Interviews with “American Song Contest” contestants 4/4/22

TV Interview!

Snoop Dogg and Kelly Clarkson on "American Song Contest" on NBC

Interview with contestants from “American Song Contest” on NBC by Thane 4/4/22

I haven’t been press for a live event before. I also enjoy music, so I decided to cover this event. I knew of the hosts, so I was hoping to speak to at least one of them.

Watch the episode here if you missed it!

SNOOP DOGG

 

I have previously seen him at a festival in New Zealand, so I was excited to speak to him. This is probably one of the main highlights of the year for me. I asked him if he enjoyed seeing a live audience now that the pandemic is over. I regret this phrasing as the pandemic isn’t really over. There was a period when live events didn’t happen, and I was trying to reference this time. It was great to speak to him!

SABYU OF NORTHERN MARIANA ISLANDS

 

I could tell he values his home culture, so I wanted to incorporate the people back home in my question. I asked him what they think of his success.

NI/CO OF ALABAMA

 

On reflection, I really should have been asking more music oriented questions as I enjoy learning about music. This was the only time I really took the opportunity to do this. I asked them how do two people write a song.

ALE ZABALA OF FLORIDA

 

I instantly noticed that her performance was very pink themed. (the color, not the singer! LOL!) So I asked her how she decided on that color.

TYLER BRADEN OF TENNESSEE

 

I just thought he had so much raw emotion in his voice. I really enjoyed his singing.

NITRO NITRA OF DELAWARE

 

I really enjoyed the rhythm of her song, so I asked how she chose it.

BRITTANY PFANTZ OF LOUISIANA

 

I really enjoyed the special effects of her song, so I asked how the special effects were chosen.

GRANT KNOCHE OF TEXAS

 

He was definitely my favorite of the night. I noticed he was a really good dancer, so I asked him how long it took to learn the dance moves.

BROOKE ALEXX OF NEW JERSEY

 

I really liked her song, “I Don’t Take Pictures Anymore”. I asked her what her song meant to her.

JESSE LEPROTTI OF SOUTH CAROLINA

 

Since Jesse’s song was inspired by his mom, I was really curious to know what he told her about the song before his performance.

JUDD HOOS OF SOUTH DAKOTA

 

I was curious to know if their song “Bad Girl” was about anyone specific. Watch the video to find the answer!

We didn’t get to interview Jewel (representing Alaska) or Riker Lynch from Colorado.

Jewel did a country song. It was great hearing her on stage. I love her song, “I Love You Always Forever.”

Riker seems to be an upbeat person, and his song “Feel the Love” reflected this..I liked what he was wearing, too!

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American Song Contest

Mondays on NBC (8-10 p.m. ET); Series Premiere: March 21

America’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.

In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.

Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Snoop Dogg -- (Photo by: Trae Patton/NBC)

Snoop Dogg

Executive Producer/Host, “American Song Contest”

A multi-platinum artist, actor, philanthropist and entertainment icon, Snoop Dogg has reigned for nearly three decades as an unparalleled force, raising the bar as an award-winning entertainer and globally recognized entrepreneur. Snoop defines entertainment history. He has released 21 studio albums, sold over 40 million albums worldwide, reached No. 1 countless times on Billboard charts internationally and received 20 Grammy nominations.

A California native, Snoop has also appeared in numerous films, such as “Dolemite Is My Name,” “The SpongeBob Movie: Sponge on the Run,” “The Addams Family,” “Beach Bum,” “Starsky & Hutch,” “Soul Plane” and the Oscar-winning drama “Training Day,” among others. He has also produced several TV shows and films, including Vice’s “Reincarnated,” “Mac & Dean Go to High School” and “Hood of Horror” through his production company, Snoopadelic Films. He made his mark in television when he garnered an Emmy Award nomination as executive producer for the hit VH1 show “Martha & Snoop’s Potluck Dinner.” Snoop was also the executive producer of the Netflix show “Coach Snoop,” “GGN: Double G News,” MTV’s “Mary + Jane” and the TNT game show “Joker’s Wild,” which he also hosted.

Most recently, Snoop has hosted and produced several projects through his Snoopadelic films, including two Peacock originals – “2021 and Done” alongside Kevin Hart, a hilarious retrospective on the year that began with so much promise; and “Olympic Highlights with Kevin Hart and Snoop Dogg,” recapping the Olympics’ most impressive displays of athleticism and the moments that didn’t go as planned.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Sabyu (CNMI) -- (Photo by: Trae Patton/NBC)

Northern Mariana Islands: Sabyu

State: Northern Mariana Islands
Singer’s name: Sabyu
Hometown: Saipan, Northern Mariana Islands
Resident: Olympia, WA

Matthew Sablan, known musically as Sabyu, is a Pacific Islander singer, songwriter, producer, engineer, artist mentor and multi-instrumentalist. He is known for his eclectic music style combining island roots and Stateside influences alike, blending reggae, rock, soul, hip-hop, funk, jazz and world music. Sabyu mentors young artists with a Seattle-based non-profit, Totem Star, guiding aspiring youth along their own music journeys. He makes music to bring all walks of life together in the name of love, spirit and humanity, and wants to let everyone know that even if you come from a small island, you can make big waves around the world.

 

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Ni/Co (AL) -- (Photo by: Trae Patton/NBC)

Alabama: Ni/Co

State: Alabama
Group name: Ni/Co
Hometown: Montgomery, AL
Resident: Los Angeles, CA

Ni/Co is a duo made up of Dani Brillhart and Colton Jones. They began gaining popularity in 2019 from their YouTube videos, which have accumulated more than 40 million views. The pop duo has had their music featured on various networks, including the CW, VH1, NBC, BET, TNT, Starz and Freeform. Their growing audience has granted them attention and opportunities to work with brands such as Google, Adobe, Volkswagen, Reese’s, Dell, Chips Ahoy, Fender and more. They have an insatiable passion to perform and pull inspiration from wanting to touch the lives of everyone who hears their music. Ni/Co is so excited to represent Alabama as that is where Colton discovered his love for music and where they played events together which helped them realize their love for performing together, thus creating Ni/Co.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Ale Zabala (FL) -- (Photo by: Trae Patton/NBC)Florida: Ale Zabala

State: Florida
Singer’s name: Ale Zabala
Hometown: Miami, FL
Resident: Parkland, FL

Alexa Zabala, known professionally as Ale Zabala, is an American singer, songwriter, musician and dancer. She’s a Latin pop artist as well as a writer for other singers and started writing when she was 13. Ale went to college for music business and met her first producer with whom she began writing all of her songs. She released her first single in 2019 and is constantly in music sessions writing for other artists and working on new musical projects. Ale is ready to represent Florida, where she went to her first concert and to school to study music.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Tyler Braden (TN) -- (Photo by: Trae Patton/NBC)Tennessee: Tyler Braden

State: Tennessee
Singer’s Name: Tyler Braden
Hometown: Montgomery, AL
Resident: Nashville, TN

Tyler Braden was inspired to pursue a musical career from a young age by legend Hank Williams. He moved from his small town in Alabama to Nashville to pursue a career in music, teaching himself guitar and working as a firefighter in the meantime. He’s now a budding star with more than 70 million streams to his name and a growing list of major tour credits. In January, Braden made his Grand Ole Opry debut setting the tone for big things to come this year, including representing Tennessee on “American Song Contest.” Tennessee is where his music career really found its footing and he says he owes it all to the state. Tyler is prepared and excited to represent it in the best way he knows how.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Nitro Nitra (DE) -- (Photo by: Trae Patton/NBC)Delaware: Nitro Nitra

State: Delaware
Singer’s name: Nitro Nitra
Hometown: Wilmington, DE
Resident: Middletown, DE

Nitro Nitra is a soul-rock singer and has been singing since before she could walk. After moving away, Nitra experienced a spiritual awakening in 2018 that led her to come back to her roots in Delaware. She first performed as Nitro Nitra in 2021 and since then has released an EP, visual album and two singles. Nitra’s goal as a musician is to create a shared experience with her fans where they can open their minds to new levels of existence and awakenings of their own. Nitro Nitra is excited to represent Delaware, where she began her musical journey.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Brittany Pfantz (LA) -- (Photo by: Trae Patton/NBC)Louisiana: Brittany Pfantz

State: Louisiana
Singer’s name: Brittany Pfantz
Hometown: DeRidder, LA
Resident: Nashville, TN

Brittany Pfantz’s music is perfumed with the sounds she was raised on: Louisiana swamp, rock, gospel, and down-in-your-gut soul. She parades her roots honestly, like the street bands of New Orleans, where she learned how to stay true to the music and to herself. Brittany just finished recording her debut EP with Grammy Award-winning producer Jacquire King and is currently shopping the project and playing shows around Nashville. She is representing Louisiana because even though she lives in Nashville, it will always be in her roots.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Grant Knoche (TX) -- (Photo by: Trae Patton/NBC)Texas: Grant Knoche

State: Texas
Singer’s name: Grant Knoche
Hometown: Frisco, TX
Resident: Los Angeles, CA

Grant Knoche, 19, taught himself to write and produce in his childhood bedroom and he hasn’t looked back since. Grant’s synth-driven, deep bass and intimate pop songs have all been written and produced by him. On his way to gathering over 900,000 followers, Grant has spent most of his life on the road performing more than 160 shows across America, including on “Today,” at Radio City Music Hall, Woodstock and many other locales. Grant’s debut EP, “Color Me Blue,” has been featured on multiple top playlists and he was recently called out by Ones to Watch as “One of today’s finest rising pop stars.” Grant’s excited to represent his home state of Texas.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Brooke Alexx (NJ) -- (Photo by: Trae Patton/NBC)New Jersey: Brooke Alexx

State: New Jersey
Singer’s name: Brooke Alexx
Hometown: Old Tappan, NJ
Resident: Nashville, TN

Pop starlet meets girl next door in Brooke Alexx – an Asian-American New Jerseyan songwriter, singer, performer, director and editor. Brooke wields her creative powers to inspire young women just as Taylor Swift inspired her to start writing songs of vulnerability and empowerment at age 13. Her magnetic melodies, paired with her ever-relatable coming-of-age lyrics, have resonated more in 2021 than any other year through a familial-focused EP. Brooke’s confidence and contagious personality oozed into 2022 on the back of her first festival performance at Lollapalooza, a brand collaboration with IKEA and a sync license in Netflix’s film “Resort to Love.”

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Jesse LeProtti (SC) -- (Photo by: Trae Patton/NBC)South Carolina: Jesse LeProtti

State: South Carolina
Singer’s name: Jesse LeProtti
Hometown: Irmo, SC
Resident: Los Angeles, CA

Jesse Christopher Blocker III, known professionally as Jesse LeProtti, is known for his wide vocal range, crisp live performances and diverse music catalog that includes pop, R&B, soul, electronic and many more styles. Jesse strives to bring back “real music,” making listeners feel a sense of deja vu while keeping it 100% authentic to himself. Being from South Carolina has played a huge role in who he is today – musically and mentally. Two of his biggest musical influences, James Brown and Darius Rucker, are from South Carolina. He is proud to represent his home state as the people of South Carolina have the “go getter” and “never give up” mentality which has led him to where he is today.

AMERICAN SONG CONTEST -- “The Live Qualifiers Part 3” Episode 103 -- Pictured: Judd Hoos (SD) -- (Photo by: Trae Patton/NBC)South Dakota: Judd Hoos

State: South Dakota
Singer’s name: Judd Hoos
Hometown: Spearfish, SD
Resident: Rapid City, SD

Judd Hoos is a rock band from the Black Hills of South Dakota. The band’s line up consists of  Andy Young, Shane Funk, Keithan Funk, Tyler Bills, and Chase Huseby. In the past 12 months, Judd Hoos has released a new EP, “Not Alone,” organized the Nashville Comes to the Black Hills songwriting camp and hosted the first-ever Judd Hoos Charity Jam. They appeared on multiple tour stops with Nashville rockers the Wild Feathers, played close to 100 Midwest clubs, theaters, festivals and fairs and even shared the stage with rock icon Billy Idol. In addition to recording new music, they have renewed a tour sponsorship deal with Remedy Brewing Company for the second straight year and collaborated on their own IPA, Hoos Joos.

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Thane Pullan and Snoop Dogg

Primetime TV Review: “Fallen Angels Murder Club: Friends to Die For”

TV Review!

“Fallen Angels Murder Club: Friends to Die For” Review on 4/6/2022 

by Eva 

I enjoy watching mystery movies so when I saw the commercial for Lifetime’s movie Fallen Angels Murder Club Friends to Die For, I wanted to watch it. Friends to Die For is the first of two Lifetime movies based on the Fallen Angels Murder Club book series written by R. Franklin James.

I saw the first movie Friends to Die For starring Toni Braxton as Hollis Morgan an ex-convict trying to start a new life after serving time in jail for a crime she didn’t commit. Hollis joins a book club which is made up of other ex-convicts trying to restart their lives. This part of the movie was the most interesting to me… the close friendships that the book club forms with each other based on their shared experience of having spent time in jail and their love of reading murder mysteries. I won’t ruin the mystery for you it was a pretty good one. As always, the book club solves the mystery while the police can’t figure it out.

I liked this movie a lot, although with most mystery movies, I wish that the police were smarter but I am looking forward to watching the second movie Heroes and Felons airing on Lifetime on Saturday April 9, 2022.

I give the first movie Friends to Die For 4 out of 5 stars because it had some parts of it that were silly to me, but again this is my opinion and as I said I will be watching the second movie.

MORE INFORMATION:

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Interview with Chicago Med Actors

TV Interview!

 

actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of "Chicago Med" on NBC

Interview with actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of “Chicago Med” on NBC Suzanne 3/30

This was a really enjoyable part of an NBC virtual press day panel. I love Oliver Platt. I remember first seeing him in “The Three Musketeers,” (1993), where he played Porthos. He was in many great movies and TV series. This show has an amazing cast.

 

MORE INFO:

Interview with Chicago Fire   Interview with Chicago PD

Interview with actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of "Chicago Med" on NBC

From Emmy Award-winning executive producer Dick Wolf (the “Law & Order,” “Chicago” and “FBI” brands), “Chicago Med” is an emotional thrill ride through the day-to-day chaos of the city’s newest state-of-the-art trauma center and into the lives of the courageous doctors, nurses and staff who hold it all together.

Dr. Will Halstead (Nick Gehlfuss) finds his career as an emergency medicine physician in jeopardy, following his cover-up involving a serious ethics violation. Dr. Daniel Charles (Oliver Platt) remains the Sherlock Holmes of psychiatry. Sharon Goodwin (S. Epatha Merkerson), the venerable head of the city’s largest hospital, is under intense fiscal scrutiny to preserve the bottom line while continuing to ensure that all patients receive nothing short of quality care and compassion. Dr. Ethan Choi (Brian Tee), a former Navy flight surgeon and chief of the E.D., begins the season in recovery mode after being shot by a former patient. Now it’s up to the blunt but talented Dr. Dean Archer (Steven Weber) to show what he’s made of as interim chief  at the helm of Chicago’s trusted and busiest ER. Maggie Lockwood (Marlyne Barrett), the charge nurse and eyes, ears and brain of the ER, is skilled and confident but finds herself dealing with profound family issues of her own. Ace surgeon Dr. Crockett Marcel (Dominic Rains), the New Orleans-raised surgeon with a breezy manner, has finally started to let his guard down, earning the respect of his colleagues. And now two new doctors have joined the E.D. family. Dr. Stevie Hammer (Kristen Hager) is a brilliant, scrappy emergency medicine doctor with a surprising past and Dr. Dylan Scott (Guy Lockard) is an ex-cop who’s doing a dual residency in emergency medicine and pediatrics.

Together they will confront Chicago’s most critical medical cases and challenging ethical dilemmas with courage, compassion and state-of-the-art treatment. Inspired by ripped-from-the-headlines cases, “Chicago Med” will weave cutting-edge medicine with the personal drama that comes with working in such a high-intensity environment. Through it all, familiar faces from “Chicago Fire” and “Chicago P.D” will intertwine with Chicago’s finest medical heroes.

Dick Wolf, Diane Frolov, Andrew Schneider, Stephen Hootstein, Derek Haas, Arthur Forney, Matt Olmstead, Michael Brandt and Peter Jankowski are executive producers.

“Chicago Med” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Oliver Platt

Dr. Daniel Charles, “Chicago Med”

CHICAGO MED -- Season: 7 -- Pictured: Oliver Platt as Dr. Daniel Charles -- (Photo by: Art Streiber/NBC)
Oliver Platt plays Dr. Daniel Charles on the NBC drama “Chicago Med.”

A multiple Emmy, SAG and Golden Globe Award-nominated actor, Platt’s resume includes recent roles in “Professor Marston and the Wonder Women,” which was nominated for a Saturn Award; “The Ticket,” with Malin Akerman and Dan Stevens; Warren Beatty’s “Rules Don’t Apply,” starring Alden Ehrenreich; “Shut In,” opposite Naomi Watts; “Chef,” opposite Jon Favreau and Dustin Hoffman; “Kill the Messenger,” opposite Jeremy Renner; and Noah Hawley’s Golden Globe-winning television adaptation of “Fargo” for FX.

Platt was featured in the HBO documentary “Love, Marilyn” and the telepic “Bessie,” where he plays writer and artistic photographer Carl Van Vechten. He also co-starred in Showtime’s “The Big C,” starring Laura Linney. Previously, he played George Steinbrenner on the ESPN miniseries “The Bronx is Burning,” opposite John Turturro.

Platt made his producing debut on the indie film “Big Night,” which was co-directed by Stanley Tucci and Campbell Scott. He would later reteam with Tucci in “The Impostors,” which was nominated for the Un Certain Regard Award at the 1998 Cannes Film Festival.

Marlyne Barrett

Maggie Lockwood, “Chicago Med”

CHICAGO MED -- Season: 7 -- Pictured: Marlyne Barrett as Maggie Lockwood -- (Photo by: Art Streiber/NBC)
Marlyne Barrett stars as Maggie Lockwood, the beloved charge nurse who is the hospital emergency department’s eyes, ears and heart, in NBC’s medical drama “Chicago Med.”

Recently, Barrett earned her a NAMIC Vision Award nomination for Best Performance-Drama.

Before starring in “Chicago Med,” Barrett was known to audiences for her dynamic portrayal of Council President Nerese Campbell on the critically acclaimed HBO series “The Wire.” She was also Ian McShane’s trustworthy attaché, Tomasina, on NBC’s “Kings” as well as played Felicia Marquand on the popular F/X series “Damages,” opposite Glenn Close and Rose Byrne. In addition, she appeared on John Ridley’s ABC series “American Crime.”

Barrett’s feature credits include “Hitch,” the 2005 Will Smith comedy, and the indie “Quest,” for director Santiago Rizzo. Barrett also executive produced and starred in the Oscar-nominated short film “Night Call.” A film festival favorite, the acclaimed film went on to earn more than 40 awards, including eight best short film awards (including the Short Film Palme d’Or at the Cannes Film Festival), four best of best/audience awards, and three best lead actress awards. Barrett also appeared opposite Marisa Tomei in the independent feature “After Everything,” which was in competition at SXSW and later released in theaters.

After directing more than 20 regional theater productions in New York, Barrett will make her directorial film debut with “Haimerican,” a short film she also wrote and produced. The film will have its premiere at the Cannes International Pan African Film Festival in October 2020.

Barrett, who is Haitian-American, was born in Brooklyn and grew up in Montreal. She currently divides her time between Chicago and Los Angeles and is happily married to Gavin W. Barrett. Coming from a family of doctors, Barrett promised her parents she would get a nursing degree before pursuing an acting career. A registered nurse, Barrett now has the honor and pleasure of playing one on television.

Please visit the official show site at: https://www.nbc.com/chicago-med

For the latest “Chicago Med” news, videos, and photos, please like on Facebook and follow on Twitter and Instagram:
https://www.facebook.com/NBCOneChicago
https://www.twitter.com/NBCOneChicago
https://www.instagram.com/NBCOneChicago/

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Interview with actors Oliver Platt and Marlyne Barrett, and executive producers Diane Frolov and Andrew Schneider of "Chicago Med" on NBC

Interview with Laurence Leboeuf

TV Interview!

 

Laurence Leboeuf of "Transplant" on NBC from her film "Mirror Lake"

Interview with Laurence Leboeuf of “Transplant” on NBC by Suzanne 3/29/22

This was a very fun interview! We did it on Zoom. Unfortunately, the video recording didn’t come out. I hope you can enjoy it, anyway. She’s a wonderful actress, and I really love the show.

1. Mags struggles a bit for a while, with her mentor in the coma. Was that a challenge to play, or fun?

All of the above. It’s always a challenge to bring this character to life because she’s so complicated. Having to deal with not having her mentor around is very difficult for her, and she has to learn how to cope. It’s like her lighthouse has drowned.

2. Then everyone has to contend with the obnoxious new doctor who takes Bishop’s place for awhile, Mark. How was it, welcoming a new actor into the dynamic of the show?

Oh, well, Gord (the actor who plays Mark) is amazing. We had a lot of fun and he fit right in with the rest of us. We were surprised at how well. Even though we hate the character, we liked him as a person. He puts Mags through a lot and makes her doubt herself.

3. Then Mags and Bashir almost kiss and have some awkward moments. When did you know that Mags and Bashir might become a “thing?”

From the beginning, Mags has found him attractive because he’s so smart and has his own unique way of doing things.

4. Without giving us any spoilers, what other challenges does Mags have this season?

Mags has some major changes. She gets interested in cardiology because of what happens with a patient, and it’s really a big deal for her.

5. Now that you’ve been playing her for two seasons, is there anything you’ve learned from her?

I really admire her. She’s very smart and caring. I always want her to be like the Hermione Grainger of the show – the smartest person in the room who comes in and gets the job done.

6. Any fun behind-the-scenes stories you can share?

Oh, there are so many. It’s hard to think of one on the spot. We just have a lot of fun. The only thing I can think of right now is that when we have a lot of medical dialogue to memorize, we joke around a lot about it. We get to know it so well that we know each other’s dialogue, and we rap it or do fun things with it.

7. Do you have any other projects you’re working on besides Transplant?

Not right now because it’s a 10 month shoot, so it takes up all of my time.

8. What has the fan response been like for you so far?

It’s been wonderful. Fans have been really nice and it’s great that we have so many fans and viewers. Now it’s crossed over the border, so that’s nice.

9. Anything else you’d like to say to the fans?

Just thank you for watching and I hope you enjoy this season.

Check out our previous interview with her!

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Laurence Leboeuf

Dr. Magalie “Mags” Leblanc

TRANSPLANT -- Season 2 -- Pictured: Laurence Leboeuf as Magalie Leblanc -- (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
Laurence Leboeuf is an award-winning actress from Montreal who stars as Dr. Magalie “Mags” Leblanc in NBC’s “Transplant.” Mags is a ferociously analytical resident who pushes herself relentlessly.

The bilingual actress (French and English) has been acting professionally since 10 years old and rose to stardom with multiple award nominations and wins. She has continuously booked leading roles in both television and film of French Canadian and English-Canadian productions.

Award wins for Leboeuf include the Gemeaux Awards (French Canadian Emmys) for Best Actress in the series “Les Lavigueur,” Best Supporting Actress for her role in the series “Musee Eden” and Best Actress for her role in the series “Marche A. L’ombre,” which also won her the Best Leading Actress award at the French Festival Séries Mania. She also won Best Actress for “Human Trafficking” (featuring Mira Sorvino and Donald Sutherland) at the ACTRA Awards (English Canadian SAG Awards). For her film work, Leboeuf won at the Prix Iris Awards (previously Jutra Awards) for Best Supporting Actress in “My Daughter, My Angel.” Her indie action-comedy film “Turbo Kid” was widely received at the Sundance Film Festival.

Leboeuf was born to actor-parents and grew up surrounded by creative arts. Her dad owned a stage theater for 18 years, which allowed Leboeuf to explore the behind-the-scenes of the craft. She is driven by the passion of acting and the need to be creative with plans to produce and write. Leboeuf enjoys reading and staying active with running, snowboarding and loves to travel.

Transplant

Sundays on NBC (10-11 p.m. ET); Season Premiere: March 6

“Transplant” follows the story of Dr. Bashir “Bash” Hamed (Hamza Haq), a talented doctor and Syrian refugee, who fled his war-torn country with his younger sister, Amira (Sirena Gulamgaus), for a fresh start in Canada. After a truck crashes into the restaurant where he’s been working, Bash earns the chance to practice medicine again by using his field-honed skills to save multiple lives in brilliant fashion, including that of Dr. Jed Bishop (John Hannah), the Chief of Emergency Medicine at York Memorial Hospital in Toronto.

But Bash is told he’ll need to redo his residency in Emergency Medicine from the bottom and despite his obvious talents intuition, and training, starting over is not an easy road and his life experience is not a perfect match for the strict protocols at York Memorial. Through perseverance he makes inroads, developing camaraderie with his new colleagues, including the driven Dr. Magalie “Mags” LeBlanc (Laurence Leboeuf), the reserved and ambitious surgical resident Dr. June Curtis (Ayisha Issa), easy-going pediatric ER physician Dr. Theo Hunter (Jim Watson), head nurse Claire Malone (Torri Higginson) and even earning the respect of Dr. Wendy Atwater (Linda E. Smith), the department’s second-in-command who runs a very tight ship.

Jed Bishop (John Hannah), the team’s demanding, inscrutable boss, looms large and keeps everyone on their toes with a unique compassion and commitment to his staff that also connects them.

Season two picks up with Bash and his fellow residents reeling after Dr. Bishop suffers a stroke. With everything at the hospital destabilized, the place that Bash had started to consider home suddenly feels precarious. As the team adjusts to new colleagues while dealing with the challenges of life, unexpected faces from the past leave Bash seriously doubting whether his transplant into this new world was successful.

Bash’s hard work, compassion and hopefulness tell a universal story about the human ability to not only survive, but ultimately thrive when our lives suddenly change course.

Creator Joseph Kay returns as showrunner and executive producer. Director Stefan Pleszczynski joins as executive producer and will direct six episodes. Additional executive producers include Bruno Dubé, Jocelyn Deschênes, Virginia Rankin, Tara Woodbury, Josée Vallée and Adam Barken.

“Transplant” is produced by Sphere Media in association with CTV and Universal International Studios, a division of Universal Studio Group.

Please visit the official show site at: https://www.nbc.com/transplant.

For the latest “Transplant” news, videos, and photos, please like us on Facebook and follow us on Twitter and Instagram:

https://www.facebook.com/NBCTransplant/
https://twitter.com/NBCTransplant #Transplant
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Laurence Leboeuf of "Transplant" on NBC

Interview with “Chicago PD” Actors

TV Interview!

Jason Beghe and Marina Squerciati of "Chicago PD" on NBC

Interview with actors Jason Beghe and Marina Squerciati, and executive producer Gwen Sigan of “Chicago P.D.” on NBC by Suzanne 3/30/22

This was from a fun virtual press day with the “Chicago One” actors. They were great at answering our questions!

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Jason Beghe and Marina Squerciati of "Chicago PD" on NBCFrom multiple Emmy Award-winning executive producer Dick Wolf and the team behind the hit series “Chicago Fire” and “Chicago Med,” “Chicago P.D.” is a riveting police drama about the men and women of the Chicago Police Department’s elite Intelligence Unit, combatting the city’s most heinous offenses – organized crime, drug trafficking, high-profile murders and beyond.

At the center of “Chicago P.D.” is Sgt. Hank Voight (Jason Beghe), who is at ground zero against the war on crime in Chicago. He will do almost anything to bring criminals to justice. In the past year, Voight has fought to turn over a new leaf, carefully navigating the situation at the P.D. with a new boss who has helped him and the unit adapt to a new reality.

His close-knit team of detectives share his passion for keeping the city safe, including Det. Jay Halstead (Jesse Lee Soffer), a committed and ethical detective who previously served in Afghanistan; Officer Adam Ruzek (Patrick John Flueger), a quick-thinker who often leads with his heart; Officer Kim Burgess (Marina Squerciati), a fearless former patrol officer whose research and astute observations often lead the team in the right direction; Officer Kevin Atwater (LaRoyce Hawkins), a bright and quietly charismatic member of the team; and Det. Hailey Upton (Tracy Spiridakos), a seasoned detective whose tough demeanor belies her complicated emotions.

Desk Sgt. Trudy Platt (Amy Morton) runs a tight precinct with a firm hand, although she lets her humor shine through from time to time.

In addition to Wolf, executive producers include Rick Eid, Derek Haas, Arthur W. Forney, Peter Jankowski and Michael Brandt. “Chicago P.D.” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Please visit the official show site at: https://www.nbc.com/chicago-pd.

For the latest “Chicago P.D.” news, videos, and photos, please like on Facebook, follow on Twitter and Instagram

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Jason Beghe

Sgt. Hank Voight, “Chicago P.D.”

CHICAGO P.D. -- Season: 9 -- Pictured: Jason Beghe as Hank Voight -- (Photo by: Art Streiber/NBC)

Jason Beghe stars as Sgt. Hank Voight, leader of the Chicago P.D. Intelligence Unit in the NBC drama “Chicago P.D.”

Beghe was born and raised in New York City, where he attended the prestigious Collegiate School.

Beghe portrayed a quadriplegic in the George A. Romero film “Monkey Shines: An Experiment in Fear.” He later appeared as a police officer in the film “Thelma & Louise” and played Demi Moore’s love interest in “G.I. Jane.” Other feature-film credits include “X-Men: First Class,” “The Next Three Days,” “One Missed Call” and “Atlas Shrugged: Part II.”

On television, Beghe’s recurring roles include “Chicago Fire,” “Law & Order: SVU” and “Californication.” He has guest-starred on countless series, including “Last Resort,” “Castle,” “NCIS,” “CSI: New York,” “Criminal Minds,” “The Finder,” “Prime Suspect,” “Law & Order: Los Angeles,” “Picket Fences,” “Chicago Hope,” “American Dreams” and “Cane.”

Beghe lives in Los Angeles.

Marina Squerciati

Officer Kim Burgess, “Chicago P.D.”

CHICAGO P.D. -- Season: 9 -- Pictured: Marina Squerciati as Kim Burgess -- (Photo by: Art Streiber/NBC)
Marina Squerciati stars as Officer Kim Burgess in NBC’s hit drama “Chicago P.D.”

Squerciati was last seen in the Reginald Hudlin-directed film “Marshall.” Additional film credits include “It’s Complicated,” along with indies “Alter Egos,” “Central Park” and “Sparks.”

Squerciati earned acclaim portraying Russian spy Irina in the popular FX drama “The Americans.” Additional television credits include “Gossip Girl.” “The Good Wife,” “Blue Bloods,” “Damages” and “Law and Order: SVU.”

In theater, she made her Broadway debut in an adaptation of Ernst Lubitsch’s “To Be or Not to Be.” On Off Broadway, she starred in “Manipulation” and “Beauty of the Father,” and also performed in several regional theater productions, including “The 39 Steps” and “The Underpants.”

Squerciati graduated from Northwestern University with a B.A. in theater.

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Jason Beghe and Marina Squerciati of "Chicago PD" on NBC

Interview with “Chicago Fire” actors

TV Interview!

 

actors Eamonn Walker and Hanako Greensmith, and executive producers Derek Haas and Andrea Newman of "Chicago Fire" on NBC

Interview with actors Eamonn Walker and Hanako Greensmith, and executive producers Derek Haas and Andrea Newman of “Chicago Fire” on NBC by Suzanne 3/30/22

This was a fun press day, dubbed One Chicago Day.  OneChicago Wednesdays return with originals on April 6! I’ve spoken with Eamonn before, but it’s always nice to see and hear him because he’s got such a beautiful voice and presence. Hanako is new to me, and fairly new to the show. She’s just been made a regular on the series. We hope to have the transcripts up soon, and don’t miss the show! It’s a very exciting episode and, unlike the other two shows that night, there is no spewing blood or vomit.

 

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“CHICAGO FIRE” — “KEEP YOU SAFE” (Wednesday, April 6 at 9 p.m. ET/PT)
Severide and Kidd work with CPD regarding a suspicious car wreck. Hawkins and Violet’s relationship is in jeopardy. Chloe and Cruz adjust to a new family dynamic.

Chicago Fire

Wednesdays on NBC (9-10 p.m. ET); Returns: Jan. 5

Chicago Fire: Season 10 key art

From renowned Emmy Award-winning executive producer Dick Wolf (“Law & Order” brand) and co-creator Derek Haas, the writer behind “3:10 to Yuma,” comes season 10 of the adrenaline-fueled drama “Chicago Fire.” This edge-of-your-seat ride is a look into the professional and personal lives of the firefighters and paramedics of Firehouse 51 as they risk their lives every day to save and protect the citizens of Chicago.

Led by Lt. Kelly Severide (Taylor Kinney), Rescue Squad 3 works closely with Lt. Christopher Herrmann (David Eigenberg) on Engine 51 and Lt. Stella Kidd (Miranda Rae Mayo) on Truck 81. Their tireless, never-give-up mindset brings them all closer together – the men and women of Firehouse 51 are more than co-workers, they’re family.

The firehouse also includes Deputy District Chief Wallace Boden (Eamonn Walker), who keeps his house running smoothly and his firefighters prepared to overcome all adversity. Paramedic Sylvie Brett (Kara Killmer) returns alongside seasoned veterans Randy “Mouch” McHolland (Christian Stolte) and Joe Cruz (Joe Minoso).

Completing the team are daredevil Blake Gallo (Alberto Rosende), talented and dedicated Darren Ritter (Daniel Kyri), and 51’s newest addition, headstrong paramedic Violet Mikami (Hanako Greensmith).

Executive producers are Dick Wolf, Derek Haas, Andrea Newman, Michael Gilvary, Reza Tabrizi, Arthur Forney and Peter Jankowski.

