Interview with Tim Russ

TV Interview!




Veteran Actor Tim Russ

Interview with Tim Russ of “Star Trek: Voyager,” “iCarly” and many other TV shows and movies by Suzanne 6/30/20

This interview was one that I actually sought out, which is rare for me. I usually get invited to interviews via email, but lately I’ve been more pro-active and have been emailing PR reps to ask for interviews. I received an email from a new upcoming channel called The Atomic Channel. A lot of it was about Nichelle  Nichols (ex-Uhura, original Star Trek), and her work for NASA. Tim Russ was mentioned, too, as hosting a new show for the channel. So I asked them if I could interview either actor. Unfortunately, Nichols has a health condition that prohibits her from doing interviews.  They told me that I would have to contact Tim Russ directly.  I thought, “Oh, is it that easy?” Apparently it was. I found his website and emailed him.  He very kindly replied, and we set up the interview.

Make no mistake, this man is very busy, so it was very nice of him to take time out to let me interview him. He has quite a few movies and shows coming out, not the least of which is the upcoming “Where’s My Jetpack?” on the Atomic Channel, which they haven’t started filming yet.  He also has a band and a family. You will hear all about it here. I informed him upfront that I was not going to ask him a lot of “Star Trek: Voyager” questions because this site pretty much covered everything I could have possibly asked in their interview with him last week.  I enjoyed talking to him about the future, social media, music, his daughter, astronomy and more.  He’s a very cool guy. Perhaps the coolest person I’ve ever talked to.

Here is the audio version of it.

Suzanne: Growing up, you moved around a lot. How did that impact you?

Tim: Well, it probably led to my choosing this as a career because there was a lot of insecurity in terms of not knowing where you were going to be year after year. Not knowing if and when you were going to move. If you made friends, you’re only with them for a short period of time. That’s very typical to the kind of lifestyle there is in terms of working in film, television or theater, the same kind of thing.

Suzanne: Sure.

Tim: There’s a lot of uncertainty. There’s getting close to people for a period of time, and then not seeing them again after that, going our separate ways. And I think having to adapt to different situations in different places also, I think it lends itself to that sort of lifestyle, which is you’re not sure what’s going to happen next. It doesn’t bother me that much. It had an effect that was [inaudible 00:01:21] probably beneficial for my pursuing a-

Suzanne: Well, that’s good.

Tim: An acting career.

Suzanne: That’s good. When did you get interested in acting?

Tim: I was 16, in high school. I took an acting class a few times. I really liked it, really enjoyed it. Then I did a couple of musical plays in high school, same time. I got a really big kick out of that as well. So I decided to go and study it in college.

Suzanne: Great.

Tim: It was as early as I was 16. I think I was 16 or so.

Suzanne: Do you remember what musicals you did in high school?

Tim: I did West Side Story and You’re A Good Man Charlie Brown. I did those two. I also play music. I started playing music when I was about 15, as well. I was playing guitar. I was performing in bands during that same time. So, I mean, I got started in all of that stuff roughly at the same age.

Suzanne: Sure. Yeah. I was in high school musicals. West Side Story is actually my favorite musical. So-

Tim: That’s good.

Suzanne: That’s a great one. I saw that you did some graduate theater work at Illinois State University. Did you graduate there?

Tim: No. I went to Austin, Texas. [inaudible 00:02:30] University, four year school. Bachelor’s degree down there. Then I went and did some postgraduate work in Illinois State University, on a scholarship. I didn’t stay there more than a year, about a half. Then I came back home. I didn’t get a Master’s degree. I just stayed there for a short time and came back home.

Suzanne: Okay. I got you. My husband’s a professor and we’ve moved a lot. We were there two years at Illinois State, so that’s why I asked.

Tim: Oh, okay. Yeah. It was all right. I did a show when I was there. I did a play and then the rest of it was just classroom work, mostly. It wasn’t as fulfilling as it was in Austin when I was pursuing my Bachelor’s degree. That was a much better college because it was a lot of hands on.

Suzanne: Right.

Tim: [inaudible 00:03:18] University is not so much hands. There’s a lot more theory and class work. It was all right but I wasn’t that interested in doing it. So, I could have possibly stayed longer and done… I would have had to put in another semester or a year, something like that to try to get that degree but I don’t know. At the time, I didn’t feel it was necessary.

Suzanne: Well, I had no idea that so many famous actors went through there. It’s amazing.

Tim: Yeah. There’s a few that have gone through there. Looking at it from the timing standpoint, it might’ve been… if I hadn’t left when I did and then moved to Los Angeles when I did, I don’t know if my career path would’ve been the same. I might have missed the career path. It’s very possible that I would not have done what I’ve done now. I don’t know how it would have turned out. That would have been an alternative universe for the story because I have no idea if that would have hurt me or helped me staying longer there then moving to California and maybe not moving to Los Angeles when I did it. I don’t know. I don’t know how it would have worked out.

Suzanne: It’s hard to look back on all your choices in life and try to second guess them because you just don’t know what would have happened, right?

Tim: It’s impossible.

Suzanne: Yeah.

Tim: It’s impossible to do other than looking back. Yeah.

Suzanne: Yeah. Now, you’ve had a long career in many types of shows and movies from sci fi to comedy to soap operas. Do you have a favorite genre?

Tim: It depends on the circumstance. I like doing sitcoms because you have, in many cases, a live audience. They’re a lot more exciting and thrilling, adrenaline pumping than doing… and its immediate feedback [inaudible 00:05:21] stage than doing straight film and television in terms of single camera. So, the genre doesn’t really matter that much other than I would enjoy doing, period pieces or, in terms of films, action pieces in terms of films, things like that would be a lot of fun. They’re a lot more of a challenge to me. In that regard, I have enjoyed doing those types of projects. Sci fi is fine. It’s interesting. It could be fun and kind of challenge as well, as the genre for a type of film to work on. In those respects, yes. Film, television, if it was standard stuff, it would be action and sci fi, period pieces. And if it was comedy, sitcoms would be great or television as well for those students. Stage is always fun just because, why? I would enjoy doing those genre in the [inaudible 00:06:25] that they’re in.

Suzanne: Is there any type that you haven’t done yet that you would like to do?

Tim: I haven’t done a lot of period stuff and that’s what I would like to do. I haven’t done hardly any period pieces. Most of them have been contemporary or science fiction feature pieces, but not in the past, half period pieces. I would love to do something like that. Have not have a chance to do too many. I’ve done maybe one or two.

Suzanne: Well, I think you’d probably have to move to England to do something like… They seem to do a lot of those over there.

Tim: That’s entirely possible. That is entirely possible. I’ve done a Western, which was a kick. I’ve done… Let’s see, late 1800s. I’ve done a couple of pieces in the late 1800s that were pretty interesting, that were different, but literally only a couple. Not many more.

Suzanne: Tell us about the show, Where’s My Jetpack?, on the new Atomic TV channel.

Tim: Well, I haven’t done that show yet.

Suzanne: Oh okay.

Tim: It’s on the slate of stuff that they want to do on that screening thing that they’re putting together. I have not done that. I haven’t spoken to them in a long time about how that’s going to be. It’s going to be some kind of TV talk show format, and it’s going to be a show based on futurism. Based on where the future might lead us, what we might have in the future, where it might go and what we have now compared to what was projected, decades ago.

Suzanne: Cool.

Tim: That’s the concept of that show. We haven’t actually filmed or taped any of that yet.

Suzanne: Okay. I wasn’t sure from the description of whether it was going to be a regular thing or it was a one time thing, so it’s going to be a regular thing?

Tim: I think it’s supposed to be a regular thing, semi-regular. I don’t know how many episodes they’re going to do. [inaudible 00:08:29] having different guests on every time they do it and it might be once a month or something like that, that they actually put a show together and put it on. That’s probably what the schedule will be, once a month. Then they’ll run that for a while and then do the next one and run that one. Or it might be every two weeks. I have no idea because they haven’t actually gone into production on that yet.

Suzanne: Right. Well maybe they’re waiting to see what happens with the whole pandemic.

Tim: Yeah. Yeah. There is that isn’t there? Really nagging and annoying pandemic.

Suzanne: Yeah, I follow you on Twitter. So I see all your tweets.

Tim: Do you?

Suzanne: You’re active on there.

Tim: They come in waves. I think there was a wave last night and this morning. Yeah. I don’t know. That’s kind of been my outlet here of late, rather than trying to do a podcast or anything like that. People keep wanting me to do podcasts and [inaudible 00:09:41]. That’s seems like a lot of work to do all that. I almost want to say to myself, “Who cares?” I rant about whatever it might be, the subject. Who’s going to care whether I got that going on or not. I mean, it’s just setting up a microphone and blabbing for half an hour, about whatever. I just don’t see that as being that big a deal. Whereas, the Twitter, I can just put those out in the soundbites and pretty quick and I can post things that people have sent to me, just pass them along. That’s cool, relevant. I do that. I think it’s an important forum. I mean, we were discussing the most important issues in the country.

Suzanne: Right.

Tim: Via tweet, now. I mean, they’re [inaudible 00:10:38] via somebody tweeting, including the leader of the country who is using that forum. I mean, that’s never been done before, along with a myriad of other things that haven’t been done before. So, if everybody’s wanting to be on board and do it, since I started using it, there’s been quite a response in terms of followers. I was not aware that would happen, but apparently it has.

Suzanne: Oh yeah.

Tim: Yeah, yeah. It shouldn’t matter whether or not I worked on a television show or whatever I’m into business. It shouldn’t matter.

Suzanne: Right.

Tim: What I post on their in terms of that. It generally isn’t that. I don’t usually talk about anything that has to do with Trek. It’s usually politics and social issues that are happening and anyone should be on top of and aware of and tuned into what is happening.

Suzanne: Well, probably people read what you say and they decide whether they want to keep all… if they’re just interested in Star Trek, they’re probably not going to keep reading what you say. You probably have gotten people more interested in the subject.

Tim: Yeah. I’m thinking it’s the case. I still get a lot of Trek stuff on there. People respond with Trek stuff, which is fine. I don’t mind that. It’s just, if they’re also getting a dose of what’s happening and what’s going on and becoming aware of, and maybe even passing that information on and talking to other people about it, getting a discussion going. Even if it’s just getting a discussion going, that’s a good thing. Just to get people to show that they’re aware of it. I’m not talking about… I don’t tweet about sports. I don’t tweet about the Kardashians. Tweeting about stuff that’s actually really relevant and important. If people can get on board with that because, if they’re asleep and one day they wake up and they don’t recognize anything and it’s going to be too late by that time to be aware of stuff.

Suzanne: Now, have you… I forgot what I was going to say. Oh, sorry, I lost my train here. You had a lot of interest in astronomy. Are you still doing that?

Tim: Absolutely. I post stuff on Twitter. I post the images that I take on Twitter and on Instagram and Facebook as well. I’ve been doing it for 35 years. I own about seven or eight telephones. I’m actually an ambassador for one right now. Sort of a rep for a brand new one, that I’ve been imaging with, lately. It’s Unistellar EVscope combination, their name. It’s really a nice piece unique to the astronomy in that it sort of merges across the line between an optical telescope, one that you could look at through the naked eye and see objects and a camera. You’re basically combining both of those elements into one piece where you can still look at the object through the eye piece. Yet, you can also image and download the object that you’re looking at to be able to send it to other people so they can see it as well-

Suzanne: Oh, that’s nice.

Tim: Outside of the telescope. That’s what that’s for. It’s pretty cool piece.

Suzanne: Do you post those on Instagram, the photos?

Tim: Oh yes. I post the photos on Instagram and Twitter. Go on my Twitter feed, they’re all on there. Have I don’t know-

Suzanne: Okay. I have to go look there.

