Interview with “Law and Order” cast

TV Interview!

"Law and Order" actors and producer on TCA panel

Interview with actors Anthony Anderson, Hugh Dancy, Jeffrey Donovan, Odelya Halevi, Camryn Manheim, Sam Waterston, and EP/Showrunner Rick Eid of “Law and Order” on NBC by Suzanne 2/11/22

I really enjoyed this TCA panel because it was a lot of fun. I love this show and have watched most of the episodes. I’m so glad that they’re bringing it back.  Dick Wolf was originally scheduled to be on this panel, but unfortunately, he wasn’t able to make it.

NBCUNIVERSAL
WINTER 2022 TCA VIRTUAL PRESS TOUR
NBC -Law & Order
Anthony Anderson, Talent, “Det. Kevin Bernard”
Hugh Dancy, Talent, “Assistant District Attorney Nolan Price”
Jeffrey Donovan, Talent, “Det. Frank Cosgrove”
Odelya Halevi, Talent, “Assistant District Attorney Samantha Maroun”
Camryn Manheim, Talent, “Lt. Kate Dixon”
Sam Waterston, Talent, “District Attorney Jack McCoy”
Rick Eid, Executive Producer/Writer/Showrunner
Virtual via Zoom
February 11, 2022
© 2022 NBCUniversal, Inc. All rights reserved.

We were told this about the show before they ran a clip: “During its astonishing 20 year, 456 episode run, ‘Law & Order’ garnered 52 Emmy Award nominations and became one of the longest running primetime dramas in television history. Set and filmed in New York City, each episode follows the investigation of a crime by NYPD detectives and the prosecution of a defendant by the Manhattan District Attorney’s Office. ‘Law & Order’ returns to NBC on Thursday, February 24th, at 8 p.m.”

Executive Producer Rick Eid told us that Dick Wolf sent his apologies because he has laryngitis and was told to rest by his doctor.

For the first question, Camryn Manheim (Kate) talked about how one of the greatest things about being on the show is that “New York’s finest actors just come and play with you.” She thinks viewers will be as “surprised and excited” as she’s been to see them.

Sam Waterston (Jack) and Rick were asked about whether there were previous attempts to bring the show back. Sam asserted that there were. Rick wasn’t involved in the previous efforts, but Dick Wolf had been talking about it for a few years. Then this past summer, he was told that it was happening and asked if he would be interested in getting involved. He says that he “jumped at the opportunity.” Sam added that Dick was talking about it to him about around “five years ago too, and I don’t think he’s ever stopped talking about it.” He credits Dick’s “persistence and determination and his complete conviction that it was a terrible mistake to stop in the first place” with the show coming back. He also added that the audience kept watching all the “Law and Order” shows on TV, on streaming, on cable, etc. and so they’ve always had a “persistent appetite” for the show. He thinks they’re the reason the show is back.

A journalist mentioned that it’s great to have Sam and Anthony back, but he said that Sam had “teased” that some “fan favorite individuals” would be coming back and wanted to know if they could tell us anything about that.

Those of us who have watched the first episode in advance know that a certain actress will be returning for the first episode (we don’t know if it’s for future episodes as well or not).

Rick said that they can’t tell yet who the returning actors are, but “You’ll definitely see some familiar faces along the way.” He said that want to find ways to bring back former “Law & Order” actors.

Sam was asked if he had any idea how successful the show would be and that so many Broadway actors would love guest-starring on the show. Sam admitted that he had no idea how it would turn in to this massive juggernaut in multiple forms. Sam told us that he’s long wanted Dick Wolf to get a Tony award because of what the show has done for NYC actors, but so far they haven’t been interested in that. Anthony (Kevin) joked, “Hey, Sam. Can you talk to the Television Academy about giving me an Emmy? I’m 0 for 11. Could you make that phone call for me too, then?” and Sam joked back, “Oh, sure. I’ll take care of that.” Anthony replied, “Okay. All right. Thank you.” And Sam finished with, “If you can spare me, I’ll go do that now.” Everyone laughed. Maybe these two should get a comedy show on the side! They’re both very funny, as they showed throughout this panel.

Anthony and Sam were asked if it was difficult to get back into their character’s shoes are all this time. Anthony replied that it “felt like no time had passed at all.” He was glad to talk to Dick about coming back to the show. Coming back to NYC and putting on the same badge, in the same squad room and sound stages felt like “sitting in a well worn saddle.” Then he joked that “The hard part is working with someone like Jeffrey Donovan.” Jeffrey grinned, saying that he knew Anthony would say that. They joked around for a little bit, too. The three of them did a lot of joking around during the whole panel.

Sam and Anthony were also asked if it was difficult to do other acting jobs when they were “so tied” to the show. This was not a great question because of course, they’ve both been very successful since they left the show. Anthony was also asked how it felt to end the comedy “black-ish” and then jump back into a heavy drama.

Sam gave this answer that sounded like he’s probably used it many times in interviews: “ever since I saw this on a crosstown bus on 57th Street, a quotation from Satchel Paige that said ‘Keep on running and don’t look back because somebody may be gaining on you,’ and that’s kind of been my motto about show business ever since.” He added that he’s always done more than one acting job at once, whenever he can. When he was doing “Law & Order” before, he would do stage or other projects.

Anthony let us know that after ending 8 seasons of “black-ish,” joining this show again “was a no-brainer.” He hopes that in 20 years, they’ll be asking him for a “black-ish” reboot. He’s always been a “Law & Order” fan, so he thought it would be foolish not to return. He also said that having Sam back, and the two of them being familiar to viewers, and to join with the other new cast members, was an added bonus.

Rick Eid was asked about the trailer we saw, which hinted at the fact that there might be changes in the way they do policing and with criminal justice. He pointed out that “Law & Order: Special Victims Unit” has also addressed this a little bit. He wondered how this show will approach that.

Rick replied that they’ll try to “reflect the world we live in now.” He believes that “2022 is a unique moment in time and our stories and our characters reflect what’s happening in society.” Police business is different than it was when they left the air in 2010, and so is the way the D.A.’s do their business. There’s more awareness of certain things than there was before. He hopes they reflect this in their stories.

Sam admires the way Rick has been telling exciting stories, addressing all of the current conflicts rather than ignoring them. He says, “he’s just walked up, straight up to one after another. Every show is a shock.” Sam pointed out that the press were ignoring the other actors.

The next press person asked Odelya (Samantha) and Jeffrey (Frank) what it was like to step into a show with such great history and a large fan base. Hugh (Nolan) took the question and joked that it was the opposite of that “well worn saddle” Anthony described. There was much joking and laughing after that. He said, seriously then, that figuring out how the show works has been wonderful. Odelya answered the question as well, saying that being here “still feels like a dream, like, you know, someone pinch me.” She grew up in another country and has been watching the show with her mom since the 90’s. She wanted to be a lawyer on the show ever since. Her mom told her that she just wanted to play a lawyer on TV, and now here she is. She gushed that she’s learning a lot from the others and enjoying it all.

Jeffrey said, completely deadpan, “They don’t let me have a saddle. I’m not sure why. I think it has something to do with Anthony saying that I can’t have things.” Everyone in the panel was laughing. It was really hysterical. He went on to say that he’s a huge fan of the show and the cast. He watched back in college at NYU in the 90s, and he always dreamed to be a guest-star on the show.