“Chicago Fire” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.
Eamonn Walker of "Chicago Fire" on NBCEamonn Walker

Battalion Chief Wallace Boden, “Chicago Fire”

Eamonn Walker plays Battalion Chief Wallace Boden on the NBC drama “Chicago Fire.”

Walker was born in London and attended Hungerford School in Islington. He went on to study social work at the University of North London, and eventually trained as a dancer. He then joined the Explosive Dance Theatre Company in London. He also studied at the New York Film Academy.

Walker made his professional acting debut in 1983 on stage in London in the musical “Labelled with Love,” based on the music of the pop band Squeeze. In the U.S. he is known for playing Kareem Saïd on the HBO television series “Oz,” for which he won a CableACE Award.

His film roles include “Tears of The Sun” and “Lord of War,” opposite Nicolas Cage. He returned to British television in the ITV1 production of “Othello,” opposite Christopher Eccleston. For his role, he won the Best Male Performance in Television Award at the first Black Film Makers (BFM) Film and Television Awards ceremony.

He made his debut on Broadway, playing Mark Antony in “Julius Caesar,” opposite Denzel Washington as Marcus Brutus. Two years later, he became the first Black actor to play the role of Othello at either the original Globe Theatre or at the modern reconstruction, Shakespeare’s Globe, in London.

He recently starred in the Pulitzer Prize-winning play “Between Riverside and Crazy” at the Steppenwolf Theater. For his performance as Pops, he was nominated for a Jeff Award and won best actor from the 2016 Black Excellence Award Committee.

Hanako Greensmith of "Chicago Fire" on NBC
Hanako Greensmith

Violet Mikami, “Chicago Fire”
Hanako Greensmith plays Violet Mikami on the NBC drama “Chicago Fire.”

Recent TV credits include “Chicago Med,” “Bull” and “FBI.” She made her New York theater debut in the Off-Broadway production of “Lolita, My Love” and is a graduate of Pace University.

 

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Eamonn Walker of "Chicago Fire" on NBCHanako Greensmith of "Chicago Fire" on NBC

Interview with Josh Duhamel

TV Interview!

Actors Josh Duhamel, Renée Zellweger, Judy Greer, Glenn Fleshler; and producers Liz Cole, Jenny Klein and Chris McCumber of "The Thing About Pam" on NBC.

Interview with Actors Josh Duhamel, Renée Zellweger, Judy Greer, Glenn Fleshler; and producers Liz Cole, Jenny Klein and Chris McCumber of “The Thing About Pam” on NBC by Suzanne 2/11/22

This show is very well done, so I hope you can watch and enjoy it. It’s a sort of docu-drama, where real actors portray real people in their real situations (in this case, murder), but it’s also done with a slight bit of humor. It has a great cast.

I was very happy to be able to speak to Josh Duhamel, who’s one of my favorite actors. It was great to see Renée Zellweger and Judy Greer, too. Of course Renée is not only the star of the show, but she’s the most famous person in the show and in our panel. Greer does one of the voices on “Archer” on FX, so I’m quite familiar with her. She’s done a lot of other acting, as well. Almost everyone in the press asked Renée or the producers a question, so I was glad to be able to ask Josh one. I felt bad for the other actors that were ignored.

THE THING ABOUT PAM -- "She's a Good Friend" Episode 101 -- Pictured: Renée Zellweger as Pam Hupp -- (Photo by: Skip Bolen/NBC)NBCUNIVERSAL
WINTER 2022 TCA VIRTUAL PRESS TOUR
NBC The Thing About Pam
Josh Duhamel, Talent, “Joel Schwartz”
Glenn Fleshler, Talent, “Russ Faria”
Judy Greer, Talent, “Leah Askey”
Renée Zellweger, Talent, “Pam Hupp”/Executive Producer
Liz Cole, Executive Producer/President, NBC News Studios
Jenny Klein, Showrunner/Executive Producer
Chris McCumber, Executive Producer/President, Blumhouse Television
Virtual via Zoom February 11, 2022
© 2022 NBCUniversal, Inc. All rights reserved.

“The Thing About Pam” is based on the 2011 murder of Betsy Faria that resulted in her husband Russ’s conviction, although he insisted he didn’t kill her. He was later exonerated. This brutal crime set off a chain of events that would expose a diabolical scheme deeply involving Pam Hupp. A thorough examination of the scheme was featured on several episodes of “Dateline NBC,” becoming one of the show’s most popular subjects. It also became the subject of a popular 2019 podcast, “The Thing About Pam,” which has been downloaded over 20 million times. “The Thing About Pam” will premiere Tuesday, March 8th, at 10 p.m., and run for six episodes.

Josh Duhamel in "The Thing About Pam" on NBCHere was my question for Josh: “What can you tell us about your character, Joel?”

He replied, “Gosh, where do I begin?” He told us that he became “pretty good friends” with Joel “throughout this process.” The Joel in the TV show “was just a really fun character to dive into. He’s a defense attorney and has defended the worst of the worst, and I think [he] came into this expecting the same as what’s he done in the past, [which] is defending a guilty man, and [then] he quickly finds out that …Russell didn’t do this.” He enjoyed picking Joel’s brain about how “he evolved throughout the process.” At first Joel was just doing his regular job, but then he realized that his client was not guilty, so he was determined, “like, a dog with a bone” by the end of it. He “really took it personally and really wanted to see justice. And I think that that’s what was really fun for me.” He added, “You know, obviously, it wasn’t as much of a stretch, this character, as it was for Renée or, you know, Glenn, or even Judy, but it was really fun to sort of try to [act out] the frustration that he had to feel throughout this process [because it] was something that was [difficult], but at the same time, he was a really cool dude; never really lost his temper, except for a few times….Me, as Josh, I would have lost it several times, but Joel Schwartz didn’t.” What was interesting for Josh was figuring out how Joel handled that. “And so, he was a really valuable resource for me throughout this whole process, and turns out to be a really great dude.”

Of course, almost everyone wanted to speak with Renée, the star. First, she was asked about her return to TV, since she’s mostly done films. Renée answered that she really liked it. The pace and everything suits her. She said, “I love that it’s quick, and you have to think fast on your feet. Yeah, I enjoyed it a lot. Not so different from making the independent films. You know, you’ve got to make the most of the little bit of time that you have. So, it’s good training, I think, for independent films,” she laughed.

She was next asked to compare the role she played of Judy Garland in he 2019 film with playing Pam, since both were real life people. The reporter figures that she had more leeway to play Pam, since she’s not as famous.

Renée mostly agreed with what was said. There is a lot more material of Judy to use than Pam Hupp. She’s not sure that she has much more freedom to play Pam, since there is some information out there already, and they had to recreate her as best as they could so that people who were familiar with her could recognize her. She admitted, “Yes, of course, I could see that people project their own life experiences in making assumptions about the character of this person, whom they think they know. That felt important. And it’s pretty well established, her looks. So, we did what we could to come as close as we could.”

Renée Zellweger as Pam HuppRenée was also asked how much the prosthetics, costumes and wigs affect her performance and whether those present any special challenges. Renée laughed at that question and said that most of them would agree that using those things benefit an actor as it’s “part of your toolkit that makes it …easier to achieve what it is that you’re trying to, in terms of telling someone else’s story.” Speaking as an actor, she said that “the further you are away from yourself, the safer you feel to explore.” All of the actors went through “pretty remarkable transformations” to represent the real people. She asked Judy if that was “half the fun.” Judy agreed that it does make it easier to act like the person when you “have all that stuff on” and that it is like you’re “hiding” and “don’t feel as vulnerable.” She added, “And the crew is always surprised to see what you really look like when you do show up as yourself.” She laughed.

Josh joked, “Personally, I loved the wig. It made me feel like I had a full head of hair again. Like Judy said, I looked like Tom Hanks in ‘Splash.'” Everyone laughed at that. Judy made a joke at her expense that “Splash” is “such a hip reference. I got my finger on the pulse, you know?” which evoked more laughter.

Renée was asked next what about the character or the writing brought her to the series.

Renée confided that the script hadn’t yet been written when she signed on to the project, but she wanted to be part of the process of creating the show from the materials that were available, such as the podcast and the episodes of “Dateline.” She said that it was “Thrilling to be …alongside to witness that.” She remarked that it was the kind of story that “you couldn’t make up.” She shared with us that she listened to the entire podcast “when I was driving up and down the 5 Freeway, going to take my dog to get his hip replaced up in San Francisco, and I couldn’t believe it.” She called it an “experience of escalating absurdities.” She felt it would make an interesting show and would also allow them to “discuss some really important, current, relevant social issues.” Some people laughed at this as well.

The next reporter asked the producers how they figured out what tone they wanted to use for the series, since it was true crime, and how they cast Renée, and how she had to change her looks to play Pam.

Producer Chris let us know that Renée was the one to call him: “I’ll say this, and I’ll keep it really simple: When a two time Oscar winner calls and says, ‘I’m obsessed with this story, and I want to play Pam, and I want to produce,’ I mean, you say, ‘Yes, yes, yes, and yes.’ And our job, at that point, is to, you know, provide Renée, and the rest of the cast, with all the tools that they need to embody these characters.” He concluded that it was an easy choice, with this cast.

The cast of "The Thing About Pam" on NBCCreator/Producer Jenny also added, “Yes, we’re so lucky to have Renée embodying this totally unique character, and on the show, a lot of the absurdity comes from Pam herself.” She addressed the question about the tone of the show. She described how they had to have a real balance between the tragic story and how it was “so disturbing and unspeakable,” as well as showing the “absurd details that Pam really did or said.” The heart of show, she relayed, was Betsy and her family, and “that grounding emotional center with Russ, or Betsy’s daughter, Mariah. And so, when you’re really feeling their raw pain and frustration, it can actually make Pam’s actions all the more upsetting. So, I’d say it’s a real push and pull between the levity and the drama. It’s like a hybrid.”

Chris praised Jenny’s pitch, where she described the tone of show using examples from “Fargo.” The dark streak of humor comes from Pam’s psyche.

Jenny admitted that she’d never seen someone like Pam on TV before. She’s “completely unfazed when caught in a lie, and changing her story so much. It almost creates like a game for the viewer, where they’re the only ones actually tracking Pam’s lies through her world because they’re the only ones taking in the show as a whole.”

They were also asked why this murder case was different from the others that they wanted to make it into this miniseries.

Jenny let us know that the cooperation between NBC and all of the reporting done by Dateline, along with the other production companies were what infused the horror and other elements into the show. She believes that, “it’s a true-crime story that, in some ways, won’t leave you feeling depressed, but will keep you on the edge of your seat because there’s so many twists and turns.”

Chris asked Liz to chime in on this particular question. Liz revealed that they’ve wanted to make a good script based on one of the “Dateline” stories. This story about Pam Hupp was the only one they considered because it’s so rich and resonates well with “Dateline viewers. She added, “when we first embarked on this, I don’t think I imagined, in my wildest dreams, that we would have Renée Zellweger staring as Pam, and the rest of the incredible cast, and, you know, working with Blumhouse has just been a joy. So, it’s been a wonderful partnership.” Chris agreed with those comments and praised the partnership.

Josh also put in his two cents, saying, “I can’t believe this hasn’t happened earlier” because he’s a long-time “Dateline” fan and remembered thinking that this story would make a great movie or TV show. He stated, “You wouldn’t believe this story if it weren’t true.” To this note, Liz added that they called their second episode “Stranger than Fiction.” She also jokingly said to Josh that they needed to send Josh his own “Dateline” hat. He replied, “Please do. And if you could have Keith Morrison send me a Christmas card every year, that would be great, too.” Liz postulated, “An audio card.” Then, Josh did a fantastic imitation of Keith Morrison, saying, “Merry Christmas, Josh”, so everyone laughed.

The next reporter asked two questions in one, even though we’re not supposed to do that. He or she asked whether any of the real-life family members were involved in creating the show, as well as asked Renée how she prepared to play such an evil person, when she’s not that way at all in real life.

Jenny replied that they took their responsibilities of bringing a real-life story to life seriously. They contacted many of the people involved with Pam Hupp’s case who knew her, and many spoke with them so that they could get the full story. However, she stipulated that they also had to make it a dramatic story for TV, so some of it is fiction. Renée added her answer to what Jenny said. Hearing about the real life Pam, seeing videos, reading books etc. helped prepare her for the role.

Judy Greer as Leah AskeyRenée was also asked about using prosthetics on the show to look like Pam. This type of process was pretty new to Renée, so she learned quite a bit about it. Apparently the pieces often fall off or turn into something else by the end of the day. She had to learn to act more with her whole body covered in these prosthetics. She had to learn a new skill. At the beginning of shooting, it took “about four hours” by prosthetic makeup designer & creator Arjen Tuiten and his team, but then because of his “genius,” they were able to cut it down to 2 1/2 hours. She found it to be quite “fun creatively.” Then she reflected that it might make her “a crazy person to find that fun, gluing stuff to your head every day, but I did find it fun.” She said that Judy also had some prosthetics, but Judy replied that she just put on a wig. Everyone laughed at that. Josh pointed out that she also had contacts to deal with. This article offers free shipping on qualified products, https://www.fakewatch.is/product-category/richard-mille/rm-53-01/ or buy online and pick up in store today at Medical Department.

Glenn added that he just had to sit there. He couldn’t imagine what Renée had to go through every day, spending hours putting the prosthetics on, and then “show up on set with the spirit that she had and has every day, it’s really remarkable.” He praised her quite a lot.

The next journalist asked about Renée’s accent and how she put on Pam’s attitude. He/she asked if Renée visited a lot of “convenience stores” to get more of a feeling for them (which seemed like kind of an odd question).

Renée said kindly that she loves to take road trips, so convenience stores are not new to her. She had a hard time getting the accent right, saying it was “elusive.” She found that even within the region she lived, Pam had a “peculiar” accent that was uniquely hers. She listened to a lot of recordings of Pam, repeating what she said until she got it right.

Next the producers were asked how they’re able to have the actors portray real-life people (other than Pam) – whether they have to be sensitive to how they are and whether they worry about having them be too comical or whether they get permission.

Glenn Fleshler as Russ FariaJenny replied that they tried as much as possible to stick to the facts, which they had from court transcripts and video coverage (thanks to NBC news). She pointed out that “there’s certainly the law enforcement and prosecution side of the story that is very specific to this town and brings out one of our greater themes, which is about confirmation bias, and what happened to Russ Faria.”

They were also asked about what challenges they faced with creating a fictional story based on a pretty recent true story.

Jenny told us that the goal is to make the viewers feel heartbroken when they should be (about the families involved) and to also “recognize the absurdity” about it.

Chris jumped in to say that they also had the goal to make it a “really great entertaining piece of premium television.” He mentioned that it’s difficult in today’s TV landscape to get people’s attention and to create an event that will make the show break out from the other “millions of hours of shows.”

The producers were also asked about how they went about making this fiction and not just another retelling of the Dateline episodes or a podcast. Jenny praised their “amazing cast” for “bringing these people to life in ways that a podcast, by its nature, simply can’t.” They also “were able to just delve deeper into who Pam is” and really show the emotion of the story to the audience that those other outlets couldn’t do.

When the panel concluded, and the host said that the next panel would be for “Law & Order,” Josh joked, “Can I be on that one, too?” and Jenny replied, “No.” That ended the panel with more laughter. All that laughter is the sign of a great panel, and they also made a great show on top of that. It airs Tuesdays, 10/9c.

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The Thing About Pam

Tuesdays on NBC (10-11 p.m. ET); Series Premiere: March 8

NBC’s “The Thing About Pam” is based on the 2011 murder of Betsy Faria that resulted in her husband Russ’s conviction, although he insisted he didn’t kill her. He was later exonerated. This brutal crime set off a chain of events that would expose a diabolical scheme deeply involving Pam Hupp.

A thorough examination of the scheme was featured on several episodes of “Dateline NBC,” becoming one of the most popular topics to ever air on the hit franchise. It also became the subject of a popular 2019 podcast, “The Thing About Pam,” which has been downloaded over 20 million times.

The series stars Renée Zellweger, Josh Duhamel, Judy Greer, Katy Mixon, Glenn Fleshler, Gideon Adlon, Sean Bridgers, Suanne Spoke and Mac Brandt.

“The Thing About Pam” is executive produced by Renée Zellweger, Carmella Casinelli, Jenny Klein (showrunner), Mary-Margaret Kunze, Scott Winant, Jessika Borsiczky, Liz Cole, Noah Oppenheim, Jason Blum, Chris McCumber and Jeremy Gold.

Blumhouse Television, NBC News Studios and Big Picture Co. will produce.

Renée ZellwegerRenée Zellweger

Pam Hupp, “The Thing About Pam”

Renée Zellweger stars as Pam Hupp in the NBC limited series “The Thing About Pam.”

Zellweger most recently starred as the legendary Judy Garland in “Judy,” winning the Academy Award, BAFTA, Golden Globe, Screen Actors Guild and Critics Choice awards for the film.

She will soon begin production on the feature film “The Back Nine” in the role of a former golfer who set her clubs aside to make way for her husband’s pro career and raise her son, only to then turn pro during the “back nine” of her life. Zellweger serves as an executive producer on both “The Back Nine” and “The Thing About Pam” through her production company, Big Picture Co.

Zellweger is known globally for her starring role as the seminal British everywoman in the film “Bridget Jones’s Diary,” for which she received an Oscar nomination, and the sequels “Bridget Jones: The Edge of Reason” and “Bridget Jones’s Baby.” She also earned an Academy Award nomination as convicted killer Roxie Hart in “Chicago” and won her first Oscar in the category of Best Supporting Actress for Anthony Minghella’s “Cold Mountain.”

After graduating with an English degree from the University of Texas, Zellweger made her feature film debut in Richard Linklater’s seminal coming-of-age film “Dazed and Confused.” Other film roles quickly followed, including “Reality Bites,” “Texas Chainsaw Massacre: The Next Generation” and “My Boyfriend’s Back.” Zellweger soon after won the affection of audiences with her breakthrough role in “Jerry Maguire.”

Additional credits include “One True Thing,” “Nurse Betty,” “Me, Myself & Irene,” “White Oleander,” and “Cinderella Man.” She has also lent her voice to such animated features as “Shark Tale,” “Bee Movie” and “Monsters vs. Aliens” and made her television debut in the Netflix limited series “What/If.”

Josh DuhamelJosh Duhamel

Joel Schwartz, “The Thing About Pam”

Josh Duhamel plays Joel Schwartz in the NBC limited series “The Thing About Pam.”

Duhamel most recently starred in the Netflix original series “Jupiter’s Legacy,” based on the comic series of the same name. Next up, he co-stars opposite Jennifer Lopez in “Shotgun Wedding,” which is slated for a summer release. Duhamel also recently wrapped the bank heist thriller “Bandit,” alongside Mel Gibson, and the action crime film “Blackout.”

On television, Duhamel is known for his role on the NBC drama “Las Vegas.” Additionally, he lent his voice to Nickelodeon’s Emmy Award-winning animated series “Fanboy & Chum Chum” and starred in several seasons of the long-running ABC soap opera “All My Children,” for which he received three consecutive Daytime Emmy nominations. Other recent TV credits include CBS’ “Battle Creek” and the J.J. Abrams mini-series “11.22.63” on Hulu.

Film credits include “Think Like a Dog,” “The Lost Husband,” “Love, Simon,” “Transformers” and “New Year’s Eve.”

Duhamel made his directorial debut at the 2019 Mammoth Film Festival with “The Buddy Games,” for which he also co-wrote, co-produced, and starred.

Glenn FleshlerGlenn Fleshler

Russ Faria, “The Thing About Pam”

Glenn Fleshler stars as Russ Faria in the NBC limited series “The Thing About Pam.”

Fleshler recently played Randall in “The Joker,” opposite Joaquin Phoenix, and continues to recur on Showtime’s “Billions.” Previously, he portrayed the terrifying Yellow King on the first season of HBO’s “True Detective.”

Other TV roles include “Barry,” “Boardwalk Empire,” “For Life,” “Watchmen,” Waco,” “The Twilight Zone” and “The Night Of.”

In film, Fleshler has worked with A-list directors that include Barry Levinson, Woody Allen, Kenneth Lonergan, Tom McCarthy, JC Chandor, Todd Phillips and Andrew Jarecki.  In the theater, he has worked with directors and playwrights that include Mike Nichols, Tony Kushner, Edward Albee, Tom Stoppard and David Hare.

Fleshler earned an MFA from the NYU Graduate Acting program.

Judy GreerJudy Greer

Leah Askey, “The Thing About Pam”

Judy Greer stars as Leah Askey in the new NBC limited series “The Thing About Pam.”

Greer’s career in both film and television has been extremely prolific, with her appearing in nearly 200 roles to date, including the Blumhouse reboot of “Halloween, directed by David Gordon Green and starring Jamie Lee Curtis. She most recently filmed HBO’s limited series “White House Plumbers,” opposite Woody Harrelson and Justin Theroux, and will be co-starring in “Reboot” from “Modern Family” co-creator Steve Levitan.

Greer’s feature credits include “The Descendants,” “Jurassic World,” Driven,” “Where’d You Go, Bernadette,” and many others.

On the TV side, Greer’s many credits include “Archer,” “Kidding,” “Let’s Go Luna,” “Married,” “Arrested Development,” “Casual,” “Two and a Half Men” and “Masters of Sex.”

Greer made her feature film directorial debut in 2018 with “A Happening of Monumental Proportions.” The film premiered at the Bentonville Film Festival where it won the Audience Spotlight Award. Previously, she directed an AOL original short that documents the practice of Transcendental Meditation and how it has changed the lives of teachers and students who learned the practice from the David Lynch Foundation.

Chris McCumberChris McCumber

Executive Producer, “The Thing About Pam”

Chris McCumber is the President of Blumhouse Television. In his role, he oversees all aspects of the television business for the company, known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative, award-winning television series.

The multimedia company is one of the most successful independent studios in history with more than $4.8 billion in collective box office receipts from its films and has produced over 150 films and television series.

McCumber oversees a development slate of more than 20 sold projects, with several in production for Netflix, NBC, HBO, Disney+, Peacock and Epix, including the ongoing series “The Horror of Dolores Roach.” Since joining the company a little over one year ago, he has secured rights to develop elusive and highly sought after IP, including Patricia Cornwell’s “Kay Scarpetta” series of books; the WWE’s first dramatic scripted series, “The United States vs. Vince McMahon”; and “Battersea Poltergeist,” based on the wildly popular BBC Radio 4 podcast. He was instrumental in Blumhouse Television and ITV America’s exclusive pact to produce unscripted, large-format television series, developing projects such as “Escape the Maze,” a genre-themed escape and competition format, and “Celebrity Castle,” based on the international hit “I’m a Celebrity … Get Me Out of Here!”

Upcoming is the highly anticipated NBC limited series “The Thing About Pam,” starring two-time Oscar winner Renée Zellweger; John Lee Hancock’s film “Mr. Harrigan’s Phone,” based on the Stephen King novel for Netflix; “Torn Hearts,” starring Katey Sagal and airing on Epix; and “Worst Roommate Ever,” a docuseries for Netflix.

Before being named President of Blumhouse Television, McCumber held several positions at NBCUniversal over a successful 20-year tenure, most recently as President, Entertainment Networks from 2016-20 overseeing the company’s USA and SYFY cable networks. Prior to that, he held several leadership roles at USA as Senior Vice President, On-Air Promotion and head of marketing before becoming President, USA Network, during which time USA remained the #1 entertainment network on cable for 14 consecutive years – the longest streak in television history – and launched top-rated and award-winning original programming, including “Mr. Robot,” “The Sinner,” “Suits,” “Chrisley Knows Best,” “The Purge,” “Monk” and “Psych.” McCumber also oversaw USA’s long-term relationship with the WWE, including the top-rated marquee programs, “Monday Night Raw” and “NXT.”

Before joining USA, McCumber was creative director for the media and entertainment practice at Lee Hunt Associates and Razorfish, where he led teams focused on brand strategy and creative solutions for linear and broadband entertainment companies. While there, he worked with more than 100 media brands, including NBC, ABC, CBS, FOX/News Corp, Disney, HBO, SiriusXM and Turner Networks

McCumber began his career at MTV Networks as associate producer before joining the on-air promotion team that launched Comedy Central. An accomplished commercial film director, he helmed 14 short films for NBC’s “Saturday Night Live,” titled “Fuzzy Memories by Jack Handy.”

McCumber is a government and law graduate of Lafayette College and currently serves on their Board of Trustees. He was recently named to Variety’s 2021 Dealmakers Impact Report alongside Blumhouse CEO and founder Jason Blum and Blumhouse President Charles Layton.

Liz ColeLiz Cole

Executive Producer, “The Thing About Pam”

Liz Cole is the president of NBC News Studios, a new division of NBC News that produces premium documentaries, docuseries and select scripted programming. She is also the executive producer of “Dateline NBC,” the longest-running series in NBC primetime history.

Since launching NBC News Studios in 2020, Cole has developed and executive produced an array of premium documentaries and docuseries, including “Memory Box: Echoes of 9/11,” which screened at the Toronto Film Festival, and the upcoming “Diamond Hands: The Legend of WallStreetBets,” which will premiere at SXSW next month.

Serving as executive producer of “Dateline NBC” since 2011, Cole is responsible for the production of all episodes, investigative reports, podcasts and special series. Now in its 30th season, the series airs across NBC, cable and in broadcast syndication, with hundreds of hours available to stream on Peacock’s Dateline 24/7 channel. The newsmagazine, which was inducted into the Broadcasting & Cable Hall of Fame in 2019, also reaches millions through its #1 podcasts and its showcast.

Cole has won six Emmy Awards. She is also the recipient of two Peabody Awards, three Edward R. Murrow Awards and two Alfred I. DuPont-Columbia University Awards.

Cole graduated from Vassar College, where she co-founded the campus TV station, VCTV. She lives in Brooklyn with her husband, Christian Martin, and their two children.

Jenny KleinJenny Klein

Executive Producer, “The Thing About Pam”

Jenny Klein is executive producer and showrunner for NBC and Blumhouse TV’s limited series “The Thing About Pam.”

Klein is currently in a first-look deal with Blumhouse Television and was previously under an overall deal at Amazon Studios, serving as co-executive producer on the upcoming limited series “Daisy Jones & the Six.” Her past work includes Marvel’s “Jessica Jones” and “The Witcher” for Netflix, for which she co-wrote the #1 Billboard rock single “Toss a Coin to Your Witcher.”

Klein is from Skokie, Ill.

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The cast of "The Thing About Pam" on NBC
THE THING ABOUT PAM — “Red Carpet Event” — Pictured: (l-r) Judy Greer, Glenn Fleshler, Suanne Spoke, Renee Zellweger, Josh Duhamel, Gideon Adlon, Sean Bridgers, Mac Brandt at the Maybourne Beverly Hills, February 28, 2022 — (Photo by: Todd Williamson/NBC)

Interviews with “American Song Contest” contestants 3/28/22

TV Interview!

American Song Contest - Snoop Dogg and Kelly Clarkson, Round 2

Interview with contestants from “American Song Contest” Round 2 on NBC by Krista 3/28/22

This was a lot of fun. I enjoy music competition series, such as my favorite, “American Idol,” so it was great to interview the contestants on the virtual red carpet right after the second qualifying round! Unfortunately, Cruz Rock of the U.S. Virgin Islands was not available.

If you missed their performances, watch them here.  Don’t forget to watch the next round, Monday, April 4th. Contestants include Jewel of Alaska – possibly the most famous of all of the legendary singers participating this season.

Michael Bolton moved on to the next round during this broadcast. You can see our interview with him here!

JONAH PRILL OF MONTANA

 

Jonah Prill was a very personable, friendly guy. I enjoyed listening to him answer the questions and talk about his song. His song Fire It Up was a great song and the feel of the song accomplished everything he wanted it to accomplish. His country music influences are Marty Robbins meets George Strait. He grew up on the old country and he is proud to follow in the footsteps of his grandfather Dean Evans.

MACY GRAY AND MAINO

 

Macy Gray is no stranger to the music scene. She has been an iconic singer/songwriter since 1999 with the release of her triple platinum album “On How Life Is.” She has been able to stay fresh and current with her abilities to write songs that relate to people today. She seems like she really enjoys the music scene and getting out there everyday and learning something from what she does and putting it to use in the next performance.

ENISA OF NEW YORK

 

Enisa from New York is full of energy and just a ball of fire. She wrote the song Greenlight and when it was presented to her to be on this show, she said she had the perfect song for this contest. She had the full performance with the dancing,music, and even the outline of her body with her mic up representing the statue of Liberty. She is a very friendly, outgoing person to talk to.

KING KYOTE OF MAINE

 

King Kyote is a recording artist from Maine who has toured extensively around the Northeast as well as around the country. He is inspired by all types of music especially the Rolling Stones and Muddy Water. He enjoys getting to share his talent with the fans around the world.

JOCELYN OF NEBRASKA

 

Jocelyn from Nebraska is a breath of fresh air. She enjoys writing songs that have positive messages and motivate and inspire. She is inspired by many artists such as Martina McBride, Ed Sheeran, and Shawn Mendez. She partners with Boys Town and Hope Squad which are suicide prevention organizations. She believes in these organizations and wants to spread the message of positivity in her music.

COURTSHIP. OF OREGON

 

Courtship. is from Oregon. Courtship is made up of a friendship between Micah Gordon and Eli Hersch who met at a gig. Their song “Million Dollar Smoothie” is fun and has lots of energy. They were happy to go first because then they could have their performance over and then relax and listen to the other competitors. Their album is due out in 2022.

BRODERICK JONES OF KANSAS

 

Broderick James is a singer/songwriter from Kansas. He wants to become the biggest artist ever to come from Kansas. He was very nice and well mannered showing an interest in the person asking the question. He put together a whole performance, with music, dancers, and the whole works. He seems very humble and a nice guy all the way around.

JORDAN SMITH OF KENTUCKY

 

Jordan Smith is a singer/songwriter from Kentucky and he is also no stranger to the music scene. He won the 9th season of The Voice. Since his win on The Voice he has released 4 albums and toured around the world. He is a very talented guy and seems to be a very friendly, humble guy as well. His song Sparrow is inspired by what we have went through these last two years. He wrote it to inspire others and it was also inspired by scripture where it talks about God feeding the sparrows and taking care of them and how much more he will take care of us. His faith inspires his songwriting and he hopes it can help inspire others.

CHLOE FREDERICKS OF NORTH DAKOTA

 

Chloe Fredericks is from North Dakota and is a singer/songwriter who was inspired by country artists such as Johnny Cash and Patsy Cline. She was raised singing with her dad and enjoyed singing songs such as gospel hymns and a lot of Johnny Cash. She has been working on this song since 2020 and she seems like a sweet young lady.

ALMIRA ZAKY OF VIRGINIA

 

Almira Zaky is from Virginia. Her career as a vocalist began when she was a young age and performed at numerous venues and festivals. She is inspired by artists such as Jojo, and Ariana Grande. She is also very proud of her Indonesian heritage. She hopes to empower young women all around the world with her music and her message.

We were able to interview Cruz Rock, but the recording didn’t come out.  He is from the Virgin Islands and is a Latin Caribbean singer, songwriter and producer. He infuses his ethnic heritage into his musical style and his music infuses several different styles including Caribbean, American and Latin.

MORE INFO:

American Song Contest

Mondays on NBC (8-10 p.m. ET); Series Premiere: March 21

WEBSITE

America’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.

In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.

Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

Jonah PrillMontana: Jonah Prill

State: Montana
Singer’s name: Jonah Prill
Hometown: Billings, MT
Resident: Billings, MT

Over a million people across the country and around the world were initially roped in by Jonah Prill’s cowboy charm and simple way of life with his horses, cowboy charm and Montana lifestyle on TikTok. With his account, Jonah gained a loyal following of over a million people by 2020 to see his journey to country music stardom. From rocking school assemblies in 3rd grade, singing in choirs through europe by highschool, and joining every band in college. It wasn’t long before Prill knew he wanted to release his own music and become a household name in country music. This Casanova’s ability to infuse his country music heritage and down-home upbringing into the lyrics and melodies of his music is what might make him one of the genre’s most intriguing new artists. The grandson of country artist Dean Evans, Prill seems poised to lead a new generation into a new chapter, a chapter filled with pages of an authentic life lived by a simple man from Billings, Montana.

Macy Gray and MainoOhio: Macy Gray

State: Ohio
Singer’s name: Macy Gray
Hometown: Canton, Ohio
Resident: Los Angeles, CA

Macy Gray, the renowned artist, actor and activist from Canton, Ohio, is no stranger to saying what needs to be said and acting on her words. The musical bodies of work she has produced throughout her career are a testament to her exquisite vision and unyielding devotion to her craft. Her sleek, sultry and mature take on R&B draws from decades worth of history. Yet, her ability to still sound forward-thinking and fresh is what reaffirms and reasserts her as a signature rarity in music. Since Macy broke into the music scene in 1999 with the release of her debut triple-platinum album, “On How Life Is,” she has become a powerhouse of R&B and soul, amassed a devoted global fan base and sold more than 25 million total albums globally. A five-time Grammy Award nominee, Gray won for Best Pop Vocal Performance in 2000 for her iconic song “I Try” and has received two BRIT Awards. Macy’s latest album, “The Reset,” will be released later year. The album is primed to create further discussion about what is happening in today’s world and will help redefine what pop music should be while still providing music lovers with good times and a great message. The daughter of a math teacher and a steel factory worker, Gray grew up in a house next to the local farm – a place still near and dear to her heart where she received the encouragement to become the star she is today.

