Interview with Trent Dawson of “As The World Turns” on CBS by Suzanne 8/5/24
I really enjoyed this interview with Trent. I just loved his character on “As The World Turns,” where he played Henry Coleman. You may have also seen him in “The Marvelous Miss Maisel,” “General Hospital,” or in one of his guest-starring roles. He’s an amazing actor, and now he’s also a producer, director and so much more with his Katonah Classic Stage (NY regional theater). Besides producing two plays a year, his group also puts on a film festival in the summer; this year’s is tomorrow, August 10 in Katonah (in Westchester, near New York). This season’s play, “A Case for the Existence of God” premieres in October.
If you can make it to his film festival or his plays, you can buy tickets here. Otherwise, if you can support the upcoming theater season by donating to his theater, please do so. I hope you enjoy our chat!
Trent Dawson is an actor, director and writer based in New York. His acting highlights include Broadway (The Herbal Bed), Off Broadway (Playwrights Horizons, Theatre Row) and at countless regional theatres across the country. He has also starred in film and television, including Homeland, The Marvelous Mrs. Maisel, NCIS, The Good Wife, NCIS: LA, Castle, and more. He received three Emmy Nominations for his 11-year run as Henry Coleman on As the World Turns.
Trent is the Founding Artistic Director of Katonah Classic Stage, a non profit, professional theatre company in Katonah, NY: https://www.katonahclassicstage.com
Trentâs plays have been performed at Manhattan Rep. and The Barrow Group. He has directed both plays and films in and around NYC.
Interview with Gloria Hampton of “Dance Moms: A New Era” on HULU by Suzanne 8/1/24
If you enjoyed episodes of the original “Dance Moms,” you should love this one as well. Gloria seems very nice, and the kids are great to watch. It was great to speak with her! Don’t miss the show, premiering now on HULU.
Glo has a long history in the dance world, and she currently leads the Bleu Junior Elites from Studio Bleu in Ashburn, Virginia. Over the course of her career, she has helped guide students to dance professionally on Broadway, in music videos, on tours and in movies.
Additionally, Glo has served as a national judge for Dance One.
PREMIERE DATE:Â August 7th, 2024
EPISODES:Â 10
SYNOPSIS: Dance Moms: A New Era is a reboot of the ever so popular Dance Moms. This time, with a new coach, new dancers and new mama drama. Introducing beloved dance coach, Glo Hampton, who wants to take her students and prestigious dance school Studio Bleu to the next level – competing nationally every week. But the road to glory wonât be an easy one. Coach Glo must juggle her tiny but mighty dancers, their scheming moms, and ensuing meltdowns, all while ruling with a tender but tough iron fist. Will Glo and her dance team persevere amidst the dramatics?
CREDITS: âDance Moms: A New Eraâ is produced by the A+E Factual Studios⢠group for Hulu and Lifetime. The project is helmed by original series Executive Producer Bryan Stinson, alongside Sharon Scott, Steve Ascher, Kristy Sabat, Allie Breslin and Natalie Feldman who serve as executive producers from A+E Factual Studios.⢠Kimberly Chessler and Brie Miranda Bryant executive produce from Lifetime.
Tate was upset when he found out about his mother. If he werenât scheming to be with Holly, he would have known what she did.
How is Holly able to get back and forth to the Horton cabin without anyone knowing that she went.
Why didnât Roman include Marlena in his plans to throw Eric and Nicole a going away party? She might have wanted to help throw the party too.
Nicole had a pocketbook with her one minute, and it was gone the next.
Tuesday
No one ever sees Connie walking around. She doesnât attempt to hide, but no one sees anything.
Stephanie thought Leo would keep her secret from getting out. He told her that he needed content for his article so why would he keep her secret quiet?
Bobby threatened Connie. He heard her say that she never gets caught, so why would he threaten her?
Connie knows too much about Bobbyâs life considering they didnât know each other before she approached him about killing Li.
Wednesday
Leo managed not to hear Connie in Bobbyâs room. She was talking loud, but he managed not to hear her.
Stephanie didnât have to refer to Leo by his full name. Jada should know who Leo is, so she didnât have to call him by his full name.
Jack claimed that Jennifer knew that he and Chad dug up Abbyâs body. Itâs not likely that she wouldnât have come back to Salem to help find her.
Jada called Rafe âDetective Hernandez.â He is the commissioner of the police department.
Connie conveniently heard Ava talking about sleeping with Stefan. Ava wasnât talking loud, but Connie managed to hear her.
Thursday
Jada and Stephanie didnât call for help right away. They basically just watched Bobby before they tried to get him help.
The pill bottle that was on Bobbyâs nightstand was closer to the pillow in Wednesdayâs episode, but it was closer to Jada in Thursdayâs episode.
Ava didnât hear Connie talking about her sleeping with Stefan, and she was in the same room with her. Connie conveniently heard Ava talking about her affair, and she wasnât in the room. Ava wasnât talking loudly at all when Connie heard her.
It took the paramedics a long time to get to Bobby.
Stephanie cried without any tears.
Friday
Marlena said that they invited Brady to Ericâs going away party, but she wasnât part of the plan. When did she invite Brady to the party?
Marlena said she didnât hear from Brady, but he told her that he was at the office. She obviously heard from him after all.
Xander managed not to hear Fiona and Brady talking in her room. Fiona was talking loud when she wanted Brady to sneak out her room.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Nicole and Eric had their going away party this week. We may be alone here, but we aren’t upset that they are leaving. The writers also squandered an opportunity to finish Nicole’s story properly. Arianne Zucker’s departure has been announced for months so they had time to write a proper farewell to a actress who has been with the show for 25 years. With that said, Nicole didn’t find out what Holly did. Holly snuck to the Horton cabin to be with Tate. She’s been spending time with him, and it happened right under Nicole’s nose. Where’s the confrontation and pay off for that? Why did Holly get to decide that she was staying in Salem? Nicole is the parent and she let. 17 year old child tell her that she wasn’t going with her. Is Nicole that much of a wimp? She should have made Holly go with her. Nicole didn’t seem too disappointed by it since she could focus on her life with Eric and Jude. She only cares about her child with Eric. Nicole has the little family she always wanted so she is fine to leave. We know that Arianne Zucker and Greg Vaughn were written out, but the writers could have written a better story than that. It was a slap in the face for someone who spent so many years on the show.
What are the writers thinking with the Body and Soul storyline? They are wasting time having Kate and Abe involved in this soap within a soap storyline. This is not the comic relief we need right now. We know itâs an excuse to give Diedre Hall something else to do. Unfortunately, we don’t need to see Hattie again. She’s not an integral character on the show so we don’t need her back. Diedre Hall probably enjoys playing her to get a break from Marlena, but she’s a waste of a character. We would rather the writers give Abe and Kate better stories than this.
Speaking of a waste of characters, when are the writers getting rid of Connie? She is getting shoved down our throats. Connie killed Li and Bobby. The writers put her in the middle of two stories for no reason. She always hears everything no matter what. Connie has great timing to hear things that other people say no matter how close they are. Other people can’t hear conversations when they are practically in the room with other characters. Now she has killed Bobby. He’s a useless character too. We’re not upset that he’s gone. There was no need to write his character into the show. He was another useless character who provided anything to the show. His character was written out and looked like a killer. Who knows when Connie will get caught for what she did.
Marlena might have to reconsider her career. She didnât notice that Bobby was pretending to be Everett. Marlena was the one who allowed him to check out because she believed he was Everett. She is supposed to be a great psychiatrist, but she didnât realize that he was faking. It might be time to do something else with her life if she couldnât tell he was lying to get out of Bayview.
Why do the writers keep having Brady spiral out of control? How many times do we have to see him fall off the wagon? We know that people get weak, but he always falls off the wagon. It feels like that’s the only story the writers know how to give him. Now he’s hooking up with Fiona. He’s hooking up with Xander’s mother because of Theresa. Brady wasn’t with Theresa, so it didn’t make sense for him to fall off the wagon because of her. We feel like the writers don’t know what to do with Brady anymore.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Gabriela Pessions and Dimitri Leonidas of “Those About to Die” on Peacock by Suzanne 6/28/24
It was fun to speak to these two actors. You don’t want to miss this epic series, which stars Sir Anthony Hopkins (among many others). It has a huge cast. It’s filmed more like a movie than a TV show. If you loved “Spartacus” or “Gladiator,” you should love this one as well. I love the characters, the politics and the action. It starts 7/18!
All episodes premiering July 18 on Peacock, just in time for viewers to also watch the 2024 Paris Olympics (July 26 â Aug 11, 2024)Â
THOSE ABOUT TO DIE is an epic drama set in the corrupt world of the spectacle-driven gladiatorial competition, exploring a side of ancient Rome never before told â the dirty business of entertaining the masses, giving the mob what they want mostâŚblood and sport. The series introduces an ensemble of characters from all corners of the Roman Empire who collide at the explosive intersection of sports, politics, and dynasties.
Directors:Â Roland Emmerich (Ep 101, 102, 103, 109, 110), Marco Kreuzpaintner (Ep 104, 105, 106, 107, 108)
Created by:Â Robert Rodat (Wrote Ep 101, 102, 103, 109, 110)
Executive Producers:Â Roland Emmerich, Harald Kloser, Gianni Nunnari, Robert Rodat, Stuart Ford, Lourdes Diaz, Miguel A. Palos Jr., Marco Kreuzpaintner, Herbert G. Kloiber, Martin Moszkowicz, Oliver Berben, Jonas Bauer, Charles Holland, Namit Malhotra.Â
Cast: Anthony Hopkins, Iwan Rheon, Sara Martins, Tom Hughes, Jojo Macari, Moe Hashim, Johannes Haukur Johannesson, Rupert Penry-Jones, Gabriella Pession, Dimitri Leonidas, Emilio Sakraya, David Wurawa, Pepe Barroso, Gonçalo Almeida, Eneko Sagardoy, Romana Maggiora VerganoÂ
Studio: AGC Television  Â
Production Companies: Centropolis Entertainment, Hollywood Gang Productions, Street Entertainment   Â
Format:Â Drama Series, 10 x 60 min episodes
Gabriella Pession plays âAntoniaâ. An American-Italian actress born November 2, 1977 in Florida, she starred in the TV show Crossing Lines 2013 to 2015. She was also best known for Wilfred (2011) and The Red Door (2017). In 2015, she received the America Award from the ItalyâUSA Foundation. In 2014 she had a son, Giulio, with her Crossing Lines co-star Richard Flood. They got married in 2016.
Dimitri Leonidas plays âScorpusâ. He was born on November 14, 1987 in England, UK to an English woman and a Greek father. He is an actor, known for Centurion (2010), Rosewater (2014), The Monuments Men (2014) and Riviera (2017).
Interview with actors Christie Burke, Stacey Read and Ryan Adams, and EPs Dean Devlin and Jonathan Glassner of “The Ark” on Syfy by Suzanne 6/26/24
It’s always enjoyable to speak with these actors and producers! They’re a good crew, both on- and off-screen. I’m a huge scifi fan, and I like how Devlin’s shows always have a lot of fun and action as well as good characters and drama. Season Two has even more going on than season one. It’s the TV equivalent of a popcorn movie. Sit back and enjoy! Season 2 starts tonight, 7/17, 10/9c on Syfy.
First video: Christie Burke, Dean Devlin and Jonathan Glassner
Season 2 Premieres Wednesday, July 17 on SYFY (10-11 p.m. ET/PT)
âThe Arkâ takes place 100 years in the future when planetary colonization missions have begun as a necessity to help secure the survival of the human race. In season two, after the brave crew of Ark One reaches their destination and finds it uninhabitable, they must survive long enough to locate a new home for themselves and all the ships that follow.
The series stars Christie Burke, Richard Fleeshman, Reece Ritchie, Stacey Read and Ryan Adams.
Dean Devlin (âIndependence Day,â âStargateâ) and Jonathan Glassner (âStargate SG-1â) are co-showrunners and executive producers alongside Marc Roskin and Rachel Olschan-Wilson of Electric Entertainment. Jonathan English of Balkanic Media and Mark Franco of Electric Entertainment serve as producers.