Camryn answered that her first job when she graduated from NYU in 91 was, in fact, at “Law & Order.” She noted that it’s hard to believe that it was 30 years ago. She’s played three different characters on the show. She explained that they’ve updated the show in many ways, and the stories are very current, but they have “that same old precinct. Nothing is updated. I mean, the phones are still from, you know, Edison’s time.” She praised the cast, saying she loves them, and they keep her laughing. She feels very lucky to be there and can’t wait for the people at home to see it. She’s proud to be part of it.

Sam and Anthony asked if there was anything they could tell us about where their characters are since we last saw them. He or she also asked if the others can tell us anything about their characters. Great question!

Sam told us that, “Dick always says that action is character, and the actions of McCoy are being defined by Rick, and it’s different and interesting, and it’s great to find out.” He said you found out about your character from “the next script.”

Anthony loves that they don’t share too much about the characters’ personal lives, so you can watch the show at any time and not feel lost. It’s about solving the crime, the story moving along and then “bringing law and order to the world.” He thinks this is part of the special “magic” of the show.

Sam chimed in to say that one of the great things about the show is that the characters are just working and doing their jobs, so everyone can relate to that.”

The next person asked about that very topic because the other “Law & Order” series focus on the personal lives of the characters. He asked if they’ll do this with this new season.

Rick agreed with Sam that the action is the character. “People’s characters are sort of defined by the decisions they make and the choices they make.” He allowed that there may be some other relatives or backstories of the characters, but the crime stories are put first. We may see how some of the histories of the characters influence how they make certain decision. He hinted that in the first episode, this happens with Samantha (played by Odelya).

Rick was also asked if there will be crossovers with the other “Wolf Franchises” and other “Law & Order” spinoffs. Rick didn’t want to say much, he just said that it could happen.

A reporter asked Anthony if he had a hard time adjusting to just being an actor rather than executive producer, like he was on “black-ish.” Anthony had no trouble with it at all. He knows that they all have different jobs at different places. He confided that he learned a lot about the way show business works the last time he was on “Law & Order,” which he used when he worked on “black-ish.” He credits this show for making him “more well-rounded entertainer.”

Hugh joked, “Although he did say to me on my first day, ‘I’m the star, and never forget that.’ So take it how you will.” Then Anthony joked, “Well, when Sam is not around, I am. When Sam is not around, I am.” There was more joking around and laughing.

The next journalist asked if the show will address hate crimes against Asians because it was recently in the news that the real-life New York City D.A. prosecuted the highest number of them. Rick admitted that they don’t specifically have that story planned, but they have stories about hate crimes. They could address the Asian angle of it in the future.

After that, the cast teased Rick for a bit.

Another person in the press asked a rather obvious question that had already been addressed by asking how much the show was going to “draw directly from the headlines.” Sam answered that it would be a “huge” amount. He said that it must be difficult for the writers to figure out which ones to choose first because “There’s so much.”

Hugh addressed the question, and quoted what was said earlier, about how they hope the “engine of the show” can spark debate in any moment and reflect what’s happening in the real world. There was more joking around after that.

Sam concluded with, “I think the interview part ended. I think all of the journalists have gone home,” and everyone laughed. It was, indeed, the end.

Please visit our Law & Order page!

MORE INFO: Trailer

The Original Returns "Law & Order" Key Art -- (Photo by: NBCUniversal)NBC is bringing back one of its most treasured and honored dramas with the 21st season of “Law & Order.” The series, which will continue the classic bifurcated format that was created for its original run, will once again examine “the police who investigate crime and the district attorneys who prosecute the offenders.”

Sam Waterston, Anthony Anderson, Jeffrey Donovan, Camryn Manheim, Hugh Dancy and Odelya Halevi star.

Dick Wolf is creator and executive producer. Rick Eid, Arthur Forney and Peter Jankowski are executive producers.

“Law & Order” is produced by Wolf Entertainment and Universal Television, a division of Universal Studio Group.

breaking news | September 28, 2021

• NBC is bringing back one of its most treasured and honored dramas with the 21st season of “Law & Order.” The series, which will continue the classic bifurcated format that was created for its original run, will once again examine “the police who investigate crime and the district attorneys who prosecute the offenders.”

• “There are very few things in life that are literally dreams come true,” said creator and executive producer Dick Wolf. “This is mine.”

• “‘Law & Order’ is quite simply one of the most iconic shows in television history, and the idea of continuing its legacy and partnering with Dick on an all-new season is nothing short of exhilarating” said Susan Rovner, Chairman, Entertainment Content, NBCUniversal Television and Streaming, “This is great news for NBC as well as TV fans everywhere.”

• “The return of the flagship ‘Law & Order’ series for a pivotal 21st season is a proud moment for Dick and a proud moment for us, his studio partners,” said Pearlena Igbokwe, Chairman, Universal Studio Group.
• The series was nominated for more than 50 Emmy Awards and won in 1997 for Outstanding Drama Series.

• A premiere date and cast will be announced at a later date.

• “Law & Order” will be executive produced by Dick Wolf, Rick Eid (writer/showrunner), Arthur Forney and Peter Jankowski.

• The series will be produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Anthony Anderson

Det. Kevin Bernard, “Law & Order”

LAW & ORDER -- Season: 21 -- Pictured: Anthony Anderson as Detective Kevin Bernard -- (Photo by: Virginia Sherwood/NBC)
Anthony Anderson plays Det. Kevin Bernard on the 21st season of the NBC drama “Law & Order.”

An Emmy and Golden Globe-nominated actor, Anderson is the star and executive producer of ABC’s multi-award nominated sitcom “black-ish.” He also currently hosts the ABC game show “To Tell the Truth” and “House Haunters.” Anderson is also executive producer of both “black-ish” spinoffs “grown-ish” and “mixed-ish” as well as “Road Trippin,’” which airs on Snapchat.

Anderson has numerous other TV and film credits, including “Transformers,” “The Departed” and “Hustle & Flow.” A winner of seven Image Awards, Anderson has also hosted the NAACP Image Awards for the past eight years and in 2020 was awarded a star on the Hollywood Walk of Fame.

Jeffrey Donovan

Det. Frank Cosgrove, “Law & Order”

LAW & ORDER -- Season: 21 -- Pictured: Jeffrey Donovan as Detective Frank Cosgrove -- (Photo by: Virginia Sherwood/NBC)

Jeffrey Donovan plays Det. Frank Cosgrove in the 21st season of the NBC drama “Law & Order.”

Donovan is perhaps best known for his leading work as former CIA operative Michael Westen on the Emmy Award-nominated USA series “Burn Notice” for seven seasons. Donovan received strong notice playing North Dakota off-kilter mobster Dodd Gerhardt in FX’s critically acclaimed second season of Noah Hawley’s “Fargo” and was cast as series lead Charlie Haverford, a tarot reading con-artist, on Hulu’s “Shut Eye.”

On the film side, Donovan recently filmed a sequence of back-to-back films – “National Champions” for director Ric Roman Waugh and starring opposite J.K Simmons; the Western ”Surrounded,” opposite Letitia Wright and Jamie Bell; the hostage drama “892,” opposite John Boyega and Michael Kenneth Williams; and the family drama “First Love,” opposite Diane Kruger. Past features include “Wrath of Man” for director Guy Ritchie, “Let Him Go,” alongside Kevin Costner and Diane Lane; and Noah Hawley’s “Lucy in the Sky,” alongside Natalie Portman and Jon Hamm.