ENISANew York: ENISA

State: New York
Singer’s name: ENISA
Hometown: Brooklyn, NY
Resident: Brooklyn, NY

New York local ENISA has spent her whole life preparing for this journey as a first-generation American born to Albanian parents. Following her graduation from Brooklyn’s esteemed Edward R. Murrow High School, she attended Brooklyn College and continued to develop her unique musical vision. A series of distinctive cover versions exploded across social media, earning her millions of views and critical acclaim from the likes of Complex, XXL, ThisSongIsSick and more. ENISA continued to hone her diverse musical approach, infusing contemporary soul pop with Middle Eastern flourishes inspired by her own Muslim heritage. Track releases like Scridge and Genda’s viral smash “Karma (Remix)” and such solo singles as “Burn This Bridge” and “Wait for Love” showcased a spectacular knack for raw soul and endless attitude, earning her close to 16 million views and more than 3 million global streams.

King KyoteMaine: King Kyote

State: Maine
Singer’s name: King Kyote
Hometown: York, ME
Resident:  Portland, ME

King Kyote is a recording artist who has toured extensively in the Northeast as well as around the country. Harken to a night of whiskey drinking in a cabin among the Maine pines, King echoes the yells of rock ‘n’ roll’s forefathers while having a deeply rooted harmony with roots rock, singer-songwriter and folk genres. He has played at iconic venues throughout Maine and local festivals, as well as shows with many local popular acts such as Ghosts of Paul Revere, Rustic Overtones and The Mallet Brothers Band.

JocelynNebraska: Jocelyn

State: Nebraska
Singer’s name: Jocelyn
Hometown: Omaha, NE
Resident: Omaha, NE

Nebraska native Jocelyn combines her observant outlook on life, love and music to write positive songs that both motivate and inspire. She has toured with Darius Rucker, Hootie and the Blowfish and Barenaked Ladies. Jocelyn also had the great privilege to partner with Boys Town National Hotline, a Nebraska nonprofit that is dedicated to providing a safe home for children of all races and religions, and Hope Squad on the Kindness Tour, bringing her positive music and message along with suicide prevention resources to schools across the country. She was featured on “Celebrity Undercover Boss” with Rucker and “Showtime at the Apollo” with Steve Harvey. Jocelyn wants to represent Nebraska to spread the message of Boys Town as well as her love for the state.

courtship.Oregon: courtship.

State: Oregon
Band Name: courtship.
Hometown: Portland, OR
Resident: Los Angeles, CA

The best things in life usually happen by accident and the genesis of courtship. is no exception. Micah Gordon and Eli Hirsch were both session musicians in Los Angeles who met at a gig. During their downtime on the first day, they instantly realized they had something special. Micah is a classically trained jazz pianist and was influenced by Stevie Wonder, Michael Jackson and Miles Davis. Eli grew up with the likes of Blink-182, Passion Pit and Weezer and together they’re the Larry David of indie pop. The boys spent the last few years on the road touring with artists such as Dayglow, Passion Pit, the Hunna, Weezer, the Wombats, Magic City Hippies and Night Riots all while garnering millions of streams. The duo’s sophomore album is set to release in 2022 and is a testament to everything that courtship. is – authentic, witty and feel-good. To courtship., Oregon is a magical place where they first started playing in bands and exploring music.

Broderick JonesKansas: Broderick Jones

State: Kansas
Singer’s name: Broderick Jones
Hometown: Little Rock, AR
Resident: Olathe, KS

Broderick Jones is a singer/songwriter known for his smooth vocals and gravitating stage performances. Broderick raked up over 35 million streams alone with no backing, helping him put a spotlight on the city and move closer towards his dream of becoming the biggest artist ever from Kansas. Broderick is thrilled to represent his state and show America that if he can make it from here, than anyone can.

Jordan SmithKentucky: Jordan Smith

State: Kentucky
Singer’s name: Jordan Smith
Hometown: Harlan, KY
Resident: Corbin, KY

Jordan Smith is a singer/songwriter best known for winning season nine of NBC’s hit reality television series “The Voice.” The Kentucky native holds the record as the highest-selling artist in “The Voice” history, dethroning Adele’s “Hello” at #1 on the iTunes charts three times during his run on the show and becoming the first artist ever to replace himself at #1 on the Christian Billboard chart. Jordan has since released four albums and toured extensively around the world, sharing the stage with artists such as Patti LaBelle, Jordin Sparks and Lionel Richie. He also wrote the song “Ashes,” performed by Celine Dion for the movie “Deadpool 2.” Being a Kentuckian is something Jordan has always been proud of and representing the state is an honor.

Chloe FredericksNorth Dakota: Chloe Fredericks

State: North Dakota
Singer’s name: Chloe Fredericks
Hometown: Halliday, ND
Resident: Halliday, ND

Chloe Fredericks grew up listening to some of country music’s great artists, including Johnny Cash, Patsy Cline and Emmylou Harris, and often receives comparisons to powerhouse singer-songwriters Adele and Amy Winehouse. Her mom would always call Chloe her “little singing birdy” and some of Chloe’s fondest memories are singing alongside her dad. She was raised on a ranch in North Dakota and learned the cowboy way of living – if you get bucked off of a horse, you get right back on. It’s helped carry Chloe through the more trying times in the ever-changing music business.

Almira ZakyVirginia: Almira Zaky

State: Virginia
Singer’s name: Almira Zaky
Hometown: Herndon, VA
Resident: Herndon, VA

Almira Zaky’s journey as a vocalist began at a young age when she would perform for thousands all around the Washington, D.C., area at several venues including World Bank, the Embassy of Indonesia, University of District of Columbia, University of Maryland, and events such as the annual Cherry Blossom Festival and the Baltimore Wooden Boat Festival. Almira is inspired by artists such as Kehlani, Jhene Aiko, Jojo and Ariana Grande and attributes her rhythmic R&B/pop influence to ’90s-’00s music. Her vibrant presence, outspoken lyrical skill, soulful tone and ability to relate to audiences all over the world has inspired others to become the boss of their own life. Almira, who is Muslim and proud of her Indonesian heritage, is very honored to represent her home state of Virginia, as it is the home to so many hip-hop/R&B musical legends, including Pharrell Williams, Timbaland, Chad Hugo and Missy Elliot.

Interview with last week’s contestants and with Kelly Clarkson

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Snoop Dogg and Kelly Clarkson of "American Song Contest" on NBC

Interview with Lisa Berry

TV Interview!

Lisa Berry, Rainbow Sun Francks, Henderson Wade and Humberly González of "Fallen Angels Murder Club" movies on Lifetime.

Interview with Lisa Berry, Rainbow Sun Francks, Henderson Wade and Humberly González of “Fallen Angels Murder Club” movies on Lifetime by Suzanne 3/22/22

It was great to have a Zoom press call with these actors. “Fallen Angels Murder Club: Friends to Die For” airs Saturday, 4/2 and “Fallen Angels Murder Club: Heroes and Felons” airs next Saturday, 4/9.  The movies star singer/actress Toni Braxton, who was not in attendance.  Eddie Cibrian also stars in the first movie (SPOILER: I believe he’s the murder victim). I really wanted to ask Rainbow a question, but unfortunately, he arrived late and had to leave early. It was kind of amusing because when the conference started, he was on the subway, which we could see from his video.  Then he was in his apartment for awhile, and then he was gone again!  The main reason I wanted to speak with him because he was so great in “Stargate: Atlantis.” However, I was even happier to speak with Lisa Berry, who is the second lead in the series, and the others. She starred as Billie in “Supernatural,” so it was really great to interview her. I hope you can enjoy both movies, which are murder mysteries. More details about them below.

Here’s our interview with Lisa! We’ll have more videos soon as well as the transcript…

MORE INFO:

Lifetime’s Site for the movies

"Fallen Angels Murder Club" posterAbout Fallen Angels Murder Club: Friends to Die For

Premieres Saturday, April 2 at 8/7 C

In the first installment, the members of the Fallen Angels Murder Club must have two things in common – a love for books and have a criminal record. Hollis Morgan (Braxton) meets both requirements. Left holding the bag in an insurance fraud scheme concocted by her ex-husband, Hollis served her time and now hopes the court will pardon her conviction so she can fulfill her dream of becoming a lawyer. But when a member of her book club is murdered in a scene straight out of the previous night’s novel, Hollis becomes the subject of police scrutiny. Refusing to get stuck "Fallen Angels Murder Club" castwith another bad rap, Hollis sets out to investigate her fellow club members and after a second book-inspired murder, she races to identify the killer before she becomes the next victim. Also stars Eddie Cibrian (Northern Lights, CSI Miami).

 

 

 

 

Trailer:

About Fallen Angels Murder Club: Heroes and Felons

Premieres Saturday, April 9 at 8/7 C

In the second movie, the members of the Fallen Angels Murder Club must band together again as they search for answers surrounding the death of one of their own. Hollis finds herself at the center of the investigation when a journalist reporting on the murder also winds up dead. As bodies begin to stack up, and Hollis connects "Fallen Angels Murder Club" castthe dots, she must solve the murders before its too late. Kelly Hu also stars. (List of a Lifetime, Scorpion King).

Additional ‘angels’ for the anthology include Lisa Berry (Working Moms, Supernatural) as “Abby Caldwell,” Yanic Truesdale (Gilmore Girls) as “Gene Donovan,” Humberly González (Ginny & Georgia) as “Rena Gabriel,” Rainbow Sun Francks (Umbrella Academy) as “Miller Thornton” and Raoul Bhaneja (Blind Spot, Clarice, The Lost Symbol) as “Rory Sharma.”

Henderson Wade (Dear White People, Riverdale), Kaitlyn Leeb (Spinning Out), Rob Stewart (Killjoys, Suits, Nikita), Keith D. Robinson (Dreamgirls, Saints & Sinners) and Shawn Ahmed also star. The Fallen Angels Murder Club films are produced for Lifetime by Brain Power Studio and executive produced by Beth Stevenson, Nancy Yeaman, Toni Braxton and Rhonda Baraka. The films fall in line with Lifetime.

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Lisa Berry, Rainbow Sun Francks, Henderson Wade and Humberly González of "Fallen Angels Murder Club" movies on Lifetime.

Interview with Chi McBride

TV Interview!

"How We Roll" cast on CBS

Interview with actors from “How We Roll” on CBS by Suzanne 3/23/22

This was a nice CBS press day – my first with them. I was very happy to be included, even though I was only able to ask one question.

This seems like a fun sitcom, so I’ll definitely be checking it out when it airs tomorrow.

CBS SPRING 2022 VIRTUAL PRESS DAY
“How We Roll” with actors Pete Holmes, Katie Lowes, Chi McBride, Julie White and Mark Gross, Executive Producer
Virtual via Zoom
March 23, 2022
© 2022 CBS Broadcasting Inc. All Rights Reserved.
“How We Roll” premieres Thursday, March 31st, at 9:30 p.m. Eastern on CBS, and streaming on Paramount Plus.

The show is based on the life of real-life Midwestern dad, Tom Smallwood, who decided to pursue his dream of becoming a pro bowler after he was laid off from his job

There was a video from Brian d’Arcy James, Executive Producer, who couldn’t be there. He told us about how the show came about. He heard about Smallwood because they’re both from Saginaw, MN. He fell in love with the idea of this guy deciding to follow his dream, regardless of the odds against him, in order to take care of his family. They loved and supported him, and so did his whole community. James thought this would make a great story. It’s certainly an interesting idea. I don’t think there’s every been a sitcom about bowling before. There was the comedy-drama, “Ed,” about a lawyer who returns to his hometown and buys a bowling alley…he practiced law out of it. There have been many sitcoms about working class people who go bowling regularly, such as “Laverne and Shirley” and “Roseanne.” There’s never been one that’s mostly about bowling, let alone one that is about a professional bowler. I just hope it’s funny because that’s my main criteria for a comedy. It has to make me laugh, often, or I won’t keep watching it. We’ll see!

I was really happy to be able to ask Chi McBride a question because he’s been in so many great shows I’ve watched and loved, such as “Boston Public,” “Human Target,” “House” and many more. I asked him, “You’ve done a lot of dramas over the past — I don’t know, how long it’s been…. A couple of decades. But you got your start in sitcoms. So, what was it that attracted you to this project?”

He gave me an unexpectedly heartfelt answer. It was really nice. He confided that not only did he “love the story,” but he could relate to it. He said, “30 years ago, I left my successful career at the phone company when I was making $300 a week, against the advice of my broker.” He drove from Atlanta to California to be in show business. He mentioned that he had a lot of confidence. He probably had some money to keep him afloat for awhile, too, is my guess, since he decided he wouldn’t be a waiter or anything like that. He credits that confidence with getting into the business, which he’s worked in for 30 years. He can identify with the situation because everyone thought he was crazy, too, for taking this chance.

He talked about his character, Archie, who is a mentor to the main character, Tom (played by Pete Holmes). He told us that Archie has believed in Tom since he was a child. He really loves characters like Archie and felt that this was “a wonderful opportunity.” Also, he added that he knew all the other people in the cast and their work. He praised them for being both talented and “lovely people at the same time.” He shared that it’s “been a real gas, to tell you the truth.” Going back to my question about having done mostly drama for a long time, he did admit that he hadn’t been “in front of three camera format in 25 years” (that’s how they shoot sitcoms), so he found it “daunting” at first. He gave credit to director Mark Cendrowski for helping him figure it out and get over that bump road. He joked, “it was like riding a bike. Like, when you ride a bike into a tree at first.” He was very funny throughout his answer, and we all laughed a lot. The whole panel was pretty funny. Anyway, he concluded that he’s “just glad to be here” and that the basic story inspired him.

Producer Mark Gross talked about his part in bringing the show to life. He wanted to write something with hope in it. James told him about the Tom Smallwood story. He praised Tom’s beautiful writing about Tom and his story. It really inspired him. He spoke in detail about how he worked on it feverishly (sometimes literally, when he had COVID). He can’t believe that they got such an “incredible, amazing cast.” He thinks Tom’s story is filled with miracles.

Pete Holmes was asked to compare his other show, “Crashing,” based on his early days of trying to make it as a comedian, to this one, since they’re both about someone giving up steady work to pursue their dreams.

Pete answered that he never though of that comparison before. He confided that his parents didn’t seem too concerned about his becoming a comedian. He added, “I don’t know if that’s because they believed in me, or they just weren’t paying attention.” Everyone laughed, so he riffed on that idea for a minute. It was hilarious. Then he told us, more seriously, that his parents were always very supportive of him, and other people he knew ere, too. He believes that you should get rid of the “naysayers” in your life if you want to be successful. He also mentioned that he always saw some other comedians that were unsuccessful because they were always comparing themselves or their careers to other comedians, which he referred to as “comedy cancer.” He told us that Mark Gross and one of the other writers (Tommy Johnagin) are both great stand-up performers and writers. He talked about how he and his wife read the script when he got it, praying that it was good. They enjoyed it and laughed, and appreciated that the wife was not just the usual TV “nagging wife.” It reminds him of the series “Ted Lasso,” in the sense that the wife believes more in Tom than he does. He also thought that the other characters were not stereotypes, either. Back to the question, he said that he’s very grateful that he didn’t have people doubting him when he was starting out. He “was one of the first people to go to college” in his family, so they said that he could do whatever he wanted after that.

Another reporter asked a question, but unfortunately, the actors didn’t answer it seriously. It was a very funny time for all of us, though. He/she asked what the actors found it easiest and most difficult as far as connecting to their character. Instead, Pete joked about the other new CBS show “Beyond the Edge,” saying that “I thought the monkeys that were encroaching on our camp were really difficult.” From then on, it only got funnier. I can only hope that the real show is half as funny as these guys were in this panel.

MORE INFO:

CBS ANNOUNCES NEW COMEDY “HOW WE ROLL” TO PREMIERE THURSDAY, MARCH 31 AT 9:30 PM

How We Roll,” Formerly Titled “Smallwood,” Stars Pete Holmes, Katie Lowes,

Chi McBride, Julie White and Mason Wells, and Is Based on the Life of

Professional Bowler Tom Smallwood

CBS will premiere the new comedy HOW WE ROLL (formerly titled “Smallwood”) on Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, after B POSITIVE completes its second season order. The series will also be available to stream live and on demand on Paramount+*. Based on the life story of professional bowler Tom Smallwood, the series stars Pete Holmes as Tom, a stoic Midwest husband and dad who gets laid off from a car assembly line and makes the extraordinary decision to provide for his family by following his dream of becoming a professional bowler.

As a skilled player, Tom knows that in bowling you get two chances: no matter what you do with the first ball, you get another one to make it right – the ultimate second chance. Keeping that in mind, he begins his new career with the loving “OK” from his wife, Jen (Katie Lowes); the unfaltering support of Archie (Chi McBride), his mentor and the proud owner of Archie’s Lanes: Home of the Curly Fry; the cautious backing of his protective mom, Helen (Julie White); and the encouragement of his son, Sam (Mason Wells). It remains to be seen if Tom will strike it big on the pro bowler circuit, but right now, the pins are set, he’s taking his second shot, and it’s 300 or bust.

HOW WE ROLL is produced by CBS Studios. Mark Gross, David Hollander and Brian d’Arcy James are the executive producers. Mark Cendrowski directed the pilot.

*Paramount+ Premium subscribers will have access to stream live via the live feed of their local CBS affiliate on the service as well as on demand. Essential-tier subscribers will have access to on-demand the day after the episode airs.

Official CBS website: https://www.cbs.com/shows/how-we-roll/

BIOS

Pete Holesm on "How We Roll" on CBSPete Holmes (Tom on HOW WE ROLL)

Pete Holmes is a nationally touring standup comedian, actor, “Christ-leaning spiritual seeker,” improviser, writer, cartoonist, and late-night host. Most recently, “Comedy Sex God,” Pete’s first book, was published May 14, 2019 by Harper Wave. Part autobiography, part philosophical inquiry, and part spiritual quest, “Comedy Sex God” is a hilarious, profound, and enlightening romp around his fertile mind.

In March 2019, Pete’s semi-autobiographical HBO comedy series, “Crashing,” that he created, starred in and executive-produced alongside Judd Apatow, celebrated its third and final season. “Crashing” was critically acclaimed and followed a stand-up comic (Holmes) who reevaluates his life and enters the New York comedy scene after discovering his wife’s infidelity. Currently, Pete is the host of the wildly popular podcast, “You Made It Weird,” which is a comedic exploration of the meaning of life with guests ranging from Deepak Chopra and Elizabeth Gilbert, to Seth Rogen and Garry Shandling. With more than 660 episodes, “You Made It Weird” has been downloaded over six million times and is recognized annually as a top podcast.

Since 2011, Pete has starred in CollegeHumor’s hilarious web series, “Badman.” “Badman” parodies the Christopher Nolan Batman films, with Pete playing the Caped Crusader as oblivious and incompetent, much to the annoyance of friends and foes alike. Pete also provided the voice for the talking baby in the award-winning E*TRADE ad-campaign.

An accomplished standup, with three hour-long television specials (HBO’s “Pete Holmes: Dirty Clean,” HBO’s “Pete Holmes: Faces and Sounds,” and Comedy Central’s “Pete Holmes: Nice Try, The Devil!”) and innumerous late-night appearances, Pete also hosted his own late-night TBS talk show, “The Pete Holmes Show,” that aired for two seasons. Pete has written for several television series, including “The Simpsons” and “Outsourced,” and many of his cartoons have been published in “The New Yorker,” which he thinks is pretty neat.

Currently, Holmes lives in Los Angeles with his wife and daughter. His birthday is March 30. Follow him on Instagram and Twitter @peteholmes.

Chi McBride as "Archie" from the CBS series HOW WE ROLL, premiering Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on the CBS app and Paramount+. Photo: Cliff Lipson/CBS ©2021 CBS Broadcasting, Inc. All Rights Reserved.Chi McBride (Archie in HOW WE ROLL)

A prolific actor in both television and film, Chi McBride most recently starred in the hit series “Hawaii Five-0” as Captain Lou Grover, on the Network.

McBride’s extensive feature credits include “I, Robot,” “The Terminal,” “Draft Day” with Kevin Costner and Jennifer Garner, “Annapolis,” “The Kid” with Bruce Willis, “Gone in Sixty Seconds” with Nick Cage, “The Distinguished Gentleman” with Eddie Murphy, and the Oscar-nominated “What’s Love Got to Do With It.”

He is also known for his principal roles in Bryan Fuller’s “Pushing Daisies” and David E. Kelley’s “Boston Public.” McBride has also lent his voice to the Marvel world playing the iconic ‘Nick Fury’ in multiple animated series, including “Avengers Assemble.”

McBride is from Chicago and currently resides in Los Angeles. His birthday is Sept. 23.

Katie Lowes as "Jen" from the CBS series HOW WE ROLL, premiering Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on the CBS app and Paramount+. Photo: Cliff Lipson/CBS ©2021 CBS Broadcasting, Inc. All Rights Reserved.Katie Lowes (Jen on HOW WE ROLL)

Katie Lowes is a force on both stage and screen. She is perhaps best known for starring as ‘Quinn Perkins’ for the entire seven seasons of the hit series “Scandal.” Lowes starred opposite a stellar cast including Kerry Washington and Tony Goldwyn in the fan favorite series created by Shonda Rhimes.

Recently, Lowes starred in the original television movie CHRISTMAS TAKES FLIGHT, on the Network. Currently, she stars in Shonda Rhimes’s Netflix series “Inventing Anna,” alongside Anna Chlumsky, Julia Garner and Laverne Cox.

Lowes is in the fourth season of her popular parenting podcast, “Katie’s Crib,” which is produced by Shondaland in partnership with iHeartRadio. “Katie’s Crib,” which launched in Spring 2018, is a weekly podcast covering the unexpected joys, pains, foibles, and hilarity of new motherhood. Each episode highlights a specific parenting issue from a variety of different points of view. Lowes conducts frank, intimate conversation with fellow moms (such as A-List actresses Kristen Bell, America Ferrera, and more) about the ups and downs of being a new parent.

In summer 2021, Lowes lent her voice to Netflix’s animated film “Vivo.” The film also featured voices from Lin-Manuel Miranda, Zoe Saldana, Gloria Estefan, Nicole Byer and more, with Miranda writing several songs for the movie.

In fall 2018, Lowes made her Broadway debut, starring in the Tony-nominated musical “Waitress,” with Katharine McPhee. Lowes played the role of ‘Dawn’ opposite her real-life husband, actor Adam Shapiro.

Lowes is no stranger to the big or small screen. Over the years she has appeared in big budget films, such as Disney’s “Ralph Breaks the Internet” and Dreamworks’ “Transformers 2,” Bad Robot’s “Super 8” directed by JJ Abrams and was the voice of Abigail in the 2015 Academy Award-winning animated feature film “Big Hero 6.” In addition, she voiced an animated character in the 2015 Academy Award-winning animated short film, “Feast,” as well as the Oscar-nominated Disney film “Wreck It Ralph.” Lowes was the inspiration behind the motion and movement work for Idina Menzel’s character, Elsa, in the movie “Frozen.”

Additionally, she has appeared in several independent films, including “Dinner for Four,” “The Job,” “Callers” and “Bear” and “Café.” She has been a guest star on hit series, such as “The Closer,” “Grey’s Anatomy,” “Private Practice,” “Leverage,” “Castle,” “The Sopranos,” “NCIS,” on the Network, and was a series regular on “Easy Money,” created by producers of “The Sopranos.”

Lowes is regularly seen guest co-hosting “Live with Kelly and Ryan” alongside Ryan Seacrest.

Born in Queens, New York, Lowes is a graduate of NYU Tisch School of the Arts. Lowes is the co-artistic director of IAMA Theatre Company, which was named one of the top 20 regional theatres in the country. IAMA is in the midst of its 13th season in Los Angeles.

Currently, Lowes lives in Los Angeles with her husband. Her birthday is Sept. 22. Follow her on Twitter @KatieQLowes and on Instagram @ktqlowes.

Julie White as "Helen" from the CBS series HOW WE ROLL, premiering Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on the CBS app and Paramount+. Photo: Cliff Lipson/CBS ©2021 CBS Broadcasting, Inc. All Rights Reserved.

Julie White (Helen on HOW WE ROLL)

 Julie White is a Tony Award winner for Best Performance by a Leading Actress in a Play for her role in “The Little Dog Laughed,” and starred in Joe Mantello’s 2015 production of Lisa D’Amour’s play “Airline Highway,” for which she was nominated for Tony, Drama Desk and Drama League awards.

Tony-nominated for her performance in the 2019 Taylor Mac-created “Gary: A Sequel to Titus Andronicus” on Broadway opposite Nathan Lane, White earlier starred on Broadway in Lucas Hnath’s “A Doll’s House 2” with Stephen Henderson and Jane Houdyshell, and opposite Matthew Broderick and Annaleigh Ashford in the revival of A.R. Gurney’s “Sylvia” for director Dan Sullivan.

White’s additional Broadway credits include “Vanya, Sonia, Masha and Spike,” “The Heidi Chronicles,” and Off-Broadway credits “The Understudy” and “Fiction” for The Roundabout, “Twelfth Night” at The Delacorte for The Public Theatre and “Bad Dates” for Playwrights Horizons, to name some favorites. She won an Obie Award, The Elliot Norton Award, the Ovation Award and been nominated multiple times for Outer Critics Circle, Drama Desk, and Drama League Awards.

On television, White recurred as Antoinette, “Nurse Jackie”s AA sponsor; opposite John Goodman in the Garry Trudeau/Amazon series “Alpha House”; and spent a season on “Go On” opposite Matthew Perry, for which she won the Gracie Award. Other memorable TV roles are Mitzi Dalton Huntley in Alan Ball’s “Six Feet Under,” Nadine Swoboda on “Grace Under Fire,” Dr. Anne Morella on “Law & Order: SVU” and comedy appearances on cult favorites “You’re the Worst” and “Man Seeking Woman.”

Coming up, in addition to HOW WE ROLL, White will appear in the new Apple + series “Roar” among an all-star cast, including Nicole Kidman and Cynthia Erivo, as well as the Apple+ miniseries “WeCrashed” opposite Anne Hathaway. Other television credits include White starring opposite Kiefer Sutherland and Anthony Edwards on the final season of “Designated Survivor” and appearing in the critically acclaimed limited series “Mrs. America,” with Cate Blanchett and Sarah Paulson.

On the big screen, White appeared in “Lincoln” for Steven Spielberg opposite Daniel Day Lewis and Sally Field, in addition to being a staple on the indie scene in such festival films as “Breaking Upwards,” “Hello I Must Be Going,” “Morning,” “My Idiot Brother” and “Life Partners.” Additional studio features include the massively successful “Transformers” franchise, “Michael Clayton” opposite George Clooney, “The Astronaut Farmer” with Billy Bob Thornton, and the animated film “Monsters and Aliens”.

White resides in Northern Westchester, NY, when not filming. Her birthday is June 4. Follow her on Instagram @missjuliewhite.

Mark Gross, producer/writer for "How We Roll" on CBS.

Mark Gross is a producer and writer, known for Mike & Molly (2010), Man with a Plan (2016) and Gary Unmarried (2008).

 

 

 

 

 

PETE HOLMES STARS IN THE NEW COMEDY INSPIRED BY THE LIFE OF PROFESSIONAL BOWLER TOM SMALLWOOD, WHO MAKES THE EXTRAORDINARY DECISION TO FOLLOW HIS DREAM OF BECOMING A PROFESSIONAL BOWLER, ON THE SERIES PREMIERE OF “HOW WE ROLL,” THURSDAY, MARCH 31

Katie Lowes, Chi McBride, Julie White and Mason Wells Also Star

“Pilot” – Pete Holmes stars in a new comedy inspired by the life of professional bowler Tom Smallwood, who gets laid off from his factory job and makes the extraordinary decision to follow his dream of becoming a professional bowler, on the series premiere of the CBS Original series HOW WE ROLL, Thursday, March 31 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*. Katie Lowes, Chi McBride, Julie White and Mason Wells also star.

As a skilled player, Tom (Holmes) knows that in bowling you get two chances; no matter what you do with the first ball, you get another one to make it right – the ultimate second chance. Keeping that in mind, Tom begins his new career with the loving okay from his wife, Jen (Lowes); the unfaltering support of Archie (McBride), his mentor and the proud owner of Archie’s Lanes: Home of the Curly Fry; the cautious backing of his protective mom, Helen (White); and the encouragement of his son, Sam (Wells). It remains to be seen if Tom will strike it big on the Pro Bowler circuit, but right now, the pins are set, he’s taking his second shot and it’s 300 or bust!

REGULAR CAST:

Pete Holmes (Tom)
Katie Lowes (Jen)
Chi McBride (Archie)
Julie White (Helen)
Mason Wells (Sam)

RECURRING CAST:

Tahj Mowry (Lewell)
Amanda Perez (Tia)
Greg Romero Wilson (William)
Matt McCarthy (Carl)
Judy Kain (Mimi)

WRITTEN BY: Mark Gross

DIRECTED BY: Mark Cendrowski

TOM MUST CHOOSE BETWEEN LOYALTY TO ARCHIE, HIS MENTOR AND COACH, AND MONEY WHEN HE’S OFFERED A NEW SPONSORSHIP DEAL, BUT HE CAN ONLY FEATURE ONE LOGO ON HIS BOWLING SHIRT, ON “HOW WE ROLL,” THURSDAY, APRIL 7

“The Sponsor” – Tom must choose between loyalty to his mentor, Archie, and money when his first TV interview leads to a new sponsorship deal, but he can only feature one logo on his bowling shirt: Archie Lanes, Home of the Curly Fry, or Powell Mortuary. Also, Jen’s boss stifles her creativity at the salon, on the CBS Original series HOW WE ROLL, Thursday, April 7 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.

REGULAR CAST:

Pete Holmes (Tom)
Katie Lowes (Jen)
Chi McBride (Archie)
Julie White (Helen)
Mason Wells (Sam)

RECURRING CAST:

Tahj Mowry (Lewell)
Amanda Perez (Tia)
Greg Romero Wilson (William)
Matt McCarthy (Carl)
Judy Kain (Mimi)

GUEST CAST:

McKale Jude Bingham (Lee)
Kerrice Ayanna Brooks (Hannah)
Brittany Baker (TV Reporter)
Sarah Lilly (Sandy)
French Stewart (Jacob Powell)

WRITTEN BY: Michael Glouberman

DIRECTED BY: Betsy Thomas

GENRE: Comedy

TOM CONSIDERS SELLING HIS PRIZED BASEBALL CARD COLLECTION IN ORDER TO BRING IN SOME MUCH-NEEDED CASH TO TREAT JEN, WHO’S BEEN WORKING EXTRA HOURS, ON “HOW WE ROLL,” THURSDAY, APRIL 14

“The Hustle” – Looking for ways to make extra cash, Tom considers selling his prized baseball card collection so he can treat Jen, who’s been working extra hours at the salon, on the CBS Original series HOW WE ROLL, Thursday, April 14 (9:30-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.

REGULAR CAST:

Pete Holmes (Tom)
Katie Lowes (Jen)
Chi McBride (Archie)
Julie White (Helen)
Mason Wells (Sam)

RECURRING CAST:

Tahj Mowry (Lewell)
Amanda Perez (Tia)
Greg Romero Wilson (William)
Matt McCarthy (Carl)
Judy Kain (Mimi)

GUEST CAST:

Greg Winter (Ben)
Sean Cook (Brad)
Laura Buckles (Brenda)

WRITTEN BY: Tommy Johnagin

DIRECTED BY: Betsy Thomas

GENRE: Comedy

Proofread and Edited by Brenda

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CBS Spring Press Day graphic

 

Interview with Michael Bolton

TV Interview!

Michael Bolton at "American Song Contest" on NBC

Interview with Michael Bolton at “American Song Contest” on NBC by Suzanne 3/28/22

It was great to speak with this legend a second time. Last week, Michael Bolton competed in the first episode of “American Song Contest” on NBC. This is a show similar to “Eurovision.”  NBC had this great after-show virtual red carpet for those of us in the press. Unfortunately, between technical problems, background noise, and Michael Bolton being a very quiet speaker, we weren’t able to hear or understand him, nor could we get a good video! Fortunately, it was announced during this week’s show that Michael had been voted to continue in the next round, so NBC was able to get us this short Zoom interview with him to make up for last week. I’m so grateful and happy!

Enjoy this nice CLEAR video! We’ll have the transcript up later.

MORE INFO:

Michael Bolton at "American Song Contest" on NBCConnecticut: Michael Bolton

State: Connecticut
Singer’s name: Michael Bolton
Hometown: New Haven, CT
Resident: Westport, CT

Michael Bolton is a multiple Grammy Award-winning singer and songwriter who has sold more than 65 million records globally and continues to tour the world. Bolton is strongly committed to humanitarian causes, especially through the Michael Bolton Charities. In recognition of his artistic achievements, Michael won two Grammys for Best Pop Male Vocal Performance (nominated four times), six American Music Awards, three Emmy Award nominations and has a star on the Hollywood Walk of Fame. As a songwriter, he has earned more than 24 BMI & ASCAP Awards, including Songwriter of the Year and the Hitmakers Award from the Songwriters Hall of Fame. His coming-of-age story starts in Connecticut, where he was born and raised and most importantly where he discovered his love of singing and songwriting. He’s proud to represent the state as an artist and as someone who still loves going home to Connecticut.

About ‘American Song Contest’:

From the producers of “Eurovision Song Contest” and “The Voice,” the all-live music competition series, hosted by Snoop Dogg and Kelly Clarkson, premieres Monday, March 21 (8:00 – 10:00 pm ET/PT) and will run for eight weeks with the Grand Final on May 9.

“American Song Contest” will feature live new music performances – representing all 50 states, five U.S. territories and our nation’s capital – competing to win the country’s vote for the best hit song. An incredible solo artist, duo or a band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America. The live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

Proofread and Edited by Brenda

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Michael Bolton at "American Song Contest" on NBC

Interviews with “American Song Contest” contestants 3/21/22

TV Interview!

