Article – Page 20

Interview with Jesse Soffer and Jason Beghe

Posted on May 1, 2021May 24, 2021 by TvMegasite Admin

TV Interview!

Jesse Soffer and Jason Beghe of “Chicago PD” on NBC

Interview with Jesse Soffer and Jason Beghe of “Chicago PD” on NBC by Suzanne 3/23/21

These two are the stars of their show, but they’re humble. It was a pleasure to speak with them and listen to them answer all of the questions.

Here’s the video version of it.

Question: You guys are doing a great job. The show’s been on for quite a long time now. Are you sort of settling into your characters, or, this year, when people have been looking at police officers a little differently, has that changed your approach at all to how you play your character?

Jason: Jesse? Or do you want me to [go]?

Jesse: No, it hasn’t changed my approach at all. We were actually just talking about this. I think our show does a good job of portraying everyone as a human being. Whether or not you’re on the right or wrong side of the law, whether or not you’re on this side or that side of politics or have an idea, everybody’s human. So, no, my idea of Jay hasn’t changed, but everything is growth. You know, “what’s going on in current events?” If we’re playing the reality of it, and we’re truthful, then cops today are seeing things in the news and they’re hearing discussions and they’re having to think about it. So, obviously, that’s going on with Jay; that’s one point that’s going on with everybody. So, that would be the only way that it’s changed the way you absorb the information around you.

Question: Well, Jason, your cop actually started out as a bad cop and then transitioned to being more upstanding.

Jason: Well, I’m not sure if that’s a question, but I can also just say that, the first day I showed up on Chicago Fire, producers, they said to me, the first thing they said was, “Oh, you’re a bad guy.” And I said, “No, I’m not.” And, of course, they showed and portrayed, wrote him as a bad guy. He was doing a lot of bad things, but for me to play it, you rarely come across a bad person who thinks they’re a bad person. He’s just a person, and he’s doing what he thinks is right. We come up with solutions to cope.

Remember, he attacked Casey in the beginning, because he’s trying to protect his son. I don’t know if you have children, but he might go pretty far. To keep your child – I mean, my son was going to go to jail and be in an environment with people who I put there, and he probably would have been raped to death. And yes, he did something bad, but was that justice? Voight certainly thought not, and he was willing to go to great lengths to protect his son. From Casey’s point of view, he is a bad guy. From his son, Justin’s view, he is a loving father.

So, the thing that’s interesting is that nobody is one thing or another, and the more we get to know people, I think, the more we are able to understand them and therefore love them. That, to me, is what’s interesting about life and playing a character for this long, that you get to understand that people – there’s always something there; there’s something to love. We’re not one thing or another. Things change in moments, and he’s having a hard time right now. He’s not a guy big on self reflection, and he’s being forced to [reflect]. It’s difficult, and I think his knees may hit the ground this season, but he’s a strong guy. I think that to be who he is, I imagine his knees have hit the ground in the past, and those are the moments where you either stay down on the canvas or you get up, and you’re recreated and better. I find that fun, and it keeps me interested, both personally, and also artistically, playing the guy.

Suzanne: Hi. It’s great to talk to both of you. Jesse, I used to watch you on As the World Turns, so I’m big a fan.

Jesse: Oh, man.

Suzanne: That was a while ago. And I went on all of the One Chicago Facebook groups and on Twitter, and I got quite a few responses. People want to talk to you guys. So, Jennifer wanted to ask Jesse; she’s heard during two different interviews that you wanted Jay to go skydiving, and she wanted to know if you had gone skydiving, and if you liked it.

Jesse: I don’t know who this Jennifer is, but I will tell you right now, she’s a liar, because I have never once said that I wanted to go skydiving. If I did, maybe I was on drugs when I said it. I’d love to see the tape.

Jason: I doubt that he said it.

Jesse: Show me the tape. Prove it to me. There’s no way I said it. So, no, I don’t want Jay to go skydiving. I don’t need to have an episode about that.

Suzanne: Maybe she was playing with me.

Jesse: Yeah, maybe.

Suzanne: Sorry about that.

Jesse: No, you’re fine.

Suzanne: And let’s see, another Jennifer, who goes by Jen, wants to know, Jason, we noticed that Sam and Voight are trusting each other now. Can we expect a romantic involvement?

Jason: You know, it’s funny. That’s, I think, the third time I’ve been asked that.

Jesse: This is clearly a thing. This is a thing.

Jason: And I just find it – I have to turn the question back on the question. I mean, I understand it, but just because you’re trusting somebody, and granted, she’s probably one of the most attractive people you’ve ever put on a television screen, but trust and connection and love doesn’t always mean sex and romance.

Suzanne: On TV though, it kind of does.

Jason: Yeah, yeah. Yeah. Maybe I like that, that it that it doesn’t have to be that, and I also think that – this is just me personally, [but] I don’t think there’s much sexier than mystery. I don’t want to get too poetic, but on the great romantic poem, Ode on a Grecian Urn, [there are] these two lovers that are painted on this urn, and they’re at that moment where they’re about to kiss, and the whole thesis is that’s the best moment, not the kiss, and not the lovemaking, but that’s where all the energy is. So, I tend to think that I’d like to keep it there, but we’ll see. I wouldn’t throw a fit if I was forced to kiss her, Nicole Parker.

Suzanne: Thank you. Thank you guys.

Question: You guys have been on for like, seven, eight years now, and as actors – because I’ve felt that, especially in theater, repetition can make it boring or can make it more interesting. Has the character at times, does it become boring? Or, how do you keep it interesting and fresh? And the biggest thing is, do you have more control over the narrative in any way, because you have played the character for so long, by talking to the writers and EPs to contribute to the storytelling? Jason, you can go first.

Jason: Yeah, I’ve never gotten bored. If I did, I probably would either quit or get fired. Just like my [character], I hope I don’t get bored, [as] Jason, either. I mean, I’ve got a lot to work on. I’ve got a lot to grow and change, and so does Voight, and he also loves his job. His job brings surprises and new things every day, and he likes doing it well. It’s a puzzle to solve, and the stakes are high. He makes a difference, so he’s engaged. That character, he’s growing and changing all the time. It’s not like you get the character, just like it’s not like you’ve gotten yourself, and you’re done. You know, it’s a work in progress, and same with him. And I think in my relationship with Voight is like a relationship. I learned from him; he learned from me. Then, you play the scene and see what happens. It’s exciting. It’s exciting.

Question: [Have you] talked the writers and EP in terms of conducive stories now?

Jason: Oh, yeah. Absolutely. We have a very collaborative environment, particularly with Ricky now running the show. And I’m highly respectful, and he’s amazingly good. All our writers are, and if I don’t understand something or agree, it’s not like I go, “You’re wrong.” I say, “Help me understand.” And there may be a thesis and an anti-thesis, but there’s always a synthesis. We work together, because they don’t want me to do something that I don’t understand or don’t believe, and they’re the ones who are helping me discover, leading me in the direction where I continue to create and discover who Voight is and who he is becoming.

Interview Transcribed by Jamie of http://www.scifivision.com

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Jesse Lee Soffer

Det. Jay Halstead, “Chicago P.D.”

Jesse Lee Soffer stars as brash young police detective Jay Halstead in the hit NBC drama “Chicago P.D.”

Born in Ossining, N.Y., Soffer’s acting career began at age 6 when he landed a Kix cereal commercial. He made his feature-film debut two years later opposite John Goodman and Cathy Moriarty in “Matinee.” Soon thereafter, he was cast as Susan Sarandon and Sam Shepard’s son in the family drama “Safe Passage” and as Bobby in both “The Brady Bunch Movie” and “A Very Brady Sequel.”

Continuing to work with some of the biggest names in the industry, Soffer starred as a runaway-turned-sleuth in the television movie “From the Mixed-Up Files of Mrs. Basil E. Frankweiler,” opposite Lauren Bacall, and then worked with director Richard Shepard in AMC’s longform presentation of “The Royale.”

In 1998, Soffer was cast as a series regular in the ABC comedy “Two of a Kind,” starring Mary Kate and Ashley Olsen. When it ended, he returned to the East Coast and took a role on the CBS daytime serial “Guiding Light.”

After four months on the show, Soffer decided to focus on his studies and put himself through the Gunnery Boarding School in Connecticut. Upon graduation, Soffer realized that he still yearned to act and quickly landed a major contract role on the CBS daytime drama “As the World Turns.” His portrayal of troubled youth Will Munson earned him three consecutive Daytime Emmy nominations for outstanding younger actor in a drama series in 2006-08, as well as a Soap Opera Digest Award nomination for outstanding younger lead actor.

Soffer made his return to the big screen in Davis Guggenheim’s independent film “Gracie,” playing the son of Elizabeth Shue and Dermot Mulroney, and also appeared in the film “In Time.” In primetime television, Soffer had a co-starring role in the Fox series “The Mob Doctor” and had guest roles in series including “CSI: Miami,” “The Mentalist” and “Rizzoli & Isles.”

Jason Beghe

Sgt. Hank Voight, “Chicago P.D.”

Jason Beghe stars as Sgt. Hank Voight, leader of the Chicago P.D. Intelligence Unit in the NBC drama “Chicago P.D.”

Beghe was born and raised in New York City, where he attended the prestigious Collegiate School.

Beghe portrayed a quadriplegic in the George A. Romero film “Monkey Shines: An Experiment in Fear.” He later appeared as a police officer in the film “Thelma & Louise” and played Demi Moore’s love interest in “G.I. Jane.” Other feature-film credits include “X-Men: First Class,” “The Next Three Days,” “One Missed Call” and “Atlas Shrugged: Part II.”

On television, Beghe’s recurring roles include “Chicago Fire,” “Law & Order: SVU” and “Californication.” He has guest-starred on countless series, including “Last Resort,” “Castle,” “NCIS,” “CSI: New York,” “Criminal Minds,” “The Finder,” “Prime Suspect,” “Law & Order: Los Angeles,” “Picket Fences,” “Chicago Hope,” “American Dreams” and “Cane.”

Beghe lives in Los Angeles.

From multiple Emmy Award-winning executive producer Dick Wolf and the team behind the hit series “Chicago Fire,” ‘Chicago P.D.” is a riveting police drama about the men and women of the Chicago Police Department’s elite Intelligence Unit, combatting the city’s most heinous offenses – organized crime, drug trafficking, high profile murders and beyond.

At the center of “Chicago P.D.” is Det. Sgt. Hank Voight (Jason Beghe), who is at ground zero against the war on crime in Chicago. He will do anything to bring criminals to justice.

Hand-picked as the head of the unit is Voight, who has assembled a team of diverse detectives who share his passion and commitment to keep the city safe. They include Jay Halstead (Jesse Lee Soffer), a brash young detective who previously saw active military duty in Afghanistan; Officer Kim Burgess (Marina Squerciati), who has proven herself valuable to the team after being brought up from patrol on several past cases; Officer Adam Ruzek (Patrick John Flueger), a quick-witted cadet plucked from the police academy; Officer Kevin Atwater (LaRoyce Hawkins), a charismatic patrolman who was brought upstairs; and Det. Hailey Upton (Tracy Spiridakos), the newest member of the team with killer instincts, humor and smarts. After going head to head with Voight, the two find a mutual respect for one another and see the value in working together.

Desk Sgt. Trudy Platt (Amy Morton) runs a tight precinct with tough love, although she lets her softer more vulnerable side shine through from time to time.

In addition to Wolf, executive producers include Rick Eid, Peter Jankowski, Arthur W. Forney, Derek Haas and Eriq La Salle.

“Chicago P.D.” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Please visit the official show site at: https://www.nbc.com/chicago-pd.

For the latest “Chicago P.D.” news, videos, and photos, please like on Facebook, follow on Twitter and Instagram

https://www.facebook.com/NBCOneChicago

https://twitter.com/NBCOneChicago https://www.instagram.com/nbconechicago/

Proofread and Edited by Brenda

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Jesse Soffer and Jason Beghe of “Chicago PD” on NBC

Interview with Alice Braga

Posted on May 1, 2021March 14, 2023 by TvMegasite Admin

TV Interview!

Alice Braga of “Queen of the South” on USA Network

Interview with Alice Braga of “Queen of the South” on USA Network by Suzanne 3/23/21

It was great to speak with Ms. Braga. She was very chatty and kind. I hope you enjoy this interview as much as I did.

Here’s the video version of it.

Question: …Can you talk a little bit about such a wonderful show with such a strong female character coming through? [What] has the journey been like, and what do you want to tell other female storytellers who want to tell stories like this? It [has] such amazing, powerful characters.

Alice: Yeah, it was very, very powerful. Thank you for what you said about my work and myself; I really appreciate [it]. I mean, since I read the book, I thought it was a very powerful character to play. I absolutely love the journey that she goes through the book. It was decided to not follow the book and create a new journey for her for the show, but I always tried to portray that character from that journey. And I thought it was very interesting to have a [female], and especially Latina, being the leader of the cartel, and trying to create that, without falling into the stereotype of being just a villain or someone that is just mean, but trying to create an arc that goes different ways and meet different characters. And a lot of people die in the cartel world, so, so many [ways] that it could happen. But it was nice. I always try to honor what Arturo Pérez-Reverte wrote for this character, and kind of understand how she would respond to the situations that were created. And I feel that having characters that are empowered in that sense, it’s very interesting. It is a character that doesn’t victimize herself; it is a character that [is] trying to survive. And through that, even if she’s the anti-hero, because she’s, of course, the drug dealer and all that, she’s the heroine of her own life, because she is the girl from Culiacán. Even though all odds with the situation that she was put in, she kept on thriving, and she kept [her] focus on survival. So, I think it was a very interesting, powerful journey to face as an actress.

[crosstalk]

Suzanne: Hi, thanks for being here today. It’s great to talk to you.

Alice: Thank you, Suzanne.

Suzanne: I went on a bunch of social media sites and asked your fans for questions. There’s one who really gave me a lot of questions named Brenae; I’m not sure how she pronounces it, but she wanted to know if you and the cast did anything special on your last day of shooting?

Alice: We did actually. We all got together. We were all tested, and we were all connected all the time, because of COVID. It’s kind of like our little NBA bubble, because we’re literally going from my house to the set and set to my house, because it’s such a crazy environment with COVID. We had to be very strict with what kind of lifestyle we were having, and all of us were very committed and very devoted to the show. We just had a drink together, actually, with a few people from the crew and the show runners and our makeup artists and the hair stylists that have been with us since season one. We got a couple of tequila, a couple of Japanese whiskey, and a lot of hugs and a lot of cries, even though was COVID. We were all tested, and we were trying to stay away from each other, but it was very emotional. It was beautiful. But yeah, we got together, everyone.

Suzanne: Thank you. That sounds really great…

Question: You’ve played this character for quite a while now. How is it leaving her behind? And this show is going to have a second life in streaming now. What would you say to get people in the door to take the whole thing in?

Alice: It’s very interesting, because before, I’ve done – Queen of the South was my first TV show. I’ve never worked on television before. I’ve only done films, and the work that you do in films, you get connected to the story, you do the work, and then, after that, you wrap it up, and that character is alive but on that moment forever. With the show, you kind of put it aside for a couple of months, and then you revisit. So, you’re always going back to it. And that was my first experience with that. The heartbeat of the character is still alive, even though if you’re going away for a little bit, like on offseason, you’re doing a film; you’re doing a play or something else. So, it’s been a big part of my life for the past five years. So, definitely, when we said, “It’s a rap,” it was very interesting.

I remember calling Hemky Madera, the actor that plays Pote, to look at me, because I said, “It’s the last time you’re gonna see me with the part [unintelligible] and wearing all white and all that.” And we hugged each other. We were like, “Oh, my God, it’s been six years of our lives together.”

And I feel very happy, and, of course, emotional, but very happy that we were able to complete the journey, to have five seasons, to be able to finish, because there’s so many shows that end up being canceled, and at least we were able to finish the total journey that we were there to do. And I’m definitely going to miss her, but it’s wonderful to be able to complete that path with her, especially being my first TV experience. I’ve never thought it would last that long. So, it’s been a true honor.

And for whoever is streaming now, I really hope you enjoy the ride, because there’s so much action; there’s so much drama. There’s so much intensity and so many different characters that come and go, because the drug dealer world is this kind of world that there’s so much to explore. I really hope they tune in, and they enjoy the ride. It’s quite a ride for a girl from Culiacán to become the drug lord that she becomes.

Question: I interviewed your executive producer right before the show started, and he said he was standing in his backyard, and there was a billboard for Queen of the South that he could see, and it was his proudest moment. Did you have kind of a moment like that?

Alice: Absolutely. I think when I started feeling the responses from the fans. I remember I was doing a show in Italy last year – not last year, 2019. Well, 2020 is a blur for everyone, right? It was kind of like a blur, but when I was filming in Italy, I remember walking, and I walked into vinyl store. And the guy was just watching a game, and he looked at me, and his reaction seeing me, I could see that he couldn’t picture why I was in the tiny town in Italy in his store. He literally flipped, and that reaction for me – I remember, oh my god, I’m so thankful to be able to play a character that has been seen in a way from people all over the world from Italy to Brazil to South Africa, receiving messages from the Philippines, all over the world. I think when you do that – we do it for the fans, but when you see that more than one nationality connected to it, it really fills my heart, especially like being represented and playing a Mexican in an American show. That’s the world that I believe in, that we should all communicate and tell stories to each other.

Question: …What was the biggest takeaway for you working on this show that you would like to carry forward and further your storytelling journey?

Alice: You mean as the character or as Alice Braga?

Question: As an actress, and as an executive producer…hopefully you have power to create more stories, or at least help create the kind of stories do you want to tell. What are you going to take from this?

Alice: Yeah, absolutely. I feel like it’s been a true honor to be able to – like I was saying, this was my first TV show. I’ve never done TV before, not even in Brazil. We do a lot of telenovelas soap operas, [but] I’ve never done it before. So, to be able to not only jump on board and be included, [but to] be the lead of a TV show in the United States being Latina, it’s been an honor and a great experience, and also being able to executive produce, meaning having an input in the character’s journey and what is her journey and where she’s going, and being included in that conversation has been an honor. And I feel like representation really matters, not only in front of the camera, but behind the camera. That’s why it’s great to have Latinas like [unintelligible]. She’s half Cuban; her mom is Cuban. Ben Lobato, he’s Latino as well. I think It’s important for us to have more and more and more writers, directors, executives, that are of color, because that’s the only way that we see ourselves in front of the camera. So, it’s not only about hiring actors, but I think it’s also changing the perspective of the business to have more people of color, both behind and in front of the camera. Like I was saying, that’s the future that I hope [for], and that’s the world that I want to live in, for sure.

Interview Transcribed by Jamie of http://www.scifivision.com

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Alice Braga

Teresa Mendoza, “Queen of the South”

In her television debut, Alice Braga (“City of God”) stars as Teresa Mendoza in USA Network’s newest drama, “Queen of the South.” This adaptation of Arturo Pérez-Reverte’s best-selling novel, La Reina Del Sur, follows Teresa’s journey as she learns the tools of the trade and positions herself as the leader of the very drug cartel that had her on the run.

The Brazilian born actress received critical and international recognition for her stirring performance in “City of God,” which helped catapult the film to multiple Golden Globe® and Oscar® nominations. A multiple-award winning actress, Braga received best actress awards at Miami International Film Festival, International Film Festival in Rio de Janeiro and Verona Love Screens Film Festival for he role in “Lower City”; at Brazilian Film Festival of Toronto for “The Milky Way;” at Paulinia Festival for “Blindness;” and at Punta del Este Film Festival for “Cabeça a Prêmio.”

Next, Braga will be seen in Kieran-Darcy Smith’s “By Way of Helena” co-starring opposite Woody Harrelson and Liam Hemsworth. She will also appear in Stuart Hazeldine’s “The Shack,” alongside Sam Worthington, Octavia Spencer and Tim McGraw. Braga was last seen in the Neill Blomkamp’s futuristic drama, “Elysium,” opposite Matt Damon, Jodie Foster and Sharlto Copley. Additional recent film credits include Walter Salles’ “On the Road” alongside Kristen Stewart, Kirsten Dunst, Amy Adams and Garrett Hedlund and based on the book by Jack Kerouac; Mikael Hafstrom’s thriller “The Rite” opposite Anthony Hopkins; Miguel Sapochnik’s thriller “Repo Men” opposite Jude Law and Forest Whitaker; as well as Nimrod Antal’s science fiction film “Predators” opposite Adrien Brody.

In 2008, Braga had three films. “Blindness” in which she re-teamed with director Fernando Meirelles and starred opposite Julianne Moore and Mark Ruffalo; as well as David Mamet’s “Redbelt” which followed the life of a Jiu-jitsu master, played by Chiwetel Ejiofor and co-starring Emily Mortimer; and finally Wayne Kramer’s film “Crossing Over,” in an ensemble cast led by Sean Penn and Harrison Ford. Prior to this, Braga starred in the blockbuster success film, “I Am Legend,” opposite Will Smith.

Other film credits include Heitor Dahlia’s “Drained” (O Cheiro do Ralo) opposite Selton Mello; Eric Eason’s “Journey to the End of the Night,” featuring Mos Def and Brendan Fraser; Carlos Bolado’s “Only God Knows” (Sólo Dios Sabe), opposite Diego Luna; as well as the riveting drama “Lower City” (Cidade Baixa) about the dangers of a love triangle. For her performance, A.O. Scott of the New York Times hailed Braga as “one of the most forthrightly and powerfully sexual screen actresses in the world.”

Braga is fluent in Portuguese, Spanish and English.

QUEEN OF THE SOUTH tells the powerful story of Teresa Mendoza (Alice Braga), a woman who is forced to run from the Mexican cartel and seek refuge in America, and her eventual rise to power over her own drug trafficking empire. The original drama series is based on the global best-selling novel “La Reina Del Sur,” by internationally acclaimed author Arturo Pérez-Reverte. The literary page-turner also yielded a popular super series for USA’s sister network, Telemundo.
Facebook: /QueenOnUSA
Twitter: @QueenOnUSA
Instagram: @QueenOnUSA
Hashtag: #QueenOfTheSouth

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Alice Braga of “Queen of the South” on USA Network

Interview with Ryan Eggold and Jocko Sims

Posted on May 1, 2021March 12, 2023 by TvMegasite Admin

TV Interview!

Ryan Eggold and Jocko Sims of “New Amsterdam” on NBC

Interview with Ryan Eggold and Jocko Sims of “New Amsterdam” on NBC by Suzanne 3/23/21

These guys were very nice and interesting to listen to during our press junket. They’re clearly enthusiastic not only about their jobs, but about life in general. They have a lot of compassion for what we’re all going through this past year. I hope you enjoy the interview!

Transcript below!

Jocko Simms and Ryan Eggold of "New Amsterdam" on NBC

Question: So, congratulations, guys, the season’s been fantastic. So far, a lot of drama, as expected on the show, but tell me, you guys are shooting in the middle of the pandemic, and you’re telling stories of the pandemic. Is there anything new that you discovered, Ryan and Jocko, in the process about the pandemic as first responders that you weren’t aware of, and how did that move you?

Ryan: Well, for me, I think just in the process of imagining what this experience must have been like to be a frontline worker and be inundated with patience and overwhelmed, and the system being overwhelmed not having enough supplies, not having enough masks, not knowing exactly how to treat this virus, trying every day to figure out what’s the best treatment, and wrap your head around this thing, and just in the process of having to imagine that and having makeup, you know, put the lines on and sort of try to embody that emotional experience, it just makes you think about the reality of it and the incredible sacrifices made, the incredible amount of work and dedication and sleepless nights that this must have been for so many frontline workers. It just doubled my respect for them, which was already enormous, but, yeah, just an incredible feat of heroism on a daily basis, really, and here Jocko and I are getting to sort of pose as these amazing figures, but it’s really incredible what they’ve done.

Jocko: And for me, much the same. You know, we have our frontline workers that we actually work with on set, and we were able to keep in touch with them throughout all of this horrible process. After a while, you start to become numb to all of the news and everything you see, but, for me, what was interesting is seeing that first episode of this season, that first…five minutes. It was, in a sense, a reset and another eye opening experience for me, down to the details. I remember seeing [Janet Montgomery] on set, when they had the red marks from the makeup on her face, and I went, “What’s that for?” They said, “From the mask.” And as small as that was, it kind of just was heavy on me to realize how many hours per day that the frontline workers had to wear the masks to protect themselves as they risked their lives to save our lives. So, it was quite impactful once the show got started, and I was able to see that in a different light.

Suzanne: Hi, guys, thanks for coming here today.

Ryan: Hey, of course.

Suzanne: I just was taking some classes last year and one of the guys in class — he’s a huge, huge fan of your show. He’s guy in his 20s, so getting all the demographics there.

Ryan: That’s awesome.

Suzanne: Yeah, I’m behind on the show a little bit. So, I asked some of your fans on Facebook, and Missy wants to ask Ryan, do you have a particular person you use for inspiration in this role?

Ryan: Certainly. I mean, perhaps it sounds a little obvious, but the role is based on Eric Manheimer, who Jocko knows as well, who wrote this book about his experience at Bellevue and is an amazing guy. He’s very forward thinking, very friendly, very down to earth, very human, very warm. He always wanted to be in touch with the patients, in touch with the other doctors. He didn’t want to sit upstairs behind some desk and make calls. He wanted to get out there and wear scrubs and say, “I’m here. I’m a doctor. Even though I’m the medical director, I’m not just a bureaucrat; I want to roll my sleeves up.” So, [I had] many, many interesting conversations with him about his views on health care and a lot of the red tape that he’s had to go through to get patients care. Sometimes things sort of seem obvious, but there’s so much in the way, and I think that’s really what our shows has become about. It’s about, how do we cut through all that junk and actually get people cared for and help in a real way? So, he’s definitely a big inspiration.

Suzanne: Okay. Yeah, your signature line there, “How can I help?” that’s pretty much everything in a nutshell, right?

Ryan: That’s right.

Suzanne: And, Jocko, what has been the most interesting story that you’ve had to film that you’ve liked?

Jocko: Oh, my goodness, that’s a tough one. I think I would say the most impactful for me have been Episode Four, I think, of season two and Episode Six of season two that were centered on the health of African Americans. Particularly, because, historically, many of us tend to not be favorable towards the healthcare and healthcare system for many obvious reasons that we’ve been able to learn about. So, those episodes were great. I got to go to Atlanta and speak at Morehouse College, the Medical College there, and show an episode. Ryan, it was a great episode with you with the guys out there playing basketball in a barber shop. It was great to bring that quirkiness in there, and they just really, really responded well to it. But any episode that sort of impacts my community, and any community, for that matter, is the one that’s memorable for me.

Question: …Your show this year, more so than many other shows, really leaned into the pandemic and showed all sides of it, and, you know, a lot of the sort of horror of it. Were you concerned at all about doing that? Because there’re some people that are looking at television as escapism right now, and they don’t want to see it, but I will tell you, I have heard from viewers that they really like it.

Ryan: Yeah, I think that’s a great question, and I think that was the question that David Schulner and Peter Horton were asking themselves and everyone who’s writing and making this show, you know, “How sick of it are people?” How much do they want to share that experience? I think, ultimately, our show is trying to tap into, you know, as Jocko was just saying, some of the realities of healthcare and some of the social issues that lead people to the hospital, some of the inequities, all these things. And I think, in an effort to keep the show honest, we had to reflect this experience that we’ve all been living through, and obviously the incredible hard work of our frontline workers, but the toll that it’s taken on them, on the patients, on the hospital system, on everyone. I think, ultimately, we’ve made a real effort to even find moments of humor and moments of joy and moments of lightness amidst that, because in any tragic, difficult situation, you have to. So, I think it’s about finding that balance, and, I think, at least when I watch it, as a viewer, I find myself appreciating sort of sharing that experience, relating to that experience of something that I’ve been through. You know, I, like everyone else, was in quarantine for months and months and months, wondering what the heck’s going on, and I even had this thing months and months ago. So, I think, ultimately, you got to be honest and try to try to relate that experience to everybody and connect in that way.

Question: Did it take a toll on you guys playing that role?

Jocko: For me, my character, he says in Episode One or Two of the season that he only experienced three deaths at his hospital in San Francisco, and much the same, I wasn’t a part of that opening montage. I haven’t dealt a whole lot with COVID, but kudos to the writers, to David Schulner and our wonderful writing staff, for number one, being able to have the foresight and the knowledge to know exactly where to put that needle. Because they wrote this so long ago, by the time we were airing, I mean, I think that we originally thought or planned that we would be airing sometime in October and November and it turned into March, so kudos to them for not hitting people over the head with a pandemic. Because we’re still dealing with so many different issues, as Ryan mentioned, and we have a lot more to cover as the season progresses.

Question: Did it change your your process as an actor? I mean, I know, there were a lot of precautions on set and that kind of thing, but I just wondered if any of this changed your process internally?

Ryan: I don’t know about you, Jocko. I don’t think it changed my process in terms of how I approach the material that the writers have written and interpret that and then try to tell that story, but it did make me ask questions of some of the folks on our set who are frontline workers, or talk to my sister who’s a nurse, or Eric manheimer, who our show is based on, just the real people who’ve really been doing it and just try to pay homage to that in a way that is authentic and fairly reflects that expat experience. So, I think there was an authenticity that – I don’t want to speak for Jocko, but that we all were aiming for and still are aiming for. And I think in terms of process, it just involves talking to the real folks and getting their real thoughts and their real experiences. Then, of course, I think incorporating our own experience with isolation, quarantine, the emotional toll, all that stuff, we’ve all been living that. So, that’s all there.