His other film credits include “Soldado,” opposite Josh Brolin and Benicio Del Toro; “Villains,” opposite Bill Skarsgård and Kyra Sedgwick; and “Honest Thief,” opposite Liam Neeson,” Denis Villeneuve’s “Sicario,” Clint Eastwood’s “J. Edgar” (playing Robert F. Kennedy) and “The Changeling,” Rob Reiner’s “LBJ” (as John F. Kennedy) and Ric Waugh’s “Shotcaller.”

Camryn Manheim

Lt. Kate Dixon, “Law & Order”

LAW & ORDER -- Season: 21 -- Pictured: Camryn Manheim as Lieutenant Kate Dixon -- (Photo by: Virginia Sherwood/NBC)

Camryn Manheim plays Lt. Kate Dixon on the 21st season of the NBC drama “Law & Order.”

Manheim is best-known for her Emmy Award-winning and Golden Globe Award-winning role on “The Practice” as well as roles on “Stumptown,” “Waco,” “Ghost Whisperer,” “Person of Interest,” “Utopia,” “Criminal Minds,” “Code Black,” “Masters of Sex,” “Two and a Half Men,” “How I Met Your Mother,” “Extant,” “Chicago Hope,” “Harry’s Law,” “Younger,” “Hand of God,” “The L Word,” “Will & Grace,” “Ally McBeal,” “Family Guy” and “The 10th Kingdom,” among others.

Manheim was also nominated for a Golden Globe for her portrayal of Gladys Presley in the CBS mini- series “Elvis.”

Her feature film credits include “Cop Car,” “Return to Sender,” “Slipstream,” “An Unfinished Life,” “Without Men,” “Twisted,” “Scary Movie Three,” “Romy and Michele’s High School Reunion,” “Happiness,” “The Laramire Project,” “Dark Water,” “The Road to Wellville” and “Eraser.”

Manheim made her Broadway debut in Deaf West’s Tony Award-nominated production of “Spring Awakening.” She also won an Obie Award for Craig Lucas’ “Missing Persons” at the Atlantic Theater Co.

She received her M.F.A from New York University.

Hugh Dancy

Assistant District Attorney Nolan Price, “Law & Order”

LAW & ORDER -- Season: 21 -- Pictured: Hugh Dancy as ADA Nolan Price -- (Photo by: Virginia Sherwood/NBC)

Hugh Dancy plays Assistant District Attorney Nolan Price on the 21st season of the NBC drama “Law & Order.”

Dancy received critical acclaim for starring as Will Graham in NBC’s “Hannibal,” receiving two Critics’ Choice Award nominations for Best Actor in a Drama Series. He also starred in Hulu’s “The Path” opposite Aaron Paul and Michelle Michelle Monaghan and most recently wrapped production on the Apple TV+ anthology series “Roar” with Nicole Kidman, Cynthia Erivo and Issa Rae.

Dancy will next star in the upcoming film “Downton Abbey: A New Era,” which Focus Features will release in theaters in March.

 

Odelya Halevi

Assistant District Attorney Samantha Maroun, “Law & Order”

LAW & ORDER -- Season: 21 -- Pictured: Odelya Halevi as ADA Samantha Maroun -- (Photo by: Virginia Sherwood/NBC)

Odelya Halevi plays Assistant District Attorney Samantha Maroun in the 21st season of the NBC drama “Law & Order.”

Halevi most recently landed a major role in the DC Entertainment film “Black Adam,” opposite Dwayne Johnson, set for release in 2022. Additionally, Halevi just wrapped a major recurring role on Freeform’s “Good Trouble” as well as a pivitol role in the Amazon series “Good Girls Revolt.”

Notable guest-star credits include “New Girl,” “Mike and Molly,” Midnight, Texas,” “NCIS,” MacGyver” and “Why Women Kill.”

Halevi’s grandparents immigrated to Israel from Yemen where she was born and raised.

 

Sam Waterston

District Attorney Jack McCoy, “Law & Order

LAW & ORDER -- Season: 21 -- Pictured: Sam Waterston as D.A. Jack McCoy -- (Photo by: Virginia Sherwood/NBC)

Sam Waterston plays District Attorney Jack McCoy in the 21st season of the NBC drama “Law & Order.”

Waterston was born in 1940 in Cambridge, Mass., where his father was a language teacher and his mother a landscape painter. He attended Brooks and Groton prep schools before earning a scholarship to Yale University, where he graduated with a Bachelor of Arts degree in 1962. Later that year, Waterston made his New York debut at the Phoenix Theater in “Oh Dad, Poor Dad, Mama’s Hung You in the Closet and I’m Feelin’ So Sad.”

Over the next five decades, Waterston’s career has included a plethora of film and television credits as well as repeated returns to the stage. His trophy case includes an Emmy, Golden Globe and Screen Actors Guild Award as well as an OBIE and Drama Desk for theater. Other accolades include an Academy Award nomination for his role as journalist Sydney Schanberg in 1984’s “The Killing Fields” and six Emmy nominations for his roles in “I’ll Fly Away” and “Law & Order.”

Waterston co-starred on Aaron Sorkin’s “The Newsroom” for HBO and soon can be seen in the final season of Netflix’s “Grace and Frankie,” opposite Jane Fonda, Lily Tomlin and Martin Sheen. In 2022 Waterson will be featured in the Hulu limited series “The Dropout,” opposite Amanda Seyfried and William H Macy.

A passionate activist for decades, Waterston is currently Chairman of the Board of Oceana, the world’s preeminent ocean conservation NGO, and also serves on the Board of Refugees International.

Rick Eid

Executive Producer, “Chicago P.D.”; Executive Producer, “Law & Order”; Executive Producer, “FBI”

Rick Eid is executive producer and showrunner of the hit NBC dramas “Chicago P.D.” and “Law & Order,” as well as the CBS drama “FBI.”

His prior credits include “Law & Order: SVU,” “CSI,” “Hostages,” “The Guardian” and “Dark Blue.”

Eid has also written essays for a variety of blogs and magazines. Prior to his writing career, he was a corporate attorney specializing in mergers and acquisitions at Skadden Arps Slate Meagher & Flom.

He currently lives in Los Angeles with his wife and daughter.

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

LAW & ORDER -- "The Right Thing" Episode 21001 -- Pictured: (l-r) Camryn Manheim as Lieutenant Kate Dixon, Anthony Anderson as Detective Kevin Bernard, Jeffrey Donovan as Detective Frank Cosgrove -- (Photo by: Virginia Sherwood/NBC)

Interview with Christopher Meloni

TV Interview!

Christopher Meloni of "Law & Order: Organized Crime" on NBC

Interview with Christopher Meloni of “Law & Order: Organized Crime” on NBC by Suzanne 9/13/21

We had a chat via Zoom with NBC stars for the TCA panels. This particular panel was supposed to feature Mariska Hargitay (Olivia Benson) as well as Christopher Meloni (Elliot Stabler), but she was held up due to a change in her shooting schedule. That was a real shame because we would have all loved to see her with him. He didn’t seem as if he was in a great mood, but he gave each question serious thought and consideration.

If you’re reading this, you probably know already that he played the same character on “Law & Order: Special Victims Unit” for 11 years. He left at the end of season 11 because of a contract dispute. Last April he returned to SVU and then premiered this new show, OC, but with plenty of crossover between the two shows (especially with Hargitay).

