Interview with Hamza Haq

TV Interview!

TRANSPLANT — “Locked” Episode 211 — Pictured: (l-r) Hamza Haq as Dr. Bashir “Bash” Hamed, Nora Guerch as Rania — (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)

Interview with Hamza Haq of “Transplant” on NBC by Suzanne 7/12/22

This was my third interview with Hamza, and I look forward to doing more. He is always so nice in our interviews. You should be watching his show, “Transplant,” if you’re not already. It’s an excellent series and won two Gemini awards this past season (The Canadian equivalent to the Emmys). I’m really looking forward to season 3. Don’t miss this week’s exciting cliffhanger! It’s a doozy.

Here’s the transcript of our interview. It’s not completely edited yet, so check back!

TRANSPLANT — “Free For What” Episode 213 — Pictured: (l-r) Hamza Haq as Dr. Bashir “Bash” Hamed, Sirena Gulamgaus as Amira Hamed — (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)Suzanne: How are you today?

Hamza: I’m doing well. How are you?

Suzanne: I’m alright. I’m kind of awake. kind of awake.

Hamza: That’s good. Where are you in the world?

Suzanne: I’m in a little town in southern Arkansas, so I’m in the central time zone and, I just didn’t sleep well last night.

Hamza: So I’ve. And so good hands up if you can’t sleep well.

Suzanne: Yeah, with me, it’s just allergies

Hamza: has their videos off. I know they put their hands up too, so don’t

Suzanne: yeah, that’s right. That’s right. So, oh, I like your necklace.

Hamza: Thank you. It’s prayer beads from the motherland that my mom got for me.

Suzanne: Oh, nice. Nice.

Hamza: so, Africa anyway.

Suzanne: Oh, cool. Cool. So you’re all decked out today.

Hamza: had a photo shoot. Luckily enough. They were just like, Hey, let’s schedule some interviews. I’m like, great. I’ll do so. Let’s do it all at once.

Suzanne: Yeah, no, you look good. so, congratulations on getting a third season in Canada.

Hamza: Thank you. Thank you so much.

Suzanne: I hope that NBC picks it up again too. I have a good feeling about it and my fingers are crossed for you.

Hamza: Thank you. Thank you so much.

Suzanne: And have you shot the third season yet, or started shooting it?

Hamza: We’re shooting it currently. yeah, we’re in, we’re in production. We’re filming episodes eight and nine of, of 13. And, we’re gonna go. Or probably to, towards the end of October.

Suzanne: Wow. Okay, good. Bash has been going through a lot of, PTSD still this season and maybe some survivors guilt based on what we saw. can you speak about that?

Hamza: Yeah, I mean this, you know, this season, you know, last season we focused on his trouble. Concile. the death of his parents and, you know, therapy never ends. So like now he’s, he’s coming to terms with, with, the time he spent in captivity, in, in, in Syria when he was captured by the regime soldiers and, is haunted by the presence of, or the, or the specter of the man who was, locked Alongside him. And, and yeah, like that’s, that was. You know, it was a, a, a story point that was difficult to, to film, to, to attain. But, you know, we’re, we’re so grateful that, that, everybody who lent their voices, to, You know, to tell that story were so generous and, and brave with, with, with everything that happened in there, with all of their experience surrounding, captivity and all of that, you know, hopefully we did justice, the story, the man who plays Omar in the Mo in the, in the show as Ahman Mary, who is, you know, who’s a, you know, he’s, he’s now he was a consultant. he’s from Syria. He fled as well. And. he’s now a, a writer on season three, so we’re, you know, we’re extremely lucky to have him. He’s a tremendously gifted artist and, and just a all around good dude.

Suzanne: Oh, wow. That’s great. That’s great.

Hamza: Yeah.

Suzanne: And last time you and I spoke, we talked about this possible romance with Mags, and in the second half of the season, you two grow closer and we see how that works out in the last episode. Are you glad that the writers took it very slow?

