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Interview with Julia Ormond, Alexa Mansour and Annet Mahendru

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TV Interview!

Julia Ormond (Elizabeth), Alexa Mansour (Hope) and Annet Mahendru (Huck) of "The Walking Dead: World Beyond" on AMC

Interview with Julia Ormond (Elizabeth), Alexa Mansour (Hope) and Annet Mahendru (Huck) of “The Walking Dead: World Beyond” on AMC by Suzanne 9/23/21

I love this show, so it was great to chat with some of the stars this week on press panels. These women were so nice and had thoughtful answers to all of the questions. I can’t wait to see the rest of season 2. I’m just sorry that it’s ending after that.  Note that the questions that don’t have my name are from other journalists, not me.  Don’t miss the season premiere 10/3 on AMC!

Julia Ormond in two of her movies, "Incorporated" and "First Knight"Question:  My first question’s for Julia, and then the second one’s for the two of you, but I’m wondering if you could talk about her morality, because last season, she seemed to be upset about some of the stuff she was doing, but this season, she seems a lot more apathetic. I’m just curious, is there a line she won’t cross, and is it still bothering her? What’s your take on it?

Julia:  My take is that Elizabeth is somebody who compartmentalizes what emotion she will show to what person. So, if something is bothering her profoundly, she would have trouble showing that to somebody she’s intimate with, just because of her personality type. So, yes, but I think really what happens with Elizabeth is…what happens to her belief in what they’re doing in season two.

In season one, for me, she’s utterly, utterly committed to an agenda that’s necessary. They’ve identified that Hope actually has something that could be really critical to the survival of mankind – if she comes in with the right attitude…[and] doesn’t bring in the anger; she goes along with the plan of what they’re meant to be doing and that she’s productive and effective in her time there.

And I do think that it’s not black and white, or I hope it’s not black and white. It’s more kind of gray. It’s like she has to sign up for something that she’s not happy about, but I think people do that in war all of the time. In the military, you accept that there are people who are going to die, and you accept the tragedy. I think we as a populace accept the tragedy of collateral damage. So, I don’t think it’s as much of a pivot as I wish it was in the world.

Question:  Then, for Annet and Alexa, obviously, Huck has been changed by the two girls, even though she says she hasn’t. Can Hope trust her? And for that matter, can she trust your character, because obviously, you’re more about your [getting back to your] sister right now.

Alexa:  I think Hope can learn to trust her; whether or not she does is different story, but I think there’s a lot that Hope doesn’t know, and she has to take that into account. And just like Hope did a bunch of crazy things, or Hope would do a bunch of crazy things for her sister and the people that she loves and to protect them, I think Huck was kind of put in a tough situation as well. But Hope is pretty scarred after what happened in season one, so it’s gonna take a lot if Huck wants to rebuild that relationship with her.

Annet:  Yeah, Huck’s in a really bad spot. At this point, Hope’s just looking at her like, “You’re crazy; I don’t ever really want to talk to you again.” So, I don’t know how she’s gonna get out of this. It’s just looking pretty bad and things are so entangled. She’s relieved to be back, but it’s looking really [like] she’s sort of in the worst position she’s been thus far. In a way, she’s in prison the way Hope is too, because of this web of lies. And all these people out there who know things about the CRM that they shouldn’t have known and that’s Huck’s family now, too, she obviously feels alignment with, and maybe more so than she does with Elizabeth at this point. As we know, there’s more family at the CRM now that Huck has some entanglements with that are problematic. So, it’s just the question – it’s funny when Hope and Huck are sitting in this sort of dog kennel…where they have their conversation like, “Hey, this is a great place for all of us.” It’s so ironic, because they’re just both in prison, really, and it seems like there’s no way out of this all, and is this a better place? Are they safe, or, actually, have things just gotten worse?

Question:   Alexa, I love Hope’s friendship on screen with Elton – or I guess their former friendship, as it were. Will we get to see them mend [it]…and is there hope for them to mend this relationship?