Tim: Seven, eight, 10 on there. I just posted some recently. As a matter of fact, last week I posted some more. So yeah, they’re on there and it’s a really sweet piece of equipment. I use the other ones as well. They’re optical. I look at planets, the moon and all that kind of stuff. I’ve been doing it for, I guess, up to 35 years. I know it’s been past 35.

Suzanne: There seems to be a renewed interest now in space travel. Do you think we’ll ever move to other planets or travel the stars?

Tim: Yeah. We will eventually do all of that. We’ve covered this globe by exploration and also by migration. As a species, I think we’re destined to do the same thing in space. We will evolve physiologically. We will develop technologies that will allow us to make that transition. That’s a tough transition because we’re not designed for space. Not by any means are we designed for space. It’s been one of the most hostile environments you can imagine. We will have to adapt. That’s what we’re really good at. We will adapt our environment space and we will adapt ourselves physiologically in space, as well.
We will eventually, genetically evolve to a point where we can survive or live on another world, perhaps breathing another type of atmosphere perhaps, and dealing with a lower gravity and things like that. We will eventually evolve to the point of where we can live anywhere. Space travel will… It’s already started. It’s not going to be any stopping it. It’s going to happen.

Suzanne: Good.

Tim: So, yeah. It’ll be fascinating to see it starting and really getting going in my lifetime. [inaudible 00:16:37] and my daughter certainly witness the changes and things like that. Yeah. It’s going to happen.

Suzanne: That’s good. I like that positive Star Trek type of vision for the future, rather than so many… there’s so many negative ones out there, now. I guess, because so many bad things are happening in real life.

Tim: Yeah. Yeah. Well, being earthbound is, that’s another challenge in itself. What remains of earth, people who are [inaudible 00:17:04] and staying on earth is going to require revolutionary, heavy lifting as well. We have to figure out how we’re going to deal with ever increasing population and depleting resources and the waste generated and the effects on climate, et cetera. We’re going to have to deal with our home planet, almost in the same way. We will be dealing with our gene cells genetically and modifying ourselves, genetically. We will be eradicating disease. We will be not having to suffer pandemics. We will be resistant to all kinds of things. We’re doing it with plants, now. We’re going to be doing it with people as we go along. Injuries and recovery from this and fixing physical issues, occurring.
It’s all going to change. That I think is positive. It’s very positive, but at the same time, we have to deal with the size of our population and the food and water that we have to keep everyone alive. And also, the whatever quality of living there may be for 8 billion plus, whatever comes out to be people. That’s-

Suzanne: Right.

Tim: That’s the challenge that we have here on earth. We will have to apply the same technology, the same type of innovation and invention by those brilliant minds to come, that will have to deal with solving those problems and those issues in a collective effort by nations and nations leaders to put the priority of humankind and people, families first over everything else. Material wealth, for example. [crosstalk 00:18:53].

Suzanne: Well, I sure hope that does happen.

Tim: Yeah. That’s where we’re going to have to head.

Suzanne: You mentioned your daughter. I know she’s acting as well. Did she get your love for astronomy?

Tim: Does she what now?

Suzanne: Did she picked up your astronomy interest?

Tim: Oh, well, did you say is she interested in Astronomy? Or did you say is she interested in the career? I missed the last part.

Suzanne: No, I said, I know she’s acting. Is she also doing astronomy? Does she have that interest?

Tim: Oh no, no. She doesn’t have that bug right now. She’s much more into, let’s see, her boyfriend dancing and singing and acting. She’s much more into that, than she is Astronomy. She’s still a young one and has not really picked up any outside hobbies, really.

Suzanne: She’s a singer like you though?

Tim: What’s that?

Suzanne: She’s a singer like you?

Tim: Yes, she does sing. Yeah, she does sing. She’s got a couple of recordings that are on iTunes right now and she’s still pursues it from time to time. It depends on the job or gig that might come up. She has done a number of musical plays and shows and things, and she’s a really good dancer. She actually choreographed hip hop performances with a dance crew that she has. She trying to stay up on all of that right now.

Suzanne: Oh, great.

Tim: Yeah. She’s still interested in all that.

Suzanne: That’s cool. I noticed that your singing voice is very different from your speaking voice. It’s a little more raspy. Who were your influences in singing?

Tim: Well, there are a number of influences because I’ve been listening to music for 45, 50 years.

Suzanne: Sure.

Tim: It’s been everything from back in the day with some of the super groups that existed. Fantana, Sly And The Family Stone, the rock group, Chicago, things like that. And then moving on it to, I’d say a little bit of Bruce Hornsby, Peter Gabriel. There’s been a lot of singers and bands I’ve really been influenced by. Some RnB groups and things like that. There’s stuff that I have recorded and that I did perform live is quite a variety of material. I used to… I’ve played everything from hard rock, back in the 60s and 70s, to RnB [inaudible 00:21:32] 70s. Into pop in general, top 40, which encompasses a lot of stuff. Into folk, music, guitar, acoustic guitar, solo vocal did that for a long time.
And then back into top 40 and alternative and, kind of, what I’m doing now, which is sort of classic rock. There’s old school roots music, moves and things like that-

Suzanne: Yeah, I was going-

Tim: I’ve [crosstalk 00:22:00] the entire gamut. My voice has sort of matured and sort of evolved into having a range of different styles. I use that range. So yeah, I’ll get… some of the stuff might be a little bluesy, and a little bit more gravel range. And then I can turn around and sing, Keb Mo or Eagle Eye Cherry or something in the next minute.

Suzanne: Okay, great. Yeah. I only listened to a few on your YouTube channel and it was very bluesy.

Tim: Yeah. There’s some of the stuff that’s blues based on there. On iTunes, I’ve got a wider variety of stuff on that, as far as all those songs go. There’s a whole big range of things on there. The stuff on YouTube is probably the band demo. I don’t know which one you heard. I think it might have been the live band demo. I’ve got maybe one or two of those on there. [crosstalk 00:00:23:00].

Suzanne: One was a recording. I think you were by yourself on the other one, but I’m not sure.

Tim: Yeah. I’ve got two music videos on there. One is called, We. The other one is called, Lead Me Home. And-

Suzanne: That’s the one, yeah.

Tim: They’re pretty different. Yeah. Lead Me Home. And then there’s one called We, which is more, I want to say 80s, techno pop. Completely, day and night different, from Lead Me Home, the one you listened to. [crosstalk 00:23:25] that’s on there is called, We.

Suzanne: I’ll have to check that out.

Tim: If you listen to that, you will see the difference. And then I’ve got band demos my band live band demos. Tim Russ crew are also on there. That’ll give you a smattering of the live performance and the difference between all the songs.

Suzanne: Okay. It sounds like you have quite a range. I understand because I’m a singer too. I do all kinds of stuff.

Tim: Oh, are you?

Suzanne: Yeah. I mean, I’m about five years younger than you are. I know a lot of the same kind of music. I had a band briefly, but we live in a small town now, so there’s not much of a musical presence here.

Tim: Yeah?

Suzanne: So when we move-

Tim: You sing? What style did you sing?

Suzanne: Well, I like oldies, rock and pop from the 60s and 70s, little bit of 80s. That’s pretty much… but I’ve done musicals and stuff like that. I took voice lessons.

Tim: Is it more rock? Or is it more [crosstalk 00:24:21].

Suzanne: I used to be a music major, and I took classical training, and I did that kind of music, and I was really into musicals. Then I got into karaoke, where it’s mostly pop and rock. I did that for many years and I still do that quite a bit when I can go out. Then lately, I’ve been taking lessons again and I’ve been focusing more on musicals. So it just depends on my mood. Just like you, different styles. (I forgot to mention that I was also in a band, briefly)

Tim: That’s cool.

Suzanne: Yeah. It’s fun.

Tim: The band stuff is always fun. Fronting a band is always fun. To me it’s always been a question more of choosing the right songs rather than how well it’s been or didn’t sing. I did more just getting the right tune that seems to work with audiences on a regular basis, or that seems to work with the band.

Suzanne: Right.

Tim: That’s been my experience more so than whether I liked it a whole hell of a lot or whether it was popular or on unknown or whatever. I tend to pick songs that are not that well known because I like to rearrange and do my own stuff with them. I don’t write that much of my own material because I’m personally not always in touch with all the stuff I’ve written. So I don’t usually perform it. I’d rather perform really good songs period.

Suzanne: Sure.

Tim: Good meaning, they work with me and they work with the band and they also work with the audience.

Suzanne: Right, right.

Tim: Play attractive and appropriate to the instrumentation that you have also in the setting that you have. I mean, to stand there and pound the ground and scream and holler some song out there that’s just mostly noise and not a lot of vocals, it waste of time.

Suzanne: Exactly.

Tim: My band is vocally driven. The songs have to have meaning. The lyrics got to mean something. They got to have something going on. The types of songs, the [inaudible 00:26:32] have to be a variety of stuff. My thing is about the variety.

Suzanne: That’s good.

Tim: If you listen to a 45 minute set, you’ve heard 12 different groups and 12 different types of songs, all in the same genre, same ballpark based on the instrumentation that I have. But, I want to say tasty. I want to say that they’re not going to give you a headache. It’s not some bracket or noise that I’m going to play just because I wrote it. I don’t give a rat’s ass if I wrote it, man. I just care about whether it’s a good song, man. Then, if nobody responds to the tune when I play it at three or four different gigs, then I’m going to cut it. I mean-

Suzanne: That’s good.

Tim: If I don’t get the feedback, if I don’t get a reaction from it, [inaudible 00:27:19]. If you don’t feel that coming back to you, then it’s no good. It’s just not working. I’ll dump it. To me, it’s just about, whether the track has to be right. The song has to be right. The setting you’re playing in has to be just right. Otherwise, it’s just a waste of time. A lot of people make that mistake. It’s not picking the right tune.

Suzanne: I think you’re right. I think too many bands pick, “Oh, this is easy. Let’s do that,” rather than trying to get something better.

Tim: Yeah. Yeah. The song, the tune, the song’s only got a couple of changes in it or whatever it might be. And that’s fine. It’s just that what the song is. Is it a track that works with your band? Works with your vocals? Works with the band and works with the audience and the shedding and the instrumentation that you have? If it works like that, it could be simple or it could be complicated as long as it works. I was doing one not long ago, trying to get this damn tune. I kept trying it and trying it and trying it. It had a few changes in it. It was not as simplest song in the world, but it was just not working.

Suzanne: All right. Sometimes, yeah.

Tim: It just didn’t work. It just never coalesced really.

Suzanne: Well. You never know. You come back to it later, in a few years, you might decide you like it.

Tim: No. I’ll just dump it and get something else. I’ll just replace it with something new, something different. I’ll grab something right off Shazam, if it’s a great tune. I’m going to go grab that and did that one. Nobody’s ever heard of it, but it’s a good track. Let me run that down.

Suzanne: Sure. Why not?

Tim: Not too many super popular. I don’t do super, super from… I don’t do classic pop tunes that much. Maybe a couple of them here and there, but not… well, some that are just way too popular to play live. You just don’t want to do that. Let them beat me to the ground [inaudible 00:29:18]. So I don’t tend to do that.

Suzanne: I understand I could go the rest of my life without hearing, Mustang Sally, from a band ever again.

Tim: Yeah. Wouldn’t that be something, right? Mustang Sally.

Suzanne: Oh my gosh.

Tim: Yeah. Like that. Yeah. Old Time Rock And Roll. [inaudible 00:29:32] Old Time Rock And Roll. Yeah. We’re not doing that. That goes into the wedding bands, in a pile somewhere.

Suzanne: There you go.

Tim: That’s where that belongs.