Christie Burke
Lt. Sharon Garnet, âThe Arkâ
Christie Burke plays Lt. Sharon Garnet in the new SYFY original series, âThe Ark.â
Christie Burkeâs recent television credits include recurring roles on Netflixâs âMaid,â Netflixâs âThe Haunting of Bly Manorâ and CBCâs âStrange Empire.â Guest star credits include the CWâs âTwo Sentence Horror Storiesâ and âSupernatural.â Burke can be seen in the upcoming EPIX series âBilly the Kid.â
Ryan Adams
Angus Medford, âThe Arkâ
Ryan Adams plays Angus Medford in the new SYFY original series, âThe Ark.â
Ryan Adams graduated from ArtsEd in 2021 with a BA in acting. His theater credits include âAll the Thingsâ and âDan in Totally Over Youâ at Andrew Lloyd Webber Foundation Theatre, and âRen in Footlooseâ and âBilly Casper in Kesâ at Bury St Edmunds Theatre Royal.â He has had previous roles in short films, including âOrange Peel,â âExposureâ and âAsking Price.â
Stacey Read
Alicia Nevins, âThe Arkâ
Stacey Read plays Alicia Nevins in the new SYFY original series, âThe Ark.â
Stacey Read was born and grew up in Zimbabwe, the daughter of a Zimbabwean mother and British father. She first started acting in her Senior School drama club and it was there performing in school plays that she found passion. She soon came to the UK to train at Performance Preparation Academy.
It was obvious that Eric wasnât talking to Holly on the phone. He didnât give Holly a chance to respond to some of the things he said before he spoke again.
Gabi was in prison when Sloan switched Nicoleâs paternity test so she shouldnât have known she did it.
Nicole planned to leave the DiMera mansion without taking Holly with her.
Nicole didnât have Judeâs stroller with her when she left the mansion, but she had it when she went to the airport.
Tuesday
If Gabi was so worried about Arianna, she should move out to wherever Will and Sonny are living with her this week.
Brady referred to Eric as his brother as if Theresa wasnât related to him.
EJ had the fireplace going in the summertime. Salem may be a fictional town, but itâs still summertime.
Alex conveniently needed Theresa to sign the prenup when she wanted to take Tate to the airport.
Wednesday
Leo wasnât at the press conference, but he knew that Gabi exposed EJ at the conference.
Xander could have ordered a glass of water instead of drinking out of Leoâs glass. Why do the joggers insist on drinking out of Leoâs glass?
Thursday
Connie conveniently found Bobbyâs room at Bayview.
How did Leo know where Marlena lived?
Rafe and Jada were able to find their way to the plot where Abby was buried without anyone taking them there. If anyone has been in a cemetery, you know itâs hard to find plots without any help.
Who was watching Chadâs kids? Doug and Julie were with Kayla, and Chad was with Jack at the cemetery.
Friday
If Ava didnât want Gabi to know that she slept with Stefan, why did she mention it so freely?
Why would Li tell Connie where he lived when they only went out on one date?
Gabi didnât hear Kristen and Ava talking about Stefan.
Connie didnât have blood on her dress after she killed Li. When Bobby saw her there was blood on her dress.
Connie knows too much about people in Salem when she never interacts with them. She conveniently knew Gill and that he was Ava’s boss.
Connie was hidden behind a door so she shouldn’t have seen Gill with Li. It should have been an audio flashback and not a visual one.
Marlena needs to lose her license since she couldn’t tell that Bobby was pretending to be Everett.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
It was a week of flashbacks. For some reason, the writers drowned the episodes with flashbacks. Most of the week was filled with flashbacks of Connie and Bobby. Connie kept thinking about Li and everything that happened after the murder. Bobby flashed back to seeing Connie after she murdered Li. We know the writers wanted to show the audience what happened when Li was killed, but they didnât have to go overboard with the flashbacks. There were only two days out of the week that didnât feature flashbacks which means there were too many shown.
Speaking of Liâs murder, we felt completely ripped off by the outcome. We didnât really care who killed him in the first place, but the writers made the killer someone who was on for about two episodes. Connie went out with Li one time and suddenly became obsessed with him. The woman who plays Connie won a role on the show and became part of a major story for the week. It was such a waste of time because sheâs an insignificant character. Thankfully we didnât invest much interest in the mystery, but other fans might have liked the story. Itâs a letdown for the killer to be a minor character. Bobbyâs involvement in the story makes even less sense. Letâs get to that now.
Bobby suddenly had the answer to who really killed Li. He conveniently saw Connie in the park the night she stabbed Li. Connie was stupid enough to admit out loud that she stabbed Li. Itâs convenient how he knew to keep that information to himself until he approached Jada with it. There was no need for him to know that information when he wasnât in town at the time it happened. The writers clearly want to make Bobbyâs role bigger by tying him to Liâs murder and to Connie. His role doesnât need to be any bigger than it is. He and Connie are now in cahoots with each other. Connie suddenly realized that he was Jadaâs ex and heard them talking about the investigation. She put two and two together to figure out that he was the one who saw her in the park. Connie suddenly knows everything about everyone in Salem. She told Bobby that Jada went home to Rafe every night. Connie had no way of knowing about Jada and Rafe, but she threw them up in his face like she did. She offered to take care of Rafe if he stopped talking about the murder investigation. Bobby jumped at the opportunity. Weâll get into that in the next section.
As we said, Bobby jumped at the opportunity to take Connieâs deal. He did his part by pretending that he was Everett again to get out of Bayview. As Everett, he wouldnât have any memories of what Bobby saw in the park. His plan worked, and Marlena made sure he was released. Marlena clearly needs to think about getting out of psychiatry if she couldnât tell that Bobby was pretending to be Jude. On a side note, she didnât cure John of the brainwashing that Konstantin did to him. She allowed Bobby to get out of Bayview. Connie had to get rid of Rafe. She is the town stalker, so she found him at the cemetery to stab him. The woman has lost her mind and needs to be stopped before she goes crazy. Weâre surprised that she didnât target Gabi since Li loved her.
Jack was upset about Abbyâs body being exhumed. It was strange that he wouldnât want to know if it was possible that his daughter was alive. For some reason, he had a hard time believing that Abby could be alive. Did he forget that he was presumed dead at one point? His organs were donated, and he came back to life. There are several people in Salem who have come back to life, but he had trouble believing it. Kayla had trouble believing it too. She just came back to life but thought Abby had to be dead. We think that the citizens have taken a selective amnesia pill because they forgot that people come back from the dead on a daily basis in that town.
As Days fans know, the truth about Judeâs paternity has finally been revealed. Gabi announced that Eric was the father of Nicoleâs baby at EJâs press conference. She was supposed to keep quiet about the truth, but she told it anyway. Gabi claimed that she did it because Eric had a right to know the truth. We have a hard time believing that. If that were true, she would have called Eric and told him the truth. She wouldnât have announced it publicly. Gabi clearly forgot that Stefan asked her not to say anything. She had the gall to be smug about revealing something that would make EJ target them. Stefan showed his anger towards Gabi, and we cheered him on for doing that. Gabi had the nerve to get mad because she thought he was siding with EJ. Stefan had the right to side with EJ because she violated a trust. He shouldnât have told her the truth in the first place because she didnât hesitate to open her mouth. We are hoping that EJ goes after Gabi for opening her big mouth. EJ needs to go after her with everything he has left because he has nothing to lose, so he can destroy her without blinking twice.
The confrontation between Nicole and EJ happened this week. Nicole found out the truth (thanks to Gabi), and they had it out at the mansion. EJ tried his best to explain why he did what he did, but she didnât want to hear what he had to say. She told him that he didnât get to say that he loved her again. Nicole had a right to be upset, but she always forgets that she has done things too. She forgot that she cheated on him to conceive Jude in the first place. EJ felt like she would run to Eric if she knew the truth, and he was right. We were surprised that Nicole didnât yell at EJ. She had a subdued performance. Weâre not sure what we expected, but we thought it would be bigger than that. Nicole went running to Eric and forgot about Holly. She didnât tell Holly the truth about Jude. EJ had to tell her the truth. Nicole proved that she was only worried about Jude and didnât care about Holly at all. She showed up to give him the rings and to get a divorce. It must have been too much to ask that she remember to take her daughter with her.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Nicole didnât hear Melinda tell EJ that she was going to tell the truth about Judeâs paternity. Melinda wasnât yelling so she should have heard her talking.
Did Tate forget that heâs supposed to be working at the pub? He told Brady that he wanted to work at a club to pay him back.
Why would Ava and Kristen talk about her sleeping with Stefan in a public place? Anyone could have heard them talking about it.
Did we miss something? Will and Sonny went to New Zealand when they left the show, but they are back in Phoenix.
It was convenient that Gabi thought Stefan would be tempted by other women when we know he slept with Ava.
Tuesday
Chanel and Johnny were crying one minute, but their tears dried up the next time they were shown.
What made Kate think she and Abe were qualified to produce a TV show? How big would the show be since they live in Salem?
Wednesday
Julie talked about Clyde as if she knew him. We didnât realize she knew anything about Clyde.
Stephanie told Paulina that the people of Salem didnât like her firing a woman of color to rehire a rich, white man. It didnât make sense for her to tell an African American woman about hiring a woman of color.
Chad wanted to talk about something private with Kayla, but he kept her office door open. Anyone could have heard them talking.
Thursday
Tate balled up the pamphlet for lacrosse camp, but it was straightened out when Theresa looked at it.
The flashback Alex had could be heard before it was shown.
Brady managed not to hear Holly and Rachel talking about her bribing her to keep quiet about Tate.
Aaron could be heard talking while Holly was shown.
Friday
What are the odds that Connie would approach Melinda out of the blue.
Why would Melinda want to work for the woman who killed her daughter?
Nicole cried without any tears.
How did Connie get the keys to Trippâs apartment? She used them to get inside and think about stabbing Li.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Demetrius Grosse, Nika King, and Bishop and First Lady Donna Martin of the film “Sound of Hope: The Story of Possum Trot” by Suzanne 6/28/24
This is a very powerful and uplifting story of a couple who changed the lives of many children, as well as the other people in their town. These are religious people, but the film is not too preachy, so if you’re not that into religion, it shouldn’t bother you. Faith is definitely the motivation for these people, in everything they do. Demetrius Grosse and Nika King turn in powerful performances as the real-life people Bishop and First Lady Donna Martin, who lived in a small town in Eastern Texas. After a tragedy in Donna’s life, she decides to adopt children. She and her husband not only adopt many children, but they get all of the people in their parish to do so as well.
It was a really interesting set of interviews. I’ve only interviewed the “real life people” in movies a few times. I was a foster child myself, and my mom was adopted as a baby, so this is an issue that hits home for me. Some scenes in the movie were hard to watch because some of the troubled children reminded me of other foster kids I knew. I told the actors and their counterparts about this, and how much the movie touched me. It was interesting to see how each paired group reacted completely differently! It was very unusual, to say the least. Let’s just say that the two ladies were much more relaxed and fun, and the two men were very serious.
The movie premieres today, July 4th. I hope you can go see it. Maybe it will inspire you to adopt children or foster a child who needs you. The foster care situation was bad 50 years ago when I was a child. It’s much worse today. I know that the Martins and everyone connected with this movie hope that their film gets people thinking about the foster care crisis.
This film is from Angel Studios. They produce the hit TV show “The Chosen” and many good, uplifting movies. They make great films with positive messages and outstanding acting, without being preachy or boring. They tell amazing stories.
The fight for kids begins July 4. Inspired by the powerful true story, Sound of Hope: The Story of Possum Trot, follows Donna and Reverend Martin as they ignite a fire in the hearts of their rural church to embrace kids in the foster system that nobody else would take. By doing the impossibleâadopting 77 childrenâthis East Texas community proved that, with real, determined love, the battle for Americaâs most vulnerable can be won.
Tagline:
The Fight for Kids Begins July 4
Rating:
PG-13 for thematic material involving child abuse, some violence, language and brief suggestive material
Run Time:
2 hours and 09 minutes
Fast Facts:
Inspired by the true story of Bishop and First Lady Donna Martin, and their tiny Bennett Chapel church, in the town of Possum Trot in the woods of East Texas.
Twenty two families linked arms and courageously adopted seventy seven of the most difficult-to-place children in the local foster care system
76 kids were adopted between 1998-2000. Another was adopted in 2011. The Martins have 2 biological children and adopted 4 during this time period.
This act ignited a national movement for vulnerable children that continues today.
Executive produced by Letitia Wright (BLACK PANTHER)
Directed, written, and produced by Joshua Weigel (THE BUTTERFLY CIRCUS) for Peacetree Productions.
Kingâs talents as a comedian and actor are versatile and dynamic. She is best known for her comedic abilities, but in her breakout role playing Leslie on the Emmy winning HBO series Euphoria opposite Zendaya and Storm Reid, King showcases a much more dramatic side of herself. Nika also had her directorial debut in the short film, which addresses grief and mental health in the life of a Black married couple.
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Kingâs comedy has landed her roles on Kevin Hartâs Guide to Black, the Just for Laughs Festival in Montreal, Canada, the Netflix Is A Joke festival, and hosting Nika King & Friends, a monthly show at the Improv Lab in Hollywood CA. She has also acted, written and produced on award winning webseries Funny Married Stuff, which is currently streaming on KweliTV.