Question: And how about you Jocko?

Jocko: Much the same. I echo what he said on that. It didn’t much effect my approach. I was happy to be back and get back, and even in the fun moments, the light moments, I’m picturing the audience seeing these things, and I’m like, “I know it’s gonna lift a lot of people’s spirits out there.” So, [I’m] just excited to be back and doing what we do.

Interview Transcribed by Jamie of http://www.scifivision.com

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Ryan Eggold

Dr. Max Goodwin, “New Amsterdam”

Ryan Eggold stars as rebellious medical director Dr. Max Goodwin on the NBC hit drama “New Amsterdam.”

Eggold is also known to many for his role as Tom Keen on the NBC drama “The Blacklist.” His other television credits include the A&E miniseries “Sons of Liberty,” FX’s “Dirt” and HBO’s “Entourage.”

Eggold recently stepped behind the camera to write, direct, produce and compose the film “Literally Right Before Aaron,” which premiered at the Tribeca Film Festival and was originally based on Eggold’s award-winning 2011 short of the same name. The film follows a young man who attends the wedding of his ex-girlfriend. Cobie Smulders, Justin Long, John Cho and Kristen Schaal star.

On the big screen, Eggold played a supporting role in Spike Lee’s award-winning “BlacKKKlansman.” He can next be seen in Eliza Hittman’s new drama “Never Rarely Sometimes Always,” which screened at the 2020 Sundance Film Festival. Other film credits include So Yong Kim’s “Lovesong,” opposite Riley Keough and Jena Malone; Gabriele Muccino’s “Fathers and Daughters,” opposite Amanda Seyfried and Aaron Paul; Tyler Perry’s “The Single Moms Club;” Megan Griffiths’ “Lucky Them,” opposite Toni Collette and Thomas Hayden Church; “The Disappearance of Eleanor Rigby,” with Jessica Chastain and James McAvoy; and Chris Lowell’s directorial debut “Beside Still Waters.”

On stage, Eggold starred in a revival of Arthur Miller’s “All My Sons,” opposite Alec Baldwin and Laurie Metcalf, at the John Drew Theater at Guild Hall in East Hampton, N.Y.

Born and raised in Southern California, Eggold is a graduate of USC’s theater program. When he’s not acting, he plays in his band as a musician and singer. He’s looking to turn his attention to writing and directing more content in the near future.

Jocko Sims

Dr. Floyd Reynolds, “New Amsterdam”

Jocko Sims stars as Dr. Floyd Reynolds on the NBC drama “New Amsterdam.”

Sims is an actor, writer and producer with roles in numerous film and television projects, including “Dreamgirls,” “Jarhead” and 2014’s summer box office hit “Dawn of the Planet of the Apes.”

Sims’ first series was a lead role opposite Dennis Hopper in the Starz original series “Crash.” For five seasons he starred as Lt. Carlton Burk in the TNT network hit “The Last Ship.” Sims portrayed Robert Franklin during Showtime’s second season of “Masters of Sex” and he has recurred and/or guest-starred on several television series, including “Grey’s Anatomy,” “Franklin & Bash,” “Castle,” “NCIS,” “Burn Notice,” “CSI,” “Bones” and Showtime’s “I’m Dying Up Here.”

As a writer and producer, Sims is currently developing a comedy movie with producers Jamie Neese and Jason Neese (“Umbrella Academy” and “Dear White People”) and has various TV series in development as well. His hobbies include producing music and managing music artists, and he loves cooking as demonstrated on “Home and Family” and “The Steve Harvey Show.”

Originally hailing from Texas, Sims graduated from UCLA with a B.A. in theater. He currently resides in New York.

Medical director Dr. Max Goodwin is committed to solving systemic health care issues at the hospital. Add in the grieving of his wife’s death, his responsibilities as a single father and his cancer still lingering in the rear-view mirror, everyone around Max must wonder how long he can sustain this impossible load. But “How can I help?” is not just Max’s catchphrase, it’s his reason for living. As long as he’s helping others, Max is able to find hope in the most hopeless of places.

While navigating their own personal journeys – Sharpe’s career shifts, Bloom’s reuniting with her mother, Reynolds’ departure, Frome’s struggle with body image and Kapoor’s upcoming grandchild – the doctors also strive to play out Max’s “How can I help?” mantra.

“New Amsterdam” is inspired by Dr. Eric Manheimer’s memoir “Twelve Patients: Life and Death at Bellevue Hospital” and his 15 years as medical director at the hospital.

The cast includes Ryan Eggold, Janet Montgomery, Freema Agyeman and Jocko Sims, with Tyler Labine and Anupam Kher.

David Schulner and Peter Horton executive produce along with Michael Slovis, David Foster, Aaron Ginsburg and Shaun Cassidy. “New Amsterdam” is produced by Universal Television, a division of Universal Studio Group, Pico Creek Productions and Mount Moriah.

Proofread and Edited by Brenda

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Ryan Eggold and Jocko Sims of “New Amsterdam” on NBC

Interview with Steven Weber and Brian Tee

Posted on May 1, 2021May 19, 2021 by TvMegasite Admin

TV Interview!

Steven Weber and Brian Tee of “Chicago Med” on NBC

Interview with Steven Weber and Brian Tee of “Chicago Med” on NBC by Suzanne 3/23/21

This was one of my favorite interviews from the past few months. I just love Steve Weber. He’s one of my favorite actors, and he not only complimented my kitchen, but my youthful looks (I’m actually about the same age as he is). It was great fun to speak with both actors. It seemed like if the moderator hadn’t told us to get to our questions and stop wasting time, we all could have just chatted there for a good while.

Here’s the video version of it.

Suzanne: Well, it’s great to talk to you guys. Steven, I’ve been following your career ever since Wings. So, I’m a big fan.

Steven: Wow, so, since kindergarten?

Suzanne: You’d done a lot since then. I always want to call you Brian.

Steven: You can call me Brian, but then –

Brian: It’ll be confusing.

Suzanne: So I went on all the One Chicago Facebook groups and Twitter and asked people for questions who watch it more than I do, because I’m behind all the time. And a woman named Anya wants to know, Steven, what does Archer have against women?

Steven: I don’t think he has anything against women, but he’s from a different generation, you know, where he assumed his role in this kind of, I guess, patriarchal narrative that’s starting to unravel in real life, thankfully. He’s an old school guy; he’s a man, you know, the way men used to portray themselves, but he doesn’t have anything against women, but he’s triggered. He likes his place and his power that he’s been able to wield over the years, and he’s losing that. He’s losing his hold on that.

Suzanne: Okay, thanks. That was a weird question. So, thanks.

Steven: A very strange question.

Suzanne: And so Brian, do you think Ethan and April will have a long-lasting relationship?

Brian: I don’t know. I actually hope so. Personally, I think that relationship was incredibly wonderful and dynamic in its own right. And at some point, maybe down the line, Ethan and April will rekindle their relationship, but for right now, I feel like they got their own personal problems to attend to, especially with the [unintelligible] situation. So, that’s the first and foremost problem to deal with at the time.

Suzanne: All right, thanks.

Brian: Thank you.

Question: Steven, you’ve come on to a show that’s been on the air for a while now. I wondered how that felt stepping in with this group of people that has worked together for a while, and Brian, did you have any hints for him and stepping in with the ensemble?

Steven: I mean, I guess the metaphor or analogy I use is it’s like jumping onto a moving train. I like to think that – well, first of all, all the actors in the production have been incredibly welcoming to me. Clearly, that’s an indication that they’re so bored with each other, that they need a shot of adrenaline in the form of TV’s Steven Weber, but everybody’s been incredibly welcoming. And, look, there’s definitely a learning curve. I had a couple of days there when all the medical jargon basically was just all consonants, and teeth were flying out of my mouth. It was a little bit of adjustment period, but that’s part of the journeyman actor life, so it’s cool.

Question: And Brian, did you give him any hints or any direction?

Brian: No, when Steven Weber walks on to a set, you don’t give Steven Weber direction or hints about anything. I think, actually –

Steven: You look away. You don’t make eye contact.

Brian: Exactly. No, I was actually there to learn more than anything else, but I will say, in those medical parts that are extremely difficult, even for myself, and I’ve been on this thing for six seasons, it does get easier as you go. But if your muscle is not used to those things, you’re speaking a different language; you really are. And it wasn’t necessarily coaching or anything like that, it was just hinting, like, “Listen, we’ve all gone through that.” That is the biggest learning curve, and we’re still learning –

Steven: You’re definitely talking about that one day I had, man. [I said] “[unintelligible] pancreatitis.” I’m apologizing. He’s like, “Hey, man. Don’t worry about it. We got this.”

Brian: We’ve all been there. It’s all par for the course. I know exactly what you’re going through.

Question: …Brian, you guys were one of the shows that came on pretty early during the pandemic…You play the infectious disease expert on the show…because you were playing a character like that, did your family reach out to you to understand early on during the COVID days, thinking this imposter syndrome of being an actor? You can be honest about it. The second thing, how did you prepare for everything that’s going on, and did you learn anything new in this process that you did not know while preparing for working during COVID and managing that ward?

Brian: I will say, first, I’m learning constantly. I feel like there’s always something new and dynamic to kind of approach a particular character, especially someone that works in the field of medicine. I do get certain questions and calls from random people, if not my relatives, that I somehow know medicine, and I don’t. And I quickly like transition into them asking an actual real doctor. So, I won’t answer any of those, but I feel like in relationship to the experience that we’re dealing with COVID, I’ve recently told the writers and producers that when you’re in that particular element, because I’ve known my character for so long, but yet I personally am experiencing COVID like everyone else is, there is this essence that already existed in me. So, the scenes that you’re seeing, I feel like I’m kind of art imitating life a little bit in that particular sense. So, the connection between COVID and Ethan Choi is already there, because the connection between Brian and COVID had already existed.

Question: Steven, you are playing a character that comes in with a lot of history with Brian’s character, but we haven’t seen it. How do you prepare? What kind of off-camera work do you do? Like, are you talking to the writers to prepare material, or do you do it yourself? How do you prepare? Because it’s there; the chemistry and the attention is there, so how do you prepare for that?

Steven: Well, when they came to me with this particular character, it just so happened that there are aspects of him that I had already developed a great interest in, having to do with the military and also the effects of post traumatic stress, and this is something that we talked about early on. So, that was fantastic. I didn’t necessarily have to drum up things out of the blue, because as I say, it’s an interest of mine. It’s a personal interest. My father suffered from it. I’m involved in a great organization called New Direction for veterans, and they deal with people with PTSD. So, that was there, and, clearly, they’re writing to that.

As for whatever chemistry I have with with Brian, I can’t account for that, but we definitely hit it off instantly, and maybe by virtue of the material, which is actually quite personal and demands a kind of vulnerability. Luckily, I’m with a group of actors who understand what that means. You know, there’s no egomaniacs on the staff; everybody’s there to make a show, and the best way to do that is to welcome people and to make them feel safe enough to be creative and be vulnerable on the set.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Brian Tee

Dr. Ethan Choi, “Chicago Med”

Brian Tee stars as Dr. Ethan Choi, a former Navy flight surgeon and a tireless, yet impulsive doctor who brings his battlefield skills to the front lines of Chicago’s busiest ER, on the NBC drama “Chicago Med.”

Tee is best known around the world for his starring role as lead villain DK, the Drift King, in “The Fast and the Furious: Tokyo Drift,” directed by Justin Lin. On the big screen, Tee was a lead in the summer hit “The Wolverine,” starring Hugh Jackman and directed by James Mangold. He played Hamada, the head of park security, in the box office smash “Jurassic World” and starred in Michael Bay’s “Teenage Mutant Ninja Turtles 2” as iconic villain Shredder.

Tee romanced audiences opposite Anne Heche in the Hallmark movie “One Christmas Eve” and starred in the series “Mortal Kombat: Legacy 2” as Liu Kang. He was the lead in Lifetime’s “The Gabby Douglas Story,” playing inspirational coach Liang Chow, and also appeared in Justin Lin’s comedy “Finishing the Game.”

Tee gave a memorable performance as Jimmy Nakayama in the drama “We Were Soldiers,” opposite Mel Gibson. On the comedy side, he was featured in “Austin Powers: Goldmember,” alongside Mike Myers, and “Fun with Dick and Jane,” with Jim Carrey.

On the small screen, Tee was a series regular in Starz’s “Crash” and recurred on the hit NBC series “Grimm,” CBS’ “Hawaii 5-0” and ABC’s “Grey’s Anatomy.” Tee has guest-starred on many series, including “Lucifer,” “Zoo,” “Marvel: Agents of S.H.I.E.L.D.,” “The Lottery,” “Legends,” “Beauty and the Beast,” “Burn Notice,” “The Good Guys,” “C.S.I.,” “Dark Blue,” “Bones,” “Lie to Me,” “Jericho,” “Entourage,” “The Unit,” “Wanted,” “Without a Trace,” “JAG,” “Family Law,” “The Pretender” and “Buffy the Vampire Slayer.”

Internationally, Tee starred in the Korean-American romantic indie feature “Wedding Palace” and was the lead villain in Korea’s action film “No Tears for the Dead.”

On the theater side, Tee earned strong reviews for his lead performance in “Snow Falling on Cedars” at the prestigious Hartford Stage.

Tee is a 2020 NAMIC Vision Award Winner, Best Performance-Drama for “Chicago Med.”

A Los Angeles native with a mixture of multiple Asian descents, Tee is proficient in both Japanese and Korean and holds a bachelor’s degree in dramatic arts from the University of California, Berkeley. His muse is his family, including wife Mirelly Taylor, and daughter Madelyn Skyler, who are his life’s love and inspiration.

Steve Weber from IMDB

This Queens-born actor has certainly proven himself adept at everything from quirky comedy to flat-out melodrama earning TV stardom in the early 1990’s and maintaining a strong foothold on stage, film and TV in its aftermath.

Steven Robert Weber was born on March 4, 1961, to Fran (Frankel), a nightclub singer, and Stuart Weber, a nightclub performer, and Borscht Belt comic and manager. He was already appearing in television commercials by elementary school age. He later studied at the High School of the Performing Arts in New York and graduated from New York State University. The fair-haired, fair-skinned actor worked a series of menial jobs during his salad days as a struggling thespian (custodian, elevator operator, singing waiter) until earning his break on TV in a presentation of one of Mark Twain’s stories. Quickly making his film debut in the popular comedy The Flamingo Kid (1984), he nabbed a running role on the soap opera As the World Turns (1956) a year later. On the set he met first wife Finn Carter, another co-star on the daytime drama. Steven stayed put for a year then went on to gain recognition in more offbeat and/or prestigious productions on film and prime-time TV. He played a rock star in the thoroughly offbeat foreign-made film Angels (1990) and showed real command as John F. Kennedy in the epic miniseries The Kennedys of Massachusetts (1990).

That same year TV stardom came his way with the sitcom Wings (1990). Co-starring with Tim Daly as Brian Hackett, the looser, goofier more aimless half of the brotherly team who co-owned a one-plane, Nantucket-based airline, the actors’ chemistry, not to mention a terrifically eclectic supporting cast, kept the show on a steady course for seven seasons. Easily typed now as a genial, lovable loser type, Weber faced the prospect of severe pigeon-holing. So during the show’s off season, he started showing up in more serious roles. He suffered at the hands of the deranged Jennifer Jason Leigh in Single White Female (1992); appeared in a second chiller with The Temp (1993); and made a cameo in the highly depressing, award-winning Leaving Las Vegas (1995). His flair for comedy shone in is straight-man role as Johathan Harker in the critically acclaimed horror spoof, Dracula: Dead and Loving It (1995) He truly impressed both critics and audiences alike as the complex title character in Jeffrey (1995), a gay romantic film comedy, and then completely defied all odds by starring in an epic TV-movie version of Stephen King‘s horror classic The Shining (1997), seizing the role inherited from Jack Nicholson and brilliantly making it his own while earning a Saturn award for his chilling efforts.

By the time “Wings” came to an end in 1997, Weber had divorced his actress/wife Finn Carter (they had no children) and married actress/TV executive Juliette Hohnen on July 9, 1995. They have two children, Jack and Alfie. He and Laura Linney were selected to play the TV-movie leads in the popular A.R. Gurney theater piece Love Letters (1999). While other TV series comebacks have fared less well, including the short runs of The Weber Show (2000) (which he produced), The D.A. (2004), Studio 60 on the Sunset Strip (2006), Happy Town (2010) and Chasing Life (2014).

Steven bounced around solidly in other venues. In 2002, he joined the cast of the smash Broadway musical “The Producers,” taking over the nebbish Matthew Broderick role. In 2004, he went to London to appear on stage with Kevin Spacey and Mary Stuart Masterson in “National Anthems.” Other plays over the years have included “Throwing Your Voice,” “Something in the Air” and “Design for Living.”

Steven has remained quite productive into the millennium with recent film outings in Sexual Life (2004), The Amateurs (2005), Inside Out (2005), the title role in Choose Connor (2007), Farm House (2008), My One and Only (2009), A Little Bit of Heaven (2011), Son of Morning (2011), the comedy Being Bin Laden (2011) in which he played Osama Bin Laden, Crawlspace (2012), Kiss Me (2014), Amateur Night (2016), A Thousand Junkies (2017), The Perfection (2018) and Allan the Dog (2020). Seen even more prolifically on TV, he has graced such popular shows as “The D.A.,” “Will & Grace” (as Will’s brother Sam), “Monk,” “Law & Order: Special Victims Unit,” “Desperate Housewives,” “Hot in Cleveland,” “Parenthood,” “Curb Your Enthusiasm,” “Sleepy Hollow” and “This Close.”

The actor continues to play a stream of comedic and dramatic recurring roles on such TV programs as Without a Trace (2002), Brothers & Sisters (2006), Dallas (2012) (the New Generation), Murder in the First (2014), Helix (2014), iZombie (2015), House of Lies (2012), NCIS: New Orleans (2014), Ballers (2015) and Get Shorty (2017) and more recently appeared as a regular on the mystery series 13 Reasons Why (2017) and comedy series Indebted (2020). In addition, he has given voice to a few animated programs including Ultimate Spider-Man (2012), Avengers Assemble (2012) The Bravest Knight (2019) and Puppy Dog Pals (2017).

From Emmy Award-winning executive producer Dick Wolf (the “Law & Order” and “Chicago” franchises), “Chicago Med” is an emotional thrill ride through the day-to-day chaos of the city’s newest state-of-the-art trauma center and into the lives of the courageous doctors, nurses and staff who hold it all together.

Dr. Will Halstead (Nick Gehlfuss) balances the stress of being an emergency medicine physician with his complicated relationship with Dr. Natalie Manning (Torrey DeVitto), a specialist in emergency pediatrics. Newly widowed, Dr. Daniel Charles (Oliver Platt) remains the Sherlock Holmes of psychiatry. Former Navy flight surgeon Dr. Ethan Choi (Brian Tee) brings his battlefield skills to the front lines of Chicago’s busiest ER, the go-to place for victims of the city’s gun violence. Work and personal life intersect with him and April Sexton (Yaya DaCosta), a smart, bold and intuitive nurse with the ability to adeptly tackle the most harried of circumstances in the hospital. Sharon Goodwin (S. Epatha Merkerson), the venerable head of the city’s largest hospital, is under intense fiscal scrutiny to preserve the bottom line while continuing to ensure that all patients receive nothing short of quality care and compassion. Maggie Lockwood (Marlyne Barrett), the charge nurse and eyes, ears and brain of the ER, is skilled and confident but finds herself dealing with profound family issues of her own. Recent addition to the ER is ace surgeon Dr. Crockett Marcel (Dominic Rains), a New Orleans-raised surgeon whose breezy manner hides a tragic past.

Together they will confront Chicago’s most critical medical cases and challenging ethical dilemmas with courage, compassion and state-of-the-art treatment. Inspired by ripped-from-the-headlines cases, “Chicago Med” will weave cutting-edge medicine with the personal drama that comes with working in such a high-intensity environment. Through it all, familiar faces from “Chicago Fire” and “Chicago P.D” will intertwine with Chicago’s finest medical heroes.

Dick Wolf, Diane Frolov, Andrew Schneider, Stephen Hootstein, Derek Haas, Arthur Forney, Matt Olmstead, Michael Brandt, Michael Pressman and Peter Jankowski are executive producers.

“Chicago Med” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Please visit the official show site at: https://www.nbc.com/chicago-med.

For the latest “Chicago Med.” news, videos, and photos, please like on Facebook and follow on Twitter and Instagram:

https://www.facebook.com/NBCOneChicago https://twitter.com/NBCOneChicago

https://instagram.com/NBCOneChicago/

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Steven Weber and Brian Tee of “Chicago Med” on NBC

Interview with Eamonn Walker and David Eigenberg

Posted on May 1, 2021March 14, 2023 by TvMegasite Admin

TV Interview!

Eamonn Walker and David Eigenberg of “Chicago Fire” on NBC

Interview with Eamonn Walker and David Eigenberg of “Chicago Fire” on NBC by Suzanne 3/23/21

These guys were a lot of fun to speak with. I interviewed David back in 2016 as well. I hope you enjoy this short interview as much as I did!

Here is the video version of it.

David: We have some good Fires coming up. Boden’s gonna hop up on the front lines and steal things from me.

Question: So, David, you’re alluding to the fact that the cast gets just as impatient as the fans, as far as Brett and Casey, just move this train long.

Eamonn: Amen.

David: Yeah, I mean, I find it interesting that their characters are so, you know, distressed at times about things, and you root for them in a certain way, and but their characters are very specific. Some people in life can’t pull the trigger, so to speak, in a amicable loving way, but it’s an interesting scenario. I’ve had friends like that, and I’m a “jump in” guy. I met my wife, Mary, I was 38, but I knew I was gonna marry her when I met her. She didn’t.

Question: What about for Boden?

Eamonn: Boden’s glad to be getting out of the office and getting some action, because Severide and Jesse’s character have been turning around and making out that he’s some old firefighter now. So, he’s grateful to be getting out there all of a sudden, whether I take it from David’s character or not. I don’t know about that, but there’s a lot of Boden in his office, and it’s about time that he came out of it.

You know, there’s the episode that went out recently with Mouch and Boden having a moment together to recognize how long they’ve been firefighters for. That moment really touched me, and I’m saying I would like more of that, because that experience is one of the things that I find grounds not only the show, but grounds to all of the characters, that these people have been doing it for a long time. Christian [Stolte] did that great speech, which really moved me when he was doing it, and I was in the room. He was saying, “They were looking at me. Most of the time, I feel invisible, because of my age, because of this, whatever, and there were these young guys that were looking at me and listening to me.” And I was like, “Right. I really feel that,” and I would like more of that with he and I. So, I’m putting that out so the writers can hear that.

Question: I’ll forward the little tidbit along to him. Make sure they get the message.

Eamonn: Thank you.

Question: This feeds right into what you were talking about. So, both of you have been on this show, is it eight years now?

Eamonn: Nine.

Question: Nine, I mean, almost a decade

Eamonn: Nearly.

Question: So, I’m sure you have some shorthand with each other in this that you feel sort of comfortable in your character in a certain sort of way, but is it still really challenging to you, as an actor, to find new facets of your character to put out to the audience?

Eamonn: I don’t know if we look at it as in terms of putting it out for the audience, because that’s the showrunner’s job, but what we do find with each other is we challenge each other at work in a way that you’ll never you’ll never get to see it. So, David will come up to me, or I’ll go up to him – and, you know, we were having a discussion yesterday. We really want the scenes to work. We really want the scenes to matter, the length and the depth of the subject matter, of all different subject matters that can be held within the fire department. We’re still challenging each other to be the best we can be, and the fact that we are doing that nine years later, it speaks speaks volumes. So, the audience will never get to see that, but I can guarantee you that when we’re in the middle of a scene and David has got that look in his eye, I’ll turn around and go, “Go again.” He’ll go, “Really?” [I’ll] go, “Yeah, go again.” And you’ll go, “Right. Claire, one more.” That tells me who we are, and that’s nine years in.

David: Yeah, we all do play deeply off of each other. I was working with Joe [Minoso] yesterday, and what Eamonn says also goes for us, but there’s just a thing that we all want each other to succeed. There’s no pettiness here, and not that there’s a lot of that in this industry, but there is really a will for all of us to succeed and do well.

And the characters, you know, we’ve been aging on the show. Like there aren’t a ton of shows a go long distance. Sometimes I feel like I’ve been aging in dog ears here, the weather and stuff, but I think that the writers have changed some of the writing from time to time, or we see it differently sometimes, and I find myself making adjustments into it, and that does keep it interesting for me.

Eamonn: The thing is, we care. We care about each other, and we care about the job still because of the love of the people that are here and the family that we have. So, that’s never going to go away. I know that now.

Question: We have found new respect for first responders, and you guys have been on this show for so long. How did the pandemic hit you in terms of, you know, as characters who understand more about these first responders, and how was it getting back into it while we’re in the pandemic? Did [you have] any new experiences and new stories, any new feelings?

David: I don’t know if it’s tied into the fact that first responders, the real ones, they have a vulnerability. I mean, they’re throwing themselves right out there and into it. And this is not a statistical reality, but there’ve been quite a few real firefighters in healthy shape that have gotten hammered by COVID, and I wouldn’t say they’re long haulers, but they’ve gotten hit pretty hard. And you – appreciate it’s not the right word, but, you know, you respect the choices that they’ve made, the decisions in their lives, and the depth of the character that they have in reality to take care of people. This is a new reality and a new vulnerability. So, it impacts us as people to see them, to be around them, and to have compassion for them, because some of them have been taking it on the nose. So, I don’t know if that answers you completely, but that’s something that we’ve been around and with.

Eamonn: For me, when it first hit – we’ve been living with it for a year now, and so we’ve all gone through the emotions of COVID and learning to live with it. On one level, we’ve all got kind of emotional, mental fatigue of being with it. But when it first hit, I don’t know if you remember the worry and the fear of not knowing what the hell this was or how it was going to impact our lives. None of us thought we’d be here a year down the line, but because of our relationship with these first responders, and that’s police, firefighters, [and] paramedics, we knew that they still had to do their job. We knew they would still go and do their jobs because of the type of men and women that they are.

So, when we closed down, and we all went home, there was a certain amount of safety for us as actors, but the people who work with us on the show who were firefighters and policemen and paramedics, we knew they would be going out there in the middle of COVID.

So, I know, for me, I was worried; I didn’t know who I was going to see again, and that impacted me a lot. So, when we came back in September after however long off, I was grateful to see people who I knew who had been going. I also had been reading a lot and knowing that some firefighters and first responders were getting sick; I knew some had died. I was grateful to the people that we had come to know and love over the years that we’ve been doing this work [with] were still here, but we’ve lost some people along the way.

So, yeah, it’s changed everything. Our lives are all going to be very different. There’s no two ways about it. Whatever we consider to be normal is not going to be normal again. We know that now, but we’re very grateful that we were able to come back and work, but life isn’t going back to what we think it’s going to be. It’s going to be new.

Suzanne: Hey, guys. I went on all of the Chicago P.D., Med, Fire Facebook groups that had over a thousand people; you guys are so popular. I asked if anyone had any questions, and I got a lot, but Christy wants to know what your least and favorite things are about working in Chicago.

David: I’ve always loved this [city]. This is a scrappy city, and it has a lot of grit, and I highly value it. There’s weather here; it’s a tough city. I spent 25 years of my life in New York City. My family’s roots are all from New York City, and it’s another tough city, but Chicago has a grit that’s very different than New York even. There’s a beautiful part of their hearts and their souls that you get to be among and with, and my life now is in Chicago. My kids are Chicago kids, and I love being here…

Eamonn: Yeah, it’s just the people; the people make Chicago. So, I’m saying the same thing as David is saying; it’s got everything here. It’s got the food; it’s got the music. It’s got blues. It’s got all of that kind of stuff, but every other city has that, but it’s the nature of Chicago people that makes Chicago. They’re straightforward people. They say what they mean.

David: I’m not a hater, so there’s nothing I really hate. There’re things that are harder in this town, but every city has its own ups and downs, but there’s nothing to really hate here. You know, there’s certain elements of humanity that I don’t appreciate or even sometimes despise, but that’s not necessarily endemic in Chicago. There’s a great concern for humanity here. So I really appreciate it.

Eamonn: There’s an underbelly in Chicago that we all know about, and I know that the the media sometimes picks up on or just puts it out, and when I go back to London, I know that’s part of the stuff that they pick up on, but I know London really well. There’s an underbelly to London that will freak you out, and I come from that part of London. So, for me, there’s nothing unusual here. It’s all fantastic when you get to know the people, the good, the bad, and the ugly, and it’s the people that make Chicago.

Interview Transcribed by Jamie of http://www.scifivision.com

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Eamonn Walker

Battalion Chief Wallace Boden, “Chicago Fire”

Eamonn Walker stars as Battalion Chief Wallace Boden, a fireman’s fireman, in NBC’s drama “Chicago Fire.” As chief of the firehouse, it’s Boden’s job to look out for the lives of the men and women who are the courageous firefighters and paramedics of Firehouse 51.