Interview with contestants the first qualifier round of “American Song Contest” on NBC by Suzanne 3/21/22

Michael Bolton on Zoom on the red carpet

Monday night was the premiere of “American Song Contest” on NBC. This is the new American version of Eurovision that we talked about last week.  A small group of us journalists watched the live show and then interviewed all 11 contestants for this first round of live qualifiers.  Honestly, I don’t watch most competition or music shows on TV. I just don’t have the time, and I’d rather watch scripted shows. I thought they did a pretty good job with it, though, and I enjoyed watching the contestants and learning about their backstories. I thought that the best song was “Loko” by Christian Pagán of Puerto Rico. The song was very catchy and his performance was great. Clearly, Heuston from Rhode Island also did very well. His song started out slowly and gravel-y-voiced… but got better, and he was aces at singing a ballad that melted everyone’s hearts. He was voted by the judges to go to the next round.

Although my main career is TV journalist and expert, I’m also a singer. I started singing in grade school and was taking voice lessons in high school and all through college.  I’ve still been singing and taking lessons for years, and I was in a band for awhile. So, I’m coming at this music contest from that perspective as well as from the TV show. I found it interesting as TV more than as music. This show is not “The Voice.” The singers here are being judged more for their songwriting and their performing than their singing…not that any of them are terrible singers. These are professional working musicians that do well in their local venues (and some nationally).

Michael Bolton singing in "American Song Contest" March 21, 2022

Mostly, I came here to see and talk to Michael Bolton. His song was not that great, to be honest. I did get to ask him a question, but unfortunately, the sound quality during that part of the interviews on the virtual red carpet was not good, and my recording below is almost unintelligible. I asked him if he wrote the song for this competition, what inspired it, and why he chose it.  He gave a nice, long answer, that I can’t make heads or tails of, which is a darn shame. I hope he makes it to the next round, and then I’ll be able to chat with him again.  His songs were big hits back in the 80’s when I was in college. I loved his biggest hit, “How Am I Supposed to Live Without You?,” which was also recorded by Laura Branigan. In fact, I have also sung that song many times in karaoke, and I always get a good reaction. His other huge hit was his version of “When a Man Loves a Woman.”

Most of the other recordings came out OK. I hope you enjoy them!

Kelly Clarkson and Snoop Dogg in "American Song Contest" 3/21/22

The show itself was fun. Snoop Dogg had a nice kind of laidback attitude to counter Kelly Clarkson’s infectious energy. Stay tuned for more contestants on the next show, Monday 3/28/22 on NBC! If you missed last week’s episode, find it on NBC.

Here are the videos, except for one that I’m missing from Christian Pagán and hope to have tomorrow.

Jake’O from Wisconsin was our first interviewee… I was having great difficulty hearing him… as you can tell by the faces I’m making. He sang a song called “Feel Your Love.” I took myself off video when I wasn’t asking a question because I didn’t want to have to worry about how I looked the whole time! This video clip is from Jamie of http://www.scifivision.com

Here’s Christian Pagán of Puerto Rico! He sang a really fun song, “Loko.” He would be my top pick. My recording didn’t come out, so this is from Jamie of http://www.scifivision.com

Here’s Michael Bolton!  He seemed pretty tired, and his speaking voice was not loud enough, on top of the other technical difficulties and background noise. He sang “Beautiful World.” My recording didn’t come out, so this is from Jamie of http://www.scifivision.com

Here’s the best transcription I could get for this, from TranscriptionPuppy.

Moderator: Hi, guys. We have Michael Bolton.

Michael: Hello.

Moderator: Chris, you’re up first; Beth, you’re on deck, and then Jamie.

Chris: Hi, Michael. How are you? Great performance tonight.

Michaeln: Thank you very much. For a timely song [inaudible] it’s getting harder. Things got harder in the real world.

Chris: It really is. I was just curious, what made you decide to be a part of this experience?

Michael: Oh. Well, songwriting is on the very top of my list of the things I love about music through the years and something that is enduring during [inaudible] function as an artist and a songwriter where I plan on continuing to be surrounded by people who love music and love to write. Things that are very wide, very [inaudible] so much really good, and then, of course, there’s Kelly, who’s spectacular, [inaudible] you got to talk to her on the line and it seems that [inaudible] so I ask my agent to find it well to physically [inaudible] whole made sense to happened then, I wrote [inaduble] of just [inaudible] someone who will work tied up [inaudible] and we wrote a song about knowing how intense [inaudible] great [inaudible] it means the world [inaudible] just make perfect sense to me, I love music [inaudible]

Chris: Thank you so much!

Jamie: Hi, Jamie Ruby here, from SciFiVision. Thank you so much for talking to us tonight. I really enjoyed your song So, obviously, you’ve been doing this for a really long time. Are there still new things to learn after doing something like this about yourself?

Michael: That kind of person who [inaudible] in every area of your life. [inaudible] like more [inaudible] for computers.

Jamie: Thank you.

Moderator: Beth, go ahead.

Beth: Thank you. It was so great seeing you, Michael. This is Beth with Hollywood Junket. I really enjoyed your performance tonight. I was wondering, are there any other contestants seeking your advice on their performances or rehearsals this week?

Michael: Everybody seems to be very [inaudible] and [inaudible] of their career. But I didn’t have [inaudible] always frequently, [inaudible] specifically when they’re inspiring [inaudible] somewhere where I can help them, kind of, avoid the dead ends and waste their time in [inaudible] themselves to [inaudible] something that [inaudible] look forward about this really great, really help [inaudible]

Beth: Thank you so much.

Moderator: Suzanne you’re up next, Justin you’re on deck.

Michael: Hi, Suzanne.

Suzanne: Hi Michael. What made you…what inspired you to write the song that you sang tonight, and what made you choose it for this contest?

Michael Bolton: Ironically, we are actually looking at completely different suggestions and this writing a song [inaudible] online [inaudible] start writing a song and [inaudible] create music [inaudible] I don’t think [inaudible] I don’t wanna [inaudible] imagine kind of threat [inaudible] somehow [inaudible] my mind [inaudible].

Suzanne: Alright, thank you.

Ryan Charles of Wyoming was next. He sang a really fun song, “”New Boot Goofin'” He was dressed like a cowboy, but he raps!

Kelsey Lamb of Arkansas was after him. I was pulling for her because I live in that state, but I don’t think her song, “Never Like This” was exciting enough to win the competition.

Next up was Keyone Starr of Mississippi, who sang “Fire.” Great song!

The next artists was UG Skywalkin of Indiana. His first name is pronounced like the letters U.G. (yoo jee) not like UGH!  He has an interesting backstory, which I asked him about.  His song was “Love in My City.”

AleXa of Oklahoma… she’s part Korean, so she does K-Pop. She put on quite a production, but her song, “Wonderland,” was not very notable.

This girl, Alisabeth Von Presley, of Iowa, sang really well, but I don’t think the song, “Wonder” was very catchy.

Heuston of Rhode Island really wowed everyone with his song, “Held on Too Long.” It was great to chat with him. My husband’s family is from Rhode Island!

Yam Haus is a really enthusiastic group of friends from Minnesota who sang “Ready to Go.” They had a lot of energy. This was our last group to interview.

I hope you enjoyed these interviews!

MORE INFO:

**MEDIA ALERT** ‘American Song Contest’ Series Premiere Virtual Zoom Room Monday, March 21, 2022

What:                  American Song Contest’ Live Series Premiere and Virtual Zoom Room

Watch the live show and have the opportunity to speak with the first 11 artists to perform.  Virtual Zoom Room to follow directly after the premiere.

NBC’s upcoming music competition series “American Song Contest” features live new music performances representing the 50 states, five U.S. territories and our nation’s capital, who will compete to win the country’s vote for the best hit song.  The artists span a wide range of performers, from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons.

Who:                   The initial 11 artists performing on the premiere.

To learn more about these artists, visit here.

  • Kelsey Lamb (Arkansas)
  • Michael Bolton (Connecticut)
  • Alisabeth Von Presley (Iowa)
  • UG skywalkin (Indiana)
  • Yam Haus (Minneota)
  • Keyone Starr (Mississippi)
  • AleXa (Oklahoma)
  • Christian Pagán (Puerto Rico)
  • Hueston (Rhode Island)
  • Jake’O (Wisconsin)
  • Ryan Charles (Wyoming)

*All talent subject to availability*

When:                 Monday, March 21, 2022

5:00pm PT           Live Show Taping Begins

7:00pm PT           Live Show Ends/Virtual Zoom Room begins

9:00pm PT           Virtual Zoom Room Closes

About ‘American Song Contest’:

From the producers of “Eurovision Song Contest” and “The Voice,” the all-live music competition series, hosted by Snoop Dogg and Kelly Clarkson, premieres Monday, March 21 (8:00 – 10:00 pm ET/PT) and will run for eight weeks with the Grand Final on May 9.

“American Song Contest” will feature live new music performances – representing all 50 states, five U.S. territories and our nation’s capital – competing to win the country’s vote for the best hit song. An incredible solo artist, duo or a band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America. The live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

Proofread and Edited by Brenda

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Michael Bolton of Connecticut

Interview with Kelly Clarkson

TV Interview!

 

Kelly Clarkson of "American Song Contest" on NBC. Photo from video on etonline.com

Interview with EP and host Kelly Clarkson, EP/showrunner Audrey Morrissey, EP Ben Silverman, EP Anders Lenhoff and EP Christer Björkman of “American Song Contest” on NBC by Suzanne 3/14/22

This was a press conference for the upcoming show, “American Song Contest”. I was just one of many journalists in attendance This sounds like a fun show. It begins Monday, 3/21 on NBC! There are 54 contestants total – one from each state or territory. They compete each week until they narrow it down. You can vote online between the airing of the episode on Monday, and Wednesday. Each of the contestants are professional working musicians, not newbies or amateurs. Based on “Eurovision,” each group performs their original song. So, unlike, say, “The Voice,” they’re being judged more for their performing and songwriting talent than they are for their singing and playing.

Kelly Clarkson was very enthusiastic on Zoom. I’m told that she’s often this way. I don’t watch her show, and I haven’t seen her on anything else, so I’ll have to take their word for it. She certainly loves to talk! I can see why she has a talk show.

Along with Kelly, who’s both co-host and executive producer, were the executive producers and showrunner Audrey Morrissey.  Two of the EPs, Lenhoff and Björkman, were involved with Eurovision, the European music contest that “American Song Contest” is based on.

It was very interesting to learn about this new show, which is different from all of the other singing contests on TV, such as “American Idol,” “The Voice,” “America’s Got Talent,” etc.

The show is the brainchild of EP Ben Silverman, who’s been working for “over 25 years” to try to get the Eurovision rights to make an American version. Eurovision was “not only the first, it’s the most ambitious and unique.” He’s understandably “thrilled” to be finally putting it all together for NBC. He hopes the audience will tune it because it’s live, they have great hosts in Snoop and Kelly and “It’s filled with regional passion and state by state brilliance. And I think you are going to be amazed to see some professionals, some amateurs, all different kinds of genres of music.”

Kelly is looking forward to the world seeing the diversity they have on the show because she knows there are different types of music all over the U.S., including in her home state of Texas. She really hopes that the show helps heal the country because it’s so “divided” right now “because people have their preconceived notions of who is from where. And that’s just not true anymore, especially in such a digital age and the Internet age. We are all very similar more than not. But, also, we do represent different cultures, which is going to be cool.”

You may wonder if larger states like Texas will get more votes than the smaller ones, but Silverman explained that, just like in Eurovision, every state has equal voting power. Kelly believes that people will vote for the artists that like the best – not just the ones in their home state. Kelly had worked with Snoop Dog before on “The Voice” and proclaimed that they worked really well together. “the thing I loved most about him is that he really took his time listening and kind of taking it in, like, each performance.” So she’s very excited to be hosting with him. She pointed out that they both represent vastly different types of music as well as areas of the country.

Producer Morrissey explained that they put out the word to all of professional people they knew, in “a really vast network of A&R scouts, managers, booking agents” from other music shows like “The Voice” and “Songland.” She had to make it show that this show is not like “American Idol” or the other shows. It’s for professional musicians. “This is for the artists, the person who is committed to ‘This is what I’m doing in my life, and I’ve been grinding it and working it on the road for years. I’m kind of a known entity. A&R scouts know about me. Maybe I am about to be signed, or I already have been signed, or I’ve turned down deals because I want to go it alone.'” In the future, they hope to have a mechanism similar to Eurovision, where each state has its own contest and the winner of each contest goes to their show.

Kelly and the other producers are really excited to show us that their show will have the “really over the top costumes and production stage values that” Eurovision has. Silverman noted, “It’s unbelievable, our sets, the spectacle, the costume design, the lighting design, all of the production value.” He cited the finale as being very similar to the type they do on the original Eurovision.

They don’t think that the more famous artists like Jewel will necessarily have an edge over the lesser-known artists in the competition. Each one has to prove themselves in the competition, famous or not. It’s also a great venue for any of the artists to showcase a new song.

Monday, 3/20 I’ll be watching the show and interviewing some of the contestants afterwards, live, so stay tuned!

MORE INFO:

American Song Contest

Mondays on NBC (8-10 p.m. ET); Series Premiere: March 21

America’s biggest live entertainment event has arrived! Based on the worldwide phenomenon “Eurovision Song Contest,” organized for 65 years by the European Broadcasting Union and watched by 200 million viewers annually, this amazing musical spectacular combines the competitive spirit of rooting for your favorite sports team with the joy of watching a beloved singing performance.

In the U.S. version of the international megahit, “American Song Contest” will feature live original musical performances, representing all 50 states, five U.S. territories and our nation’s capital, competing to win the country’s vote for the best hit song. The 56 artists span a wide range of performers – from undiscovered talent, up-and-coming new artists, and rising stars to established and legendary icons. An incredible solo artist, duo, group or band will represent each location and perform a new original song, celebrating the depth and variety of different styles and genres across America.

Hosted by Snoop Dogg and Kelly Clarkson, the eight-week live competition consists of three rounds as the artists compete in a series of Qualifying Rounds, followed by the Semi-Finals and the ultimate Grand Final where one state or territory will emerge victorious.

“American Song Contest” is executive produced by Propagate’s Ben Silverman and Howard T. Owens, alongside Audrey Morrissey, Amanda Zucker, Kyra Thompson and Gregory Lipstone as well as American Song Contest, Inc.’s Anders Lenhoff, Christer Björkman, Peter Settman and Ola Melzig. Snoop Dogg and Kelly Clarkson also serve as executive producers.

The series is produced by Propagate in association with Universal Television Alternative Studio, a division of Universal Studio Group, and American Song Contest, Inc.

Hashtag: #AmericanSongContest

AMERICAN SONG CONTEST— Season: 1 -- Pictured: Kelly Clarkson, Snoop Dogg -- (Photo by: Chris Haston/Dave Bjerke/NBC)Kelly Clarkson

Coach, “The Voice”; Executive Producer/Host, “American Song Contest”; Executive Producer/Host, “The Kelly Clarkson Show”

Kelly Clarkson serves as a coach on NBC’s four-time Emmy Award-winning musical competition series “The Voice.” She won the competition in seasons 14, 15 and 17.

Clarkson will serve as host (with Snoop Dogg) on the new NBC musical competition series “American Song Contest” and she’s currently filming season three of “The Kelly Clarkson Show,” which has already been picked up for a fourth season.

An Emmy-winning talk show host, Grammy Award-winning artist and America’s original idol, Clarkson is one of the most popular artists of this era with total worldwide sales of more than 25 million albums and 40 million singles.

Clarkson recently released her critically acclaimed Grammy-nominated eighth studio album, “Meaning of Life,” and in 2020 released her powerful single “I Dare You,” which she recorded with five other artists in six languages

The Texas-born singer-songwriter first came to fame in 2002 as the winner of the inaugural season of “American Idol.” Clarkson’s debut single, “A Moment Like This,” followed and quickly went to #1 on Billboard’s Hot 100, ultimately ranking as the year’s best-selling single in the U.S. Further, Clarkson is one of pop’s top singles artists, with 17 singles boasting multi-platinum, platinum and gold certifications around the world, including such global favorites as “Miss Independent” and “Because of You.”

Clarkson has released eight studio albums (“Thankful,” “Breakaway,” “My December,” “All I Ever Wanted,” “Stronger,” “Wrapped in Red,” “Piece By Piece,” “Meaning of Life”), one greatest hits album and two children’s books (New York Times Top 10 bestseller “River Rose and the Magical Lullaby” and the follow-up, “River Rose and the Magical Christmas”).

She is the recipient of an array of awards, including two Daytime Emmy Award in 2020 and 2021 for Outstanding Entertainment Talk Show Host, three Grammys, four American Music Awards, three MTV Video Music Awards, two Academy of Country Music Awards, two American Country Awards and one Country Music Assn. Award. She is also the first artist to top each of Billboard’s pop, adult contemporary, country and dance charts.

Additionally, Clarkson has hosted the “Billboard Music Awards” for the past three years and she also voices the character of Moxy in “Ugly Dolls” and the character of Delta Dawn in “Trolls World Tour.”

Snoop Dogg

Executive Producer/Host, “American Song Contest”

A multi-platinum artist, actor, philanthropist and entertainment icon, Snoop Dogg has reigned for nearly three decades as an unparalleled force, raising the bar as an award-winning entertainer and globally recognized entrepreneur. Snoop defines entertainment history. He has released 21 studio albums, sold over 40 million albums worldwide, reached No. 1 countless times on Billboard charts internationally and received 20 Grammy nominations.

A California native, Snoop has also appeared in numerous films, such as “Dolemite Is My Name,” “The SpongeBob Movie: Sponge on the Run,” “The Addams Family,” “Beach Bum,” “Starsky & Hutch,” “Soul Plane” and the Oscar-winning drama “Training Day,” among others. He has also produced several TV shows and films, including Vice’s “Reincarnated,” “Mac & Dean Go to High School” and “Hood of Horror” through his production company, Snoopadelic Films. He made his mark in television when he garnered an Emmy Award nomination as executive producer for the hit VH1 show “Martha & Snoop’s Potluck Dinner.” Snoop was also the executive producer of the Netflix show “Coach Snoop,” “GGN: Double G News,” MTV’s “Mary + Jane” and the TNT game show “Joker’s Wild,” which he also hosted.

Most recently, Snoop has hosted and produced several projects through his Snoopadelic films, including two Peacock originals – “2021 and Done” alongside Kevin Hart, a hilarious retrospective on the year that began with so much promise; and “Olympic Highlights with Kevin Hart and Snoop Dogg,” recapping the Olympics’ most impressive delays of athleticism and the moments that didn’t go as planned.

Audrey Morissey, Executive Producer and Showrunner of "American Song Contest" on NBCAudrey Morrissey

Executive Producer, “The Voice”; Executive Producer, “American Song Contest”

Audrey Morrissey is an executive producer and the creative force behind NBC’s all-live music competition series “American Song Contest” as well as four-time Emmy Award-winning music competition series “The Voice.”

A veteran of MTV, she spent nine years at the network in their music and specials division working on high-profile music series and annual event specials, such as “Unplugged,” VMAs and MTV Movie Awards.

After several years in New York, she was sent to Los Angeles to build the West Coast production department for both MTV and VH1.

Morrissey then joined Jimmy Iovine and Doug Morris as the Head of Television for their online music venture, Farmclub.com, and met her future partner, Ivan Dudynsky, with whom she started Live Animals Productions.

Since the formation of Live Animals, Morrissey has executive produced award shows, music specials, reality series, music videos and promos. She has executive produced the Emmy Awards, People’s Choice Awards, MTV Movie Awards, CMT Music Awards and, most recently, Teen Choice Awards. She also created and executive produced the NBC series “Songland.”

In addition to her four Emmy wins as executive producer of “The Voice,” Morrissey has five PGA Awards for Outstanding Producer of Competition Television for her work on the show.

Ben Silverman, Executive Producer of "American Song Contest" on NBCBen Silverman

Executive Producer, “American Song Contest”

Ben Silverman, the Emmy and Golden Globe Award-winning media entrepreneur, visionary producer and New York Times best-selling author behind “The Office,” is the Chairman and Co-CEO of Propagate Content, creating and producing all forms of content for distribution across a variety of platforms around the world.

Silverman founded two of the media industry’s most renowned super indies, Electus and Reveille. Silverman founded Reveille in 2002 to exploit international formats by selling them in the United States. Prior to launching Electus, Silverman served as Co-Chairman of NBC Entertainment and Universal Media Studios from 2007-09 where he transformed the business model by connecting advertisers and consumers through content in a more profound way. Through his Electus banner, Silverman took a leadership role in digital content, building the #1 comedy site on the Internet, CollegeHumor.com, and extending projects to multiple platforms, including numerous digital projects and partnerships with Yahoo!, Facebook and YouTube.

Pioneering content at the forefront of the entertainment industry, Silverman has created and executive produced major network, cable and digital platform hits, including Golden Globe and Peabody award-winning shows “The Office,” “Ugly Betty,” “The Biggest Loser” and “The Tudors,” as well as hits such as “Jane the Virgin,” “Marco Polo” and “Flaked” with Will Arnett and Mitch Hurwitz for Netflix, NBC’s transformative TV commerce show “Fashion Star” and “Running Wild with Bear Grylls” on Nat Geo. Silverman has also produced feature films, including “My Boyfriend’s Meds,” “Mansome” and “Hands of Stone,” the biopic of Roberto Duran starring Robert De Niro, Usher and Edgar Ramirez that premiered at Cannes Film Festival.

Silverman’s Propagate has offices in Los Angeles, New York, and Paris. Its recent credits include the critically acclaimed sports doc series “Untold” on Netflix, the US Women’s soccer doc “LFG” that premiered at Tribeca and now streams on HBO Max, the Emmy-nominated “Hillary” that premiered at Sundance and now streams on Hulu, “Notre Dame: Our Lady of Paris” on ABC, the “Go-Big Show” on TBS and the upcoming “American Song Contest” for NBC, as well as the unscripted “Nov. 13: Attack on Paris,” “Haunted” and “Prank Encounters” for Netflix, and “In Search Of” and “Kings of Pain” for History.

On the scripted side, Propagate’s scripted credits include “Shaka Zulu” for Showtime, “Remote” for Comedy Central and “Pinches Momias” for Univision, as well as “Rebelde” streaming on Netflix, “Let’s Be Real” on Fox, “Blood and Treasure” and “Broke” for CBS, and “Charmed” for the CW. Propagate also created and produced the podcast “An Oral History of the Office” for Spotify and the New York Times bestselling book “Welcome to Dunder Mifflin,” based on the podcast. Propagate’s expanding portfolio of companies includes Electus (“You vs. Wild,” “Running Wild With Bear Grylls,” “Jane the Virgin,” “Fashion Star”), Big Breakfast (“Adam Ruins Everything”, “Hot Date”), Notional (“Chopped” franchise), and talent management firms Artists First, Authentic Talent & Literary Management and Select Management.

Anders Lenhoff

Executive Producer, “American Song Contest”

Anders Lenhoff is one of the elite TV creatives in Europe with a career-spanning almost three decades having created, produced and/or directed 15 different TV shows that rated above 10% of the population.

In addition to serving as show producer for the Eurovision Song Contest, as well as Melodifestivalen, his other credits include the first ever season of “Expedition: Robinson, Survivor” and international versions of the hit UK panel comedies “QI” and “Have I Got News for You.”

Lenhoff also created and ran “The Commission,” a 12-episode political drama that was nominated for Prix d’Europe. In addition, he produced a highly comedy talk show in Sweden, three annual award shows, directed a long-running Swedish drama series and sketch-comedy series “Reuter & Skoog” and “Hipp Hipp,” the latter of which won a Silver Rose as the best light entertainment in Europe.

Christer Björkman

Anders Lenhoff and Christer BjörkmanExecutive Producer, “American Song Contest”

Christer Björkman is a living legend among Eurovision fans.

An avid fan of the competition since early childhood, he dreamed of competing as an artist in the Swedish selection show. In 1992, his dream came through. He entered and won and got to represent Sweden in the Eurovision Song Contest.

However, his true legacy began in 2002 when he was appointed Contest Producer and Creative Director for “Melodifestivalen,” the Swedish selection show for the ESC. At the time, “Melodifestivalen” was a crumbling format in steep decline, but with Björkman at the helm, it quickly turned into one of the biggest TV success stories in the world of television. “Melodifestivalen” has been the biggest entertainment show in Scandinavia for almost two decades.

During Björkman’s reign, Sweden has won the ESC twice, making it the second most successful competing country in history. Björkman is also the most experienced ESC producer ever and consults for broadcasters all over Europe.

Björkman was awarded a Rose d’Or for the Eurovision Song Contest in 2016.

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AMERICAN SONG CONTEST— Season: 1 -- Pictured: Kelly Clarkson -- (Photo by: Chris Haston/NBC)

Interview with Noah Weisberg

TV Interview!

Noah Weisberg of "Super Pumped: The Story of Uber"

Interview with Noah Weisberg of “Super Pumped: The Story of Uber” on Showtime by Thane 3/17/22

It was a pleasure to speak to him about the show. I’ve known the controversies surrounding Uber for quite a while, so I enjoyed watching a series about it. This is such a great show, and it’s clear that everyone involved loves it and puts forth their best efforts.

 

Enjoy the video! We’ll have the transcript up soon…

Check out our other Interview with actors Joseph Gordon-Levitt, Kyle Chandler and Uma Thurman; and EP/Writers Brian Koppelman, David Levien, and Beth Schacter of “Super Pumped: The Battle for Uber” on Showtime 2/23/22

MORE INFO:

Babak Tafti, Noah Weisberg and Joseph Gordon-Levitt in a scene from "Super Pumped: The Battle of Uber"SUPER PUMPED

“TK — You’re going to love my nuts.” Quentin / Noah Weisberg

Last week, audiences had the opportunity to watch the premiere episode of Showtime’s “SUPER PUMPED: The Battle for Uber”. In the opening scene, you meet Quentin, played by rising star Noah Weisberg (Zoey’s Extraordinary Playlist).

“TK, you’re gonna love my nuts,” says Quentin, before pitching the Safe Rides Fee: a surcharge added to each trip to cover added costs of ensuring safety… except Uber isn’t taking any extra measures to ensure safety. Paired with a cheap safety video made for drivers, the fee just provides the illusion of care, while bringing in hundreds of millions in profit for Uber. “Wow, I do love your nuts,” Travis responds.

At the end of the episode, we witness the initial moment Travis Kalanick, played by Joseph Gordon-Levitt, hires Quentin after Quentin claims himself as “an asshole”. “That’s the right answer. Because if you’re not, you’ll never make it at Uber.” TK responds.

Noah Weisberg‘s Quentin will be featured in 6 out of the 7 episodes of Season One as Head of the Uber Tech Department. As Quentin becomes TK’s right-hand tech man, he finds himself carrying out TK’s (often illegal) technical changes to the app, overriding laws in order to make the most money possible.

Weisberg most recently played ‘Danny Michael Davis’ on the fan-favorite NBC series ZOEY’S EXTRAORDINARY PLAYLIST on both its seasons. Prior to that, Weisberg starred as ‘Willy Wonka’ on the national tour of CHARLIE AND THE CHOCOLATE FACTORY.

Television credits include recurring roles on Fox’s MODERN FAMILY, TNT’s MAJOR CRIMES, and NBC’s LAW & ORDER, and he has guest-starred on numerous series including CBS’ THE WISDOM THE CROWD, CBS’ THE GOOD WIFE, TBS’ FRANKLIN & BASH, Fox’s BONES, CBS’ BAD TEACHER, NBC’s THE NEW NORMAL.

Noah is also well-known from being part of the Original Broadway casts of ELF – THE MUSICAL, ENRON, LEGALLY BLONDE, and the Off-Broadway revival productions of THE TWO GENTLEMEN OF VERONA and DAMN YANKEES. Weisberg also wrote, directed, and starred in the award-winning short film THANK YOU KINDLY, co-starring Kimiko Glenn.

IMDb: https://www.imdb.com/name/nm1798631/

Website: www.noahweisberg.com

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Noah Weisberg of "Super Pumped: The Story of Uber"

Interview with Bradley Constant, Uli Latukefu and Adrian Groulx

TV Interview!

Bradley Constant, Uli Latukefu and Adrian Groulx of "Young Rock" on NBC

Interview with Bradley Constant, Uli Latukefu and Adrian Groulx of “Young Rock” on NBC Thane 3/9/22

Speaking with these three young men was almost like talking to “The Rock” himself! They were a lot of fun to chat with. I especially enjoyed hearing about Uli and Bradley’s workouts.  Don’t miss the Season 2 premiere 3/15!

Jamie: Bradley, I love the dynamics between teenage Duane and Ata. Talk about what we will be exploring in their relationship this season.

Bradley: Oh yeah. That’s– I will agree with you. I love that relationship just as much. Coming back this season, I was really hoping to have more scenes that would show that special dynamic between Dwayne and his mom because me and my mom are so close and she’s always been there for me and that’s always been kind of a staple in me becoming who I am, and this season, it really opens up a lot more in my timeline, especially, Dwayne really leaned on his mom. When things were really hard, she was always there for him. When he was lost, she always found them and kind of kept them moving forward and always staying positive. And this season, there’s a lot more of that.

Jamie: Uli, Stacy mentioned that she’ll be getting to work more with you this season as well because you’re more grown and you’re exploring the older aspects of Dwayne a lot as well. And she noted that 20-year-old Dwayne also butts heads a lot with hi mom as well. And it’s hard to parent from far away, you know, you’re in Miami at this time. What did Dwayne talk about with you about their relationship as far as mother and son being so loving and so close, yet being so far away at this point in their lives?

Uli: Yeah, we didn’t actually– Dwayne and I didn’t actually hit on anything with that for this season. But I always knew from the outset, from season one, that their relationship was really really close… is really, really close. The distance thing for me… it doesn’t matter where– Dwayne could be across, you know, the other side of the world and Ata could be on the other side, you know, as they are often at times. But they’re so close, they’ll be on the phone with each other. And that’s the same thing that happens now in our show. It’s like, they’re never far from each other at all. Ata is always checking in or, [saying] “Have you done this? We’ve done this, we’ve done this. Have you received this package?” or whatnot. And I think that’s how a mum is, you know? My mum was always checking up on me, or [asking] why wasn’t I at home at particular time. Um, let’s not get into that…

(Laughter)

Uli: But that’s what moms do. We’re their babies. So with Dwayne and Ata, it’s no different,

Stephanie: So, um, Adrian, one of my favorite parts of the show is the relationship between young Dewey and Andre the Giant. Is that something we’re going to get to continue to see more of in season two?

Adrian: I definitely agree with you. That is definitely one of my favorite aspects of my character’s scenes. And we will get to see a little bit more of Andre and Dewey having some fun.

Stephanie: And, Uli, you’re up to the point where The Rock becomes The Rock. Did you have to learn how to wrestle to play The Rock as he learned how to wrestle.

I did. And we don’t actually jump straight into Dwayne becoming the rock. Obviously he had a quite a bit of a transition from when he stopped playing football. So it was almost like it was parallel with my own learning of how to wrestle. In the storyline Dwayne is learning how to get everything down pat, and so was I, as an actor. So I learned, but I loved it. I grew up playing football, uh, Rugby Union here in Australia. So the contact was– I just felt in my element and, uh, and took to it pretty quickly. So… So, uh, you know, we’ll see… we’ll see if the wrestling fans agree.

Stephanie: We always hear stories from young wrestlers about when they took their first bump. So what was that like for you?

Uli: Oh my gosh. Let’s just say a few crash mats. It was, uh, yeah, it was tough. It’s not as easy, and I will say this, you know… I think the general perception outside of wrestling fans is that it’s all make believe, but I guarantee you, the hits are real. And your body.. We ended up shooting 13-hour days. And then at the end of those 13 hours, come and rehearse wrestling. So your body feels it, and full credit to everyone who gets into the squaredd circle, as they say.

Stephanie: And, Bradley (and for everyone), you guys all got to actually work together in the Christmas episode. Is that something you’d like to do more of in other, maybe special episodes?

Bradley: Oh, are you kidding me? I would love that. There’s so many, like, fun ideas you can think of. You could do, like, a Halloween episode. I would love to do a musical episode. We can all be in something like that. That’d be pretty cool.

Uli: Yeah.

Bradley: I know that the opportunities are endless. I’d love to do it.

Uli: We pitched it, by the way.

Bradley: Yeah, we pitched it.

Uli: So Joseph Lee Anderson and I (sorry, I don’t know if we have time for this, but) were singing backstage, and just fooling around. And then, uh, Brian Goatz, who’s the producer from Seven Bucks (Production) was there, and he started recording. And then sent it to DJ. So I dunno if that’s, you know, potentially, we could have a [musical] “Young Rock.”

Bradley: And they can both sing… just about everyone on this show can actually really sing. You know what? Let’s go for it.

Stephanie: Thank you.

Moderator: Okay. Next we have Thane with The TV MegaSite.

Uli: Hey, Thane.

Bradley: What’s up?

Thane: Bradley and Uli, do you spend a lot of time working out? How much time per week?

Uli: I’ll take this one. Uh, I train maybe five days, depending, five days a week. I really enjoy staying in shape and going to the gym and working out. It helps me quite a lot. Um, so yeah, so I mix up weight training with, um, Very little cardio. So that’s what I that’s what I like to do.

(Bradley laughs at his cardio comment)

Bradley: During filming, me and my buddy, Michael, we would.. we’d go to the gym every morning at 3:00 AM. And that was the first time I’ve ever been that religious about it. Like this season, it was probably the most I’ve ever worked out in my life. I really enjoyed it. And it’s, like, it’s followed me ever since. So it’s about six, seven days a week now. I’ll take off and do… I’ll do more cardio because I like it. (Laughs)

Uli: By the way, Bradley was up at 3:00 AM every morning. This is no word of a lie. And I would see him and another cast mate (who I can’t announce) at the gym every morning, 3:30, you know, so kudos to you, bruh.