Hamza: I think, you know, it’s, we, we needed time to, to get to know these people and, and to build their relationship. and, it’s You know, whichever, whichever way it’s gonna go after this season. I think, I think if there wasn’t a little bit of tension or a little bit of anticipation, or, you know, that that’s how that’s really how life works, you know, it, it has to build up like that. They’re both going through such, different things individually that, that, that, you know, the timing worked. As it was meant to. So, I, I don’t, I don’t necessarily think the writers, deliberately took it slow. I just think that this was the natural evolution of, of the characters and it was, you know, him showing up at her doorstep at the end of it, was just, about time.

Suzanne: Right. And, I’m thinking it could be a triangle or more. I think Dr. NOK might be interested in her, judging from the interaction. Little interaction they had. And, I’m thinking maybe RO could return change her mind next season, and then we’ve got a quadrangle. What do you, what do you think about that?

Hamza: We’ll see? that’s all I can say about that.

Suzanne: Well, right. it seems like most of what we’ve seen about your character was about him being a refugee, a brother, and a doctor. Very little about actually being Muslim. Do you think we’ll see more about that?

Hamza: I hope so. I, I, and I don’t think, you know, I don’t think we need to, we need to be seeing him praying all the time or, you know, speaking, you know, speaking the language, like saying aah and Ella and all of these things. I think, you know, the fact that we acknowledge it, that it’s, you know, it’s peripheral in his life and it’s sort of. Everything he does, he’s doing as a Muslim. So I, I, you know, I even beg to differ that, you know, even him being a doctor, him being a brother and him being a refugee, he’s doing all of those things as a Muslim. And, I think it’s important to know that it’s, it’s, it’s a part of everything that he does. just because it’s not on display, all the time. Like even when. You know, even when he’s doing things that aren’t Islamic, you know, like when he’s, you know, hooking up with a social worker and in season one or he’s, you know, saving lives or when he is, you know, all of those things are him doing it as a Muslim. And, you know, so I think, I think that’s a, that’s an important focal point. Just because we’re not seeing it all the time. Doesn’t change the facts that he is, you know?

Suzanne: Right. I forgot about the social worker. Thank you. Now this might seem unrelated, but it’s, it’s kind of got a point. Have you watched any of the show, Ms. Marvel, or are you aware of it?

Hamza: I am aware of it. I’ve seen the, I’ve seen the first episode. and, I know I want to, like, as soon as I watch the first episode, I’m just like, I am tired of waiting a week, so I need to finish watch it. but I’ve seen the first episode. I thought it was terrific. Yeah. Yeah, they do. They do a good job of there.

Suzanne: I, I, you know, I, I only mentioned it since she’s Pakistani and I know. So wanted to make sure you knew about that really great show.

Hamza: Great. Shout, shout out, shout out to, to my boy saga who’s on that show as well. He plays the brother he plays on, on the show, so.

Suzanne: Oh, good.

Hamza: Yeah.

Suzanne: And is there anything else you can tell us about what might happen in third season? Any, anything at all?

Hamza: You know, we’ll we see, We see a different version of, of, of Bash than, than we’ve seen in, in the past, you know, with this, with this contract that, that Bishop is able to, secure for him. there’s a bit more, confidence and arrogance that he can exude because he’s. Obviously he thinks very highly of himself as a doctor, and considered himself highly capable, but there’s always been this like protocol thing where you can’t prove it or, you know, it’s one more, one wrong move and you’re out kind of thing. And, and I think without that, tension or that pressure that’s being put on him, I think he’s, he’s able to flourish and, and flex his chops more as, as an individual, for better or for worse. So, you know, as far as Bash’s storyline is concerned, I think, I think we’ll see a different version of him, than, than, than what you, what you’ve seen before. Yeah.

Suzanne: I like the way they lightened him up more in the last couple of episodes and made him

Hamza: Yeah.

Suzanne: Gave him a way to sort of move forward. That was, that was well done. and do you have any other projects that you’ve been doing when you’re not shooting or promoting Transplant that you can tell us about?