Walker is a compelling performer known for his depth, integrity and ability to give life to the most layered of characters. He credits Sidney Poitier’s performance in “In the Heat of the Night” as the inspiration that led him to become an actor.

Born in London, he is perhaps best known in the United States for his portrayal of Kareem Said, the Muslim leader on the critically acclaimed HBO series “Oz.” His work on this show earned him a Golden Satellite nomination and a Cable Ace Award for Best Actor in a Dramatic Series.

On the big screen, Walker received stand-out notices for his performance as Howlin Wolf in “Cadillac Records,” opposite Adrien Brody, Jeffrey Wright, Mos Def and Beyoncé Knowles. He also has given memorable performances in such films as “The Messenger,” opposite Ben Foster, Woody Harrelson and Samantha Morton; “Lord of War,” opposite Nicholas Cage and Ethan Hawke; “Duma,” Carroll Ballard’s critically acclaimed film; “Tears of the Sun,” opposite Bruce Willis; Laurence Fishburne’s “Once in the Life;” the psychological thriller “Legacy;” and M. Night Shamaylan’s “Unbreakable.”

Moving seamlessly between film and television, his numerous TV credits include the NBC series “Kings,” the Jerry Bruckheimer series “Justice” and the award-winning BBC series “Moses Jones.” He portrayed a modern-day John Othello in the BAFTA and Peabody Award-winning adaptation of London Weekend Television’s “Othello” and Tom Fontana invited Walker to portray the sympathetic killer in the “Homicide” finale, the two-hour teleplay “Homicide: Life Everlasting.”

Other credits include a special arc on “Lights Out,” “ER,” and the miniseries “The Governor” and “Supply and Demand.” He also appeared in the BBC’s groundbreaking Martin Shaw series “Inspector George Gently” and the Cinemax series “Strike Back.”

Walker was nominated in 2005 for a Drama Desk Award for his Broadway debut as Marc Antony, alongside Denzel Washington and Colm Feore, in “Julius Caesar” at the Belasco Theatre. He later performed to sold-out audiences as the first black actor to portray Othello at the historic Old Globe Theatre in London.

Walker co-founded the Flipside Theatre Company in London and starred in their production of “Danny and the Deep Blue Sea.” He also appeared in London’s West End and in plays on such venerable stages as the Citizens Theatre, the Royal Exchange and the Hampstead Theatre.

Walker starred in Chicago’s famous Steppenwolf Theatre for the company’s 2016 premiere of Stephen Adly Guirgis’ “Between Riverside and Crazy.” Walker was nominated for a 2016 Jeff Award, which celebrates excellence in Chicago Theatre, in the category of Best Actor in a Principal Role. The same year he also won the Black Theater Alliance Sidney Poitier Award for the same play performed at Steppenwolf Theatre in the Best Actor in a Drama or Comedy category.

Walker resides in both Los Angeles and London.

David Eigenberg

Christopher Herrmann, “Chicago Fire”

David Eigenberg stars as Christopher Herrmann, a seasoned firefighter and salt-of-the-earth family man, in NBC’s drama “Chicago Fire.” Herrmann co-owns and operates one of Chicago’s favorite pubs, Molly’s.

Eigenberg is known to film and television audiences for his former role as Steve Brady, the good-hearted husband and quintessential New York bar owner in the Emmy Award-winning series “Sex and the City.”

His film credits include “See You in September,” “The Trouble with Romance,” “The Mothman Prophecies” and “A Perfect Murder.”

Eigenberg’s selected television credits include “Justified,” “Criminal Minds,” “N.C.I.S.” and “Law & Order: SVU.”

A member of the Ensemble Studio Theatre in New York, Eigenberg has performed in numerous Off Broadway plays. On Broadway, he received his break in 1990 playing a hustler in the original cast of John Guare’s “Six Degrees of Separation,” directed by Jerry Zaks at Lincoln Center. He also starred in the original cast of “Take Me Out,” directed by Joe Mantello, which was awarded the Tony, Drama Desk, Outer Critics, Drama League and New York Critics Awards for Best Play.

Eigenberg served in the United States Marine Corps for three years. He is married and living in Chicago with his wife and two children.

From renowned Emmy Award-winning executive producer Dick Wolf (“Law & Order” brand) and co-creator Derek Haas, the writer behind “3:10 to Yuma,” comes season nine of the high-octane drama “Chicago Fire,” an edge-of-your-seat view look at the lives of everyday heroes committed to one of America’s noblest professions. The firefighters, rescue squad and paramedics of Chicago Firehouse 51 risk their lives week in and week out to save and protect the citizens of their incredible city.

The family inside Firehouse 51 knows no other way than to lay it all on the line for each other. Capt. Matthew Casey (Jesse Spencer) leads the Truck Company and brash Lt. Kelly Severide (Taylor Kinney) runs the Rescue Squad.

The firehouse also includes Battalion Chief Wallace Boden (Eamonn Walker), a fireman’s fireman. As chief of 51, Boden keeps his house running smoothly and his firefighters prepared to overcome all adversity. Paramedic Sylvie Brett (Kara Killmer) returns alongside seasoned veterans Christopher Herrmann (David Eigenberg) and Randy “Mouch” McHolland (Christian Stolte) as well as resourceful firefighter Stella Kidd (Miranda Rae Mayo).

Completing the team are dependable squad member Joe Cruz (Joe Minoso), daredevil Blake Gallo (Alberto Rosende), engine newbie Darren Ritter (Daniel Kyri) and the newest addition, paramedic Gianna Mackey (Adriyan Rae).

Executive producers are Dick Wolf, Derek Haas, Todd Arnow, Andrea Newman, Michael Gilvary, Michael Brandt, Reza Tabrizi, Arthur Forney and Peter Jankowski.

“Chicago Fire” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Please visit the official show site at: https://www.nbc.com/chicago-fire

For the latest “Chicago Fire” news, videos, and photos, please like on Facebook and follow on Twitter and Instagram:

https://www.facebook.com/NBCOneChicago
https://www.twitter.com/NBCOneChicago
https://www.instagram.com/NBCOneChicago/

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Interview with Eamonn Walker and David Eigenberg of “Chicago Fire” on NBC

Interview with Norbert Leo Butz and Scroobius Pip

Posted on May 1, 2021May 6, 2021 by TvMegasite Admin

TV Interview!

Norbert Leo Butz and Scroobius Pip of “Debris” on NBC

Interview with Norbert Leo Butz and Scroobius Pip of “Debris” on NBC by Suzanne 3/23/21

This is a good series, and it was great to speak to these two fine actors again. They’re very entertaining in the video. I hope you enjoy it!

Here’s the video version of it.

Question: …Both of you have some really interesting characters. Talking to you first, [Norbert], about your [character]. He comes off as very dubious and secretive from first episode on, and then we discover more and more. There is a lot of distrust, or some distrust, at least in government and stuff and all that. How did you prepare for a character like this, and how do you still work on making a character like this relatable, or at least people have empathy towards somebody like him?

Norbert: Was that for me or for Scroobius?

Question: For you.

Norbert: Yeah, oh, thank you. Yes, he is a secretive guy. I knew almost [nothing]. What intrigued me about the project [is], I think, I’d never done science fiction before, and I’d never played somebody working in like, intelligence, government intelligence, or special ops, or this kind of level of spying.

So, I started with the script. Joel Wyman was really, really helpful. He’s really well schooled in this whole world.

I found a couple of books that were really, really instrumental in helping me. I think the first one was [Surprise, Kill, Vanish ] by Annie Jacobsen. It was a really invaluable book to me. It is specifically about special ops services during the early days of the war on terror or sort of just post 9/11, and that’s when Maddox would have been coming through the CIA as a soldier himself, probably working in it. That was a really important book to try to start to get into the mind of number one, just what technically the job is. Maddox is in an interesting field; he is in government, so he does like geopolitical stuff on a world stage, trying to infiltrate other governments’ special ops forces.

So, there’s this government spying part of it. There’s a science part of him. He definitely comes from some sort of tech background or IT background with his specialization and all that kind of stuff. So, he was probably recruited from MIT or something like that.

Then, there’s this other part of him that’s a soldier. So, he’s not somebody who’s afraid of – he’s somebody that can use a semi automatic military weapon and has been in bunkers and jungles and Central America fighting dictators and busting drug lords. So, an interesting guy, kind of brains and brawn, if you will, and that was an interesting.

And now we find him sort of in his middle-aged, less of a soldier, and a mentor to Bryan. He would have recruited Bryan, that’s Tucker’s character, into the CIA Special Forces.

So, [Surprise, Kill, Vanish], and then a couple of other books. I just thought it was interesting to try to get into the mind of these guys who spend so much time in extreme situations under extreme duress. The methods that they use to bring their heart rates down, focus their minds, it’s a very unique type of person cut out for this kind of work, and it’s been really, really interesting to work on in that respect.

Question: …How do you – in a character like this – avoid falling into the bad guy trope?…[like] he’s buying black market debris?

Norbert: That’s a great question. You know, Pip is playing our bad guy heavy, and I’m on the US good side, but here’s the thing. In this world, it’s kind of what I was saying before, the morality is a very fluid thing. In this world, people do terrible things in the moment, awful things for an end that justifies the means. So, that ability to kind of be dualistic in your morality is part of the guy.

Scroobius: And for me, with Anson, it was believing in him in many ways. One of the things that me and Joel hit it off about was the belief that if there was this new technology coming into the world, there would be people who don’t trust it in the hands of the government, so [they] want to do all they can to stop that.

And I read a great book and was lucky enough to talk to a journalist called Souad Mekhennet. She was the journalist who uncovered the identity of Jihadi John, and she did a lot of work with extremists and people who’ve been radicalized, because her belief is the only way to defeat that is to understand it, rather than to try and bomb it off the planet. That will always cause more people to be radicalized. You know, that’s just a never ending cycle. So, her approach has always been to try and understand it. So, having had conversations with her, it was easy to get into that mindset of, this is a guy who believes he’s the good guy. He doesn’t think he’s the bad guy. That made it easy to to avoid those more obvious tropes, I hope.

Question: Yep, thank you so much, guys. You guys are amazing in this show. I love it. Thanks.

Scroobius: Thanks, man.

Suzanne: It’s great seeing you guys again. I’m really enjoying the show. You’re on my DVR, so I’ll watch it forever.

Scroobius: Perfect.

Suzanne: Before this show, were either of you already science fiction fans in general? Or, specifically, had you watched Wyman’s previous show, Fringe, which is kind of similar to this one?

Norbert: I can answer that very, very quickly.

Scroobius: Go on.

Norbert: No, I don’t know much science fiction and never ever saw Fringe, even though I had a really good friend on it, actually. So, it’s definitely my first foray into sci-fi, and it’s not even a genre that generally attracts me usually, which is kind of one of the reasons that it excited me about it, a whole new world for me to kind of get into. Go ahead, Pip.

Scroobius: For me, I didn’t catch Fringe, because it wasn’t as immediately available in the UK, as we’re seeing with Debris. The question I get asked the most is, “When is it going to be in the UK?” And it will be at some point, I’m sure.

But yeah, I am a sci-fi fan, and that’s one of the things that excited me as I read each episode, because there’re episodes where, obviously, the show has the feel of Fringe or X-Files or The Outer Limits even, but each episode has its own feel. There’s one coming up that made me think of Primer or Time Crimes, and there’re ones that feel like Cocoon, and all sorts of other stuff. So, it’s great to have this show that can emulate so many areas of sci-fi rather than just being [one thing]. It’s a bit like X-Files, but not, kind of thing. It can jump into so many areas of the genre. So, yes, it’s exciting.

Suzanne: Okay, great. And you both have extensive musical backgrounds. I don’t suppose we’re going to get to see you sing on the show, either of you?

Norbert: You never know.

Scroobius: The big reveal could be that the season finale is a musical battle between Norbert and myself. That’d be a hell of a crazy episode.

Norbert: We should get that, Scroob, one episode where the debris just makes you turn into just a rock and roller. The debris just makes you turn into, you know, Freddie Mercury.

Scroobius: Joel has done musical episodes before, right? I think. So, again, I think that’s gonna be – Let’s get to season two, and then we can take it there.

Suzanne: There are plenty shows where they have that musical episode. I think it started with Buffy the Vampire Slayer.

Scroobius: Yeah, exactly.

Suzanne: Maybe before that.

Scroobius: The Buffy one comes straight to mind. Yeah.

Suzanne: All right. Thank you, guys.

Scroobius: Thank you.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

When wreckage from a destroyed alien spacecraft scatters across the Western Hemisphere, it soon becomes apparent the pieces are messing with the laws of physics, changing lives in ways we can’t comprehend. Two agents from different continents, and different mindsets, are tasked to work together to recover the debris, whose mysteries humankind is not quite ready for.

The cast includes Jonathan Tucker, Riann Steele, Norbert Leo Butz and Scroobius Pip.

Creator and showrunner J.H. Wyman will write and executive produce alongside his company, Frequency Films. Jason Hoffs, Jeff Vlaming and Samantha Corbin-Miller will also executive produce.

“Debris” is produced by Frequency Films and Legendary Television in association with Universal Television.

Norbert Leo Butz

Craig Maddox, “Debris”

Norbert Leo Butz stars as Craig Maddox on NBC’s upcoming sci-fi drama, “Debris.”

Butz is an award-winning actor whose talents span across television, film and theater. He most recently starred in the critically acclaimed Netflix series “Bloodline,” the FX series “Fosse/Verdon” and on Broadway in “My Fair Lady.” He also starred in “Mercy Street” on PBS and Danny Boyle’s FX series “Trust,” and had starring roles in ABC’s “The Deep End” and the CBS miniseries “Comanche Moon.”

On stage, Butz won his first Tony Award for his performance as Freddy Benson in the Broadway production of “Dirty Rotten Scoundrels,” and earned his second Tony and a Drama Desk Award for his performance as Carl Hanratty in “Catch Me If You Can.” He additionally appeared on Broadway in “Big Fish,” “Dead Accounts,” “Enron,” “Speed-the-Plow,” “Wicked,” “Is He Dead?,” “Rent” and “Thou Shalt Not,” for which he garnered Tony, Drama Desk and Outer Critics’ nominations.

Butz’s film credits include “Better Living Through Chemistry,” with Sam Rockwell and Olivia Wilde; Daniel Algrant’s “Greetings From Tim Buckley”; “Luce,” opposite Octavia Spencer and Kelvin Harrison; “Disconnect”; “The English Teacher,” with Julianne Moore; “Higher Ground”; “Fair Game”; the animated “Wonder Park”; and “Dan in Real Life.”

His self-penned album, “The Long Haul,” was released in 2019.

Butz received a BFA from Webster University and an MFA from Alabama Shakespeare Theatre.

Scroobius Pip

Anson Ash, “Debris”

Scroobius Pip stars as Anson Ash on NBC’s upcoming sci-fi drama, “Debris.”

Pip is an actor, spoken-word poet and hip-hip recording artist. First gaining recognition as one half of the hip-hop duo “Dan le Sac Vs Scroobius Pip,” he has since made the transition to television. Pip was most recently seen in the independent mystery feature “Kill Ben Lyk,” as well as the British wrestling comedy “Walk Like a Panther” with Stephen Graham. He was also seen in the FX series “Taboo” and Kurt Sutter’s series “The Bastard Executioner.”

Pip is originally from Essex, England.

Proofread and Edited by Brenda

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Norbert Leo Butz and Scroobius Pip of “Debris” on NBC

Interview with Victoria Park

Posted on May 1, 2021March 14, 2023 by TvMegasite Admin

TV Interview!

Victoria Park of "The Flash" on The CW

Interview with Victoria Park of “The Flash” on The CW by Suzanne 4/23/21

Victoria was lovely to chat with. I’m such a huge fan of the show. I was a bit nervous and fan-girling. She was sweet and didn’t seem to notice my geekiness. I’m enjoying the show and can’t wait to see the rest of this season! I hope you enjoy our interview.

Here’s the video version of it.

Suzanne: We haven’t seen that much of your character since she came back from the Mirrorverse. Do we get to see more of you soon?

Victoria: Yes. Camilla will be returning very soon, and I think there’s been like a little bit of explanation where she’s been, but she’s kind of been assessing her life and coming down from the the craziness that was the Mirrorverse and focusing a lot on her art. So, that’s what she’s been doing, but she will be. She will be back very soon.

Suzanne: Okay, good. And what was it like doing that mirror reality those, sequences?

Victoria: Yeah, it was super fun, and it was fun to play another version of myself and to play someone who isn’t necessarily evil, but is just like a little different from Camilla. And wardrobe was really fun. We got to go into some different wardrobe than Camilla usually wears. She wears a lot more like black and a lot more like edgy hardcore stuff. So, it was fun to explore.

Suzanne: Oh, cool. And was there a lot of green screen in those segments?

Victoria: No, not really. I didn’t ever have to play with like both versions at the same time. So, yeah, so I got to just play both parts at different scenes.

Suzanne: Okay, great. And it seems like almost everyone in Team Flash gets a superpower at some point. Do you think that Camilla might get one?

Victoria: I would love for Camilla to get a superpower at some point. Yeah, I think she’s the only person who hasn’t, because Iris doesn’t have powers, but she gets them at some point and then loses them. So yeah, I would love for that to happen. But who’s to say?

Suzanne: What would you like your superpower to be if you could choose?

Victoria: I think it would be really cool too. There was a there was a villain last – I mean, I wouldn’t want her to be a villain, but there was a villain last season that had like light power so she could become invisible whenever there was light, or she could choose to be visible or invisible whenever there was light. So, I think that’d be really cool.

Suzanne: All right, I had posted on Facebook, to see if anybody – There are a million Flash fan groups there, and I posted there and on Twitter to ask if people had questions. So, that one came from someone named Isabella. So, she’s be [happy] that you answered her question. So, you came in at season five. Were you nervous joining a group of people that already worked together for so long?

Victoria: Yeah, for sure. It’s always kind of like when you’re joining a show that’s been together for so long, like the first day of school and you’re the new kid and everyone else already knows each other. So, I was a little nervous for sure, but everyone was so kind and made me feel so welcome. Carlos [Valdes], especially, made sure. He was like, “Is everyone being nice to you? Do you feel comfortable?” So, it was a really good first day, and I felt comfortable just from the very beginning.

Suzanne: Oh, that’s good. He seems like he’d be a nice guy.

Victoria: Yeah, he’s the best.

Suzanne: Good. They seem like a really fun group. Who would you say is the funniest of all of them?

Victoria: Oh, my goodness, everyone is so funny in their own way. I mean, I would say like most outrageous would definitely be Tom [Cavanagh], but Grant [Gustin]’s actually really funny, and he’s really fun to work with. It’s funny when you have a super serious, emotional scene, and then he switches right back into when the cameras are not rolling, like fun dancing and cracking jokes and stuff. So, it’s really fun to work with everybody, but the boys are definitely the funniest.

Suzanne: And many of the cast are good singers as well as actors. Can you sing?

Victoria: I can sing a little bit, not good enough to be on Broadway, but, yeah, I grew up singing and it was always my first love.

Suzanne: Okay, well, maybe they’ll do another musical episode and you can join it.

Victoria: I would love that.

Suzanne: Yeah, that sounds fun. Is there anything you can tell us about what else we’ll be seeing in season seven? Anything at all?

Victoria: I mean, I obviously can’t give any spoilers, but I will say that every season I get the scripts, and I read them, and we get [them] ahead of time, so it’s really exciting, and I would say that this season, I was surprised more times than I’ve ever been. So, I would just keep looking forward to more twists and turns and surprises that The Flash always gives, but this year I was the most surprised I’ve been.

Suzanne: Okay. And what did you do during the pandemic, before The Flash started filming again?

Victoria: March to September when we couldn’t be filming, yeah, it was hard. It was really hard to not be working and to be away from people, but it was a good time to – I got a lot of time to like work on myself. I feel like, for this show, especially, we go for nine months, sometimes ten months of the year, and it’s just, we’re constantly working, and we’re in a city that we don’t live in. So, to have time to kind of step back and breathe and be with my family and my husband and my dog was was super, super nice. You know, obviously, [I’m] very excited to come back to work, but it was a nice vacation that I normally would not get. So, yeah, I try to see the bright side.

Suzanne: Right, right. I understand completely. And was it difficult to get used to filming with the new COVID rules?

Victoria: Yeah, it was. I mean, we got used to it, and there were, obviously, a lot of hiccups where we’re like, “Okay, this is working, and this is not working.” I think the biggest thing that I would miss is just, I’m a very friendly, warm person, so when I get to set, I get to set early every day, and I hug everybody. So, I really miss being able to hug people and just be standing right next to someone and talking to them instead of ten feet apart or whatever. So, it’s definitely taken some gotten used to, but I’m really grateful that we’re able to work at all and that we got to put the show out there.

Suzanne: Right, we all seem headed in the right direction for change.

Victoria: Yeah.

Suzanne: Yeah, I didn’t grow up in a huggy family either. I can get used to hugging, but it’s not my natural thing. So I’m like, “Yeah, I’m fine with that.” Yeah, I need a t-shirt that says that.

Victoria: Yeah, “Please as before hugging.”

Suzanne: I’m still social distancing for like, ever. So, have you ever heard anything about plans for season eight, such as more crossover episodes?

Victoria: Oh, I haven’t really heard anything about season eight. We’ve just been really focusing on season seven. I’m sure the writers and Eric [Wallace] already know where they’re going with season eight, but I’m not privy to that kind of information, so I will not be able to give any spoilers.

Suzanne: Right. Is there anything else that you can tell us about what’s coming up on this season that’s not like a big spoiler or anything?

Victoria: I mean, there’s a lot of – I feel like this has kind of been happening since the crossovers kind of changed all of the universes into one universe, but there’re a lot of people who come back, and they’re not who they were before, or there’re storylines that are mixed up, so you’ll get to see more of that, which I really love. If you’re a fan of the show, and you are a fan of the comics and you know who people are, and then they come back as different people, it’s just really exciting to watch.

Suzanne: Oh, that’s good. Yeah, I love the show. I’ve watched it since the beginning. I love superhero shows anyway, but I grew up reading The Flash comics.

Victoria: Oh, awesome.

Suzanne: I know you can’t say, but I hope Tom Cavanagh gets to come back, because he’s one of my favorites.

Victoria: I feel like with The Flash it’s like anybody who leaves, they’re never really fully gone. You know, there’s always an opportunity for them to come back.

Suzanne: Well, I think that’s one of the best things about having such a large ensemble cast is that people come and go all the time.

Victoria: Yeah, for sure.

Suzanne: Did you have any time to work on other acting projects while you were filming or during the pandemic?

Victoria: Yeah, not during the pandemic; kind of everything really shut down. So, we weren’t even really auditioning or anything like that. That’s why it was so crazy, because, normally when we’re working, when we have downtime, we’re auditioning for other projects or working on other projects. This time, it was like, we couldn’t work on anything. So, yeah, that was that was a big change, for sure. Then, other projects that I’ve been working on, I haven’t really gotten the chance; The Flash keeps me pretty busy. I’ve been trying to kind of supplement it with projects that I’m working on myself, like directing, but the pandemic really put a stop to everything. So, I’m hoping now that everything’s kind of going again, we’ll be able to work on some other things.

Suzanne: Okay, great. So, have you directed before?

Victoria: I actually went to school for cinematography, and I picked up directing again right before the pandemic; we filmed something. It premiered at the Vancouver Asian Film Festival early this year. And I’m currently working on a project that is in early, early pre production, a documentary that hopefully we’ll be able to film in the fall. So, hopefully, I’ll be able to say more then.

Suzanne: I think everybody’s thinking the fall things will be back to normal.

Victoria: I know. It’s already April; it’s almost May, and I’m like, “Ooh, fall’s gonna be here pretty soon. We got to ramp it up.”

Suzanne: So, you don’t have anything else coming out right now, but you might have [something then].

Victoria: No I don’t.

Suzanne: Yeah, that’s fine. That’s good enough, right.

Victoria: Yeah. I mean, it’s great. Yeah.

Suzanne: I love how they’ve taken your character – When you first started, you were just working in a coffee shop, and they gave given her so many different things to do.

Victoria: Yeah.

Suzanne: She’s been involved in the team, and you said she’s an artist. She’s got so many things going on.

Victoria: I know; she does. She wears a lot of hats, but it’s great. I love that they just keep bringing her into different situations in different teams. It’s really fun.

Suzanne: Yeah, and she’s working at [The Citizen], so that’s great. Aside from your Flash cast, do you have any actors or actresses that you would love to work with If you could choose?

Victoria: Oh, yes. I mean, so many. It’s like, “How much time do you have?” I mean, I would love to work with Steven Yeun. My husband and I have been watching The Walking Dead, we loved Minari. So, I mean, he’s probably number one on my list right now. And there’s a bunch of directors I’d love to work with; I thought Nomadland was fantastic. To have such a prolific director be a Chinese woman, an Asian woman, that’s, super exciting to me, so I’d love to work with Chloé [Zhao]. I mean, I’ve got a long list of people that I would love to work with.

Suzanne: Have you seen Invincible? That also stars Steven Yeun.

Victoria: No, I haven’t.

Suzanne: It good, and it’s a comic book show; it animated. It’s on Amazon.

Victoria: Yeah, several people have recommended it to me.

Suzanne: Yeah, it’s good. I don’t know if you saw The Boys; it’s similar.

Victoria: I did, yeah.

Suzanne: It’s similar to that.

Victoria: I loved The Boys. Yeah, I loved it.

Suzanne: It’s a cartoon, so it’s not as as in your face, but it’s just as violent.

Victoria: Okay, well, I love The Boys.

Suzanne: Expect that. I was a little shocked at first. I’m like, “Whoa.”

Victoria: Yeah, I was warned beforehand, so I think I was prepared for it, but, yeah, it is very violent.

Suzanne: Yeah. So, were you a comic book fan at all before joining The Flash?

Victoria: You know, I actually wasn’t. I mean, I grew up with all boys. My brother, my husband, they’re all very much into comics, so I was kind of like peripherally into it, but then after The Flash, I feel like I’ve definitely delved in a little more, and when all of the Marvel movie started coming out, like being interested in, “Okay, like, what were the comics that started this all?” So, I feel like I’ve slowly become more into it, but before The Flash, I wasn’t really into comics at all. So, this has opened my eyes to the [unintelligible] world.

Suzanne: That’s good. Well, you were lucky, because you got to be a normal person growing up. You didn’t grow up with geeks. Like, I have three older brothers, and they were all really into comic so I had no chance whatsoever.

Victoria: Yeah, yeah. But it’s a great world and a great community. So, I’m happy to [be] now.

Suzanne: Actually, my three older brothers were on the original San Diego Comic-Con committee when they started. My mom typed up the first program.

Victoria: That’s very cool. That’s very impressive.

Suzanne: I was like eight or nine. It’s impressive for [them].

Victoria: Cool. I love it. It’s cool.

Suzanne: Oh, it’s fun; it’s something notable, you know?

Victoria: Yeah.

Suzanne: So, I had two more questions from fans, one from Victor, who asks, “Who your favorite comic book character is?” He did not specify Flash or not Flash. So, I’ll leave that up to you.

Victoria: Okay. I’ll keep it to my show, I guess, but I think, I don’t know if it’s because my character is paired with Cisco, but I love Vibe. I think Vibe is so cool. His powers are awesome. He’s super smart. Yeah, I think Vibe is probably my favorite character.

Suzanne: And somebody named Keats wonders how you got the role? I think they mean, tell us about your audition process.

Victoria: Yeah, I mean, I got the audition from my agent, just like just like any other, and went to the audition, and I just felt like even from reading the original script or audition sides that I got, I just [was] like, “Man, I just feel like I’m really this character.” Like I felt really confident about it, which I don’t always feel. I went to the audition, got a call back, I think within an hour, and went back for the call back. Then, it was like days later I was already on a plane to Vancouver, so it moved very quickly. So, I didn’t really have time to sit with it or process just how great it was that I got this role until after I was already on set. And after I finished shooting my first episode, I was on a plane back to LA, and then I was like, “Man, I’m on this awesome show, what a blessing.” So, it was a whirlwind, but I’m super grateful.

Suzanne: And is your family based now in LA for the most part when you’re not shooting?

Victoria: Yeah, most of my family’s in LA. We’re originally from Chicago, but my whole family has slowly made the migration to warmer weather, and we all live in LA now.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Victoria Park Co-Stars in CW’s “The Flash”

April 12, 2021 – Actress Victoria Park is a recurring cast member on the popular CW superhero series, “The Flash.” Known for her role as Kamilla Hwang, the current season of “The Flash” ends soon, and we wanted to give you the opportunity to interview Victoria.

Victoria has trained with Diana Castle (The Imagined Life), Anthony Meindl, Margie Haber, Playhouse West, and the Upright Citizens Brigade. She landed roles in a few short films before guest starring in popular TV series such as “Proven Innocent,” “Revenge,” “The Middle,” “Grey’s Anatomy,” “CSI: Cyber,” and “2 Broke Girls” to name a few. Victoria played Gaby Cho on the critically acclaimed show “Sweet Vicious” on MTV and landed a leading role in the feature film “Everything Before Us.” She has frequently appeared in Wong Fu Productions, including their five-part web series “Yappie.” Recently, Victoria’s projects include Amazon’s “Too Old to Die Young” and the feature film “Plus One” which recently won the Audience Award at the Tribeca Film Festival.