Suzanne: All right, well, I think I’ve taken up enough of your time and I really appreciate it.

Tim: Thank you very much. No worries. I’m glad you got some stuff for that. Is this going to be an article that you’re doing or?

Suzanne: Yes. Yes.

Tim: All right. Cool.

Suzanne: Well, I do interviews and TV actors. I’ve been doing it for about 15 years and I was taking classes for a few years and I graduated again. I’ve been trying to get more interviews to try to, yeah.

Tim: Very cool.

Suzanne: It’s fun.

Tim: You say the class is in Journalism? Is that what it was?

Suzanne: Yes. They were mass comm, mass media courses and I graduated-

Tim: Mass comm. Mass media. There’s a lot of mass media out there now.

Suzanne: Oh, there sure is. So-

Tim: It is a smorgasbord. It’s a free for all. That’s what it is.

Suzanne: It’s hard to get heard, even though my site’s been around since, before the turn of the century, as they say.

Tim: Yeah. Well, there’s been people writing stories about stuff that’s happening since the [inaudible 00:30:53] play tablets. The Symarians. I mean, that’s been written down since that long ago and I think they just found some [inaudible 00:31:05] that’s even older than that by a couple of thousand years. Anyway, that’s cool. That’s what it is now. All at our fingertips. We just pull it up.

Suzanne: That’s right. That’s right. Well, I appreciate it. I will send you a link when it comes out. If you could send me links to you and your daughter’s iTunes songs, that would be great.

Tim: Oh yeah. Shoot. Let me figure that out. I think they’re on… I don’t know if I have them on, they’re not going to be on the channel because I don’t have… you have to have a picture with one of the songs. The other one, she had a music video for, with a friend. This was a while back. I’ll send the one I recorded with her in the studio, then. This was a while ago. Her voice has changed since then.

Suzanne: Sure.

Tim: The other one after that she did, and she did it, a friend of hers in a studio, which is one of a dance pop tune. It’s not that great in my opinion. Somebody else wrote it and she recorded it. I said, “Ah, whatever.” I paid for the music video, to get it done but it’s kind of a bubble gum pop track. I think I’ll send Mystery to you. That’s like a regular song. It would be something for Disney radio. Disney radio, pop radio station, wherever they have. It would be something suitable for that or something. I’ll do that. That’ll be probably just, I’ll just send the link to whatever. I’ll send the track to you.

Suzanne: Okay, whichever works.

Tim: You can check the video out called, We, on YouTube, that’s on my channel. You can see the difference between the songs. That one is mine. We, is mine. Lead Me Home, is not. Lead Me Home is somebody else.

Suzanne: Well, thank you.

Tim: All right. Thank you.

Transcribed by Rev.com

MORE INFO:

The AtomicTV streaming channel is coming. Like in the early days of Netflix, Hulu and, Amazon we will compiling a library of classic sci-fi films and television shows as well as creating original content, both scripted and non-scripted.

Such as: WHERE’S MY JETPACK – An entertaining news program, hosted by Tim Russ of Star Trek: Voyager fame, who will discuss the history and current development of future technology such as flying cars and the personal jetpack.  What happened to the future promised to us in the past?

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Tim Russ as Tuvok on Star Trek: Voyager


Interview with Lyndsy Fonseca

TV Interview!




Lyndsy Fonseca - photo from https://www.listal.com

Interview with Lyndsy Fonseca of “You Can’t Take My Daughter” on Lifetime by Suzanne 6/30/20

This was a wonderful interview! Lyndsy is such a great actress. She was so nice on this call, and we had a fun chat. Make sure you watch her movie on Sunday, 6pm July 7! More info below the interview.

Here is the audio version of it.

Lyndsy: Hi Suzanne.

Suzanne: Hi Lindsay. How are you?

Lyndsy: I’m doing good. How are you?

Suzanne: Pretty good. Can’t complain.

Lyndsy: Good.

Suzanne: So I’ll get right to it because I know you’re running late.

Lyndsy: Okay. Thank you.

Suzanne: You’ve been acting professionally since you were 13, correct?

Lyndsy: That’s right. Yeah.

Suzanne: And did your parents support you on this pretty much?

Lyndsy: Oh my gosh. The only reason I was able to do it. We lived in Northern California around Oakland area, and I wanted to do it so badly that they would fly me back and forth for auditions. It was really when I got the three year contract on The Young and The Restless, my parents decided to move for me. They sold their house, quit their jobs, and we all moved to Los Angeles.

Suzanne: Wow.

Lyndsy: We started a whole new life here. So they have made all of this possible. Yeah.

Suzanne: Yeah. That’s quite a commitment.

Lyndsy: It is. Yes.

Suzanne: Yeah. I used to watch you as Colleen on Young and The Restless.

Lyndsy: Oh my gosh.

Suzanne: Yeah. Yeah. I’ve been watching that show off and on since 1986 when I was in college. So before you were born.

Lyndsy: And a lot of people are still there. Yeah.

Suzanne: Some of them, yeah. So what was the best thing about working on that show?

Lyndsy: Oh gosh. It was like a bootcamp. It was so… It was the only job I ever knew, so I didn’t have anything to compare it to. We were shooting like 30 pages a day. The pace of it was so fast that anything since then has been pretty easy compared to how much lines I have to learn, or the fast paced schedule of television. I think doing a soap opera was a really great training ground.

Suzanne: Right? Yeah. I’ve heard that. I’ve heard their work even faster now. I don’t know how they do that.

Lyndsy: I don’t even know how either.

Suzanne: Do you ever still watch Young and The Restless or keep up with the people that you knew from it?

Lyndsy: I do talk to Crystal quite a lot. We keep in contact, but gosh, no. I don’t watch the show just because I have a two year old, and I don’t really get to watch much.

Suzanne: That keeps you busy.

Lyndsy: Are you there?

Suzanne: Yeah. I’m here.

Lyndsy: I’m sorry. You just cut out for a second.

Suzanne: Oh, sorry. I said that keeps you busy having a two year old.

Lyndsy: Oh, yes. Yes it does.

Suzanne: So is it the terrible twos yet? Or just…

Lyndsy: You know, I get why they say terrible twos for sure. We had… I think right when she turned two, she’s two now and four months and it ebbs and flows. They want more individualism, but they’re not quite ready to do things, and they get frustrated, and it’s just been an amazing learning experience to be a parent. I loved every… Even the challenging moments are fascinating from a psychology point of view. I love diving into a parenting book and figuring it out and understanding it. It’s so fun.

Suzanne: Okay, great. I saw that you were married to your former Costar, Noah.

Lyndsy: Yes.

Suzanne: Yes, he’s great. I love him.

Lyndsy: I love him too.

Suzanne: Yes, I know you do. He’s always good too. So I…

Lyndsy: He’s a great actor and a great father, and a great husband.

Suzanne: I used to watch your show, so I like that.

Lyndsy: Oh, good.

Suzanne: Yeah. Your other show. You’ve been on so many, it’s hard to keep track. So you’ve done so many TV shows and movies since The Younger and The Restless. What made you want to do this particular Lifetime movie?

Lyndsy: Well, I think mostly because I was impressed that they didn’t shy away from some pretty explicit and difficult things to talk about and to portray. I was impressed how they were telling a true story, and I thought it would be a great honor to play a woman who has been through so much and prevail through. Not only is a great mom and a great person, but she dedicated her life to changing the policies that were not in place to protect her. So I just was really impressed that Lifetime cared about a story like this. Tori, the director, she was so committed to telling this truthfully that I felt like I was in good hands. My experience with Lifetime after doing five films many years ago, was such a great experience as well. So I knew that it would be a good partnership.

Suzanne: Yeah. I watched it this morning. It was very intense, especially at the beginning, but it was good.

Lyndsy: Thank you. Yeah, it is intense.

Suzanne: It’s a little hard to watch in that sense. Yeah. It’s just in the wow. They did that.

Lyndsy: I know. The great thing is, is that to portray her and to shoot, it was probably only a fraction of what it was like for her to live it. So it was the least… I felt like telling the story was really important.

Suzanne: Right. Now, it first aired back in February? And have you gotten a lot of feedback about it?

Lyndsy: Yeah, I have. I think a lot of women who have been through similar situations have responded to it, and I know that Lifetime has had really good, positive feedback about people being aware that this isn’t actually a Countrywide law. Still, there’s a couple of States that don’t protect women from this situation. So I think overall, just politically and getting the word out, it’s been really a great… I think it’s been very important.

Suzanne: Yeah. I’m sure it must’ve opened a lot of people’s eyes about the laws regarding rape. Did it surprise you when you-

Lyndsy: Oh, my Gosh, totally surprised me. I couldn’t believe what she’d been through, and the fact that there were so many women that have gone through it and are going through it. It just blew my mind. It just seems like a story I wanted to tell.

Suzanne: Right. And what was the toughest part about filming the movie for you?

Lyndsy: I probably just the balance of shooting all day with such heavy material, and making sure I had time to spend with my baby. My real family at home and that balance, but it was only a month shoot, so it was something I knew I needed to fully dive into and commit to because it was going to be important. The thing that was amazing, that surprised me was Analynn, the woman I played, she was so concerned about my emotional wellbeing. She said, “I just I want to make sure that you are okay doing the subject matter.” And I just was in awe of the fact that after everything she’s actually been through, she was worried about me pretending to go through some of this stuff. I was just… It just goes to show what kind of a person and loving human she is.

Suzanne: And what did you enjoy most about making the film?

Lyndsy: I really enjoyed working with a female director, especially with the subject matter and the collective. I think just as a crew, the crew knew that this was a story that was real, and the respect that we all needed to have for one another, and have each other’s back. I think when you’re doing something that the story like this people are just there for the greater good. They’re not just fooling around and stuff. So it felt really important. I just really wanted to make her proud, and other women that have been through this, I just wanted them to feel like it was authentic and that they could relate to it.

Suzanne: And when it came to the physical scenes, did you have a stunt double or was that all you?

Lyndsy: Yeah. I did have a stunt double, and coming from Nikita and my fighting days. I did all my own fighting on Nikita. It was really not that… It was very easy as far as stunt wise, but because it wasn’t an action show, everybody was like the producers, the director, and the writers, everyone was like, no, no, no Lyndsy, don’t’ do that. I’m like, guys, I can’t do this, I swear. I’ve done plenty of stunt scenes, but they were so worried that I’d hurt myself. So I had to let the [inaudible 00:09:06]. She as great, but it’s just part of… I like to get physically involved in all of it because I just think it helps the other performance aspects of it if it’s all together. But yeah, it was emotionally draining and tricky for those certain things.

Suzanne: And had you worked with Kirstie Alley before?

Lyndsy: No, I had not. I had not met her before or worked with her, but she was lovely. She was great. She came in, she’s a ball of energy. She’s funny. She’s spiky. She’s [inaudible 00:09:43]. It was great. I was just telling the story that she was a great breath of fresh air because we were doing some pretty dark, heavy subject matter. And Kirstie, as a person, is always cracking jokes.

Suzanne: Oh, that’s good.

Lyndsy: So it was really fun to have her around.

Suzanne: I’ll bet. Did you know that she got her start on a Star Trek movie?

Lyndsy: Oh really? No, I didn’t.

Suzanne: The second Start Trek movie.

Lyndsy: I watched her on Cheers, and [crosstalk 00:10:12] plenty of her work.

Suzanne: I don’t remember if this was… Now that I think about it, it might’ve been… My memory is terrible, but it was either her first movie or right before Cheers, I don’t remember which, but it was Star Trek, The Wrath of Kanya. She played a Vulcan. Imagine being that funny, and cracking jokes, and having to keep a straight face as a Vulcan.