I asked him the question that everyone wants to know… I knew that he probably couldn’t answer it, but I was interested in how he would handle the question, either way. I said, “I’m on a lot of “Law & Order” Facebook groups, and most of them seem to want your characters to have a real love affair. Should they stay hopeful on that score? Anything you can tell us. I know you can’t give spoilers.” He replied, “Sure. Hope springs eternal. I mean, why  not? I think it’s going to be a collaborative effort between both showrunners for “SVU” and “OC,” and I believe, with Mariska and I, to kind of figure it all out. It’s a complicated relationship. So, we’ll see.”  That was actually a lot more positive answer than I expected. It was very diplomatic, for sure.

Here are more questions from the panel.  This was the next question:  Elliot goes undercover this season, so he was asked whether this would affect his relationship with his former partner, Benson (Hargitay), since they were close last season. He mentioned that he had spoken to real-life undercover cops, and they had confirmed that they do tend to lose themselves in their jobs.  He thinks Elliot is doing that, as well as still dealing with the stress of losing his wife and all that he went through last season, and not sure how Benson fits into his life (both personally and professionally). Benson sees that he might be going through all this.  He and Benson do engage with each other professional quite a bit, and ” and a little bit from the personal side.”

He was also asked whether he’d learned anything about himself from his years of playing Elliot. He responded, “I’ve learned a lot about myself. It’s been a wonderful journey. I think because, you know, to play this character for as long as I have, or I guess any character, but I always thought of him as a man under pressure, and has maybe examined how I engage the world, how I deal with personal relationships, how maybe certain blind spots that I have, and I’ve had to work on. You know, you really do grow with the character. Because as you mature as a human being, I think you bring those lessons to bear to your character. So, you know, you march hand—in—hand with the thing that you’ve created. And it’s been very rewarding. So, I’ve learned more than I could speak of in this short of time.”

Someone else asked why Dick Wolf decided (possibly in collaboration with him or other writers) to put Elliot in Organized Crime rather than in other possibly detective groups. He asserted that it was Wolf’s idea from the beginning. He feels that it was because there was so much rich storytelling that could be told about the crime families and how they work, and that one crime family investigation would fit well into an 8-episode format. He was also asked whether there might be a possibility of any mention of his cop character in Syfy’s “Happy,” but he didn’t think they would do that because they were in two different universes. He compared it to having a crossover between “Grey’s Anatomy” and a Marvel Universe show.

Another person from the press asked him about “the most emotional and challenging story lines to play on a personal level, something that was difficult” for him to play. He gave an interesting answer, “Well, you know, anytime I’ve had to deal with children and traumas inflicted upon children, those are always — those always strike a very deep chord. I’ve always found those very difficult, but oddly enough, kind of the easiest to play, because there’s no searching for the emotional content within myself. You know, I know exactly how I feel. I’m very — there’s such clarity in my place in this world when children are involved.”

I’m sure he’s been asked this question many times: whether he ever had the itch to go back and play Stabler after he left SVU back in 2011. He asserted that he never looked back. Once he was done, that was it. He enjoyed acting in other projects and traveling. He added, “I think to Dick’s credit, he — I don’t know — maybe he sensed I wasn’t as interested in revisiting how, you know, the “SVU” tells a story, which is great, and they do it so wonderfully. So, when he pitched this more serialized expression of his latest idea of a “Law & Order” show, the “OC,” I really thought it was kind of a stroke of genius. I didn’t think that was even kind of anything he was thinking about. So, I was pleasantly pleased and surprised and excited when I got the pitch. And it was just on the basis of the type of storytelling that the “OC” allows us. And I just think it just allows for a little more in—depth analysis of characters and relationships and that kind of stuff. So, I appreciated that. And I think with Ilene Chaiken running the show, it’s really lived up to what Dick had hoped for.”

He was asked if he’d ever binge-watched “Law & Order” SVU,” but he admitted that he never had. He was there when it was filmed, and that was enough. The same journalist also asked him if he would tell us about the “four new recurring characters” on the second season. He seemed taken aback by that question. He named three – “Dash Mihok, Vinnie Jones, Lolita Davidovich and Michael Raymond-James.”  He said that some of the cast are part of their task force and some are from the new crime family they’ll be going after.  He elaborated, “We’re dealing with an Albanian crime family. You get to see a little bit of the hierarchy. It’s very much a family organization. And there’s a kind of Shakespearean intrigue that surrounds it.” That sounds interesting!

Since he mentioned leaving SVU earlier, he was asked about Mariska, “What has been the greatest joy of working with her? What
qualities does she have that has made the journey a real joy for you? And what have been some of the challenges?” He gave a very long answer. Basically, he said that they were two strong personalities that worked well together. The characters were, “finding each
other’s dance steps. And I would argue we found those dance steps 80 percent of the time, but 20 percent of the time we didn’t. And, you know, that’s where — I don’t know — just stuff happens. And it can be creatively wonderful stuff, and it can be challenging stuff. And it’s just stuff. Because at the end of the day, I think we see each other and know each other at our cores, and we love and honor and respect each other’s gifts. We have forgiven each other’s trespasses.” He said that they grew up together on the show . They both built their own separate families at the same time and both had each other’s best interests at heart.  He was quite effusive in his praise of her: “She’s open and honest and trustworthy and a ball of light. She radiates a goodness and a warmth and an inclusiveness. You know, she’s just a wonderful energy to be around. And she’s a hard worker. ” He praised her for how she carried on after he left the show.” They like working together and look forward to it. He never really answered the question about any challenges.

Next he was asked whether any parts of Elliot had rubbed off on him, or vice versa. He didn’t think so. He compared Elliot to himself, saying that Elliot was both more flawed and more heroic than he. He went on, “I think we both strive for the same sense of justice that, you know — I mean, I think this is life, right? And it’s difficult if you have a sense of right and wrong, and the world makes it difficult for one who has a sense of honor and justice, and you see reality is at times difficult in that regard. So, I would like to — I would strive to be as honorable as Elliott is, as flawed as he is. But no. We both have the same kind of walk, and that’s about it, I think.”

He was asked whether he thought all of the spinoffs were a good thing or not. He thinks that they’re both good and bad as it’s part of their business. It’s expensive to “It’s expensive to launch a show, very expensive to maintain a show, and very expensive to get eyeballs to the show, to your product. So, I just kind of think those pressures lend itself to that kind of programming.” He thinks the audience doesn’t mind as long as the product is a good one.

He was also asked why he thinks fans are so crazy about a Benson-Stabler relationship. He thinks that part of the reason is because their parting in 2011 was so abrupt, and they had so much chemistry for years before that. There was never any kind of answer as to the will-they-or-won’t-they question.

Another writer asked how his working with Mariska different this time than it was the first time around. He answered that they were young and didn’t know each other the first time around. It was all new, fresh and exciting. This time, when he returned, it felt both important and comfortable. “And I haven’t examined it beyond that… “I don’t have that relationship with any other actor walking the earth, because I’ve never worked with anyone for as long as I had with Mariska.” They were revisiting their relationship. “all of that in a package of grief, because of the circumstances under which I was reintroduced. So, it was a completely different dynamic, and yet I think the cornerstone of it all was a playfulness, a humor that we just always have with each other, and a camaraderie. Love and camaraderie.”

He was asked a good storyline question about whether Stabler would still be working with the team or whether he’ll be more in charge this season.  He responded that Sgt. Bell is definitely still in command, not Elliot. He went on, “I find it a very interesting dynamic. I was surprised by it all, and I loved it. I thought it was a very good idea. Danielle Moné Truitt is wonderful to work with. Yeah. So, yeah. Elliott is more on the outside in the first series of eight from the unit. They’re kind of more of the, you know — they’re HQ to whom I report, and they do the logistical hard work while Elliott tries to get intel and is on the inside.”