Hamza: Yeah. In between season two and, Between season two and, three, I, I did two independent films, so I did my first French Canadian film by director Stephan Lale. It’s a project called Viking. And, and then I did, another feature directed by Kim Albright, starring Adam McGuire. it’s called with love and a major organ. they’re both kind of dark comedies, substantially different from transplant and, yeah, they, they were both a lot of fun and, you know, I’m sure they’re gearing up to do the, the festival circuit or something like that, in the, in the near future. So yeah, keeping an eye in an ear out for those two.

Suzanne: And is the French Canadian one in French or French and English or

Hamza: It’s it’s in, it’s in predominantly French. I speak French in the middle.

Suzanne: I was gonna say, you speak French. That’s great. How many languages do you speak? Quite a few, right?

Hamza: Like three-ish plus minus, you know what I mean? Like Urdu, English, and French. And then, you know, like technically Hindi, like if you wanna say that, like, you know, nobody really speaks Urdo anymore. Nobody really speaks Hindi anymore. We sort of kind of speak this like amalgamated, you know, Bollywood language that is kind of simplest versions of both those languages into one. Hamza: So, so yeah, Yeah. So three-ish, I don’t speak Arabic. Make sure you write that down. I learn it for the show. I can understand if they’re, you know, same root languages, but, but yeah, I don’t, I, I don’t speak that.
Suzanne: Okay. Well, great. I appreciate you talking to me so much today and, of course, hopefully there will be another one in the future. This is our third meeting. We’re like buddies now.

Hamza: Yeah, we’re homies now.



TRANSPLANT -- Season 2 -- Pictured: Hamza Haq as Bashir Hamed -- (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)

“Transplant” follows the story of Dr. Bashir “Bash” Hamed (Hamza Haq), a talented doctor and Syrian refugee, who fled his war-torn country with his younger sister, Amira (Sirena Gulamgaus), for a fresh start in Canada. After a truck crashes into the restaurant where he’s been working, Bash earns the chance to practice medicine again by using his field-honed skills to save multiple lives in brilliant fashion, including that of Dr. Jed Bishop (John Hannah), the Chief of Emergency Medicine at York Memorial Hospital in Toronto.

But Bash is told he’ll need to redo his residency in Emergency Medicine from the bottom and despite his obvious talents intuition, and training, starting over is not an easy road and his life experience is not a perfect match for the strict protocols at York Memorial. Through perseverance he makes inroads, developing camaraderie with his new colleagues, including the driven Dr. Magalie “Mags” LeBlanc (Laurence Leboeuf), the reserved and ambitious surgical resident Dr. June Curtis (Ayisha Issa), easy-going pediatric ER physician Dr. Theo Hunter (Jim Watson), head nurse Claire Malone (Torri Higginson) and even earning the respect of Dr. Wendy Atwater (Linda E. Smith), the department’s second-in-command who runs a very tight ship.

Jed Bishop (John Hannah), the team’s demanding, inscrutable boss, looms large and keeps everyone on their toes with a unique compassion and commitment to his staff that also connects them.

Season two picks up with Bash and his fellow residents reeling after Dr. Bishop suffers a stroke. With everything at the hospital destabilized, the place that Bash had started to consider home suddenly feels precarious. As the team adjusts to new colleagues while dealing with the challenges of life, unexpected faces from the past leave Bash seriously doubting whether his transplant into this new world was successful.

Bash’s hard work, compassion and hopefulness tell a universal story about the human ability to not only survive, but ultimately thrive when our lives suddenly change course.

Creator Joseph Kay returns as showrunner and executive producer. Director Stefan Pleszczynski joins as executive producer and will direct six episodes. Additional executive producers include Bruno Dubé, Jocelyn Deschênes, Virginia Rankin, Tara Woodbury, Josée Vallée and Adam Barken.

“Transplant” is produced by Sphere Media in association with CTV and Universal International Studios, a division of Universal Studio Group.