Lyndsy: I’m sure the crew loves it. She is fun.

Suzanne: That’s good. Now so did you have any… With that comedy in mind, did you have any funny or interesting stories about the filming? I know it was quick.

Lyndsy: Gosh, I think just being on location in Atlanta was really fun, and the whole cast was incredible. I was just saying that the girl who played my daughter was this incredible prodigy. She was so… I’ve worked with lots of kids, and she was the most normal kid, but loved her performing. She was such a joy to work with, and I was so lucky to be able to play her mom. And yeah, it was just overall… And actually Dimitri, the actor who played the rapist was one of the most kind, loving, generous people. And he made the experience really great because after every taste would be like, “Are you okay?” He was just always checking in on me. And I was just amazed by how well he would be able to play this person, and then how kind good he was real life. He was amazing.

Suzanne: Oh, that’s nice.

Lyndsy: Yeah.

Suzanne: So it’s great that Lifetime is showing the movie again during their 30th Anniversary. Independence Day Marathon. Were you happy to hear about this?

Lyndsy: Yes, I was so honored that it would be a part of a marathon. Its so great. I’m so glad more people will get to see it while we’re all celebrating all the great films that Lifetime has done.

Suzanne: Mm-hmm (affirmative). Do you have anything else coming out that was filmed pre COVID-19? If anything?

Lyndsy: No. I’m actually waiting. I’m about to go shoot a Disney Plus show called Turner and Hooch. So we’re just waiting on all the new side regulations and travel precautions and all the things we have to worry about in today’s time. So I’m just preparing and getting ready for that. Getting our cast rounded out, and I’m really excited and looking forward to it. It’ll be… Hopefully it will start shooting in another month or two.

Suzanne: Cool. Do you know who your costars are on that? Anybody I’ve heard of?

Lyndsy: Yeah. Josh Peck. Josh Peck is the lead, I play his sister. We’ve got a few other people that are about to. I don’t want to mention anything that is finalized, so I’ll just leave it with Josh. He’s great. I’m so excited. We worked together on Grandfathered and have known each other since we were a little kids in the acting world. So we’re both parents now and playing brother and sister and it’s like, I’m so excited, and he’s so funny and yeah. There’s going to be lots of slobbery dogs running around the set. It’s going to be fun.

Suzanne: Good, good. I’ll have to check that out. And so what have you been doing while you’re staying at home?

Lyndsy: So my husband was shooting in New York, and so as were as a family out there, and then everything shut down. So we have basically been quarantined with his mom on the East coast for like four months, and just living in a small town in Connecticut, and out in country, and just trying to stay out of busy cities. We finally decided we need to come home, and get our dog. I’s just been a tricky transition back into the LA life.

Suzanne: Wow.

Lyndsy: Yeah. We’re just trying to navigate. We just been back only a week now, so it’s been tricky with a two year old trying to figure out things to do, and go be with her, and keep her busy. So we’re just trying to stay safe, and use the time to just appreciate one another and be home. We’re lucky to just be able to be home. So that’s what we’re doing.

Suzanne: You flew on an airplane home?

Lyndsy: Yes, we did. We survived, and we got tested, and we’re free and clear. So we’re feeling like we got through that hurdle.

Suzanne: Yeah. I don’t know anyone at anyone flying right now, but yeah, that’s good. It’s pretty… You probably didn’t want to drive country with a two year old.

Lyndsy: It was definitely not an option. We probably would have, if we didn’t have her, but she was great. The flight was only half full, and she was so good, and everyone wore their masks. We just tried to be healthy as possible. And then luckily it worked.

Suzanne: That’s good. That’s good.

Lyndsy: Yeah.

Suzanne: All right. Well, when you’re talking about being in a small town in Connecticut, it reminded me of one of those cable movies. Christmas movie or something.

Lyndsy: No, totally. It was, it was like that. And we were just trying to survive this pandemic in our own little bubble and try and get through it. But we had to come back to reality soon enough, get ready for my next show and stuff. So, yeah, but it was great. I’m grateful for the time and it’s just, everyone’s doing the best that they can right now.

Suzanne: Right. And I’m glad you’re all staying safe and I hope you all get to go back to production soon. I know it’s up in the air still.

Lyndsy: Yeah. Thank you. I know. Every day we’re just getting more and more information, and it’ll happen.

Suzanne: Yeah. Well the soap operas are just now starting back to film again. I think everybody… Maybe the other industry is waiting to see what happens with them.

Lyndsy: Yeah. I know. I know we’ll be one of the first shows too, to go back, and I think we’re all just trying to… We know we’re the little Guinea pigs of big production. So I think we’re just trying to… I know the producers are working hard to get all the protocols and just do it safely as possible.

Suzanne: Right. Well, at least being a kid show, you won’t have to worry as much about things like kissing and stuff like that. Like they do in the store.

Lyndsy: No, I feel I’m so grateful. I [inaudible 00:16:33] just that. There’s no kissing, no sex scenes. No nothing. It’s just a family comedy. So I’m like, thank goodness.

Suzanne: Yeah. That’s good. Yeah. All right. Well, so thanks so much for talking to us today.

Lyndsy: Oh my gosh. It was a pleasure. Thank you so much.

Suzanne: All right. See you later.

Lyndsy: Bye.

Transcribed by Rev.com

MORE INFO:

You Can't Take My Daughter movie posterIndependence Day Marathon Info –

Lifetime continues to celebrate the 30th Anniversary of Lifetime Original Movies this summer with a special Independence Day weekend marathon, featuring 10 popular throwback titles from Lifetime’s movie vault and two new film premieres.

SATURDAY, 7/4

11a: Homeless to Harvard: The Liz Murray Story (2003) Thora Birch

12:30p: Steel Magnolias (2012) Alfre Woodard & Queen Latifah

2p: Abducted: The Carlina White Story (2012) Aunjanue Ellis & Keke Palmer

4p: Fab Five: The Texas Cheerleading Scandal (2008) Jenna Dewan & Ashley Benson

6p: Bad Seed (2018) Rob Lowe

8p: The Twisted Nanny (New to Lifetime Premiere – previously aired on LMN)

SUNDAY, 7/5

10a: We Were the Mulvaneys (2002) Blythe Danner & Beau Bridges

12p: The Pregnancy Pact (2010) Thora Birch & Nancy Travis

2p: Taken from Me: The Tiffany Rubin Story (2011) Taraji P Henson & Terry O’Quinn

4p: Lizzie Borden Took an Ax (2014) Christina Ricci

6p: You Can’t Take My Daughter (2020) Kirstie Alley & Lyndsy Fonseca

8p: Driven to the Edge (New Premiere)

Saturday, July 4th

All Times ET/PT

Homeless to Harvard: The Liz Murray Story – 11am PT/ET

Thora Birch and Kelly Lynch (2003)
Based on the true story of Liz Murray (Birch), Homeless to Harvard tells the moving story of a young woman, raised in poverty by loving yet drug-addicted parents, who is determined to rise above her station in life and into the Ivy League.

Steel Magnolias –12:30pm PT/ET

Queen Latifah, Phylicia Rashad, Jill Scott and Alfre Woodard  (2012)
Six women congregate at Truvy’s beauty shop to ponder life’s mysteries and support each other over the years through all of their personal triumphs and tragedies. The television adaptation is based on the iconic play and 1989 film of the same name.

Abducted: The Carlina White Story – 2pm

Aunjanue Ellis, Keke Palmer and Sherri Shepherd (2012) 
A young woman who was abducted as an infant from a New York hospital works to solve her own kidnapping and find her biological parents. Based on a true story.

Fab Five: The Texas Cheerleading Scandal – 4pm

Jenna Dewan, Ashley Benson, and Tatum O’Neal (2008) 

A gutsy teacher fights to end the reign of misbehavior enjoyed by five beautiful, well-connected cheerleaders given carte blanche to do as they please at school. Based on a true story

The Bad Seed – 6pm

Rob Lowe and Mckenna Grace (2018)
Executive producer, director and star Rob Lowe re-imagines the iconic 1956 psychological horror film, The Bad Seed. Lowe stars as a single father who seems to have everything under control. But when a terrible tragedy takes place at his daughter Emma’s (Grace) school, he is forced to question everything he thought he knew about his beloved child.

NEW TO LIFETIME THRILLER PREMIERE (previously premiered on LMN)

The Twisted Nanny – 8pm

Tara Erickson, Annika Foster, Joey Rae Blair and Brey Chandet

When single mother Julia (Erickson) realizes night nanny Olivia (Foster) is turning her children against her, Julia must fight to prove that Olivia is not who she says she is before she gets custody of the kids for good.

Sunday, July 5th

All Times ET/PT

We Were the Mulvaneys – 10am

Beau Bridges, Blythe Danner, and Tammy Blanchard (2002) 

A close-knit rural family is shattered by the emotional toll of shame and rage in the aftermath of a rape.

The Pregnancy Pact – 12pm

Thora Birch, Nancy Travis and Camryn Manheim (2010)
The Pregnancy Pact explores the cost of teen pregnancy with a fictional story set against the backdrop of actual news reports from June 2008. A blogger investigating a sudden spike in teenage pregnancies in her hometown finds herself at the center of media firestorm surrounding the teens’ “pregnancy pact.”

Taken from Me: The Tiffany Rubin Story – 2pm  

Taraji P Henson & Terry O’Quinn (2011)

When her young son is abducted by his biological father, Tiffany flies to Korea to execute a high-stakes plan to bring her boy home. Based on a true story.

Lizzie Borden Took an Ax – 4pm

Christina Ricci, Billy Campbell and Clea DuVall (2014)
One of the most legendary figures in American history, Lizzie Borden (Ricci) was one of the first women to whet the public’s voracious interest in scandalous crimes with her own gruesome story involving the brutal murder of her parents.

You Can’t Take My Daughter – 6pm

Kirstie Alley & Lyndsy Fonseca (2020)

Amy Thompson (Fonseca) is a vibrant law student in Charlotte who is attacked and raped by Demetri a friend of a friend she met once. Discovering that she is pregnant, Amy makes the difficult decision to keep her baby, despite the fact that Demetri continues to harass her as she waits for the long-delayed trial. She gives birth and decides to start over in Atlanta. Six years later, Demetri finds her and, to her horror, sues her for custody of her daughter.

NEW THRILLER PREMIERE

Driven to the Edge – 8pm

Taylor Spreitler and Danielle Burgess 

Fashion designer Tess (Spreitler) is a true millennial obsessed with using rideshare apps to get wherever she needs to go. When she meets a new friend, Jaye (Burgess), during a car ride as a fellow passenger, they immediately form a strong bond. But as Tess’s friends start to question Jaye’s odd behavior and even recognize Jaye as one of their past rideshare drivers, Tess slowly realizes the new friend she’s made is harboring a disturbingly dark secret with an agenda to ensure Tess never leaves her.

Proofread and Edited by Brenda

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Lyndsy Fonseca (Amy) and Madison Johnson (Maddy) in "You Can't Take My Daughter"


Primetime DVD Review: “Evil – Season One”

DVD Review!




EVIL: Season One DVD cover

“EVIL: Season One” Review by Suzanne 6/25/20

This is a good show, which isn’t surprising, since it’s written by the same writers that make “The Good Fight” and made “The Good Wife” (husband and wife team Michelle and Robert King)  You might be surprised that the writers, who are so good with legal and political shows, would do a horror show.  That means you forgot their previous CBS show “Braindead,” which was a horror-political-satire back in 2016.  Sadly, that one didn’t last longer than a year. In part, I think it’s because it was a little gross, and in part, it tried to do too many things at once. Not say that there isn’t some humor in “EVIL” because there is plenty. It’s mostly serious, though.