Beyond acting, directing, and stand up, King co owns Blue Tree Cafe, a vegan soul food restaurant with her mother in Ft. Lauderdale Florida. King was also compelled to establish a non profit that helps to improve the quality of life for individuals and families from underserved communities by compassionately serving their mental health and wellness through healthy eating.
Demetrius Grosse (Reverend Martin)
Demetrius Grosse is an award-winning actor and producer. After graduating from Carnegie Mellon University with a degree from its School of Drama and completed a visiting student program at the Howard University College of Fine Arts in his home city of Washington DC, Grosse took his craft to the international arena, studying and performing both classical and contemporary drama with the British American Drama Academy in Oxford, England. Grosse also performed in Cape Town, South Africa with UCT. At Portland Center Stage in Oregon, Demetrtius starred as Stanley Kowalski in Tennessee William’s American classic, A Streetcar Named Desire, and Off-Broadway, in 2010 performing Black Angels Over Tuskegee.
Grosse has appeared in the HBO series Westworld based on the 1973 film of the same name. He also appeared in Michael Bay’s feature film 13 Hours: The Secret Soldiers of Benghazi (2016). Grosse is known for taking on many complex characters from various backgrounds and from all different genres. His range is unparalleled. He made his TV acting debut in The Wire (2001), Numbers (2005), and is well known for his film roles in, Saving Mr. Banks (2013), This Is Martin Bonner (2013). His other television credits include AMC’s Fear The Walking Dead, Criminal Minds, ER, NCIS, Bones, Dexter, CSI: Miami, Frontier (Netflix), and Swagger for Apple+. Grosse also made appearances in The Inheritance (2011), and Hollywoo (2011).
Grosse has credits for producing Last Cry for Katrina (2013), Moonshiners, and A Quiet Fire (2009), and most recently, Survival. Demetrius stars as Clark Randall in the Hallmark Movies & Mysteries romantic comedy Spring Breakthrough. The film was produced under Hallmark’s Mahogany banner and had its on-air debut in 2023. Grosse resides in the US with his wife, their children, and a bearded dragon named ‘Shang-Chi.’
Why would Hope call Harris out of the blue to tell him about Megan?
EJ told Nicole about seeing her kiss Eric because he didnât want anything between them, but he wouldnât tell her that Ericâs the father of her baby.
Chanel mentioned closing Sweet Bits last week so how did Eric and Marlena get cake from there?
Nicole and EJ had ice cream in their bowls in one scene, but it was gone the next time they were shown.
Tuesday
When did Eli and Lani leave Salem again?
When did Marlena have time knit anything for Johnny and Chanelâs baby when he just told her they were leaving?
Chad and Julie were acting like Jack didnât have a right to know that Abby could still be alive. Abby is his daughter, so he had a right to know the truth.
Lucas said he wanted to be with Will and Alli in Phoenix. Did the writers forget that they are in New Zealand? They moved out there so why would Lucas go to Phoenix?
Wednesday
Mark told Leo he was gay when they met, but he made it seem like he didnât tell him that.
Johnny and Paulina didnât get Chanel to the hospital with any urgency. They took their time getting her there.
Mark was heartless about Chanelâs miscarriage. He could have been more caring than that.
Chanel and Johnny didnât have any tears even though they were supposed to be crying.
Theresa was with Sarah and Bonnie one minute and with Alex and Brady the next.
Thursday
Gabi said she was getting beat up, but she didnât have any bruises on her face.
Johnny cried without any tears while he told EJ about Chanel miscarrying.
Paulina could be heard talking while EJ and Johnny were shown.
Friday
Stefan mentioned that Arianna was in Phoenix, but Will was in New Zealand. Did we miss something? When did Will and company move back to Phoenix?
Nicole managed not to hear Melinda tell EJ that she planned to blow up his life. The door was open while Melinda was talking, but Nicole didnât hear anything.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Tahmoh Penikett of “The Killer Inside: The Ruth Finley Story” on Lifetime by Suzanne 6/27/24
It was a lot of fun to speak with Tahmoh! He seems really nice and loves to chat. I’ve admired his work for a long time. He’s been in so many shows I’ve watched, so I’m a big fan. Don’t miss this Lifetime movie tomorrow, Saturday, 6/29! It’s a good story, based on real life events that are pretty shocking.
The Killer Inside: The Ruth Finley Story follows Ruth (Hatcher) and her husband, Edâs (Tahmoh Penikett), tranquil life in Wichita, Kansas which is suddenly turned upside down when Ed suffers a heart attack. As Ed fights for his life in the hospital, Ruthâs starts to receive mysterious threats, leaving her in a state of panic. With the city held hostage by the terror of the BTK killer, Ruth finds herself enveloped in paranoia, convinced that she will be the next victim, as the menacing phone calls escalate into chilling letters. Amidst the frenzy of the policeâs pursuit of BTK, Ruth is abducted, sending shockwaves through the community. Yet her sudden reappearance shortly after the kidnapping leaves investigators baffled and scrambling for answers. As suspicion mounts and new evidence comes to light, the authorities entertain the unsettling notion that the perpetrator may be someone intimately connected to Ruth.
The Killer Inside: The Ruth Finley Story is produced by Housewife Productions Inc. for Lifetime. Navid Soofi produces with Tim Johnson and Stacy Mandelberg serving as executive producers and Lisa Alford as co-executive producer. The film is written by Katie Gruel and directed by Greg Beeman.
Tahmoh Penikett is a Canadian actor. He is known for playing Karl “Helo” Agathon on SyFy’s 2004 television series Battlestar Galactica. He has appeared in TV series Supernatural, Dollhouse, the Showcase time travel show Continuum, and as the antagonist Darius in the 2006 racing video game Need for Speed: Carbon.
Interview with John Fawcett, co-creator of “Orphan Black” and director/EP of the spinoff “Orphan Black: Echoes” on AMC/AMC+ and BBC America by Suzanne 6/26/24
It was really fun to speak with John. Of course the original show, “Orphan Black,” was a great scifi show. This new one is also really good, from what I’ve seen so far. I can’t wait for more! It’s always fun to pick the brain of a writer or producer. Make sure to watch the show – new episodes every Sunday!
John Fawcett (born March 5, 1968) is a Canadian director, writer, and producer of film and television. Alongside Graeme Manson, he co-created and is a director for the award-winning Temple Street Productions television series Orphan Black.Â
Orphan Black: Echoes to Premiere Sunday, June 23 on AMC, AMC+ and BBC America
ANNOUNCED ON THE EVE OF THE 11th ANNIVERSARY OF ACCLAIMED DRAMA ORPHAN BLACK
NEW YORK â March 29, 2024 â AMC Networks today announced that the highly-anticipated drama Orphan Black: Echoes set in the world of Orphan Black and starring Krysten Ritter (Marvelâs Jessica Jones, Love and Death), who also serves as executive producer, will premiere Sunday, June 23 on AMC, AMC+ and BBC AMERICA. The announcement was made as part of the celebration of the groundbreaking series, Orphan Blackâs 11th anniversary, tomorrow, Saturday, March 30.
Set in the near future, Orphan Black: Echoes takes a deep dive into the exploration of the scientific manipulation of human existence. It follows a group of women as they weave their way into each otherâs lives and embark on a thrilling journey, unravelling the mystery of their identity and uncovering a wrenching story of love and betrayal. Ritter plays Lucy, a woman with an unimaginable origin story, trying to find her place in the world. The series also stars Keeley Hawes (Bodyguard, Itâs A Sin, Line of Duty), Amanda Fix (North of Normal, High School), Avan Jogia (Now Apocalypse, Zombieland: Double Tap), Rya Kihlstedt (A Teacher, One Mississippi) and James Hiroyuki Liao (Barry, The Dropout).
Anna Fishko (Pieces of Her, The Society, Fear the Walking Dead) is creator, writer, showrunner and executive producer of Orphan Black: Echoes with John Fawcett, the co-creator of the original series who also directed 17 episodes across all five seasons, on as director and executive producer. David Fortier and Ivan Schneeberg, executive producers from Boat Rocker on the original Orphan Black series, return as executive producers on the new series. Boat Rockerâs Nick Nantell and Kerry Appleyard will also executive produce, in addition to Katie OâConnell Marsh. Boat Rocker manages the Orphan Black global franchise, including content distribution and consumer products.
Produced by Boat Rocker, and starring EmmyÂŽ winner Tatiana Maslany in multiple roles, Orphan Black, became a cult phenomenon with a passionate fanbase known as the âClone Club.â Superfans are invited to catch up on AMC+ where all five seasons of the original series are available with more fan-focused engagement slated on social channels over the weekend.
Clone Club members are encouraged to follow @OrphanBlack on Twitter and @OrphanBlackTV on Facebook and Instagram for all the latest official news on the Orphan Black universe.
Orphan Black received critical and award acclaim, earning a Peabody Award in 2014 and hailed as âthoroughly impressive, wildly entertainingâ by The Hollywood Reporter, and as âa singular accomplishment in dramaâ by The Daily Beast. The series started on a train platform when a troubled woman, Beth Childs (Maslany), locked eyes with an unknown identical woman, Sarah Manning (Maslany), before jumping to her death. From that day on, theyâve been inextricably linked to a clone conspiracy that has come to rule Sarahâs life. Every twist and turn around the maze of this world has led to a new enemy, a new ally, a new clone and always, new questions. How many of us are out there? Who created us? Who is trying to kill us? The search for these answers have sent Sarah and her newly-found sisters Alison (Maslany), Cosima (Maslany) and Helena (Maslany) crashing head first into some of the most nefarious foes and life revelations they couldâve ever imagined. The cast includes Jordan Gavaris, Maria Doyle Kennedy, Kristian Bruun, Evelyne Brochu, Kevin Hanchard, Ari Millen, Skyler Wexler and Josh Vokey.
About AMC
AMC is home to some of the most popular and acclaimed original programs on television. AMC was the first basic cable network to ever win the EmmyÂŽ Award for Outstanding Drama Series with Mad Men in 2008, which then went on to win the coveted award four years in a row, before Breaking Bad won it in 2013 and 2014, and the networkâs series The Walking Dead is the highest-rated series in cable television history. AMCâs current original series include Anne Riceâs Interview with the Vampire, Anne Riceâs Mayfair Witches, The Walking Dead: Daryl Dixon, The Walking Dead: Dead City, Dark Winds, and the forthcoming series The Walking Dead: The Ones Who Live, Monsieur Spade and Parish, among others. AMC is owned and operated by AMC Networks Inc. and is available across all platforms, including on-air, online, on demand, mobile, and on AMC+, the companyâs premium streaming bundle featuring content from across AMC and sister networks BBC America, IFC, and SundanceTV as well as streaming services Shudder, Sundance Now and IFC Films Unlimited.
About AMC+
AMC+ is the companyâs premium streaming bundle featuring an extensive lineup of popular and critically acclaimed original programming from AMC, BBC America, IFC, and SundanceTV and full access to targeted streaming services Shudder, Sundance Now and IFC Films Unlimited, which feature content such as A Discovery of Witches, Creepshow, and Boyhood. The service features a continually refreshed library of commercial-free content, with iconic series from the AMC Networks portfolio including Mad Men, Halt & Catch Fire, Hell on Wheels, Turn: Washingtonâs Spies, Rectify, Portlandia, Orphan Black and series from The Walking Dead Universe, among many others. The service also offers a growing slate of original and exclusive series including Gangs of London, Dark Winds, and the first two series in a new Anne Rice universe, Anne Riceâs Interview with the Vampire and Anne Riceâs Mayfair Witches. With new movies released every Friday, AMC+ is the newest destination for exclusive film premieres direct from theaters all year long. AMC+ is available in Canada, Australia, New Zealand, and Spain and is available in the U.S. through AMCPlus.com, the AMC+ app, and a number of digital and cable partners.