Please visit the official show site at:

For the latest “Transplant” news, videos, and photos, please like us on Facebook and follow us on Twitter and Instagram: #Transplant

Hamza Haq stars as Bashir “Bash” Hamed in NBC’s “Transplant,” a trained ER doctor who fled his native Syria to come to Canada. He must overcome numerous obstacles to resume his career in the high-stakes world of emergency medicine.

A Canadian Screen Award winner for Best Lead Actor in a Drama Series (2021), Haq was also honored as one of Canada’s Rising Stars by the Hollywood Reporter in 2017.

In 2018, Haq appeared alongside William Shatner and Russell Peters as twins Amal and Gopal in the CTV miniseries “Indian Detective,” and earned critical acclaim in the CBC drama “This Life,” for which he earned a 2018 Canadian Screen Award nomination for Best Guest Performance. Other notable credits include recurring roles on the Cinemax series “Jett”
opposite Carla Gugino; “Quantico,” starring Priyanka Chopra; and “The Art of More,” with Dennis Quaid and Kate Bosworth.

Additional television credits include “Designated Survivor,” “The Bold Type,” “Being Human” and “Best Laid Plans.” He hosted two seasons of the International Emmy Award-nominated children’s series “Look Kool” and plays Jassie on the CBC Gem digital original drama “The 410.” On the big screen, Haq has appeared in “Bon Cop,” “Bad Cop 2” with Colm Feore, “The Death” and “Life of John F. Donovan” directed by Xavier Dolan, Darren Aronofsky’s “Mother!” and “Run This Town,” detailing the turbulent final year of Rob Ford’s tenure as the mayor of Toronto. He also had a role in “My Salinger Year,” which opened the 70th Berlin International Film Festival in 2020.

Haq is a 2020 recipient of RBC’s Top 25 Canadian Immigrants Award and recently partnered with the Canada Media Fund’s Made | Nous campaign as ambassador to celebrate Islamic History Month. He spoke at the 2021 TEDx Toronto Fall digital event series “Uncharted,” using his public platform to speak on issues important to him, including refugees’ rights, racial
injustice and combating stereotypes, and was honored as Playback’s Breakout Star of the Year.

Raised in Ottawa, Haq is youngest of four siblings born in Saudi Arabia to Pakistani parents and has called Canada home for almost 20 years. He holds a bachelor of arts in film studies with a minor in law from Carleton University.

SciFiVision Interview with Hamza Haq 7/16/22

John Hannah and Hamza Haq of “Transplant” on NBC 3/1/22

Hamza Haq of “Transplant” on NBC 10/9/20

Proofread and Edited by Brenda

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TRANSPLANT — “Free For What” Episode 213 — Pictured: (l-r) Hamza Haq as Dr. Bashir “Bash” Hamed, Fayçal Azzouz as Khaled — (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)

Interview with Ryan Eggold and Jocko Sims

TV Interview!

Ryan Eggold and Jocko Sims of “New Amsterdam” on NBC

Interview with Ryan Eggold and Jocko Sims of “New Amsterdam” on NBC by Suzanne 3/23/21

These guys were very nice and interesting to listen to during our press junket. They’re clearly enthusiastic not only about their jobs, but about life in general. They have a lot of compassion for what we’re all going through this past year. I hope you enjoy the interview!


Transcript below!

Jocko Simms and Ryan Eggold of "New Amsterdam" on NBC

Question:   So, congratulations, guys, the season’s been fantastic. So far, a lot of drama, as expected on the show, but tell me, you guys are shooting in the middle of the pandemic, and you’re telling stories of the pandemic. Is there anything new that you discovered, Ryan and Jocko, in the process about the pandemic as first responders that you weren’t aware of, and how did that move you?