Victoria was born and raised in Chicago, Illinois. She studied film production at Northwest University, then made the decision to move to Los Angeles to pursue her love of acting full time.

Victoria resides in Los Angeles and loves getting lost in the great outdoors. She is proud of her Korean-American heritage and is a self-proclaimed “foodie”. She also loves her cats, denim and really bad puns. She volunteers with CASA and has worked with World Vision in Uganda and Child Hope International in Haiti in an ongoing effort to “pay it forward.”

Proofread and Edited by Brenda

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Victoria Park in "The Flash" on The CW

Y&R Short Recap Friday, April 30, 2021

Posted on April 30, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

Y&R logo

Recap written by Eva

Imani warns Amanda that their grandfather is only using her to get out of legal trouble but once the case is over he will forget about her. Imani tells Amanda that their grandfather will never accept her as part of the family. Amanda refuses to believe this and thinks Imani doesn’t want to share their grandfather with her.

Tara tells Kyle she and Ashland are headed to New York tomorrow and she texts him a picture of Harrison for him to keep since she doesn’t expect to return to Genoa City. Nick and Sharon begin to call family in case Faith needs a kidney transplant. There isn’t a match for Faith in the family until Victor remembers that Adam has the same rare blood type as Faith. Sharon remembers what Adam told her when she spoke to him on the phone. Sharon tells Victor and Nick that Adam told her he is some place he can heal that isn’t home but is some place new. Victor’s security team is able to trace the phone number Sharon gave Nick to Leavenworth Kansas. Victor thinks Adam is staying at AJ Montalbo’s farm. Nick goes to Kansas to try and persuade Adam to save Faith’s life.

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Y&R cast animation

Interview with RJ Mitte

Posted on April 29, 2021April 29, 2021 by TvMegasite Admin

TV Interview!

RJ Mitte of "Triumph" - photo by Bobby Quillard

Interview with RJ Mitte of film “Triumph” by Suzanne 4/27/21

RJ has a great energy that not only comes through in his acting, but in this interview. He’s a nice young man with much intensity and positivity. I hope you enjoy this interview as much as I did. Make sure you catch his movie, which comes out tomorrow in theaters. It will be available on VOD June 15th! It’s a very entertaining and inspiring film. I’m sorry I said “Cool” so many times….

Normally I don’t interview actors solely about their movies, but most of the actors in this movie are those I’m familiar with via their TV series. RJ Mitte played Walter White, Jr. in “Breaking Bad.” Terrence Howard starred in “Empire” and “Wayward Pines.” Colton Haynes was a regular on both “Teen Wolf” and “Arrow.” Johnathon Schaech played Jonah Hex in “DC’s Legends of Tomorrow” among many other roles. Grace Victoria Cox has been in many series, such as “The Society.”

Here’s the video of our chat!

Suzanne: I watched your movie last night, and it was really good. I enjoyed it.

R.J. Thank you. Thank you so much.

Suzanne: It’s very inspiring, and I hope a lot of people get to see it.

R.J. I hope so too.

Suzanne: So, how much did you do to prepare for your role?

R.J. I did a lot of training in the midst of the role. We had a couple months before doing a lot of physical training and getting ready for the moves and a lot of choreographed wrestling, so we made sure that it was right, because this is first and foremost a wrestling movie, so it’s very physical. People, when they hear wrestling, they don’t think of of Greco-Roman style wrestling. They think of like WWE and all those types of [wrestling] and [unintelligible] and different types of that style, and they don’t realize how intense Roman style, Greco style wrestling is. It’s very physically draining and mentally draining, and it’s really, to me, one of the pinnacle strengths in sports when it comes to sheer willpower and you’re wrestling someone of equal strength to you that you’re [unintelligible]. It’s really a power struggle. It’s an immovable force meets an immovable object type of mentality. Yeah, it was a lot, but I like physical stuff, so it was a great opportunity for me.

Suzanne: Yeah, you you went from, at the beginning the movie, you were this kind of skinny guy, and at the end you’re this sort of big hulking mass. Did you have to change your diet? Bulk up? What did you have to do?

R.J. A little bit both. I mean, really, I just worked out. I’m fairly lazy right now, so my working out hasn’t been so much, but with that project, I just really kind of worked out. I was focused on what I was eating and then just kind of how I held myself, really, when it came to the project. It was really about distribution of weight and the way that I walked. The way that my character held himself and held his arm and the type of foot placement and gating made a very big difference. And this is loosely based on a real person, Michael Coffey, and he was a part of the set. He was a writer and then part of on the set. So, I really used his mannerisms and his body movement to try to utilize and match it on par with Mike the character.

Suzanne: Okay, that must have been helpful.

R.J. I mean, it came in handy. If he didn’t like something, it came in handy. You definitely knew.

Suzanne: That’s good. Yeah, that’s a rare opportunity probably for most biopics or things that are based on real people.

R.J. Yeah, well, usually those people are deceased, right? They’re not there, or they’re not really a part of the project. So, it was quite nice to have a biopic with the artist there that it’s about.

Suzanne: Yeah, I bet. And had you met any of the cast and crew before you were on set, before you started this thing?

R.J. Yes, I did. I met a lot of the producers; I knew some of the producers beforehand, because I worked on them with other projects, and I carried one of them with me to this project as well. Then, I met some of the others in passing, but really got to know everyone during the production.

Suzanne: Oh, cool And had you ever done any wrestling before?

R.J. I hadn’t; this was my first time. I had done martial arts, like karate, jujitsu, and some other stuff of that nature, but [this was] very different, very different techniques, very different forms. Even the rules and type of skills are night and day from other martial arts and other sports like that.

Suzanne: Oh, cool. So, I guess you answered my next question. It was whether you played any other sports, but you did martial arts.

R.J. Martial Arts and soccer and quite a few other things. I’m a big believer in the sports. I think everyone should have played a sport at least once in their life, a team sport, because it really, definitely builds camaraderie and mental mental stability and strength in numbers, and it’s a great opportunity. I’m a firm believer of that.

Suzanne: Cool. And where was the film shot?

R.J. So, we shot the majority of it and now outside Nashville, Tennessee, where it was kind of based. Then, we shot the teaser and some pickup scenes in Los Angeles.

Suzanne: Okay, and how long did it take to shoot?

R.J. So, the first more than half of it, we shot pretty much everything except for like a handful of scenes with Terrence [Howard]. We tried [to shoot] everything but Terrence’s stuff in three months, and then four years later, we shot the rest of it.

Suzanne: Wow.

R.J. So, we had a massive hiatus.

Suzanne: Was that because he was busy, or…?

R.J. Well, actually, it was originally cast with a different character. Originally, we had a different entity, and Terrence wasn’t involved, and [we had] some other stuff with the production. We had to halt production and were able to utilize the project and come back to it. And this project almost didn’t get made, to be honest.

Suzanne: Okay, what happened?

R.J. Many different things. Producer, error, and [we] no longer have those producers [as] part of this project. And just timing. We couldn’t find the right coach. We couldn’t really – just logistics, a lot of logistics, a lot of bureaucracies and different aspects of industry life initially halted the project. Then, when you halt a project, it takes takes time and money to start back up. Then, we had to go and get investors and new funding and restructure the film. You know, it’s one of those things where it’s like, “Is it gonna come back?” You do a project, and you’re like, “All right, well, we still have, like, more than a quarter of the film to shoot.” You’re like, “Okay, well, yes, yes, yes, we’re going to film it; we’re going to film it; we’re going to film it,” but then you hear that for like 20 years. And luckily, we were able to come back and finish the film, and now we have this great project.

Suzanne:

Cool. So, how is it working with the Terrence?

R.J. Great, you know… Terrence was great. Johnathon Schaech and Grace Victoria Cox and Colton [Haynes], you know, we had such an interesting lineup of actors. And everyone who was a part of it was just so behind this film and believed in this film so much to make it happen. It really was a unique and humbling experience to be able to create this film and have the support that we did behind this film.

Suzanne: Great, and what do you hope the film achieves?

R.J. I hope the film achieves entertainment. I really think that’s the overall goal. I hope people are entertained when they watch this film, that they can take something away from this film, be it great or small, but really, first and foremost, enjoy it.

Suzanne: Yeah, good. It’s enjoyable. And was it mostly filmed before the pandemic?

R.J. Oh, yeah, we shot two years ago.

Suzanne: That’s when you finished it?

R.J. Two a half years ago. That’s when we finished it. And then five years before that.

Suzanne: That’s a long time. You’re like an old man now.

R.J. Yeah, I was 21, 22 when I started it; I’m 28 now. I’ll be I’ll be 30 soon. So, I very happy that we have this film out before I turned 30.

Suzanne: Yeah. So, you said you’ve been traveling during the pandemic. So, there was never a time when you were just like stuck at home bored or wondering what was going on? That’s great.

R.J. No, I mean, most of my work, when it comes to philanthropic and community outreach and development, when a pandemic or something like this happens is usually when I get the busiest. This is a time where people need moral support; they need they need industry meters; they need helping hands. My job right now, through the foundation, is an everyday job where it’s online, yes, but then it’s also a lot of in person information and kind of guiding through it, because it’s a community development project. So, it’s construction and all kinds of other things.

Suzanne: Oh, tell us about the foundation.

R.J. So, it’s called the Roy Frank and Joann Cole Mitte foundation. We focus on elder care, education, disability services, youth development and aging in higher ed as well. We have a scholarship and grant program. Right now, we only have around 12 applicants on scholarship at the moment that we’re reviewing, but at any time we have 12 to 30 students, but right now, we restructured the grant program to focus on this community development build in Brownsville, Texas. So, that’s been the focus of the grants for the past four years. So, we’ve given money in donations to many charitable organizations, primarily focusing in Central and rural Texas. So, being in philanthropy and philanthropic endeavors are something that are a very big part of my life, and I was very happy to be able to link this movie to a charity, which is actually called United Cerebral Palsy nationally based out of Central Florida, and we actually gave points of this film to that organization. So, they’ll get money in perpetuity.

Suzanne: That’s great. So, do you have any other acting projects coming out that you can tell us about?

R.J. I do. I have another one called The Oak Room. It’s on VOD right now in the US; we just got released in the UK. It’s a Canadian film, but we haven’t released in Canada yet. So, we’ll be releasing Canada soon. And that’s a story, in a story, in a story, in a story narrated by a story, and it’s a very unique film, and I’m very excited to be a part of that. [I’m] really focusing on getting Triumph out there. I’m just supporting that wholeheartedly. I have another film that I’m in the middle of production on – we got halted by the pandemic – called Issac. We’re gonna be coming back to that, possibly next month, but, really, we’ll see how that goes. You just never know. And then I’m just looking for new projects, looking for other things. I work with the Film Commission in South Texas and am doing some stuff there. So, I’m doing a lot of community outreach and leadership.

Suzanne: You sound busy.

R.J. I work every day.

Suzanne: That’s great. And who would be your role models in life?

R.J. My grandparents were very big role models to me. One was a marine oil worker guy and the other one was a coach, businessman type mogul and was in a wheel chair, was fully paralyzed on this left side from a stroke in the early 90s and could only say, “Shit, damn, and 123,” but very big role models, both of them to me, and my grandmothers as well. They taught me a lot, and I definitely still look up to them today.

Suzanne: What about your acting role models?

R.J. I didn’t really have any acting role models. It wasn’t really something that I was pursuing when I started [in] this industry. There’re a lot of actors I respect very much, but I’m kind of one of those people that most of my role models are deceased, so they can’t let me down.

Suzanne: That’s true. That’s true. So, two of your co stars have played superheroes on The CW and your character mentioned superpowers in the movie. What is your favorite superhero?

R.J. Oh, I’m a Batman guy. I’m a Batman-Joker guy. Yeah, I always thought he was a great character. Yeah, so, Batman, Green Lantern, the whole Justice League vibe, I enjoy that. Spawn. I don’t know if you know Spawn.

Suzanne: Yeah, I’ve heard of it.

R.J. Cool.

Suzanne: Yeah, I grew up with comics, but I don’t remember if Spawn might have been after my time, but I stopped reading in the early 80s.

R.J. Late 90s. Yeah.

Suzanne: I heard of [it]. I think there was a movie, wasn’t there?

R.J. Yes, there was a movie. It’s like, he’s kind of like a devil, but he’s like a good devil. But, yeah, I like super [heroes]. I’m a big fan of the the superhero franchises. So, yeah, I like comics. I used to read a bunch of comics.

Suzanne: Cool. And do you watch the ones on The CW? Were you familiar with your costars’ work on those shows?

R.J. I am. I am familiar with Arrow and some of the other CW stuff. I actually auditioned for a couple of superhero shows. Didn’t get the parts, but definitely was an honor to be able to audition for them. And yeah, I enjoy them.

Suzanne: And Johnathon played…Jonah Hex.

R.J. Jonah Hex. Yeah, I really liked him as Jonah Hex.

Suzanne: And that comic I definitely read. I remember that. He’s great in it.

R.J. I’m a big western guy. I’m a big western guy. So, I loved Jonah Hex, and then, I thought he was great on The CW. Yeah, he’s such a character. Johnathon is such a wealth of knowledge and talent, and out of all the actors I worked with on Triumph, he was the one that I’m the closest to.

Suzanne: Cool. Well, he played your dad; that makes sense.

R.J. Yeah, he was definitely a great father figure in them and was a tremendous individual to have on set. He definitely raised the vibration high.

Suzanne: Cool. Is there anything else that you’d like tell us about the movie or your role in it?

R.J. Yeah, [I’m] just very excited that it’s out; this was a labor of love. It’s based on real events. And, you know, people, the whole team, really cares about this project and believes in this project and in really pushing forward for it. So, we’re very excited to be able to share it with everyone, and I hope everyone enjoys [it].

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

RJ Mitte Biography

Best known for his portrayal of Walter “Flynn” White Jr. for five riveting seasons of AMC’s Emmy and Golden Globe Award-winning dramatic thriller “Breaking Bad,” RJ Mitte is an actor, advocate and philanthropist who has carved out his niche in Hollywood by breaking down stereotypes and changing people’s mindsets with his easy going demeanor and positive outlook. As Walt Jr., referred to by fans as “The Breakfast King,” Mitte acted as the cerebral palsy afflicted son of Walter (Bryan Cranston) and Skyler White (Anna Gunn). As Walter continues his descent into drug manufacturing and trade, Walt Jr. finds himself torn between his father’s deceit, his mother’s protectiveness, and his own developing sense of independence as a disabled teenager. Walter Jr.’s cerebral palsy on the show was embellished, as he had to learn how to walk on crutches and slur his speech to create a more dramatic version of his own disability.

At the age of three, Louisiana native Mitte was diagnosed with cerebral palsy, but that has never deterred his drive to succeed in television and film. A chance encounter with a casting director led to his move to Los Angeles and Mitte quickly landed roles on various shows such as “Weeds,” NBC’s “Vegas,” “Everybody Hates Chris” and co-starred on ABC Family’s primetime hit show “Switched at Birth,” until being cast in his life-changing role on “Breaking Bad.” Mitte has since made his way to the big screen, starring in multiple indie films in the past few years, including DIXIELAND, starring in his first non-handicapped leading role and TIME SHARE, winner of Sundance Film Festival’s World Cinema Dramatic Special Jury Award for Screenwriting in 2018.

Never one to shy away from an opportunity to take his talents to new avenues, RJ was thrust into the global spotlight as the celebrity face and model of GAP International’s “Lived in Spring” campaign; with his image appearing on mediums such as billboards, buses, and life-sized posters in cities across the world from Tokyo to the US,. He has since cemented himself as a face to know in the fashion world after walking in Men’s Fashion Week in Milan, Berlin and New York City for Vivienne Westwood, soPopular and Ovadia & Sons. He’s also a member of Kenneth Cole’s “Courageous Class;” for talent recognized for using their platform for advocacy and creating social change.

Throughout the years, Mitte has been an inspiration to his peers around the world by championing his cerebral palsy in hopes of removing the stigma associated with disabilities. In order to bring awareness to his own issues with bullying and prejudice, Mitte has engaged in public speaking and serves as the official Ambassador for United Cerebral Palsy and partners with Shriners Hospitals for Children to spearhead their #CutTheBull campaign to advocate on anti-bullying measures. He’s also involved with SAG-AFTRA as a committee member of the union’s IAPWD (I Am a Performer With Disabilities).

Inspired By Screenwriter Michael D. Coffey’s True Story

TRIUMPH

STARRING TERRENCE HOWARD, BREAKING BAD’S RJ MITTE, COLTON HAYNES, JOHNATHON SCHAECH,

GRACE VICTORIA COX

WATCH THE TRAILER HERE

OPENS IN CINEMARK THEATERS APRIL 30^TH, 2021

AND ON VOD THIS SUMMER

Synopsis:

Inspired by a true story, a bright and determined high school senior strives to be a wrestler despite having cerebral palsy. Going to extreme lengths, he crushes obstacles and inspires others along his journey to prove his abilities.

Directed By: Brett Leonard

Written By: Michael D. Coffey

Starring: RJ Mitte, Terrence Howard, Colton Haynes, Johnathon Schaech, Grace Victoria Cox

Produced By: Massimiliano Musina, Michael Clofine, Michael D. Coffey

Executive Produced by: Terrence Howard, RJ Mitte, Jonathan Bross, Mira Howard, Raz Winiarsky, Tyler W. Konney and Gabrielle Tuite

Distributor: Relativity Media

Proofread and Edited by Brenda

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RJ Mitte of "Triumph" - photo by Bobby Quillard

Y&R Short Recap Thursday, April 29, 2021

Posted on April 29, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

Y&R logo

Recap written by Eva

Kyle and Jack are happy that the manufacturing crisis at Jabot has ended and that Ashland Locke will be going back to New York as soon as he is out of the hospital. Victor is worried because his security team is unable to find Adam. Sally tells Jack she has deep feelings for him and will work hard to earn back his trust. Summer wants to announce her engagement to Kyle and begin to plan their weeding. Faith is taken to the hospital and after running tests, Nate tells Sharon and Nick Faith has an infection that has damaged her kidneys. Nate consults with specialists and later tells Nick that Faith may need a kidney transplant and since Faith has a rare blood type it could be hard to find a match for her.

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Y&R Short Recap Wednesday, April 28, 2021

Posted on April 28, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

Y&R logo

Recap written by Eva

Sally asks Summer to give her a chance to put her psst behind her and make a fresh start in Genoa City. Sally also tells Summer that because of all the anamosity between them she lost Jack who she was beginning to love. Jack is surprised when he overhears Sally tell Summer she has feelings for him.

Kyle has a talk with Tara who tells him the heart attack has changed Ashland and he has fixed the problems with the Jabot factories, as well as continuing with plans to advertise Jabot products on his new health and beauty platform. Jack and Kyle have a long talk about whether they should continue with the deal with Ashland in the end they decide to continue with the deal but get out of it as soon as Jabot has recovered from this crisis.

Adam calls Sharon to tell her he is okay and he is someplace where he can heal. Adam asks Sharon if he can call her once in a while to check on Chelsea and Connor. Adam also asks Sharon not to tell anyone he called her. Rey tells Michael he thinks Chelsea framed Adam and Michael tells him to follow his instinct. Rey interviews Chloe and notices she gets upset when he suggests that she is protecting Adam. Esther tells Nina she misses working at the Chancellor mansion so Nina suggests she work there once and a while. Faith feels queasy but decides to go to school and her first group therapy session. Faith is talking to her grandmother and her mom at Crimson Lights when she suddenly passes out.

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Y&R Short Recap Tuesday, April 27, 2021

Posted on April 27, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

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Recap written by Eva

Devon tells Amanda that if she implies that Victor or one of his employees had her father killed he might come after her because he wants to fight the accusations against him. Devon tells Amanda that he intends to start a small music label called Winters Mood to find up-and-coming jazz artists. Devon intends to give part of the proceeds from the label to the Abbott Winters substance abuse center. Nick and Victoria mend their relationship and talk about their kids and share pictures of them. Nikki argues with Victor because he keeps fighting with Victoria about business. Elena tries to reconnect with Nate but even their conversation about work is awkward. Victor’s head of security tells him they have been unable to find Adam, so Victor tells his men to look for Adam in Vegas. Lily gets upset with Billy because he asks Tara Locke to ask her husband to reconsider his deal with Victor. Billy also tells Tara Victor forced Ashland to sign the deal with him while he was having a heart attack. Billy realizes that Lily was. right and once he tells her he was wrong they make up.

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Y&R Short Recap Friday, April 23, 2021

Posted on April 23, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

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Recap written by Eva

Nikki is upset with Victor when she walks in and sees Ashland having a heart attack, but Victor tells her not to call an ambulance until Ashland has signed the papers to sell Victor his company. Ashland tells Victor that this game isn’t over yet as he is taken to the hospital.

Summer asks Tara to persuade her husband to leave Jabot and the Abbott’s alone. Tara tells Summer that she has no influence over her husband when it comes to business but agrees to try and keep her husband away from Kyle. Kyle and Jack begin to panic as more of the Jabot factories are closed due to health and safety concerns. Kyle has an idea to shift all Jabot production to the Brash and Sassy and My Beauty factories until the Jabot factories can open again. Nikki calls Tara and tells her Ashland has had a heart attack and Tara rushes to the hospital.

Lily plans a special dinner at Society and asks Lola to make all of Billy’s favorite dishes for a romantic dinner. Nikki tells Victoria that Ashland had a heart attack and what Victor did to get Ash land’s company. Victoria goes to tell Billy the news and then heads to confront her father. Victoria decides to take Nikki’s advice and let Victor have the company so he can focus on Adam so she can run Newman Enterprises her way. Victoria tells Victor that he will no longer have any say in running Newman Enterprises because she is going to run the company alone so he can focus his attention on Adam. Tara tells Kyle she has an idea of how to keep Ashland away from Jabot. Tara also tells Kyle Ashland is having surgery to put in a pacemaker.

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Y&R Short Recap Thursday, April 22, 2021

Posted on April 22, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

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Recap written by Eva

Lola tries to help Nate and Elena get back together by inviting them both to lunch so they can talk. The plan backfires because Nate doesn’t trust she won’t go back to Devon if he ever wanted to reconcile with her. Victoria is angry with Victor for always putting Adam ahead of her and always protecting him. Victor tells Nikki that Adam stayed at the ranch one night and then he left. Victor also tells Nikki he doesn’t know Adam’s new location. Nikki asks Victoria to take the first step to reconcile with her father because he won’t ever change his mind about Adam. Victoria recalls a recent conversation with Victor where he told her it would be a mistake to get back together with Billy. Victoria calls Billy and leaves him a message inviting him to family game night with the kids.

Tara interrupts Kyle and Ashland’s conversation before Kyle can tell him about his affair with Tara. Tara persuades Ashland they should talk about this in private once they return home to New York. Ashland goes to his meeting with Victor where he wants Victor to raise the bid for his company. Victor refuses to do so and Ashland tells Victor that the company is no longer for sale. Ashland grabs his arm and chest and asks Victor to call for help because he thinks he is having a heart attack. Victor tells Ashland that if he wants help he will have to sign the contract to sell his company to him.

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Interview with Andrew Leeds and Alice Lee

Posted on April 22, 2021August 2, 2021 by TvMegasite Admin

TV Interview!

Andrew Leeds and Alice Lee of "Zoey's Extraordinary Playlist" on NBC

Interview with Andrew Leeds and Alice Lee of “Zoey’s Extraordinary Playlist” on NBC by Suzanne 3/23/21

This was a day full of many NBC and Syfy interviews, but this was the most fun and relaxed of all of them. These two are great and funny. We had a good time. I hope you enjoy it! This is a fabulous show. It’s so funny that Andrew used to be a computer programmer and engineer, when he’s one of the few characters on the show who’s NOT one of those! That’s hilarious.

Suzanne: Do we get to see you singing and dancing a lot more in the rest of the season?

Andrew: Yeah, we do. We get to see a little bit in seven. We get to see a little bit in episode eight. So, seven is coming up this weekend, then eight we have a little bit, and then in nine. This one (Alice)’s got some really sweet stuff, and in ten we both have some fun stuff.

Alice: Yeah. We definitely sing and dance in more.

Suzanne: Are you allowed to tell us any of the songs?

Andrew: Well, I guess. I don’t know. I mean, I don’t think it really matters.

Alice: Does it? I don’t know.

Andrew: I don’t think it matters, actually – for the next episode, anyway.

Alice: Yeah, yeah, do the next one.

Andrew: I sing the song “Drift Away” in the next episode. Yeah, and then after that, I don’t think we can say.

Alice: There’re some throwbacks in there.

Andrew: Yeah. There’s some really good stuff.

Alice: Yeah. Yeah.

Andrew: We all get to sing some cool stuff for sure.

Suzanne: Yeah, that’s what’s great about the show; you get all different kinds of songs, recent, old, and all of that.

Andrew: How often – do you do you always recognize the songs, or are you like, “I don’t know that one.”

Suzanne: I’m older than I look, so I don’t recognize all the new ones so much. I know all the old ones.

Question: …[This] may be a hard question, but free to answer [how] you feel, but in the spirit of the events of this past week, the Asian American community, you’ve been active for a while and worked. What’s your thoughts on Asian American stories? You know, in terms of the prejudice that’s faced, because we don’t see that as much on screen I feel as much as we see…This is a reality in which eyes are opening now. So, any words on that, and how’s your experience been?

Alice: Yeah, totally. I mean, I think it’s very complex, because, yeah, there’s obviously a lot more. I mean, obviously, Asian stories are important, that’s the bottom line. I feel like our stories need to be told, and it’s a lot better. I think things have gotten a lot better in Hollywood and stuff, but I do still feel like there’s a lot more room for growth and more room for other stories, but I think it’s important that we’re being seen, and we have visibility and the more we can, [the better]. I always think there’s room for more. So, yeah.

Question: …[You] left computer engineering…Can you talk a little bit about that transition? I’m sure you’ve been asked a lot, but I’m always curious to hear that in person from a person like you. How is that transition and what does it mean for you to be on this show? This is a huge, huge thing for you.

Andrew: Yeah, well, I started acting as a kid, and then, when I went to college, I don’t really know what I was thinking exactly, except that I was like, “Oh, I think programming is fun.” I think I was actually fairly good at that part of computer science; the rest of the parts were really difficult for me. I don’t think I had quite the quite the brain for it, but the programming I was good at, and I enjoyed that.

I did that, and then I actually got a job at Adobe. The guy hired me and told me that he was going to hire me, but he was certain that I would go to LA and pursue an acting career, because he could tell based on my resume from before that. He hired me, and I was like, “No, no, no, I’m gonna come work for Adobe.” Then, I did exactly what he thought I would do and did not take the job and went to LA to continue acting.

So, I don’t think it was ever really anything that I was really seriously going to pursue. I just really liked it. I still think it was a good thing in terms of training my brain to think in a certain way, or explore how to think in a certain way.

Then, doing the show has been, for me, just really wonderful and exciting, because it’s the combination of a lot of things that I’ve done that I love to do, which is, musicals and singing and dancing and acting, and getting to do that all together on camera is kind of an amazing thing, and getting to be around all these incredibly talented people in this way. It’s just been so, so fun and satisfying, and like getting to watch her do her numbers, it’s just awesome. It’s just awesome. I feel so appreciative for getting to do this.

Question: This is such a unique genre for television. We haven’t seen this in a long time, a show that combines narrative and singing and dancing, and I’m just curious, as actors, do you find that you put more work into your character when they’re speaking or when they’re singing and dancing?

Alice: Yeah, I feel like it’s probably different for everyone, because I –

Andrew: She can roll out of bed and sound amazing. That’s true.

Alice: No, that’s not true. Singing and dancing for me, yeah, that’s definitely my comfort [zone]. In those areas, I’m like, “Okay.” It’s more acting sometimes where I’m like, “What’s my character really doing and stuff?”

Andrew: I probably should put more energy into the acting, [laughs] but I’d say I put more energy into the singing and dancing, just because it’s always a challenge. It’s always a song that’s harder for me than something that I’ve never done before, a style of music that I’ve never sung before. It’s always a style of dancing that I don’t know how to do, and it always just takes a lot more.

We get together sometimes on the weekends and rehearse if we’re doing it. Like, we’re working on a dance a dance right now. It’s like, we have to get together outside of work to figure out how to do it and help each other, basically.

So, I’d say, definitely – and also, when you’re doing the dance numbers, a lot of them are done in one take. So, if I mess up a scene, they can cut around it; we do another take. But with the dance numbers, if you don’t get it right the whole way through, you’re done. So, the pressure is a lot more, is a lot higher, I’d say, on the musical numbers.

Alice: The dancing is like, for sure – like having Mandy Moore, it’s so cool.

Andrew: Yeah.

Alice: Those rehearsals are so fun, but they are challenging. We’re doing stuff that we normally wouldn’t, but it’s so fun.

Andrew: It’s also just really fun, so maybe that’s why we all feel this way and spend a lot of time. It’s almost sad when you only get to do like three takes if it actually goes really well. They’re like, “Okay, we got it,” and you’re like, “But I just worked for weeks trying to get this great. I want to do more. I want to do more.”

