCormack “Willie Day”

 

Stephen Amell “Jack Spade” and Alexander Ludwig “Ace Spade”

Question:   Both your characters go on quite emotional journeys this season, so can you sort of maybe tease where they’re at, relationship-wise, as brothers, what that’s like this season for the two of you?

Stephen:   Okay, I think, I was gonna say this in a previous interview, and then I we ran out of time, but, for Jack, I think it’s become a little bit less about worrying about Ace or worrying about Staci or worrying about Thomas or the DWL. He’s more focusing on handling his own business and taking accountability for his actions and the way that he’s behaved since his father killed himself, which has been, I think, well intentioned, but misguided, and has hurt people. So, this is very much about him, just not trying to wave a magic wand and make everything better with everyone all at once, but just taking accountability for his actions, specifically with Ace and Staci, and just saying, “Look, this, this is me; this is what happened. Here I am, hat in hand. I’m sorry. What do I do?” which is a fun thing to play, humility. You know, who knew?

Alexander:   Ace is trying to pick up the pieces, you know, he’s still a complete mess after what happened. There’s a huge rift between the brothers. This show has been so much about, it’s not just a wrestling show. It’s about family, and it’s about identity, and Ace is trying to find his identity in the ring and outside of the ring. What I love about this season so much is not only do the women lead the charge, and you get to see that on a whole other front, which is, I think, really exciting with this backdrop, but you get to see the inklings of what this could be with Jack and Ace. You know, how big this actually could be, and a road has finally caved to the kind of national sensation or promotion this actually could be, which it is exactly.

Question:   Alexander, you kind of spoke on it a little bit, but Ace really goes through a real revelation this season. Can you talk about how his view and aspect on the situations pertaining to the DWL and the FWD change and lead him towards a different path, I think, one of clarity this season?

Alexander:   Yeah, that’s a really well said. Thanks for the question. I think that, you know, again, this show has also been about mental health, and that’s becoming a big conversation in sports in general. And Ace is dealing with his own version of that. He’s been traumatized for years, and I think that his outlook needs to change on his life and on himself, because he feels abandoned by his father. And this is the first time you see Ace fully step into a role that he never, ever wanted to step into, both as a as a performer, but also as a human being, a role that he never thought that he could step into. I think towards the end of this season, you really start to see him, perhaps, become more of the man he was always destined to become. To me, what’s always been excited about this show is where it could go. In success, I think, I always had the feeling as an actor, that Ace and Jack have, you know, as these small town wrestling promotion guys, like, this could build out to something really beautiful, and that’s the hope for both of them.

Suzanne:   I enjoyed the screeners I saw…  I thought the show’s even better this season than last season. Everything’s all very exciting. Since you two are the stars of the show (if there’s such a thing as stars in an ensemble show), do you have any input into the writing of your characters or the show as it’s going on? Do they let you do that?

Stephen:   I’d say that Mike O’Malley and Michael Waldron are both very, very collaborative, collaborative people. That being said, you know, Mike will come to me for some general questions about like, you know, what would be a cool idea, but it’s very much the macro of it all, the micro, all the details. Boy, when we get a script, and we sit down for a table read, what gets said at that table read or what ends up on television are pretty much the exact same thing.

Alexander:   Which is quite rare. I’ve been lucky. I’ve only got to work with really collaborative people in general, and Mike is certainly one of those people, but there isn’t much that you would change. They, of course, they talk to you about your characters, but it’s like, it’s also beautifully on the page. I’m just like, this just seems the way it should be. Of course, when scenes come up, things happen, and you go, “I want to say this instead of that,” or whatever, of course. You know, that’s a day by day basis. But we have an incredible team with us on this show, and I’m grateful for it.

Question:   It’s obvious that this is a labor of love from every cast member in this show. What does it mean, each of you personally, to be back for a second season?

Stephen:   Second season is the toughest season to get. Well, I guess, like actually getting something off the ground and getting to shoot it in the first place, probably, technically is more challenging, but bridging that gap from a first to a second season. You know, I don’t know, it just it seems to always be where the show takes off, where you you have some time under your belt to see what works. You also have the real benefit of audience interaction and seeing what pops for people and what doesn’t. So, you know, I’ve been very fortunate. This is the second time I’ve gotten a second season, and I hope that very shortly [for] the second time that I get a third.