The last person pointed out that Meloni is also great at comedy. He asked which he would like to do next, after he leaves OC? He instantly replied without hesitation that it would be comedy.  “I’m in one swimming pool and I want to go try the other, see how the other water — how refreshing the other water is.”  Well, let’s hope that’s not for a long time…at least not until we see how he and Olivia are able to really connect, finally.

Please visit our “Law and Order” site!

MORE INFO:

Season 2 Preview  Episode 202 Preview

Christopher Meloni of "Law & Order: Organized Crime" on NBC“LAW & ORDER: ORGANIZED CRIME”

“THE MAN WITH NO IDENTITY”

ORIGINAL

09/23/2021 (10:00PM – 11:00PM) (Thursday) : SEASON PREMIERE – After taking down Wheatley’s (Dylan McDermott) drug empire and discovering his wife’s killer, Det. Stabler (Christopher Meloni) must infiltrate a notorious crime family aiming to take over New York City’s cocaine trade. Sgt. Bell (Danielle Moné Truitt) is forced to work with a rival colleague when their investigations collide. Also starring Ainsley Seiger.

TV-14

The series stars Christopher Meloni, Dylan McDermott, Danielle Moné Truitt, Tamara Taylor and Ainsley Seiger.

Dick Wolf, Ilene Chaiken, Fred Berner, Terry Miller, Arthur Forney and Peter Jankowski serve as executive producers. “Law & Order: Organized Crime” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Christopher Meloni

Elliot Stabler, “Law & Order: Organized Crime”

Christopher Meloni returns to his iconic character, Elliot Stabler, in the new NBC drama series “Law & Order: Organized Crime.”

Meloni was last seen starring on the Hulu British comedy “Maxxx.”

Meloni starred in SYFY’s dark comedy “Happy!” based on Grant Morrison and Darick Robertson’s graphic novel. In addition to his starring role as Nick Sax, he directed an episode as well as executive produced the series. Meloni also co-starred in the third season of the critically acclaimed Hulu series “The Handmaid’s Tale” as Commander Winslow, a powerful and magnetic commander who hosts the Waterfords on an important trip.

Meloni had a guest arc on the breakout FX series “Pose,” from Ryan Murphy and Brad Falchuk. He also appeared in the landmark historical series “Underground,” executive produced by John Legend, and directed an episode.

Following his breakout role on “NYPD Blue,” Meloni was cast in HBO’s gritty prison drama “Oz” and then moved on to “Law & Order: SVU,” where he received an Emmy Award nomination for Outstanding Lead Actor in a Drama Series. Following his 12 seasons on “SVU,” Meloni returned to HBO in Alan Ball’s wildly popular drama “True Blood” and the Julie Louis-Dreyfus-starrer “Veep.”

On the film side, Meloni’s credits include “Diary of a Teenage Girl,” “White Bird in a Blizzard,” “Sin City: A Dame to Kill For,” “Man of Steel,” “42,” “They Came Together,” the Terry Gilliam films “Fear and Loathing in Las Vegas” and “Twelve Monkeys,” “Bound,” “Runaway Bride,”  “Nights in Rodanthe,” and the cult favorites “Wet Hot American Summer,” “Harold & Kumar Go to White Castle” and its first sequel, “Harold & Kumar Escape from Guantanamo Bay.”

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

Mariska Hargitay of "Law & Order: Special Victims Unit" and Christopher Meloni of "Law & Order: Organized Crime" on NBC

Interview with Dick Wolf, Chris Meloni and Ilene Chaiken

TV Interview!

Composite photo: NBCUNIVERSAL EVENTS -- "Law & Order Crossover Premiere Press Day" -- Pictured: Christopher Meloni, “Law & Order: Organized Crime” at Capitale NYC, September 19, 2022 -- (Photo by: Scott Gries/NBC); Ilene Chaiken from Instagram; and NBCUNIVERSAL EVENTS -- "Law & Order Crossover Premiere Press Day" -- Pictured: Christopher Meloni, “Law & Order: Organized Crime” at Capitale NYC, September 19, 2022 -- (Photo by: Scott Gries/NBC).

Interview with Dick Wolf, Chris Meloni and Ilene Chaiken of “Law and Order: Organized Crime” on NBC by Suzanne 4/7/21

This was a virtual press conference with Wolf, the creator of this show (and all the Law & Order shows, as well as all the Chicago shows and all the FBI shows), the headwriter Chaiken and star Meloni.  There wasn’t a lot of time, and many press people were there, so I didn’t get to ask a question. However, they did answer most of the questions I would have asked, anyway. It was just great to see them.

Question: Chris, I think Stabler is probably one of the most hot-headed of the characters in the “Law & Order” brand. What’s the secret as an actor to playing hot- headed– playing anger without going over the top?

Chris: Well, I think that that template was set right from the beginning. Meaning, I still remember very vividly, Dick [Wolf] wrote the initial “SVU” pilot. Dick was the one who hired me. And I went to him. And I said, he originally had Elliot Stabler with three kids. I said, “I think he needs four.” He’s like, “Oh, okay.” And I saw this guy as a guy under pressure constantly. And I felt that and this had a lot to do with after speaking with real SVU detectives, about the pressures that they were under and the crimes that they witnessed. And I knew that I as me, personally, Chris Meloni would have a very difficult time downloading and processing what these real people in heroes do every day, and the things that they see. So, that’s like kind of the genesis of this. So, it’s not like, “Oh, he’s a hothead to be a hothead.” I think it’s his reaction to injustice. I think to him injustice makes his head explode. And I think that’s also now part of Elliot 2.0 is hopefully his evolution towards having a clear understanding of the world is unjust. And then now how is it that you adapt yourself to realities that keep punching you in the face literally and figuratively?

Question: The tragic incident that started this all-in motion is the death of your wife. Has that ramped him up more? How do you feel like that’s changed him? Is it for the better for the worse? Or could he get any worse?

Chris: Well, I think it’s what I that that can be tagged along to the last question that I answered, which is so a guy who’s dealt with injustice, always one step removed, which is it’s a victim that it is my job to go and to attend to. Now, it’s how do you attend to your own wounds? How do you attend to this own injustice? How do you carry on carrying that much grief? I asked Dick, “Can I have four kids,” and that later was five kids? How do you carry on through there with financial pressures and all these and family pressures. Now deal with your your family, being literally figuratively blown up? So how do you deal with that faith wise and personally? So, let’s hope that Elliot has found better coping mechanisms, but is still very passionate.

Question: Ilene, I believe you had to shut down twice for COVID concerns, how has that affected your delivery as far as episodes go, and also the overall arc you’re planning to tell the season Have you had to compact that at all?