Ryan:  Well, for me, I think just in the process of imagining what this experience must have been like to be a frontline worker and be inundated with patience and overwhelmed, and the system being overwhelmed not having enough supplies, not having enough masks, not knowing exactly how to treat this virus, trying every day to figure out what’s the best treatment, and wrap your head around this thing, and just in the process of having to imagine that and having makeup, you know, put the lines on and sort of try to embody that emotional experience, it just makes you think about the reality of it and the incredible sacrifices made, the incredible amount of work and dedication and sleepless nights that this must have been for so many frontline workers. It just doubled my respect for them, which was already enormous, but, yeah, just an incredible feat of heroism on a daily basis, really, and here Jocko and I are getting to sort of pose as these amazing figures, but it’s really incredible what they’ve done.

Jocko:  And for me, much the same. You know, we have our frontline workers that we actually work with on set, and we were able to keep in touch with them throughout all of this horrible process. After a while, you start to become numb to all of the news and everything you see, but, for me, what was interesting is seeing that first episode of this season, that first…five minutes. It was, in a sense, a reset and another eye opening experience for me, down to the details. I remember seeing [Janet Montgomery] on set, when they had the red marks from the makeup on her face, and I went, “What’s that for?” They said, “From the mask.” And as small as that was, it kind of just was heavy on me to realize how many hours per day that the frontline workers had to wear the masks to protect themselves as they risked their lives to save our lives. So, it was quite impactful once the show got started, and I was able to see that in a different light.

Suzanne:   Hi, guys, thanks for coming here today.

Ryan:  Hey, of course.

Suzanne:   I just was taking some classes last year and one of the guys in class — he’s a huge, huge fan of your show. He’s guy in his 20s, so getting all the demographics there.

Ryan:  That’s awesome.

Suzanne:   Yeah, I’m behind on the show a little bit. So, I asked some of your fans on Facebook, and Missy wants to ask Ryan, do you have a particular person you use for inspiration in this role?

Ryan:  Certainly. I mean, perhaps it sounds a little obvious, but the role is based on Eric Manheimer, who Jocko knows as well, who wrote this book about his experience at Bellevue and is an amazing guy. He’s very forward thinking, very friendly, very down to earth, very human, very warm. He always wanted to be in touch with the patients, in touch with the other doctors. He didn’t want to sit upstairs behind some desk and make calls. He wanted to get out there and wear scrubs and say, “I’m here. I’m a doctor. Even though I’m the medical director, I’m not just a bureaucrat; I want to roll my sleeves up.” So, [I had] many, many interesting conversations with him about his views on health care and a lot of the red tape that he’s had to go through to get patients care. Sometimes things sort of seem obvious, but there’s so much in the way, and I think that’s really what our shows has become about. It’s about, how do we cut through all that junk and actually get people cared for and help in a real way? So, he’s definitely a big inspiration.

Suzanne:   Okay. Yeah, your signature line there, “How can I help?” that’s pretty much everything in a nutshell, right?

Ryan:  That’s right.

Suzanne:   And, Jocko, what has been the most interesting story that you’ve had to film that you’ve liked?

Jocko:  Oh, my goodness, that’s a tough one. I think I would say the most impactful for me have been Episode Four, I think, of season two and Episode Six of season two that were centered on the health of African Americans. Particularly, because, historically, many of us tend to not be favorable towards the healthcare and healthcare system for many obvious reasons that we’ve been able to learn about. So, those episodes were great. I got to go to Atlanta and speak at Morehouse College, the Medical College there, and show an episode. Ryan, it was a great episode with you with the guys out there playing basketball in a barber shop. It was great to bring that quirkiness in there, and they just really, really responded well to it. But any episode that sort of impacts my community, and any community, for that matter, is the one that’s memorable for me.

Question:   …Your show this year, more so than many other shows, really leaned into the pandemic and showed all sides of it, and, you know, a lot of the sort of horror of it. Were you concerned at all about doing that? Because there’re some people that are looking at television as escapism right now, and they don’t want to see it, but I will tell you, I have heard from viewers that they really like it.