Alexander:   Yeah, I mean, it’s very humbling. When I first read this script, and I think I speak for Stephen as well, like, there’s not a lot of shows like this, and there’s not a lot of shows that are made like this, and that’s what drew us to it. We’re like, “When will we ever get a chance to do something like this and tell this kind of a story,” for hopefully, you know, six years plus. And it’s so far and few between. You know, back in the day, this would have been the kind of movie that would have made me want to be an actor, and now it’s TV shows, right? And I just, I love everything about this. I love that it’s flawed characters. I love that it’s a world I’m not super familiar with and that I’ve fallen in love with simultaneously.

Question:   I was wondering how Ace and Jack feel about Crystal this season, and how her actions in the finale move the story forward?

Stephen:   Well, I mean, for Jack, we’re dealing with the immediate aftermath of this. And it’s like, is it a big sea-change? Or have we just, you know, do we just call an audible and we’re gonna put everything back to where it was the next day? I think what we discover for Jack, is that while you appreciate what Crystal did, he may not see it as the big sea-change that audience members or fans or she might have seen it as. So, that’s a point of contention in the early part of the season.

Alexander:   I think, for Ace, it was the nail in his in his coffin of what used to be. So, for him, he’s just constantly taking punches, and he’s and he’s throwing them wildly, but kind of not really focusing on on what the next step should be. And I think that the second season, you see Ace kind of come to terms with who he’s always been destined to become.

Question:   So, you mentioned that they’re flawed characters, and this is for both of you, but you made me think, what has your character taught you about yourself since you’ve been on this journey?

Alexander:   I have to say, you know, I’ve gone through my own demons, and I think that’s probably why I loved Ace so much is that I wouldn’t say I’ve learned a lot from him, but I would say that I’ve had to go on my own journey that he’s had to go on before him. So, actually, I would say, Ace can probably learn a lot from me. So that, to me, was something I loved about that character, was that I’ve dealt with my own versions of substance abuse and whatnot. And, you know, when you go to rehab, for example, you’re doing three years of therapy in fifty days, right? And you get really, really into why there are certain things that are driving you to become the human being you’re becoming. So, it wasn’t that I’m learning from Ace, it’s that I’m understanding Ace, and that’s why I loved him, is that I understood that underneath these child like temper tantrums that he throws and these irrational outbursts, there is a child crying for help. And the saddest thing about it is that only he can save himself from it. There’s nobody else who can do it for him. He’s looking for all this external validation, when in actuality, the only thing that is ever going to save him is himself and coming to terms with himself and his father’s suicide. So, to me, I thought Ace was such a beautiful character, because you love to love him, and you love to hate him.

 

Question:   What about you, Stephen?

Stephen:   It’s really, really simple. Pride comes before the fall. I’m dealing with this situation in my own life personally, right now, where a good friend of mine that I trust a lot is saying to me, “You have to take the emotion out of it.” Like, that’s impossible. He’s like, “No, it’s not. You have to take the emotion out of it, because the goal should be the outcome.” And that’s something that, you know, Jack is put in this position right now, where throughout the course of this season, he has to eat shit, multiple times. Not get shit on, like, Alexander, but each shit. And it’s like, well, listen, you have to eat it one way or the other. So, do you want to do with a smile on your face, or do you want to kick and scream the entire way? And that’s just been because he lets his emotions get in the way, and he’s prideful. So, I’m trying to learn that lesson to just not be that way personally, and I’m learning a lot watching how how things mess up for Jack. Yeah, it’s proven to be the right way to go about things.

Question:   For Stephen, so, I know we’ve kind of talked about Jack and Ace’s dynamic, but I want to talk about Jack and Staci’s relationship, because at the end of season one, it’s very strained, as Jack continues to put the DWL over his family. What can we expect throughout season two? Will we get to see Jack put the real work into that relationship and winning her back, or will that sort of fall on the back-burner and happen off scene?