Here’s the video!

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

In its second season, “Zoey’s Extraordinary Playlist” continues to explore the feelings we keep buried on the inside, the human impulse for connection and the undeniable healing power of music and dance. Following a tragedy, Zoey (Jane Levy) and the Clarke family begin to recalibrate and navigate their new normal. As she finds herself in a new dynamic at work and in her love life, Zoey’s musical powers will continue to both awkwardly complicate and inform her worldview as she attempts to rediscover joy and connect with those around her.

The series stars Jane Levy, Skylar Astin, Alex Newell, John Clarence Stewart, Andrew Leeds, Alice Lee, Michael Thomas Grant, Kapil Talwalkar and Mary Steenburgen.

Featuring inventive musical performances set to hit records from a variety of genres and time periods, “Zoey’s Extraordinary Playlist” won the Emmy Award for Outstanding Choreography for Scripted Programming in its freshman season.

Austin Winsberg writes and executive produces. Kim Tannenbaum and Eric Tannenbaum, Paul Feig, David Blackman, Daniel Inkeles and Sam Laybourne also serve as executive producers. Dan Magnante, Jason Wang, Samantha McIntyre, Emily Fox and Robert Sudduth serve as co-executive producers with Michele Greco and Mandy Moore serving as producers.

“Zoey’s Extraordinary Playlist” is produced by Lionsgate and Universal Television (a division of Universal Studio Group) in association with the Tannenbaum Company, Feigco Entertainment, Universal Music Group’s Polygram Entertainment and Zihuatenejo Productions.

Andrew Leeds

David, “Zoey’s Extraordinary Playlist”

Andrew Leeds stars as David on NBC’s “Zoey’s Extraordinary Playlist.”

Leeds can most recently be seen opposite Reese Witherspoon in Apple’s “The Morning Show” and opposite Bill Hader in HBO’s “Barry.” Prior to that, he recurred for two seasons on Epix’s “Get Shorty” and starred in the film “Office Christmas Party.”

Other television includes a series regular role on the ABC sitcom “Cristela,” a four-season arc on “Bones” and guest starring on “Veep,” “Silicon Valley,” “Modern Family,” “Shamless” and “It’s Always Sunny in Philadelphia.”

As a writer, he has written pilots for various networks, including ABC, CBS, NBC, FOX, USA and Showtime.

Leeds first appeared on Broadway in the musical “Teddy & Alice” and soon after appeared as Gavroche in “Les Miserables.” He next starred on Broadway in the musical “Falsettos.”

A member of the main company for the Groundlings, Leeds graduated from Stanford University with a degree in computer science. He splits his time between Los Angeles and New York.

Alice Lee

Emily, “Zoey’s Extraordinary Playlist”

Alice Lee stars as Emily on NBC’s “Zoey’s Extraordinary Playlist.”

In film, Lee was most recently seen sharing the screen with Jillian Bell in Amazon’s “Brittany Runs a Marathon,” which won the Audience Award at the Sundance Film Festival. Other films on her resume include Netflix’s “Sierra Burgess Is a Loser, “Wish Upon,” Jack, Jules, Esther & Me” and the upcoming “Dream Years.”

On the small screen, Lee had a season-long arc on Facebook’s “Real Bros. of Simi Valley,” “Take Two” and Hulu’s “Gap Year.” She recurred on the award-winning web series “Control Alt Delete,” the YouTube Red series “Sideswiped,” Freeform’s “Switched at Birth,” MTV’s “Faking It” and Disney Channel’s “K.C. Undercover.” Guest appearances include Amazon’s anthology series “Electric Dreams” “Splitting Up Together,” “Two Broke Girls,” “Grandfathered,” “Son of Zorn” and “The Mindy Project.”

Lee, a Chicago native, attended an open call while she was a student at NYU and was immediately cast in the Tony Award-winning Broadway production of “Spring Awakening.” She then went on to be in the original company of Julie Taymor’s “Spider-Man: Turn Off the Dark” and starred as Heather Duke in the cult-classic Off-Broadway musical “Heathers.”

Proofread and Edited by Brenda

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Andrew Leeds and Alice Lee of "Zoey's Extraordinary Playlist" on NBC

Y&R Short Recap Wednesday, April 21, 2021

Posted on April 21, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

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Recap written by Eva

Abby is sad that Mariah has to go on a short business trip for Jabot because she doesn’t want to miss a minute of her pregnancy. Lauren advises Sally to forget about her infatuation with Jack and move on with her life. Lola thinks Rey should fight for his marriage. Mariah is also worried about Sharon and Rey after Sharon tells her Rey plans to move out once Faith is back on her feet. Mariah and Lola try to figure out a way to help Sharon and Rey save their relationship. Tara returns to town and has a talk with Kyle and Summer because she is afraid that Ashland knows about her affair with Kyle. Summer and Tara both think Kyle should stay away from Ashland until they find out if he knows about the affair. Kyle is determined to tell Ashland he had an affair with Tara and offer to leave Jabot if Ashland will leave his family and the company alone.

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Interview with Olli Haaskivi

Posted on April 21, 2021March 14, 2023 by TvMegasite Admin

TV Interview!

Olli Haaskivi

Interview with Olli Haaskivi of “Marvel’s The Falcon and the Winter Soldier” on Disney+ by Suzanne 4/14/21

This was a very fun Zoom interview! Olli is very personable and easy-going. He’s done a lot of different shows, so we had much to talk about.

Suzanne: So, tell us about your audition process for The Falcon and the Winter Soldier.

Olli: Yeah, it was, it was pretty straightforward. I made an audition tape in my apartment in New York City, right where I’m sitting right now, with a sort of fake audition scene that had no identifying details; there were no specifics to it. It was a version of what you ended up seeing in the series, but very generalized.

So, I made the tape, and I, for some reason, was in a bit of a time crunch making the tape. I don’t know if it was due immediately or what. Maybe I had something else going on, but I sent it off pretty quickly and really didn’t feel great about it. I sort of felt like – I remember waking up the next morning thinking, “You know, that was a really good opportunity, and I don’t know that what you said was good enough.”

I didn’t hear anything for about a month or so; it took a little while, which is kind of uncommon. Usually you hear within a couple of days that there’s maybe some interest, or maybe you’re in the last two people they’re considering or something like that. There’s usually some sort of medium step between auditioning and getting the job, and this was just radio silence for about a month.

Then, out of the blue, I got an email saying that I got the job and that I was going to have to go shoot pretty quickly after that.

Also, I didn’t know what the job was when the audition came in. It just said it was for Untitled Marvel Project Number Five or something like that. So, when I got the offer, it wasn’t an offer for the Falcon and the Winter Soldier; it was an offer for Untitled Marvel Project Number Five, and it took a little while before anyone told me what I had gotten myself into.

Suzanne: Well, I assume you knew by the time that you shot it.

Olli: I didn’t. The person who sent me the script pages, the official script pages, I emailed them back and said, “Is there anything you can tell me about?” I didn’t know if it was a film; I didn’t know if it was a TV project, and they very graciously filled it a little bit.

Suzanne: Oh, that’s good. Do they say, “Don’t tell anyone or we’ll send someone to kill you?”

Olli: Yeah, truly, they’re not. I’m used to that with some projects that I’ve been a part of, but Marvel is obviously a whole other level of security.

Suzanne: So, when you generally audition, do you usually feel like you did a good job, and then you get the part? Or how is it usually?

Olli: I mean, there’s no one formula, which is freeing in a lot of ways, but it’s also can be maddening. I’ve auditioned for things and felt like I really nailed it, and sometimes people clap and cheer in the audition room, and that doesn’t mean you’re going to get the job. Then, this Marvel job also feels like an example that you can feel terrible about what you did and still end up with a job. I think that it’s so easy for actors to want to micromanage every second of their audition and get very sort of detail obsessed, and I certainly am guilty of that often. But, usually, the thing that gets you a job is something totally out of your control. It’s just some sort of intrinsic part of your essence, or just your face is the kind of face that the writer had in mind while they were writing that part or something. I think, usually, the thing that seals the deal is not in your control, as much as you might want to think it is.

Suzanne: Yeah, I guess you would have to just after a while just start to say, “Oh, well, next project; let it go. Don’t worry about it.

Olli: You’re always doing your best, and you don’t always have a lot of time sometimes. It can be 6pm and you get eleven pages that need to be taped by noon the next day. So, I’m always doing the best that I can in the time that I have, but sometimes it’s frustrating to feel like, “If I only had one or two more days, that really could have settled into something.” But hopefully there’s another audition a couple days later. Then, you dust yourself off and continue hoping for the best.

Suzanne: Yeah, I don’t know how you guys do this. I mean, the closest thing a non-actor can relate to is a job interview, and you’re just constantly interviewing for jobs over and over. I understand. So, what was the actual shooting like? Tell us about that.

Olli: It was such a blast, especially, because it was my last big job before the pandemic shutdown, and I’m so thankful that my last job before that was such a phenomenal experience. It’s such a warm and wonderful experience and also a gigantic experience. I think it might be a little while before we have massive sets like that with everyone able to co-mingle and not have to stay far apart wearing face shields. It was really wonderful.

You never totally know what you’re getting yourself into when you show up for a couple days of shooting something, because you really can feel like a guest in the house. I’ve said this analogy before, but it always sort of feels to me like you’re trying to jump on board a moving train but not attract attention and not stick out for not knowing where you are or what you’re doing. I’ve mostly had really great experiences guest starring on a lot of shows and recurring on a lot of shows, but you still never know. You can show up on a day where everyone is tense for some reason, and you still have to figure out how to perform your best, even though you don’t know anybody, and you’ve never been there before.

So, I definitely always show up wondering what the mood will be, what the style will be, and this at every single turn was so welcoming and so inclusive. I think everybody on the set was so excited about the show they were making. And what’s even more remarkable than that is that they were excited to include a new person in that excitement. Because if you think about it too, my sequence is me and the stars of the show. It’s me and Anthony (Mackie) and Sebastian (Stan) and Daniel (Brühl) and Emily (VanCamp). They could have very easily sort of been in their little group over there and then [been] sort of like, “It’s cute that you’re here, but this is sort of our thing,” which happens sometimes, and that’s fine, but they really brought me into their circle. These are people that have been working together for a decade now in a lot of cases, and they made me feel like I had been there with them the whole time. I can’t say enough about how much I love those guys.

Suzanne: Yeah, nice. Anything you can tell us in particular about shooting your your part? I mean, fun things or interesting things.

Olli: Yeah, I mean, it links back to the previous question, but the thing I think about a lot is that right before we started shooting, we’d had a rehearsal day, which is almost completely unheard of. So, we had time, a full day, before we started shooting. We had time to sort of talk it out and walk through some blocking ideas and really sort of calmly and methodically talk through it, which is unbelievably rare. Usually, you’re trying to rehearse something as fast as you can; shoot it as fast as you can.

Then, I showed up to shoot the next morning, and before we started shooting, Anthony and Sebastian came over to me. They said, “You have the harder job in this sequence Do you want your close ups to be first or last?” which was mind blowing to me, because that recognition, first of all, that you have the heavy lifting here, “How can we help you?” is gigantic. It also means they had a conversation prior where they coordinated with one another, that they were going to do that. They probably ran it by Kari (Skogland), the director. It was just a level of kindness and a level of them sort of being good hosts. That was really phenomenal, and I don’t think I’ve ever – I’ve worked with a lot of great directors; I’ve worked with a lot of amazing actors, and I’m 99% sure that’s the first time anyone has extended that kind of generosity. I think that’s really, really special.

Suzanne: How long did it take to shoot your scenes? Olli Haaskivi and Anthony Mackie in "The Falcon and the Winter Soldier" on Disney+

Olli: I don’t fully remember. I think we shot for three days, but the final day was basically just devoted to the gunshot and the explosion. So, we had a day or a day and a half where we shot the bulk of it and then came back the next day for the special effects stuff.

Suzanne: And you said it was right before the pandemic, or was it in 2019?

Olli: It was… it was right before Christmas. 2019. I mean, it was really only almost a year and a half ago now, but it also feels like, you know, four decades ago at this point.

Suzanne: Yeah. I imagine all the special effects and all the stuff they have to do afterwards takes a long time.

Olli: Yeah, I mean, that show looks stunning. It’s so beautiful. I’m really in awe of those editors and those special effects people. What they do is extraordinary.

Suzanne: Oh, it’s amazing. I’m sure by now that they must have it down to a fine science they’ve done so many of these things. Were you a fan of Marvel movies, comics, or TV shows before this?

Olli: I was a fan from afar. I had so much respect for what they’re able to accomplish, like we’re saying, especially in the effects department. I had seen a couple of the films, but I was not a person that like ran out to see the new one every single time, but the ones I did see – you know…your hair is blown back just sitting there just going, “How in the world did they do that?” But I saw Black Panther, and I believe I saw the last Avengers film, but I’m not completely sure, to be honest.

Suzanne: You must have been confused if you only saw the last one.

Olli: Yeah, and I think that’s kind of why I hadn’t seen that many of them, because I was sort of intimidated by how much history there is and how much to keep straight. So, when I would see something and kind of jumping in the middle, I would go, “This is so amazing. I have almost no idea who these people are or what’s happening.” So, I also really had felt intimidated showing up to shoot, because I did as much research as I could, and there’s a lot in that scene that, you know, the scene told me almost everything I needed to know, but I didn’t want to reveal the depth of my complete lack of knowledge.

Suzanne: Now did you go back and watch the movies after this?

Olli: I haven’t. No. I know that so many people during their sort of lockdown quarantine watched all of them in order, but I think I was busy watching things that I’ve already seen and loved that I knew would just be comforting.

Suzanne: Yeah.

Olli: Yeah, not require too much thought.

Suzanne: Well, you definitely saw the best one when you watched Black Panther. That’s probably the best superhero movie ever. I mean, they did such a fantastic job with that one, and it’s closer to the comics. I mean, just everything.

Olli: Oh, interesting.

Suzanne: It’s just fantastic, but also, actually, the ones that relate to your show, the Captain America movies, are really good. Then later they sort of segue into the Avengers movie. So, if you just watched the Captain America and Avengers movies, you probably do have all of the background that you would have needed for this show.

Olli: Now, I mean, having first hand experience with how amazing those people are and how hard they work, I just want to go watch my friends now.

Suzanne: Yeah, I can understand that, but I don’t think there’s really a bad Marvel movie, at least in the in the recent ones, the ones from the last decade, but they vary, but it depends on who you ask. I kind of like these things, but I grew up reading comics.

Olli: Oh, cool.

Suzanne: I have three older brothers, so that’s why.

Olli: Amazing. You didn’t have much of a choice.

Suzanne: They’re all total geeks, and I’m not saying anything that they wouldn’t say themselves. And you were on Manifest for a while too, right?

Olli: I was, yeah.

Suzanne: Do you still watch that or keep in touch with those people?

Olli: I do keep in touch with some of those people. Melissa (Roxburgh), who’s the lead of that show, left in New York City the same day that I arrived back, and so we were sort of hoping that we’d be able to see each other, but we literally just missed each other, but I talk to Melissa pretty regularly.

Jared Grimes, who I did a lot of things on that show with, who plays Adrian, he and I are in touch.

I’m in touch with some of those writers. Some of the writers reached out watching The Falcon in the Winter Soldier, which was really sweet.

Suzanne: Oh, that’s nice.

Olli: Yeah, it was so nice to hear from them. There are so many great people that work on that show, and that in particular is a great crew. So, I’m excited. I haven’t watched anything from their new season yet, but I am excited to.

Suzanne: Yeah, I think they’ve only had a couple episodes so far.

Olli: I think so. Yeah, I think they’ve only had two.

Suzanne: Yeah, I interviewed some of them a few weeks ago, so, yeah, they seem very nice.

Olli: Oh, nice. Who did you talk to you?

Suzanne: Well, we had two separate ones. One was Melissa, and Matt.

Olli: Yeah, Matt’s so great.

Suzanne: …So, you have a certain amount of loyalty to the shows that you’re on. even though you’ve left them? And, you know, the people on them, would you say?

Olli: Yeah, and I think it’s the knowing the people that creates the loyalty, because, you want to see what they’re up to, and you want to see how the story continues to unfold and all of that. Yeah, a good set run by good people makes you feel like you’re part of the gang forever, and so, yeah, there are definitely things that I’m now just a fan of, even though I was a part of it for a period of time.

Suzanne: That’s good. You gotta find a show that where they’re not going to kill you off so quickly.

Olli: I agree with you. I would love [that]. I am on the market for that exact thing.

Suzanne: And you said you watched some of your favorites during the pandemic. Can you tell us what some of your favorites are?

Olli: Sure. I mean, I’m still in the middle. I’m very slowly working my way through Veep again, which is just the best. Every single person on that is phenomenal. I found Better Things to be really comforting during this period of time, Pamela Adlon’s show. And there are some new things I’ve watched. I mean, I thought I May Destroy You was unbelievable. One of my best friends is the lead of High Town, so I was thrilled to watch all of that as fast as I could. But yeah, something about this time has – you know, we’re all sort of limited – at least I feel like I’m limited in the amount of new things that I can take on. I just want to watch something comforting.

Suzanne: Well, actually, one thing I forgot to mention, we were talking about all the Marvel stuff. A really great show that came before yours was Wandavision.

Olli: I watched that.

Suzanne: Oh, you did watch that? Because that one you don’t really have to have seen the movies much.

Did you read any of the background stuff about the shows like the Easter eggs they put in for fans and stuff like that?

Olli: A little bit. And I’m sure you know, there are so many amazing videos on YouTube where people do just deep dives into that stuff, and I think Marvel and Disney Plus did such a good job. I can’t remember what the series is called, but but they put out such nice little sort of background videos for –

Suzanne: Right, yeah.

Olli: They did for The Falcon and the Winter Soldier too.

Suzanne: “Legends,” I think it’s called.

Olli: Yes, yes, yes. And that’s so smart of them, and they’re so well done. And I’m a longtime diehard Kathryn Hahn fan, so I watch whatever she decides is worth her time. I’m happy to watch. So, I would have watched Wandavision, no matter what.

Suzanne: Yeah, she was great in that. And the thing about her was that, from the beginning, you know that something that’s going to be with her [is going to be good], because she wouldn’t have done it to just have this little bit part.

…Do you have anything else coming out that we should watch for?

Olli: No, The Falcon and the Winter Soldier was sort of my finish line. I did an episode of Social Distance, Jenji Kohan’s quarantine series that came out at the end of last year, which I loved. So, The Falcon and the Winter Soldier and Social Distance were sort of the two things that were hovering around.

And I just got back to New York yesterday, and I’m enthusiastically auditioning for whatever the next job may be. I’m excited to find out.

Suzanne: I read that your father was a soccer star and that your grandfather was also a player. Did you ever play?

Olli: I did play a little bit. I suffered from the expectations of having a father like that. I mean, I really enjoyed playing, like in the backyard with my dad. That was really fun, but anytime it was more organized than that, there was always some sort of like, “I bet you’re really good at this” or something like that from a coach, which made it much less fun. You know, when you’re in second and third grade, that’s not what you want to hear. I mean, tennis was a little bit more the sport that I played a little more seriously for a while, but, yeah, I mean, I couldn’t deal with that weird sort of expectation when playing soccer, because my dad is and was phenomenal at it. So, yeah, very few people can measure up to that much less, you know, a third grader.

Suzanne: Well, thank you, and I hope you book some more things we can see you in.

Olli: Thank you. I hope so too.

Here is the video version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Olli Haaskivi Olli Hasskivi appears in the latest episode of “Marvel’s The Falcon and the Winter Soldier.” Olli plays the name on everyone’s lips this week, Dr. Wilfred Nagel. He is the doctor responsible for the super soldier serum, having reverse-engineered Dr. Abraham Erskine’s (Stanley Tucci’s character in the franchise) serum. This was a pivotal episode and character for the series as the hunt for the super soldier serum is in full force, and Dr. Nagel comes face-to-face with Anthony Mackie (Falcon), Daniel Brühl (Zemo), Emily VanCamp (Sharon Carter) and Sebastian Stan (Winter Soldier) in his lab, who all want to know the truth. Olli Haaskivi and Dr. Nagel

For reference, Olli is a very talented “actors actor” based in NYC. He is chameleon who can truly play any role he feels passionately about (including teachers, a doctor, a villain, a waiter, etc. – you name it!) His film and TV credits include: “The Deuce”, “The Sinner”, “Manifest”, and “Oh Jerome, No,” plus the films Motherless Brooklyn directed by Edward Norton, The Miseducation of Bindu directed by Prarthana Mohan, and Nancy directed by Christina Choe. Olli has appeared in the off-Broadway premieres of Bella: An American Tall Tale (Playwrights Horizons), Who’s Your Baghdaddy? Or How I Started The Iraq War (Actors Temple), and The Rafa Play (Flea Theatre).

Proofread and Edited by Brenda

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Olli Haaskivi

Interview with “Van Helsing” stars

Posted on April 21, 2021March 12, 2023 by TvMegasite Admin

TV Interview!

Nicole Muñoz, Jonathan Scarfe and Tricia Helfer

Interview with Nicole Muñoz, Jonathan Scarfe and Tricia Helfer of “Van Helsing” on Syfy by Suzanne 4/12/21

This was a very fun Zoom call with the actors of this Syfy show. I’ve enjoyed watching them on “Van Helsing” and in their other shows as well. It was great to chat with them. This last season of the show is very exciting. I hope you can watch it and enjoy it as well!

Question: How do you relate to Jack as a person? How do you get into that character and follow her through, I guess, season four and into season five?

Nicole: I was just saying before, I have some similarities. I think Jack has really helped me grow as a person, and in terms of offering me some inner strength and some confidence, Jack’s stubbornness and tenacity are things that I think come decently naturally to me.

So, at least a fun thing about Jack this season is we kind of get to see a bit more of her humor, which, you know, it kind of is coming out just because of the circumstances. And I do think that I kind of get to put a little bit more of my personality into Jack, this season. And she’s a little bit less on edge. She’s kind of come into a bit more of “this is the reality that we’re dealing with, and now we’re gonna go forth and push on.”

Jonathan: Oh, I was just saying that Jack has to like find her alpha this year, big time. So, that was, I think, pretty fun for Nicole.

Nicole: Yeah, and Jonathan helped me with that, immensely. Yeah. It was a lot of “what would Jonathan do?” “What would Axel do?”

Question: I posed it to Nicole how she relates to her character Jack, and it was sort of open to everybody, how they relate to their character. So, Trisha, how you relate to Dracula, but also how you relate to Jack and how you relate to Nicole, on and off set.

Tricia: It was definitely a lot of fun getting to work more. I mean, I was only in two episodes last season. In the first episode, Jack and, well, Keeya (King) – I keep saying your names wrong – Violet…were basically knocked out the whole time. So, it was a real treat to get to kind of work with everybody more.

I can’t say I necessarily relate to Dracula myself, but similar to what Nicole said…I do play a lot of very strong characters, and in person, I’m a little bit of an introverted goof. I can come off as cold, because I’m shy quite often. So, it allows me to really kind of just be something that I’m not in my own life. So, sort of learning – I can’t really say I learned much useful from Dracula that would be legal in our society, but certainly playing her does give you a sense of confidence and just sort of a take charge mentality that hopefully I can kind of take that into my own life at some point. Lost our voices a few times, though didn’t we, Nicole? Van Helsing poster season 5

Nicole: A few, yeah. Thanks Jon.

Tricia: It’s Jonathan’s fault.

Question: I’m going to alter my question a little bit so Jonathan can add to it too, but my question was, we don’t really even know if what the Dark One said to them about Vanessa not being their mother is true. I’m kind of still wondering that, but this season, at least at the beginning, you too definitely, I’d say, [since last season] have different interactions and relationships since they’re not, you know, [in the same place] as where they were last season. So, can you kind of talk about how that relationship between the two of you is going to continue this season and change? And then Jonathan, your relationship with – well, you probably don’t really have one with Dracula, but maybe with Jack.

Jonathan: Yeah.

Nicole: Wanna try to work around spoilers.

Question: Just kind of how those relationships will evolve this season.

Nicole: How my relationship with Dracula evolves this season?

Question: Yeah.

Nicole: Is that kind of the question? I would think definitely –

Jonathan: No [unintelligible] for COVID protocols, it starts there.

Nicole: Yeah, I think we definitely get to know each other, maybe more than we would have wanted to this season, our characters. I think spoiler-wise, I’m gonna stay very far away from this question, but I do think that Jack gets some answers. Some she likes; some she definitely doesn’t. It’s kind of the feeling of the floor coming out under you, or the rug coming out under you.

Tricia: For me, Dracula didn’t really know much about anything going on. She’d been in the Dark Realm. So, she’s kind of at the end of the season coming into the world, and she definitely has her confidence shaken a little bit. I mean, she maybe had a little bit too much of an ego, and again, not giving away spoilers, but she starts to question who she can trust and things like that along the way. And throughout her relationships – interactions, not relationships – interactions with the Van Helsings and the other characters in the show – It’s hard to say without spoilers – She comes to realize they’re more of a formidable foe than she maybe gave them credit for. So, if anything, I could say there’s maybe a little bit of a more of a respect for them than she would have thought at the end of season four. Did that give away too much, Jonathan?

Jonathan: No, I mean, I think that – we were talking about this earlier – I think the writers did an amazing job, but it was, I mean, to not spoil things, but to try and pique some curiosity for the fans, is that, you know, a couple other things you get to discover this season is not just the origin stories of Dracula, which are totally unique to the show; they’ve completely invented their own version of what that would be, but also the origins of the Van Helsings, where they came from, how they evolved, and like how intertwined the two are in a particular way. So, that’s all fully revealed by the end of the season, and I think it’s like the most fun thing about the season, personally, so I’m really excited for fans to check that out and see how they respond to it.

Question: …Let me just congratulate you all, I mean, five seasons finally coming to an end, which is like, hard to believe. So, let me just ask you all a pretty generic question, Nicole, I’ll start with you, then, we’ll go to Jonathan and Trisha. It’s been five seasons; it’s coming to an end. So, first up, how excited are you that these final episodes are coming out and we get to see the Van Helsings and the Dark One come head to head? Then, of course, how are you feeling? A little nostalgic given the fact that the shows come to an end?

Nicole: I’m excited to see the reaction of the viewers once they get to watch the final few episodes. I also think the first few episodes of this season are going to be pretty revealing and very exciting to watch the reactions. I will definitely be looking on Twitter this year and reading what everybody has to say about this season, because, I mean, if I’m this excited, everybody’s gonna be even more so when they watch, because I already know what’s about to happen. But just reading the scripts even was a very fun thing to do, and I like rifle through them so quickly. I can only imagine what that feeling would be like for you, Jonathan, being in this thing for five years, because I only hopped on in season four. What do you think?

Jonathan: Yeah, well, you know, it’s like all things, like this show, you bring it; you’re grinding it out, and there’re ups and downs and the challenges that you kind of face, and then you turn around and five years have gone by, and the thing’s coming to a close. Yeah, you do get definitely a little bit nostalgic thinking, “Oh, gee whiz, this is it. This is goodbye to all these people that have become kind of family and his character that’s kind of become a second skin.” So, yeah, it definitely had a little melancholy to it, for sure, when we came to a close.

Question: Right and Trisha, let me ask you the same question. What should fans expect on this final season?

Tricia: Well, knowing that it was the final season, we had the liberty of being able to follow the mythology from the four seasons prior and really give a conclusion to it. So, we faced a lot this year, like the entire world did, so some alterations were made along the way but not affecting the story, which is great. I think with the first three episodes with the origin story of Dracula and how the Van Helsings meet this character, I think is really going to set it up for the rest of the season, because stuff that happens there and stuff the audience will come to learn is really what drives a lot of the rest of the season to its ultimate conclusion, which I think leading up, I think it the last couple of episodes also really ramp up to this, you know, something’s gonna go down. And, you know, being part of it for really only one season, just briefly introduced in season four, of course, it would have been fun to play longer for me, but I understand what Jonathan’s saying then, it’s a little melancholy when you’ve been on a show for five years or something, and it’s like your second skin. When you’re first playing a character, you’re figuring it out and whatever, and then, by season five, you can just go on set and know who the character is. You almost answer in the character’s voice without even thinking about it. I didn’t necessarily have that with Dracula with only being in the one season, but, boy, did I get some fun stuff to play with.

Question: …You were doing a series that, although it was a supernatural pandemic, it was still a virus like pandemic kind of thing, and you’re doing that for, well, I guess three and a half seasons, four seasons, and then all of a sudden, you’re living through a real pandemic. Did that change your perspective in any way in your characters, in your performance? Did you have maybe more understanding of people who are like hiding inside? So, how did COVID affect your characters is what, I guess, I’m trying to say.

Jonathan: Well, I mean, yeah, I’d had all kinds of resonance in terms of that, you know, what isolation feels like, and we had just come back from shooting the first three episodes before the initial shutdown happened, and then there was a big question mark as to whether we’re gonna be able to get back to work. Then, we were lucky enough to be able to do that. I think we were one of the first shows back in Vancouver working with all the new COVID protocols. The company did an incredible job setting those up, and there’s a lot of pressure on them being the first show back not to screw it up. So, we’re happy that we didn’t, but…other than the stress that might have been visible in everyone’s eyeballs, I don’t know how much it impacted performance, but it certainly resonated.