Ryan:  Yeah, I think that’s a great question, and I think that was the question that David Schulner and Peter Horton were asking themselves and everyone who’s writing and making this show, you know, “How sick of it are people?” How much do they want to share that experience? I think, ultimately, our show is trying to tap into, you know, as Jocko was just saying, some of the realities of healthcare and some of the social issues that lead people to the hospital, some of the inequities, all these things. And I think, in an effort to keep the show honest, we had to reflect this experience that we’ve all been living through, and obviously the incredible hard work of our frontline workers, but the toll that it’s taken on them, on the patients, on the hospital system, on everyone. I think, ultimately, we’ve made a real effort to even find moments of humor and moments of joy and moments of lightness amidst that, because in any tragic, difficult situation, you have to. So, I think it’s about finding that balance, and, I think, at least when I watch it, as a viewer, I find myself appreciating sort of sharing that experience, relating to that experience of something that I’ve been through. You know, I, like everyone else, was in quarantine for months and months and months, wondering what the heck’s going on, and I even had this thing months and months ago. So, I think, ultimately, you got to be honest and try to try to relate that experience to everybody and connect in that way.

Question:   Did it take a toll on you guys playing that role?

Jocko:  For me, my character, he says in Episode One or Two of the season that he only experienced three deaths at his hospital in San Francisco, and much the same, I wasn’t a part of that opening montage. I haven’t dealt a whole lot with COVID, but kudos to the writers, to David Schulner and our wonderful writing staff, for number one, being able to have the foresight and the knowledge to know exactly where to put that needle. Because they wrote this so long ago, by the time we were airing, I mean, I think that we originally thought or planned that we would be airing sometime in October and November and it turned into March, so kudos to them for not hitting people over the head with a pandemic. Because we’re still dealing with so many different issues, as Ryan mentioned, and we have a lot more to cover as the season progresses.

Question:   Did it change your your process as an actor? I mean, I know, there were a lot of precautions on set and that kind of thing, but I just wondered if any of this changed your process internally?

Ryan:  I don’t know about you, Jocko. I don’t think it changed my process in terms of how I approach the material that the writers have written and interpret that and then try to tell that story, but it did make me ask questions of some of the folks on our set who are frontline workers, or talk to my sister who’s a nurse, or Eric manheimer, who our show is based on, just the real people who’ve really been doing it and just try to pay homage to that in a way that is authentic and fairly reflects that expat experience. So, I think there was an authenticity that – I don’t want to speak for Jocko, but that we all were aiming for and still are aiming for. And I think in terms of process, it just involves talking to the real folks and getting their real thoughts and their real experiences. Then, of course, I think incorporating our own experience with isolation, quarantine, the emotional toll, all that stuff, we’ve all been living that. So, that’s all there.

Question:   And how about you Jocko?

Jocko:  Much the same. I echo what he said on that. It didn’t much effect my approach. I was happy to be back and get back, and even in the fun moments, the light moments, I’m picturing the audience seeing these things, and I’m like, “I know it’s gonna lift a lot of people’s spirits out there.” So, [I’m] just excited to be back and doing what we do.

Interview Transcribed by Jamie of


Ryan Eggold

Dr. Max Goodwin, “New Amsterdam”

NEW AMSTERDAM -- Season:3 -- Pictured: Ryan Eggold as Dr. Max Goodwin -- (Photo by: Virginia Sherwood/NBC)
Ryan Eggold stars as rebellious medical director Dr. Max Goodwin on the NBC hit drama “New Amsterdam.”

Eggold is also known to many for his role as Tom Keen on the NBC drama “The Blacklist.” His other television credits include the A&E miniseries “Sons of Liberty,” FX’s “Dirt” and HBO’s “Entourage.”

Eggold recently stepped behind the camera to write, direct, produce and compose the film “Literally Right Before Aaron,” which premiered at the Tribeca Film Festival and was originally based on Eggold’s award-winning 2011 short of the same name. The film follows a young man who attends the wedding of his ex-girlfriend. Cobie Smulders, Justin Long, John Cho and Kristen Schaal star.