Alexa:  I don’t know if I can tell you what happens with Hope and Elton, but what I can say is that I think there’s always that room orAlexa Mansour on Instagramthe possibility of mending something. I think if both people are on the same page and they each get to get their side of the story out, I think that there’s a very strong possibility that they could be friends again. They’ve all been through so much that they realize that sometimes you have to do things, or things happen that are out of your control, and I think when you care about someone, you understand that. I would appreciate the honesty, so I hope so. I hope they do get to mend their relationship.

Question:   Julia, what kind of backstory were you given about Elizabeth’s connection with CRM, and will we be seeing that play out, maybe explore her backstory a bit this season?

Julia:  That’s super hard to answer…without doing spoilers. I think some of the backstory, I think when you have supporting roles, and basically Elizabeth is this sort of character. It’s not always helpful for the backstory to come into the story story, but, yeah, that was kind of [vague]. [laughs]

I think the biggest thing is that she’s a real believer, she signed up for this philosophy, and she thoroughly believes in the choices that they’re making and what they need to do in order to save mankind. Then, there’s this greater detail in that, but I don’t want to answer it any more, because I don’t want somebody like Scott [Gimple] or Matt [Negrete] to go, “Why did you say that, because we’re going to use that.” They sent us a list, “You may not talk about this; you may not [talk about this].” I don’t know if they sent that to you. I was like, “What do I talk about? I don’t know what to talk about now.” So it’s a little scary. There you go, that was an all over the map useless answer.

Question:  Julia, I respectfully have to disagree. I think she’s more than a supporting character, because she casts a very big shadow in the story. She manipulates; she tests people, and when somebody pushes her, she pushes back hard. What’s it like to play all those different aspects and then throw in the fact that she’s a mom, too?

Julia:  Well you know, Jamie Ruby was asking the question earlier in terms of you see her get upset in season one, you see kind of the soldiers get taken off, and then she’s upset. I think, for me, that upset at that moment is this private moment of grief in terms of I’ve not just done this awful thing to this kid that I frankly liked and was a good soldier and all the rest of it, and the grief around how much people can tolerate, but what is my kid going to think of me when they find out and I have to tell them? I think that just packs a punch. And for me, what happens with Elizabeth is you see the dehumanization of it, she becomes increasingly disconnected. She’s just disconnected, and she’s shutting down. So, she’s dissociating, and it’s at certain moments that I really value that she has actually with her own family that pull her back. And maybe – maybe yes, maybe no –  that will actually impact her reevaluation of what they’re actually doing.

Question:  For Alexa, Hope is kind of in a new place. We won’t say more than that. She’s kind of getting acclimated to a lot of different things, and also, there seems to be an aura of distrust a little bit. Where is she mentally at this point?

Alexa:  I thinks she just came from getting so hurt and feeling so betrayed after what Huck did, and she just left her sister; her and her sister just split up, and the only friends that she really feels like she ever had she doesn’t have them, and she doesn’t know what’s happening to them, or where they are. So, I feel like she’s in this spot where she’s like, “Do I let more people in?” Because everyone kind of leaves and no one, nothing ever lasts. Anything good that’s ever happened in my life hasn’t lasted, or it’s turned out to be completely fake. So, I think she’s a little bit on the fence and has this guard up in this new place that she’s in, because she doesn’t want to get hurt again. At least she’s got her father and whatnot, but anybody else that’s not really family, that’s not really a necessity in her life. I don’t think she really is trying to get attached to them after what’s happened.

Question:  And Annet, really briefly, do you feel like she’s a woman without a country right now?

Annet:  Yeah, the other one got exploded, and this one is under attack. Yeah, I mean, she’s always been a woman of her own country, I suppose, of her own reality. So, I don’t know if she particularly needs to be anywhere. She’s not truly attached to anything. She’s a true soldier in a way, going from point A to B, and then she has to keep going. She can’t really sit still anywhere, and you’ll see her coming back to her room, and it all seems distant and doesn’t really mean anything anymore, because she’s changed so much. So, it’s sort of these pauses in between that a soldier never really knows how to deal with anyway. They just like to be away and like to be in these explosive situations; that’s where they thrive. So, Huck’s ready. I think she’s ready for another mission.