Stephen:   No, we come to a resolution with Jack and Staci in the early part of the season. Then, I think their relationship gets into a great place, which I was very happy about, because I think that the the troubled marriage or, you know, the conceit of like the nagging spouse, be the husband or the wife, it’s not tired – well, it’s a little tired, I think, personally. So, I thought it’d be fun, and I think Mike thought it’d be fun too, to examine, like, a relationship where, look, these guys love each other, but life isn’t perfect, but here’s what they’re gonna do. And this is the important thing, is they’re going to show up one another, and they’re going to be honest with one another about everything, about the big things, the little things, not just the Kleenex and trying to destroy Ace’s life, but like, you know, were you on time for work today? Or were you five minutes late? You could say you’re on time, but no, you say you’re five minutes late, honestly, about everything. And, in that sense, too, I’ve been learning from Jack, because that’s an important thing, being honest, just even about little things, especially about the little things.

Suzanne:   I know that you guys were both really fit before you did this show, but did you have to add on extra workouts in order to play people who are basically running around in their underwear quite often?

Alexander:   It wasn’t as much of an aesthetic thing, just like looking good and tight as opposed to literally being able to withstand what’s asked of us physically. So like, when we weren’t filming, we were literally in the gym with our stunt team, training specific ways to be able to withstand what we had to do. And I’m talking like, you know, it’s nothing compared to what these actual guys do in real life, but it is really, really tough on your body, and it’s something that Stephen and I can’t fake. It’s like, we have to do it. So, when you see somebody doing a backflip off the top turnbuckle that’s something I have to be able to do. Or you see Stephen doing a suplex it’s something he has to be able to do, and they don’t want us to get injured. So, that’s the most important thing.

Stephen:   Yeah, like, there’s no way around it. It’s not like taking a flat back bump gets easier in the same way that like if you start weight training a bunch, the pads of your hands, like you’re gonna get all these blisters. The blisters don’t go away, they callus. And when you learning how to bump in the ring and stuff like that, it doesn’t get easier. You just get used to it. It’s like a cold plunge; it doesn’t get easier. You just get used to it. And I wouldn’t say that we added anything, but what we did and what the production did, which was very, very helpful, is we just said, “Listen, if we’re going to be playing wrestlers on TV, then we need to look like wrestlers on TV, and in order to do that, we need to be in wrestler shape and have wrestler bodies, which come in many shapes and forms and sizes.” But they did a great job of building us a gymnasium, building us a program, and then enforcing it and making it part of our schedules, so that it’s not our responsibility to find the motivation on a Thursday when we’re not working to get to the gym at 10 o’clock. No, it’s on the schedule. We have to go. We’re contractually obligated. But we just go.

Transcribed by Jamie of SciFiVision

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"Heels" season 2 premieres on Starz July 28!

STARZ RELEASES EMOTIONAL TRAILER FOR SEASON TWO OF CRITICALLY-ACCLAIMED SPORTS DRAMA “HEELS” AIRING JULY 28
THE NEW TRAILER LEAPS FROM THE TOP ROPE AND BEGS THE QUESTION: WHO’S IN YOUR CORNER?
Santa Monica, Calif. – June 29, 2023 – STARZ released today the trailer and key art for season two of the critically-acclaimed drama Heels,” which returns to the ring for season two on Friday, July 28 at midnight (ET) on the STARZ app. Starring Stephen Amell (“Arrow”) and Alexander Ludwig(“Vikings”), the small-town sports drama series based on a wrestling league in rural Georgia will also debut via linear tv on STARZ at 10:00 PM ET/PT in the U.S. and Canada on Friday, July 28, 2023.
Heels” is aptly named after the wrestling term for a villain or antagonist. Most stories center around heroes vs. villains, but in wrestling, it’s faces vs. heels. Season two brings fans back to the family-owned wrestling organization, Duffy Wrestling League (DWL), where brothers and rivals, Jack (Amell) and Ace Spade (Ludwig), continue to fightover their late father’s legacy and their individual versions of success, while also working to find their own identity as a “face” or a “heel.” The show invokes feelings of nostalgia akin to  “Friday Night Lights,” while covering topics like the effects of trauma on communities, finding personal identity, and women taking the lead in every facet. It is centered around a small-town community where everyone knows each other and everyone in town follows the saga of the Heels and Faces in the DWL.    
Season two also stars Alison Luff (“New Amsterdam”) as Staci Spade, Mary McCormack (“Deep Impact,” “The L Word”) as Willie Day, Kelli Berglund (“The Goldbergs,” “The Animal Kingdom”) as Crystal Tyler, Allen Maldonado (House Party, “The Wonder Years,” “The Last O.G.”) as Rooster Robbins, Chris Bauer (“Gaslit,” “Survivor’s Remorse,” “True Blood”) as Wild Bill Hancock, Trey Tucker (“The Outpost”) as Bobby Pin, Robby Ramos (“Chicago P.D.”) as Diego Cottonmouth,Alice Barrett Mitchell (“The Thing About Pam,” “Billions”) as Carol Spade, Roxton Garcia(“Reminensce”) as Thomas Spade, David James Elliott (Trumbo, “JAG”) as Tom Spade, Joel Murray(“Mad Men,” “Shameless”) as Eddie Earl, CM Punk(“Mayans,” “AEW Dynamite”) as Ricky Rabies, AJ Mendez (“Women of Wrestling,” “WWE”) as Elle Dorado, Josh Segarra (Scream VI, “Arrow,” “The Other Two”) as Brooks Rizzo, and Emmy Raver-Lampman as Jen Lussier.
Heels” showrunner and executive producer Mike O’Malley (“Survivor’s Remorse,” “Shameless”) also portrays Charlie Gully on the series. Michael Waldron (“Loki,” Dr. Strange in the Multiverse of Madness, “Rick and Morty”) is the show creator.Christopher Donnelly (By Sidney Lumet), Pete Segal (Get Smart, 50 First Dates, Tommy Boy,“Shameless”), Patrick Walmsley (JT LeRoy), and Julie Yorn (Hell or High WaterWhite Boy Rick) also serve as executive producers on the series. “Heels” is produced through O’Malley Ink and LBI Entertainment in association with Lionsgate Television for STARZ. 
Follow “HEELS” on Social
Twitter: @HeelsSTARZ
Instagram: @HeelsSTARZ
Facebook: @HeelsSTARZ
Join the conversation with #HeelsSTARZ