“EVIL” is about a team of three – David, an ex-journalist, now training to be a priest (Mike  Colter); Kristen, a psychologist (Katja Herbers) and Ben, the tech guy (Aasif Mandvi).  The team investigates events that may be spiritual, such as possessions or miracles.  David is a believer, of course.  Ben is a skeptic.  Kristen is somewhere in between. She isn’t sure what to think. Most of the show is seen through her eyes. The Catholic church pays for them to investigate these possible demon- or angel-involved events. The marvelous Christine Lahti plays Kristen’s mom.  The show gets more interesting when we see the flaws of the characters. It can also be creepy and scary, like any good horror show.

Make no mistake, this is a show about the supernatural. In the very first episode, we meet Leland (the wonderful Michael Emerson), who is either the devil or working for him.  Kristen is visited by a demon named George in her dreams.  Each episode has its own event, but there is also a larger story arc here, involving 60 demons.  As you watch more episodes, you learn more about the story arc.  I’m not saying it’s a perfect. There are some things in the show that don’t make a lot of sense. For instance, in the first episode, Leland steals her therapists’ notes and then uses them against her with the criminal she’s been analyzing (in her previous job, working for the D.A.). So why doesn’t she press charges against him? Her therapist saw the guy and could identify him.  They merely glossed over it in the second episode, with the D.A. saying that Leland explained his account was hacked. At the end of another episode, a man they have been investigating jumps off the roof. They never mentioned that again. Sometimes the characters do things that just make me scream at the TV, “Why are you doing that? Stupid!” but not too often.

It’s compelling drama, fun horror (and sometimes very scary), and well worth watching, despite a few flaws. I’m very glad to have the DVD because I didn’t watch the show regularly when it was on TV. I’m glad it got renewed for a second season, too.  If you’re very religious, especially Catholic, then you may not like it.  You’ll have to watch it and judge for yourself.  I’m sure it would be extra fun to watch this during Halloween.  Some of the episodes are  very scary, such as the Christmas episode, or the one where David is in the hospital. The show really exploits our fears, like things in our ears, or creepy children, or being in the hospital.

There are a few great extras. First, they have deleted scenes for many of the episodes. There are also two nice features. One is “Season One: Genesis” and the other is “Does Evil Exist?”  The first talks about the show and its background. The second is very interesting and a bit philosophical. You should definitely watch this DVD.

MORE INFORMATION:

Coming to DVD on June 30 is the new hit series Evil: Season One from CBS Home Entertainment and Paramount Home Entertainment.

The supernatural drama Evil: Season One stars Dutch actress Katja Herbers (Westworld) and Mike Colter (Luke Cage). The new series follows skeptical female psychologist Kristen Bouchard (Herbers) who joins carpenter and priest-in-training David Acosta (Colter) as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings.

Street Date: June 30, 2020

Format: DVD

Description: Evil is a psychological mystery that examines the origins of evil along the dividing line between science and religion. The series focuses on a skeptical female psychologist who joins a priest-in-training and a carpenter as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings. Their job is to assess if there is a logical explanation or if something truly supernatural is at work.

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.


EVIL Season One on Prime

Primetime DVD Review “Earth’s Sacred Wonders”

DVD Review!




Earth's Sacred Wonders DVD cover

“Earth’s Sacred Wonders ” Review by Suzanne 5/20/20

There is a lot of beautiful scenery in this documentary, and you will learn about a lot of great places in the world. You’ve no doubt seen many PBS documentaries with beautiful scenery from around the world. What makes this one different is that it’s about places that are considered sacred or spirtual.

If that kind of thing appeals to you, buy this DVD. It would make a great gift for anyone. I’m not really into sacred or spiritual things, though, so it’s not really my cup of tea. I would rather just worship mother nature and her wondrous places, and not other spiritual entities.

MORE INFORMATION:

Earth’s Sacred Wonders

­The earth’s architectural landscape, throughout history, has largely been sculpted and inspired by faith. Today, more worshippers than ever are flocking to these sacred structures and global landmarks. For some, these places are settings to quietly contemplate, but for others they are sites to find extraordinary acts of worship, dangerous challenges, and remarkable deeds of devotion, rarely seen by outsiders. Earth’s Sacred Wonders takes viewers on a journey, set against the most breathtakingly stunning backdrops this world has to offer, to discover the lengths that people will go for their faith. Filmed across 5 continents in 12 different languages, filled with compelling stories, this program showcases how some of the most profound sites of worship are places of powerful spiritual significance and human drama.

Street Date: Available now
Run Time: 165 min.
SRP: $24.99
Format: DVD, Digital
Genre: Science & Nature

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.


Earth's Sacred Wonders on Prime

Primetime DVD Review “Amazon Empire”

DVD Review!




FRONTLINE: Amazon Empire: The Rise and Reign of Jeff Bezos DVD cover

“FRONTLINE: Amazon Empire: The Rise and Reign of Jeff Bezos” Review by Suzanne 5/20/20

I have to confess that I love Amazon. I started online in 94 and started shopping as soon as I could, on Amazon and other places. I also started in their affiliate program (I’m still on there, although it doesn’t pay that much). I’ve been shopping on Amazon in 1997 and spend hundreds of dollars there every week. I even wrote a paper for my class this past spring about it. I knew about some of the drawbacks of the site; how they treated their employees. This documentary, however, shows me that there is even more to know.

One thing that Amazon does well is take care of its customers. They are rare in that sense. As it says in the doc, Amazon puts customer care over everything else. This is why they have that customer loyalty. I think some people might be shocked if they watch this documentary, though.  Some of their business tactics are pretty underhanded. Part of the reason Amazon thrives is that they always try new things, and they treat their customers well. If more companies did that, then they would give Amazon more competition.

You should enjoy watching this. Some of it the stuff they claim about Jeff Bezos is scary. You have to decide for yourself whether it’s worth it to keep shopping there or not.

MORE INFORMATION:

Frontline: Amazon Empire: The Rise and Reign of Jeff Bezos

Amazon’s Jeff Bezos build a business empire that is unprecedented in the history of American capitalism–delivering endless products, entertainment services and technology innovations to customers with just a click of a button. But what is the cost of Amazon’s convenience?

FRONTLINE examines Amazon and Jeff Bezos’ ascent to power–and his ability to shape everything from the future of work, to the future of commerce, to the future of technology. From award-winning filmmakers James Jacoby and Anya Bourg (The Facebook Dilemma), the documentary draws on interviews with current top executives and former insiders, as well as regulators and critics, raising tough questions about Bezos and the empire he built. Through these interviews, Jacoby and Bourg’s investigation presents an inside look at who Bezos is, and how he transformed a tiny company run out of a garage into a staple of American consumerism that critics contend is willing to dominate the market at all costs.

Street Date: Available now
Run Time: 120 min.
SRP: $24.99
Format: DVD, Digital
Genre: Issues/Events: Society

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.



PBS Frontline on Prime

Primetime DVD Review “East Lake Meadows”

DVD Review!


East Lake Meadows DVD cover

“East Lake Meadows – A Public Housing Story” Review by Suzanne 5/20/20

This is very educational. As someone who grew up in the 70’s, I enjoyed watching their old films and hearing about life in the public housing. I had heard about Cabrini Green and some other public housing places before and always wondered how the residents could let their homes get so filthy and filled with drugs and graffiti. Now after watching this, I know how wrong I was to think that way. The residents had no money, and the city was supposed to be taking care of the grounds and repairs of the houses. They didn’t, so the places went to ruin. That’s just sad, and another disgusting part of our history when it comes to treatment of the poor (especially poor and black).

They did a good job showing what went on back then, with photos, testimony and some videos. It’s too bad that so many people were forced out. This was done by Ken Burns, but it’s not one of his really long documentaries. It’s definitely worth watching.

MORE INFORMATION:

Ken Burns Presents: East Lake Meadows

In 1970, the Atlanta Housing Authority opened East Lake Meadows, a public housing community on the edge of the city. Over the next 25 years, many thousands of low-income Atlantans, mostly African American, would call it home. Shoddy construction and a lack of funding left the project and surrounding landscape in disrepair and led to a rapid decline in the quality of life. As public housing in America became increasingly stigmatized, and a crack epidemic overwhelmed East Lake Meadows, the neighborhood became nearly uninhabitable, but residents nonetheless found ways to overcome violence and neglect, raise kids, find work, and create moments of joy. In the mid-1990s, Atlanta bulldozed East Lake Meadows to make way for new mixed-income housing, as government and philanthropic funds poured into the area in an effort to create a thriving community.

Through the stories of the former residents, East Lake Meadows: A Public Housing Story gives voice to some of the most marginalized people in our society and raises critical questions about how we have created concentrated poverty and limited housing opportunity for African Americans, and what responsibility we have as a people to ensure decent housing for our most vulnerable citizens.

Street Date: Available now
Run Time: 105 min.
SRP: $24.99
Format: DVD, Digital
Genre: Issues/Events: Domestic

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.


East Lake Meadows on Prime

Primetime DVD Review “Blood Sugar Rising”

DVD Review!


Blood Sugar Rising DVD cover

“Blood Sugar  Rising” Review by Suzanne 5/20/20

This was very interesting and informative. I think everyone who is pre-diabetic or loves someone with diabetes should watch it. For those of us who already have diabetes, we probably know most of the information already. Still, I did learn some things. I didn’t know that you could be thin and young, and still get diabetes. I knew diabetes was an epidemic in this country, but I didn’t realize how bad the numbers are. I didn’t know that 10% of us have it. That’s very sad and disturbing.

Until the federal and state governments really work together on this, nothing is going to change. There needs to be free diabetes medicine and supplies for everyone. There needs to be much more nutrition information in the schools, especially with regards to sugar. Schools should not have soda and candy machines on campus; nor should the cafeterias be selling junk food. Schools should have plenty of money, too, for making nutritious food for their students. They also need to bring back home economics for all students and really teach them about growing, cooking and eating healthy food. Since most parents today don’t know how to cook or eat in a healthy manner — the schools need to fill in those gaps. Also, the schools could have programs for the parents to learn about these things as well.

Anyway, it was a good program, although hard to watch in some ways. There is also a very good short film with it, all about diabetes in Native American reservations and in Hawaii. I found this particularly interesting, since I used to live in Hawaii.

MORE INFORMATION:

Blood Sugar Rising

Diabetes is hidden epidemic that affects over 100 million people in the US, costing close to $350 billion each year. It’s now predicted that one in three children born in this century will likely develop the disease.

Blood Sugar Rising puts human faces to these statistics, presenting intimate stories of Americans living with Type 1 and Type 2 diabetes and personal voices from the battle against the disease. Their struggles and successes showcase the dramatic impact of this national public health crisis. The two-hour special also reveals new hopes for diabetes management and prevention–from the rise of new medical treatments to exciting discoveries about lifestyle and environmental factors–and asks a provocative question: Why isn’t there a war on diabetes?

Street Date: Available now
Run Time: 120 min.
SRP: $24.99
Format: DVD, Digital
Genre: Health: Medicine/ Nutrition

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.


Blood Sugar Rising on Prime

Primetime DVD Review “World on Fire”

DVD Review!




World on Fire Season One DVD cover

“World on Fire” Review by Suzanne 4/20/20

This is a great wartime series, which I started watching on PBS. I love Helen Hunt, and she’s outstanding in this. I love Sean Bean and Arthur Darvill from their previous work, too. All of the actors do a great job. One of the young actors looks like a young John Cusack, only more handsome.

It’s got everything you’d want in a wartime drama, plus a little romance and fun. This is what they used to do as miniseries, back in the 70’s and 80’s, with “Winds of War” and things like that. This is more realistic than those were, though. The war still rages by the end of the season, though, so I can’t wait for season 2 to see what happens to the characters.