Dick: We’ve been remarkably lucky with COVID. It hasn’t affected the storytelling at all, but you open the door for a gratuitous statement here that, needless to say, I’m thrilled to have Chris back. It’s been a wonderful collaborative relationship with Ilene on this pilot and the show. But the thing that really excites me about the show, and I’m not speaking in progress, what I think is exciting for him is that this is the first “Law & Order” with literally, completely different storytelling. That in a twenty-four-episode season, which next year will be, you should think about the fact that it’s going to be three, eight-episode arcs. And the first third of the season is The Godfather. The second third is American Gangster. And the last third is Scarface. And these villains are going to be really bad guys. That gives Chris a constant source of energy, outrage, belief in justice and a different way of pursuing criminals than we’ve had before. He could always say, in things like this, “What are you going to be doing this year?” And on the mothership, or in Season 3, you could just go and check off your fingers. Now, we’re doing this is a very long, but not too long period to really get inside both your protagonist and your antagonist heads. And I’m not all you have to do is look at the casting and the first episode. And realize this is not episodic casting. We’re shooting for bigger game. And I think it’s gonna be endlessly interesting and the character craft has evolved in subtle ways that are given a lot more than lip service this last week. Just think of the challenge that will be this gentleman was the most pre-Miranda cop on television. And he is come back and the adjustment to the new realities that he well represents I’m very proud of and this is – I’m almost afraid to say it. It’s one of the real reasons that I ebb and wain here is because Ilene is not only an excellent writer, but she has managed to take a very tough character and make him more sympathetic last week than he’s ever been. You ever think you’d see Stabler cry? Anyway, that’s the commercial.

Question: Chris mentioned about literally blowing his family up with Kathy. Talk a little bit about what’s going to happen on the personal side of his life because it looks like that was setting it up for a lot of Stabler and some family interaction and are we going to spend time at home with him?

Ilene: Yeah. This is this is a show that will spend time with Stabler and his family and his life and his emotions. We tell stories. We tell procedural stories. The DNA of the “Law & Order” franchise of “SVU” very much in our show, but we probably will get to know Stabler in a way you’ve never gotten to know him.

Question: Dick and Ilene, there have been crossovers with SVU in the first two episodes. Can you talk about finding the balance of doing that to keep the focus on organized crime?

Dick: Well, I certainly think the second episode…I’m going to turn this over to Ilene, but I would say, the most accurate measure is how often there will be crossovers? And what depth are the Chicago shows? We’re going to do it whenever it gave us both shows a different way to shine. And, obviously, I’m very supportive to the audience and says, “Geez, this is frustrating. Why don’t you just put them both in the same show again?” It’s not exciting. This, to me, is scary, is much more engaging.

Ilene: I’ll take the lead on this. Because it’s a thing that he so intuitively knows how to do. But it’s…I mean, these two shows within the same universe in the same fictional but very grounded universe. And we never forget that those other characters in those other stories exist. And when we tell a story about Stabler in Benson’s (Mariska Hargitay) world or Benson in Stabler’s world, and things happen, that affect their characters, we don’t just forget about it. So, it’s both challenging and tantalizing from the point of view of story writing, to make sure that you keep those things a lot, while the shows have their own identity.

Question: For Ilene and Dick, I’m curious about the choice to use the dead wife as motivation, the trope, at the opening of this show. I know there was some pushback, and some criticism of that aspect.

Dick: Look, I have to tell you, it’s one of the most dramatic. I’ve been doing this for a long time. It’s probably the most dramatic teaser that I can remember on any show, too. I don’t know what. I didn’t see anything that was critical of that storytelling. You can’t please all the people any of the time. It’s not what we do. The only thing we can do is tell stories that if we’re sitting there and it doesn’t compel us, why are we going to think that it’s going to compel and audience? When I thought that was like, “Wow, what a re-intro!”

Ilene: When I joined this project that was already a fait accompli. It was a premise that I was given to work with. And I said, “Wow, this is a great place to start.” I was not in any way put off by it. I was immediately drawn in. When you tell a story like this, when you tell a story about a beloved character, who’s been gone for many years, the first question you ask yourself is why now? And that as a storytelling catalyst is one of the best why nails I could ever think of?

Question: Chris, when you left did you say, “Someday I’ll be back? Or did you say, “No, I’m done with that. I’m over with that.” And then when you were gone, did you watch the shows and and say, “Oh, God, I should be in that.” What was your kind of thinking about all of that?

Chris: My thinking was it was time to go. So, I wasn’t and I don’t tend to look back. So, I didn’t and my journey has been fantastic and very fulfilling. And I must admit, I have maybe watched ten minutes. I’m not much of a TV watcher. So, it wasn’t anything personal. That’s it. Those are the facts, Jack.

Question: Dick, one of the hallmarks of your shows is ripped from the headlines. And it sounds like from what you said earlier that it that this show “Organized Crime” is going to have two levels of ripped from the headlines, the overriding arc of these eight episodes. And the second is the individual episodes. I was wondering between you and Ilene, what headlines are we going to see ripped from the headlines as the show continues?

Dick: I’ve had the same answer for thirty-one years. “Law & Order” is fiction. We make the headline, but not the body copy. And I hate to be abrasive, but this show started off as a story that while we were going to be covering with “Organized Crime,” criminal enterprises that are ongoing, and their headlines…Well, every day in every major newspaper that have some reference point. And the thing that’s fascinating about Wheatley (Dylan McDermott) to me is that he is the old mob and the new mob. And there’s plenty of vaccine right now there wasn’t last week. And I thought that the oldest mob activity that there is or was was hijacked. And here is an opportunity to combine hijacking and COVID. I don’t know how to get it much more ripped from the headlines. But there will be others and Ilene should really be answering. She’s the one inserting the flavor into the sauce. But we never think consciously, “Okay, what’s the headline in this show?” It’s life. It’s what’s going on. It’s zeitgeist. And when there was some discussion, “Gee, how are we gonna handle COVID.” I said, “The show is going to be on by Spring. It’s not going to be gone by then.” And sure enough, it couldn’t have felt more timely, but it is taking up the major share of Americans thinking for the last year. So, I can’t say I was surprised that people found it interesting. But Ilene, what other headlines?

Ilene: Well, what usually happens is, you know, given the template that we’re working on, we come up with a story, we think maybe it’s ludicrous, we hope not. But we run with it. And then the next day, Chris sends me an article that he found, and the thing that we just made up in the writers room, has actually happened. So, I mean, we’re taking our lead from what’s going on in the world and imagining where it might be going. And usually it pans out. And sometimes we feel just the ungainly weight of responsibility for having imagined these things into existence.

Question: A lot of police shows have made adjustments since the events of last year relating to matters like police behavior and brutality, racial justice. I’ve seen it on “SVU.” Hhow much will that enter into here? And how does Elliot as the protagonist did, said pre Miranda cop, how much did that factor in how he has or hasn’t changed over this decade? And how much will that affect him since that could seem like it could be a point of conflict in some ways?

Dick: I will just, again…Obviously, the people inside the company, the showrunners, the producers, we spend a lot of time talking about police behavior. I would put it to that you probably more time than any other non-law enforcement group of people in the country, because it’s what we do every day. And I made a statement when everything erupted in the Spring and early Summer that somebody said, “What are you doing to change?” I said, “We’re doing what we always do, which is listen very carefully, read virtually everything written about this from both sides of the spectrum – from the far left to the far right.” And what I said in the Spring still holds. The shows will speak for themselves. That if you’ve been watching “Chicago PD,” the question is asked and answered. Of course, we deal with what’s going on. But it’s never in a knee jerk way. That “Law & Order” for years that people say “There is no character in it.” And I said, oh, there’s a lot of character if you’re a regular viewer, you know, surprisingly huge personal dossiers on all six of the regulars. But we don’t dole it out with soup labels. We dole it out with Demi tap spoons, because that’s the way life is because nobody gets a job walks in and says, here’s my resume for the last five years. It’s much more interesting that television shows exist on a very different timeframe than movies or books. That a movie exists for 110 minutes. An hour show to be considered successful, the old standard was five seasons. So, a successful drama exists for 110 hours. And we cover a lot of ground in terms of a) trying to be current and b) tell the truth in a sense that people don’t get to hear it. And again, something that I’ve said, we’ve come very close. But the paradigm episode of “Law & Order” or as “SVU” has yet to be written, which is where all six of the regulars are on different sides of the same question. As you hear the arguments, or you hear them discussing every one of them is right. Because life is not black and white, it’s Shades of Grey. And again, coming full circle back to Chris, and I’d like to know what he thinks that I think he’s becoming one of the most complex television stars in the history of the medium because he – you don’t know what he is gonna do now. He is a little less predictable. But he sure has had a play it. When he walked in to the interrogation room and rolled up his sleeves I don’t think that was in the script. It is an instinct, it’s like…I hate to say it, but Peacock says sales are there for sexual display. It’s literally is this big enough? He takes all these rolls up his sleeve 80% of the audience, I am sure thought he was gonna approach the guy. That’s pretty cool.