Suzanne:   Julia, you’ve been working since you were very young, since high school, at the very least, in acting, and then after that, and a lot of the cast are very young people. Did you have any advice for them? Or did they come to you for any advice?

Julia:  They don’t need advice from me. They don’t need advice from me. I might be asking them advice. Annet, Alexa, did you come to me seeking any advice? [laughs] Did I ever give you any advice? I don’t remember. No, I dont think I did. I’m not much of a sharer in that respect.

Annet:  Honestly, watching Julia and just being in the presence of her is your advice and your lesson and your inspiration, and you just respond to the person, the greatness that’s in front of you. So, that’s everything.

Alexa:  Yeah, Julia is a force to be reckoned with. I know every time I go on set with her I’m like, “How are you doing this? I don’t understand.” So, if there was a person I was going to go to advice for, it would probably be Julia.

Suzanne:   I recently learned that the [show’s] timeline is concurrent with the original Walking Dead, and there’s going to be a movie and some other spinoff series. Have any of you heard about whether any of your characters, or whether you as actors, will be involved in any of these other things, or whether your show will be involved with the ending of the other Walking Dead?

Julia:  I think that’s really a kind of Scott and Matt question. It is one of those things that I like to call them spoiler blurts that you sort of trip up in terms of, “What do I say? What do I say? What do I not say?” So maybe somebody from AMC could help fill in on that question.

Suzanne:   None of you have heard anything that you can comment on at all?

Annet Mahendru in "Tyrant" on FXAnnet:  I mean, we’re done, right? But there’s always crossovers. I mean, Jadis joined us. We’re all gonna be around, so they can always pluck us up at any given moment. That’s, I think, what is so cool about all these, this threesome, so to say, of shows, because we can all play with each other at any point.

Julia:  Also, they have this format where there’s flashbacks, and you go back, and you see stuff, so even if a character dies, you still don’t know whether or not they’re going to resurface in another [show].

Question:   Elizabeth is such an insanely manipulative character and who really sends chills down my spine. So, as an actor, what is your process going into this character, and how do you prepare yourself before you act the hell out of her?

Julia:  So, everybody sees her as manipulative, and I guess there’s a part of me that once you find that justification, I think it was I was talking to Jamie about in the beginning. My justification is that she is part of the military; there’re very few human beings left as far as they know. They work from the facts that they can [unintelligible], so they don’t know if there’s anybody else left in the world. They don’t know if they’re the only human beings left. So, they are working towards building hierarchy and structure and laws, and the ethics have just gone to hell, because their ethic has to be protect the border of whatever the human race is. We can’t let other people – we’ve got limited resources, we can’t necessarily share them with everyone. We need to make relationships with people outside of it. That’s her MO. That’s where she has to end up making tough decisions that, from my own perspective, people who are in the military, they’re making those decisions all the time. Somebody being killed somewhere on our behalf right now, and we kind of have gotten a little bit of – it feels globally as if there’s a little bit of weird acceptance around it, because it’s too painful to confront.

So, there’s a piece of Elizabeth that’s an amplification of that. It’s like I go into a state of denial, because it’s just too painful to accept the reality. Then, that state of denial, I mean, she’s disconnected; she disconnects from personal relationships as well. Then, I think once you have that, you can sign up as a believer. But you can believe in something and not be happy about the consequences of it. You can believe that, “Oh, I had something wrong with my leg and the doctor’s telling me that I have to have it cut off.” It’s kind of like, “Okay, I’m not particularly thrilled about it, but this seems like that’s the best plan going forward.” But I think, for me, it’s kind of getting into it.

Like I watched some of it last night, I was like, “Oh my god, she redefines resting bitch face.” [laughs] Oh my God, this just makes you so grim. But I think that’s kind of like what the sadness and the resignation is. There’s a harshness to the choices that she’s making, and so that kind of shows on the exterior.