Thane: Did you have to work hard to try to act like The Rock? And did he give you any pointers?

Bradley: Uli, you can go first, man.

Uli: Uh, yeah, “Don’t be terrible.” No, he didn’t say that.

(Laughter)

Uli: Uh, he really– Dwayne’s great. He gave us a lot of freedom, and basically, the number one thing for me through our conversations was — particularly in his younger years — he was very driven. He was very focused about achieving something. He wasn’t too sure about what that was or what that looked like. But he knew he was meant for something great. And he was willing to put in the work. And I think for me, Dwayne’s advice was, “Always keep that in the back of your mind, that I’m willing to do the work and get to where I want to get to,” with the two hands that he has.

Bradley: For me, he just told me to have belief in myself, you know, and also, that I was in good hands. And I really was, like having Uli around, having all over producers around… everyone. That’s a part of the “Young Rock” technical team. You know, they’ve got our backs and, you know, leaning into that. You don’t really have to copy anything, and everybody’s got you taken care of. I’m sure, Adrian, you can agree?

Adrian: Yeah, everyone is really, really amazing on, uh, on the cast and crew. I didn’t really get to talk to Duane too much about how to play and, Uh, portray the role. So I kind of.. while I was reading the script side, I had a little fun with it. Maybe, uh, improvised a couple of things. But I didn’t really think too hard about it ’cause I just didn’t want to overthink it. So I , you know, played around with it.

 

Watch our other “Young Rock” Interviews with Stacey Leilua and Joseph Lee Anderson and Ana Tuisila and Matthew Willig

MORE INFO:

Young Rock

Tuesdays on NBC (8-8:30 p.m. ET); Season Premiere: March 15

The second season of “Young Rock” delves back into Dwayne Johnson’s life, continuing the storylines from season one while also introducing new chapters we haven’t yet seen. As Dwayne and his loving, resilient family face new challenges and meet new wild characters of professional wrestling, Dwayne contemplates embracing the grind of professional wrestling himself. The show will explore the crazy rollercoaster that has shaped Dwayne into the man he is today and the larger-than-life people he’s met along the way.

Dwayne Johnson, Joseph Lee Anderson, Stacey Leilua, Ana Tuisila, Adrian Groulx, Bradley Constant, Uli Latukefu, Fasitua Amosa, John Tui and Matthew Willig star.

Created by Nahnatchka Khan and Jeff Chiang and inspired by Dwayne Johnson’s life. Nahnatchka Khan, Jeff Chiang, Dwayne Johnson, Dany Garcia, Jennifer Carreras, Hiram Garcia, Brian Gewirtz and Jeffrey Walker serve as executive producers.

“Young Rock” is produced by Universal Television, a division of Universal Studio Group, Seven Bucks Productions and Fierce Baby Productions.

Bradley Constant

Dwayne Johnson (15 years old), “Young Rock”

YOUNG ROCK -- Season: 2 -- Pictured: Bradley Constant as Dwayne Johnson -- (Photo by: Mark Taylor/NBC)
Bradley Constant plays 15-year-old Dwayne Johnson in the new NBC comedy “Young Rock.” Alabama-born Constant began pursuing acting at 12 and convinced his mom to move him to New York City where he would study and begin to gain experience in the industry. The tough environment and fast-paced productivity of the city prepared him for an even bigger move to Los Angeles, where he is now based. Constant previously appeared in the 2018 film “Following Phil” and has had roles in several shorts before landing the part in “Young Rock.” Constant is a die-hard sports fan who also enjoys gaming, bass fishing and golfing.

 

 

 

 

Uli Latukefu

Dwayne Johnson (age 18-20), “Young Rock”

YOUNG ROCK -- Season: 2 -- Pictured: Uli Latukefu as Dwayne Johnson -- (Photo by: Mark Taylor/NBC)
Uli Latukefu plays 18-20-year-old Dwayne Johnson on the new NBC comedy “Young Rock.” Latukefu will next be seen in Taika Waititi’s feature “Next Goal Wins,” opposite Michael Fassbender and Elizabeth Moss, and was most recently seen in Kriv Stenders’ feature “Danger Close” as well as the new Foxtel drama series “The End.” He also starred in the comedy series “Sando,” the third season of the Nine Network’s “Doctor Doctor” and the drama series “Harrow.” Other screen credits include Ridley Scott’s feature “Alien: Covenant” and Netflix’s epic drama “Marco Polo.” Latukefu was previously featured in Chris Lilley’s “Jonah From Tonga” and the critically acclaimed Foxtel series “Devil’s Playground,” which was awarded the 2015 Silver Logie for Most Outstanding Telemovie and the 2015 AACTA Award for Best Telefeature or Miniseries. He made his Broadway debut in “Peter Pan” at New York’s New Victory Theatre, graduated from Australia’s prestigious National Institute of Dramatic Art (NIDA) in 2012 and was a 2016 Heath Ledger Scholarship finalist.

 

Adrian Groulx

Dwayne Johnson (age 10), “Young Rock”

YOUNG ROCK -- Season: 2 -- Pictured: Adrian Groulx as Dwayne Johnson -- (Photo by: Mark Taylor/NBC)
Adrian Groulx plays 10-year-old Dwayne Johnson on the new NBC comedy “Young Rock.” Groulx is a Toronto-based actor who will next be seen on the Apple+ series “See,” starring Jason Momoa. Previously, he was a series regular on the CBC series “The Adventures of Napkin Man” and also appeared in the Hallmark Channel movie “The Christmas Cure.” In his free time, Groulx enjoys playing sports and spending time with his family.

 

 

 

 

 

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Bradley Constant, Uli Latukefu and Adrian Groulx of "Young Rock" on NBC

Interview with Ana Tuisila and Matthew Willig

TV Interview!

Ana Tuisila and Matthew Willig of "Young Rock" on NBC

Interview with Ana Tuisila and Matthew Willig of “Young Rock” on NBC  on Lifetime by Thane 3/9/22

Willig plays family friend “André the Giant” and Tuisila plays Lia, the feisty grandma of young Dewey. It was quite a treat to speak with them. They do a great job on the show. I was especially interested to hear from Tuisila because we’re both from New Zealand! I was looking forward to asking Willig about how they got him a similar height to Andre the great, and his answer didn’t disappoint.

Question: Hi, Matthew, did you have any trepidation about playing a legend like Andre the Giant? Because you know, wrestling fans like me, we take Andre pretty seriously.

Matthew: [Laughs] You know, I didn’t…I think I was so into it right away and so excited about doing it that by the time, you know — literally as I booked the job, I was already watching videos and starting the voice process of it all. There’s no question that every now and then I will pause and say, “God, I hope to God that I am giving it some justice,” because that is so important to me.

After season one, I did have some really nice feedback, which is important. Number one, from Dwayne; and number two, from some people who either knew of Andre or knew him back in the day. So I’m not going to be perfect. I know it’s my interpretation. But yes, there’s obviously some trepidation.

It can be…there has been a few moments where I said, “God, am I even close?” You know, to this. But again, it’s my interpretation. I’m always bringing the love, trying to be honest as I can with it. And I’m hoping that’s kind of getting through.

Question: I just love the friendship between young Dewey and Andre. It’s probably my favorite thing about the show. And I’m wondering how we will see that continue to develop in season 2?

Matthew: Thank you. It’s obviously it’s my favorite part as well. And it’s something that I think, you know, people were not only shocked that there was that relationship, but number two, that it was close like that.

Yes, season two, you will see some more of Big Andre imposing his knowledge on little Dewey as he moves forward in life. The stakes are getting higher. The things that little Dewey is worrying about — girls, things like that, you know, love… Andre has some things to say and kind of, you know, as we go along, we see him sort of setting him straight. I’m looking forward to your guys seeing him, at least.

Question: Ana, we saw last season that your character was fighting to keep her wrestlers on her payroll. How will we see her handling her employees this season? And what kind of obstacles will she be facing as the promoter?

Ana: Thank you for the question. I couldn’t wait to answer your question because I’m so excited about season two, because you’re going to see more of Lia, in terms of answering that question. So just wait for season two because all will be revealed. There’s so there’s going to be more of her and her relationship with the so-called promoters in the wrestling field, and how she copes with trying to maintain her own business. So it’ll all be revealed in season two, and it’s more fun and funnier…a lot of, un-PC things will be happening. but, yeah, she gets the business rolling. And yes, it’s going to be in season two. So it’d be more about that to come. Yeah.

Question: Matthew, what kind of insight Did Dwayne offer you into his relationship with Andre when he was a kid?

Matthew: You know, it started with the fact that he called him Uncle Andre. He was literally that sort of character for him. You know, he was someone that was around that period a lot, always in and out of Hawaii. So, at that age, he didn’t see as the scary Andre. He saw the loving Andre, who he was. He used to treat him like a jungle gym, you know? So there was sort of that part of it, and Duane said right away, number one, the man embodied respect, which he learned very early on. And number two, there was a lot of love that he felt for young people and people his age. And he kind of even felt that back then, that Andre was almost like a kid himself. And I think we can appreciate the fact that someone that large and sort of that, uh, scary to a certain degree, the fact that he has that other side of him that is this loving, genuinely caring sort of individual. And so those are the kinds of things that Dwayne told me right off the bat and what has kind of led me into the character that I portrayed in the last two seasons.

Thane: Matthew, you are shorter than the real Andre. Do they give you lifts for your shoes, or (did they) just (use) camera angles to make you look taller?

Matthew: (Laughs) I’m always rooting for camera angles, but I will say that, when we first started, especially, there were lifts in my wrestling boots and also in the boots that I wore for everyday dress, which was a pain in the ass. I gotta be honest. I had a whole new appreciation for women and when they wear heels because I was basically wearing heels on set. So, yeah, so there’s that. Listen, I’m never going to be seven-foot-whatever Andre was, but I think even being 6’7/ 6’8, you know, I think we’re able to play with that and have that sort of distinction between,the normal size person and what Andre was.

Thane: Ana, what preparation did you do, if any, to play the role, since it’s based on a real person?

Ana: Very little is known about Lia Maivia, so the only preparation I had was help from, Dwayne Johnson, and his mother, Ata. So I asked for any dialogue or any tapes of…Well, they don’t call them tapes these days… Anything that could give me some idea of how she spoke. So, it was more information from Ata and Dwayne Johnson, and my own experience as a Samoan woman and mother sort of helped the role a bit because it’s very similar in terms of how strong and fearless she is. I mean, my own mother and mother-in-law are of the same ilk. So, in terms of that it wasn’t so hard. From knowing who Lia was, just feedback and information and advice from Dwayne and his mother, Ata.

Question: Ana, Lia is such a fun over-the-top character. Did you get notes from the family about how far you could take her?

Ana: Thank you. That’s a great question, but, no, I didn’t get any… limitation from the parents as how far. But from those that knew Lia, like Jeff Chiang, the writer… he grew up with knowing who Lia was. And Brian Gewirtz from Seven Bucks. They knew Lia, and they would say to me, “She was a hard case woman.” and “She had a great sense of humor and, you know, some of us were quite scared of it.” So it was all information from people who knew – and are part of the production team – who she was. So, it was just that information. And from, as I said before, Ata and Dwayne of who their mother was, and no, I just went with how it was written, from my own experience. And then, you know, from the producers and the writers (who would sometimes say, “Stop, I never got that.” So I think it’s more around experience and how the writers wanted it, and how the direction… so, and the family said, you know, they didn’t give me any, “don’t go too far because she’s–” I know from my own experiences.. (sound garbled here) But I must say she was a very un-PC woman, you know, if there’s such a word… she would just let fly. And that was wonderful. That’s the wonderful thing about her, that you can just say things, that you can wear slapping gloves and slap the wrestlers around. I love that. and it’s how she was and a lot of fun. Yeah.

Question: I love the relationship between Lia and Ata… she’s kind of overbearing, but also very loving and supportive. What kind of relationship, or at least, what kind of dialogue do they tell you about the relationship that the two of them shared?

Ana: Well, there’d be more of that in season two. There’ll be a lot of revelation around that relationship between Ata and Lia, in terms of passing on the business. And so, there are some twists and turns…but in terms of dialogue around their relationship, again, it’s about experience between mother and daughter, being a mother and a daughter of a similar age. So, I guess it’s the same with how I answered Stephanie’s question as a lot of feedback from the writers, from the production team who knew the relationship between these two. So there’s a lot of direction, a lot of advice and feedback, but also, from personal experience… and it’s also between Stacy and I, like, “Hmm, I don’t feel comfortable about that. Can we change?” So there was also some, Some vehicle for both Stacy and I to ask the writers if we could change a little bit so that it made it a bit more comfortable and a bit more real.

So there was a lot of talking behind the scenes before we filmed. So, I guess that’s what came across, which is really, really good to hear that it’s portrayed that way. And that’s how it was — a lot of work, but. you know, a lot of good personal experiences. Yes.

 

Watch our other “Young Rock” Interviews with Stacey Leilua and Joseph Lee Anderson and Bradley Constant, Uli Latukefu and Adrian Groulx

MORE INFO:

Young Rock

Tuesdays on NBC (8-8:30 p.m. ET); Season Premiere: March 15

The second season of “Young Rock” delves back into Dwayne Johnson’s life, continuing the storylines from season one while also introducing new chapters we haven’t yet seen. As Dwayne and his loving, resilient family face new challenges and meet new wild characters of professional wrestling, Dwayne contemplates embracing the grind of professional wrestling himself. The show will explore the crazy rollercoaster that has shaped Dwayne into the man he is today and the larger-than-life people he’s met along the way.

Dwayne Johnson, Joseph Lee Anderson, Stacey Leilua, Ana Tuisila, Adrian Groulx, Bradley Constant, Uli Latukefu, Fasitua Amosa, John Tui and Matthew Willig star.

Created by Nahnatchka Khan and Jeff Chiang and inspired by Dwayne Johnson’s life. Nahnatchka Khan, Jeff Chiang, Dwayne Johnson, Dany Garcia, Jennifer Carreras, Hiram Garcia, Brian Gewirtz and Jeffrey Walker serve as executive producers.

“Young Rock” is produced by Universal Television, a division of Universal Studio Group, Seven Bucks Productions and Fierce Baby Productions.

Ana Tuisila

Lia Maivia, “Young Rock”

YOUNG ROCK -- Season: 2 -- Pictured: Ana Tuisila as Lia Maivia -- (Photo by: Mark Taylor/NBC)
Ana Tuisila stars as Lia Maivia on NBC’s new comedy “Young Rock.” Tuisila’s career spans over two decades in film, television and theater. Her most memorable performance is in “The Songmaker’s Chair,” a stage production written by esteemed international author, poet and playwright Albert Wendt, and directed by Nathaniel Lees and Nancy Brunning. Following a successful season, the show later participated in the International Arts Festival at Te Papa Museum in New Zealand. Tuisila has starred in two short films on location in Samoa, Vai and Liliu, which have both been recognized throughout film festivals globally. She speaks fluent Samoan as well as having familiarity with other Pacific languages.
YOUNG ROCK -- Season: 2 -- Pictured: (l-r) Matthew Willig as Andre The Giant, Adrian Groulx as Dwayne Johnson -- (Photo by: Mark Taylor/NBC)Matthew Joseph Willig (born January 21, 1969) is an American actor and former American football offensive tackle in the National Football League.

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Ana Tuisila and Matthew Willig of "Young Rock" on NBC

Interview with Stacey Leilua and Joseph Lee Anderson

TV Interview!

Stacey Leilua and Joseph Lee Anderson of "Young Roung" on NBC

Interview with Stacey Leilua and Joseph Lee Anderson of “Young Rock” on NBC by Thane 3/9/22

It was wonderful to talk to these two actors. They clearly have a great time playing young Dewey’s parents.

 

The transcript will be up soon. Enjoy the video!

Watch our other “Young Rock” Interviews with Ana Tuisila and Matthew Willig and Bradley Constant, Uli Latukefu and Adrian Groulx

MORE INFO:

Young Rock

Tuesdays on NBC (8-8:30 p.m. ET); Season Premiere: March 15

The second season of “Young Rock” delves back into Dwayne Johnson’s life, continuing the storylines from season one while also introducing new chapters we haven’t yet seen. As Dwayne and his loving, resilient family face new challenges and meet new wild characters of professional wrestling, Dwayne contemplates embracing the grind of professional wrestling himself. The show will explore the crazy rollercoaster that has shaped Dwayne into the man he is today and the larger-than-life people he’s met along the way.

Dwayne Johnson, Joseph Lee Anderson, Stacey Leilua, Ana Tuisila, Adrian Groulx, Bradley Constant, Uli Latukefu, Fasitua Amosa, John Tui and Matthew Willig star.

Created by Nahnatchka Khan and Jeff Chiang and inspired by Dwayne Johnson’s life. Nahnatchka Khan, Jeff Chiang, Dwayne Johnson, Dany Garcia, Jennifer Carreras, Hiram Garcia, Brian Gewirtz and Jeffrey Walker serve as executive producers.

“Young Rock” is produced by Universal Television, a division of Universal Studio Group, Seven Bucks Productions and Fierce Baby Productions.

Joseph Lee Anderson

Rocky Johnson, “Young Rock”

YOUNG ROCK -- Season: 2 -- Pictured: Joseph Lee Anderson as Rocky Johnson -- (Photo by: Mark Taylor/NBC)
Joseph Lee Anderson plays Rocky Johnson in the NBC comedy series “Young Rock.” Anderson has appeared in the Oscar-nominated film “Harriet,” recurred on “S.W.A.T.” and has guest starred on “Timeless,” “American Soul” and others. He also directed and starred in the critically acclaimed short film “The Jog,” which premiered at South By Southwest. A

 

 

 

 

 

 

 

 

 

Stacey Leilua

Ata Johnson, “Young Rock”

YOUNG ROCK -- Season: 2 -- Pictured: Stacey Leilua as Ata Johnson -- (Photo by: Mark Taylor/NBC)
Stacey Leilua plays Ata Johnson on the new NBC comedy “Young Rock.” Leilua is of Samoan, Maori and English heritage and based in New Zealand. She graduated from one of New Zealand’s leading drama schools: UNITEC School of Performing & Screen Arts, where she majored in acting. Leilua has worked on a variety of productions, including New Zealand’s longest-running series, Shortland Street.” Other credits of note are the UK/NZ feature film ”Love Birds” and the highly acclaimed web series “The Factory,” which she also co-executive produced alongside Kila Kokonut Krew under the mentorship of Robin Scholes, one of New Zealand’s most well-known producers. Leilua has also worked as a presenter (“Homai Te Paki Paki”) and director with the South Auckland-based theatre company Kila Kokonut Krew. Most recently she performed in Tusiata Avia’s ”Wild Dogs Under My Skirt,” which won Production of the Year at the 2018 Wellington Theatre Awards. The production was picked up for a season at the Soho Playhouse in New York in January 2020 where it played to full houses every night.

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Stacey Leilua and Joseph Lee Anderson of "Young Roung" on NBC

Interview with Mike Cabellon and Bobby Moynihan

TV Interview!

Mike Cabellon and Bobby Moynihan of "Mr. Mayor" on NBC

Interview with Mike Cabellon and Bobby Moynihan of “Mr. Mayor” on NBC by Suzanne 3/8/22

These NBC panels are always fun. We had 3 interviews with the top 6 cast members of this funny show. You may know Moynihan from “Saturday NIght Live.”  These guys are both really funny, as you’ll see in the video. It was just great fun to chat with them. It was like having our own personal SNL comedians to perform for us.

 

Enjoy the video! Here’s the transcript:

Ross: Hi guys, I’m Ross Crystal from Showbiz Express, and thank you for taking time out to do this. Really appreciate it. Let me start with Bobby. Describe — as we move into the new season — describe your character and how it changes because you’re the Comms guy.

Bobby: I’m the comms director, that is correct. Jayden grows up a little bit this season. He’s got to make some hard decisions; no more living in Mom’s basement. He gets his own apartment. He starts to become a little more independent, and he’s got to do his job, and he’s got to make some real decisions at work, and we see how that affects him and how insane it makes him. [Chuckles]

Ross: I’ll keep to the one and come back, If I may, do a follow-up.

Suzanne Hi, my name is Suzanne, and I run TVMEG.COM. Let’s see… Mike, if you had to do Tommy’s job in real life, could you do it well?

Mike: Oh, God. No, not in the slightest. [Laughs] The Strategist, as I found in my research before season one, I found is primarily a campaign role, and you kinda just go from campaign to campaign. So in that sense, I was like, oh, yeah, it’s kind of like acting, or going from gig to gig. But then when you look at the actual job of, like, trying to advise a politician on what to do next…? I’m the most indecisive person in the world. If I sit at a diner.. you know how, like, a diner is like a menu, it’s like a book? I’m like, I’ll be there for an hour before I can decide. So I would be absolute trash at this job. [Everyone laughs]

Suzanne: All right. And, Bobby, how are you and Jayden the same, and how are you different?

Bobby: Just clothes. Just clothing choices. [Laughs] No, I think we are similar in some ways and very different in many others. There’s an innocence to both of us that I wish I didn’t have as much as Jayden does. Jayden, dollar-heart, nickel-brain on Jayden. But I think Jayden’s a little smarter than he thinks he is. For me in real life, the jury’s still out. We’ll see.

Suzanne: Thank you.

Karen: Hi, I’m Karen Moul from Scifivision.com. We have some new characters in the office this year with the I team showing up, and I was hoping you guys could talk a little bit about how that affects the dynamic in the office and your characters, I guess, without spoiling too much. And maybe Mike could speak first for a sec?

Mike: Sure. this is sort of, I think, one of the big character arcs for Tommy this season… In season one, I feel like Tommy is not expressly antagonistic or whatever in the office, but he thinks he’s better than everyone. So as soon as the I Team is introduced, he sort of sides with everyone else because now they’re like new outsiders to hate on, and I think that it’s this really interesting dynamic because, like, all the interoffice dynamics that exist in season one kind of shift, in light of these new people coming in. And that’s been such an exciting dynamic play this season because, it’s all new and it feels fresh from last season.

Karen: Thank you.

Bobby: Yeah. Towards the end of the season we get — I don’t want to spoil anything — but we get some, some awesome, really wonderful new characters, like, wonderful television characters. I can’t spoil anything, but it gets better and better.

Mike: Yeah.

Karen: Great. Thank you.

Dano: Hi, Dano from The Nocturnal. So, sitcoms are kind of built off chemistry, but your characters have this sort of, anti- chemistry. You’re at loggerheads with one another, and I was wondering, now that you’re on season two, how that, you know, off-screen chemistry between you two and comedic, you know, rapport between you, how does that change in this new season?

Bobby: I always feel like Tommy is my older brother, even though he’s younger than me. We’ll show, like, Jayden — and I feel like there’s a lot, like, they get closer, but also, like, brothers…We have a “Succession” relationship this season, and I can’t wait for people to see it. It’s so much fun!

Mike: No matter how close we get, we’re never more than a step away from like giving each other a noogie, you know what I mean?

Dano: Is that in real life, too? Or just with the characters?

Mike: In real life, it’s constant noogies. That’s how we greet each other in the morning in the makeup trailer. It’s like, “Hey, I know you have to do his hair, but one second… let me just mess it up a little.”

Bobby: He’s a bully. Mike bullies me constantly. No, I love Mike. It’s the best. I think we’re two sweet gentlemen who plays two sweet gentlemen, also, who don’t get along, but they try to. Jayden’s a lot. I don’t know if I would get along with Jayden. [Laughter]

Ross: Mike, if I can ask you… well, actually both of you, but Mike, you’ve got a background in sketch comedy. How does sketch comedy really aid you, or in some ways, perhaps not, in this show?

Mike: First of all, thank you for acknowledging that I am the foremost authority on sketch comedy on this cast.

Bobby: [Laughs]

Mike: I will say one thing that sketch comedy prepares you to do is get off-book really quickly because you’re getting rewrites and scripts day of, and the amount of material that Tina Fey and Robert Carlock churn through is… you could make a whole ‘nother show just with, like, the reject pile that they write. And so frequently, we’ll get these new sides. And, I’m grateful that I have years of experience of just like looking at a page and going, “Okay, got it” and being able to go in, and fully inhabit a character like on the spot without thinking too deeply about it, which, you know, is why I’ll never win an academy award like Holly Hunter, because she really gets deep into character, and I’m very shallow, very surface level there. But I think that that is, like a hard skill that I think is underrated for a lot of actors.

Ross: And Bobby, I mean, for you, how much does SNL come into play here? How much does that experience there come in here? How much latitude do you have?

Bobby: It’s a similar experience in the sense of, I think, Tina and Robert are people who went through the SNL machine and, two of the best, easily, to do it. And I think that they have now created a couple different universes in television, a couple of different TV shows where it’s their thing, and this is how they do it. And it’s very SNL-inspired, which means everyone is expected to be great and do great. And they do. But it doesn’t have the complete terror and anxiety that SNL does. And we get to go home and sleep at normal hours because Ted Danson’s contract is great. [Chuckles] Tt’s wonderful. It’s the best. I’m very familiar with that world of, like, “let’s create this wonderful thing and do it with all these very, very talented people.” And they’ve amassed an insanely talented crew and cast and makes it very easy and fun.

Dano: Does anything change or evolve with that — your collaborative relationship with the Tina Fey over the years?

Bobby: Yeah, I’m less terrified. In the beginning, I mean… I think she’s the most influential person that ever walked through those doors at SNL. She’s brilliant, and she has created so much from it, and I was in awe of her. My first episode of SNL was the first time she did Sarah Palin, and it was my first time doing the show, and I just stopped everything to watch her do it, and was just, like, “Look at this! Look at her and Amy!” It was nuts. But now… I text her now. I’ve gotten to the point where I feel comfortable texting her and not like a child when I do that. [Laughs]

Suzanne: For both of you– do you get to do any kind of improvisation or ad-libbing, or is only what’s on the page?

Mike: We do get to improvise a lot. I think, regardless of the show, Bobby and I probably would, anyway, because we can’t help ourselves. But the funny thing is, maybe 2% of the ad-libs make it into the final cut because Tina and Robert make such perfect scripts right off the bat that they don’t need improvement. They don’t need to be supplemented or augmented by whatever stupid thoughts we’re having on the day. But we do get to play around a lot. Usually we’ll do a few takes as scripted, and then we’ll do a couple of… we play around, and then the editor just throws it right in the garbage.

Bobby: All these improvs are few and far between, but they are assassin precise and he often gets them in.

Suzanne: Wow.

Bobby: I would say, he’s the most successful.

Suzanne: Well, I hope they show up in the DVD as extras or something. That would be cool.

Mike: I hope we get DVDs. That physical object would be great.

Suzanne: Thank you.

Karen: One of the great things about the show, is the way it takes on some very real political issues in LA. In the first five episodes, there seems to be a little bit of a through line with the very real homeless issue. I wonder if you could maybe just tease or preview for our readers, some of the topics, both serious and absurd that the show might take on this season.

Bobby: I think this season is about the mayor trying to do his job better and really trying to make a difference… And what he thinks that is best for LA and kind of the rest of the people dealing with that, and deciding if those choices are the right choices, or if he’s doing it to be, you know, for himself, or is he doing it really for the city? I think that’s a lot… what this season is about.

Mike: I think our writers do a really good job of not trying to make any statements about how the world should be run in real life. Although, this season, Jayden does have one idea that sort of unifies LA with the rest of the world; but it is a good idea, but I don’t think our writers are ever, you know, prescriptive of thinking they could do a better job in politics. I think we’re kind of towing the line of, okay, this show takes place in the political realm, but we’re not here to say that we’re experts on the matter, in any sense.

Bobby: Although I would love president Tina Fey. I think I would take that.

Mike: Heh, heh.

Ross: And then doing your research, do you ever take a trip down to City Hhall?

Mike: We did, in season one, before we shot the pilot, a few of us went down to City Hall and got the real pins that we wear on our lapels in the show, which is cool. I don’t think we go back too frequently, though.

Bobby: I’m there now. I’m there every day. [Laughter]

Ross: Do you find the humor right there?

Mike: There is a certain kind of humor that you can observe just by walking around the halls. We sat in on, like, a public hearing, and I think that that is well-worn territory, thanks to “Parks and Rec,” so I don’t know how much of that we’ll be doing… but there are given characters in any great American city, and Los Angeles certainly has, some of the bigger characters I’ve ever seen.

Suzanne: Do you ever get any feedback from people in LA about how your show handles Los Angeles and the people in it?

Mike: Yeah, actually, yeah. I’ve heard from a lot of people who either worked in LA City Hall or other local politics and are pleasantly surprised at how… it’s funny because they say that we nailed the minutiae of being in an office really well. And I think that speaks to the universality of, like, it doesn’t matter what industry we’re in, because we’re not aiming to specifically try and be like, “This is what it’s like to work in City Hall.” It’s more, just an office comedy. I think that’s what makes every office comedy sort of relatable.

Bobby: No one brings it up to me cause I haven’t– I don’t leave the house. [Laughter]

Mike: “Notorious recluse Bobby Moynihan.”

Check out our other “Mr. Mayor” interviews with Ted Danson and Holly Hunter and  Vella Lovell and Kyla Kenedy

MORE INFO:

Trailer

Mr. Mayor PosterSeason Premiere: March 15

“Mr. Mayor” follows a retired businessman (Ted Danson) who runs for mayor of Los Angeles to prove he’s “still got it.” Once he wins, he has to figure out what he stands for, gain the respect of his biggest critic (Holly Hunter) and connect with his teenage daughter, all while trying to get anything right for America’s second weirdest city.
The series stars Ted Danson, Holly Hunter, Vella Lovell, Mike Cabellon, Kyla Kenedy and Bobby Moynihan.
“Mr. Mayor” is produced by Universal Television, a division of Universal Studio Group, Little Stranger, Bevel Gears and 3 Arts Entertainment. Robert Carlock, Tina Fey, Jeff Richmond and David Miner will executive produce. Eric Gurian will serve as a co-executive producer.

Mike Cabellon

Tommy Tomás, “Mr. Mayor”

MR. MAYOR -- Season: 2 -- Pictured: Mike Cabellon as Tommy Tomas -- (Photo by: Robert Trachtenberg/NBC)

Mike Cabellon stars as Chief Strategist Tommy Tomás on NBC’s new comedy “Mr. Mayor.”

Mike Cabellon is a Los Angeles-based Filipino-American actor (“Orange Is the New Black,” “Crashing”) and writer (Comedy Central). He was trained at UCB and is currently an active performer, director, producer and head writer for Webby Award-winning “Story Pirates” podcast.

Cabellon and his sketch team GEIL have created countless sketches and two acclaimed web series: “Early to Rise” (2020) and “Night Crew” (2018). “Early to Rise” won the Audience Award at the 2020 SeriesFest. “Night Crew” premiered on Comedy Central’s digital channels after becoming an official selection for the New York Television Festival, where they landed a development deal with Comedy Central. Together, GEIL has appeared on FunnyOrDie and Adult Swim, as well as screened sketches at Quickie Fest and Red Hot Video Fun Time.

Cabellon’s time in New York included five straight seasons with the BoogieManja sketch program, putting up a new sketch show every single month at the PIT Theater, as well as five straight years of hosting a bar quiz every week with Geeks Who Drink.

He has performed on stages all over the country, including the Del Close Marathon, Comedy Hack Day, Austin Sketch Fest, Frigid Fest (part of the U.S. Association of Fringe Festivals), UCB’s 3×3 Tournament, NYC Improv Festival, SHRTWV Short Theater Festival, Penn Station Area Sketch Fest and a paid corporate improv show on the Las Vegas strip when he was 16. Notable live shows include “Mike Cabellon Is: The Bachelor – LIVE!” a small role in “Hockey Cops,” and hosting “Witching Hour” featuring Jo Firestone and Aparna Nancherla.

His last name rhymes with babylon, grab a swan, crab ’n’ prawn, slab of flan, drab chiffon or lab/salon.

Cabellon is a member of SAG-AFTRA and is represented by Authentic Talent & Literary Management, CAA, and Frankfurt Kurnit.

Bobby Moynihan

Jayden Kwapis, “Mr. Mayor”

MR. MAYOR -- Season: 2 -- Pictured: Bobby Moynihan as Jayden Kwapis -- (Photo by: Robert Trachtenberg/NBC)

Bobby Moynihan stars as Jayden Kwapis in the NBC comedy “Mr. Mayor.”

Moynihan was a cast member on “Saturday Night Live” for nine seasons where he originated beloved characters such as Drunk Uncle and co-wrote and appeared in the popular David S. Pumpkins sketch starring Tom Hanks, which spawned a Halloween animated special for NBC  and is now streaming on Hulu.

Moynihan’s other television credits include “Unbreakable Kimmy Schmidt,” “Documentary Now!,” “Drunk History,” “The Simpsons,” “Miracle Workers,” “Girls,” “Portlandia” and “Me, Myself & I.” His voiceover credits range from Cartoon Network’s “We Bare Bears,” “DuckTales” and “Stars Wars Resistance,” both for DisneyXD.

On the film side, Moynihan’s voice talents can be heard on Pixar’s “Inside Out” and “Monsters University,” as well as other features.

His all-improvised podcast on Stitcher, “Celebrity Sighting! with Jonathan Biting!” features Moynihan as the always candid and always hammered Jonathan Biting talking to guests about their celebrity encounters.

 

 

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Mr. Mayor - Season 2 Cast

Interview with Vella Lovell and Kyle Kenedy

TV Interview!