Question: Chris, we have seen videos and talks about you and the rest of the cast reuniting. But how was it reuniting with the actors who play your kids? And will we see more of them in their background, what they’ve done for the last 10 years? We’ve seen Eli in the second episode, but will we see the rest of the kids and future episodes?

Chris: Yeah, and I’ll give Ilene the lion’s share on this. But I will say what was it like? My son, Dickey was the only original, original from day one “SVU” hits. And then some came on later. And then some were brand new. Some, “Hi, you’re my new daughter. Let’s figure out our history.” It was very sweet and nice. And I think the biggest, the biggest thing to try and overcome was (and it was very sweet), they made me feel like OG – the original gangster – you know, because I’ve been playing and I’ve lived in this world for almost 20 years. And many of them were new to it. So we just had to get to know each other as people. And it was lovely. It was it. I think there’s a lot of ground that’s available to cover.

Ilene: Oh, we certainly will see more of them. Some more than others, but a big part of Stabler’s life now a big part of his story is that he’s now a single father to a 14 year old kid. So, how he manages to balance that with being back in New York and back on the job is going to be in his story. And we did that great thing. Before we started working, we got the whole family together all the kids with Chris and they talked about who they are and where they’ve been and what they’ve been doing and what they do now. And hopefully that will go on with the show.

Question: Chris, fans of course I freaked out seeing Olivia and Elliott back together last week. How does it feel seeing a positive fan reaction to your return ten years and have you and Mariska talked about it since the episodes aired?

Chris: Mariska and I have talked. And the conversation went something basically like this. “Wow. Congratulations. Congratulations to you.” Ah, yeah, it was pretty overwhelming. I think she was expecting it more than I was. You know, because I think she’s still been the she’s been on the “Law & Order” stew. She’s been in that world continuously for the 20 years. I don’t know, I was not prepared. And it’s overwhelming. And it’s wonderful. And it’s very appreciated. And I think this time around I don’t know the pressures off. I feel less pressure than I did when Dick first tasked me with being Elliott Stabler. So, I’m a little freer to appreciate everything. It’s a nice journey.

Here is the audio version of it.

Interview Transcribed by Jamie S.

MORE INFO:

Christopher Meloni, reprising his role as Elliot Stabler, returns to the NYPD to battle organized crime after a devastating personal loss. However, the city and police department have changed dramatically in the decade he’s been away and he must adapt to a criminal justice system in the midst of its own moment of reckoning. Stabler will aim to find absolution and rebuild his life while leading a new elite task force that is taking apart the city’s most powerful criminal syndicates one by one.

NBC’S ‘LAW & ORDER: ORGANIZED CRIME’ HITS THE STREETS THURSDAY, APRIL 1 AS PART OF HISTORIC CROSSOVER WITH ‘LAW & ORDER: SVU’

NBC is reuniting two of the most popular members of the NYPD in TV history with a must-watch April 1 crossover that will serve as the launch of the highly anticipated new Dick Wolf drama, “Law & Order: Organized Crime.”

A two-hour television event set for Thursday, April 1, this crossover between “Law & Order: SVU” (9 p.m.) and “Law & Order: Organized Crime” (10 p.m.) will finally bring back together Olivia Benson and Elliot Stabler, played by Mariska Hargitay and Christopher Meloni.

“LAW & ORDER: ORGANIZED CRIME” (SERIES PREMIERE)
Christopher Meloni, reprising his role as Elliot Stabler, returns to the NYPD to battle organized crime after a devastating personal loss. Stabler will aim to rebuild his life as part of a new elite task force that is taking apart the city’s most powerful criminal syndicates one by one.

The cast features Christopher Meloni, Dylan McDermott and Tamara Taylor.

“Law & Order: Organized Crime”was created by Dick Wolf, who will executive produce along with Ilene Chaiken, Terry Miller, Fred Berner, Arthur W. Forney and Peter Jankowski.

The series is produced by Wolf Entertainment and Universal Television, a division of Universal Studio Group.

Christopher Meloni

Elliot Stabler, “Law & Order: Organized Crime”

LAW & ORDER: ORGANIZED CRIME -- Season: 1 -- Pictured: Chris Meloni as Detective Elliot Stabler -- (Photo by: Virginia Sherwood/NBC)
Christopher Meloni returns to his iconic character, Elliot Stabler, in the new NBC drama series “Law & Order: Organized Crime.”

Meloni was last seen starring on the Hulu British comedy “Maxxx.”

Meloni starred in SYFY’s dark comedy “Happy!” based on Grant Morrison and Darick Robertson’s graphic novel. In addition to his starring role as Nick Sax, he directed an episode as well as executive produced the series. Meloni also co-starred in the third season of the critically acclaimed Hulu series “The Handmaid’s Tale” as Commander Winslow, a powerful and magnetic commander who hosts the Waterfords on an important trip.

Meloni had a guest arc on the breakout FX series “Pose,” from Ryan Murphy and Brad Falchuk. He also appeared in the landmark historical series “Underground,” executive produced by John Legend, and directed an episode.

Following his breakout role on “NYPD Blue,” Meloni was cast in HBO’s gritty prison drama “Oz” and then moved on to “Law & Order: SVU,” where he received an Emmy Award nomination for Outstanding Lead Actor in a Drama Series. Following his 12 seasons on “SVU,” Meloni returned to HBO in Alan Ball’s wildly popular drama “True Blood” and the Julie Louis-Dreyfus-starrer “Veep.”

On the film side, Meloni’s credits include “Diary of a Teenage Girl,” “White Bird in a Blizzard,” “Sin City: A Dame to Kill For,” “Man of Steel,” “42,” “They Came Together,” the Terry Gilliam films “Fear and Loathing in Las Vegas” and “Twelve Monkeys,” “Bound,” “Runaway Bride,”  “Nights in Rodanthe,” and the cult favorites “Wet Hot American Summer,” “Harold & Kumar Go to White Castle” and its first sequel, “Harold & Kumar Escape from Guantanamo Bay.”

Dick Wolf

Executive Producer, “Chicago Med”; Executive Producer, “Chicago Fire”; Executive Producer, “Chicago P.D.”; Executive Producer, “Law & Order: Special Victims Unit”; “Law & Order: Organized Crime”; Executive Producer, “FBI”; Executive Producer, “FBI: Most Wanted”; Executive Producer, “Murder for Hire”; Executive Producer, “Cold Justice”

Dick Wolf, a two-time Emmy Award winner (13-time Emmy nominated), Grammy Award winner and New York Times best-selling author, is one of television’s most respected drama series creator/producers and the architect of one of the most successful brands in the history of television – “Law & Order.”