About BBC AMERICA
BBC AMERICA is a hub of innovative, culturally contagious programming including the Peabody Award-winning series Killing Eve starring Golden GlobeÂŽ and SAGÂŽ Award-winner Sandra Oh and EmmyÂŽ Award-winner Jodie Comer. The network is the definitive television home and co-producer of the most iconic natural history series and franchises including Planet Earth, Blue Planet, Dynasties, Eden: Untamed Planet, Frozen Planet and Seven Worlds, One Planet. BBCA transforms every Saturday into Wonderstruck, a weekly destination for wildlife and wonder. A joint venture between AMC Networks and BBC Studios (the commercial arm of the BBC), BBCAâs influential shows such as Doctor Who, Orphan Black, Luther and The Graham Norton Show have attracted critical acclaim and earned EmmyÂŽ Awards, Golden GlobesÂŽ, Peabody Awards, Criticsâ Choice Awards, NAACP Image Awards, TCA Awards and more. BBC AMERICA is available across all platforms, including on-air, online, on demand and mobile. Find out more by visiting press.amcnetworks.com. BBCA on social: YouTube â Twitter â Instagram â Facebook â Tumblr
About Boat Rocker
Boat Rocker (TSX: BRMI) is the home for creative visionaries. An independent, integrated global entertainment company, the Companyâs purpose is to tell stories and build iconic brands across all genres and mediums. With offices around the world, Boat Rockerâs creative and commercial capabilities include Scripted, Unscripted, and Kids and Family television production, distribution, brand & franchise management, a world-class animation studio, and talent management through Untitled Entertainment. A selection of Boat Rockerâs projects include: Invasion (Apple TV+), Palm Royale (Apple TV+), American Rust: Broken Justice (Prime Video), Beacon 23 (MGM+), Pretty Baby: Brooke Shields (Hulu), Downeyâs Dream Cars (Max), BS High (HBO), Orphan Black (BBC AMERICA, CTV Sci-Fi Channel), DearâŚ(Apple TV+), Billie Eilish: The Worldâs a Little Blurry (Apple TV+), The Next Step (BBC, Corus, CBC), Daniel Spellbound (Netflix), and Dino Ranch(Disney+, Disney Junior, CBC).
Interview with Hunter King, star of “Two Scoops of Italy” on Hallmark by Krista 6/18/24
Speaking with Hunter was so much fun. It’s probably my favorite interview I’ve ever done because I was really familiar with her and her work on “Young and the Restless.” Seeing her in a different role in this movie was great.
She was so friendly and so much fun to talk to. I could have talked to her for an hour. She loves to read like I do, and so we shared our favorite books. She was so interesting, and I loved hearing about her experiences on this movie and her challenges she faced as well.
The movie airs Saturday, June 22 on Hallmark Channel, or streaming on Peacock.
Transcript (not edited yet)
Hunter King: Thank you so much for having me.
Krista Chain: Okay. My 1st question is, how did you decide to accept the part in 2 scoops of Italy? What was the audition process, or were you approached by someone to to look at the script? How did that all come about?
Hunter King: Hallmark approached me with the script, and immediately I heard Italy, and I was like, I’m in. Count me in but then I obviously went and read the script, and it was just so charming and such a
Hunter King: like such a sweet feel! Good love story! I love a Romcom such a sucker for a Romcom. So anytime I get the opportunity to do a Romcom, I immediately take it.
Hunter King: But I love the story arc. I love the character arc and obviously getting to take place in Italy is not not a bad day.
Krista Chain: That’s right. And so that answered my next question. I know sometimes when they film movies, they don’t actually film where it’s being set. So it was filmed in Italy.
Hunter King: It was filmed in Italy. I don’t know how I got so lucky to get to film a movie that is based in Italy and actually takes place in Italy. But I somehow I don’t know. I I won the lottery with this one. I really did. It was
Hunter King: more magical than you could even imagine. It was just
Hunter King: a dream come true.
Krista Chain: Well, the movie was excellent.
Hunter King: Thank you. Thank you so much. I’m so happy that you liked it. It was so much fun to film. It was really so like just a blast.
Krista Chain: It looks like it would have been a really good time.
Hunter King: Thank you.
Krista Chain: So what was your favorite part of the movie.
Hunter King: Oh, my favorite part of the movie there I mean, there were so many
Hunter King: fun scenes that we film Nicolet, my co-star. He was great. He was very patient with me, teaching me many Italian words in between in between takes. I just would constantly ask him what different things mean, and then somehow would not remember any of it. 20Â min later would have to ask him all over again. A great patient teacher and a great Co star. But getting to film just in all these different amazing locations was just
Hunter King: just I don’t even know how to describe it. And some of the things that we did like. Vespa scenes were so fun because we couldn’t really ride the vesque class they needed to like get us
Hunter King: like the certain camera angles, so we’d be up on the back of a truck with the vespas drafted kind of on a trailer behind. It was just so much fun getting to shoot these different things, and there was so many fun experiences like that on this one.
Krista Chain: So you had never worked with your co-star before.
Hunter King: No, no! This was the 1st time.
Krista Chain: Oh, okay, we all had really good chemistry together.
Hunter King: Thank you. Thank you. Yeah, no, he was. He was lovely. He was great. And I give him major props because filming
Hunter King: a movie in your second language. I luckily only had to say a couple of Italian words, and that was difficult for me. So I was like, I don’t know how you’re doing this. That is so hard. And he handled it like such a pro. And just was, Yeah, I was. I was very impressed.
Krista Chain: Okay? And what was your biggest challenge in filming this movie?
Krista Chain: Did you have any obstacles or challenges.
Hunter King: I’m trying to think of my biggest. I mean, honestly, that sounds again, Mika having to film a whole movie in your second language, when I only had to say a couple of words, but I somehow always would botch the words, and the director would tell me, I’m like, Okay, wait, wait. Remind me how to say that like right before we would start filming.
Hunter King: And he’d be like, this is how you say this is how you say it. I’m like, Okay, okay? And then we’d go to film. And I somehow go back to saying it the wrong way. And I would do that so many times. Oh, my God! I felt so bad! And Mika is over here just handling it all like it’s a breeze, and I’m like I can’t even say 2 words in Italian without having to do it 5 different times. So that was probably the most challenging, and the most takes that I had to do was on the Times, that I would have to stay
Hunter King: forwards in Italian, and I would screw it up every time.
Krista Chain: So the biggest challenge was the language. Then.
Hunter King: Yeah, luckily I only had a little bit, but somehow it was still challenging for me. Yeah.
Krista Chain: I can imagine it would have been for me as well.
Hunter King: It was hard it was hard. But I’m I’m determined to get my Italian down, so that the next time I go there I can say more than how to order an espresso at a cafe.
Krista Chain: Is it was that the 1st time you had ever been to Italy.
Hunter King: I’d been to Italy once before, like
Hunter King: 1011 years prior and so now I feel like I appreciated it even more, and getting to be there for work was just
such an incredible opportunity that I will never forget.
Krista Chain: Well, I have also watched you and young and the restless.
Krista Chain: And so I was just wondering what is the differences in filming a movie and filming a TV show.
Hunter King: Well, I’d say the number one difference between the 2 is just the pace
Hunter King: with the young wrestles. We had to
Hunter King: an hour’s worth of a show in one day, and sometimes more, because we would film like a episode and a quarter or something like that every single day. And
Hunter King: the pacing was just so fast, and you had to. Some days. I had, I think, the most dialogue I ever had in one day was like 55 pages for the young, the restless. When you film a movie, you have, like, you know, 4 5 pages of dialogue that day so definitely the pace. And you get a lot more time and a lot more takes when you film a movie which is nice.
Hunter King: and that one, it’s almost like doing a play every single day is you got to know your stuff? You get one, maybe 2 takes, and then you’re moving on.
Krista Chain: Wow!
Hunter King: Yeah.
Krista Chain: That. That’s 1 reason I really wanted to talk with you today, because I have watched you for so long, and the young and the restless and then saw this movie. And so I really wanted to to have a chance to talk with you today.
Hunter King: Oh, I’m so excited that we’re getting to talk. Then I mean, I feel like the soap opera fans. It’s like
Hunter King: the best kind of fans because you guys are dedicated. You’re watching
Hunter King: single day, like you know the story you? I always said that the fans of the show know the show better than I do, cause they’ve watched for years that they’re like. No, this person was with this person, but then they cheated on this person, and now they have a baby with this person I’m like, Oh, my God! I didn’t even know that. So.
Hunter King: Major Boss.
Krista Chain: My grandmother got me into watching the soap operas.
Hunter King: I love that that’s so sweet. I love that.
Krista Chain: Yeah. When I was when I was young I used to stay with her some during the summer and stuff, and when I was sick from school, and she always had to watch Young and the restless.
Hunter King: Love that, and then they then you get hooked. You watch one episode. You’re like, now I need to know what happens, and.
Hunter King: That’s how they do it. Yep.
Krista Chain: That’s right. And so you I noticed in the movie that you were a chef. Do you have
Krista Chain: passion for cooking and baking yourself, or.
Hunter King: I’m learning. I definitely don’t have the same skills as Danielle for sure. Nowhere close. I have many different battle wounds, as I call them from cooking different burn marks or different cuts on my fingers and scars from accidentally cutting myself.
Hunter King: So I’m definitely nowhere near her level. But I do enjoy it, and I’ve started cooking more and more within this last year, and I’m getting better. It’s edible. That’s for sure. It’s edible, questionable. But we’re getting there slowly.
Krista Chain: That’s the main thing.
Hunter King: I just want to be good enough to eat. I don’t need to be Michelin Star just good enough to eat. That’s it.
Krista Chain: And that I have some. I have some burn marks, too, so.
Hunter King: You get it? Yeah, it takes time.
Krista Chain: So what are you? Some of your hobbies that you do in your free time, when you’re not working.
Hunter King: Oh, my gosh! I always feel so boring when people ask me about my hobbies. I’m like, I like my dogs. I love to read. I’m a really big reader. My boyfriend. And I, we love TV and movies. And so we do watch a lot of TV. We have a whole list of different things that we’ve been watching this year. And it’s
Hunter King: it’s a substantial amount. I’m like, okay, we need to slow down on the TV. Cause this is this is getting out of control. But we do love to watch. We have our favorite shows together. But I I’m a big, big reader, and surprise surprise. Most of the books I read are wrong coms, so I just I keep away from them. I love them so much.If you are in the market for superclone, http://swisswatch.is/ Super Clone Rolex is the place to go! The largest collection of fake Rolex watches online!
Krista Chain: I love to read as well. What’s your favourite book?
Hunter King: Oh, I mean, I love Colleen Hoover. Just it starts with us. It ends with us, or it ends with us and starts with us. We’re both so good. Verity was incredible. Have you read any colleen Hoover books.
Krista Chain: I haven’t.
Hunter King: Oh, okay, you’re gonna be.
Hunter King: I’m telling you it’s gonna change your life. You’re gonna thank me. You’re gonna come back and you’d be like you were right. Go and read, it ends with us and then read, it’s it’s weird. It starts with it ends with us. Then it starts with us is the sequel, and then a totally different book. Verity.
Hunter King: another one of our books, which I think that that’s 1 of them is
Hunter King: oh, another good one but those are really good, so try those. But.
Krista Chain: Okay.
Hunter King: For you if you want some Romcom books. I got you.
Krista Chain: I I’ve been reading some freedom. Macfadden, have you read her.
Hunter King: No, I haven’t.
Krista Chain: The housemaid and the co-worker, the teacher.
Krista Chain: Those are. Those are the ones. I just finished the coworker, and it was really good. So I’m fixing about to start the teacher.
Hunter King: Ok, all right, I’ll put those on my list. I’ll definitely do that because I’m almost done with my book now, and I need a new one. Check out, Emily Henry, too.
Krista Chain: I’ve seen her, but I’ve never read any of hers either.
Hunter King: If you like. Hallmark, you’d love her books. They’re just so feel good and just make it just feels like you’re reading a warm hug it just they’re just delicious. You gotta read her books.
Krista Chain: I’ll definitely check her out.
Krista Chain: And have you ever worked with you said you had never worked with your co-star before.
Hunter King: No, I have not. This was our 1st movie together.
Krista Chain: Oh, wow! Well, who is someone that you would like to work with that? You’ve never worked with.
Hunter King: oh, my gosh! I mean there’s so many different
Hunter King: great people in Hallmark jonathan Bennett would be so fun. I’ve been a fan of his forever.
Hunter King: Tyler, big fan of his, would love to work with him. Well, I’ve said this before, and I’ve been so lucky with all of the people that I’ve worked with both men and women, just like some of the loveliest people. So if I ever got the opportunity to work with any of my co-stars again, and film either a sequel or another thing, I would jump at the opportunity, because I’ve been so fortunate to have made so many amazing friendships with the people that I’ve worked with, and they’re all not just like great actors, but great people as well.
Krista Chain: I I would think that would be one of the most fun parts of doing movies and stuff like that is getting to meet different people, and making friendships with different ones.
Hunter King: Yeah, no, that honestly, that’s probably my favorite part of getting to do movies and just meeting so many different people and people that you would never would have met, or that live in different places that live in Italy. Now.
Krista Chain: Rather.
Hunter King: In Canada. And so it does make you feel more connected to the.
Krista Chain: And go into different places.
Krista Chain: and I think I had one more question. Do you have any projects coming up that you can tell us about?
Hunter King: I have. Well, I don’t think I’m really allowed to say much about it. I haven’t filmed it yet, but I’m going to be filming a very fun homework movie soon that I cannot wait for. It’s like a dream job. I mean, all the ones that I’ve done have been amazing and just so much fun. And this one is gonna be no different. It’s just gonna be.