Kyla Kenedy and Vella Lovell of "Mr. Mayor" on NBC

Interview with Kyla Kenedy and Vella Lovell of “Mr. Mayor” on NBC by Suzanne 3/8/22

This was a fun panel day that we had with the 6 main actors from the show. These two women were paired together. We had a lot of fun, as you can see in the video. It was great to ask them about the show, which is very funny and returns 3/15 on NBC.

 

Kyla: Hello! How is everyone?

Ross: Doing well And thank you. Thank you for joining us and doing this. And, let me begin with Kyla, you’ve got an interesting role, and first step out, you’re at the DMV.

Kyla: Right.

Ross: First of all, was that the real DMV, a phony DMV? What’d you guys do there?

Kyla: It was actually an old police station, but it felt just like a real DMV. I had just gotten my license pretty close to where we shot that, and I felt like I was going back in time a little bit. I mean, down to the lines you, ’cause you know, you do so much waiting around on set that I truly, around hour five, was like, “I am in a real DMV right now.”

Ross: And for both of you, what is new for you this season? Different direction, different way you were approaching the role? Vella?

Vella: Well, my character gets a love interest this season. So that was a totally new dynamic, to get to work with someone new, Yedoye Travis, who’s amazing, and to kind of see that different side of your character. You know, you audition for these shows, and you have two scenes, and you can’t possibly get to every color of a character in that audition. So it’s really fun to, you know, two years in, discover new colors. And how does Mikayla fall in love, and how does Mikayla ask someone out? And all of those different things.

Vella: Yeah, I think this season Orly gets to spend a lot more time in the office with her dad, which was just really fun – a side of her that we really didn’t dive into that much in season one. And she kind of gets to interact with everyone else in the office more, which leads to some pretty fun storylines and some interesting situations. But that, that was so much funding to do this season.

Ross: Very cool.

Suzanne: Vella, you got to sing a lot in “Crazy Ex-Girlfriend.” Will there be any singing on the show this season?

Vella: Well, unfortunately, I think we established that Mikayla is a terrible singer. So…I actually think there is a little bit of singing. I’m not sure if they’ve cut it or not, but it’s not great. I’m going to go ahead and say that,

Kyla: We got blessed a little [laughs].

Vella: Yeah. It’s not, it’s off very off key. So apologies…

Suzanne: I liked the Christmas song that you all did, even though most of you weren’t doing anything but humming or whatever.

Kyla: Yeah, it was hard.

Vella: Yeah. That was fun.

Dano: Dano from The Nocturnal. So I’m a Los Angeles native myself, and a lot of stuff with the show really hits very close to home. So I was wondering what (for both of you)– Kyla, you have the relationship with the very embarrassing father and, Vella, you’re a young professional navigating life in LA… if there’s any moments where like, you’re reading the script and you’re like, “Oh man, this is just way too real.”

Kyla: Yeah, I think that happens all the time. Like, our writing is so, so good that I think there’s a little bit of truth behind every joke, which is what makes the show so special and fun to watch. But, no, I definitely have so many moments, even when we’re filming a scene where I’m like, “This could absolutely happen tomorrow in a Whole Foods.”

Vella: Yeah, I think there was one script that ended up getting… this part, got cut, but McKayla was in a long distance relationship with someone who lived in Venice. And that is a real thing in LA, when you live on the east side and someone lives on the west side, it truly feels long distance. So there’s a lot of things that just creep up and are very… they’re very… they’re so real that they’re hilarious.

Karen: I was going to ask a similar question. There are ways in which the show feels a little bit like “Seinfeld” did about New York city. That if, you know… if you’re from New York, there was this extra layer of humor there. I actually really wanted to ask Kyla, however, in particular, you are the one…maybe you are the youngest, and Orly spends a lot of time, like, schooling her father. “You can’t say that, you can’t do that. That’s not how you use Tik Tok.” And I wonder how much of that you’re drawing from your real life? And I, you know, Ted’s the same age as this character, right? And you’re working with a lot of older people, and is this happening on set?

Kyla: I mean, a little bit. I do think there have been moments, like, Ted and I did a fun little video where I told him like, slang that me and my peers were using, and he would try and guess the meaning of it. But there are definitely so many funny moments, but we’ll do a table reading, and Ted would kind of fidget, [and say], “So, what does this mean exactly?” But I think that, you know, that’s the fun of it, and that’s what makes the show so special because it is like real life. There are times when my mom will call me and go, “What does this mean? Somebody just texted me this and I have no idea how I’m supposed to respond.” But yeah, no, there’s definitely a lot of truth behind it.

Vella: I mean, I have to ask Kyla how she knows what to post on Tik ToK. ‘Cause I don’t, and how to work it, or how you know what to post. And she’s just…

Kyla: Right? I know, we like, just kind of.. right when the season ended, all started talking about potentially next season, maybe making a (???) video together, figuring it out myself if I’m being honest.

Vella: You’re gonna have to spearhead that.

Kyla: Yeah, right? I go in with a lot of false confidence and that’s really how I get through it.

Ross: On camera, you guys have become a very reverent family, and listening to you right now, you’ve got those qualities. Was there a bonding that came very quickly? Did it take awhile, Vella? What was that like for the cast – and Kyla, too – what was that like for you guys?

Vella: Yeah. I mean, we had only shot, I think, a month or two when we got shut down for COVID. So a lot of our bonding, I think, came during COVID in that time. We would just zoom a lot, and check in on each other, and we have our text chain, and I think we kind of skipped a few steps in terms of working together for months and slowly getting to know each other.
We just went straight to “How are you doing? Are you okay? What’s going on? How’s your family?”

Kyla: I think most of the time when you start a new series, you know, you’re kind of interacting with everyone in between breaks on set. And then when you rehearse, you’re doing your lines and whatnot, and then you all go home for the day. So with us being in zoom within the first month, you guys knew what my bedroom looked like, my cat, my family situation… I think we all just kind of had nothing but time. So it was like a hundred lunch breaks, all put into, like, how many months? So we did definitely come back to it, filming, like we were going into season five of our show – relationship-wise, just because we bonded so much.

Suzanne: Kyla, you were on CSI about 10 years ago when Ted Danson was starring in it. Did you have scenes with him then? And did he remember you when you started this show?

Kyla: Okay. So I did do CSI, but to preface it, I was a corpse.

(Laughter)

Kyla: So Ted and I did have a scene, but it was me lying in a bed, no longer living. So it wasn’t anything too memorable, but I think it was one of those things where we had talked about it, he kind of remembered…? Yes, no, but I was like eight and I didn’t say anything. I just kind of got to go to craft services, eat a lot of food and sleep for 20 minutes. It was a pretty sweet deal. But I think, I think I definitely do probably remember it a little bit more.

Vella: I did not know that.

Suzanne: So, bow that they’ve brought the show back, Vella, that’s your chance. You’ve got to go play a dead body on the new CSI.

Kyla: Yeah, everybody’s doing it.

Vella: I would love to. It sounds — it sounds very relaxing.

Suzanne: You can’t move, though. That’s the only thing.

Dano: One of my favorite Super Bowl commercials last month was the NBC one with Ted Danson. I was wondering if you guys, you know, how you reacted to that, if you’re roasted a bit for that, or… yeah. What were your thoughts on that?

Vella: I think I just texted, like, “Ted!” or something… It was the one where he’s the king of NBC, right?

Dano: Right, And then every other NBC person’s getting annoyed, you know, that Ted, or Keenan, “why not me?” You know?

Vella: Well, it’s the 40th anniversary of “Cheers,” so, I mean, it’s hard to (???)

Kyla: Right, he earned it.

Vella: He earned it. 40 years on a network. I mean, that’s… that’s pretty impressive. I don’t think we roasted him at all. Maybe we should!

Kyla: We can designate somebody to come through.

Vella: “Hey, man…”

Karen: I wanted to ask you guys: I think all of us have seen the first five episodes and, we’ve seen some really fun guest stars on, mostly with Ted. Do you guys get any like good guest star time this year? Do you want to tease anything about who you got to work with, or are you not allowed to say?

Vella: I don’t know. I know there’s some great people that come through. I don’t think, oh, there’s an amazing person that we got to work with, but yeah. I don’t know if we’re supposed to, I don’t know if we can talk about them, I guess.

Host: Not at this point, but excited for you guys to see all the many surprises coming up for this season.

Vella: Yeah. There’s some really great people– some really great comedy people.

Kyla: I guess we think, everyone, because of who’s behind the show. I feel really lucky. I’ve noticed everyone that comes in – even if they have one line – they are so on point, and are so amazing and really do the best job that they possibly can, which I think makes every scene so special. So I do always look forward to, you know, when we read the script to seeing who’s going to come in and who’s gonna play this crazy role. But we have, we have a lot of funny, funny characters that pop in this season for sure.

Vella: Yeah, definitely.

Check out our other “Mr. Mayor” interviews with Ted Danson and Holly Hunter and Mike Cabellon and Bobby Moynihan

MORE INFO:

Trailer

Mr. Mayor PosterSeason Premiere: March 15

“Mr. Mayor” follows a retired businessman (Ted Danson) who runs for mayor of Los Angeles to prove he’s “still got it.” Once he wins, he has to figure out what he stands for, gain the respect of his biggest critic (Holly Hunter) and connect with his teenage daughter, all while trying to get anything right for America’s second weirdest city.
The series stars Ted Danson, Holly Hunter, Vella Lovell, Mike Cabellon, Kyla Kenedy and Bobby Moynihan.
“Mr. Mayor” is produced by Universal Television, a division of Universal Studio Group, Little Stranger, Bevel Gears and 3 Arts Entertainment. Robert Carlock, Tina Fey, Jeff Richmond and David Miner will executive produce. Eric Gurian will serve as a co-executive producer.

Kyla Kenedy

Orly Bremer, “Mr. Mayor”

MR. MAYOR -- Season: 2 -- Pictured: Kyla Kenedy as Orly Bremer -- (Photo by: Robert Trachtenberg/NBC)

Kyla Kenedy stars as mayor Neil Bremer’s (Ted Danson) daughter Orly Bremer on NBC’s new comedy “Mr. Mayor.”

Kenedy has spent nearly a decade building an impressive resume for an actress her age. She has worked steadily in film and television and across multiple genres. She is most recognizable from her roles on the ABC sitcom “Speechless” and for her recurring role on the international hit show “The Walking Dead.”

For the younger set, Kenedy is known for her role as a regular on the Amazon series “If You Give a Mouse a Cookie.” On the big screen, she was last seen opposite Jeremy Sisto in the independent feature “Love Is All You Need?” for which she won the Best Actress Award at the Napa Valley Film Festival.

Kenedy began her career at 8 in Charleston, S.C., booking print and local jobs. She moved to Atlanta and quickly expanded to commercials and films, where she landed a small role in the Farrelly brothers feature film “The Three Stooges.” Shortly thereafter, Kenedy was cast in her first lead role as the title character in the award-winning made-for-TV movie “Raising Izzie,” for which she won the Grace Award at the 21st Movieguide Awards, and a Young Artist Award for Best Actress.

Kenedy relocated to Los Angeles and has gone on to appear in a steady stream of dramatic and comedic projects, including heavily recurring roles on “Night Shift” and “The New Normal” “for which she was again nominated for a Young Artist Award for Best Actress in a Guest Starring Role.

Kenedy currently lives in Los Angeles, and loves reading, traveling, and all outdoor activities.

Vella Lovell

Mikaela Shaw, “Mr. Mayor”

MR. MAYOR -- Season: 2 -- Pictured: Vella Lovell as Mikaela Shaw -- (Photo by: Robert Trachtenberg/NBC)

Vella Lovell stars as Chief of Staff Mikaela Shaw on the NBC comedy “Mr. Mayor.”

Lovell is best known for her standout series regular role as Heather Davis on all four seasons of CW’s “Crazy Ex-Girlfriend.” She is currently recurring in the new Amazon Prime coming-of-age series “As We See It.” Lovell is also the voice of Mermista in the animated Netflix series “She-Ra and the Princesses of Power” (2020 Critics’ Choice Nominee – Best Animated Series).

On the film side, she is best known for her role in the indie hit “The Big Sick” and recently starred in the Comedy Central holiday parody movie “A Clüsterfünke Christmas,” which was written and produced by “Saturday Night Live” alums Rachel Dratch and Ana Gasteyer.

A graduate from the Juilliard School, Lovell has a bachelor’s degree from New York University. While at Julliard, she played Anna Mae in Pulitzer Prize winner Lynn Nottages’ “By the Way, Meet Vera Stark,” and Lady Macbeth in an adaptation of “Macbeth.” She has also performed in “The Bacchae,” directed by JoAnne Akalaitis at Shakespeare in the Park, and “The Great Recession” as well as “Kaspar Hauser” at the Flea Theater.

At Williamstown Theatre Festival, she was seen in “A Streetcar Named Desire,” directed by David Cromer, “When You’re Here” by Samuel Hunter and “Camp Monster.”

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Vella Lovell and Kyla Kennedy of "Mr. Mayor" on NBC

Interview with Ted Danson and Holly Hunter

TV Interview!

 

Holly Hunter and Ted Danson on Zoom interview for "Mr. Mayor" on NBC 3/8/22

Interview with Ted Danson and Holly Hunter of “Mr. Mayor” on NBC by Suzanne 3/8/22

It was so great to speak with these two legendary actors. Holly is an Oscar winner and of course, Ted Danson has been on TV for a very long time and is still bringing the laughs on this NBC show. They’re clearing having a great time. This was a press panel, so I was only able to ask one question. The other questions are from other journalists. I would have loved to have asked many more questions. Maybe someday I will! Don’t miss the show, which returns tomorrow, Tuesday night on NBC! It’s even funnier this season.

 

Ross: Hi guys. Ross Crystal from Showbiz Express. Ted, Holly, thank you so much for doing this and congratulations on the new season. Let me begin with you, Ted. How do we move into the new season? How does the mayor approach this new term, f I may?

Ted: Well, I think he probably has come to the realization that, just because he wanted to prove to himself and his daughter that life wasn’t over, and he ran to be mayor does not necessarily qualify him to be the mayor. [Chuckles] So this year he decides to right away hire somebody he calls the innovation team. You know, the brightest, youngest brains in California, to start shaping his administration and it creates a huge amount of friction in the office. It does provide a love affair for one of the characters, but it really just messes things up even more.

Ross: And Holly, Arpi is as annoying this time around as she’s ever been. What is it about this character that you love?

Holly: I’m just kind of gobsmacked by that. I hardly know how to proceed.

Ross: Hee, hee.

Ted: He’s an older white gentleman, Holly, you know, like the mayor…

Holly: Oh, right. It’s so interesting to think about the I team… the Innovation guys coming in… because Arpi works from…she’s like, old school. She is analog. And in a way, that’s the way city halls all across the United States operate. You know, they’re grassroots, from the ground up. “Can somebody please, tighten the manhole cover that is clattering every time a car goes over it?” I mean, you’ve got those kinds of issues that are coming into city hall. People screaming about whatever…the curbs not being at level on their street. I mean, it’s from the ground up that council members are dealing with issues in their city. From that, all the way to homelessness and traffic in Los Angeles. So the challenge for Arpi in this season, dealing with these Silicon Valley guys who come in with virtual reality approaches to problems is like…it’s so beyond annoying.

Ted: Yeah, I love that we’re in the age of man discovering the real meaning of mansplaining and beginning to realize that “Dear Lord, I never opened my mouth without actually starting to mansplain something.” And I think, you know, to have Neil Bremmer who has taken a sweet (he’s a good guy, but) a very shallow cut on life and is now explaining to Arpi how the city should be run. It has to be the most maddening thing in the world for her character. Because she does desperately care the old fashioned way — really care — about what they’re doing.

Ted: Hey Ross. Did I throw you under the bus? I’m sorry, buddy. Forgive me.

Ross: Oh, no, not at all. I was just wondering, as Mayor Garcetti leaves office and goes to be an ambassador, has he ever called you? Has he ever said, “Hey Ted… seriously?”

Ted: I think he has… I just didn’t want to take his calls.

Ross: [Laughs]

Suzanne: Ted, your character is a rich, entitled, clueless, self-involved guy. Was there anyone in real life that you think about when you’re portraying him?

Ted: I just…shave, look in the mirror, and go, “I got it. I got it. Thank you, Ted.” And off I go.

[Laughter]

Ted: You know, we’re all discovering things about ourselves, gratefully, slightly painfully, during the last couple of years. How entitled! I can just look at myself — how unknowingly entitled I am. I’m a thoughtful, sweet, liberal enlightened man. And I’m not, you know, I’m not. I thought I was. So, truly, I do feel like I was made for this part. And, I think, like the mayor… I, Ted am willing to change, but it’s very hard for me to see myself accurately… how silly I am, you know?

Suzanne: And Holly, you were just talking about the innovations and everything. In real life, on sets…you’ve been around for awhile. Does it ever bother you? Do you ever have that same sort of reaction when younger people come in, onset or anything like that? Do they make you feel like they want to reinvent everything [whereas] you’ve been doing it awhile, [but] they’re like, no…

Holly: Yeah, no, no, that doesn’t happen because you know, what’s so wild is… in a way, I could, I might be able to speak for most actors, but I think most actors, in some ways, are kind of childlike. So many actors that I love, the actors that I love, and adore working with, they’re kind of childlike… they’re children, in a way. Actors are… you spend your entire career changing, adapting….You’re doing things you’ve never done before. So many sets that I come on to… almost every set that I ever go onto. There’s no one that I know. I am meeting everyone for the first time on that set, ever. And I am used to that, and I’m sure Ted can say the same thing.

So actors have this liquidity… they’ve got a fluidity about change that I admire, and I love, and I’ve chosen to do movies, and chosen to work with people who often are breaking through to the other side in terms of form, how movies are made… [For instance], Terrence Malick. When I worked with him on a movie. I wanted to work with Terry to see how he made them and wow. He blew my mind! And working with Catherine Hardwood on “Thirteen,” she was making “Thirteen” in a way that I’d never seen– I’d never experienced before. This also is– it’s just a completely new form for me. So it keeps me changing. I gotta be up for it, and I love that challenge.

Suzanne: Right. Thanks!

Karen: Hi, I’m Karen Moul from SciFiVision. Ah, that’s actually, Suzanne, a great lead-in to my question, which is: What’s it like, now, settling into the second season behind the scenes with a cast that’s in place. I don’t know if COVID protocols are loostening, but maybe Holly first could talk about, what the climate is like, with your second season starting?

Holly: Well, joyful because we have this fantastic DP, David Miller, and he’s a wonderful touchstone because all sets are a little different and how everything is set up is a little bit different. And he provides us with this beautiful kind of structure that we can then go crazy in. We learned the structure from David, and then we all just go wild. We know what the perimeters are of our playing field. And for me to get more acquainted with that… you know, and Ted always, already was very acquainted with working with him. That that’s been very delightful, and I guess there’s just a little more confidence and intimacy with our characters. There had been an automatic kind of chemistry that existed between this cast that we’re all – I think – grateful for because you know, that doesn’t have to happen. And it did with us. There’s a kismet there.

Karen: And Ted, you’re a veteran of the sitcom format and have done many years. This is not your first, I guess, renewal second season. Do you have anything to add to all these comments?

Ted: Yeah, I mean, Holly said the word joyful. (clears his throat) Pardon me… It was joyful. COVID, as you suggested, had relaxed a little…we were still tested and did all of that. But when we got in front of the cameras, we could rehearse without masks, and there was a freedom that didn’t exist the first season. And there was also… we had taken a three- or four-month break, like the world did. And during that time, as a cast, we Zoomed a lot. We stayed in touch. We shared (like everybody did), because it was so intensely real, that the world was locked down, that we shared at a level that we probably wouldn’t have been able to, if we’d had a normal, season after season after season. We really got to know each other and appreciate each other. So when we got back together, not only was that a joy, a freedom of being able to be happily, joyfully, creative… But also, the writers and the actors were discovering who they were. You know, there’s always a process in the beginning where writers will say, “Have your character do this, do that.” And then you’re like, “No, that didn’t work. That didn’t work. That worked.” You know? So there’s a process of discovering who you are as a group, as a show, and, I think we kind of jelled last season, and it was joyful for all of us to appreciate the other characters, appreciate the other actors, and bounce off of such amazing players. It was very exciting.

Karen: Thank you.

Dano: Hi there, Dano from Nocturnal. So, for both Holly and Ted…You guys have both, worked with a lot of different comedic styles and, Tina Fey has her own cadence and brand. Is there a difference in approach or learning curve, versus like a “Bored to Death” and “Cheers” to this, or with Holly, a Coen brothers script to this… I guess, Ted, you also had a Coen-inspired script with “Fargo.” What’s the difference in approaching it?

Ted: Well, Robert and Tina are very fast. It’s much more of a… I grew up in a, “Here comes a joke. Pretty good joke, right?” You know, and the audience would laugh and you’d go on. There was a pause, there was a, you know, a kind of one thing at a time. And, this is very, very, very fast. You’re doing shots, you’re pointing out something political, but you’re kind of firing over your shoulder as you go galloping by. So the speed, the elevated quality of the writing, the words…It’s a challenge. I mean, your job as an actor is to ground whatever you’re doing in some kind of reality. And Tina and Robert are pulling you the other way going, “Nah, let’s shoot for the moon.” But your job remains the same. So that tension of making whatever it is they’re asking you to do, real, is I think the joy, the challenge and the excitement of what we’re doing.

And let me just add one thing about Holly hunter. You know, I can be a nice actor, meaning, I know what you want, so I’ll give it to you. You know, here it comes, you know, and that can be slightly boring sometimes. I watch Holly insist on grounding what it is she’s doing. It couldn’t be as far-fetched as you can imagine, but it’s still grounded and you never let go of that, Holly, and it’s a real inspiration for the rest of…for me, I’ll speak for myself.

Check out our other “Mr. Mayor” interviews with Vella Lovell and Kyla Kenedy and Mike Cabellon and Bobby Moynihan

MORE INFO:

Trailer

Mr. Mayor PosterSeason Premiere: March 15

“Mr. Mayor” follows a retired businessman (Ted Danson) who runs for mayor of Los Angeles to prove he’s “still got it.” Once he wins, he has to figure out what he stands for, gain the respect of his biggest critic (Holly Hunter) and connect with his teenage daughter, all while trying to get anything right for America’s second weirdest city.
The series stars Ted Danson, Holly Hunter, Vella Lovell, Mike Cabellon, Kyla Kenedy and Bobby Moynihan.
“Mr. Mayor” is produced by Universal Television, a division of Universal Studio Group, Little Stranger, Bevel Gears and 3 Arts Entertainment. Robert Carlock, Tina Fey, Jeff Richmond and David Miner will executive produce. Eric Gurian will serve as a co-executive producer.

Ted Danson

Mayor Neil Bremer, “Mr. Mayor”

MR. MAYOR -- Season: 2 -- Pictured: Ted Danson as Neil Bremer -- (Photo by: Robert Trachtenberg/NBC)

Ted Danson stars as Mayor Neil Bremer on the NBC comedy “Mr. Mayor.”

Danson is a Golden Globe- and Emmy Award-winning actor known for an array of exceptional performances, most memorably for his portrayal of Boston bartender Sam Malone on NBC’s multi-award winning and iconic comedy “Cheers,” which ran for 11 seasons and won three Emmys as best comedy series. He recently starred in creator Michael Schur’s acclaimed NBC comedy series “The Good Place” for which he was nominated for his 14th Emmy Award for outstanding lead actor and received a Critics Choice Award for his role as Michael.

Other recent credits include the 10th season of “Curb Your Enthusiasm,” FX’s critically acclaimed second season of “Fargo,” CBS’ long-running “CSI” and “CSI: Cyber,” FX’s “Damages,” as well as Golden Globe nominated role on CBS’ “Becker.”

In film, Danson was seen in 2018 in “Hearts Beat Loud,” a drama music film that premiered at Sundance. He has also appeared in several other high-profile projects, including the 1987 blockbuster hit “Three Men and a Baby” and its sequel, “Three Men and a Little Lady.” He also had a co-starring role in Steven Spielberg’s World War II masterpiece “Saving Private Ryan.”

Raised outside Flagstaff, Ariz., Danson attended Stanford University where he became interested in drama during his second year in school. He then transferred to Carnegie Mellon University and graduated in 1972 with his Bachelor of Fine Arts degree in drama. After graduation, he was hired as an understudy in Tom Stoppard’s Off Broadway production “The Real Inspector Hound.” Danson relocated to Los Angeles in 1978 to help manage the Actor’s Institute for a year-and-a-half while he taught there. Six months after his arrival, Danson earned a role in “The Onion Field” and co-starred in the TV movie “The Women’s Room.”

In addition to acting and producing, Danson is an environmental activist, co-founding the American Oceans Campaign (AOC) in 1987 to alert Americans to the life-threatening hazards created by oil spills, off-shore development, toxic wastes, sewage pollution and other ocean abuses. The AOC merged with Oceana in 2001. Oceana works to teach citizens how they can participate in protecting and restoring marine resources, and to show Congress that Americans are concerned with these issues.

Danson resides in Los Angeles with his wife, actress Mary Steenburgen.

Holly Hunter

Arpi Meskimen, “Mr. Mayor

Holly Hunter stars as Deputy Mayor Arpi Meskimen on the NBC comedy “Mr. Mayor.”

Hunter has been nominated for four Academy Awards for the films “Broadcast News,” “The Firm,” “The Piano” and “Thirteen.” In 1993, she won the Academy Award and Best Actress at the Cannes Film Festival for her performance in “The Piano.” In 2008, Hunter received a star on the Hollywood Walk of Fame. In 2009, she was awarded the Women in Film Lucy Award.

Most recently Hunter was seen as rival CEO Rhea Jarrell in HBO’s hit drama “Succession” and Showtime’s highly anticipated miniseries “The Comey Rule.”

Hunter reprised her iconic voice role as Elastigirl in the highly anticipated sequel to the animated hit films “The Incredibles,” alongside Craig T. Nelson and Samuel L. Jackson.

Hunter co-starred in “The Big Sick,” which won the Critics’ Choice Award for Best Comedy as well as be Oscar nominated for Best Original Screenplay. For her supporting role, Hunter was nominated for a Screen Actors Guild and Independent Spirit Award, and was honored with a Career Achievement Award at the 2018 Palm Springs International Film Festival.

Hunter was nominated for an Academy Award for her role as a mother dealing with her daughter’s wild and rebellious behavior in the film “Thirteen,” directed by Catherine Hardwicke. Hunter was also honored with nominations from the Hollywood Foreign Press, SAG, BAFTA and the Broadcast Film Critics Assn. for this role.

Hunter received the Academy Award for her performance as a mute Scottish widow in Jane Campion’s “The Piano.” For this role, she received the Cannes Film Festival Award, British Academy Film Award, New York Film Critics Circle Award, Los Angeles Film Critics Association Award, National Board of Review Award and a Golden Globe Award, all for best actress. That same year, Hunter garnered an Academy Award nomination for her performance as the investigative secretary in “The Firm,” based on the John Grisham novel.

MR. MAYOR -- Season: 2 -- Pictured: (l-r) Holly Hunter as Arpi Meskimen, Ted Danson as Neil Bremer -- (Photo by: Robert Trachtenberg/NBC)Hunter was nominated for another Academy Award for her portrayal of a driven career-woman producer in “Broadcast News.” For this role, she received the New York Film Critics Circle Award, Los Angeles Film Critics Award, National Board of Review Award and Berlin Film Festival Award, all for best actress.

Hunter made her television series debut in TNT’s drama “Saving Grace,” which earned her nominations for two Emmy Awards, two Screen Actors Guild Awards and a Golden Globe Award for Best Lead Actress in a Drama Series. “Saving Grace” ended after four seasons in 2010.

Hunter starred in ABC’s “When Billie Beat Bobby” where she portrayed tennis legend Billie Jean King in the 1973 “Battle of the Sexes” tennis match between King and Wimbledon champion Bobby Riggs. The role garnered her an Emmy nomination for Best Actress in a Television Miniseries or Movie.

Hunter was nominated for an Emmy for her role in Showtime’s “Things You Can Tell Just by Looking at Her.” The film tells stories about love and loss in the lives of five women. The film won an award in Un Certain Regard at the Cannes Film Festival and also screened at the 2000 Sundance Film Festival. Hunter also starred in Showtime’s original movie “Harlan County War,” for which she garnered both an Emmy and Golden Globe nomination for Lead Actress in a Miniseries or Movie.

Hunter was seen in the Sundance Channel series “Top of the Lake,” co-starring Elisabeth Moss, written and directed by Oscar winner Jane Campion. Hunter’s performance garnered her a Screen Actor’s Guild nomination for Outstanding Performance by a Female Actor in a Television Movie or Miniseries.

She also starred in “The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom,” for which she won the Emmy for Best Actress. This role also garnered her a Golden Globe nomination. She starred as Jane Roe in NBC’s “Roe vs. Wade” and was awarded the Emmy for her performance.

In 1982, Hunter made her Broadway debut in Beth Henley’s “Crimes of the Heart” followed by “The Wake of Jamey Foster.” She was most recently seen on stage in the revival of David Rabe’s Tony Award-winning play “Sticks and Bones,” opposite Richard Chamberlain, Nadia Gan, Morocco Omari, Bill Pullman, Ben Schnetzer and Raviv Ullman. Hunter starred in Marina Carr’s “By the Bog of Cats,” directed by Dominic Cooke at Wyndham’s Theater in London.

Hunter co-produced and starred in Beth Henley’s “Control Freaks” and produced Ray Barry’s “Mother’ Son” at the Met Theatre in Los Angeles.

Other New York stage appearances include “The Miss Firecracker Contest,” “Battery,” The Person I Once Was,” “A Weekend Near Madison” and “Impossible Marriage.”

Hunter resides in New York.

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Holly Hunter and Ted Danson of "Mr. Mayor" on NBC

Interview with Omar Benson Miller & Marsha Stephanie Blake

TV Interview!

Omar Benson Miller & Marsha Stephanie Blake in "The Last Days of Ptolemey Grey" on Apple TV+

Interview with Omar Benson Miller & Marsha Stephanie Blake of “The Last Days of Ptolemy Grey” on Apple TV+ by Suzanne 2/28/22

This was a nice (but short) interview with these two actors from this really good show. Omar’s character, Reggie, is not seen on screen a lot, but his character is very important to the show.  Marsha, who plays Ptolemy’s niece, is seen a lot more. You don’t want to miss this limited series!

Suzanne:   Oh, hi. Hey, how’s it going, guys? I remember you from CSI Miami, Omar, when you played Walter Cole. And, Marcia, I remember you from How to Get Away with Murder. So, it’s great to talk to both of you.

Marsha:   Hello, Suzanne, good to talk to you

Suzanne:   So, can you each tell me how your audition went for this for these roles?

Marsha:   I’ll start, I’ll start. My audition was crazy, because I helped someone else audition first before I knew I was going to audition, and I loved the material when I helped him. And what’s crazier is he didn’t get the part. So, then, I called him, and I was like, “Hey, can you help me now now that you know the material? Can you help me with my audition?” So, you know, we were helping each other. Then, I met Ramin virtually and talked through so much stuff and just really felt like – I’d watched his film. I’d obviously read the book at this point and remember after my callback moment thinking it would be so incredible to be a part of it for so many reasons. I felt like each person I met who was connected to the project was special and really empathetic and kind and cared so much about the material and cared as much as I cared, from the time I read the sides with my friend. I think that’s when you know you’re onto something special.

Suzanne:   Okay, and Omar?

Omar:   Mine was kind of like this interview; it was virtual. I had a conversation with Ramin, then read a couple of scenes, and then stepped in with the man and had a conversation with Sam. Then, we read to see if we had any chemistry. Vicki Thomas was on reading with me and tried to sabotage my audition.

Marsha:   [laughs]

Omar:   Thank God, she wasn’t successful. No, but I could feel the chemistry with both Ramin and Sam, through the internet, which is very difficult to do. And the process was something that actually was befitting of what it was going to be like to shoot the project. Shooting in the middle of COVID has been a real challenge in multiple ways.

Suzanne:   And what was it like working with Sam?

Marsha:   Incredible.

Omar:   Unique.

Marsha:   Unique, oh I love that. Unique, yes.

Omar:   Yeah, he’s a unique individual. He brings what he brings to the table with a skill set and a presence that is very different than anybody else that you’re going to work with.

Suzanne:  

Yeah, I can see that. So, neither of you had worked with him before, is that right?

Marsha:   Omar, you had?

Omar:   No.

Marsha:   No? I had worked with him on Django, but my scene got cut. But what’s really wonderful about Sam – I know, it’s heartbreaking, but what’s great about Sam is Sam is the best at introducing you to the cast on your first day. He did it to me with Django. I had this one scene, one little part in this big – it was my biggest movie to date. You know, the biggest thing I’ve ever been in, and then I wasn’t in it. But the way he introduces you when you’re on set that first day, he is like your biggest cheerleader, and I’ve seen him do it over and over again with other people, and I just think that’s such a wonderful and generous thing. It’s not even necessary. You know, you’re there; you already got the job, but he makes you feel so welcome in this space on your first day. And he gave me the biggest shout out on Django that I will love him for that forever. I already had mad love for him as an actor, but I love him as a person.

Suzanne:   Omar, did he introduce you to everybody?

Omar:   No, most of our scenes are just me and him. So, I felt like I got cheated. I think the pretty girls get that treatment.

Suzanne:   I was gonna say, maybe you’re not quite pretty enough.

Omar:   He squared up on me. We almost had to fight.

Marsha:   That’s his way. That’s his way of welcoming you.

Omar:   No, he welcomed me, but it was just he and I as far as the actors on set. So, we all introduced ourselves then to people who we hadn’t already known. Then, really, we dug into the work, and we tore through it. So, that experience for me, just getting in there and getting to do the work with somebody who is a clear master of his craft was a joy. It really was.