He serves as creator and executive producer of all of the “Law & Order”- branded series from Wolf Entertainment and Universal Television, including “Law & Order: Special Victims Unit,” which made television history which is beginning its 22nd season and is the longest-running live action primetime series in the history of television (surpassing “Gunsmoke” and “Law & Order,” both of which ran for 20 seasons). Wolf has extended his branding expertise to the Windy City, with his Chicago-based NBC series: “Chicago Fire” (season nine); “Chicago P.D.” (season eight) and “Chicago Med” (season six), with all three series receiving three-year pick-ups. Wolf’s CBS brand, “FBI,” which was the network’s top-rated new drama series for the 2018-19 television season, continued its stellar performance in season two and is now poised for season three. The success of “FBI” has spawned the spinoff “FBI Most Wanted,” which consistently wins its time period and has been renewed for season two.

Wolf’s seventh broadcast series is “Law & Order: Organized Crime,” which premieres on NBC in early 2021 and showcases the return of former “SVU” detective Elliot Stabler. In addition, NBC’s new streaming service Peacock, which launched in July 2020, announced an unprecedented deal for Wolf’s “Law & Order” and “Chicago” branded series.

Wolf has also expanded into non-fiction as executive producer of Oxygen’s critically acclaimed “Murder for Hire,” “Cold Justice” and “Criminal Confessions.” He also executive produced USA’s docuseries “Inside the FBI: New York,” the successful A&E series “Nightwatch” and its spinoffs, and Fox’s “First Responders Live.” Wolf Entertainment has also expanded into audio content with the successful debut of the podcast “Hunted,” in conjunction with Endeavor Audio and executive produced by Elliot Wolf.

Wolf’s company also produced two award-winning documentaries. “Twin Towers” is the 2003 Academy Award-winning documentary short about two brothers – one a policeman and the other a fireman – who lost their lives in the line of duty on Sept. 11. “When You’re Strange” is the Emmy-nominated documentary about the 1960s group The Doors, which won a Grammy Award for Outstanding Longform Video in 2011.

In 2007, Wolf executive produced (with Tom Thayer) the critically acclaimed HBO original movie “Bury My Heart at Wounded Knee,” which won six Emmy Awards, including Outstanding Made for Television Movie. The film tells the tragic and powerful story of the subjugation and cultural extermination of the Native American, and garnered a record 17 Emmy nominations, the most of the 2006-07 television season. The film also received the prestigious Broadcast Film Critics Association’s Critic’s Choice Award for Best Picture Made for Television. Wolf and Thayer have teamed up again with the high-profile limited series “American Babylon,” which is in development at Showtime.

Wolf’s debut novel, “The Intercept,” was a New York Times bestselling thriller about Jeremy Fisk, a new kind of hero for a new kind of enemy. His follow up book, “The Execution,” debuted in 2014 and, like its predecessor, was both popular and critically acclaimed. “The Ultimatum,” the third installment of the series, was released in 2015 from HarperCollins.

Wolf’s “Law & Order”-branded series continue to rewrite the annals of television history. “Law & Order” earned 11 consecutive Outstanding Drama Series Emmy nominations – the record for most consecutive series Emmy nominations in the history of television (tied with “Cheers” and “M*A*S*H”) – and won the coveted Emmy in that category in 1997. Additional accolades “Law & Order” has garnered include the highly coveted Peabody Award; multiple Emmys; the Crystal Apple Award from New York City’s Mayor’s Office of Film, Theater and Broadcasting; the Writer’s Guild Award for Television; and numerous other high-ranking tributes.

“Law & Order: Special Victims Unit,” which has received a three-year pick up from NBC, has been one of the network’s top performers. Mariska Hargitay, who plays Det. Olivia Benson, has received seven Emmy nominations for Lead Actress in a Drama Series, winning in 2006. The show has earned five Emmys for Outstanding Guest Actress in a Drama Series. Wolf, “SVU” and Hargitay, through her Joyful Heart Foundation, have used the show’s platform to make groundbreaking changes in the way sexual assault is prosecuted and reported.

“Law & Order: Criminal Intent” completed its critically acclaimed and successful 10-year run on NBC and USA Network in 2011. Other “Law & Order”-branded series include “Law & Order: True Crime: The Menendez Murders,” “Law & Order: Los Angeles,” “Law & Order: “Trial By Jury,” “Crime & Punishment” and “Exiled: A Law & Order Movie.”

Wolf Entertainment’s feature arm will be producing “77” for Paramount, directed by Jared Leto and based on an original screenplay by James Ellroy. Wolf also produced, with Fortress Films, the psychological thriller “The Super,” written by John J. McLaughlin (“Black Swan”) and starring Patrick Flueger (“Chicago P.D.”), which was distributed by Saban and premiered in 2018. Wolf also wrote the screenplay for the hit Paramount release “School Ties,” was writer and executive producer of “Masquerade,” and writer and producer of “No Man’s Land.”

His personal accolades include the Television Academy Hall of Fame (inducted 2013); the International Academy of Television Arts & Sciences’ Lifetime Achievement Award; the Producers Guild of America’s Norman Lear Showmanship Award; the DGA Honors; the Governor’s Award by the New York Chapter of the National Academy of Television Arts & Sciences; the Achievement Award from the Caucus for Producers, Writers, and Directors; the Television Showman of the Year Award from the Publicist’s Guild of America; the Monte Carlo Television Festival Gold Nymph Award; the Award of Excellence from the Banff Television Festival; NATPE’s Brandon Tartikoff Award; accolades from the Saban Clinic; and the Alliance for Children’s Rights. On March 29, 2007, Wolf received a star on Hollywood’s world famous Walk of Fame.

Wolf is also an Honorary Consul of Monaco and is actively involved in the principality’s annual Monte Carlo Television Festival and is its primary liaison with the entertainment community. He is also the founder and benefactor (with Marcy Carsey) of the Carsey-Wolf Center for Media at the University of California, Santa Barbara, as well as numerous philanthropic endeavors, including MOXI, the Wolf Museum of Exploration and Innovation, chairman of the board of Bellosguardo, Trustee of the Paley Center for Media, the Alliance for Children’s Rights and the Princess Grace Foundation and, through his Wolf Family Foundation, endowed the new Wolf Theatre at the Television Academy.

Ilene Chaiken

Executive Producer, “Law & Order: Organized Crime”

Ilene Chaiken serves as executive producer and showrunner for NBC’s new drama series “Law & Order: Organized Crime.

Best known for creating the Showtime series “The L Word,” Chaiken received an Emmy, among many other awards, for Hulu’s “The Handmaid’s Tale.” She was the showrunner for the first four seasons of the Golden Globe-nominated Fox series “Empire” and currently serves as executive producer of “The L Word” sequel, “The L Word: Generation Q,” which has been renewed for a second season on Showtime.

Prior to that, Chaiken produced the docu-dramas “The Real L Word” and “The Real L Word Mississippi” for Showtime, which won the GLAAD Media Award for Outstanding Documentary.  She also executive produced pilots for Jerry Bruckheimer, McG and Joel Silver, and served as showrunner of the ABC drama series “Black Box.”

Hailing from Elkins Park, Penn., Chaiken resides in Los Angeles with her wife, LouAnne Brickhouse, and is the mother of two daughters, Augusta and Tallulah Hood. She serves as a member of the Rhode Island School of Design Board of Trustees.

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

Law & Order: Organized Crime poster