Hunter King: Oh, I can’t wait. I’m like bursting at the seams waiting to tell people about it, but it’s gonna be a good one, I promise.
Krista Chain: Oh, I can’t wait to see it!
Hunter King: Thank you.
Krista Chain: Well, thank you so much for talking with me today. And I really, I really did enjoy getting to meet you and talk to you today.
Hunter King: Thank you so much. Thank you for having me. I’m so glad that you got to watch the movie, and that you’ve watched the young the wrestlers for years, but it was so lovely to talk to you.
Krista Chain: Thank you so much. You take care of yourself and have a wonderful day.
Hunter King: Thank you. You, too. Have a good weekend.
HUNTER KING (Daniella) â Hunter King is best known for her work as a series regular on CBSâ Life in Pieces opposite Colin Hanks, Betsy Brandt and Thomas Sadoski. King can also be recognized as Summer Newman on The Young and the Restless, a role for which she earned two Daytime Emmys. In feature work, King starred in A Girl Like Her opposite Jimmy Bennett, which garnered incredible reviews for confronting bullying in schools. King was cast as the lead in ABCâs 2020 comedy pilot Prospect. Most recently, King wrapped shooting the lead in the indie feature Give Me Your Eyes. For Hallmark Channel she was last seen starring in The Santa Summit, as well as The Professional Bridesmaid, and A Royal Corgi Christmas. For Hallmark Mystery King also starred in Nikki & Nora: Sister Sleuths.
AN AMERICAN CHEF TRAVELS TO ITALY AND MEETS A HANDSOME GELATIERE HUNTER KING AND MICHELE ROSIELLO STAR IN TWO SCOOPS OF ITALY
A NEW, ORIGINAL MOVIE PREMIERING JUNE 22, ON HALLMARK CHANNEL
Shot Entirely on Location in Italy As Part of the Networkâs June 2024 Passport to Love Programming Event
Chef Danielle Turner (King) is facing a dilemma of gastronomic proportions and might lose her restaurant unless she can come up with a new menu that will wow her investor. Desperate for epicurean inspiration she travels to Ostia Antica, an ancient Roman village. Danielle soon meets Giancarlo Donati (Rosiello), a charming local gelatiere facing his own crisis of the gelato variety. Giancarlo introduces Danielle to the flavors, the culture, the gelato and other charms of the quaint town and together they motivate and encourage one another. As Danielleâs falls for Italy, she discovers it might not be the only thing to capture her heart.
Two Scoops of Italy is from MarVista Entertainment in association with Cattleya. Larry Grimaldi, Hannah Pillemer, Fernando Szew and Todd Y. Murata are executive producers. Roger M. Bobb is co-executive producer. The movie is produced by Christina Giubbeti. Roger M. Bobb directed from a script by Eric Brooks and Nicole Baxter, from a story by Abdi Nazemian
Executive Producers: Larry Grimaldi
Hannah Pillemer
Fernando Szew
Todd Y. Murata
Co-Executive Producer: Roger M. Bobb
Producer: Christina Giubbeti
Production Credit: A MarVista Entertainment Production in association with Cattleya
Directed by: Roger M. Bobb
Written by: Eric Brooks and Nicole Baxter
Story by: Abdi Nazemian
Director of Photography: Patrizio Patrizi
Production Designer: Tiziana Liberotti
Edited by: William Lynch
Music By: Jamie Coleman
Costume Designer: Claudette Lilly
Casting by: Teresa Razzauti
Cast: Hunter King (Danielle Turner)
Michele Rosiello (Giancarlo Donati)
Sara Mondello (Elida)
Simone Colombari (Aldo Donati)
Ruby Kammer (Sarah Turner)
Michele Augusto Magni (Bruno)
Serge Pirilli (La Rana)
Alessia Franchin (Marta)
Davy Eduard King (Owen Bridges)
Lorenzo Padalino (Nico)
James Tumminia (Mario Chiellini)
Why would EJ be dumb enough to put Judeâs genetic test in the safe at the DiMera mansion? He should have known Kristen, Stefan, and anyone else who lives in the mansion would have opened the safe. Did he really think he was the only one who would go in there? We understand Stefan had to have a way to blackmail EJ, but that didnât make sense. EJ wouldnât have been careless enough to put the results in a place where anyone could find it.
It could be just us, but we are sick of seeing Theresa get away with her scheme. Itâs beyond time for her to get exposed for her scheme. We are also sick of Alex walking around like heâs the man because he thinks heâs Victorâs son. He needs to be knocked off his high horse. The writers are taking too long to expose that Xander is Victorâs son. We canât wait to see the look on Alexâs face when he finds out he isnât Victorâs son. It will also be great to see Theresaâs face when sheâs exposed for her plan.
Thumbs up to the writers for acknowledging Juneteenth. Itâs good that they acknowledge the holiday. The other soap operas ignore the holiday, but Days always take the time to acknowledge it. With Abe and Paulinaâs anniversary being that day, itâs an extra way for the show to acknowledge the day. The other soaps need to do the same especially since they have African Americans on their shows.
Speaking of Juneteenth, what are the odds that the high school prom would be the same day? Most proms are in May or early June. They arenât usually near the end of the month especially since kids should be getting out of high school by then. We know the writers think we all want to see the prom, but they should have gotten the time right for it.
We loved hearing Tate rip into Theresa for hurting Brady. She needed to hear about what she did to Brady. Tate had us cheering him on when he told her that she only cares about herself. He was right on the money about that because all she does is think about what she wants. When she tried to use what Konstantin did to her to let her off the hook, Tate didnât fall for it. He walked away from her.
How did Leo know what happened during Konstantin and Maggieâs wedding when he wasnât there? When he ran into Theresa, he asked her about Konstantin holding her hostage. Leo also knew Konstantin said there was an enemy in the midst. Since Leo wasnât at the wedding, he shouldnât know what was said. It wasnât likely they had all that information online.
The writers missed the mark when they had Jack in Salem. He went to see Chad and Julie at the Horton house, yet he didnât take the time to see Steve. You would think Jack would have taken the time to see his brother while he was in Salem. Steve is his family too. We know Jack isnât staying on the show long, but they could have had him talking to Steve.
Why didnât Paulina invite Johnnyâs family to the going away party? Johnny has family members in town so she could have invited them to the wedding. Itâs not like she doesnât know who his family is so thereâs no reason why she didnât invite them. Johnny shouldnât have had to invite EJ to the party. Did Paulina think Johnnyâs family wouldnât have come to send him and Chanel off.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
-Who reported the story about Konstantin online? The only one who could have reported it was Xander and he wouldnât have put that story online.
-Paulina could be heard talking to herself while Alex and Theresa were shown.
-Stefan could be heard talking to himself while Nicole was shown.
-Eric could be heard talking to Nicole while Stefan was shown.
-Tate could be heard talking to Brady while Theresa was shown.
-Nicole could be heard talking to Eric while EJ was shown.
Tuesday
-Bonnie didnât hear Theresa telling Victorâs painting that Alex wasnât his son, but she heard her saying Xander deserved to be screwed. As loud as Theresa was talking Bonnie should have heard the entire conversation.
-Chad could be heard talking to Clydeâs picture while Xander was shown.
-Chad could be heard talking to Julie while Bonnie was shown.
-Maggie could be heard talking while Julie and Chad were shown.
-Alex could be heard talking to Marlena while Xander was shown.
-Leo wasnât at Maggie and Konstantinâs wedding so how did he know Konstantin said before he died?
-Maggie cried without any tears.
Wednesday
-The music playing in Chanelâs scene could be heard while Paulina was shown.
-EJ could be heard walking while Chanel and Lani were shown hugging.
-Chad could be heard talking to Julie while Johnny, EJ, and Stefan were shown.
-Paulina could be heard talking to Eli while Johnny was shown.
-Why didnât Paulina invite more members of Johnnyâs family to the going away party? She could have invited Marlena, Roman, Kayla, and Steve to the party.
Thursday
-Nicole could be heard talking to Dr. Greene while EJ was shown.
-Holly could be heard talking to Tate on the phone while Theresa was shown.
-Holly didnât hear Stefan blackmailing EJ even though the door was open, and they were talking loudly.
-Theresa could be heard talking to Brady while Nicole was shown.
-While Tate and Aaron were talking about Sophia, Aaron didnât see Sophia eavesdropping on their conversation.
-Tate could be heard talking to Brady while Stefan and EJ were shown.
Friday
-Why would Alex be running at night?
-When Alex wanted something to drink, he asked Leo for his water. Why couldnât he order his own drink?
-Holly could be heard talking to Aaron while Brady was shown.
-Roman could be heard talking to Kayla while Steve was shown.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Weâre sure it was no surprise to anyone, but Maggie and Konstantin didnât get married. Maggie and company let Konstantin know that they were on to him and his schemes. Konstantin revealed why he wanted to get revenge against Victor. Victor suddenly left him out of his will. He admitted that he had Victor killed. It felt underwhelming because Konstantin is too new of a character for us to care about. We did notice that no one saw how scared Theresa looked when Konstantin was getting grilled about his accomplice. Theresa didnât hide the fact that she was afraid of being busted. During the revelation Konstantin managed to shoot Steve before he left the mansion with Theresa as his hostage. Thereâs rarely a dull moment at a Salem wedding.
The writers left the audience hanging by not revealing that Xander is Victorâs son. Konstantin managed to die without us finding out Xanderâs true paternity. What was the point of having Xander be Victorâs son if he wasnât going to find out? They may as well have let Alex be Victorâs son. We were happy that Konstantinâs story is over, but it could have ended with Xander finding out the truth.
Marlena must not have done a good job of de-programming John since he was still affected by the pawn card. He kept hearing Konstantin tell him to shoot Steve, but he was supposed to be immune to the pawn card. Itâs funny how the pawn card didnât work when Konstantin gave him orders, but once he died, the card work. Does the card have a selective hold over John? Itâs something how all it took to break John out of the trance was a phone ringing. Speaking of the pawn card, you would think someone would have burned the card so John wouldnât be under the spell. Was it that hard to get rid of the card?
Kayla was upset that Steve kept her in the dark about what happened at the wedding. She wanted him to warn her that he was going to be in danger. We understand that she was concerned about him, but if he told her what was going on, what would she have done? Knowing what happened wouldnât have changed the outcome. She practically ordered him to tell her whatâs going on like she is his mother.
Weâre surprised that Chanel defended Paulina to EJ. It wasnât that long ago when Chanel blamed Paulina for risking her babyâs life. Once EJ wanted Paulina to pay for what she did, Chanel suddenly did a 180. If Chanel didnât blame Paulina for what she did, why was she giving her such a hard time? Guess Chanelâs the only one that can say bad things about Paulina.
Marlena doesnât have any loyalty towards Eric. Why would she agree to be his psychiatrist after what he did to Eric? We know Marlena is the only psychiatrist in Salem, but she could have recommended someone else to listen to him. Roman didnât want Leo in the pub because of what he did to Eric, yet Marlena was willing to be his psychiatrist.
Why was it so hard for Chad to believe that Abby was alive? With everything that has happened in Salem, Chad shouldnât have been shocked that Abby could be alive. People in Salem come back to life all the time, so Chad didnât need to question if Clyde told him the truth. The only thing he should have focused on was where she was. We know Chad had to have dramatic scenes of questioning Clydeâs word, but it didnât make sense when itâs Salem the town where everyone comes back to life.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Stars Jennifer Esposito, Annabella Sciorra and Domenick Lombardozzi of “Fresh Kills,” by Suzanne 6/6/24
This is a truly great movie, and I was honored to see it and interview three of its stars. Jennifer wrote, directed and starred in the movie. Annabella plays one of her relatives (aunt?), and Domenick plays her husband. I hope you can see this wonderful film.
In her writing & directing debut, veteran actress Jennifer Esposito (Crash, Summer of Sam, Samantha Who, Blue Bloods) brings the late 1980s/early 1990s Staten Island to vivid life through the lens of Rose Larusso (Emily Bader), an inquisitive young woman who discovers her father (Domenick Lombardozzi) is an emerging mafia kingpin. Roseâs growing desire to break free from the path set before her soon threatens her existence and alienates her from her closest allies: her mother (Esposito), aunt (Annabella Sciorra) and sister (Odessa Aâzion). Smart, thrilling, and nuanced, FRESH KILLS turns the classic mob movie inside out, by taking audiences on a journey with two teenage girls, living in a mafia life filled with violence, fear, and rage. A closed off world that dictates who these young women are destined to become⌠unless they fight to break free.