Suzanne:   Yeah, well I binge-watched the whole thing, and I enjoyed it. So, I hope everybody gets to see it. It’s really good.

Omar:   All right.

Suzanne:   All right, well, they told me I have to wrap it up, so nice talking to you guys. I appreciate it.

Marsha:   You as well. Thank you.

Omar:   Thank you.

Suzanne:   Bye-bye.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Omar Benson Miller (Reggie)Omar Benson Miller (born October 7, 1978) is an American actor.[1] He is known for his work as Walter Simmons on CSI: Miami (2009–2012), as Charles Greane on Ballers (2015–2019), as the voice of Raphael on Rise of the Teenage Mutant Ninja Turtles, and on the CBS comedy series The Unicorn (2019–2021).

 

 

Marsha Stephanie BlakeMarsha Stephanie Blake (born c. May 1974) is an American actress. She is best known for her role as Linda McCray in the Netflix miniseries When They See Us, for which she was nominated for the Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie.

 

 

 

Poster for "The Last Days of Ptolemy Grey" on Apple TV+The Last Days of Ptolemy Grey

Release date: March 11, 2022

Trailer

“The Last Days of Ptolemy Grey” stars Samuel L. Jackson as Ptolemy Grey, an ailing man forgotten by his family, by his friends, and by even himself. Suddenly left without his trusted caretaker and on the brink of sinking even deeper into a lonely dementia, Ptolemy is assigned to the care of orphaned teenager Robyn, played by Dominique Fishback. When they learn about a treatment that can restore Ptolemy’s dementia-addled memories, it begins a journey toward shocking truths about the past, present and future.

The six-episode limited series will debut will debut globally Friday, March 11 on Apple TV+ with the first two episodes, followed by one new episode weekly, every Friday.

Episode 1

Reggie

Ptolemy Grey’s memory is getting worse. After learning his grand-nephew is no longer there for him, Ptolemy’s niece assigns him a new caretaker.

Episode 2

Robyn

Kicked out by Niecie, Robyn moves in with Ptolemy and accompanies him to a doctor’s appointment for an experimental treatment.

Episode 3

Sensia

Ptolemy begins treatment to restore his memories, drifting in and out of fever dreams about his life as Robyn keeps vigil at his side.

From Apple TV+

ABOUT “THE LAST DAYS OF PTOLEMY GREY”:

“The Last Days of Ptolemy Grey” will premiere with 2 episodes globally on Friday, March 11 with new episodes premiering weekly on Friday thereafter, exclusively on Apple TV+.

Jackson stars as Ptolemy Grey, an ailing man forgotten by his family, by his friends, by even himself. Suddenly left without his trusted caretaker and on the brink of sinking even deeper into a lonely dementia, Ptolemy is assigned to the care of orphaned teenager Robyn, who is played by Dominique Fishback (“Judas and the Black Messiah”). When they learn about a treatment that can restore Ptolemy’s dementia-addled memories, it begins a journey toward shocking truths about the past, present and future.

In addition to Jackson and Fishback, the Apple Original limited series stars Walton Goggins (“Justified,” “The Unicorn”), Marsha Stephanie Blake (“I Am Your Woman,” “When They See Us”), Damon Gupton (“Black Lightning,” “Bates Motel”), Cynthia Kaye McWilliams (“Coyote,” “Real Husbands of Hollywood”) and Omar Miller (“The Unicorn,” “Ballers”).

“The Last Days of Ptolemy Grey” is produced by Apple Studios and Anonymous Content. Serving as executive producers alongside Jackson and Mosley are David Levine and Eli Selden for Anonymous Content, Diane Houslin, LaTanya Richardson Jackson, and Ramin Bahrani.

ABOUT APPLE TV+

Apple TV+ is available on the Apple TV app in over 100 countries and regions, on over 1 billion screens, including iPhone, iPad, Apple TV, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL, and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and attv.apple.com, for $4.99 per month with a seven-day free trial. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac, or iPod touch can enjoy three months of Apple TV+ for free.*

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Omar Benson Miller & Marsha Stephanie Blake

Interview with Cynthia Kaye McWilliams

TV Interview!

Cynthia Kaye McWilliams in "The Last Days of Ptolemy Grey" on Apple TV+

Interview with Cynthia Kaye McWilliams of “The Last Days of Ptolemy Grey” on Apple TV+ by Suzanne 2/28/22

This is such a great series. It started out a little depressing, but it gets much better. I hope you can watch it! It’s only 6 episodes. All of the cast is great in it, especially the two leads, Samuel L. Jackson and Dominique Fishback. They get the majority of the screentime.  Cynthia’s character, Sensia, is seen in many flashbacks or hallucinations. It was so nice to chat with her!

Interview Transcribed by Jamie of http://www.scifivision.com

Suzanne:   So, tell us how this part came about for you.

Cynthia:   Much like any, just an audition from my agent, but as soon as I saw it, I mean the second I saw it, I saw Walter Mosley’s name attached, who’s a novelist I’m a huge fan of. I immediately got interested a little bit more. Then, of course, when I saw that Sam Jackson was leading, I just thought, “What? Sam Jackson’s doing television? Oh, my goodness! What is this?” And I started thumbing through the pages, and I instantly thought, “Oh, I have to be a part of this.” I loved the script. I love the book. I love this incredibly dynamic, fierce woman in Cynthia. I loved the way that she loved him without apology, and boldly. And I really enjoy the character that exists in a memory but is so alive because of how fully she occupied his present when she was there and the way that that vibrance is able to pierce through the fog of his dementia and anchor him and motivate and challenge him to be bold again and go after his memories.

Suzanne:   As for your experience acting in the role and filming it, what did you like best about it?

Cynthia:   Oh, well, I mean, definitely, just being able to be on a set with such incredible performers. Sam, of course, leading that cast, but all of them. I mean, I think it’s just such a joy. It’s such a joy when you get to have like sort of the trifecta of working on good material with fantastic actors and in an environment that is actually supporting and encouraging, you know, creativity and play, and where the producers and the cameraman and the directors are all serving the story. I think that’s just the most exciting thing for any actor is to be in a space. And there’s no actor, no actor I’ve ever worked with who is more interested in serving the story than Sam Jackson. He’s such a persona. He’s such an icon, but he is also just a gifted, trained, practiced actor, and he loves what he does. He loves the story. He’s so passionate about it. And sometimes I think that’s where all of that, you know, Sam mother-effin Jackson comes from, because he’s so just passionate about getting the mother effin story, right? You know?

Suzanne:   He makes it look easy to doesn’t he?

Cynthia:   He sure does. Man, I tell you, I am blown away. I got to watch just a bit of the series, and I was so excited just to see what it looked like. I just am so impressed with every time we think we’ve seen all of what Sam Jackson can do, he just wows us with another thing. I’m excited for audiences to see this other character, this new and different and challenging place that he’s gone. Very excited.

Suzanne:   Yeah, I binge-watched it a Saturday, I think. Oh, my gosh, it was so good. It was really good. It makes me wish there could be a sequel, but I don’t see how they do that.

Cynthia:   I know; I know. It’s one of those things, you’re always like, when you get involved with something that’s a limited series, there’s a joy about it, but there’s also like, “Oh…” I’m from the theater, so I am very used to the idea that like we’re in this space and time and everything we share with an audience this night is all it’s ever going to be, and it’ll never happen again exactly the same way. And that’s sad, because you kind of wish you could trap it, or [if] you have a great night, you’re like, “Oh, I wish I could just take that performance and put it on and keep giving it to the audiences,” but it’s also the most beautiful thing. That’s what I loved about theater is just that it’s so special because it’s only that once, and it’s just between us. And I feel like a limited series is very similar and that we’re giving you this thing. We’ve labored for this one piece of art, and we’re gonna give it to you, but once it’s done, it’s done.

Suzanne:   Yeah, that’s for sure. Have you ever played anyone from the past before?

Cynthia:   In theater? Yes. On television? No, like not an actual historical figure, I don’t think. I’m scanning my memories really quickly and making sure I’m not lying and passing something up, but no, I don’t think so. Yes, in television. I’ve done all contemporary pieces, whether that be comedy or drama. Yes, I’m trying to [remember]. I’m scanning so hard when people ask me what have you ever done, and you’re thinking, “I can’t remember everything,” but no, I don’t think so.

Suzanne:   Yeah, I do that too. It’s like, “Oh, I interviewed that person? I don’t even remember it was so long ago.”

Cynthia:   I can’t remember what I for lunch yesterday. I don’t know. [laughs]

MORE INFO:

Cynthia Kaye McWilliamsCynthia Kaye McWilliams was born in Berlin, Germany, grew up primarily in Kansas City, Kansas and graduated from the prestigious Theater School of DePaul University in Chicago, Illinois. Just out of college, Cynthia booked a supporting role in Warner Brothers’ The Lake House, followed by a recurring role on FOX’s Prison Break. She then landed a lead role in the pilot, Family Practice and later, another FOX series, Chicago Code.

She moved from Chicago to Los Angeles for a dream job to play sitcom wife to Damon Wayans in a CBS pilot. Though the pilot didn’t go, a few months later she would land a series regular on NAACP award winning comedy, The Real Husbands of Hollywood opposite the hilarious Kevin Hart. Cynthia filmed 5 seasons of RHOH and meanwhile had recurring roles on Survivors Remorse on STARZ, ABC’s Nashville, Bosch on Amazon and booked the lead in the NBC drama pilot, Love is a Four Letter Word.

Switching gears, Cynthia took on the role of sitcom mom Regina in the Netflix’s Prince of Peoria taped in front of a live studio audience at famous Sunset/Gower studios. She associate produced and starred in the holiday comedy, Twas the Chaos before Christmas, returned to the stage in Inda Craig Galvan’s, Black Super Hero Magic Mama at the Geffen Playhouse and joined the cast of Disney Channel original Upside Down Magic which is now streaming on Disney+

Cynthia recently returned from Mexico where she was filming the new drama series, Coyote starting Michael Chiklis. Coyote premiers January 7th, 2021 on CBS All Access. Cynthia also thoroughly enjoys her voiceover career having voiced for multiple characters and shows on Cartoon Network, animated feature film, Bilal and several video games including narrating Valorant, voicing Senna in League of Legends, T-Bug in CyberPunk 2077, Spartan Tanaka in Halo 5, roles in Disintegration, Far Cry 5 & 6, State of Decay 2, Tell Me Why and more.

Cynthia champions women & minorities creating their own content, supports arts education and loves all things food, wine and travel.

Poster for "The Last Days of Ptolemy Grey" on Apple TV+The Last Days of Ptolemy Grey

Release date: March 11, 2022

Trailer

“The Last Days of Ptolemy Grey” stars Samuel L. Jackson as Ptolemy Grey, an ailing man forgotten by his family, by his friends, and by even himself. Suddenly left without his trusted caretaker and on the brink of sinking even deeper into a lonely dementia, Ptolemy is assigned to the care of orphaned teenager Robyn, played by Dominique Fishback. When they learn about a treatment that can restore Ptolemy’s dementia-addled memories, it begins a journey toward shocking truths about the past, present and future.

The six-episode limited series will debut will debut globally Friday, March 11 on Apple TV+ with the first two episodes, followed by one new episode weekly, every Friday.

Episode 1

Reggie

Ptolemy Grey’s memory is getting worse. After learning his grand-nephew is no longer there for him, Ptolemy’s niece assigns him a new caretaker.

Episode 2

Robyn

Kicked out by Niecie, Robyn moves in with Ptolemy and accompanies him to a doctor’s appointment for an experimental treatment.

Episode 3

Sensia

Ptolemy begins treatment to restore his memories, drifting in and out of fever dreams about his life as Robyn keeps vigil at his side.

From Apple TV+

ABOUT “THE LAST DAYS OF PTOLEMY GREY”:

“The Last Days of Ptolemy Grey” will premiere with 2 episodes globally on Friday, March 11 with new episodes premiering weekly on Friday thereafter, exclusively on Apple TV+.

Jackson stars as Ptolemy Grey, an ailing man forgotten by his family, by his friends, by even himself. Suddenly left without his trusted caretaker and on the brink of sinking even deeper into a lonely dementia, Ptolemy is assigned to the care of orphaned teenager Robyn, who is played by Dominique Fishback (“Judas and the Black Messiah”). When they learn about a treatment that can restore Ptolemy’s dementia-addled memories, it begins a journey toward shocking truths about the past, present and future.

In addition to Jackson and Fishback, the Apple Original limited series stars Walton Goggins (“Justified,” “The Unicorn”), Marsha Stephanie Blake (“I Am Your Woman,” “When They See Us”), Damon Gupton (“Black Lightning,” “Bates Motel”), Cynthia Kaye McWilliams (“Coyote,” “Real Husbands of Hollywood”) and Omar Miller (“The Unicorn,” “Ballers”).

“The Last Days of Ptolemy Grey” is produced by Apple Studios and Anonymous Content. Serving as executive producers alongside Jackson and Mosley are David Levine and Eli Selden for Anonymous Content, Diane Houslin, LaTanya Richardson Jackson, and Ramin Bahrani.

ABOUT APPLE TV+

Apple TV+ is available on the Apple TV app in over 100 countries and regions, on over 1 billion screens, including iPhone, iPad, Apple TV, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL, and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and attv.apple.com, for $4.99 per month with a seven-day free trial. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac, or iPod touch can enjoy three months of Apple TV+ for free.*

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

Interview with Cynthia Kaye McWilliams

Interview with Sean Kanan

TV Interview!

Sean Kanan event poster (small)
Way of the Cobra – Release Your Inner Badass. Sean Kanan – Meet the Author. Saturday, March 12, 2pm. Free to the public. Refreshments. Moderated. Q&A hosted by James Lott, Jr. Lots of surprise guests!

Interview with Sean Kanan of “The Bold and The Beautiful” on CBS by Suzanne 3/9/22

This was a very fun interview with Sean! I’ve been watching him on soaps since he started on “General Hospital” way back in 1997. I’ve seen him in many guest-starring roles (as I’m sure you have, too), such as in “Lois and Clark: Adventures of Superman,” one of my favorite shows.  He’s currently reprising his role of Deacon on “Bold and the Beautiful,” a role he also played for a while on “The Young and The Restless.”

He got his start on “Karate Kid III,” and he says that his Cobra philosophy not only helped him get into that movie but saved his life when he had a “near-death experience.”  He’s written this motivational book, “Way of the Cobra” to help others channel their “inner badass.” That’s his third book, mind you… he also wrote “The Modern Gentleman: Cooking and Entertaining with Sean Kanan” and “Success Factor X: Inspiration, Wisdom, and Advice from 50 of America’s Best.”

If you live in the Southern California area, don’t miss the event mentioned on the flyer above. It looks to be very entertaining. There will be other stars there that you’ll want to see as well.

He also won a Daytime Emmy last year for his short-form series “Studio City,” a drama about the life of an aging soap star. It’s somewhat tongue-in-cheek at times, but it also has some heavy drama as it tackles subjects like death/dying, aging, transgender issues, and more. If you’re a daytime fan, you will notice many great actors in the show. More episodes will be coming soon. I can’t wait! Watch it on Amazon Prime.

 

Suzanne: So, tell us how you got back on “Bold and Beautiful” this time around? What was the process that happened?

Sean: Well, it was a pretty easy process, I gotta be honest. You know, last year was really a terrific year for me, just an amazing year in my career. And as we got towards the end of the year, I received a phone call from the executive producer and head writer, Brad Bell. And, uh, he said, you know, I think I found a way that we could bring Deacon back to the canvas, which was great because Deacon had been languishing in prison for a couple of years. And, you know, I love working on the show. I really do. I was excited to get the call. It been such a great year. And now, as the year was kind of coming to an end, to be asked to come back to Bold and the Beautiful was just like, you know, icing on the cake. The biggest question was, did I have the time to do it? Because I had several other projects with which I was involved. We were able to work it out. And next thing I knew, I’m back on the show. I mean, it was pretty simple. It’s when they have the time, and I’m able to do it and, you know, we both decide that it’s a yes….things happen pretty quickly. And if I’m not mistaken, I think Brad called me in September, and I think I started working in September. So it was really quick. Sometimes it happens. We’re thinking of bringing you back. It’s going to be in like two months. This was really quick.

Suzanne: Wow. So, it’s great that they paired Deacon with Sheila. I mean, I don’t know what took them so long to do that. It’s about time.

Sean: Yeah. You know, the two of them are very, unlikely. I think, initially, if I had to guess, my thinking is that probably they thought, okay, these two baddies, even though Sheila is, you know, much more of a villain than Deacon is, and, you know, I’m always trying to infuse humor into my character, and I don’t necessarily know that they expected the relationship to take on that dynamid, you know? I mean, I think maybe it was, I’m going to put these two baddies together and see what happens. But we’ve sort of developed this really fun chemistry, and this banter, which has made the character a lot of fun for us to play. And I think that the fans are enjoying it.

Suzanne: Yes, definitely. And the banter… So, that’s not in the script… or some of it is? And do you guys ad lib?

Sean: You know, one of the really wonderful things about the show is that, if I have an idea for some dialogue, they’re very receptive to it. You know, I mean, as long as we’re not veering too far off the path, but I’m fortunately afforded a lot of latitude, very generously, to offer some suggestions and, you know, sometimes they work and other times they don’t, but,um, yeah, some of it’s ad-libbed, but there’s also a lot of great writing.

Suzanne: Oh good. Oh yeah. It’s interesting because, Deacon usually just comes in by himself. Sheila has a long history of pairing up with some guy. Usually somebody that’s kind of weak or has a crush on her. And she sort of just uses him as a sounding board as some wimpy guy that does her bidding. But with Deacon, she’s got a real…. You know, a real person to really grapple with.

Sean: Yeah, that’s some of what makes it fun. I think, you know, there’s a little bit of sexual tension there, which is fun. And I think also that Deacon has a very healthy respect for the fact that Sheila, you know… Deacon has fun with Sheila, and he pokes and prods at her, but I think he’s very careful in the back of his head to realize that, you know, if she’s ever offended or pushed in the wrong direction that she can be very dangerous and formidable… as can Deacon, but, you know, Deacon has had a rich history of dealing with crazy ladies on the show. You know, I don’t think he’s looking to poke the badger too much…to beat the devil.

Suzanne: He learned his lesson. Yeah. So, Deacon ostensibly came back to spend time with Hope. Did he also think in the back of his mind that he might get back at Brooke? Do you know if that was the case, or they just sort of went there later?

Sean: I mean, I have to believe that he did. I mean, you know, here’s a guy who’s been in prison for four years, looking at cement walls.. no contact with women and Brooke’s the one that got away. So I’m sure he did a lot of extrapolating and, you know, what would I do if things were different? And I also think that Deacon has legitimately made a sincere and earnest effort to become a better man. And I think that Deacon feels that even though he doesn’t have anything, he doesn’t have any material possessions, so to speak. He’s got a crummy job, and he’s living in a broom closet. The one thing that he can bring to the table is that he’s now a better man. And I think that he hopes that that’s going to be enough for Brooke.

Suzanne: Great. And,what about that big fight scene that you had with Thorsten Kaye? That was… that was amazing. What was that like?

Sean: That was a lot of fun. It was challenging for a lot of reasons. You know, Thorsten and I both did all of our own stunts. The big thing is, you’ve got to make sure nobody gets hurt. You got two, big, strong guys throwing punches at each other, [and] things can happen. I’m so fortunate to work with a guy like Thorsten. He’s a total pro, he’s a lot of fun to work with, and our director for that episode, Jennifer Howard, did a phenomenal job… the editors, everything. So I was really pleased with how it came out. You know, that’s just not something you see on daytime very often.

Suzanne: No, you [usually] see a couple of fake punches and that’s it, or wrestling in the mud with the ladies. That’s about it. So, what was… fans really want to know this, and you probably can’t tell us, but I have to ask it. Do you think that there’s any chance in the future, or near future, hopefully, that Deacon is actually going to get together with Brooke again for real, or is she just always going to be with somebody else.

Sean: I’ll preface this by saying that in absolute honesty, I don’t know. Sean doesn’t know. Oh, I just referred to myself in the third person. That sounded kind of jerky… Anyway, I have to believe, yes. And as the character, I have to believe, yes. Deacon has to believe there’s a shot. And if my character believes it, I have to believe it.

Suzanne: Yeah, it seems that the recent episodes I saw that he tried, and she sort of pushed him away, but he knows as long as he just hangs in there, maybe there’s a chance, you know, and he’s always there for her, you know?

Sean: Yeah. Yeah. I think Deacon’s happy. The second string quarterback, sooner or later, twists his ankle in the game. Definitely.

Suzanne: So that actually reminded me… I had asked on Facebook in the groups there, questions for you, ’cause fans like to ask you guys questions. And, one of them was why was Deacon just walking into Brooke’s house without knocking?

Sean: Yep. We discuss that all the time. I say every single time… The Forresters live in a gated community. He just comes and goes as he pleases with impunity. We laugh about it. It’s the same thing as, how come when you watch a movie, sometimes in movies these people still listen to answering machines? You know what I mean? It’s to convey information that you just kind of have to have. So, yeah. It’s that sort of deal.

Suzanne: Yeah. I mean, for free years, you know, they would at least knock, and then you’re like, why do people just keep dropping by, without calling? Nobody does that.

Sean: Right.

Suzanne: Family, that’s about it. But yeah. So it was one of those things they do to cut time. Right?

Sean: Yeah. Definitely. He’s family.

Suzanne: Technically. Yeah, well, it didn’t really bother me so much because he’s living right in the gate guest house, isn’t he? Or not living there, but he’s visiting visiting.

Sean: No, he’s living in the broom closet at Il Giardino.

Suzanne: Which is… okay. But I figured he was visiting Hope and he went up to see her.

Sean: Sure. Let’s go with that.

Suzanne: So, let’s leave “Bold and the Beautiful” for a moment. If you were called back by “General Hospital” to play AJ… bring him back from the dead (Assuming you’re no longer on “Bold and the Beautiful”), would you come back and play him again?

Sean: Um…no, I don’t think so. No. Nope.

Suzanne: Okay. Well, okay. That’s where I first saw you years ago. I still remember that Nurse’s Ball. Might’ve been the first one. when they were talking about AIDS and AJ said something terrible.

Sean: Yeah. That was difficult for me because, you know, I played the role of the ignorant, uninformed, negative Greek chorus. And it was hard for me because I’ve had lots of gay friends, and it was difficult for me to kind of espouse that stuff when it was so different than, you know, who I am. But I realized after talking with them, too, that it was such an important story… That I was playing an important part of how that story needed to be told. And once I kind of wrapped my head around it that way, I was fine with it.

Suzanne: Right. I think in some ways… even though he didn’t go to jail, AJ was much worse than Deacon because he just did a lot of terrible things and he never, until he finally got killed, he didn’t have to pay for anything.

Sean: You probably know a lot more about them than I do, because you know, a lot of those terrible things he did were while Billy Warlock was playing AJ, right? So for me, my AJ, I didn’t really do anything that was that bad other than, you know, giving his brother brain damage. But yeah, from everything I understand, AJ took a much darker turn when Billy was playing the character.

Suzanne: That’s probably true, yeah.. Well, and speaking of that, it was great to see Sarah Brown in “Studio City.” I just love her.

Sean: Yeah. She’s terrific. I think it was wonderful to get the opportunity to work with Sarah again. And, actually, we have six new episodes of “Studio City.” They’re going to be coming out in the next, I would say, less than two weeks.

Suzanne: Oh, good. I was going to ask you that.

Sean: I don’t know when this is going to air, but…

Suzanne: Soon.

Sean: Great.

Suzanne: Great! Yeah, no, I started watching some of that last night. I had to catch up on three week’s worth of “Bold and the Beautiful” first before I watched some of “Studio City.” So, I saw you posted something on Twitter about a podcast. Was that… are you making a podcast?

Sean: So, what I’m going to be doing is a subscription-based Zoom program based on my book, “Way of the Cobra,” where it’ll be a weekly Zoom meeting, and I’m going to be taking people through the philosophy and strategy of “Way the Cobra.” And that’s probably something that we’re going to kick off within the next month. I’ve got so many things going on, and there’s only so much that, you know, that I can do at one time.

This Saturday, also, we have a really big event, and that’s kind of where my focus is right now. For anyone who’s in the Los Angeles area, this Saturday at 2:00 PM at the Barnes and Noble at The Grove. There’s going to be an amazing event. There’s going to be a reading from the book by me. There’s going to be a moderated interview and Q&A by James Law, Jr. We’re going to have refreshments. We’re going to have some great celebrity surprise guests. You know, some people from “Bold and The Beautiful” are going to be there. And it’s open to the public. It’s completely free. There will be copies of the book available, and it’s just sort of my way of thanking everybody who has supported me and supported the book. And it is going to be such a great event. I hope everyone will come out, and, I would get there early. That’s all I would say.

Suzanne: Oh, good. I wish I lived in the area. I’d come for sure.

Sean: Oh, thank you.

Suzanne: I live in Arkansas.

Sean: Oh, ha ha. Since I’m doing plugs, I would also like to say that I’m also very happy that for those people that can’t make it, “Way of the Cobra” is now available on Amazon and the ebook on Kindle.

Suzanne: Cool. Yeah, I saw it on there. I was looking, I was looking through that with the peek thing to see what it was about. Has it been selling pretty well?

Sean: It’s doing great. It’s been doing great. I get messages from people…literally, from all over the world, telling me that they are having paradigm shifts, amazing breakthroughs in their lives, based on this book. And, you know, I mean, I always say this. Yes, I do podcasts and things like that because I want to promote the book and sell it. That’s just what you do when you have a book. But with every fiber of my body, I believe that the material in this book is transformational. And I believe that that if you’re somebody looking to really level up to, to give yourself a kick in the butt, and to live the life that you were meant to live… the information in the book is going to help you do that. Whether or not you take the action, it’s up to you. But I completely stand behind what’s inside of that book. So I hope everyone will.

Suzanne: Great. No, that sounds good…and you got your degree from UCLA in political science, is that right?

Sean: That’s correct.

Suzanne: So why did you choose that particular major?

Sean: Political science is a major that a lot of people choose if they are thinking of potentially going to law school. You know, part of my deal with my parents, way, way back when, when I was coming out to Los Angeles to pursue my career in acting was that, you know, I had to agree to finish college. And, you know, first of all, when you tell your parents you’re leaving to go pursue a career in acting, it’s like saying I’m running away to join the circus. They wanted me to have a plan B in case, you know, the acting didn’t work out. And, I just sort of said, “Okay, well, I guess I could become a lawyer.” I don’t know why I said it. And my dad said, “Okay, well maybe political science is a good degree.” It turns out, though, that unbeknownst to me, I’m a political junkie. I’m fascinated by politics. I’m fascinated by the history of it. I’m fascinated by all of it. I’m, you know, I watch it vociferously. And so it actually worked out to be a really interesting degree for me to earn.

Suzanne: Oh, good. Yeah. There’s a lot to see nowadays and well, every subject, but especially politics. There’s all the news channels and everything. My husband is a political science professor, so that’s why I asked.

Sean: Wow! Where?

Suzanne: We’re in Southern Arkansas right now. He’s at Southern Arkansas University. He’s actually an administrator now, but, he sometimes teaches as well.

Sean: Political science has a lot of different areas of study… everything from international relations to constitutional. So what area of political science?

Suzanne: His is American government, specifically, elections, and he did a lot of work on debates when he was doing research.

Deacon: Oh, that’s great. Well, you know what? Listen, if I ever get the chance to… I’ve been to Arkansas a couple of times, but if I ever get the chance to be at Arkansas, I’m probably gonna monopolize your husband and geek out.

Suzanne: That would be great, but there’s no way you would ever want to come here. It’s a small town in the middle of nowhere. So, even if you’re on the way somewhere…

Sean: Sometimes that sounds very appealing, believe me.

Suzanne: Well, it was a good place to be during the pandemic because it didn’t really give here for a long time. So, congratulations on winning the Daytime Emmy for “Studio City!” I forgot to mention that one

I posted on a bunch of Facebook groups. So I just have a few questions here that I picked out from the many. You know, a lot of times I just get people who say, “Oh, tell him I love him!” or “Say hi…” but I actually had a lot of questions. I was really shocked.

Chelsea wants to know how it feels to be back after all these years with the longer stay, and if you know, if you’re going to be there for awhile?

Sean: It feels great. You know, we just… this month is our 35th anniversary, and it’s a very special time to be a part of “Bold and the Beautiful” and, you know, I I’ve been a part of the show off and on since 2000. Yeah. Wow. A long time. And so many people are still working on the show in front of the camera and behind the camera that were there when I started. And there’s people that are there from when the show first started. So there really is a great sense of community there. I really care a lot about the people with whom I work, again, in front and behind the camera… the producers, the writers, everybody. So for me, it always feels like coming home, you know, I’m very blessed to be able to play this role, whether or not I’m going to stay for a long time. I would like to this time. I really would. You know, it always seems like Deacon is kind of mercenary. You know, I come in, I stick around for a while, and then I go. I would like to stick around for awhile. If we can, if we can make it work.

Suzanne: Right. Okay. And, Michelle asks who in the cast you hang out with? I assume that means lunchtime, between scenes, whatever.

Sean: Well, I do hang out with Kimberlin because we run lines together a lot.. and you know, Kimberlin and I both have places down in Palm Springs, California, so we have some mutual friends, and I adore her. Um, who do I hang out with? You know who I hang out with, actually, who’s not on the show right now is Justin Torkildsen.

Suzanne: Oh, okay. Yeah, I remember him.

Sean: Justin’s a really good buddy of mine. He’s also in “Studio City,” and he’s got a great role this year. So I hang out with Justin. You know, I like everybody I work with. It’s just, you know, when you’re spending 8, 10, sometimes 12 hours a day with these people, a few times a week…that’s enough time. You know, we see each other at events.

Suzanne: Yeah.

Sean: And then you have your other life. So, I guess who I hang out with sometimes depends on who my storyline is with at the time. Annika Noelle’s dressing room is right next to mine, so I always like to go in and knock at her door, and, you know, just kind of chit chat with her. She’s wonderful. But, you know, I’m really lucky to work with people that I like a lot.

Suzanne: Okay. Yeah. It’s great that you have a daughter on the show that is an adult.

Sean: Yeah. I’d like to find out what happened to Deacon’s son.

Suzanne: Yeah, somebody was asking me that, and I’m like, he doesn’t know.

Sean: No idea.

Suzanne: Yeah. They think you know everything that’s going on in Deacon’s mind and what will happen.

Sean: I’m never told… with very, very rare instance, am I told what’s coming up, and I get new scripts sent to me, and the first thing I do is I check and see if I’m in that script. You know, I checked every page and see if Deacon’s on it. And if he’s not, generally, I don’t read it because… you know, it’s information my character wouldn’t know.

Suzanne: Right.

Deacon: And if I am in it, then obviously I read it really carefully. But I don’t know what’s happening until I get a script.

Suzanne: Yeah, I think that’s true of most actors from what I’ve heard from various interviews. Yeah.

Suzanne: Sabra wants to know if there were any other character on the show that you could play, who would it be?

Sean: If I can play any other character, who would it be? That’s kind of a tough one. Hmm. I don’t know, to be honest. I mean, I just feel like I’ve got the best character that I could ever ask for. Um…Hmmm.

Suzanne: That’s a fine answer. You don’t have to think of one.

Sean: That’s my answer, with all due respect to all the other characters on the show. I just don’t think I would have more fun playing anyone else besides Deacon.

Suzanne: Right. Yeah, he does seem like a lot of fun. He’s fun to watch. So, you know…and also, she wants to know which character from the show you might want to bring back from the dead… since that happens so much on soaps.

Sean: Well, I’d have to go with Stephanie. I mean, God, Susan Flannery was amazing, so I would have to go with Stephanie. Who are some of the other characters that have died?

Suzanne: Let’s see, Phoebe…I mean, I’m trying to think that’s don’t put me on the spot. I put you on the spot!

Sean: Macy died, right?

Suzanne: Macy. Sally spectra. I think the actress died, but I don’t remember if they ever killed her.

Sean: Either one of those two. I adored Darlene Connolly and Bobby Eakes, and they’re terrific. Darlene used to have Annika’s dressing room. And so I used to tell her stories about how I’d knock on Darlene’s door and she’d say, “Come on in, kid!” She’d have a beverage and be reading the racing form… I just loved her. I loved talking to her. I loved talking with her about how she worked with Hitchcock and, you know, just stories. She was really special individual, and I miss her.

Suzanne: I’m sure. Yeah. yeah. I always love interviewing people who’ve been around a while more than young actors because they have great stories, and they’ve been around, you know, they just know stuff. They can talk better. Unlike me. I can’t talk.

Sean: You’re doing fine.

Suzanne: Thank you. And one last question, Janet wonders, which character on the show you would like Deacon to be paired with.

Dean: Well, I just, I really think it would be interesting to see, what would it look like if Deacon and Brooke really had a chance? I mean, I have to go with Brooke at this point. You know, I think they have an undeniable chemistry, and I think that they’re both older and more world-wise, and I wonder if this could be there too.

Suzanne: That’d be great. And it would be nice to see. It would be nice to see Ridge and Taylor give it a real shot without some really difficult things happening, like kidnapping.

Sean: Don’t forget that conflict is what makes…

Suzanne: I know. Just for a while, just for awhile.

Sean: ..the boat swaying gently in the water for so long before you need a big wave to come along.

Suzanne: No, no, you’re right. I think it’s just that things move so fast on soaps now compared to when they used to. And it seems like they used to have more time for the romance. And now they go too quickly, so we think, “What happened?”

Sean: That’s true.

Suzanne: And with “Bold and the Beautiful,” they sometimes break people up off camera, and you’re like, “What? What happened? What?”

Sean: I would really like to see what it would look like if Brooke and Deacon are given a chance and see where it’s at…what that Relationship would bring.