On the big screen, Eggold played a supporting role in Spike Lee’s award-winning “BlacKKKlansman.” He can next be seen in Eliza Hittman’s new drama “Never Rarely Sometimes Always,” which screened at the 2020 Sundance Film Festival. Other film credits include So Yong Kim’s “Lovesong,” opposite Riley Keough and Jena Malone; Gabriele Muccino’s “Fathers and Daughters,” opposite Amanda Seyfried and Aaron Paul; Tyler Perry’s “The Single Moms Club;” Megan Griffiths’ “Lucky Them,” opposite Toni Collette and Thomas Hayden Church; “The Disappearance of Eleanor Rigby,” with Jessica Chastain and James McAvoy; and Chris Lowell’s directorial debut “Beside Still Waters.”

On stage, Eggold starred in a revival of Arthur Miller’s “All My Sons,” opposite Alec Baldwin and Laurie Metcalf, at the John Drew Theater at Guild Hall in East Hampton, N.Y.

Born and raised in Southern California, Eggold is a graduate of USC’s theater program. When he’s not acting, he plays in his band as a musician and singer. He’s looking to turn his attention to writing and directing more content in the near future.

Jocko Sims

NEW AMSTERDAM -- Season:3 -- Pictured: Jocko Sims as Dr. Floyd Reynolds -- (Photo by: Virginia Sherwood/NBC)

Dr. Floyd Reynolds, “New Amsterdam”

Jocko Sims stars as Dr. Floyd Reynolds on the NBC drama “New Amsterdam.”

Sims is an actor, writer and producer with roles in numerous film and television projects, including “Dreamgirls,” “Jarhead” and 2014’s summer box office hit “Dawn of the Planet of the Apes.”

Sims’ first series was a lead role opposite Dennis Hopper in the Starz original series “Crash.” For five seasons he starred as Lt. Carlton Burk in the TNT network hit “The Last Ship.” Sims portrayed Robert Franklin during Showtime’s second season of “Masters of Sex” and he has recurred and/or guest-starred on several television series, including “Grey’s Anatomy,” “Franklin & Bash,” “Castle,” “NCIS,” “Burn Notice,” “CSI,” “Bones” and Showtime’s “I’m Dying Up Here.”

As a writer and producer, Sims is currently developing a comedy movie with producers Jamie Neese and Jason Neese (“Umbrella Academy” and “Dear White People”) and has various TV series in development as well. His hobbies include producing music and managing music artists, and he loves cooking as demonstrated on “Home and Family” and “The Steve Harvey Show.”

Originally hailing from Texas, Sims graduated from UCLA with a B.A. in theater. He currently resides in New York.

Medical director Dr. Max Goodwin is committed to solving systemic health care issues at the hospital. Add in the grieving of his wife’s death, his responsibilities as a single father and his cancer still lingering in the rear-view mirror, everyone around Max must wonder how long he can sustain this impossible load. But “How can I help?” is not just Max’s catchphrase, it’s his reason for living. As long as he’s helping others, Max is able to find hope in the most hopeless of places.

While navigating their own personal journeys – Sharpe’s career shifts, Bloom’s reuniting with her mother, Reynolds’ departure, Frome’s struggle with body image and Kapoor’s upcoming grandchild – the doctors also strive to play out Max’s “How can I help?” mantra.

“New Amsterdam” is inspired by Dr. Eric Manheimer’s memoir “Twelve Patients: Life and Death at Bellevue Hospital” and his 15 years as medical director at the hospital.

The cast includes Ryan Eggold, Janet Montgomery, Freema Agyeman and Jocko Sims, with Tyler Labine and Anupam Kher.

David Schulner and Peter Horton executive produce along with Michael Slovis, David Foster, Aaron Ginsburg and Shaun Cassidy. “New Amsterdam” is produced by Universal Television, a division of Universal Studio Group, Pico Creek Productions and Mount Moriah.

Proofread and Edited by Brenda

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Ryan Eggold and Jocko Sims of “New Amsterdam” on NBC