JENNIFER ESPOSITO (Director, Writer, Producer, & Francine Larusso)
With a career spanning over 25 years, Jennifer Esposito is a Screen Actors Guild, Critics Choice and Hollywood Foreign Press award recipient. She has appeared in over 60 films and television productions, most notably the Academy Award-Winning film CRASH by Paul Haggis, SUMMER OF SAM by Spike Lee and WELCOME TO COLLINWOOD, by The Russo Brothers. Some of her TV work includes SPIN CITY, SAMANTHA WHO, BLUE BLOODS, THE AFFAIR, THE BOYS. and NORA FROM QUEENS. Jennifer makes her writing and directing debut with FRESH KILLS, in which she also produced and plays a supporting role. She was also the first to incorporate NFTs as a fundraising tool for independent films.
Annabella Sciorra is best known for her powerful Emmy-nominated performance as âGloria Trilloâ in HBOâs THE SOPRANOS. She can currently be seen opposite Sylvester Stallone in Taylor Sheridanâs recently renewed Paramount+ series, TULSA KING, as well as in the Apple limited series, TRUTH BE TOLD, opposite Octavia Spencer and Aaron Paul. Other television credits include GODFATHER OF HARLEM (Epix), GLOW (Netflix), Marvelâs DAREDEVIL (Netflix), NEW AMSTERDAM (NBC) Marvelâs LUKE CAGE (Netflix), THE L WORD (Showtime), and LAW & ORDER: CI (NBC), among others.
On the feature side, Annabella will next be seen opposite Jennifer Esposito in the indie feature FRESH KILLS, which is premiering at this yearâs Tribeca Film Festival. Annabella also starred in the indie feature, BEFORE I GO, directed by Eric Schaeffer, as well as Fiona and Sophia Robertâs A VIEW OF THE WORLD FROM FIFTH AVENUE, opposite Whit Stillman and Logan Miller.
Annabella achieved leading lady status starting with Spike Leeâs JUNGLE FEVER and Curtis Hansonâs THE HAND THAT ROCKS THE CRADLE. Other feature credits include WHAT DREAMS MAY COME opposite Robin Williams and Cuba Gooding Jr., among numerous others. She received an Independent Spirit Award nomination for Best Female Lead in Nancy Savocaâs TRUE LOVE.
Domenick Lombardozzi is an established actor known for his work on both the big and small screen alike with over sixty credits to his name, working with some of the worldâs most talented filmmakers.
Lombardozzi starred as the head of the Genovese crime family, Anthony âFat Tonyâ Salerno in Martin Scorseseâs critically acclaimed Netflix feature, THE IRISHMAN, opposite Robert De Niro, Al Pacino, and Joe Pesci about the rise and murder and subsequent disappearance of Teamsters president, Jimmy Hoffa. Lombardozzi completely transforms in the role from a man in his early 40s to a man in his late 60s. Lombardozzi credits De Niro and Chazz Palminteri for giving him his first acting role when he was just 15 years-old playing Nicky Zero in the classic 1993 film A Bronx Tale, which was De Niroâs directorial debut.
Of all his roles, Lombardozzi is perhaps most recognized for his role in the iconic HBO series, THE WIRE, where he portrayed âDetective Thomas âHercâ Hauk,â a loveably flawed Baltimore Police officer turned PI. Lombardozzi then took a comedic turn in HBOâs ENTOURAGE as âDomâ, one of the gangâs old friends who happens to be an ex-convict.
He also appeared in a season long arc on Showtimeâs RAY DONOVAN as a troubled and damaged police officer, Courtney Kempâs hit Starz series, POWER, as well as HBO/David
Simonâs WE OWN THIS CITY, and THE DEUCE where he plays legendary NY police detective âJack Mapleâ. He most recently can be seen as Charles âChickieâ Invernizzi on Taylor Sheridanâs TULSA KING for Paramount+, as Sylvester Stalloneâs nemesis.
His other past television credits include: MAGNUM P.I., MRS. FLETCHER, MARVELOUS MS. MAISEL, YELLOWSTONE, MACGYVER, BILLIONS, SNEAKY PETE, THE GOOD WIFE, BOARDWALK EMPIRE, ROSEWOOD, and BREAKOUT KINGS. His other past film credits include: BRIDGE OF SPIES, FOR THE LOVE OF THE GAME, FIND ME GUILTY, THE FAMILY, THE WANNABE, THE GAMBLER, BLOOD TIES, MIAMI VICE, and COLD PURSUIT.
He can next be seen in a season long arc in the second season of the hit Amazon series, JACK REACHER based on the Lee Child novels, and in Grant Singerâs Netflix feature crime thriller REPTILE opposite Benicio del Toro.
-Nicole could be heard talking to Sloan while Leo was shown.
-Sloan didn’t have a bruise on her face from when Nicole hit her.
-Stefan could be heard talking to Kristen while Rafe was shown.
-Roman’s flashback could be heard before it was shown.
-Leo could be heard talking to EJ while Kate was shown.
-Sloan cried without any tears.
-Kristen could be heard talking to Stefan while Nicole.
-Rafe could be heard talking to Melinda while Sloan was shown.
-Sloan’s flashback could be heard before it was shown.
Tuesday
-The music playing in the Montana scenes could be heard while Roman and Kate were shown.
-Snake could be heard talking to Harris while Goldman was shown screaming.
-Goldman could be heard screaming while Snake was shown.
-Harris could be heard talking to Snake while Ava was shown.
Wednesday
-EJ could be heard closing a door while Nicole was shown.
-Rafe could be heard talking to Nicole while Melinda was shown.
-Ava could be heard talking to Clyde while Rafe was shown.
-Harris could be heard talking to Ava while EJ was shown.
-Stefanâs flashback could be heard before it was shown.
-Nicole cried without any tears.
Thursday
-The music playing in the Montana scene could be heard while Kristen was shown.
-It was still daytime when Chad was about to kill Clyde in Wednesdayâs episode, but it was nighttime in this episode.
-Maggie could be heard talking to Julie while Chad was shown.
-Theresa could be heard talking to Konstantin while Julie was shown.
-Maggie could be heard talking to Julie while Brady and Theresa were shown kissing.
Friday
-Why was Sarah so concerned about meeting Xanderâs mother? Sarah and Xander were married before, but she didnât want to meet his mother. Now she suddenly wants to meet her.
-What were the odds that Sarah didnât request the day off for Maggieâs wedding? Why would she choose to go to work instead of going to Maggieâs wedding?
-Maggie could be heard talking to Sarah and Bonnie while Justin was shown.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
Interview with Jane Badler of the film “Trim Season” by Suzanne 6/6/24
It was awesome to speak with Jane. She seems really nice and is an amazing actress. I admit that I did gush a little, since I’m a huge fan of her from her days back in the 80’s when she played “Diane” in the scifi movies and TV show “V.” This is an entertaining horror film. Don’t miss it!
TRIM SEASON | The Ultimate Nightmare Blunt Rotation | Directed by Ariel Vida & Starring Jane Badler, Bex Taylor-Klaus, & Alex Essoe | In Theaters 6/7
Presents
TRIM SEASON
The Ultimate Nightmare Blunt RotationâŚ
From Award-Winning Filmmaker & Production Designer Ariel Vida
* In Theaters and On Demand June 7th, 2024 *
Presents
TRIM SEASON
The Ultimate Nightmare Blunt RotationâŚ
From Award-Winning Filmmaker & Production Designer Ariel Vida
* In Theaters and On Demand June 7th, 2024 *
Directed by Ariel Vida (âVide Noirâ)
Written by David Blair, Sean E. DeMott, Cullen Poythress, Megan Sutherland, & Ariel Vida
Produced by Aaron B. Koontz, Sean E. DeMott, Paul Holbrook, & Jane Badler
Executive Produced by Leal Naim & Jake Hearns
Co-produced by Cameron Burns
Starring: Jane Badler (âVâ, Ricky Stanicky) Bex Taylor-Klaus (âScreamâ) Alex Essoe (Starry Eyes, âMidnight Massâ) Bethlehem Million (Sick, “And Just Like That…”) Ally Ioannides (Synchronic) Cory Hart (âFear the Walking Deadâ)
Jobless and searching for purpose, Emma and a group of young people from Los Angeles drive up the coast to make quick cash trimming marijuana on a secluded farm in Northern California. Cut off from the rest of the world, they soon realize that Mona – the seemingly amiable owner of the estate – is harboring secrets darker than any of them could imagine. It becomes a race against time for Emma and her friends to escape the dense woods with their lives.
RT:Â 100Â Minutes
âA suspenseful, uniquely crafted story highlighting pain and sacrifice that should spark some powerful conversation around women and gender. Mesmerizing performances, an innovative story, beautiful stylistic choices, and a little bit of witchy weed make Trim Season a must-see horror film.â
–Â BLOODY DISGUSTING/Michelle Swope
âFrom Badlerâs commanding performance that contributes to the uneasy atmosphere Vida expertly curates to the stomach-churning sequences of body horror, there is undeniable greatness here thatâs well worth seeking out.â
–Â SCREEN ANARCHY/Kyle Logan
About Ariel Vida
Ariel Vida is a director and writer of the strange and fantastical, who has also production designed over a hundred shorts, music videos, and feature films. Her design work has received high honors, including ‘Best Production Design’ at Neuchâtel International Fantastic Film Festival for Moorhead & Bensonâs THE ENDLESS. Her music video directorial debut -Lord Huronâs The World Ender-was selected as a Vimeo Staff Pick and awarded âBest Music Videoâ at several festivals. The videos for Lord Huronâs The Night We Met, which Ariel produced, and Childish Gambinoâs Sober, which she art directed, have both been viewed over 100 million times on YouTube.A frequent collaborator with Rustic Films, Ariel’s most recent design work includes Amy Seimetzâs Neon Release SHE DIES TOMORROW, Spectrevision and Adam Egypt Mortimerâs ARCHENEMY, Alma Har’el and Bob Dylanâs SHADOW KINGDOM, and Moorhead & Bensonâs SYNCHRONIC as well as their Sundance 2022 premiere SOMETHING IN THE DIRT, which Ariel also second unit directed.
Arielâs feature directorial debut, VIDE NOIR – written and scored by the band Lord Huron – released in November 2022 through 1091 Pictures. Her first published short fiction will be printed in the upcoming genre anthology HAUNTED REELS alongside fellow filmmakers C. Robert Cargill, Gigi Saul Guerrero, Brea Grant, Owen Egerton, Gary Sherman, and more. TRIM SEASON marks Arielâs second feature as director, and sheâs currently developing many of her own scripts imbuing stylized action within vivid, fantastical worlds from dystopian sea-faring tales to warped, surrealist westerns.
Interview with Bryon James of “The Young and The Restless” on CBS by Suzanne 5/21/24
It was so great to speak with Bryton! He’s nominated for another Daytime Emmy this year, so I hope he wins. He seems like a very nice guy, and we all know what a talent actor he is. Please enjoy the video!
TRANSCRIPT (not yet proofread)
Suzanne: So, did you just come back from New Orleans?
Bryton James: I did. I did. Just got back yesterday. We had a fantastic trip. We were, raising money for the cancer support community and for World War II veterans.
Suzanne: Oh, nice.
And, it was, it was awesome. It was, myself, Christian, LeBlanc, Eric Braden, Katherine Kelly Lang, and, Kimberlyn Brown.
Suzanne: Okay. And, did you get to go into New Orleans and do fun stuff at all?
Bryton James: Oh, yeah, I was, I was in Ardenville and, and then New Orleans the last day, but, I mean, I had fun throughout. We were, we were staying in this beautiful house out in the country, real close to the bayou. And, um, it was fantastic. It was the 2nd time I’ve been to Louisiana and, I, I have been wanting to go back since the 1st time just because of the food.
Suzanne: Right, right. And Christian’s from there, so he probably showed you some fun places, right?
Bryton James: He showed us all the fun places. He’s a walking encyclopedia when you’re there with him.
Suzanne: That’s great. That’s great. Um, so congratulations on being nominated again for an Emmy.
Bryton James: Thank you so much.
Suzanne: How does it feel?
Bryton James: Oh, gosh, it feels it’s it’s it’s an honor.
Bryton James: It’s it’s an honor. It feels like the very first time that never gets old. Um, and, like I always say that just any kind of nomination or recognition when it comes to awards and Emmys. It’s it just means that the people that I admire and respect so much in this medium who who understand what it takes to do what we do, um, think that I’m doing a decent job.
Bryton James: And it means the world to me.
Suzanne: That’s great. Now, I know a lot of the fans, love you, I was reading a lot of message boards, so even when they don’t like What Devon is doing or how he’s acting. They always say, Oh, he’s such a great actor. I love her so much. That’s
Bryton James: all I hope for. That’s all I hope for.
Bryton James: Whether they like me or hate me, as long as they believe what I’m doing. That’s all it matters. And
Suzanne: do you display your Emmys at home?