Make sure that you watch this with the closed-captioning on, especially if you’re American or older because it’s hard to understand, otherwise, with the thick accents.

MORE INFORMATION:

ACADEMY AWARD®-WINNER HELEN HUNT AND SEAN BEAN STAR INWORLD ON FIRE” PLUS A FULL SLATE OF NEW SERIES AVAILABLE NOW

Arlington, VA – April 27, 2020 – PBS Distribution released eight new programs on DVD and Blu-ray last month. This slate of releases included an extraordinary performance from Helen Hunt and Sean Bean inWorld on Fire,” new additions to the critically renowned Frontline series, as well as a Ken Burns presentation and two new Nature programs. Learn more about global landmarks, American wildlife, public housing, and the diabetes epidemic, among other topics. Information about each program listed below. Every purchase supports public television for all.
Masterpiece: World On Fire
Summer 1939. Harry, a translator at the British Embassy in Warsaw, is falling in love with Polish waitress Kasia. When German tanks roll into Poland, and Britain declares war on Germany, Harry and Kasia face terrible choices. With her life in grave danger, can Harry help her–and if he can, how will he ever explain himself to Lois Bennett, the girl he left behind in Manchester? As the Nazi threat spreads across Europe, Kasia must choose between love and fighting for her country, Harry must find his place in the world, and Lois must seize new opportunities the war presents.
The conflict overturns everything for Harry’s snobbish mother Robina; for Douglas, Lois’ pacifist father; and for her younger brother Tom, who joins the Navy and finds himself under fire in one of the first major battles of the war. In Berlin, outspoken American journalist Nancy risks her life trying to help her neighbors; while in Paris, Nancy’s nephew, medic Webster refuses to leave the city and the man he loves.
World on Fire traverses the first year of WWII, from ordinary life in England to the beaches of Dunkirk, diving deep into the hearts and minds of those living their lives during this extraordinary time as they grapple with the unthinkable: a world in flames.
Street Date: Available now
Run Time: 420 min.
SRP: $39.99/$49.99
Format: DVD/Blu-ray, Digital
Genre: Arts: British Drama

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.


World on Fire on Amazon Prime Video

Primetime DVD Review “Star Trek: Short Treks”

DVD Review!





Star Trek: Short Treks DVD cover

“Star Trek: Short Treks” Review by Suzanne 5/20/20

I’m a huge “Star Trek” fan, and I had just gotten around to watching “Star Trek: Discovery,” so I was very happy to get this DVD collection of “Short Treks.” I hadn’t seen them before. They’re very good. Some are funny, and some are cute, and some are very poignant. After watching all of these, I had to track down the last one, “Children of Mars,” which is not on this DVD. It aired much later, so that’s probably why. It’s very good and should win an Emmy, IMHO. Scifi rarely wins Emmys, though.

You should definitely watch “Star Trek: Discovery” before watching these because otherwise you might be a little confused because the characters are from that show. Too bad they didn’t make any Short Treks for all the other Star Trek series!!! Those would have been fantastic to watch.

There are a lot of features on the DVD’s, too, such as “The Making of Short Treks.” I especially enjoyed the tribbles episode and behind-the-scenes feature, not only because I’m a long-time Star Trek fan, but also because I’ve interviewed David Gerrold before.

This DVD would make a great gift for any Star Trek fan. I hope they come out with more of them next season.

MORE INFORMATION:

BOLDLY GO INTO THE EXPANDING STAR TREK UNIVERSE AS 
STAR TREK: SHORT TREKS TAKES FLIGHT 
ON BLU-RAY™ AND DVD ON JUNE 2

Together for the First Time, New Collection Features Nine of the CBS All Access Original Short Stories, Including Two Animated Shorts, and
More Than 50 Minutes of Exclusive Special Features 

HOLLYWOOD, Calif. (March 16, 2020) – Dive deeper into key themes and characters that fit into Star Trek: Discoveryand the expanding Star Trek universe with the forthcoming STAR TREK: SHORT TREKS collection. Arriving on Blu-ray and DVD on June 2, the new release offers fans nine of the Star Trek stand-alone short stories in one collection for the first time ever.

The collection of shorts includes three U.S.S. Enterprise-focused shorts featuring Star Trek: Discovery: Season Two favorites Anson Mount (“Captain Christopher Pike”), Ethan Peck(“Spock”) and Rebecca Romijn (“Number One”); all four of the original shorts, starring Rainn Wilson (“Harry Mudd”), Mary Wiseman (“Ensign Sylvia Tilly”), Doug Jones (“Commander Saru”) and Aldis Hodge (“Craft”); and two animated shorts from the Star Trek universe with animation unlike any done before for the Star Trek franchise.

Fans can discover never-before-seen bonus content, including:

●      COMING OF AGE – Tied to the “Runaway” short, the first installment of the new Short Trek format was written by executive producers Jenny Lumet and Alex Kurtzman about Tilly finding a stowaway with whom she can relate. In this behind-the-scenes interview, Kurtzman, Director Maja Vrvilo and star Mary Wiseman talk about the use of the short to give the audience further insight into Tilly’s character. 

●      SHALL WE DANCE – Writer Michael Chabon and Director Olatunde Osunsanmi discuss the challenges of creating a compelling story with only one on-screen character in the familiar setting of the U.S.S Discovery for the “Calypso” short.

●      FIRST CONTACT: KAMINAR – A deep dive into “The Brightest Star” short and creating Saru’s backstory with the Star Trek actors and writers.

●      COVERED IN MUDD  Tied to “The Escape Artist” short, an interview with star Rainn Wilson about directing the Harry Mudd short and his experience on both sides of the camera.

●      ENSIGN SPOCK’S FIRST DAY – Writer Michael Chabon talks about writing for Ensign Spock and finding hidden talents in relation to the “Q&A” short.

●      HERE COMES TRIBBLE – Fans will dive into “The Trouble with Edward” short as prop master Mario Moreira discusses bringing back the beloved Tribble for the shorts.

●      SCORE! – A behind-the-curtain discussion with Oscar® and Grammy® Award-winning composer Michael Giacchino about taking the reins on “Ephraim and Dot,” and directing and composing for Star Trek: Short Treks.

●      BEDTIME STORIES – Writer Brandon Schultz, director Olatunde Osunsanmi and actor Kenric Green (“Mike Burnham”) discuss the development of “The Girl Who Made the Stars,” the animated Short Trek about a bedtime story.

●      THE MAKING OF “SHORT TREKS – An in-depth discussion with executive producer Alex Kurtzman and more about how and why the new concept Short Treks were made.

●      TWO AUDIO COMMENTARIES – Featuring Executive Producers Alex Kurtzman, Jenny Lumet providing commentary for the “Runaway” short, and star Anson Mount providing commentary for the “Ask Not” short

The first two seasons of STAR TREK: DISCOVERY are now available to stream on CBS All Access and are distributed concurrently by CBS Studios International on Netflix in 188 countries and in Canada on Bell Media’s Space channel and OTT service CraveTV.  The first two seasons are also available on Blu-ray and DVD.  The series is produced by CBS Television Studios, Secret Hideout and Roddenberry Entertainment. 

Blu-ray & DVD Shorts:

●      “Runaway”

●      “Calypso”

●      “The Brightest Star”

●      “The Escape Artist”

●      “Q&A”

●      “The Trouble with Edward”

●      “Ask Not”

●      “Ephraim & Dot”

●      “The Girl Who Made the Stars”

STAR TREK: SHORT TREKS Blu-ray and DVD are presented in widescreen (16×9) format with English SDH subtitles. The DVD will offer English 5.1 Surround Audio and the Blu-ray will present English 5.1 DTS-HD Master Audio.

CBS Home Entertainment manages the worldwide DVD and Blu-ray businesses for the CBS Corporation across all lines of content including current hits and classic series from the vast CBS library, as well as new releases from Showtime Networks. CBS Home Entertainment products are released on the CBS DVD and CBS Blu-ray labels.

Paramount Home Entertainment (PHE) is part of Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment.  PPC is a unit of ViacomCBS (NASDAQ: VIAC; VIACA), a leading content company with prominent and respected film, television and digital entertainment brands.  The PHE division oversees PPC’s home entertainment and transactional digital distribution activities worldwide. The division is responsible for the sales, marketing and distribution of home entertainment content on behalf of Paramount Pictures, Paramount Animation, Paramount Television, Paramount Players, MTV, Nickelodeon, Comedy Central and CBS and applicable licensing and servicing of certain DreamWorks Animation titles.  PHE additionally manages global licensing of studio content and transactional distribution across worldwide digital distribution platforms including online, mobile and portable devices and emerging technologies.

Watch on Amazon Prime Video! Season One  Season Two

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.


Star Trek: Short Treks on Blu-ray

Blog: Welcome Back!

Blog Post #211




Cartoon of girl writing blogI have to apologize once more for not writing in this blog. My last year of taking classes just really made me too busy for anything else. Oh, I wrote a million blogs in my head, but when it came to actually writing them here….that was the problem. I will try to do better now that I’m working full time on the site again!

I hope you’re all doing well in this weird time.  In some ways, it’s a very good time for television because more people are probably watching than ever before (even if they’re watching on their computers, phones or tablets, and not on “traditional” TV). I’ve never seen so many people asking what they should watch, or talking about TV, on social media.  Of course, there are more people on social media, too, than before, I’m sure. Or I should say, there are fewer lurkers. I know people that never posted much at all before, and now they’re posting often.  A lot of people just have more time on their hands because they’re not working, they’re not traveling, or they’re not going out with friends… or anywhere else.  The big winners for this odd period in our lives are Netflix, Amazon, Facebook, Instagram, TikTok and Twitter, for sure.  Probably  Pornhub, too. 😉Emergence's Jo and Piper

The bad side of this for TV is that new shows are not getting made.  The sports channels are doing the worst because there are no new major sporting events to show (that will change soon, now that baseball is returning).  The other networks are suffering from not being able to film new shows. Fortunately, they all had many shows already filmed, but we don’t know what’s going to happen in the Fall yet. No one does. I read an article that said that, since there was no pilot season, the networks were just buying scripts. That is amazing!!  It will be interesting to see what comes out of that.  There won’t be as many new shows coming this Fall, though. It’s a shame, then, that they had to cancel “Emergence,” which I loved!! 😡

The soap operas are now going to be filming new episodes.  “Bold and Beautiful” on CBS started filming last week.  “General Hospital” on ABC and “Young and The Restless” on CBS are planning to start in July.  They have to prepare how they’re doing to do it safely as well as negotiate with the unions.  I think the primetime shows are watching to see how the soaps do it before they start themselves. I read that B&B will be using some blow-up dolls? I don’t know how I feel about that…

I just finished watching the Daytime Emmys, which were “virtual,” but at least they were finally back on TV. They’d been online-only for the past 5 years, which made most soap fans angry. I mean, really….we watch your shows, but you can’t be bothered to spend 2 hours for ONE night a year, thanking the soaps and their fans??  Anyway…It was a weird ceremony.  From what I  gather, each of the nominees was asked to send in a video, in case they won, with their acceptance sMaurice Benard and Jacqueline MacInnes Wood at Daytime Emmyspeech.  I feel bad for the  actors that had to pretend they won, and then they didn’t win. Yikes.  Many of the actors this year mentioned the “Black Lives Matter” campaign or alluded to it in their speeches. What bothered me, though, was the lack of applause. I could ALMOST believe that the ceremony was real, except for that.  Canned applause would have been better, I think. Next year, if it must be virtual, how about renting out a giant theater, inviting the public, making everyone sit apart, with masks, and then just show them the virtual show, and record their applause? That would be more authentic, at least.