About “Heels” Season Two
Heels” is a drama that follows Jack (Stephen Amell) and Ace Spade (Alexander Ludwig), two brothers and rivals who war over their late father’s wrestling promotion, vying for national attention in small-town Georgia. In the ring, one is a villain, or “heel,”; the other a hero, or “face.” Season two begins after a spectacular showing at the South Georgia State Fair, the Duffy Wrestling League’s popularity is suddenly on the upswing. Hoping to seize the opportunity, Jack and his cohorts prepare for a possible business deal with a new streaming service that may propel them onto a national stage. But the past and its tragedies threaten to upset everything when Ace leaves Duffy and the Dome in his rearview, and rival promotion Florida Wrestling Dystopia’s vengeful frontman Gully comes calling.”
About STARZ 
STARZ (www.starz.com), a Lionsgate company, is a leading global media streaming platform committed to delivering premium content that amplifies narratives by, about and for women and underrepresented audiences. STARZ is home to the highly rated and first-of-its-kind STARZ app that offers the ability to stream or download STARZ premium content, as well as the flagship domestic STARZ® service, including STARZ ENCORE, 17 premium pay TV channels, and the associated on-demand and online services. In 2018, STARZ launched its international premium streaming platform STARZPLAY, now LIONSGATE+, to provide subscribers access to bold, curated storytelling. LIONSGATE+, coupled with the STARZPLAY ARABIA joint venture in MENA and Lionsgate Play in South and Southeast Asia, has a footprint that extends across the globe. STARZ and LIONSGATE+ are available across digital OTT platforms and multichannel video distributors, including cable operators, satellite television providers, and telecommunications companies around the world. In February 2021, STARZ launched #TakeTheLead, a multi-faceted and innovative inclusion initiative expanding its existing efforts to improve representation on screen, behind the camera and throughout the company. 
 
About Lionsgate 
Lionsgate (NYSE: LGF.A, LGF.B) encompasses world-class motion picture and television studio operations aligned with the STARZ premium global subscription platform to bring a unique and varied portfolio of entertainment to consumers around the world. The Company’s film, television, subscription and location-based entertainment businesses are backed by an 18,000-title library and a valuable collection of iconic film and television franchises. A digital age company driven by its entrepreneurial culture and commitment to innovation, the Lionsgate brand is synonymous with bold, original, relatable entertainment for audiences worldwide.

Proofread and Edited by Brenda

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Mary McCormack stars as Willie Day in "Heels" on Starz