Interview Transcribed by Jamie of http://www.scifivision.com

Don’t miss our other interview with Joe Holt (Leo) and Natalie Gold (Lyla)!

MORE INFO:

cast members of "The Walking Dead: World Beyond" on AMC

The Walking Dead: World Beyond’s ten-episode second season premieres October 3 at 10pm ET/9c on AMC with all episodes available one week early on AMC+, beginning September 26

Season Two trailer HERE

Season two of The Walking Dead: World Beyond concludes the epic story of Iris (Aliyah Royale), Hope (Alexa Mansour), Elton (Nicolas Cantu), and Silas (Hal Cumpston) — four friends who journeyed across the country on a mission that transformed everything they knew about themselves and the world.  As they face off against the mysterious Civic Republic Military and fight for control of their own destiny, goals will shift, bonds will form and crumble, and innocence will be both lost and found.

The Walking Dead: World Beyond is executive produced by co-creator Scott M. Gimple, co-creator and showrunner Matt Negrete, Robert Kirkman, Gale Anne Hurd, David Alpert and Brian Bockrath, and is produced and distributed by AMC Studios. In addition to Royale, Mansour, Cantu and Cumpston, the series stars Nico Tortorella, Annet Mahendru, Julia Ormond, Joe Holt, Jelani Alladin, Natalie Gold and Ted Sutherland.

Episode 201: Konsekans – Premieres October 3 at 10pm ET/9c on AMC

Hope’s commitment to the future is put to the test, jeopardizing a potential reunion.  Iris and Felix meet a new group. Startling revelations are made.

Episode 202: Foothold – Premieres October 10 at 10pm ET/9c on AMC

While some members of the group enact a plan to cover their tracks, others attempt to acclimate to their new surroundings.

Julia Ormond

Julia will next be seen in AMC’s The Walking Dead: World Beyond which will premiere this year. She can most recently be seen in BBC’s Gold Digger. Julia performed opposite Maya Rudolph and Catherine Keener on Amazon’s series Forever from creators Yang/Hubbard (Parks and Rec). She was recently nominated for Best Actress for the Australian Academy of Cinema and Television for Ladies in Black from acclaimed director Bruce Beresford. It will be distributed by Sony later this year. Other recent work includes Howard’s End written by Oscar winner Kenneth Lonergan for the BBC and STARZ which garnered rave reviews. Julia also appeared in HBO’s comedy Tour De Pharmacy opposite Andy Samberg, Will Forte and Orlando Bloom. She also starred in the independent film Rememory opposite Peter Dinklage and late Anton Yelchin which premiered at the 2017 Sundance Film Festival. On the small screen, Ormond received an Emmy® Award in 2010 for her role in the HBO movie Temple Grandin and in 2012 was nominated for a second Emmy for her guest role on Mad Men. Julia wrapped a season of the SyFy series Incorporated which was produced by Ben Affleck and Matt Damon. Among her film work Julia Ormond starred in the epic Legends of the Fall alongside actors Brad Pitt, Anthony Hopkins, and Aidan Quinn and played the lead role with Harrison Ford in the film Sabrina, directed by Sydney Pollack. In 2008, she starred with Brad Pitt in the fantasy- drama The Curious Case of Benjamin Button and also worked with Benicio del Toro in Steven Soderbergh’s biopic Che. JULIA’S PASSION AND NON-PROFIT WORK Julia was the first and former UNODC Goodwill Ambassador Against Trafficking and Slavery and is the Founder of Alliance to Stop Slavery and End Trafficking (www.assetcampaign.org) that was the origin, architect and convener of the Transparency in Supply Chains Law in CA that passed in 2010. She is Founding Chair of FilmAid International. She was Executive Producer of Calling the Ghosts: A Story of Rope, War and Women which won an Emmy, a Cable Ace, a Robert F Kennedy Journalism Award. and after a screening at the Council of Foreign Relations spurred legislation that enabled the arrest of Milosevich. Julia also participated in Call and Response. a documentary on the state of enslavement today and one of the first documentaries promoting cell phone technology to accept immediate donations to the cause. She is an Associate Producer to Libby Spear’s Playground, which focuses on the environment that enables child trafficking within the U.S. As an advocate, Julia has traveled the world assessing solutions and challenges and she has appeared as an expert witness before the US. Congress and the United Nations. For this advocacy work. she received the World Economic Forum’s Crystal Award” and Women for Women International’s “Peace Award.