By the way, why the heck were last year’s Emmy winners Maurice Benard (Sonny, GH) and Jacqueline MacInnes Wood (Steffy, B&B) sitting next to each other on camera??? They weren’t wearing masks, either.  That was so bizarre and, frankly, a little irresponsible, I think. I mean, it’s fine if the two of them want to risk their health (and the health of their families), but it doesn’t show a very good example to the rest of the world.Al Freeman, Jr. at Daytime Emmys 1979

I enjoyed their “Most Memorable Moments” from past  Daytime Emmy Telecasts. However, it would have been nice to see more from the 20th century. They only showed a few from before 2000. Also, I would have preferred to see more clips from the actual shows nominated, than clips from past awards shows. I think that was the worst part of the show.  Now, having said all that, I liked most of the wins. I was glad that Tamara Braun (who won for her work as Kim on GH), Heather Tom (Katie on B&B), Bryton James (Devon, Y&R) and Olivia Rose Keegan (Claire, Days) won.  However, I thought that Jon Lindstrom (Kevin, GH) should have won for Best Actor. Also, I was horrified that B&B won for best writing for that awful Beth baby switch storyline. It was horribly contrived and went on for 7 months.  Good idea, very poorly executed.  The other stories nominated were ALL better.

As usual, I’m trying to juggle everything, including my TV watching. I have too many shows on my DVR, so I’m always trying to watch stuff there. Then I get DVD’s to review, and I also have been trying to binge-watch a few shows that I really like, that I had fallen behind on. On my DVR recently I’m watching “Stargirl” on The CBlindspot's Rich, Patterson, Kurt and JaneW, which I like, as well As “The 100,” “In the Dark,” and “Burden of  Truth,” all on The CW. Also, I’ve been watching “Blindspot” on NBC and “Grantchester” on PBS. Lastly, I still watch “Full Frontal with Samantha Bee” on TBS; and “Real Time with Bill Maher” and “Last Week Tonight with John Oliver,” both on HBO.  Besides all that, I try to keep up on “Days of Our Lives.” It’s been nice not to have to watch the other soaps, but I am keeping the ones that are older ones. I save those to DVD.

Speaking of “Blindspot,” I’m still so mad that they killed off Edgar. I loved his relationship with Zapata.  He was the only black character left on the show! And now almost everyone left is white. How short-sighted of the showrunner, particularly in this day and age. What were they thinking??actors from Quiz

In my binge-watching, after catching up with all the other CW superhero shows, I watched the rest of “Star Trek: Discovery,” “Picard” and “The Mandalorian.”  I also watched a great miniseries from AMC called “Quiz.” It’s only three parts and worth watching (based on a real story).  I tried to watch “Homecoming” on Amazon (starring Julia Roberts) yesterday because everyone said it was so good.  It was very boring, so I don’t think I’ll keep watching. It was an interesting drama but just way too slow.

What did you think of the Daytime Emmys? What are you watching now? Let us know in the comments!

Here are all of our Articles!

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.



Bryton James and Tamara Braun

20 Questions with David Gerrold

Interview with Author David Gerrold of “Star Trek” and many other shows 6/20/20

David Gerrold


David Gerrold is a renowned author, screenwriter, producer and more.  He first grew to fame writing “The Trouble with Tribbles” for the original “Star Trek” series. He also wrote other episodes and wrote some books about the show, including “The World of Star Trek.” He has published many scifi short stories and novels, as well as co-created “Land of the Lost,” and wrote for “Babylon 5” and quite a few other series. He’s been my Facebook friend for many years.  He is very Starcon 77 Programthoughtful, eloquent and passionate when writing about anything, including politics and news.  I’m very grateful that he allowed me to send him some questions!Suzanne as Princess Leia, holding tribbles

In 1977, after “Star Wars” came out and was a huge hit, especially among scifi and fantasy fans, my friends and I were in love with that groundbreaking movie and its characters. I dressed up as Princess Leia many times. My friend Cindy and I, and my high school boyfriend Tony, went to Starcon 77 in San Diego. I walked into David Gerrold’s panel late, and he proceeded to make fun of my “huge buns.”  As a shy teenager, I was both a little embarrassed as well as thrilled that someone so famous, and connected with “Star Trek,” my favorite TV show in the world, would notice me.  I had no idea, of course, that years later we’d be Facebook friends and that I’d get to interview him.

Here’s the interview!

1.  Thank you for the interview!  I knew you had written for Star Trek, but I had no idea you were so young when you did!  Before that, had you already been writing scifi?  Were you one of these people who just started writing early on, or not?  Or did Star Trek just inspire you in a way nothing else had, to write?

I grew up with science fiction. The Van Nuys Public Library introduced me to Robert A. Heinlein, A.E. Van Vogt, Isaac Asimov, Murray Leinster, Groff Conklin’s wonderful anthologies, and too many others to list here. I was reading a book a day, so by the time I wasa 19, I had pretty much scoured almost everything that was available, including back issues of the major magazines and everything I could find in used book stores. And I had been fumbling my way through my own stories for a while as well. But it wasn’t until college that I began to learn how to structure a story and how to phrase a coherent paragraph. Star Trek was a lucky opportunity. I knew science fiction and I knew scriptwriting.

2.  You have written for many TV series over the years, but you haven’t written quite as much this century. Is there a reason for that?

That is a long involved story — but the major part of it is that I adopted a little boy in 1992 and put much of my television writing aside so I could work at home and be there to be a full-time dad. I still did a few scripts here and there. Babylon 5 and Sliders were most notable.

3.  I was surprised at all of the mention of tribbles in “Star Trek: Discovery.” Do you watch that show? If so, do you like it?

I haven’t seen Discovery. I didn’t know they included tribbles. Nobody at Star Trek ever picks up the phone and says, “Hi, David. What are you up to these days?”

4.  Have you seen the “Short Trek” episode about tribbles (second episode -“The  Trouble with Edward”)? And if so, what did you think of it? Do you approve of the tribble backstory they created?

No, I have not seen it. The only tribble backstory is that they evolved on a planet with such voracious predators that they had to evolve to reproduce rapidly for the species to survive.

5.  By the time “Star Trek: Deep Space Nine” came around, Gene Roddenberry had passed away. How did it come about that you did a tribbles episode (“Trials and Tribble-ations”) for that series? Did you have the idea and submit it, or did they contact you about writing it?

I didn’t do that tribble episode. The entire staff of DS9 collaborated on it and they wrote a brilliant script. The cast and crew did an amazing job. I was invited to be an extra in the episode.

6.  Have you watched “Star Trek: Picard?” And if so, what do you think of it?

I haven’t seen it. I’ve been too busy with other things. I hardly watch much television these days. There are a lot of great shows I’ve missed.

7.  A lot of fans of the original Star Trek were not too thrilled with the Star Trek reboot movies they made. Did you see them? I thought the first one was “just okay,” the second one was awful, and the third one was pretty good (most like the original).  What did you think?

I haven’t seen any of the recent Star Trek movies. So I can’t really comment...

Of the older movies, I thought Star Trek: The Motion Picture was ambitious. I thought The Wrath of Khan was great fun. But after they destroyed the Enterprise in Star Trek III, it wasn’t the same Star Trek for me anymore. Star Trek IV was a very good film, but I missed the original TV series because it wasn’t about villains, it was about exploration and discovery.

8.  You’ve written so many different stories and novels, as well as TV. I read an interview with you from the 1980’s where you said that you had to come to terms with the fact that you were probably always going to be known as “the tribble guy.”  How many years did it take you to become comfortable with that idea?

I never thought about it until someone asked the question. I do know that the tribbles opened a lot of doors for me. I’m grateful for that. Not every author gets to have that big an impact.

9. I know it’s hard to choose, but which story, book or series do you like the most? Which are you most proud of?

It’s not hard to choose at all. “The Martian Child” is about how I met my son, how I adopted him, and how I fell in love with him and became his dad. That’s the most personal story I’ve ever written and I doubt I will ever write anything that surpasses that.

10.  For a scifi fan that is not too familiar with your written work, which story, book or series would be the best to start with?

I would recommend starting with the Dingilliad trilogy — JUMPING OFF THE PLANET, BOUNCING OFF THE MOON, and LEAPING TO THE STARS. From there, the newest book, which takes place in the same universe, HELLA.

11.  What was the first book you ever read (if you remember)?

The first science fiction book was Rocket Ship Galileo by Robert A. Heinlein. Before that, Dr. Dolittle, Mary Poppins, Freddy The Pig.

12.  Which author had the most influence on your writing?

Probably Heinlein, but also Harlan Ellison and Theodore Sturgeon.

13. You write a lot of Facebook posts, many of them about politics/news. Have you ever had any political essays published elsewhere?

I’ve been quoted and published in a lot of places. I did columnns in Starlog and Future Life that touched on political issues.

14. Since you do write a lot online…do you think that this writing ever detracts from your wanting to write books or stories?  If you get an idea, for instance, how do you know whether it’s something you want to talk about on Facebook or put into a novel (or do you sometimes do both)? I know that you started writing long before the internet, so I’m curious if you think there is any difference in how your writing is affected by being on the net or not?

Social media is a necessary connection to other people. Other people are source material — how they speak, act, think, and feel.

It’s also valuable research, I have a lot of skilled people on my friend list who will share a lot of interesting insights.

15.  On that same note… Many people find the net or social media distracting from work. Do you?

No.

16. Do you read all of the comments on your Facebook posts (or any)?

I skim most threads. I read the longer comments because those are usually substantial.

17. What writing are you doing right now (what are you working on)?

I’m working on A NEST FOR NIGHTMARES and HELLA II.

18. What TV shows do you watch for fun now?

Mostly, I’m watching movies.

19. On Facebook you’ve often mentioned you like redheads and chocolate. I completely understand the chocolate part. Why redheads (if there is a reason)?

It’s a tribute to someone who once made a huge difference in my life.

20.  Which is your favorite chocolate?

Chocolate.

David Gerrold’s Website

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David Gerrold and Nichelle Nichols (Lt. Uhura)

 

Blog: It’s May Already!!??!!

Blog Post #210


Girl watching TV

Once again I’m apologizing for not writing another blog post for the past 5 months! Well, you know, it’s hard when you work full time and also take classes part-time. Last week was finals, so I will have more free time now, until the Fall. I hope, anyway!!

Lately I’ve been using my “Free time” to move our “Bold and the Beautiful” section from our old site to this new site. I spent the past few days writing up character The Forrester family on Bold and Beautifuldescriptions for all of the main characters. I hope you enjoy it! It was fun, reading up on all of the character histories and then summarizing them. I never realized all of the changes they made in the soaps. For instance, I had no idea that Phoebe and Steffy were originally identical twins, and then later, when they rapidly-aged them to adults (as they do in soaps), they were then fraternal twins! Of course, they didn’t want to have to cast real twins, so they cast two actresses that looked completely different. They should have just had Jacqueline MacInnes Wood play both roles…it’s not like she couldn’t have handled it! But, on the other hand, I really did love the actress who played Phoebe (MacKenzie Mauzy).

Wanda is still choosing our “Best Lines” for B&B, which you can now see on our new site. I hope to finish the rest of the B&B site this month and move on to another section.