Bryton James: I have them. I, you know, they’re up in my, in my bedroom, just on my dresser for, for the first, I mean, for a long time, my, my first Emmy was with my mom. She had it for years and years.
Bryton James: And then, I ended up back with it when she was moving. Um, So, yeah, no, I don’t, I don’t put them out and about, but they’re upstairs for me to see.
Suzanne: Okay, well, if you get another one, you, you should get a display case or something.
Bryton James: I, I might, I just, you know, or I might, give this latest one, I’ll give this one back to my mom so she can, she can have it in her new place.
Bryton James: I’ve been telling, Christian and, and Peter Bergman, um, the ones who have three, that they got to get four so they can make a table.
Suzanne: That’s right. There you go. That’s right. An Emmy table. That would be funny. Let’s do an
Bryton James: Emmy copy table. Um,
Suzanne: so I’ve been watching the show a long time. In fact, I started watching it in 1986, the year you were born.
Suzanne: Oh, wow.
Bryton James: Wow.
Suzanne: I’m old.
Bryton James: I would never have guessed that you were back that far with us.
Suzanne: Yeah, I know. I was in my last year of college, and I had been watching all the ABC soaps, because, They didn’t have, you know, VCRs too much back then, and the student center had a little, all the colleges had a little student union or student center where there was a TV that was usually turned to the soaps during the day, and ours was always turned to ABC soaps.
Suzanne: But then my last year transferred, and they showed Young and the Restless before All My Children, so. It started on the hat. So
Bryton James: they got hooked on the good one. That’s great.
Suzanne: They get you hooked. I’m very easily hooked. So I remember when you came on the show, you’d always, you always were, that’s what I was saying earlier about watching the Eclipse.
Suzanne: You were always such a great actor, even when you were young. You could see it in your first episodes. You had such great dramatic material and you, you know, I can see why you’re still, why they still keep bringing you back. Who were your greatest, influences, would you say acting?
Bryton James: Oh, gosh. I mean, overall, you know, I, some of my favorite actors are like, I used to, I used to recite the scenes from like the shining, cause I was such a fan of Jack Nicholson and.
Bryton James: Guys like Robert Downey Jr. and, but I mean when I got, when I got on Young and the Restless was the first time I really, I consider that my first acting job because even though I had done Family Matters, it was, you know, it was only a couple of lines here and there and it was all about timing and stuff like that.
Bryton James: I didn’t really understand what it meant to get better. Um, and then when I got to Y and R, I mean, I was immediately surrounded by, you know, the, the masters in this medium. And in particular, yeah, my storylines was, you know, a foster care storyline, which has, you know, enormous weight and seriousness and, um.
Bryton James: So immediately, Victoria Rowell and Christophe St. John and even, you know, Crystal, even though she had only been on for a couple of years at the time, I saw no difference in the levels, you know, between her and August and, you know, I, I felt right away this, this need to get better fast when I got, um, when I got to YNR.
Bryton James: But, um, but mostly I’d say, you know, Victoria Rao in particular, just because, um, the majority of the storylines that Devon went through in the first couple of years were real, um, stories that happened to Victoria. Real things that she actually experienced in her life. Um,
Suzanne: Hopefully not the lion attacking her.
Bryton James: Not the lion, not the lion. No, that’s, that took a step into fantasy a bit, but yeah. No, no. But now she was there to, you know, she, she, she mentored me a lot about, about how Devon and, you know, would be feeling going through a lot of things that I went through. Um, and then, you know, to have Christophe also to, to admire and look at as, as, you know, the father, my other father figure there, um, they were my two biggest ones for sure.
Bryton James: That’s
Suzanne: great. No, I, I, I interviewed, Christophe over the phone in 2015 and he was the nicest. One of the nicest people I ever talked to, and he was out running errands and taking his dog to the vet, but he still had total concentration talking to me. Oh, yeah. He’s one of the few back then, you know, they were all phone for me back then, that gave me his number.
Suzanne: He, he’s called with his own cell and said, call me if you need any follow up. No one does that. They’re like,
Bryton James: they have
Suzanne: like, practically no one does it. You know, they do a publicist and, you know, I have to call into a number or something like that. So that was, that just blew me away.
Bryton James: Hey, I’ll give you my number so you can have any follow up.
Suzanne: It was just so amazing to me.
Bryton James: But he is, I mean, that sounds like him. He was, yeah, he was absolutely one of.
Suzanne: Yeah.
Bryton James: Sorry. We had to cut out for just a
Suzanne: second. Yeah, he was great. And, you know, I had watched him before Young and the Restless. On generations when he starred in that as a young guy, Adam. And so I love seeing him as an even better character on young.
Suzanne: The rest is because Adam was kind of boring. He was like always a nice kid and everything, but Neil had all these layers. And so,
Bryton James: Oh yeah. You know, it was really crazy too. When, when, They had Telma Hopkins who played my father on Family Matters come on and do a few episodes of YNR. She was telling me about how in that studio, and in particular, I believe it was on stage 33, which is right across from where we film, was the first soundstage she ever worked on, on a television show.
Bryton James: And they had this variety show that they did with Tony Lando and Don. Yeah, I
Suzanne: watched that. I was in, I watched that.
Bryton James: She showed me an episode and a scene that she did with Christoph when he was, I think, 11 or 12 years old.
Suzanne: That’s cool. That’s right. And,
Bryton James: yeah. So to get to see that, that they, it’s such a small world.
Bryton James: Yeah.
Suzanne: Well, especially in Hollywood, I guess.
Bryton James: Oh yeah.
Suzanne: and, actually, the, one of the things I really loved about when Drusilla came on, you know, she was like a real person, you know, she’d been a street kid and all that. And, I was a foster kid, so I really loved her story and yours and enjoyed it a lot.
Suzanne: And I’m always grateful for the charity work that you both do. For kids and foster kids. So thank you.
Bryton James: Absolutely. I thank you. I thank you for those kind of words. And I thank the show also for, for taking that, that, that leap into doing the storyline. Actually, it also learned that that, um, Victoria Rao had approached, Bill Bell about doing a foster care storyline in the mid nineties, and they weren’t quite ready for it yet, which I’m thankful they weren’t because I think there would probably be a different Devon.
Bryton James: So
Suzanne: that’s funny. Um, so, you’ve had a lot of stories over the years, which were your favorites. Do you have any favorites?
Bryton James: Um, and I apologize for the noise. I’m having construction done inside. Okay, good. Um, my favorite storyline over the years, I think would have to be my, losing my hearing, um, just because, you know, to, to have to portray losing a sense, you really, you know, Can’t understand what that’s like unless you go through it.
Bryton James: So you really just, you know, you do as much studying as you can and, and homework and, and try to do the best job that you can do, but, um, really just because the challenge of it. And then one of my best experiences with a fan was I was out having lunch one day. They came by and left a note on the table, they’d written on a napkin and didn’t say anything.
Bryton James: They just left it and walked away. And, it was someone who also was deaf. And they told me how they had lost their hearing very early on in life. And they’d always watched Young and the Restless. And just commended me on the job that I was doing and portraying that. And that was, it meant the world to me.
Bryton James: That’s great.
Suzanne: Yeah, I have a friend a few years back. I remember exactly how many years she, she got meningitis, from a cat scratch. She has a bunch of cats
Bryton James: and
Suzanne: she lost part of her hearing. She’s, she lives the whole, you know, all of it, but it’s like one year or something.
Bryton James: Did she ever get any kind of hearing aids or, or the, I don’t think she does
Suzanne: enough to really make a huge difference in her life, but she almost died.
Suzanne: So it was pretty serious at the time. Yeah. So that’s a lot more common than you think. Yeah. You know, the cat scratch fever, it’s a real thing. Apparently it’s a
Bryton James: real thing.
Suzanne: So, um, yeah, about the death story. Okay. You were, you were a singer. You’re a singer and a musician. You played guitar since you were young.
Suzanne: and I seem to recall that Devon was interested in doing that and then he got, he was deaf. That didn’t, disappoint you that you didn’t get to do singing and musical things on the show after that?
Bryton James: No, not at all because, actually the only reason that they started incorporating music into Devon’s story was because they found out that I did music in real life.
Bryton James: And, I never really wanted to do music. I never like to incorporate music into Devon. Um, I, I, I love the idea of him, you know, wanting to be a producer and being behind the scenes, but as far as me singing or anything like that, no, no, I didn’t mind at all. It could have been
Suzanne: the next Danny Romalotti.
Bryton James: Nah, nah, I’ll leave that to the professionals.
Suzanne: I saw some of, I saw your video. It was really good.
Bryton James: That was another lifetime ago. So if I kept up the practicing, I would, I’d be more confident. But
Suzanne: right. Yeah, it does. You do have to keep practicing. What can you tell us about what’s in store for Devon coming up? I, I saw yesterday’s episode where he didn’t like that Billy sent the flowers and he popped the balloon.
Suzanne: That was really good.
Bryton James: Yeah, there’s, I mean, there’s gonna definitely be some more, escalation to the tension between Devon and Billy and just the whole working dynamic between Chancellor Winters. Um, that I think is, is going to lead to a big shakeup in the company. Um, I, I honestly don’t even know where that storyline is going to go.
Bryton James: I know what I hope for in Devon’s future is to, is to let him kind of be settled for a good amount of time with his love life. And, and so I want to, you know, walk down the aisle with Abby and really, you know, take on, take on the challenges together, take on challenges together as a couple and be the kind of 1 couple in love that you can look at and say, oh, there’s, you know, they don’t do bad things to each other.
Bryton James: And they’re, you know. They stay together. I really, I said in that interview and fans got on me about comparing us to Michael and Lauren, but I was saying that I want to eventually be the Michael and Lauren. I want Abby and Devon to be them because for such a long time, you couldn’t break those two up.
Bryton James: They didn’t cheat on each other. They didn’t do any, you know, so I’d like that. I’d like to see Abby and Devon. So. The romantic life grow.
Suzanne: Yeah, I was, I don’t want to be touched on a touchy subject here. But, you know, when, when they paired a long time ago, they paired, Neil and Victoria and then I guess fans in the South or something got upset about it.
Suzanne: And so they dropped it just like changed it completely.
Bryton James: Is that what happened?
Suzanne: Yeah, that’s, well, that’s what I read. I remember at the time, it seemed like they just dropped it abruptly. So, it’s, it’s such a different world today. And of course, for the better. And I doubt you get any hate mail for Tiff on,
Bryton James: no, I mean, if, if I do, I haven’t seen it, but, you know, even if there is, you know, you can’t, you can’t cater to, to that kind of thinking, you know, you, you gotta tell stories that, that evolve us, especially
Suzanne: in today’s world when there’s so much, I guess.
Suzanne: There and things are so of course, and, if you can bring back any character to the show, who would you bring? You can say more than one, if you don’t want to upset anyone.
Bryton James: Oh, sure. I, I would, um, I mean, I I’ve always, wanted. Victoria Rau to come back. I’ve always, you know, to see the, what happened to Drew.
Bryton James: We never found her body. So there’s always, even if you have found the body, there’s always an opening in soap operas to come back. Um, but no, I’d love to share the stage with Victoria again. And, and also, Daniel Goddard. He’s just such a great friend to me. And, um, um, always had so much fun on set and I know the fans love them too.
Bryton James: I’d love to see. Those two characters one day.
Suzanne: That would be great. I agree. And the actress, I can’t remember her name, is it? starts with an L. She played your sister and sang on the show. Oh, Lauren. Yeah, absolutely.
Bryton James: Gosh, Lauren, Lauren Lott. I, I want her to have her own show. That’s what I want. That girl is so insanely talented.
Bryton James: Isn’t
Suzanne: she?
Bryton James: She’s so amazing.
Suzanne: I, I interviewed her once for a, a potential Star Trek show that never came about, but we talked a lot about Young and the Restless and some other things. She’s just amazing.
Bryton James: Isn’t she fantastic? She’s just one of the best people I’ve ever met.
Suzanne: That’s yeah, she’s really nice.
Suzanne: She’s got a beautiful voice. Oh my gosh. So, um, let’s see. Nowadays, Devon is mostly involved in the corporate world. Um, are you content with that? Would you like, if he did something completely different? Like I remember when Neil, you know, just quit and went and opened a club. He’s done a lot. He did a lot of things like that.
Suzanne: Have something like that.
Bryton James: I agree. I can, I agree completely. We can bring back Indigo. no, yeah, that, that’s, For me, I’m, I mean, I’m always content with it. If they’re giving me storyline, regardless of what it is, if I’m working, I’m content and I love to be working. but I think any actor, um, always wants to be challenged.