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Alexa Mansour

Alexa Mansour just wrapped filming a series lead in the highly anticipated 3rd installment of The Walking Dead universe for AMC. Set in The Walking Dead’s near-future, Mansour plays “Hope,” a hard-drinking and disillusioned teenager who yearns to experience the world outside the confines of her contained community. Mansour beat out thousands of actors for the role and stars opposite Nico Tortorella and Annet Mahendru. In film, Mansour recently starred in the buzzy, social media-driven genre feature Unfriended: Dark Web from director Stephen Susco. She also starred in the MarVista ensemble thriller #Squadgoals . Next up, Mansour will be seen in the independent feature film She’s in Portland opposite François Arnaud and Minka Kelly. On the small screen, Mansour was last seen in guest lead roles on CBS’s Madam Secretary and Bull. She also appeared in notable recurring arcs on CBS’ Seal Team (opposite David Boreanaz), FOX’s The Resident (directed by Phillip Noyce) and most notably, as the troubled “Faiza Assaf” in ABC’s critically acclaimed How to Get Away with Murder. Alexa made her television debut in 2014 as the lead guest lead in Law and Order: SVU’s season 16 premiere, which boasted the highest ratings for a premiere episode in seven years. When Alexa is not acting, she continues to create as a talented singer-songwriter and pianist. She released her freshman single entitled “Misguided Youth” in 2018.

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Annet Mahendru

Annet Mahendru has become a highly sought-after performer for both film and television. Perhaps best known for her critically acclaimed role on the Golden Globe & Emmy winning FX series The Americans, where she played Nina, the mysterious spy opposite FBI Agent Stan (Noah Emmerich). Her portrayal of Nina earned her a Critic’s Choice Nomination for Best Supporting Actress in a Drama Series and a Gold Derby TV Award Nomination for Drama Guest Actress. She was awarded Showbiz India’s Trailblazer award, recognizing her for an ‘Emerging Leader’ as a rising South Asian Female Actor in Hollywood. Recently, she appeared on the highly anticipated anthology series for Amazon Prime, The Romanoffs. Created, written, directed and executive produced by Matthew Weiner (Mad Men). The series features eight separate stories about people who believe themselves to be descendants of the Russian royal family. She also starred in the dystopian SYFY thriller The Slows, which marks Marvel scribe Nicole Perlman’s directorial debut. It is currently appearing at international film festivals. Annet has established a notable television resume with other credits including The X-Files, Tyrant, The Following, Lethal Weapon, Grey’s Anatomy, White Collar, 2 Broke Girls, and The Blacklist. In addition to her television work, Annet starred in the Sundance film Escape From Tomorrow, played the title role in Sally Pacholok, and appeared in Bridge And Tunnel, and Love Gloria. She was also the voice of Eva in the Penguins of Madagascar movie co-starring Benedict Cumberbatch. On stage, Annet performed in Seven, a play about Afghan refugee Farida Aziza at the LA Theatre Works. A collaboration between 7 playwrights and 7 female activists from around the globe that tells inspiring stories of overcoming adversity to effect real change and improve the lives of women. Born in Afghanistan to an East Indian father and Russian mother, Annet spent her early years learning 6 languages in the Middle East & Europe. She finished high school in New York, earned a Bachelor of Arts in English and Philosophy at St. John’s University. Then embarked on a Master’s degree at NYU’s Global Affairs Program. In addition to her studies, Annet was always part of a stellar acting troupe whether with a renowned Russian actor in St. Petersburg, the HB Studio in New York, at the Groundlings or Diana Castle in Hollywood. She is also highly trained in Mixed Martial Arts and Indian classical dance, Bharatanatyam. Annet currently resides in Los Angeles with her director husband Louie Gibson and their son. She is part of the local charity BreastfeedLA where she advocates for the importance of breastfeeding to help families meet their goals.