Yesterday they aired the 46th Annual Daytime Emmys online. Apparently it was a big disaster! I don’t usually watch them live….I watch them when I get around to it. Now I can’t watch the whole thing, and I guess I’m in the same Y&R cast at Daytime Emmysboat as everyone else. They had major technical problems, so they lost quite a bit of it. That is insane. They’ve been doing this online for a few years now, and before that, they did it on regular TV. You’d think they’d know how to do it by now. So, big deal, they lost the internet…why didn’t they just record it, and put the whole thing up online for fans to see a little later? Rather than just leaving the botched version up. That’s really stupid and short-sighted on their part. Here’s the full list of Daytime Emmy winners!   Congratulations to all of the winners!  “Young and the Restless” got most of the awards for writing, directing etc. while “General Hospital” cleaned up in most of the acting awards.  That alzheimer’s storyline was a big winner for them. I hope that the other soaps don’t copy it, though! That’s too depressing.

All of the soaps have been very sad and depressing lately. We need angst and drama, but there needs to be more balance between Kristoff and Shemar - tribute at Daytime Emmysthat and the fun and romantic stuff.  On “Bold and the Beautiful” it’s mostly been about Hope losing her baby and blaming herself. On Young and the Restless, it’s been about Neil’s and Kristoff’s death (did we really need THREE DAYS of that???). I loved Kristoff, but that was just too much.  On General Hospital, a teenager got cancer and died.  I don’t watch “Days of Our Lives” very often, but I hear Will has cancer and baby Holly dies. I mean, come ON!!! I watch soaps for escape, not for sad stuff. Real life has enough of that kind of thing, especially for those of us over a certain age.  Most soap fans are over 40 (and that’s being kind).  Our friends and relatives are all dying on us. We don’t need to see babies and teens dying on our soaps, too.

I’m very sad that “Arrow” is being canceled. Next year is the last year. Of course, the very first TV show we cover that I chose to move over to the new site, is now canceled….that just figures, doesn’t it!!??!! I’m in complete denial still about next year being the last Arrowseason of “Supernatural!”  I’m also sad about next season being the last for “Legion” on FX. What a great show that is. It’s really mind-blowing.  And I’m still upset about all of the Netflix superhero shows getting axed.  (SIGH!)  Lately I’ve been catching up on all my CW shows, like “The Flash,” “Arrow,” “Supergirl” et al.  I really loved the crossover episodes “Elseworlds.” They did a good job with that. I only have a few nitpicks. When Barry Allen came back to Central City, he never once wondered where Nora, his daughter, was. All it would have taken is a simple exchange, like:  “Barry: Where’s Nora? Iris: Who? Barry:  Oh, okay, I guess she doesn’t exist in this timeline”  See, simple. I really don’t like their Lois Lane, either.  She’s too skinny. I’m always happy to see Superman, though.  I’ve really been enjoying the new transgender character on “Supergirl” Nia Nal. Great character. I’m glad they used a real transgender person. She has a book, too, about her family and their experiences. I bought it but haven’t read it yet. It’s on my Kindle, along with 2,000 other books I haven’t gotten around to reading Nia on Supergirlyet! 😆

I had to do my annual binge-watching of “Bosch” on Amazon recently. If you haven’t seen it, go watch it now! It’s the best cop show on TV. It’s based on some really good best-selling detective novels, too.

May is generally a time of year when the networks announce the new shows on their schedules, so we get sad because our favorites are canceled.  I’m very happy that the CW renewed most of its schedule, especially the new shows “Roswell, New Mexico” and “In the Dark.” I’m loving both of those. I never watched the original “Roswell” series, but I love this one. “In the Dark” is just great. They finally have a good show about a blind person that isn’t getting In the Dark on the CWcanceled. Perhaps because it’s not a sitcom like their previous attempts…? It does have plenty of humor, though.

Looking at the list of what might get canceled, I hope that “How to Get Away With Murder,” “The Rookie,” “Blindspot,” “AP Bio,” “Cool Kids” and “Ransom” are renewed. Especially “Blindspot!” I love that show so much.   I’m sad that “Big Bang Theory” and “Elementary” are ending this year. I’m sad to hear that “Murphy Brown” is a long shot. I’m still bummed about “Gifted” being canceled.  None of these are as Dead To Me on Netflixheartbreaking as last year’s cancellation of “Kevin (Probably) Saves the World,” though.  Focusing on the positives, there are SO MANY shows that I’m grateful that have been renewed, like “The Resident” on FOX!

I’m not very good at keeping up with reviewing all the new TV shows. There are way too many! I’m trying, though (with a little help from Eva, who reviews some shows, too). I love “The Act” on HULU and “Dead to Me” on Netflix.  Great series. I already had way too many shows to watch on regular TV. The streaming channels make it just impossible for us TV fans to keep up. Yes, I’m stressed!! But in a good way. It’s a wealth of options.


Which shows will you miss? Let us know in the comments!

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The old Spectras

Changes!

Blog Post #207!
Welcome to our new WordPress site! Well, almost….  Our main site is still over at http://tvmegasite.net and will be for quite a while. However, we’re building the new site here on WordPress. Right now it’s found at https://tvmeg.com, as it’s still a “test” site, but it will be at https://tvmeg.com. Very soon!

Happy Halloween!

For the past few months, we had to work hard at figuring out how to edit this new design in WordPress (which you may have read about in my blog back in July), and how to make it exactly how we want it. I had a lot of help (see our credits page).  I had to learn how to use WordPress better.  Then it was a matter of figuring out how to build the new site.  I put up the main pages, and then, while I figured out how to use the software, I built our new Arrow site, adding lots of updates and news.  Then I had to figure out how to put in ads and other stuff. It’s been very trying, but thankfully, we’re all done with that. Now, as soon as I finish building the basic pages, we’ll start bringing more content over and move to the new address. I’ll continue to update the current show pages as I bring them over, and we’ll be able to put up more content for the new shows that I like much easier. We’ll probably leave the older shows pages on the old site for a while.

Happy Halloween!

I hope you like the changes! It will make things way easier for all of us here that work on it, and it should be easier for you to read, too, and should look nicer and load better. Also, you can make comments now!  Please leave comments!  We love hearing from you guys.

The Haunting of Hill HouseWe have some new volunteers, too, which is always exciting. We lost Ellen, who was helping to write the Y&R Updates, so Christine has been writing all five days. Christine is a fabulous writer, but I don’t think she really wants to do them daily, so we’re looking for someone else to help her out. I might have someone, but it might be a while before she can start… in the meantime, Eva has been writing the Y&R short recaps all five days. We may have someone to help her out, too, a great new write named Cherie who will be writing Monday’s Y&R recaps one day ahead, and also stepping in to write for Eva while she goes on vacation in December.  Please visit our Volunteer Jobs page if you would like to help out writing Y&R Updates or anything else! We have many jobs available.

In August, I spent a lot of time building our 2018 Primetime Schedule, which Buffy the Vampire Slayer Halloweencovers all of the broadcast shows and when they premiere. I also made the cable listings which tells when all of those shows are returning to premiering. I haven’t had time to update that much, though. Still, it might be useful, so I hope you can check it out!

In my last blog, I talked about “Bold & The Beautiful,” which I watch every week day.  I’m glad that they brought Eric and Quinn back into the show with more story (just please don’t break them up again!).  It’s also great to have more story for Pam and Charlie. I still don’t like Thorne and Katie together. They were largely used as a plot device to get Ridge and Bill at each other’s throats again. She and Wyatt Thorne and Katie's weddingwere much better together, and they broke them up too quickly for no good reason. Now that Katie won her court case, we rarely see her and Thorne any more, unless it’s connected to Ridge and Bill. I notice that we don’t see too much of the interns Emma, Xander and Zoe any more. Good. I guess I’m not the only ones who didn’t like them or their bland story.

Lately I’ve been recording and watching “Stargate Atlantis” and “Stargate SG-1” off the El Rey channel. I saw some of SG-1, but I never got around to finishing it, Stargate Atlantisand I never saw the other show. I did see and love “Stargate Universe,” which to me was very similar to “Star Trek: Deep Space 9.”  Anyway, they’ve been showing them from the beginning, so I’m getting to see them, and I really love them.

Unfortunately, my DVR is really filled up with so much with “General Hospital” and “Young & The Restless” from the past few years, so I’m having a hard time watching enough shows to keep it from going to 100%. I did buy an external disk drive, so I could backup some of the shows, and make more space, but I haven’t had time to figure it out yet. I need to do that this week!  With the new Fall season in full Lodge 49 castswing, I have a lot of shows to catch up on already.

We had quite a few new interviews with TV stars the past few weeks, so I hope you can check those out.  I watched “Lodge 49” this Fall (to interview 2 of the stars) and really loved it. It’s been renewed for a 2nd season, so I hope you can watch it.Manifest cast

Of the new series on TV, I’m enjoying “The Rookie” and “Manifest” so far. There are still a few I haven’t seen. I didn’t really enjoy the first episode of Alec Baldwin’s new Sunday night interview show, but the second episode was really good. He seemed more at ease. He interviewed Ricky Gervais, who is one of my favorite comedians, and Jeff Bridges, one of my favorite actors! So that was great fun to see.  I tried to watch Busy Philipps’ new show “Busy Tonight” on E!, but I couldn’t stand it. Too mindless for me, and her voice (plus her Valley Girl accent) is grating.

"Will & Grace" on NBCThere are many reboots this season, but so far, the only one I’m enjoying it “Will & Grace” on NBC. I saw the first episode of “The Conners,” and I thought it was very depressing, and not very good. To be fair, I didn’t much like last year’s “Roseanne” reboot, either.  I do watch “Murphy Brown,” but it’s not that great. It’s just too heavy-handed and not that funny. I loved the old show, but it’s not the 1980’s anymore. They need to be quicker, wittier. I don’t know. I’m still watching it, but it’s very uneven. I saw the first episode of “Magnum PI” and it was boring. So was the new “Charmed.”  So, kudos to “Will & Grace” for not only coming back as great as before, but even better.

I do like “God Friended Me,” “New Amsterdam” and “A Million Little Things,” but DaredevilI just don’t have time to add them to my list of shows to watch. I haven’t even had time yet to watch the latest season of “Daredevil” on Netflix. As always, I’ve got a whole stack of DVD’s to watch and review, as well as a whole list of shows I should be checking out. It never ends. It’s gotten a lot worse with Netflix, HULU, Amazon and so many other new streaming services coming out.

I had to delete “The Daily Show with Trevor Noah” from my DVR. Hopefully I can put him back on once I’ve moved some shows over to the external hard drive. Oh, I’m also watching “The Cool Kids,” which is so-so, but I love the actors on it.  None of the new sitcoms seemed funny to me.  I wasn’t very impressed with Danny Rand (Iron Fist) and Luke Cage (Power Man)the CW drama “All-American,” which was kind of dull.

I’m very annoyed that Netflix has canceled “Iron Fist” and “Luke Cage!” I sure hope they do another “Defenders” or these characters show up in “Daredevil” or “Jessica Jones.”  They make a lot of crappy shows on Netflix and the other streaming services that I never watch, but I always catch the superhero shows! I’m heartsick that those shows are gone. 😟

On the positive side, I’m very glad to have all my CW superhero shows back, and “Supernatural,” and “Doctor Who” with the new female doctor! And “The Resident” and “Gifted” on FOX, “Big Bang Theory” on CBS, “Blindspot,” “Midnight Texas” and “The Good Place” on NBC, and “How to Get Away with Blindspot season 4Murder” on ABC.  We still watch “Family Guy” on FOX, too, but we stopped watching “South Park” because it’s just not funny any more.

What is your favorite Halloween show or movie? I don’t like to go to scary movies very much. I don’t mind some of the older ones on TV. I don’t mind if a show is about things like vampires, ghosts, witches, or werewolves, but I hate zombies. Linus, Sally, and the rest of the Peanuts gang in the pumpkin patchI love the old Charlie Brown special from when we were kids! I love Halloween, but I don’t like being grossed out or scared too much. A little scary is OK, though.

Leave a comment below to let me know which Halloween show or movie is your favorite!

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