Tricia: I mean, I don’t think it necessarily affected my character per se.

Jonathan: They didn’t care.

Tricia: I mean, it did affect shooting for me, because, like Jonathan said, we did the episodes in Slovakia, and then literally all flew home just before the lockdown happened. So, there was a lot of stress for everybody. I really give credit to the production team and studio and network and everything, for getting back up and running as quickly as they did. For me, it really only altered filming in terms of changing schedules. I mean, so many things had to be changed, because you want to have less people on set at a time and less interaction and things like that. So, all my stuff that I had left was consolidated into the very end of the shooting. So, you guys all started shooting way early, and I was down in Los Angeles. So, they all started shooting way earlier, and then, when I came in, it was quarantine, obviously, government quarantine, and then fast and furious shooting everything I had for the rest of the season all in, you know –

Jonathan: All in a row. Exactly.

Tricia: All in a row. So, it was –

Jonathan: Like episodes three through thirteen, all your scenes, all the time, nothing but for the final three weeks of shooting.

Tricia: It was like a lot to do in the Slovakia episodes, and then nothing, and just sitting there twiddling my thumbs in LA going, “They’re shooting; they’re shooting.” I’m like, I felt so left out of it, but I’m so proud of them for getting back and then just being fast and furious at the end. But, I mean, Dracula is sort of like an enigma. I don’t know she’s – I’m babbling, but it sort of did, without giving away too much, Dracula was sort of feeling a little bit on edge toward the end. So, there was maybe a little isolated that we haven’t seen of her aside from being locked in the Dark Realm. I guess she was locked in the Dark Realm for a long time. That would have been very isolating. Maybe I could have related to that a little bit. I didn’t put too much into it at the time, though, because just everything so new with you just trying to do a good job trying to keep everybody safe and have fun with the character at the same time.

Tricia: Trying to remember to take your mask off when they say, “Rolling.”

Question: That happened?

Jonathan: Oh, yeah.

Nicole: Sometimes it did, yeah.

Tricia: Yeah, it happened more than once, because everybody’s in masks. It’s like the first time you put on a mask, you feel really bizarre, but then when everybody around you has a mask on, and you take your mask off, you actually feel bizarre.

Nicole: And we even incorporated masks into some of our costumes for a little bit there. I think, character-wise, yeah, it may be a little bit of a stretch, but it must have had some sort of impact just having been isolated. I also came back from Slovakia, and then we isolated for a while, and then they started filming. It was like that feeling of, “I miss everybody, and I can’t wait to see everybody.” Then, once we started filming again, it made those scenes of reunion or scenes with some intimacy in it just that much more important and impactful. And that like yearning for it was more already at the surface and more accessible, I guess, as an actor.

Tricia: I don’t think Dracula gets to hug anyone, but it was like, if you got to hug anybody on set, you’re like, “I’m not letting go!”

Nicole: Yeah. It’s like, “Jack, don’t let go.”

Suzanne: I really enjoyed the three episodes they let us watch… that was great. Without spoilers, obviously, do you think that fans will enjoy the ending?

Tricia: I do. I was the most excited I’ve been about the show in ages was when I read those first three skip scripts for this season. I thought “Wow.” I had no idea how the writers were going to try and figure out a way to bring the thing to a conclusion, and I think they exceeded all expectations and in terms of what they came up with. So, I’m really excited to see the fan reaction to it.

Nicole: Yeah, the first three episodes play out of like a mini movie, and, yeah, I think it’s going to be very satisfying for everybody to watch, and it’s going to be quite the launching board for the rest of the season.

Tricia: That’s exactly what I was just gonna say, Nicole. It’s a launching board for the rest of the season. So, even though they are like a little mini movie and set in Transylvania, where the rest of the season isn’t, it really does set up what the characters are going through, and knowledge and experience and questions to figure things out. But the following episodes are really where all the mythology from the first four seasons really gets layered into the very end, and there’s a nugget at the very end in the finale that I just think is so fun…that I think is just going to have some fans drop their chins to the floor.

Question: This is for the entire cast. How would you describe season five in three words?

Jonathan: Season five in three words, wow. “Big questions answered.”

Nicole: “The final season.”

Tricia: …I want to look up my notes for the other day. What did I say?

Nicole: Had I done my press homework, I would have actually had the answer to this.

Tricia: Family is one of my words. Family, [resilience], and teamwork? I’m trying to stay away from like bloody and gashy and death.

Jonathan: Jaw freaking dropping.

Here is the video version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Van Helsing is set in the near future, where vampires have risen and taken control. Vanessa Van Helsing is humanity’s last hope, as her unique blood composition gives her the ability to turn vampires human. With this secret weapon, Vanessa becomes a prime target for the vampires. Van Helsing comes from the producers of Fargo and Hell on Wheels. Jonathan Lloyd Walker serves as showrunner.

In the fifth and final season of “Van Helsing,” Vanessa, Violet, and Jack will risk it all to finally bring an end to the Dark One once and for all. The Van Helsings must figure out ways to escape and evade the various obstacles in their path to prevent them from their mission, leading to an epic final showdown between the Van Helsings and the Dark One. Who will win the battle between light and dark?

Jonathan Scarfe

Axel, “Van Helsing”

Multiple award-winning actor Jonathan Scarfe stars as Axel, a Marine ordered to guard the body of Vanessa Van Helsing.

Scarfe, a seasoned actor, producer, director and writer with over 20 years of experience, has been nominated six times for the Gemini Awards (the Canadian Emmys) and won twice for his work in “The Sheldon Kennedy Story” and the mini-series “Above and Beyond.” He is also the recipient of two Leo Awards for his work on “Hell on Wheels” and “Love on the Air.” As a director, he wrote and shot the multiple award-winning short film “Speak” with his wife Suki Kaiser.

In 2012, Scarfe embarked on a two-and-a-half-year sailing odyssey, entirely off the grid, with his wife and two children. The trip would ultimately encompass a circumnavigation of the North and South Pacific oceans and over 18,000 sea miles.

Nicole Muñoz was born and raised in Vancouver, Canada. She began her acting career at the age of four. With over fifteen years experience Nicole has garnered over 40 credits including beloved shows such as Once Upon A Time, Supernatural, The 100, Defiance and a lead role in SYFY’s Van Helsing.

Tricia Helfer is a Canadian cover girl model-turned-actress who has developed her resume beyond the catwalk to include many diverse roles highlighting her versatile and natural screen presence. Best known as the face of the series, and for her Leo award-winning lead performance as the humanoid, Cylon ‘Number Six’ in the critically acclaimed Syfy series, Battlestar Galactica (2004), Helfer has since gone on to book leading roles on a wide variety of networks. Tricia currently stars in FOX’s “Lucifer”, switching gears from the role as Lucifer’s mother Charlotte, to an attorney by the same name.

Prior to “Lucifer,” Tricia was recurring in season two of the Playstation & Sony Picture TV series, “Powers.” Just before that, Helfer also played the lead of the Syfy channel’s original miniseries “Ascension” co-starring Brian Van Holt. In early 2014, Helfer starred as the lead of the ABC series, “Killer Women”. The Sofia Vergara-produced series followed beautiful badass Molly Parker (Helfer), in the notorious Texas Rangers frontier patrol, as she pursued justice despite being embroiled in a continuous fight for her peers’ respect.

Born in Donalda, Alberta, Canada, Helfer launched her modeling career at age 17, and erupted into an international superstar after winning the Ford Models’ Supermodel of the World Contest in 1992. Her modeling credits include appearances in high-end ad campaigns for Giorgio Armani, Ralph Lauren, Versace, Givenchy, and Dolce & Gabbana as well as covers for national publications such as ELLE, Cosmopolitan, Marie Claire, Flare and Vogue.

In 2002, Helfer turned her focus to acting, moving to Los Angeles and quickly earning a guest star spot on the second season finale of “C.S.I.: Crime Scene Investigation.” The following year she earned her break with “Battlestar Galactica,” achieving a remarkably fast and successful transition into acting. During her hiatus from “Battlestar Galactica,” Helfer portrayed the legendary Farrah Fawcett in NBC’s film, “Behind the Camera: The Unauthorized Story of Charlie’s Angels.” She furthered expanded her portfolio by starring as ‘Stephanie Jacobs’ opposite Dennis Hopper and Billy Zane in the independent feature “Memory,” and later starred alongside LeeLee Sobieski in another independent, “Walk All Over Me,” which premiered at the Toronto International Film Festival.

Helfer returned to the small-screen in 2008, joining the cast of the USA Network’s hit series, “Burn Notice” for a multi-episode arc. The next year she filmed recurring guest spots on the award-winning CBS comedy, “Two and a Half Men,” while appearing on Fox’s crime shows “Chuck,” and “Lie to Me.” In 2010, Helfer booked a series regular role on the ten-episode arc of Jerry Bruckheimer’s “Dark Blue,” starring opposite Dylan McDermott and went on to do a variety of terrific roles on series such as “Suits,” on USA Network, “Key and Peale,” “The Librarians,” “Community,” “Chuck,” “Jeremiah” and “Franklin & Bash,” among others.

In addition to her vast array of television roles, Tricia starred in the film, “A Beginner’s Guide to Endings,” with Harvey Keitel, Scott Caan, and JK Simmons and ;ater, went on to star in “Authors Anonymous” with Kaley Cuoco-Sweeting. Next up, is another lead role in thriller, “Isolation” co-starring Luke Malby, a film that will portray the true events of a couple vacationing in the Bahamas. The getaway quickly spirals out of control, forcing the couple into survival mode.

Adding to her impressive resume, Helfer has done prolific voiceover work in mega-hit video game franchises including, playing the roles of Commander Veronica Dare in Halo: ODST, EDI in Mass Effect 2 and 3, Sarah Kerrigan in Blizzard Entertainment’s StarCraft II: Wings of Liberty, for which she won the 2010 VGA for Best Performance by a Human Female, as well as in StarCraft II: Heart of the Swarm. She also showcased her voice talent in animated productions, “Green Lantern: First Flight,” a Cartoon Network TV movie, on Disney XD’s “The Spectacular Spiderman”, and on Disney XD’s TRON: Uprising.

In addition to acting, Helfer continues to support as many causes as she can, as she strongly believes in giving back. Tricia supports the Humane Society of United States, Best Friends Animal Society, AmFAR, PETA, Kitten Rescue and Richmond Animal Protection Society.

Tricia, who has dual citizenship in the US and Canada, and resides in Los Angeles.

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Tricia Helfer, Jonathan Scarfe and Nicole Muñoz of "Van Helsing" on Syfy

Interview with “Young Rock” actors

Posted on April 21, 2021 by TvMegasite Admin

TV Interview!

Stacey Leilua and Ana Tuisila

Interview with actors of “Young Rock” on NBC by Suzanne 3/23/21

There are two short interviews here with the actors from “Young Rock.” One is with Stacey Leilua, who plays Ata; and with Ana Tuisila, who plays her mother, Lia. The other is with Joseph Lee Anderson, who plays Ata’s husband, Rocky, and with Matt Willig, who plays Andre the Giant. This is a fun little show, and I enjoy watching it.

Here’s the first interview, with the women.

Suzanne: My first question is for Stacy: what has the fan reaction been like so far that you’ve seen?

Stacey: It’s mostly just been, I guess, in the way of messages through social media, because it’s not screening in New Zealand yet. So, I get messages from people – like the stuff I love is Pacific Islanders around the world saying how awesome it is to turn the TV’s on and see, you know, their mums and the grandmas sort of represented, their uncles. So, they’re seeing their culture on primetime US TV, and they’re loving it. So, that’s awesome for me to be able to be a part of that representation.

Suzanne: Yeah, that’s great about the show. I didn’t even realize that he had lived in Hawaii, and I spent three years in Honolulu, and I miss it so much. I was happy to see that. And, Anna, are you on social media at all?

Ana: Yes, I am.

Suzanne: What is the reaction that you’ve gotten?

Ana: Well, like Stacey, my family in New Zealand hasn’t seen the series at all, and so they’re putting on these promotions and “watch this,” and they are coming back to me sort of, “Watch what? We haven’t haven’t seen [it].” So, it’s a bit disappointing that they’re not keeping up with the excitement that I’m feeling as well. But we’re really lucky that I’ve got a link that was sent, so I’m able to watch it at the same time, but for the rest of New Zealand and Australia, it’s a shame that they’re not feeling the same as we all are.

Suzanne: Yeah. It’s too bad you can’t get a copy to send to your family at least.

Stacey: It’s coming soon, I think.

Suzanne: Oh, good. I can’t imagine.

Question: This is a male fronted comedy, but what I really like about it is that the women are a really big part of it, and you guys get to not just be background players; you’re really in the narrative of it. I was just curious how you feel about that, and how you feel about this show? It’s a success. Did you feel more pressure before it was a success, or do you feel more pressure now to keep it a success?

Stacey: I think when you get the original audition, and you can see who’s attached to it, and you see Dwayne Johnson, that already is an indication of the success of what it [is] most likely going to be like. It’s pretty hard to imagine that something that he’s attached to is…not going to work or whatever. He’s just incredible like that. So, he finds a way to make everything work.

And I was excited about the fact that he will very often and publicly speak about his mother and his grandmother and the influence that these women had on his life. I mean, to this day, his mother, I think she she lives with him, or she’s pretty close to physically where he is. So, it’s kind of like at the end of this long journey that they’ve been through and the ups and downs. It’s the two of them still there looking after each other.

I quite often say that playing a real character, a real person, Ata Johnson, I don’t like to think of it as pressure, because I feel like that sort of has negative connotations. I think there’s definitely a huge responsibility in there.

I guess, if we’re talking about the success of a show, for me, what I really cared about the most was that I was going to do this character justice and that Dwayne and Ata were going to be watching this and going, “Yes,” and that has happened.

So, for me, I think, like, we talk about the ratings or more seasons and things like that, and I’m like, as long as I’m bringing this truth to that character – Just, I think in light of what a life they’ve had, and, you know, like we were saying, the ups and downs, we only see a sort of snippet of it in the show. It was so important to me; that was the priority for me, really being able to do the family justice and make them proud of the representation on the screen, for me, anyway.

Ana, do you want to speak to that?

Ana: You ask about being the only woman in a very male dominated cast. Well, you know, it just helped me play the role even more diligently, because, Lia, the grandmother, is obviously a very strong character, and being the only woman and in with the wrestlers and the football team, it just makes – you know, I’m even sitting up straight now just thinking about it. It just makes the role that I play so much more physical [and] mentally and emotionally more dominant to just get there and make sure that I play this character the way it should be. So, being in a very male dominated, as you say, cast, and the storyline, it just just helps me portray this character even better.

There isn’t much known about it, but after listening to Dwayne and Ata describe her, I thought, “Oh, that’s great.” It’s just great putting the women up here. So, it wasn’t too difficult. I guess, as Stacey said, the pressure was ensuring that the character and the role was played with integrity and honesty, and making sure that I play the role the way it should be.

Question: …What role did your mothers and grandmother play in your life?…Was there something that you brought on from your mother and grandmothers on to this show?

Stacey: Yeah, I think I’ve mentioned before in interviews, my grandfather was actually a boxing champion here in New Zealand, and he held the light heavyweight title in, I want to say, early 1960s, I think. So [it] was my grandmother at home looking after the babies and holding the fort while her athlete sort of superstar husband, as much as he could be back then in New Zealand, was out traveling and on the road and everything that came with that. So, for me, in the early portrayals of Ata, that was something that was on my mind as well, and just kind of channeling a little bit of that and what that might have been like.

Like Ata, my grandmother is a very… strong matriarch of the family and really led with love and care for her children. I think that that was really, [and] after speaking with Dwayne and Ata, we’ve been saying sort of the character is really the heart and soul of the storytelling, and she brings that love and the nurturing. I mean, she’s a fighter, and she’s fierce, but it’s always done with the integrity and love for her son first and foremost, and then the family that wraps around him and guides him through his life journey. So, I was really holding on to, I guess, a lot of those aspects that I had seen myself in my grandmother growing up. Yeah, on a personal note for me.

Ana: I didn’t know my maternal and paternal grandparents, grandmothers, but when I read the script, that was just truly my mother, my own mother, and, I guess, for myself, as well. She was also the matriarch of the eldest of 13 children. So, even though we had high chiefs, and there were five girls and eight boys, she just dominated. Whatever she says, goes.

When I read the script, I thought, “It sounds just like my mother,” and, I guess, it’s just passed down to the way I have parented. So, it was quite easy for me to step into Lia’s shoes, and even more so that Lia’s Samoan, and I’m Samoan. I guess, the connection there was really easy, and the cultural terms.

So, you asked, were my mother and my grandmother, or people who I knew – Yes, they were great inspiration, and it’s just passed down to how we are. Women are very strong. Even though they talk about the patriarchal system in Samoan, the [unintelligible], it’s the women that run the household. So, they are very strong, and, I guess, for Lia, which is different being in a white male’s institutional sport, that would have been [unintelligible]. Yes. So, the inspiration for me was my mother, which made it easy for me to play the character.

You can see the video here!

Joseph Lee Anderson and Matt Willig

Here’s the transcript of the call with the two men.

Question: Hey, guys, thank you so much for taking the time and congratulations on on this fantastic journey. So, let me just ask, and I’m sure you’ve been asked, but I’m really curious, what was the biggest challenge for both of you in portraying your characters, especially because they’re based on real people? And what’s the most surprising thing you think you learned in the process of preparing for the characters?

Joseph: Yeah, the biggest thing for me was the weight. I was at about 220 pounds when I first got the role, and then got a call and said they wanted me to be about 250 pounds. So, I had about two months to put all that weight on and make it as much muscle as possible…The opposite of what Matt did.

…And I was shocked to learn that Rocky, he fell so far from grace. He worked so hard to get to that moment, and he was on top of the world, and it just didn’t end the way I’m sure he wanted it to end.

Matthew: Yeah, a lot like Joseph, you know, it starts with the weight. I knew I needed to have a certain look, and I normally kind of am more much more diligent about my diet and exercise and stuff. So, I just ate whatever I wanted for a couple months, and I gained about 35 pounds myself, but it was bad weight. So, it was fun for a while, and then it got old after a little bit, but that was important to kind of have that feel of having that girth that André had. I knew I wasn’t gonna be 7’4’’ or, you know, a seven footer, but I could have the dimensions that would be important. So, that was the first thing, and then, getting the sort of the Frenchisms and the French accent down was important [and] not easy. So, just kind of working with a French dialect coach first and then sort of making it my own sort of mumbled André speak was important to have. I had to be very careful about making it understandable for television so that people can understand me, but at the same time, sort of keeping authentic to André in the way that he spoke. So, that was hard.

And the surprising stuff, I guess, it’s just the fact that he was so close to Rocky, their family, and Dwayne. I wasn’t aware of that. So, that was a big revelation and sort of immediately sort of made my character André of all these crazy wrestlers, specifically having André in his life as uncle Andre, so that was pretty cool.

Suzanne: Hi, guys. For Matt, what research have you done? What did you do before you got the role playing André the Giant?

Matthew: Well, it started with watching documentaries and going from the documentaries to interviews, listening to him speak, trying to do as much research as possible. What else? You know, like I said, getting the speak down, his accent. Things like that were important, because I knew that when you’re dealing with someone that’s a real person, there is a sense of being true to him. You have to do a lot of work to get to that point before you even put your own spin on it. So, that was important. …Just watching him, watching his videos, watching his interviews was really important. Again, speaking to Dwayne and getting his take on it and finding out what was real in his life, in that relationship, how it was real, and what was going to be explored sort of for the show, as opposed to being in real life. Like I said, it was really nice to hear that that was a real relationship that was really, really important to him. So, that kind of made it nice so that we could be talking to Dwayne and getting the history of where André came into their lives with Peter Maivia, his grandfather, and kind of working into to being uncle André with him as a kid and beyond.

Suzanne: Okay, great. And Joseph, I watched the four episodes last night on demand. You have such great energy on there. Have you gotten a lot of fan feedback so far?

Joseph: Yeah, everyone’s been very kind saying they love what I’m doing with Rocky. People that have met him have been awesome with the feedback. So, that was great. Then, most importantly, Dwayne is beyond happy.

Suzanne: Oh, that’s good.

Joseph: That’s really the person I wanted to make happy.

Question: …Joseph, I’ll start with you…Talk to us a little bit about how involved – and Matthew, you can also speak to this – how involved has Dwayne been throughout this process of helping you guys create and build on these characters who are real characters and real people that he lived with? [unintelligible] Like with Joseph, you play his dad. Talk to us a little bit about how involved Dwayne has been throughout this process.

Joseph: He was insanely involved. Anytime there was a question, anything, it was a text away. He made himself open to me at any time. Anything I needed, it was just, he was there, and that was amazing since we were in different countries. So, yeah, hopefully, once COVID is over, we can all get in the same set, same room. It’d be nice to talk.

Question: Definitely. Matthew, what about you?

Matthew: Yeah, you know, it’s obviously a little different being that I’m not playing his dad. So, I come and go, but I think the biggest thing was just, number one, Dwayne being accessible. Like Joe said, from the first zoom call that we had on the first table read, he said, “Anytime any of you want to get with me -“ You know, he kind of apologized for not being able to be with us, but, “Anytime you guys want any information, have any questions, ask us.” And I did. So, him giving me a really detailed, honest account of his relationship with André and what he meant…He actually kind of commented what I think he meant, to me, but he really felt like André had a sense of being uncle André with him, and that was really important to him, especially early on in his life. So, Dwayne was really, really detailed about that relationship, and so, that was really cool. And again, he kind of left with, “If you ever need anything, any questions about anything, please let me know.” So, he’s been great.

Question: Definitely. Joe, let me ask you this. You play Rocky, Dwayne’s father. Did you study him before Dwayne was assessable in helping you with the character, but did you study him on your own to learn a different side of him than what Dwayne told you? Did you study him and research him yourself?

Joseph: Well, I think my research on Rocky was a lot of watching matches, a lot of trying to emulate how he moves in the ring and his signature moves, because Dwayne, he really gets the, you know, I’m not gonna learn about the man better than from Dwayne, so that was great. Yeah, I watched any interview I could find, every match I could find. There was a lot of that.

Question: Why do you think people love the show so much? I mean, the fans are on Twitter; they’re in the comments on Instagram. People love the show. I think it gets better each week. It’s like, “Okay, oh, it was cute.” Then, each week it gets better, and then, you get an inside look into Dwayne’s life. Why do you think viewers love the show so much?

Joseph: It’s such a heartwarming show. It’s nice; it’s loving. It’s a loving show. It’s about family. There’s so much that this show brings. We go in the 80s with the wrestlers, as, you know, the older generation loves wrestlers. And people who love Dwayne get more of an inside look at Dwayne that they probably would have never known if he wouldn’t have done this. There’s a lot that this show brings.

Question: Definitely. Matthew, why do you think [that]?

Matthew: Yeah, I think, just to piggyback Joe a little bit, it is that sense of – it appeals to many different audiences. People that want to see the wrestling and those iconic wrestlers are getting that. People that want to see more about Dwayne’s life are getting that. In today’s age where you can stream any sort of violence and sex and drugs and all that stuff, I think just to have a good heartwarming family type story, where you can sit down with your kids and know that for at least a half hour, they’re not going to be overwhelmed with some sort of sex or violence, it’s kind of a nice change. And I think that people are responding to that and really appreciate [it]. And, again, you’re really getting like four different stories in one show, which is pretty amazing that we’re able to do that. So, people come in and out, and they enjoy different aspects of it. So that’s, I think, contributing to the popularity of it all.

Here is the video of this call!

Interviews Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

“Young Rock” focuses on different chapters of Dwayne Johnson’s life. From growing up in a strong and resilient family, to being surrounded by the wild characters of his professional wrestling family, to playing football at the University of Miami, the show will explore the crazy rollercoaster that has shaped Dwayne into the man he is today and the larger-than-life characters he’s met along the way.

Dwayne Johnson, Joseph Lee Anderson, Stacey Leilua, Adrian Groulx, Bradley Constant, Uli Latukefu, Ana Tuisila, Fasitua Amosa and John Tui star.

Nahnatchka Khan, Dwayne Johnson, Jeff Chiang, Dany Garcia, Hiram Garcia, Brian Gewirtz and Jennifer Carreras serve as executive producers.

“Young Rock” is produced by Universal Television, a division of Universal Studio Group, Seven Bucks Productions and Fierce Baby Productions.

Stacey Leilua

Ata Johnson, “Young Rock”

Stacey Leilua plays Ata Johnson on the new NBC comedy “Young Rock.” Leilua is of Samoan, Maori and English heritage and based in New Zealand. She graduated from one of New Zealand’s leading drama schools: UNITEC School of Performing & Screen Arts, where she majored in acting. Leilua has worked on a variety of productions, including New Zealand’s longest-running series, Shortland Street.” Other credits of note are the UK/NZ feature film ”Love Birds” and the highly acclaimed web series “The Factory,” which she also co-executive produced alongside Kila Kokonut Krew under the mentorship of Robin Scholes, one of New Zealand’s most well-known producers. Leilua has also worked as a presenter (“Homai Te Paki Paki”) and director with the South Auckland-based theatre company Kila Kokonut Krew. Most recently she performed in Tusiata Avia’s ”Wild Dogs Under My Skirt,” which won Production of the Year at the 2018 Wellington Theatre Awards. The production was picked up for a season at the Soho Playhouse in New York in January 2020 where it played to full houses every night.

Ana Tuisila

Lia Maivia, “Young Rock”

Ana Tuisila stars as Lia Maivia on NBC’s new comedy “Young Rock.” Tuisila’s career spans over two decades in film, television and theater. Her most memorable performance is in “The Songmaker’s Chair,” a stage production written by esteemed international author, poet and playwright Albert Wendt, and directed by Nathaniel Lees and Nancy Brunning. Following a successful season, the show later participated in the International Arts Festival at Te Papa Museum in New Zealand. Tuisila has starred in two short films on location in Samoa, Vai and Liliu, which have both been recognized throughout film festivals globally. She speaks fluent Samoan as well as having familiarity with other Pacific languages.

Joseph Lee Anderson

Rocky Johnson, “Young Rock”

Joseph Lee Anderson plays Rocky Johnson in the NBC comedy series “Young Rock.” Anderson has appeared in the Oscar-nominated film “Harriet,” recurred on “S.W.A.T.” and has guest starred on “Timeless,” “American Soul” and others. He also directed and starred in the critically acclaimed short film “The Jog,” which premiered at South By Southwest. Anderson is a Kansas City native currently living in Los Angeles.

Matthew Willig retired from the NFL after 14 seasons. He played for 6 teams (New York Jets, Atlanta Falcons, Green Bay Packers, St. Louis Rams, San Francisco 49ers and the Carolina Panthers). He went to 2 Super Bowls, winning 1 and losing the other. He is steadily rising up the acting ladder and receiving acclaim as his roles get bigger and better.

Proofread and Edited by Brenda

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Young Rock cast members

Y&R Short Recap Tuesday, April 20, 2021

Posted on April 20, 2021 by Eva Diaz

Daytime Soap Opera Short Recaps

Y&R logo

Recap written by Eva

Mariah has a bad case of morning sickness and Tessa is there to listen to her complaints and offer Mariah moral support. Abby gets a call from Chance but later tells Devon she is worried that Chance won’t come home to her. Nate tells Lola that he broke up with Elena because the relationship didn’t feel right to him. Amanda tells her grandfather and mother that she thinks Richard was killed because he was blackmailing an unknown executive at Newman Enterprises. Amanda gets a text from her sister Imani that says “this will end badly for you.” Ashland sends Victor a text telling him if he increases his offer he won’t sell his company to Victoria. Lily worries that Victoria will get the wrong idea because Billy sent her flowers to congratulate her on the deal with Ashland Locke.

Y&R Short Recap, Friday, April 16, 2021

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Y&R cast animation

Interview with Melanie Scrofano and Tim Rozon

Posted on April 16, 2021March 12, 2023 by TvMegasite Admin

TV Interview!

Tim Rozon and Melanie Scrofano of "Wynonna Earp" on Syfy

Interview with Melanie Scrofano and Tim Rozon of “Wynonna Earp” on Syfy by Suzanne 3/23/21

This was a lot of fun, even though we didn’t have a lot of time to ask questions (there are multiple journalists here). I’d interviewed Tim a month earlier, so it was great to see him again. I hope you enjoy this as much as I did.

Suzanne: I went on Facebook and Twitter, where you guys are really popular and asked fans for questions, because I’m behind.

Melanie: Ooh, fun.

Suzanne: Joanne wants to know if either of you… if there’s a scene that you wish you could go back and do over again.

Melanie: Oh, wow. Well, okay. I haven’t seen it yet, but I would do one in Episode 11, because it was such an epic one to shoot. I really haven’t seen it, but I didn’t feel like I was – It just was so important that I just hope that it’s as good as it’s written, because there was a lot going on in terms of like, it took us all day to shoot it, and the sun was moving. So, we’d have to like – we’d be doing this emotional stuff, and then the sun moves, and we’re like, “Okay, stop. Stop crying, and cry,” or whatever the thing was. So, you know, if I could go back and do that, just to make sure we have it, I would do that.

Tim, what would you do?

Tim: Ah, hands down, I think it was 406 or 405. It was the episode you directed.