Suzanne: Yeah, I think it would, well, you know, it would drive Ridge crazy…

Sean: You know, this thing about driving Ridge crazy. You know, Deacon is such a pariah that just Brooke having Deacon, in kind of, proper society after him being in prison and all that, you know, the cards would be so stacked against them. But I remember there was this great scene that Kelly and I did. We were lying in bed together, Deacon and Brooke. And I think I said something. I said, “You and I’ve been fighting all our lives.” And I think that you and me against the world thing would be really interesting. It would be interesting if everybody… if Brooke started losing a lot of her support, and she chose Deacon. And what would that life look like?

Suzanne: Yeah what would Ridge have to say about that, for instance?

Sean: What if something happened where she somehow didn’t have her financial power base, and she was living in a crappy apartment with Deacon, and it’s like, could they still be in love living, you know, in a tiny little apartment? Or, what would happen… I was wondering what would happen if Deacon somehow actually got a financial power base? What would Deacon Sharpe’s life be like if suddenly he was on equal footing with the Ridges and the Dollar Bills of the world? That would be interesting.

Suzanne: That would be.

Sean: Deacon’s not an educated guy, but he is a smart guy, and he’s resourceful, and he is a cat with nine lives.

Suzanne: Okay. Well, I appreciate your talking to me.

Sean: Oh, it’s my pleasure. Thank you so much.

Suzanne: And yeah, and you know, I watch the show off and on because I have a lot of TV to watch for my site, but I keep up on what’s going on even when I’m not actually watching it, so…

Sean: Well, thank you for the opportunity. I really appreciate it, and I just want to thank everybody who who’s tuned in and watched this.

And, again, I’m going to plug it one more time. If you haven’t had a chance to check out my book, “Way of the Cobra,” please check out “Way of the Cobra,” the ebook is on Kindle. And the book is now available on Amazon. Unleash your inner badass.

Suzanne: All right. Thank you!

MORE INFO:

Sean Kanan of "The Bold and the Beautiful" on CBSFrom Wikipedia: Sean Kanan is an American actor, producer, author and TV host, best known for his portrayals of A. J. Quartermaine on General Hospital, Deacon Sharpe on The Bold and the Beautiful and The Young and the Restless, Mike Barnes in The Karate Kid Part III, and Sam Stevens on Studio City.

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Interview with Hamza Haq and John Hannah

TV Interview!

John Hannah and Hamza Haq of "Transplant" on NBC

Interview with John Hannah and Hamza Haq of “Transplant” on NBC by Suzanne 3/1/22

This was a fun chat. I interviewed Hamza in 2020. It was great to meet John Hannah. He’s been in so many wonderful shows and movies that I love, like “Agents of S.H.I.E.L.D.,” “Damages,” “Spartacus,” “The Mummy,” “Alias,” and his starring role in “McCallum.”

Suzanne: How are you guys doing?

Hamza: Wonderful.

Suzanne: Nice to meet you, John.

John: Nice to meet you, Suzanne.

Suzanne: And Hamza. It’s great to see you again.

Hamza: Nice to see you too.

Suzanne: You cut your hair. I don’t recognize you.

John: Is that for work, Hamza?

Hamza: Yeah.

John: You working just now?

Hamza: Yeah, I just wrapped yesterday.

John: Okay, good, good. Sorry, Suzanne.

Suzanne: That’s okay. Is this a movie that you just wrapped?

Hamza: Yeah, I just dropped this surreal indie comedy movie that I’m filming here in Montreal, or Vancouver, rather, directed by Kim Albright and starring Anna McGuire. So, it was a lot of fun. It was a lot of fun.

Suzanne: Does it have a title?

Hamza: It’s called With Love and a Major Organ.

Suzanne: That sounds like an indie title, doesn’t it?

Hamza: Very much, yeah.

Suzanne: Yeah, so when did you guys film season two? Because when I talked to you in 2020, you hadn’t started filming yet?

John: Yeah, we didn’t start until 2021. We were supposed to start late 2020, and then it got pushed and shoved and pulled and pushed, and we ended up starting late February 2020 – 2021, sorry, I’m all mixed up. This is ‘22 isn’t it?

Suzanne: Yeah. What year is it? I don’t know.

John: It’s just about a week ago. This time last year, actually.

Hamza: Yeah.

Suzanne: Oh, wow. Okay, that’s a long time. Do you remember what happened? It takes like a year. [laughs]

John: Well there were these doctors…

Suzanne: So, in the first episode Bash says everything changes, which seems to set the tone for the season, wouldn’t you say?

Hamza: I would. I did. Yeah, it’s just yeah, it there’re so many new elements that the wonderful thing about how it’s been written and how it was presented is that like any bit of comfort that anybody found in in season one is thrown into chaos in season two, right from the off. So, we see everybody just swim through that chaos.

Suzanne: Bishop actually had a pretty bad season one, because he was shot in the head, and then had a stroke.

John: I was drilled, but it saved my life. I made dumb choices.

Suzanne: It was funny, when I saw that with him drilling in your head, because there used to be a soap opera called Port Charles, and the very first episode was a spin off from General Hospital, very first episode, they had that same thing. The intern drilled with a regular drill into this woman’s head, and everybody’s like, “Oh, that’s ridiculous. That’s ridiculous.” Apparently, it’s no longer ridiculous.

John: I mean, it’s not necessarily the way doctors would choose to do it, but needs must, you know, when the devil rides.

Hamza: Like the equivalent of like tying a string to your tooth and closing the door when you need to extract, you know what I mean? It’s kind of the same thing. A dentist wouldn’t do it, but it worked.

Suzanne: Or like when they always seem to do a medical shows when somebody is having that problem breathing, and they stick the inner lining of the pen and tube, and then it happens so much. I’m sure it doesn’t happen that much in real life, but it always happened on every medical show.

Hamza: I haven’t I haven’t done it yet, but it’s early in the day.

Suzanne: So, there’re a lot of politics in this season. John, can you talk about what Bishop faces this season, all of the things that he faced?

John: Yeah, I mean, Bishop kind of played a bit fast and loose with what he should have done and should have declared and his own health in season one, and that got us to where it got him to, back in bed. And season two in a lot of ways is navigating through those choices, politics. It’s corporate politics, really, isn’t it? I mean, the medical profession is no different from any other corporation, and for somebody to get to the top, they have to be fairly skilled at kind of maneuvering as well as being talented at the hospital, at the medical stuff and man management. So, yeah, he deals a lot with that. And the second season, which is kind of interesting, I think that we have the medical procedures, the things that happen. We have the human side of it, and then there is this corporate shark infested water that is, again, perhaps from a liberal point of view, he’s cynically trying to manipulate to hold on to his position.

Suzanne: And we saw this guy come in, Mark Novak, while he was unavailable. Then, we saw, I believe, six episodes, and he leaves at the end. Does he come back later this season? Can you tell us if you’re allowed to?

Hamza: We’re not.

John: Are we not? [unintelligible] I think he’s there and it sets up this conflict in styles, and I think that that works well, in terms of the the jeopardy that it puts pressure upon his history with Novak. It also puts Hamza’s character in a lot of jeopardy as well, because, obviously, I have a sort of protective cloak around them. So, I mean, I think anybody who understands drama would look at it and say there’s a lot of potential there. So, chances are, he comes back.

Suzanne: Okay, and Hamza, your character, he’s actually doing pretty well at first, it seems like. He gets an apartment of his own, or house of his own, and his girl girlfriend – fiancé – comes back to life. And he’s got something going on there with Mags maybe, and then his fiancé shows up and kind of throws a wrench into that. What can you talk about this season with regards to that?

Hamza: Well, we see Bash struggle a lot with the life that he’s creating for himself versus the life that he thought he lost. It’s more about, obviously, in that respect, not any of the medical drama stuff, because there’s a lot of stuff that happens there as well, and Bash gets roped into the politics of the inner workings of the [unintelligible].

John: He’s in the firing line as well, isn’t it?

Hamza: Yeah, there’re a few things that happen where Bishop and Bash’s personal and professional relationship [is] tested quite a bit, in terms of how they’re gonna move forward, and the same can be said about Bash and Raniya, his fiancé who comes back. She’s a representation of a life that he had lost, and now, the potential to bring that up again, and to restart and pick up where they left off, it’s a very exciting thing for Bash, and it’s something that he jumps into head on. It’s not until a little bit later in the season that he starts to feel that maybe he wasn’t in the same mental and emotional space that he was five years ago, because he absolutely isn’t. Everything has, like I said, changed, and he’s now moved away from the man that he used to be, and we’ll see how it tests that relationship, not only with Raniya, but with his sister, Amira, and with Mags as well.

Suzanne: And I can’t wait to see what happens next with his little sister, because the last one I saw was when Raniya was leaving, I’m sure she’s not gonna be too happy about that.

Hamza: No, she is not. I can say that much.

Suzanne: Right, and at least he’s going through therapy now. So, that also probably puts him in a different place like you were talking about.

Hamza: Yes.

Suzanne: I don’t think I would want a doctor who’s having hallucinations. Maybe it’s just me.

Hamza: You don’t know; maybe they’re having them already. You never know. If he saves the life and you get the job done, then his hallucinations are his own business, you know? [laughs]

Suzanne: Yes, in TV. In real life, I don’t know about that. Maybe you might pick up something by accident. It’s not a drill when he needs to get your head, you never know. So, how many episodes total are there? I’ve seen six.

Hamza: There’s seven more to go.

Suzanne: Seven more. Oh, good. So, it is actually thirteen this season. That’s good to know. And anything else that you’d like to tell us about the season, or anything else you’ve got going on, John?

John: I mean, I just I think the show, it keeps twisting and turning, as you say. There’s the politics of it, which is the jeopardy that we’re both in, and that puts a strain on our relationship, our closeness, which I think’s natural. It shakes it up a bit. Everyone’s in jeopardy with what’s going on. The guy on the right has keep it going for the whole thirteen, I think. Hamza, you?

Hamza: Yeah, I just think that just from a storyline perspective, we got very lucky with season two that the writers gave so much richness to all the characters, and we really dive a lot deeper into everybody, and not just, you know, you’re talking to Bishop and Bashir now, but, for fans of the show, everybody across the board has a much richer, more well balanced, like, human story to tell. Like, we dive into Mag’s personal life. Theo’s exploring his, you know, the contentiousness of him being this traveling doctor, and his being apart from his family, and then the relationship between June and her father, and also like her struggle between the two surgical residents as well, or surgical attendings rather, and it’s just so much more well balanced and dives into an emotional depth and a storyline interest that we didn’t see in in season one across the board for everybody. So, I hope everybody appreciates that, because there was a concerted effort to make sure that we see these characters as full rounded humans, and having seen the second season, I think we achieve that.

Suzanne: And are you allowed to tell us whether your character and Mags are ever going to actually kiss?

Hamza: No, as in, “no, I’m not allowed to tell you.”

Suzanne: Okay, I have to figure that happens at some point.

John: [unintelligible] know that you don’t or know that you do?

Hamza: I’m not allowed to say.

Suzanne: Well, I think I’m gonna guess that they are, just because they keep coming so close, but you never know; it’s TV.

Hamza: Tune in next week to see more on Transplant! Will Bash and Mags kiss? Will Bishop finally get – you know?

Suzanne: We want to know these things. You’ve got to have those ships nowadays. And John, what about your character and Claire? Is there anything you can tell us about that?

John: Yeah, I mean, there’s a second chances. I think the theme for Bishop is very much second season, second chances, and that’s true for Claire. That’s true for his relationship with Claire as well, and maybe this is the right time for them to come together, but, again, there’re some twists and turns in that the difference between what you think you want, and what really happens is, you know, we maybe take those choices and then discover that it wasn’t right, or maybe we don’t take them and wish that we had. I don’t want to give too much away, but there is certainly a journey that they go on together, and they care for each other deeply. They’ve had a lot of time together. That doesn’t necessarily always make it an easy path, though. As Hamza was saying, [it’s] the second season, so we’re not introducing the character[s]. We know the refugee story. Hamza is now embedded in the hospital, and that allows the time to spread out with the other characters via Hamza, and as we get to know them spin off on those other stories, which I think gives the show a richer tapestry. Not at all Hamza to say that it wasn’t rich before, but as you were mentioning, it allows us to get to know those other characters also.

Hamza: One hundred percent.

Suzanne: All right. Well, thank you guys. I appreciate you taking the time today, and I hope you don’t have too many other press that you have to talk to and that you have a great rest of your day.

John: Oh no, it’s always a pleasure. I mean, we spend eight months doing the show. It takes ten minutes to talk to someone to get the word out there, and that’s what hopefully brings the audience in. So, thank you for talking to us.

Suzanne: Great, thank you so much. Bye.

Interview Transcribed by Jamie of http://www.scifivision.com

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Transplant

Sundays on NBC (10-11 p.m. ET); Season Premiere: March 6

“Transplant” follows the story of Dr. Bashir “Bash” Hamed (Hamza Haq), a talented doctor and Syrian refugee, who fled his war-torn country with his younger sister, Amira (Sirena Gulamgaus), for a fresh start in Canada. After a truck crashes into the restaurant where he’s been working, Bash earns the chance to practice medicine again by using his field-honed skills to save multiple lives in brilliant fashion, including that of Dr. Jed Bishop (John Hannah), the Chief of Emergency Medicine at York Memorial Hospital in Toronto.

But Bash is told he’ll need to redo his residency in Emergency Medicine from the bottom and despite his obvious talents intuition, and training, starting over is not an easy road and his life experience is not a perfect match for the strict protocols at York Memorial. Through perseverance he makes inroads, developing camaraderie with his new colleagues, including the driven Dr. Magalie “Mags” LeBlanc (Laurence Leboeuf), the reserved and ambitious surgical resident Dr. June Curtis (Ayisha Issa), easy-going pediatric ER physician Dr. Theo Hunter (Jim Watson), head nurse Claire Malone (Torri Higginson) and even earning the respect of Dr. Wendy Atwater (Linda E. Smith), the department’s second-in-command who runs a very tight ship.

Jed Bishop (John Hannah), the team’s demanding, inscrutable boss, looms large and keeps everyone on their toes with a unique compassion and commitment to his staff that also connects them.

Season two picks up with Bash and his fellow residents reeling after Dr. Bishop suffers a stroke. With everything at the hospital destabilized, the place that Bash had started to consider home suddenly feels precarious. As the team adjusts to new colleagues while dealing with the challenges of life, unexpected faces from the past leave Bash seriously doubting whether his transplant into this new world was successful.

Bash’s hard work, compassion and hopefulness tell a universal story about the human ability to not only survive, but ultimately thrive when our lives suddenly change course.

Creator Joseph Kay returns as showrunner and executive producer. Director Stefan Pleszczynski joins as executive producer and will direct six episodes. Additional executive producers include Bruno Dubé, Jocelyn Deschênes, Virginia Rankin, Tara Woodbury, Josée Vallée and Adam Barken.

“Transplant” is produced by Sphere Media in association with CTV and Universal International Studios, a division of Universal Studio Group.

Please visit the official show site at: https://www.nbc.com/transplant.

For the latest “Transplant” news, videos, and photos, please like us on Facebook and follow us on Twitter and Instagram:

https://www.facebook.com/NBCTransplant/
https://twitter.com/NBCTransplant #Transplant
https://www.instagram.com/nbctransplant/

John Hannah

Dr. Jed Bishop

TRANSPLANT -- Season 2 -- Pictured: John Hannah as Jed Bishop -- (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
John David Hannah stars as Dr. Jed Bishop, the legendary, elusive and inscrutable Chief of Emergency Medicine who keeps his staff on their toes and always at the ready, in NBC’s drama “Transplant.”

Hannah came to prominence in “Four Weddings and a Funeral, for which he was nominated for the BAFTA Award for Best Actor in a Supporting Role. His other film appearances include “Sliding Doors” and “The Mummy” trilogy.

His television roles include “McCallum,” “Rebus,” “New Street Law,” “Cold Blood,” “Spartacus,” “A Touch of Cloth,” “Atlantis,” “Marvel Agents of S.H.I.E.L.D,” “Overboard” and “Trust Me.”

Hamza Haq

Bashir “Bash” Hamed

TRANSPLANT -- Season 2 -- Pictured: Hamza Haq as Bashir Hamed -- (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
Hamza Haq stars as Bashir “Bash” Hamed in NBC’s “Transplant,” a trained ER doctor who fled his native Syria to come to Canada. He must overcome numerous obstacles to resume his career in the high-stakes world of emergency medicine.

A Canadian Screen Award winner for Best Lead Actor in a Drama Series (2021), Haq was also honored as one of Canada’s Rising Stars by the Hollywood Reporter in 2017.

In 2018, Haq appeared alongside William Shatner and Russell Peters as twins Amal and Gopal in the CTV miniseries “Indian Detective,” and earned critical acclaim in the CBC drama “This Life,” for which he earned a 2018 Canadian Screen Award nomination for Best Guest Performance. Other notable credits include recurring roles on the Cinemax series “Jett”
opposite Carla Gugino; “Quantico,” starring Priyanka Chopra; and “The Art of More,” with Dennis Quaid and Kate Bosworth.

Additional television credits include “Designated Survivor,” “The Bold Type,” “Being Human” and “Best Laid Plans.” He hosted two seasons of the International Emmy Award-nominated children’s series “Look Kool” and plays Jassie on the CBC Gem digital original drama “The 410.” On the big screen, Haq has appeared in “Bon Cop,” “Bad Cop 2” with Colm Feore, “The Death” and “Life of John F. Donovan” directed by Xavier Dolan, Darren Aronofsky’s “Mother!” and “Run This Town,” detailing the turbulent final year of Rob Ford’s tenure as the mayor of Toronto. He also had a role in “My Salinger Year,” which opened the 70th Berlin International Film Festival in 2020.

Haq is a 2020 recipient of RBC’s Top 25 Canadian Immigrants Award and recently partnered with the Canada Media Fund’s Made | Nous campaign as ambassador to celebrate Islamic History Month. He spoke at the 2021 TEDx Toronto Fall digital event series “Uncharted,” using his public platform to speak on issues important to him, including refugees’ rights, racial
injustice and combating stereotypes, and was honored as Playback’s Breakout Star of the Year.

Raised in Ottawa, Haq is youngest of four siblings born in Saudi Arabia to Pakistani parents and has called Canada home for almost 20 years. He holds a bachelor of arts in film studies with a minor in law from Carleton University.

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John Hannah and Hamza Haq of "Transplant" on NBC

Interview with Jeff Astrof

TV Interview!

Jeff Astrof, executive producer of "Shining Vale" on Starz; photo credit Leon Bennett and GettyIMages

Interview with Jeff Astrof of “Shining Vale” on Starz by Suzanne 2/7/22

It was really fun to talk to Jeff. I love talking to the writers, directors, showrunners, etc. because they are usually more knowledgable about the show and how it came into being. Actors are fun to chat with, but they generally only know about their character. This was part of a press junket for the show, so there were other reporters here asking questions. I’ve put mine first. He loves to talk, so I was only able to ask one question in the show time we had. When I left the chat, though, I said, “Thank you for not killing Roxy!”

Suzanne: Since it’s a horror as well as a comedy, usually in horror movies and shows people die. We’ve seen a lot of people who are already dead in the first five episodes we watched. Will we be seeing other people die?

Jeff: Yes, I guess I could say this. It was actually built into the script early on that one of the main characters dies…they revisited that and said, “We want to revisit it now that you’ve done it…Now that we’ve come to really kind of know and love this character, do we think there’s a different way?” I said, “No, absolutely not.”…I mean, that’s a good point; we’re dealing with potential ghosts and people, but the stakes have got to be higher…you know, I don’t love gore and horror. This person dies in a very tragic and symbolic way. It’s interesting, because on my last show, Trial and Error, in the first season I killed somebody, and they were shocked, and it happened kind of in a comic way in the distance, but this is like, I guess it’s an ironic way. It’s an homage to a horror movie, the way they die. It’s also like, one of the great things Sharon and I set to do in a certain way when writing it, I wanted to know how would I react if I were in a haunted house? Because usually people just do some really stupid things in the haunted houses, [and] that’s the fun; that’s the comedy of it. You know, we’re watching a show now. It’s like, “We’re going to sleep in the attic.” It’s like, “No, don’t. You know not to sleep in the attic under these weird carvings. No, don’t do that; something bad is going to happen.” So, it’s like how do we get these characters to do that? And a part of that was also casting the house and finding that house, which was just miraculous. Like you want a house that Terry could be like, “What a great deal,” and if you look at it from a slightly different angle, it’s like, “Don’t live there. Why are you living in that house?” So, that’s the balance we did. But yes, the short answer is somebody does die. It’s funny, the second season I don’t – oh, we’ll probably have someone die, maybe. I don’t know. It can’t be gratuitous. Everything has to go with with the story, but a couple of characters meet untimely fates.

Suzanne: And that’s a real house right? Somebody actually lives in the one that used in the pilot?

Jeff: Yes. So, Jeff Shane, our [incredible] set designer, rebuilt that house, like inch by inch and then more on the lot when it got picked up. I remember when we shot there, we thought there’s no way you’re going to be able to – first of all, we shot in South Pasadena for Connecticut; it was during COVID. So, everything was closed. You only had a certain number of days to shoot in Pasadena, or else I would have said, “Let’s buy the house,” but you can only shoot six days a quarter, so it would be very long season. It [would be] five years a season. And we found this house on MLS; somebody found the house on MLS, and they were selling it, and it was very obvious why it was still on the market. The woman also was a hoarder…And our producer at the time was somebody who was able to see dead people – not the reason she got the job, but happened to be, so she walked in the house and was like, “No way!” I’m like, “Okay.” We created it on a lot on three stages at Warner Brothers and then also added in different rooms. We have the hallways, you’ll notice the wallpaper from the Overlook Hotel, the kitchen from Rosemary’s Baby. There’s the wallpaper from The Yellow Wallpaper. We are very, very liberal with our references.

Question: Jeff, this is quite a balancing act for you. You’re mixing comedy and mixing horror and also real world ailments that people have. How do you maintain that balance, and so it doesn’t lean too far in either direction?

Jeff: That was the big challenge of it. It’s very funny, because, I usually have my counterpart, Sharon, on here to say that she was looking for somebody creepy and funny, and there was nobody creepier and funnier than I was. When we came out with the show, that was not a good look, that pull quote, for me…I wanted to work with Sharon, because I love her work, and I wanted to stay with something that was genre bending. I heard that she had said she wanted to do this. Aaron Kaplan, the producer, pitched it as The Shining as a comedy. I was like, “Well, yes.” Then, it was female driven…I read the quote about women being more than twice as likely as men to be possessed and depressed and the symptoms being the same. I was like, “I am all in on this.” It’s so funny, because during this interview process, we’re hearing like our versions of what the other person was like on the phone. She said, “I had this idea years ago, and no one was excited about it, except for you.” I was like, “Oh, wow.”…She said, “How can you do comedy and horror? They play different paces, they play different, like, frames, you know, how the shot is framed. Usually, the actor has to play a certain way, and it’s scored differently.” I just know that after you go to a horror movie, after you scream, the audience laughs, and I was like, “Okay, so, it’s the same continuum.” I’ve been telling jokes for so long, and I was like, this is a new way to get a reaction.

I was given two writers for the first season. One was a horror writer, and one was a comedy writer. The horror writer saw the pilot and said, “This is my first comedy,” and the comedy writer saw the pilot and said, “This is my first drama.” So I was like, “Okay, something for nobody here.” And that’s been the thing. My first pitch to Sharon was that we write a comedy and we shoot like a horror. In order for it to have legs, and this is my horror writer, her name is Jill [unintelligible] said, “The challenging thing about horror is like, in a season two of a horror, if it’s a house horror, it’s like, ‘just fucking move.’ ” You know, I mean? So, the challenge is, you have to have that in your mind, that the audience is not going to say, “Just move.”

So, from the beginning, it was like, “Is this playing in Pat’s head, or not?” That is consistent. That’s one of the rules, like with Rosemary is that we only see Rosemary from Pat’s point of view, and she has to be in a certain state of mind. I think at this day and age, I look at what I like, and when I watch, and I don’t know that I’m watching any comedy right now. It’s just like I wanted to create something that I would watch and something that was engaging, and in order for it to be a good comedy, you have to have stakes, and the stakes of this are either a woman’s soul or her mental health, and for the family – I came from a broken home, myself, or divorced house, and it’s like there’s a lot of trauma there, and I like writing about trauma. And, again, with higher stakes can come bigger laughs. I think once we cast it, I think that we were able to do that.

Question: I’m enjoying it so far.

Jeff: Great. Thank you so much.

Question: …STARZ, which has this wonderful, wonderful program has a lot of shows that I really, really love. Did you know outright this [was] not a traditional network kind of show when you were helming it, that maybe it was going to go to a great pay channel like Starz?

Jeff: So, we actually developed it – yes, we knew it wasn’t. I work for Warner Brothers, and the lights are kept on at Warner Brothers, really, by the multi cameras that have been there as long as I have been, and that was a model that, really for most of my career, Warner Brothers was afraid of leaving, and obviously, things change.

My last show I developed actually, [was] right on the cusp. It was a procedural comedy called Trial and Error, and it should have gone to Netflix. Back then they were like, “No, I mean, the place that ships DVDs in the mail? No.”

So, this one, I knew, and with Sharon also. Like, one of the things that comes with Sharon, is she has a pedigree that is like – she doesn’t do network stuff. I mean, not that she hasn’t tried and, obviously, there’s money in network and stuff, but like, this is like, I knew the subject matter. We pitched this to network and ABC, but we knew this was going to be streaming and that we wanted to really blow it out. This is my first thing for streaming. The biggest thing was writing without act breaks, actually like constructing a story. That’s why I put it in the title cards, which is just really a cheat, because that’s where the commercials would go. So, that’s just a little inside baseball, don’t tell anybody, because that’s what I’m used to writing, the three act and four act structure…Basically the show is like a three act show, but yes, it had to be a high end show.

We originally developed it for Showtime, and then Showtime thought it was being developed for Sharon, and they said, “Well, we wanted the vehicle for Sharon,” and we’re like, “Well, this is not Sharon.” So, Aaron Kaplan said, “All right, well, we’re taking it back; someone has to love this,” and Starz swooped right in and from the very first second. They were just like, “This is this is how we want to brand our network for comedy.”

Then, once we cast the cast, also, it just became such a pedigree. So, I would say, real kudos for Starz…Their notes have always been very, very smart, but very, very limited too, and they just want to let us run with it. We knew that from the beginning Shannon and I were going to create something here that there’s no model for, so sometimes a network will look at that as an excuse to try to foist a paradigm onto it, but this was just like, we hope that people copy this and then use us as a [model]…So, God bless stars for giving us all this rope to play with.

Question: As far as casting, how did how did Greg, Courtney, and Mira come on board?

Jeff: So, that was an incredible story, because everybody thought that I’d written the part of Pat for Sharon, and that was never any of our intentions. I just had Pat in mind, and we were going to cast that. Then, after we came out with it, and it got picked up, we were talking about casting it and were going around some usual suspects, some not so usual suspects. The person Pat was written [as was] initially like 40 something years old, and that was just the prototype we had in our mind.

Then, Courtney calls me. I get a 213 call. Only my sister and spammers are 213. Who’s going to [call from] 213? It’s like, “Hey, Jeff. It’s Courtney. Listen, I read the script Shining Veil, and you wrote it for me. I want to do it.” I’m like, “Who is this?” She says, “Courtney.” It’s like, “Courtney who?” She said, “Courtney Cox.” I said, “Courtney, I haven’t spoken to you – Last time I [spoke] to you, cell phones hadn’t even been invented yet.” She’s like, “Sorry, I got your number. I read the script. I’m doing all this press; we’re doing a Friends reunion. I was thinking about you. I got the script. It was written for me; I have to do it.” And I was like, “Okay, I know you’ve done Scream,” and one of the reasons her name didn’t come up initially was because she had done Scream, and we wanted to have our own kind of like niche, and we thought like, “Okay, if Courtney does it, we’ve seen her do horror.” Obviously, they’re still shooting these things, the Screams, and she’s very successful at that. And she said, “No, this is something I’ve never done before, and it’s just really in my voice. It’s like you wrote it for me, and I have to do it.”

So, I went back to Sharon and Aaron and the other producers like, “Courtney wants to do the show. I guess Courtney is doing the show.”

And we were a little bit nervous too, because our director, Dearbhla Walsha, she had just come off Fargo. She’s like, “I don’t want to do Scream,” and now we have the star of Scream. I hadn’t seen Courtney really do drama, but oh my god, like and then I met Courtney with her daughter and I was like, “Okay, I know how to write this.” She’s just so warm and so deep and so hard working, and she’s like, “I have this part; trust me,” and she did.

Then, as soon as we cast Courtney, you know, it’s always that one piece of the puzzle. Then, once we cast Courtney, like we’re like, “Okay, we know the age range. We’re going mid 50s, somewhere, early to mid 50s.” Then, Greg’s name came up, and we called him, and he’s like, “I love Courtney, and I love this part.”

And Greg is so funny, because Greg, even up until a half hour ago, Greg always loves it and is concerned about how to repeat it. He’s like, “Listen, season two -” I’m like, “Greg, are you really pitching us season two? Like, do the press.” He’s so into it, and we had a long talk with Greg about it, and Greg loved it, and he’s like, “I really want to work with Courtney, and I think we’d be a good couple.” And sure enough, their chemistry was great.

Then, originally, we wrote this out; we have Greg and Courtney, and the part of Rosemary has one line in the pilot. Now, I always had big plans for Rosemary. As you see, it evolves, but everyone was like, “She’s basically a little more than the cartoony ghost, like the eyes moving in the picture.” But then Mira got a hold of it and was like, “I really want to do this; I really want to be involved.” Then, it’s like, “Well, if Mira wants to be involved – ” Mira’s like, “Whatever it takes.” It’s like, “You know, you’re not number one on the call sheet.” She’s like, “I really need to do this.”

Mira and I talked for a while…Mira’s dad has the distinction of being one of two people my dad told not to quit the business and move to Hollywood on the second one. They were good friends growing up, Paul Sorvino and my dad. We just talked about the character and Mira was – again, I don’t know where and how much Mira’s character’s revealed in what you’ve seen, but Mira also had a lot to prove, and she thought this was a great vehicle for her, and she brought so much to it. Then, we were like, “Oh my god, I have a an Oscar winner, Emmy nominee, Oscar nominee, like, just get out of the way.” And that’s what happened.

It was one advantage of the fact that I’ve been doing this for thirty years that they had a trust of me, and Sharon, of course, and it was really, really nice. I mean, it’s like, at any given time, I’ll get a call from movie actors talking about the show and what they want to do. Certainly Greg [has] a lot of ideas, and they’re terrific, and it’s so nice to see other people seeing it, because we had no idea. Like we just did this, and the only people I saw who’ve seen it have been people who are friends and family and, certainly, when we saw the chemistry that they had and the challenge in season two, which we’re starting to conjure up, is getting Mira in scenes with the rest of the family too, since right now she can only be seen by Pat.

Question: Oh very cool. And, I mean, Judith Light too.

Jeff: Oh my god, Judith Light, I love Judith Light. Once we had Judith also, and then, it’s very fun, because we cast Judith, and then we saw Judith and were like, “Oh my god, she looks exactly like Ganyor, so, it’s like, “Let’s run with that storyline.”

Then, the two of them together were [fantastic]. I love the kids. I love all of our cast. There’s not a single person where I’m just like, “Oh, how are we gonna write that?”

It’s a shame that we have to kill one of them, but I will tell you this, “Not Roxy.” When I talked about that, anybody can die in the show except Roxy. It has gotten such pushback. Like it’s one of the things that people do who are possessed is they cause harm to animals, and that was a red line. Starz is like, “You do whatever you want. Do not mess with that dog.” That’s the only red line there is.

Here is the audio version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Jeff Astrof, executive producer; and actress Mira Sorvino of "Shining Vale" on StarzTrailer

SHINING VALE

Season 1 8 Episodes 2022

“Shining Vale” is a horror comedy about a dysfunctional family that moves from the city to a small town into a house in which terrible atrocities have taken place. But no one seems to notice except for Pat, who’s convinced she’s either depressed or possessed – turns out, the symptoms are exactly the same. Patricia “Pat” Phelps (Courteney Cox) is a former “wild child” who rose to fame by writing a raunchy, drug-and-alcohol-soaked women’s empowerment novel (a.k.a. lady porn). Fast forward 17 years later, Pat is clean and sober but totally unfulfilled. She still hasn’t written her second novel, she can’t remember the last time she had sex with her husband (Greg Kinnear), and her teenage kids are at that stage where they want you dead. She was a faithful wife until her one slip-up: she had a torrid affair with the hot, young handyman who came over to fix the sink while Terry was at work. In a last-ditch effort to save their marriage, she and Terry cash in all their savings and move the family from the “crazy” of the city to a large, old house in the suburbs that has a storied past of its own. Everyone has their demons, but for Pat Phelps, they may be real. Cox plays the lead role of Patricia “Pat” Phelps, with Kinnear playing her ever-optimistic husband, Terry Phelps, whose patience and self-control will be tested like never before. Mira Sorvino plays Rosemary, who is either Pat’s alter ego, a split personality, her id, her muse, or a demon trying to possess her. Dungey plays Kam, Pat’s oldest friend and book editor. Gus Birney and Dylan Gage also star as Pat and Terry’s teenage kids, Gaynor and Jake.

Jeff Astrof is a producer and writer, known for Trial & Error (2017), In-Laws (2002) and The New Adventures of Old Christine (2006). He has been married to Shawni Modrell since May 28, 2000. They have two children.

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Jeff Astrof, executive producer; and actor Parvesh Cheena of "Shining Vale" on Starz