Bryton James: So I would love to do something that’s completely out of the box, something that, you know, fans wouldn’t expect. And, Yeah. Something that. Come
Suzanne: the next Victor Newman.
Bryton James: We all want that. There’s only one. There’s only one. We all, we all aspire to. He
Suzanne: could, or he could have an evil twin, you know,
Bryton James: no more twins, no more twins.
Suzanne: Yeah. That was a little weird with Hillary and
Bryton James: Amanda.
Suzanne: So who else would you like to work on the show that you haven’t worked with very much?
Bryton James: Man, just about everybody. I mean, I know Josh Morrow, Nick and Devon are, you know, they’re, they’re friends on canvas and, and they, we’ve shared a couple storylines together a few years ago, but it hasn’t been much lately.
Bryton James: I’d love to see, you know, more of their friendship. Um, You don’t really see Devon and his friends, you know, he works with and love life and that’s it. Um, I’ve always loved working with and want to work more with Amelia. They had, they gave us a couple of scenes years ago, um, in, in the office and business dynamic that, but that was it.
Bryton James: And, we always have such so much fun off camera. I know we would be a blast to work on camera. Same with Josh. So.
Suzanne: Right. I think it would be great, especially since, Let’s see, I’m trying to remember the relationship, Abby.
Bryton James: Oh, Abby, they’re sisters. That’s my future sister in law. Yeah,
Suzanne: so you think they would interact, the Winters and the Newmans would interact a little bit more.
Bryton James: They’re in the family now, Dominic is a Newman slash Winters slash every other family.
Suzanne: Right, so, One more question. tell me about your app. I assume it’s pronounced disco. Yeah.
Bryton James: Yeah. Yeah.
Suzanne: Okay.
Bryton James: Let’s go. Let’s go. yeah, it’s, it’s, it’s an app that allows people to discover information and commonalities about the people around them in real time and then and be able to engage without having to physically approach.
Bryton James: So, for instance, like, if you, you know, you, you walk into a party or you go to, you know, any social setting, I realized a long time ago, the only option that 2 people have that any stranger has to get to know someone else is to have to walk up to them and shake their hand and introduce themselves and start a conversation.
Bryton James: You know, if you don’t have the time to do that, the ability, the confidence, um, you know, I wanted to, to try to figure out how to use technology to create a new bridge between strangers and
Suzanne: you and Daniel got and came up with this idea.
Bryton James: Yeah, yeah, he’s, I, I, I, was the, the idea spawned from me. I went to Daniel and got him on board and he became my business partner and we’ve been, we’ve been developing it and, we’re in the process of, of, getting it built.
Bryton James: We’ve, we built our, we self funded the build of a beta version that we tested over the, over a few years and, uh. And, yeah, it’s, it’s something to hoping people can expect. So,
Suzanne: you don’t have social anxiety, though.
Bryton James: I, no, I, I don’t. I don’t. I didn’t think so. You’re
Suzanne: pretty outgoing.
Bryton James: But, you know, I, I, um.
Bryton James: It’s funny because I was taught from a very young age of, and kind of coached on how to, you know, interact with people who would come up to me when I was starting on family matters. I was 3. 5 years old and people come up to me, you know, introducing themselves, you know, asking for autographs and asking me questions.
Bryton James: And I didn’t know at first, even how they knew me or what that was about until I learned what I did.
Suzanne: Right?
Bryton James: Um, and so, And then I, and so, you know, I was lucky enough and not everybody is lucky enough to have that kind of early age, you know, training on how to not, you know, to be confident. Um, but also I, I kind of had this realization that the people, any, the people who come up to, to, to me, or when I see them come up to other cast mates, they have this confidence when they feel like they know you because they do.
Bryton James: Sure. You know, in a sense, like we’re in their living rooms every day. So they, they. You know, and when you have a bit of information about someone, you know, you share commonality with somebody, you know, it gives them that that extra spark and extra bit of confidence to make a connection. And, um, I just wanted to be able to create that, for anybody.
Bryton James: So
Suzanne: you say it’s safe. How is it safe when you’re basically you’re meeting strangers and getting their information? How do you know that the person is giving you honest information and that they’re not trying to, I don’t know, scam you or something?
Bryton James: Sure. Well, well, like any app, we’ll have a verification process.
Bryton James: We’ll have anti catfishing, you know, um, features within the app and, and run the gamut of, of, of safety, you know, elements and features to make sure that, you know, who you’re engaging with is who they say they are. And again, you still. It’s up to the, at the end of the day, it’s up to the individual to make sure that they’re being responsible.
Bryton James: And there’ll be an age requirement to use the app and. Um, but yeah, we’re gonna, we’re gonna, we’re gonna make sure that we incorporate everything possible to make sure that we keep people safe on it.
Suzanne: Okay. And you said that you have several universities that are, um, what, investing in it or what are they doing?
Bryton James: Yeah, they, we’ve have several who’ve committed to, to adopting the app. Once we have it built, um, the last one we got was actually University of Kentucky. Um, to just agree to adopt and and and use it on campus for, um, for students who and faculty who may suffer from any form of social anxiety. And and have, you know, any kind of difficulties with making.
Bryton James: In person connections, we can all remember our 1st day of school, especially in college. You know, you, you, you’re on this campus and you’re, you’re everyone’s new. Your goal is to make, you know, you find your tribe and connections and your friends and it can be very, um, intimidating. And, yes, we, the schools have come on board to to adopt us as a tool for.
Bryton James: Students to use.
Suzanne: Well, it sounds very useful. I wish it had been around when I was first. We didn’t have phones and apps,
Bryton James: right? Yeah,
Suzanne: well, thank you very much for talking to me. I really enjoyed it.
Bryton James: Of course, thank you for taking time.
Suzanne: I have I met Victoria, when we were in Alabama, she. Was she’d written a book, one of her books, book tour.
Suzanne: And so I watched her speak and got an autograph and everything.
Bryton James: That’s fantastic.
Suzanne: And I’ve interviewed her a few times after that, but so I was
Bryton James: right.
Suzanne: Oh, she’s just so much fun. She just like, she’s a total character, you know, but in a good way, like a person, you know, I
Bryton James: do all the personality in the world.
Bryton James: And, and that’s why, you know, fans gravitated to her character so much. Cause she brought that to the table. So definitely.
Suzanne: Oh, and when I did interview Christop, because he was, he did a series of movies with her for the Up Network where they
Bryton James: Oh, yes, yes, yes. Yeah.
Suzanne: And we had talked mostly about that as well as young, the rest.
Suzanne: So that was, that was a lot of fun seeing them together again. And I, and I agree with you. I wish they would bring her back, but I don’t know. Somebody said somewhere yesterday, they could say she had been living somewhere else with Amnesia. Of
Bryton James: course
Suzanne: they’ve done that Fun
Bryton James: time. We found, we found Malcolm, right?
Bryton James: Malcolm was supposed to be off in bed and. Yeah,
THE YOUNG AND THE RESTLESS, the #1 daytime drama for 32 consecutive years, is a continuing drama revolving around the loves, enmities, hopes and fears of the residents of the fictional Midwestern town of Genoa City.
The seriesâ 50th season premiered Friday, Sept. 30, 2022, on the CBS Television Network, and is available to stream live and on-demand on Paramount+.
ON AIR: Weekdays (12:30-1:30 PM, ET; 11:30 AM-12:30 PM, PT)
ORIGINATION:Los Angeles
FORMAT:Daytime drama (HD)
ORIGINAL PREMIERE DATE:March 26, 1973
CAST (alphabetically):
Lauralee Bell
(Christine Blair Williams)
Peter Bergman
(Jack Abbott)
Eric Braeden
(Victor Newman)
Tracey Bregman
(Lauren Fenmore Baldwin)
Sharon Case
(Sharon Newman)
Doug Davidson
(Paul Williams)
Eileen Davidson
(Ashley Abbott)
Sean Dominic
(Dr. Nate Hastings)
Melissa Claire Egan
(Chelsea Lawson)
Cait Fairbanks
(Tessa Porter)
Conner Floyd
(Phillip âChanceâ Chancellor IV)
Rory Gibson
(Noah Newman)
Camryn Grimes
(Mariah Copeland)
Mark Grossman
(Adam Newman)
Amelia Heinle
(Victoria Newman)
Elizabeth Hendrickson
(Chloe Mitchell)
Courtney Hope
(Sally Spectra)
Bryton James
(Devon Hamilton)
Christel Khalil
(Lily Ashby)
Allison Lanier
(Summer Newman)
Christian J. Le Blanc
(Michael Baldwin)
Kate Linder
(Esther Valentine)
Beth Maitland
(Traci Abbott)
Michael Mealor
(Kyle Abbott)
Mishael Morgan
(Amanda Sinclair)
Joshua Morrow
(Nicholas Newman)
Melissa Ordway
(Abby Newman)
Greg Rikaart
(Kevin Fisher)
Brytni Sarpy
(Elena Dawson)
Melody Thomas Scott
(Nikki Newman)
Zuleyka Silver
(Audra Charles)
Michelle Stafford
(Phyllis Summers)
Trevor St. John
(Tucker McCall)
Jason Thompson
(Billy Abbott)
Jess Walton
(Jill Abbott)
Kelsey Wang
(Allie Nguyen)
PRODUCED BY:
Bell Dramatic Serial Company in association with Sony Pictures Television
CREATORS:
William J. Bell and Lee Phillip Bell
CO-EXECUTIVE PRODUCER/
HEAD WRITER:
Josh Griffith
SUPERVISING PRODUCERS:
John Fisher
PRODUCERS:
Matthew J. Olsen, Jonathan Fishman, Vivian Gundaker, and Elizabeth LeBrun
We felt sorry for Eric when he told Nicole and EJ Jude was their son. His pretending to be strong while he told them made it even worse. You could tell in his eyes that he wanted to break down while he was talking to them. We liked how Nicole and Holly took the time to acknowledge that he was losing his son in the process.
Weâre surprised Rafe would be willing to comfort Eric over losing Jude. Rafe and Eric werenât friends after Eric had an affair with Nicole while Rafe was with her so it was a shock that he would comfort Eric. It shows that Rafe is a forgiving person. Heâs better than we are because we arenât sure if we would comfort someone who was with our spouse.
Is Bonnie a new character on the show? Of course, we were kidding when we said that. Itâs been so long since she has been on the show. She was shown as if she hadnât been gone for months. The writers made it seem like she was out of town even though there was no reason for her to be gone. What was the point of bringing her back to the show if sheâs going to disappear again? Was she shown just so we know that Bonnie still lives in Salem?
Itâs understandable that Nicole wants Sloan to pay for kidnapping her baby, but she comes off hypocritical considering what she did. Nicole did the same thing to Sami when she kidnapped Sidney, yet she expects Sloan to be fully punished for what she did. Was Nicole really in a position to want Sloan to pay when she never paid for what she did to Sami? We give Sloan credit for reminding Nicole that she wasnât innocent when it concerns kidnapping babies.
The writers deserve a thumbs up and down for remembering the history of the show. When Eric talked to John about losing Jude, John reminded him how he felt when he found out Eric and Sami werenât his children. John said he was glad he stayed in their lives. We congratulate the writers for getting the history right. The problem is they forgot to have John mention Carrie. He thought he was her father too. Just because Carrie isnât on the show anymore doesnât mean the writers should have forgotten about her. Besides, Sami isnât on the show, but they knew to acknowledge her.
The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.
MORE INFO: Katonah Classic Stage – Film Festival – Donations
Gloria Hampton is known for 
Format:Â Drama Series, 10 x 60 min episodes
s Dean Devlin and Jonathan Glassner of “The Ark” on Syfy by 
Christie Burke
Stacey Read
The Killer Inside: The Ruth Finley Story is produced by Housewife Productions Inc. for Lifetime. Navid Soofi produces with Tim Johnson and Stacy Mandelberg serving as executive producers and Lisa Alford as co-executive producer. The film is written by Katie Gruel and directed by Greg Beeman.
such an incredible opportunity that I will never forget.
HUNTER KING (Daniella) â Hunter King is best known for her work as a series regular on CBSâ Life in Pieces opposite Colin Hanks, Betsy Brandt and Thomas Sadoski. King can also be recognized as Summer Newman on The Young and the Restless, a role for which she earned two Daytime Emmys. In feature work, King starred in A Girl Like Her opposite Jimmy Bennett, which garnered incredible reviews for confronting bullying in schools. King was cast as the lead in ABCâs 2020 comedy pilot Prospect. Most recently, King wrapped shooting the lead in the indie feature Give Me Your Eyes. For Hallmark Channel she was last seen starring in The Santa Summit, as well as The Professional Bridesmaid, and A Royal Corgi Christmas. For Hallmark Mystery King also starred in Nikki & Nora: Sister Sleuths.
MORE INFO: 