Melanie: [403].

Tim: 403 with Greg Lawson naked on the ground. I’m running around with the frickin’ lasso. You’re behind the monitors, just screaming with a big smile. Dominique (Provost-Chalkley)’s got a water gun or something. Kat (Barrell) and I are falling all over the ice. We’re just running around like idiots. I just remember having so much fun that why would I not want to do that all over again?…Yeah, remember, we were in the middle of that pit ravine and in the snow, but I don’t remember being cold. I just remember it being like a super fun, crazy day.

Melanie: So awesome.

Tim: So, I’d do that day over and over.

Melanie: That day shortened my life by ten years, because I was so stressed. So, I’m glad you had fun.

Tim: I did. Yeah, it was awesome.

Suzanne: She’s obviously a good director. She made sure you had fun.

Melanie: Great actors.

Tim: It was one of my favorite moments I’ve ever had on the show. Like I remember I was stuck on the floor, Greg Lawson’s leg was on me, Dominique’s knee was here, and I just looked over. From where I could see, I could see Mel at the monitor with a big smile, and it was cool, because it was just her watching her friends and her cast be idiots, and the joy that it gave her gave me joy in that moment. It was a fun moment. It was a fun day.

Question: How is that experience of working with your co star in the boss position of the director? I mean, do you feel there are any specific differences coming from somebody who is in the show and is an actor themselves? And then I will follow up with you on how’s that experience, directing people that you’re working with?

Tim: Yeah, well, I mean, nobody knows Wynona Earp better than Wynonna Earp. And I think I’ve said this a zillion times to every person who will listen: I think Melanie’s Scrofano is one of the best actors that I’ve ever worked with. So, you kind of are a sponge for those notes. You really want them. I remember telling Dom even in the first – because you directed us in a scene originally –

Melanie: Yep.

Tim: The season before.

Melanie: I remember.

Tim: I don’t know if I’m suppose say that or whatever.

Melanie: No, I’ve said it.

Tim: I just remember that day, it was like, it was never anything other than, “This is gonna be sick. What notes are we gonna get?” We were like greedy little actors. It’s just like, “We’re gonna get the good shit from Mama.” So, yeah, you’re kind of like you just know you want it. I just know you want the direction.

Question: And Melanie, for you, how is it working as a director on your show with your own team and being responsible maybe sometimes in calling them out?

Melanie: I didn’t have to call anyone out, because I thought it was unfair on Wynonna. Like, in a way, it wasn’t a real taste of directing, because I knew that they had my back. So, I felt very safe, which is not normal. Like the scene that Tim’s talking about, where they’re running around, I was terrified about – we were losing the sun, like, it was chaos. But I knew that the thing that was gonna mess it up wasn’t going to be that. I knew that I could just yell things, because I didn’t have time. So, it’s like, I couldn’t go over and be like, “I need you to sit on his crotch. It’s really funny.” I was just yelling things, and they’re like, “Okay!” So, to know that I had the room to do that was really good. It was just a blessing to be able to work with [them]. But I would say that, as an actor too, you so seldom get the chance to work with people that you feel safe with that you trust and that you love. So, just, I think, actor or director, I’ve have just been very lucky on the show.

Question: …How is this show special to you in terms of a strong female lead, and what do you hope happens [unintelligible]?

Melanie: I think this was the first time – I auditioned for it, but I didn’t think I’d get it, because I was like, “I don’t know how to do ‘action lady;’ I don’t know how to do that. I don’t know how to be sexy.” I’m like, cool, and whatever. So, I was like, “I’m just gonna go in and do stupid; I’m gonna do how I am.” And it was the first time that anybody – like that I got hired for being myself, and myself isn’t terribly conventionally sexy or whatever. It felt really validating to be thought of as enough the way I am to play this character. So, I hope that girls, anybody, who see that go, “Maybe I’m enough the way I am.” Like, “Maybe I don’t have to represent some stereotype of what people usually think of this character, and I can just bring what I have to this role or to this life, and that enough.”

Suzanne: I just had one more question. Tim, I noticed you look really different from when I saw you on one of these other junkets. Is this just for fun, or do you have a new thing you’re working on?

Tim: Yeah, have a new show coming out this summer called Surreal Estate…There’s a guest star you might recognize in it and a director that you might also recognize who might be in this room with us at the same time.

Suzanne: Great.

Melanie: Who also has different hair on that show.

Suzanne: That’s great. Will it be on Syfy or another network?

Tim: Yeah, it will be on the Syfy network. All I know is summertime. I never know anything. I’m the last to know. Well, I’m excited. I’m very excited.

Suzanne: Great. Great. I look forward to it. I’ll make sure to tell all your fans on Facebook.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

WYNONNA EARP follows legendary law man Wyatt Earp’s descendant, Wynonna (Melanie Scrofano) who inherits his mystical gun, Peacemaker. With it, Wynonna and her posse of dysfunctional allies must fight against supernatural beings and other paranormal occurrences in a raucous, whisky-soaked struggle to break her family’s demonic curse.

In Season 4, the infamous Earp Curse is broken, and witty and wild demon hunter Wynonna Earp would love to be celebrating with cold whisky and hot donuts. Too bad she has to rescue everyone she loves, save the town of Purgatory, and take on her most diabolical, Earp-hating enemy yet — all without her trustworthy gun, Peacemaker. And that’s just Monday…

WYNONNA EARP is produced in Calgary by Seven24 Films and globally distributed by IDW Entertainment and Cineflix Rights. Emily Andras developed the series for television and continues to serve as showrunner and executive producer. Jordy Randall, Tom Cox, Rick Jacobs, Todd Berger, Peter Emerson and Brett Burlock also serve as executive producers.

Twitter: @WynonnaEarp
Instagram: @WynonnaEarp
Hashtag: #WynonnaEarp

Melanie Scrofano

Wynonna Earp, “Wynonna Earp”

Melanie Scrofano stars on SYFY’s WYNONNA EARP as Wynonna Earp, the great-great-granddaughter of famous lawman Wyatt Earp who inherited his famous gun – and a whole lot of trouble. Wynonna is brave and witty with an impulsive streak that gets her into trouble more than she’d care to admit. She uses her unique abilities, along with her dysfunctional posse of allies to bring the paranormal to justice.

Scrofano has won a People’s Choice Award and received a Canadian Screen Award nomination for best actor for her role as Wynonna. In season four of the SYFY fan-favorite series, WYNONNA EARP, Scrofano makes her directorial debut, with her direction of episode 403. She recently starred in the feature “Ready or Not” and is looking forward to the release of her newest film, “The Silencing.” Fans will recognize her recurring appearances on, “Letterkenny,” “Bad Blood,” “Designated Survivor” and “Damien.” Other notable film credits include “Wolves,” “We Were Wolves,” “Citizen Gangster” and “Saw VI.”

Originally from Ottawa, Ontario, Scrofano currently resides in Canada with her husband, Jeff.

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Tim Rozon

Doc Holliday, “Wynonna Earp”

Tim Rozon stars on SYFY’s WYNONNA EARP as Doc Holliday, the legendary gunslinger, friend and partner of Wyatt Earp, and now immortal “will they or won’t they” love interest to Wynonna Earp. He is handsome and charming and knows just what he must do to survive in Purgatory. Doc’s on a mission of his own to right the wrongs of his past before they consume him.

Rozon’s first leading role was playing heartthrob Tommy Quincy opposite Alexz Johnson and Laura Vandervoort on the teen drama series, “Instant Star.” Other notable credits include playing Mutt Schitt on “Schitt’s Creek,” gang infiltrator Alex Caine on “Befriend and Betray,” outer space rogue Isaac on SYFY’s VAGRANT QUEEN, and love interest to Candice Cameron Bure on “Christmas Town.” Guest appearances include “Rookie Blue,” “Flashpoint,” “The Listener,” “Heartland,” “Combat Hospital,” “Lost Girl,” “Being Human” and ”19-2.” Rozon won a prestigious Gemini Award for his performance on “Flashpoint” and was nominated for his role in “Befriend and Betray.”

Rozon currently resides in Montreal, where he co-owns the hit restaurants Garde Manger and Le Bremner opposite star chef Chuck Hughes.

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Melanie Scrofano and Tim Rozon of "Wynonna Earp" on Syfy

Interview with Elizabeth Blake-Thomas

Posted on April 16, 2021April 18, 2021 by TvMegasite Admin

TV Interview!

Filmmaker Elizabeth Blake-Thomas

Interview with Elizabeth Blake-Thomas of the film “Evie Rose” on Amazon Prime by Suzanne 4/13/21

This was an interview via email, so there is no audio or video. I enjoyed watching her short film on Amazon, and I look forward to her upcoming feature film.

Suzanne: You were a theater director, I see. Did you work in a particular city?

Elizabeth: I was based in the center of England, but we toured around. I enjoyed taking theater to smaller places that didn’t have easy access to theater or the arts.

Suzanne: How did you get involved in making films?

Elizabeth: My daughter has been in the film and TV industry since a young age, so when she was about 11 or 12 I thought I could help her by producing a short film that she could star in. After we completed that film, “Broken Wings”, which is available online, I realized I had the knowledge to make more, as well as try my hand at directing instead of just producing. On top of that, the whole experience was so enjoyable, working with my daughter and creating art, it just made sense. It reminded me of being a theater director. So I made the conscious decision to get into the film industry myself, writing something with my daughter to have her star in. From there, the projects just kept flowing.

Suzanne: I enjoyed your movie “Evie Rose” on Amazon. I assume that’s what’s referred to as a “short film”?

Elizabeth: That’s correct, a film that’s less than an hour. Some festivals qualify a short as being no more than 50 minutes. The Academy says no more than 40. A short film’s length though can greatly vary, like features. To me, it’s about what length helps tell a story most effectively. If it takes 2 minutes or 2 hours, it doesn’t matter. As long as it best serves the story.

Suzanne: Are there any plans to expand it into a full-length film?

Elizabeth: All of my shorts have this potential. I let things happen organically to tell the story of Evie Rose as best I saw fit, so I need to give this film time to breathe as a short before making any drastic changes. I need to see what happens this year first. I’m currently waiting to hear back from several festivals on the short, which could dramatically change the next course of the film.

Suzanne: Do you know yet where “Will You Be My Quarantine” will be shown (which network or streaming service)?

Elizabeth: No official announcement yet, but it is being pitched to all the major platforms. It really is a fantastic, fun, sweet movie. Something we all really need right now.

Suzanne: Is it finished?

Elizabeth: Yes, it is. All original music has been placed, all visual effects are finalized, and I’ve watched it through thoroughly. I’m very proud of it.

Suzanne: Will this be another short film, or full-length?

Elizabeth: Feature length film.

Suzanne: Can you tell us what it’s about?

Elizabeth: Dating in the pre-Covid world was hard for people, endlessly swiping trying to find “the one”. Once quarantine hit, this became even harder. Swiping was easy, sitting on your couch in your PJs, but meeting anyone in person was impossible. “Will You Be My Quarantine?” is a heartwarming, yet comical, story about finding real love in tricky circumstances, getting to know someone for who they truly are and finding an authentic, genuine connection.

Film Logline: Vanessa has always had trouble in the dating world, never mind now being confined to her home. She soon discovers just how much you can get away with dating via webcam, but is the love she feels true or only a distorted version of reality?

Suzanne: Anything you can tell us about how it was developed?

Elizabeth: It was based on my real experiences during the start of quarantine, when I came to the realization that dating could no longer happen as it did before. How was I going to meet people? Online meetings and dates began and I realized I could be anyone I wanted to be. I could show only the bits of me I wanted that person to see. I could have a nice top on, but baggy sweatpants just off screen. My hair could be greasy, but they’d never know! Which led to my idea of having a fun, relatable romcom about a new couple that are not being truthful with each other. Highlighting how dating online can only show us so much, and raising the important question of, “How can we truly find someone and something that’s real, if we aren’t honest?”

Suzanne: What about the casting process?

Elizabeth: Most of the cast are friends or close contacts, who I immediately knew were perfect for their roles. After everyone accepted, I was thrilled, for I truly feel the entire cast is stellar and represents such a diverse group of individuals that the audience can relate to. Having that proper representation was key for me, as we all have been affected by this “Great Pause”. I wanted everyone who watches the film to be able to connect with someone that looks just like them or relate to something a character does that they too did while stuck at home. Casting this project was fun and honestly a breeze since each actor was ideal for their role.

Suzanne: I’ve interviewed Eddie McClintock a few times before, and he’s very funny as well as quite a good dramatic actor. Which side does he get to show off in this movie?

Elizabeth: In this film he shows off his fantastic comedic side. He totally embraced this character and brought something even more than I could have imagined. He is a true artist.

Suzanne: Joe LoCicero was just recently on “The Bold and the Beautiful.” His character was killed off on that show, and now there’s a murder mystery. What is his character like in your movie?

Elizabeth: More details on his character once the film is released, but I can say that Joe was so adorable. I auditioned him originally for a smaller role, but he impressed me so much with his tape, I gave him a bigger one. He is very talented, and I can’t wait to put him in my next feature film.

Suzanne: Were you a fan of Jodie Sweetin’s before she was cast?

Elizabeth: Who wasn’t a fan of “Full House?” Jodie is the perfect girl-next-door and such a talent. She can play all levels of characters and everyone connects to her, making her perfect for this film’s role.

Suzanne: Tell us about your business and website – medicinewithwords.com How did it come about?

Elizabeth: I’ve always been a storyteller. Across mediums, across time zones. When I wanted to make films on my own timeline, I created my entertainment company Mother & Daughter Entertainment. I’ve also always mentored, guided and helped people. During the Covid Great Pause, I was able to put some time into really finessing who I am and what I want to do. The clarity I was given enabled me to create Medicine with Words, a “spring cleaning” journey of your mind, encompassing everything from your emotions and surroundings, to your purpose and desires. Through guided studies of intention and reflection using pen to paper, meditation, stories and your senses, my “stars” (clients) learn to lead a more purposeful, contented, peaceful life. They learn to free themselves from the unnecessary noise that the world muddles their mind with, and start living intentionally, without fear. I already have many “stars” that I help guide to transform their lives. Think of it as yoga for the mind. It is something very unique and special to me and I feel very blessed that I have been given the tools to share this.

Suzanne: How did you become a philanthropist, and why did you pick human trafficking as your focus?

Elizabeth: It was a natural progression through my company Mother & Daughter Entertainment. Our motto “making content that matters” is something my team and I believe strongly in. The cause of human trafficking awareness actually just found me. Upon meeting an individual who escaped being trafficked and hearing her story, I was inspired to write and produce a short film called UNSEEN. This film was purely made to distribute for free and educate others of the potential lure tactics of traffickers, especially those used through social media. The film was viewed by the non-profit Awareness Ties and I became their Ambassador for Human Trafficking Awareness, working with them and others to raise awareness and end human trafficking. Seeing the assistance that storytelling can bring to philanthropic work, I now strive to have an impact with everything I put my time into. This also includes mentoring fellow filmmakers and storytellers, especially women. It’s important to me to give back.

Suzanne: Reading your bio and your website, I was very impressed. What you’ve achieved is amazing. Most people would be too scared to do half the things you’re doing, with the major changes in your life. What age were you, if you don’t mind my asking, when you left the UK and came to the US?

Elizabeth: It is a scary thing to do. I was 32 when I first experienced LA and then was 34 when I officially moved over from the UK. I won’t sugar coat it. It wasn’t easy. It cost me my marriage; it took all my strength to continue on this path. But I did it for my daughter, and then ended up finding my calling in LA as a storyteller as well. I have not one single regret about making these changes. In regards to my industry achievements, I like to use the phrase “filmmaking with fear”, as sometimes you just have to go for it and live each day intentionally.

Suzanne: How long after that did you get into either theater or film?

Elizabeth: I was a theater director from aged 16, running my theater company in the UK for almost 20 years. I became a film director 5 years ago once in LA. In just the past 5 years, I feel I have completed a huge amount in the film industry, pushing myself to make things happen no matter what others around me said or did.

Suzanne: Do you have a favorite type of movie or TV series you like to watch for fun?

Elizabeth: I love procedurals. My brain is constantly thinking of new storytelling ideas from the moment I wake up at 4 or 5am. When I feel I need my brain to turn off, a procedural is the perfect outlet that allows me to sit mindlessly and still know what’s going to happen. They are so formulaic with the story that they are easy to follow along and often the story is wrapped up with a perfect bow by the end of the 45 minutes. A different story each episode, but with characters I can still love and enjoy seeing snippets of their lives.

Suzanne: What is your next project?

Elizabeth: I have a couple of fantastic feature films that are in pre-production. I will be filming both this year. My environmental short documentary Consume As Little As Possible will also be released in a few months, and is something I believe we all need to watch. My book “Filmmaking Without Fear” is set to release later this month. My podcast and featurette of the same name are already available to stream, documenting my career thus far, as well as storytelling tips and tricks

MORE INFO:

Elizabeth Black-Thomas directing a film.

ELIZABETH BLAKE-THOMAS is a British award-winning storyteller and philanthropist based
in Los Angeles, having recently directed her latest feature film during the COVID-19 pandemic.
Will You Be My Quarantine? is a romcom starring Full House/Fuller House star Jodie Sweetin
and is set to release in 2021. Elizabeth’s recent film Evie Rose, starring Oscar-nominated actress
Terry Moore, is premiering on Christmas Eve 2020. Elizabeth is the founder and resident
director of entertainment company Mother & Daughter Entertainment, whose motto is “Making
Content That Matters”, putting focus on each project starting a conversation amongst viewers.
Through MDE, Elizabeth established the MD Foundation Initiative, a campaign to mentor and
employ undiscovered filmmakers through fellow philanthropic pledges.
An Official Ambassador of Awareness Ties for Human Trafficking, Elizabeth hopes to raise
more awareness to the horrific nature of human trafficking and help put a stop to it. Her award-
winning short film UNSEEN, which addresses the role technology plays in the facilitation of
child trafficking, is being used to educate children on the dangers of lure tactics. A regular on
panels at Sundance, Cannes and Toronto International Film Festival, Elizabeth mentors wherever
possible, ensuring she sends the elevator back down to all other female storytellers.
Directing Showreel Awareness Ties Ambassador Page

The Self-Made Triumph of Director, Storyteller and Philanthropist, Elizabeth Blake-Thomas

Single mum of a 10-year-old, 6 suitcases total for the both of them, packed and headed from the UK to LA. That was 8 years ago.

Cut to now, living happily on a houseboat in sunny Redondo Beach, California, a successful 18-year-old daughter who just starred as one of the leads in the latest Disney+ movie Secret Society of Second Born Royals, and a fruitful, self-made directing career. To top it off, Elizabeth just wrapped her latest feature film, a romcom, safely shot during the COVID-19 pandemic!

Elizabeth and her daughter Isabella are a resourceful mother-daughter team, who in light of wanting to forge their own path in the LA industry rather than waiting around for a big break to be handed to them, founded a company together, Mother & Daughter Entertainment. Through MDE, they develop, write, produce, and direct everything from feature films to short films to episodics. Isabella even stars in a few. Their team is on fire, with over 12 projects under their belt in the last four years, finishing off 2019 with an award-winning short film UNSEEN about child trafficking and educating kids on the dangers of lure tactics. Just in 2020, they have filmed two additional feature films, created three pilots, completed a documentary and created and written pitches and teasers for several other projects.

Against all odds, they have become a successful team in LA.

Even COVID couldn’t stop them from creating. Following SAG’s safety protocols, they worked together and completed their latest romcom, Will You Be My Quarantine?, starring Full House and Fuller House alum Jodie Sweetin and David Lipper. The entire cast and crew safely tested throughout filming, social distanced and wore masks. Many thought it would be impossible to get the industry back on its feet, but Elizabeth pushed forward and succeeded through her resourcefulness and inspiring tenacity.

During COVID and 2020, Elizabeth has also completed and released the first season of her new podcast “Filmmaking Without Fear”. The podcast episodes are available to stream on all platforms (Apple Podcasts, Google Podcasts, Spotify). Her book of the same name, documenting her success in the industry from ground zero up, is also due to be published end of the year. Elizabeth also directed and produced a movie titled Evie Rose, starring Oscar-Nominated actress Terry Moore (Come Back, Little Sheba), which is set to screen on Christmas Eve.

All of this has been accomplished by Elizabeth and Isabella whilst living on their 34ft boat with their Maltese Chai!

If anyone can prove LA is possible, Elizabeth can!

Take it from Elizabeth’s friend and mentor Sean McNamara, Emmy-nominated Producer, Director, and Co-Chairman of Brookwell McNamara Entertainment, “I’ve honestly watched in awe, and even used several of Elizabeth’s excellent ideas. She has actually taught me a thing or two, even though I’ve been in this industry as a director/producer for over thirty-five years. Elizabeth is always bringing fresh new approaches and ideas to filmmaking that are inspirational for me as a fellow filmmaker.”

Elizabeth’s drive to learn as she went and create her own opportunities, forged her path to success. LA is the land of dreamers and Elizabeth Blake-Thomas is proof that you can do whatever you set your mind to and accomplish your goals.

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

Elizabeth Blake-Thomas directing her film.

Interview with Dick Wolf, Chris Meloni and Ilene Chaiken

Posted on April 12, 2021March 12, 2023 by TvMegasite Admin

TV Interview!

Interview with Dick Wolf, Chris Meloni and Ilene Chaiken of “Law and Order: Organized Crime” on NBC by Suzanne 4/7/21

This was a virtual press conference with Wolf, the creator of this show (and all the Law & Order shows, as well as all the Chicago shows and all the FBI shows), the headwriter Chaiken and star Meloni. There wasn’t a lot of time, and many press people were there, so I didn’t get to ask a question. However, they did answer most of the questions I would have asked, anyway. It was just great to see them.

Question: Chris, I think Stabler is probably one of the most hot-headed of the characters in the “Law & Order” brand. What’s the secret as an actor to playing hot- headed– playing anger without going over the top?

Chris: Well, I think that that template was set right from the beginning. Meaning, I still remember very vividly, Dick [Wolf] wrote the initial “SVU” pilot. Dick was the one who hired me. And I went to him. And I said, he originally had Elliot Stabler with three kids. I said, “I think he needs four.” He’s like, “Oh, okay.” And I saw this guy as a guy under pressure constantly. And I felt that and this had a lot to do with after speaking with real SVU detectives, about the pressures that they were under and the crimes that they witnessed. And I knew that I as me, personally, Chris Meloni would have a very difficult time downloading and processing what these real people in heroes do every day, and the things that they see. So, that’s like kind of the genesis of this. So, it’s not like, “Oh, he’s a hothead to be a hothead.” I think it’s his reaction to injustice. I think to him injustice makes his head explode. And I think that’s also now part of Elliot 2.0 is hopefully his evolution towards having a clear understanding of the world is unjust. And then now how is it that you adapt yourself to realities that keep punching you in the face literally and figuratively?

Question: The tragic incident that started this all-in motion is the death of your wife. Has that ramped him up more? How do you feel like that’s changed him? Is it for the better for the worse? Or could he get any worse?

Chris: Well, I think it’s what I that that can be tagged along to the last question that I answered, which is so a guy who’s dealt with injustice, always one step removed, which is it’s a victim that it is my job to go and to attend to. Now, it’s how do you attend to your own wounds? How do you attend to this own injustice? How do you carry on carrying that much grief? I asked Dick, “Can I have four kids,” and that later was five kids? How do you carry on through there with financial pressures and all these and family pressures. Now deal with your your family, being literally figuratively blown up? So how do you deal with that faith wise and personally? So, let’s hope that Elliot has found better coping mechanisms, but is still very passionate.

Question: Ilene, I believe you had to shut down twice for COVID concerns, how has that affected your delivery as far as episodes go, and also the overall arc you’re planning to tell the season Have you had to compact that at all?

Dick: We’ve been remarkably lucky with COVID. It hasn’t affected the storytelling at all, but you open the door for a gratuitous statement here that, needless to say, I’m thrilled to have Chris back. It’s been a wonderful collaborative relationship with Ilene on this pilot and the show. But the thing that really excites me about the show, and I’m not speaking in progress, what I think is exciting for him is that this is the first “Law & Order” with literally, completely different storytelling. That in a twenty-four-episode season, which next year will be, you should think about the fact that it’s going to be three, eight-episode arcs. And the first third of the season is The Godfather. The second third is American Gangster. And the last third is Scarface. And these villains are going to be really bad guys. That gives Chris a constant source of energy, outrage, belief in justice and a different way of pursuing criminals than we’ve had before. He could always say, in things like this, “What are you going to be doing this year?” And on the mothership, or in Season 3, you could just go and check off your fingers. Now, we’re doing this is a very long, but not too long period to really get inside both your protagonist and your antagonist heads. And I’m not all you have to do is look at the casting and the first episode. And realize this is not episodic casting. We’re shooting for bigger game. And I think it’s gonna be endlessly interesting and the character craft has evolved in subtle ways that are given a lot more than lip service this last week. Just think of the challenge that will be this gentleman was the most pre-Miranda cop on television. And he is come back and the adjustment to the new realities that he well represents I’m very proud of and this is – I’m almost afraid to say it. It’s one of the real reasons that I ebb and wain here is because Ilene is not only an excellent writer, but she has managed to take a very tough character and make him more sympathetic last week than he’s ever been. You ever think you’d see Stabler cry? Anyway, that’s the commercial.

Question: Chris mentioned about literally blowing his family up with Kathy. Talk a little bit about what’s going to happen on the personal side of his life because it looks like that was setting it up for a lot of Stabler and some family interaction and are we going to spend time at home with him?

Ilene: Yeah. This is this is a show that will spend time with Stabler and his family and his life and his emotions. We tell stories. We tell procedural stories. The DNA of the “Law & Order” franchise of “SVU” very much in our show, but we probably will get to know Stabler in a way you’ve never gotten to know him.

Question: Dick and Ilene, there have been crossovers with SVU in the first two episodes. Can you talk about finding the balance of doing that to keep the focus on organized crime?

Dick: Well, I certainly think the second episode…I’m going to turn this over to Ilene, but I would say, the most accurate measure is how often there will be crossovers? And what depth are the Chicago shows? We’re going to do it whenever it gave us both shows a different way to shine. And, obviously, I’m very supportive to the audience and says, “Geez, this is frustrating. Why don’t you just put them both in the same show again?” It’s not exciting. This, to me, is scary, is much more engaging.

Ilene: I’ll take the lead on this. Because it’s a thing that he so intuitively knows how to do. But it’s…I mean, these two shows within the same universe in the same fictional but very grounded universe. And we never forget that those other characters in those other stories exist. And when we tell a story about Stabler in Benson’s (Mariska Hargitay) world or Benson in Stabler’s world, and things happen, that affect their characters, we don’t just forget about it. So, it’s both challenging and tantalizing from the point of view of story writing, to make sure that you keep those things a lot, while the shows have their own identity.

Question: For Ilene and Dick, I’m curious about the choice to use the dead wife as motivation, the trope, at the opening of this show. I know there was some pushback, and some criticism of that aspect.

Dick: Look, I have to tell you, it’s one of the most dramatic. I’ve been doing this for a long time. It’s probably the most dramatic teaser that I can remember on any show, too. I don’t know what. I didn’t see anything that was critical of that storytelling. You can’t please all the people any of the time. It’s not what we do. The only thing we can do is tell stories that if we’re sitting there and it doesn’t compel us, why are we going to think that it’s going to compel and audience? When I thought that was like, “Wow, what a re-intro!”

Ilene: When I joined this project that was already a fait accompli. It was a premise that I was given to work with. And I said, “Wow, this is a great place to start.” I was not in any way put off by it. I was immediately drawn in. When you tell a story like this, when you tell a story about a beloved character, who’s been gone for many years, the first question you ask yourself is why now? And that as a storytelling catalyst is one of the best why nails I could ever think of?

Question: Chris, when you left did you say, “Someday I’ll be back? Or did you say, “No, I’m done with that. I’m over with that.” And then when you were gone, did you watch the shows and and say, “Oh, God, I should be in that.” What was your kind of thinking about all of that?

Chris: My thinking was it was time to go. So, I wasn’t and I don’t tend to look back. So, I didn’t and my journey has been fantastic and very fulfilling. And I must admit, I have maybe watched ten minutes. I’m not much of a TV watcher. So, it wasn’t anything personal. That’s it. Those are the facts, Jack.

Question: Dick, one of the hallmarks of your shows is ripped from the headlines. And it sounds like from what you said earlier that it that this show “Organized Crime” is going to have two levels of ripped from the headlines, the overriding arc of these eight episodes. And the second is the individual episodes. I was wondering between you and Ilene, what headlines are we going to see ripped from the headlines as the show continues?

Dick: I’ve had the same answer for thirty-one years. “Law & Order” is fiction. We make the headline, but not the body copy. And I hate to be abrasive, but this show started off as a story that while we were going to be covering with “Organized Crime,” criminal enterprises that are ongoing, and their headlines…Well, every day in every major newspaper that have some reference point. And the thing that’s fascinating about Wheatley (Dylan McDermott) to me is that he is the old mob and the new mob. And there’s plenty of vaccine right now there wasn’t last week. And I thought that the oldest mob activity that there is or was was hijacked. And here is an opportunity to combine hijacking and COVID. I don’t know how to get it much more ripped from the headlines. But there will be others and Ilene should really be answering. She’s the one inserting the flavor into the sauce. But we never think consciously, “Okay, what’s the headline in this show?” It’s life. It’s what’s going on. It’s zeitgeist. And when there was some discussion, “Gee, how are we gonna handle COVID.” I said, “The show is going to be on by Spring. It’s not going to be gone by then.” And sure enough, it couldn’t have felt more timely, but it is taking up the major share of Americans thinking for the last year. So, I can’t say I was surprised that people found it interesting. But Ilene, what other headlines?