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Proofread and Edited by Brenda

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Julia Ormond (Elizabeth), Alexa Mansour (Hope) and Annet Mahendru (Huck) of "The Walking Dead: World Beyond" on AMC

Interview with Joe Holt and Natalie Gold

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TV Interview!

 

Joe Holt (Leo) and Natalie Gold (Lyla) of "The Walking Dead: Worlds Beyond" on AMC

Interview with Joe Holt (Leo) and Natalie Gold (Lyla) of “The Walking Dead: Worlds Beyond” on AMC by Suzanne 9/23/21

This was such a fun interview, and I really enjoyed it. I loved how they let Joe call on us. Usually they have a PR person doing that. It was a nice change, and he was great at it. Personally, I think he should have his own talk show or podcast (if he doesn’t already). Both actors were very kind and funny. Don’t miss the season premiere 10/3 on AMC!

Question:   Natalie, does Bellshaw have real feelings for this man? Or is it all just part of her need to get him there and keep him there?

Natalie:   Oh, Lyla loves Dr. Bennett. Lyla Bellshaw loves Dr. Bennett. Oh, yeah, absolutely her feelings are real. I, as an actor, and Matt, and Joe and I have had a lot of conversations about that. Oh, yeah, it’s so much more interesting if her feelings are real and genuine. But yeah, she’s in love.

Jamie:   This is actually kind of continuing on that. Natalie, she still, obviously, though, is, with the CRM also. So, my question is, do you think that she would be willing to potentially leave them if [Dr. Bennett] decided to do that and go against it? And can she trust him? I mean, maybe he’ll side with his daughters. Could you both talk to that?

Natalie:   I think I kind of love the way that season one ends and teases that up, because those are all the questions, right? [Can] we trust Lyla? Does she have ulterior motives? What are her ulterior motives? It became kind of clear in season one, by the end of that episode, and that monologue that she has that she really wants to go and tell Leo, and she ends up not telling him that she’s kind of the catalyst for this whole thing starting. It’s because Leo came to Lyla and said, “I have this daughter who’s brilliant,” and Lyla obviously then told her higher ups. So, I think that this season is kind of a great exploration for Lyla’s character, her push and pull between her love for Leo and her real belief in the greater good. And one person what’s the balance? How much is one life worth versus hundreds of thousands of lives and the work that she’s doing? So, it’ll all be explored in season two.

Joe Holt and Natalie Gold of "The Walking Dead: Worlds Beyond" on AMCJoe:   Yeah, I mean, not to speak for her character, obviously, but I think that there’s absolute chemistry between the characters that is real, which probably creates some of the conflict for her with her duties. There’s a Civilian Republic, and there’s a Civilian Republic military, and I think the second season starts highlighting some of the differences. Like, I did not plan on being a pawn of the Civilian Republic military. I was working for the Civil Republic, as was Lyla. I do think that the theme of the needs of the many outweigh the needs of the few, as Spock stated in Wrath of Khan. I think that is a constant theme and a constant source of conflict in the second season. We each keep getting pushed to the next level. That tests that principle and that belief within ourselves.

Natalie:   That was said so much more eloquently [by] Joe, as per usual.

Question:   I think what’s interesting about both your characters is obviously you have a personal relation, and you have both kind of walking a tightrope with the military, but also, there’s the scientists’ portion of your lives to that. You want to do something for the greater good as well. So, talk about kind of balancing all that as characters and playing that as actors. That’s a tight rope you could easily fall off of.