Ilene: Well, what usually happens is, you know, given the template that we’re working on, we come up with a story, we think maybe it’s ludicrous, we hope not. But we run with it. And then the next day, Chris sends me an article that he found, and the thing that we just made up in the writers room, has actually happened. So, I mean, we’re taking our lead from what’s going on in the world and imagining where it might be going. And usually it pans out. And sometimes we feel just the ungainly weight of responsibility for having imagined these things into existence.

Question: A lot of police shows have made adjustments since the events of last year relating to matters like police behavior and brutality, racial justice. I’ve seen it on “SVU.” Hhow much will that enter into here? And how does Elliot as the protagonist did, said pre Miranda cop, how much did that factor in how he has or hasn’t changed over this decade? And how much will that affect him since that could seem like it could be a point of conflict in some ways?

Dick: I will just, again…Obviously, the people inside the company, the showrunners, the producers, we spend a lot of time talking about police behavior. I would put it to that you probably more time than any other non-law enforcement group of people in the country, because it’s what we do every day. And I made a statement when everything erupted in the Spring and early Summer that somebody said, “What are you doing to change?” I said, “We’re doing what we always do, which is listen very carefully, read virtually everything written about this from both sides of the spectrum – from the far left to the far right.” And what I said in the Spring still holds. The shows will speak for themselves. That if you’ve been watching “Chicago PD,” the question is asked and answered. Of course, we deal with what’s going on. But it’s never in a knee jerk way. That “Law & Order” for years that people say “There is no character in it.” And I said, oh, there’s a lot of character if you’re a regular viewer, you know, surprisingly huge personal dossiers on all six of the regulars. But we don’t dole it out with soup labels. We dole it out with Demi tap spoons, because that’s the way life is because nobody gets a job walks in and says, here’s my resume for the last five years. It’s much more interesting that television shows exist on a very different timeframe than movies or books. That a movie exists for 110 minutes. An hour show to be considered successful, the old standard was five seasons. So, a successful drama exists for 110 hours. And we cover a lot of ground in terms of a) trying to be current and b) tell the truth in a sense that people don’t get to hear it. And again, something that I’ve said, we’ve come very close. But the paradigm episode of “Law & Order” or as “SVU” has yet to be written, which is where all six of the regulars are on different sides of the same question. As you hear the arguments, or you hear them discussing every one of them is right. Because life is not black and white, it’s Shades of Grey. And again, coming full circle back to Chris, and I’d like to know what he thinks that I think he’s becoming one of the most complex television stars in the history of the medium because he – you don’t know what he is gonna do now. He is a little less predictable. But he sure has had a play it. When he walked in to the interrogation room and rolled up his sleeves I don’t think that was in the script. It is an instinct, it’s like…I hate to say it, but Peacock says sales are there for sexual display. It’s literally is this big enough? He takes all these rolls up his sleeve 80% of the audience, I am sure thought he was gonna approach the guy. That’s pretty cool.

Question: Chris, we have seen videos and talks about you and the rest of the cast reuniting. But how was it reuniting with the actors who play your kids? And will we see more of them in their background, what they’ve done for the last 10 years? We’ve seen Eli in the second episode, but will we see the rest of the kids and future episodes?

Chris: Yeah, and I’ll give Ilene the lion’s share on this. But I will say what was it like? My son, Dickey was the only original, original from day one “SVU” hits. And then some came on later. And then some were brand new. Some, “Hi, you’re my new daughter. Let’s figure out our history.” It was very sweet and nice. And I think the biggest, the biggest thing to try and overcome was (and it was very sweet), they made me feel like OG – the original gangster – you know, because I’ve been playing and I’ve lived in this world for almost 20 years. And many of them were new to it. So we just had to get to know each other as people. And it was lovely. It was it. I think there’s a lot of ground that’s available to cover.

Ilene: Oh, we certainly will see more of them. Some more than others, but a big part of Stabler’s life now a big part of his story is that he’s now a single father to a 14 year old kid. So, how he manages to balance that with being back in New York and back on the job is going to be in his story. And we did that great thing. Before we started working, we got the whole family together all the kids with Chris and they talked about who they are and where they’ve been and what they’ve been doing and what they do now. And hopefully that will go on with the show.

Question: Chris, fans of course I freaked out seeing Olivia and Elliott back together last week. How does it feel seeing a positive fan reaction to your return ten years and have you and Mariska talked about it since the episodes aired?

Chris: Mariska and I have talked. And the conversation went something basically like this. “Wow. Congratulations. Congratulations to you.” Ah, yeah, it was pretty overwhelming. I think she was expecting it more than I was. You know, because I think she’s still been the she’s been on the “Law & Order” stew. She’s been in that world continuously for the 20 years. I don’t know, I was not prepared. And it’s overwhelming. And it’s wonderful. And it’s very appreciated. And I think this time around I don’t know the pressures off. I feel less pressure than I did when Dick first tasked me with being Elliott Stabler. So, I’m a little freer to appreciate everything. It’s a nice journey.

Here is the audio version of it.

Interview Transcribed by Jamie S.

MORE INFO:

Christopher Meloni, reprising his role as Elliot Stabler, returns to the NYPD to battle organized crime after a devastating personal loss. However, the city and police department have changed dramatically in the decade he’s been away and he must adapt to a criminal justice system in the midst of its own moment of reckoning. Stabler will aim to find absolution and rebuild his life while leading a new elite task force that is taking apart the city’s most powerful criminal syndicates one by one.

NBC’S ‘LAW & ORDER: ORGANIZED CRIME’ HITS THE STREETS THURSDAY, APRIL 1 AS PART OF HISTORIC CROSSOVER WITH ‘LAW & ORDER: SVU’

NBC is reuniting two of the most popular members of the NYPD in TV history with a must-watch April 1 crossover that will serve as the launch of the highly anticipated new Dick Wolf drama, “Law & Order: Organized Crime.”

A two-hour television event set for Thursday, April 1, this crossover between “Law & Order: SVU” (9 p.m.) and “Law & Order: Organized Crime” (10 p.m.) will finally bring back together Olivia Benson and Elliot Stabler, played by Mariska Hargitay and Christopher Meloni.

“LAW & ORDER: ORGANIZED CRIME” (SERIES PREMIERE)
Christopher Meloni, reprising his role as Elliot Stabler, returns to the NYPD to battle organized crime after a devastating personal loss. Stabler will aim to rebuild his life as part of a new elite task force that is taking apart the city’s most powerful criminal syndicates one by one.

The cast features Christopher Meloni, Dylan McDermott and Tamara Taylor.

“Law & Order: Organized Crime”was created by Dick Wolf, who will executive produce along with Ilene Chaiken, Terry Miller, Fred Berner, Arthur W. Forney and Peter Jankowski.

The series is produced by Wolf Entertainment and Universal Television, a division of Universal Studio Group.

Christopher Meloni

Elliot Stabler, “Law & Order: Organized Crime”

LAW & ORDER: ORGANIZED CRIME -- Season: 1 -- Pictured: Chris Meloni as Detective Elliot Stabler -- (Photo by: Virginia Sherwood/NBC)

Christopher Meloni returns to his iconic character, Elliot Stabler, in the new NBC drama series “Law & Order: Organized Crime.”

Meloni was last seen starring on the Hulu British comedy “Maxxx.”

Meloni starred in SYFY’s dark comedy “Happy!” based on Grant Morrison and Darick Robertson’s graphic novel. In addition to his starring role as Nick Sax, he directed an episode as well as executive produced the series. Meloni also co-starred in the third season of the critically acclaimed Hulu series “The Handmaid’s Tale” as Commander Winslow, a powerful and magnetic commander who hosts the Waterfords on an important trip.

Meloni had a guest arc on the breakout FX series “Pose,” from Ryan Murphy and Brad Falchuk. He also appeared in the landmark historical series “Underground,” executive produced by John Legend, and directed an episode.

Following his breakout role on “NYPD Blue,” Meloni was cast in HBO’s gritty prison drama “Oz” and then moved on to “Law & Order: SVU,” where he received an Emmy Award nomination for Outstanding Lead Actor in a Drama Series. Following his 12 seasons on “SVU,” Meloni returned to HBO in Alan Ball’s wildly popular drama “True Blood” and the Julie Louis-Dreyfus-starrer “Veep.”

On the film side, Meloni’s credits include “Diary of a Teenage Girl,” “White Bird in a Blizzard,” “Sin City: A Dame to Kill For,” “Man of Steel,” “42,” “They Came Together,” the Terry Gilliam films “Fear and Loathing in Las Vegas” and “Twelve Monkeys,” “Bound,” “Runaway Bride,” “Nights in Rodanthe,” and the cult favorites “Wet Hot American Summer,” “Harold & Kumar Go to White Castle” and its first sequel, “Harold & Kumar Escape from Guantanamo Bay.”

Dick Wolf

Executive Producer, “Chicago Med”; Executive Producer, “Chicago Fire”; Executive Producer, “Chicago P.D.”; Executive Producer, “Law & Order: Special Victims Unit”; “Law & Order: Organized Crime”; Executive Producer, “FBI”; Executive Producer, “FBI: Most Wanted”; Executive Producer, “Murder for Hire”; Executive Producer, “Cold Justice”

Dick Wolf, a two-time Emmy Award winner (13-time Emmy nominated), Grammy Award winner and New York Times best-selling author, is one of television’s most respected drama series creator/producers and the architect of one of the most successful brands in the history of television – “Law & Order.”

He serves as creator and executive producer of all of the “Law & Order”- branded series from Wolf Entertainment and Universal Television, including “Law & Order: Special Victims Unit,” which made television history which is beginning its 22nd season and is the longest-running live action primetime series in the history of television (surpassing “Gunsmoke” and “Law & Order,” both of which ran for 20 seasons). Wolf has extended his branding expertise to the Windy City, with his Chicago-based NBC series: “Chicago Fire” (season nine); “Chicago P.D.” (season eight) and “Chicago Med” (season six), with all three series receiving three-year pick-ups. Wolf’s CBS brand, “FBI,” which was the network’s top-rated new drama series for the 2018-19 television season, continued its stellar performance in season two and is now poised for season three. The success of “FBI” has spawned the spinoff “FBI Most Wanted,” which consistently wins its time period and has been renewed for season two.

Wolf’s seventh broadcast series is “Law & Order: Organized Crime,” which premieres on NBC in early 2021 and showcases the return of former “SVU” detective Elliot Stabler. In addition, NBC’s new streaming service Peacock, which launched in July 2020, announced an unprecedented deal for Wolf’s “Law & Order” and “Chicago” branded series.

Wolf has also expanded into non-fiction as executive producer of Oxygen’s critically acclaimed “Murder for Hire,” “Cold Justice” and “Criminal Confessions.” He also executive produced USA’s docuseries “Inside the FBI: New York,” the successful A&E series “Nightwatch” and its spinoffs, and Fox’s “First Responders Live.” Wolf Entertainment has also expanded into audio content with the successful debut of the podcast “Hunted,” in conjunction with Endeavor Audio and executive produced by Elliot Wolf.

Wolf’s company also produced two award-winning documentaries. “Twin Towers” is the 2003 Academy Award-winning documentary short about two brothers – one a policeman and the other a fireman – who lost their lives in the line of duty on Sept. 11. “When You’re Strange” is the Emmy-nominated documentary about the 1960s group The Doors, which won a Grammy Award for Outstanding Longform Video in 2011.

In 2007, Wolf executive produced (with Tom Thayer) the critically acclaimed HBO original movie “Bury My Heart at Wounded Knee,” which won six Emmy Awards, including Outstanding Made for Television Movie. The film tells the tragic and powerful story of the subjugation and cultural extermination of the Native American, and garnered a record 17 Emmy nominations, the most of the 2006-07 television season. The film also received the prestigious Broadcast Film Critics Association’s Critic’s Choice Award for Best Picture Made for Television. Wolf and Thayer have teamed up again with the high-profile limited series “American Babylon,” which is in development at Showtime.

Wolf’s debut novel, “The Intercept,” was a New York Times bestselling thriller about Jeremy Fisk, a new kind of hero for a new kind of enemy. His follow up book, “The Execution,” debuted in 2014 and, like its predecessor, was both popular and critically acclaimed. “The Ultimatum,” the third installment of the series, was released in 2015 from HarperCollins.

Wolf’s “Law & Order”-branded series continue to rewrite the annals of television history. “Law & Order” earned 11 consecutive Outstanding Drama Series Emmy nominations – the record for most consecutive series Emmy nominations in the history of television (tied with “Cheers” and “M*A*S*H”) – and won the coveted Emmy in that category in 1997. Additional accolades “Law & Order” has garnered include the highly coveted Peabody Award; multiple Emmys; the Crystal Apple Award from New York City’s Mayor’s Office of Film, Theater and Broadcasting; the Writer’s Guild Award for Television; and numerous other high-ranking tributes.

“Law & Order: Special Victims Unit,” which has received a three-year pick up from NBC, has been one of the network’s top performers. Mariska Hargitay, who plays Det. Olivia Benson, has received seven Emmy nominations for Lead Actress in a Drama Series, winning in 2006. The show has earned five Emmys for Outstanding Guest Actress in a Drama Series. Wolf, “SVU” and Hargitay, through her Joyful Heart Foundation, have used the show’s platform to make groundbreaking changes in the way sexual assault is prosecuted and reported.

“Law & Order: Criminal Intent” completed its critically acclaimed and successful 10-year run on NBC and USA Network in 2011. Other “Law & Order”-branded series include “Law & Order: True Crime: The Menendez Murders,” “Law & Order: Los Angeles,” “Law & Order: “Trial By Jury,” “Crime & Punishment” and “Exiled: A Law & Order Movie.”

Wolf Entertainment’s feature arm will be producing “77” for Paramount, directed by Jared Leto and based on an original screenplay by James Ellroy. Wolf also produced, with Fortress Films, the psychological thriller “The Super,” written by John J. McLaughlin (“Black Swan”) and starring Patrick Flueger (“Chicago P.D.”), which was distributed by Saban and premiered in 2018. Wolf also wrote the screenplay for the hit Paramount release “School Ties,” was writer and executive producer of “Masquerade,” and writer and producer of “No Man’s Land.”

His personal accolades include the Television Academy Hall of Fame (inducted 2013); the International Academy of Television Arts & Sciences’ Lifetime Achievement Award; the Producers Guild of America’s Norman Lear Showmanship Award; the DGA Honors; the Governor’s Award by the New York Chapter of the National Academy of Television Arts & Sciences; the Achievement Award from the Caucus for Producers, Writers, and Directors; the Television Showman of the Year Award from the Publicist’s Guild of America; the Monte Carlo Television Festival Gold Nymph Award; the Award of Excellence from the Banff Television Festival; NATPE’s Brandon Tartikoff Award; accolades from the Saban Clinic; and the Alliance for Children’s Rights. On March 29, 2007, Wolf received a star on Hollywood’s world famous Walk of Fame.

Wolf is also an Honorary Consul of Monaco and is actively involved in the principality’s annual Monte Carlo Television Festival and is its primary liaison with the entertainment community. He is also the founder and benefactor (with Marcy Carsey) of the Carsey-Wolf Center for Media at the University of California, Santa Barbara, as well as numerous philanthropic endeavors, including MOXI, the Wolf Museum of Exploration and Innovation, chairman of the board of Bellosguardo, Trustee of the Paley Center for Media, the Alliance for Children’s Rights and the Princess Grace Foundation and, through his Wolf Family Foundation, endowed the new Wolf Theatre at the Television Academy.

Ilene Chaiken

Executive Producer, “Law & Order: Organized Crime”

Ilene Chaiken serves as executive producer and showrunner for NBC’s new drama series “Law & Order: Organized Crime.

Best known for creating the Showtime series “The L Word,” Chaiken received an Emmy, among many other awards, for Hulu’s “The Handmaid’s Tale.” She was the showrunner for the first four seasons of the Golden Globe-nominated Fox series “Empire” and currently serves as executive producer of “The L Word” sequel, “The L Word: Generation Q,” which has been renewed for a second season on Showtime.

Prior to that, Chaiken produced the docu-dramas “The Real L Word” and “The Real L Word Mississippi” for Showtime, which won the GLAAD Media Award for Outstanding Documentary. She also executive produced pilots for Jerry Bruckheimer, McG and Joel Silver, and served as showrunner of the ABC drama series “Black Box.”

Hailing from Elkins Park, Penn., Chaiken resides in Los Angeles with her wife, LouAnne Brickhouse, and is the mother of two daughters, Augusta and Tallulah Hood. She serves as a member of the Rhode Island School of Design Board of Trustees.

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Primetime TV Review: Home Economics

Posted on April 9, 2021September 10, 2023 by Eva Diaz

TV Review!

“Home Economics” Review on by Suzanne 4/9/2021

This is a comedy, but it’s not very funny. Still, it’s an interesting family show. The relationships between the two brothers and their sister (and all their families) is what drives this show. Each of the siblings competes with each other, but in a fairly realistic way. The oldest brother, Tom (Topher Grace), is doing OK financially but is struggling with his marriage. The middle sibling, Sarah (Caitlin McGee), has a great family but is having problems making ends meet. The youngest brother, Connor (Jimmy Tatro), is doing quite well financially but getting divorced.

I’m older, so I prefer sitcoms that have a lot of jokes, like Grace’s previous show, “That 70’s Show,” “Barney Miller” or “Frasier.” Nowadays they don’t do as much jokes in sitcoms. If you’re older, you might not find this show funny, but the characters are engaging. I think they’re hoping that you find similarities in the characters and their families with what your own family is going through. Personally, the last thing I want to do is to watch squabbling families (unless they’re really funny).

Let’s hope the show gets better.

MORE INFORMATION:

New Comedy “Home Economics” Coming WEDNESDAY APRIL 7 to ABC

By Steve Dove
Jan 25th, 2021

Starring and executive produced by Topher Grace, “Home Economics” takes a look at the heartwarming yet super uncomfortable and sometimes frustrating relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on. The comedy is inspired by the life of writer and executive producer Michael Colton. The new comedy premieres WEDNESDAY APRIL 7 8:30|7:30c on ABC.

The series stars Topher Grace as Tom, Caitlin McGee as Sarah, Jimmy Tatro as Connor, Karla Souza as Marina, and Sasheer Zamata as Denise. Also starring is Shiloh Bearman as Gretchen, Jordyn Curet as Shamiah, Chloe Jo Rountree as Camila and JeCobi Swain as Kelvin.

“Home Economics” was created by writers Michael Colton & John Aboud. They serve as executive producers alongside Topher Grace and Eric and Kim Tannenbaum of The Tannenbaum Company, whose Jason Wang will co-executive produce. The series is produced by Lionsgate and ABC Signature. ABC Signature, alongside 20th Television, is a part of Disney Television Studios.

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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HOME ECONOMICS - Starring and executive produced by Topher Grace, "Home Economics" takes a look at the heartwarming yet super uncomfortable and sometimes frustrating relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on. The comedy is inspired by the life of writer and executive producer Michael Colton. (ABC/Temma Hankin)

Interview with Milo Ventimiglia

Posted on April 7, 2021March 12, 2023 by TvMegasite Admin

TV Interview!

Milo Ventimiglia of "This Is Us" on NBC (photo from NBC)

Interview with Milo Ventimiglia of “This Is Us” on NBC by Suzanne 3/23/21

It was great to interview Milo. He seems very nice and took the time to remember my name. I was on another conference call interview with him back in 2015 as well. I loved him in “Heroes.” I don’t watch “This Is Us” that regularly, but he’s great in it from what I’ve seen. I know he and the show are very popular and loved. I hope you enjoy our brief interview!

Here is the Video!

Question: This show itself was like a defining moment, in some ways, right? Like it completely changed [from] a man in his early 40s to America’s Dad. How’s that? I mean, did you expect this in your journey as an actor, and how has the near death experience shaped you now?

Milo: I mean, I’ve always been told I look younger than my actual age. So, to play my actual age and even play older has been really nice. The subject matter of being a dad, being a husband, being a friend, brother, being a war buddy, being a support member in AA, we’ve covered a lot of ground with Jack, and I wasn’t expecting it. It’s just really been a blessing to be able to play a mature man, a good man who is flawed that I think everybody can learn from, everybody can relate to, not just men, but women. Families can look at this guy and draw something, some kind of inspiration from the way that he views family, he lives his life, the dedication he has to his wife and kids, and the commitment to be strong of his own shortcomings to protect his family. So, for me, it’s just the whole thing; the whole experience has just really been a blessing.

Question: …Of course, he has some flaws, but he’s like this idyllic man, right? Which is how the show is set him up. Now we’re exploring more flaws as the time goes [on], but was that a challenge, as an actor, [to play an] idol sort of and still bring out the flaws and make him relatable?…

Milo: I mean, Jack definitely has very big shoes to fill, even for me, Milo, out in the world, because of how beloved the character is, when I’m out in the world, I definitely feel the good graces that get showered onto me because of Jack and [understand] how important he is as a character to people in their daily life. But, playing the flaws, I mean, there’s been one or two moments in the five years we’ve been doing this show that I’ve been playing Jack that I’ve disagreed with how he’s handled something, but I also accept and understand that Jack is an individual of himself. We may share certain qualities. We may look the same, sound the same, present similar, but there have been a couple times where I just completely disagree with Jack, but I also understand that he’s a character. When the cameras start rolling, I myself, Milo, don’t exist, and only Jack lives. When the cameras call cut, then all of a sudden, Jack gets put to the side for a moment, and then, I resume my life. So, I’m always just trying to honor the character I’m playing, the experiences. He’s lived through alcoholism, through fatherhood, through marriage, through war. I’m just trying to honor those different life experiences that I think a lot of people can relate to.

Suzanne: I asked a bunch of people on Facebook and Twitter that were really big fans of the show what they would ask you, and I got a few good questions. Krista wants to know, if you could give Jack one piece of advice, what would it have been?

Milo: Man, I don’t know if there’s any advice I could give Jack. I feel like in a strange way it’d be like giving advice to my father. Jack is a man of a certain generation and a man built of a certain fiber. I don’t know that Jack needs a lot of direction, but I think what Jack needs to know is that he’s not alone, that he has support, that he has people that care for him and love for him. He doesn’t always have to be the epitome of strength; he can actually depend on people at times. I think a lot of men of that era, born in the 40s, experienced 50s and the 60s, maybe went to war, came home started a family went through, you know, financial booms and losses and things like that, I think, also just where men were in terms of positioning and kind of not really being allowed or able to speak about what was impacting them and affecting them. I mean, I’m 40 now. I feel like as my generation, I was able to really talk about how we felt, how we felt about something. So, I think the only thing I’d say to Jack is, “Hey, man, you’re not alone. There’s a lot of us going through life, and we’re here to help.”

Suzanne: Great. And this show has been so popular right from the beginning. Why do you think that is?

Milo: It’s always been the relatability. I think that’s been the success of the show. Every single person, it doesn’t matter where you’re from or who you are, can relate to family, can relate to the struggle of not having a family, can relate to the happiness and joy and pain and everything that life throws at you. It’s incredibly, incredibly telling of the human story, the human condition, human emotion, experience. I think Dan Fogelman and our writers just so tapped into that, into also knowing what people need. People need that outlet, especially the last year that we’ve had. People need to know that, again, they’re not really alone from the rest of us.

Question: …How has [it] been working during this pandemic, because this is hard for everyone, like as an actor, and as an American, as a person, a human being living through these times, having this opportunity and being able to work?

Milo: I have the opportunity. I’m fully aware that it is a huge opportunity to be able to work when a lot of people [weren’t]…So, I’m grateful. At the same time, I understand people have consumed just about everything the internet and the television networks can offer, so I think people are tapped out, and they need something new. So, I’m grateful to be a part of the show that can provide that. For us on production, we have our safety protocols. We all follow them; we all look out for one another. It’s not just about my safety or my co-star’s safety; it’s about our crew safety. And I think all of us have been respectful knowing that we have the opportunity to work and contribute more than to just our own households but to the households of a lot of the world. So, we’re we’re grateful. We’re happy we work through the conditions, and I’ll tell you what, when I’m on set, morale is still pretty high.

Question: …You’ve had a long career and you have a lot of great things, and then I feel like, and I may be wrong, but [there was] like a period where I didn’t see you…then again this great thing. What is your advice to a younger you or other actors who want to pursue this?

Milo: Keep at it. Never give up. Always be true to yourself. Have a line and don’t let people cross it. Push through when you hear no; find a way to make that yes. When people tell you, “You can’t do this,” prove them that you can do this and more. I think so many times, a lot of people fall out of the acting career or the creative space, because they’re critiqued. They’re told that they’re not good enough, or they’re led to believe they’re not good enough, because somebody’s art or somebody else’s creativity was chosen over theirs. It’s really tough. It’s it’s hard not to take it personally. You know, I tell people, “You have to take it personally,” because when you’re personally kind of told, “No” – I know when I am, I push through. Prove people wrong; always prove people wrong and show you deserve to be in that place. You got to work hard at your craft. This isn’t something – I mean, I live and breathe this. I live and breathe my work, I do. If you can’t do that, you’re gonna have a hard time. So, I’d say, “Just push through.”

Question: …Is it possible for Heroes to come back and for us to see [unintelligible]?

Milo: I’m the wrong guy. No, I know, listen, I’m the wrong guy to ask that question to, because, I’m not the creator. I’m not the studio. I’m not the network on it. Peter Petrelli was a great role. I enjoyed playing him. I had my time with playing him.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Milo Ventimiglia stars as Jack Pearson in the hit NBC drama “This Is Us.”

Ventimiglia has been nominated three times for an Emmy Award forOutstanding Lead Actor in a Drama Series. He was also nominated for a People’s Choice Award, Critics’ Choice Award and won an MTV Movie Award for his work in the show. He was named the 2019 Man of the Year by the Harvard Hasty Pudding Theatricals, the oldest theatrical organization in the U.S.

Ventimiglia has built an impressive resume of television and film credits and also embraced the power of the Internet and new media with numerous projects.

One of Ventimiglia’s early signature television roles was as Jess Mariano on the hit series “The Gilmore Girls.” Other notable television work includes “Heroes,” “American Dreams,” “Mob City” and “Gotham.” He also has had guest-starring roles on several series, including “The Fresh Prince of Bel-Air,” “CSI,” “Promised Land” and “Sabrina, the Teenage Witch.”

Ventimiglia recently starred in the Disney feature film “The Art of Racing in the Rain,” an adaptation of the international best-selling novel by Garth Stein. He also starred alongside Jennifer Lopez in the romantic comedy “Second Act” and had a memorable cameo in “Creed II.” He starred alongside Sylvester Stallone playing his son, Rocky Jr., in the sixth installment of the Rocky series “Rocky Balboa. He worked alongside Adam Sandler in “That’s My Boy” and “Grown Ups 2,” and with Nicole Kidman in “Grace of Monaco.” Other film credits include Xan Cassavetes’ “Kiss of the Damned,” “Wild Card,” a remake of the 1986 Burt Reynolds drama “Heat,” alongside Jason Statham, and “Killing Season,” with Robert De Niro.

With his production company DiVide Pictures, Ventimiglia has both scripted and alternative projects in active development with a variety of studios and networks. Also, under the DiVide banner, he launched two comic book titles with Top Cow Productions.

Ventimiglia is involved with the Iraq and Afghanistan Veterans of America organization (IAVA), which supports veterans who need help when they return home from the war. He recently traveled across three continents to five countries with the USO to spend time over the holidays meeting with the servicemen and women of the U.S. military. Additionally, he took time during his hiatus from “This Is Us” and traveled to Kenya with the nonprofit organization Comic Relief to see first-hand the challenges kid face and bring awareness to the positive work and impact of Red Nose Day.

Ventimiglia currently resides in Los Angeles.

Everyone has a family. And every family has a story. “This Is Us” chronicles the Pearson family across the decades: from Jack (Milo Ventimiglia) and Rebecca (Mandy Moore) as young parents in the 1980s to their kids (the big three), Kevin (Justin Hartley), Kate (Chrissy Metz) and Randall (Sterling K. Brown) searching for love and fulfillment in the present day along with Toby (Chris Sullivan) and Beth (Susan Kelechi Watson). This grounded, life-affirming dramedy reveals how the tiniest events in our lives impact who we become, and how the connections we share with each other can transcend time, distance and even death.

Dan Fogelman, Isaac Aptaker, Elizabeth Berger, John Requa, Glenn Ficarra, Ken Olin, Charlie Gogolak, Jess Rosenthal and Steve Beers executive produce. “This Is Us” is produced by 20th Television.

Please visit the official show site at http://www.nbc.com/this-is-us
Facebook: Facebook.com/NBCThisIsUs
Twitter: @NBCThisIsUs
Hashtag: #ThisIsUs

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Milo Ventimiglia of "This Is Us" on NBC