Joe:   I think that the joy of acting is conflict, and also, at the crux of any television show or movie is creating and constantly pouring gas on that fire. As an actor, you can sink your teeth into choices. The beauty of this character, and I think of all the characters in the show, is the constant tug of war between what’s right for me and what’s right for the greater good. Within all that we have to battle our own demons. I have to deal with the guilt that I have over leaving my daughters. I won’t speak for Natalie’s character, but every character, I think, in the show has some inner conflict. Then, they have an external conflict and trying to sort all that out is what creates a lot of joy, I think, for actors.

Natalie:   Yeah, and I think as far as kind of Lyla’s love for Leo, she really fell in love with his mind. He’s one of the greatest minds and most brilliant soul she’s ever met. I think that that’s such a deep part of their connection is how well they work together. She found a real partner in him as far as that goes. I think everything Joe was saying is really right, the inner conflict and guilt that all these characters have, and I think it’s going to be cool as we learn more about all of their backstories in season two, but it’s really a push pull between falling in love with somebody, getting close, being in a relationship with somebody in this universe, because it’s a dangerous universe.

Suzanne:   You just finished shooting the show in June, correct? Now, when did you start shooting?

Natalie:   February.

Joe:   February.

Suzanne:   That didn’t take too long.

Joe:   It depends who you ask.

Suzanne:   Joe, you play a character who’s supposed to be brilliant. So, besides the script and the costumes, what else helps you prepare for such an intellectual role?

Joe:   The beauty of television is – this is gonna sound so obnoxious. They kind of cast the person that fits the role. There’s not much research you can do to become smart. So, hopefully, I can say the words they give me and not trip over them, but what was great was having a sit down with Scott Gimple and Matt Negrete, really, day one or day two, when I got in Virginia the first season, and having them talk about what Leo is operating from. And as actors, that’s the most useful thing is to understand [is] where is it we’re coming from? What is it that we want, and what are the things that have created us? That way, we don’t get into trying to characterize what a smart person does. Fortunately, we have good writing, good casting, and good storytelling, and then, as an actor you just need to try to be as honest and truthful with your circumstances as you can be. So, I credit them with making me seem like a smart person.Joe Holt and Natalie Gold of "The Walking Dead: Worlds Beyond" on AMC

Natalie:   Joe got his PhD in Physics in between seasons.

Joe:   [laughs] Go back to grad school for six years in two months.

Natalie:   He’s that good.

Suzanne:   Well, you’re both supposed to be a very smart — too smart maybe for your own good. Natalie, is it safe to say that your character is not very honest, especially in your relationship with Leo, and would you say that she’s not a good person, or she is? What do you think?

Natalie:   I think rule one of being an actor is to find the gray area. Rule one of being an actor is to love your character and to believe in what she does. So, I would never go as far to say that Lyla was not a good person. And I worked really hard and had a lot of great talks with Matt and with Joe this season as well that she – We have found out by the end of season one that she has not told Leo the whole truth. There’s obviously some stuff going on that he does not know about – her motives for doing what she does. We’ll find out more about what she does and why she does what she does in season two, but I think I always, for myself as an actor, had to believe that her reasons were and are formidable, and that the work she does, she believes in it, and that as people, we are capable of honesty and dishonesty and love and betrayal, all in one breath. So, it’s kind of fascinating as an actor to play that.

Suzanne:   Great, and I have a feeling that your relationship will will not end well.

Joe:   [laughs] Don’t say that. Don’t jinx our love affair. It was gonna be a wedding at the end of season two, what are you talking about? A purple wedding.

Natalie:   Like every Shakespeare comedy.

Joe:   That’s right. [laughs]

Suzanne: Well, you have a Huck, not quite a Puck.

Joe:   Well played. Well played.

Question:   Joe, I love the relationship he has with his daughters. Are we going to be getting more of a backstory though about his relationship with Felix to see why he trusts him with the most important people in his life?

Joe:   I think the writers have a real challenge with trying to write for so many characters in a ten episode season, and [there are] definitely glimpses of that coming up in season two – without giving too much away – but I think that a lot of what we saw in season one really lays the groundwork for his relationship with Felix. He took Felix in. Felix was essentially orphaned when the earth fell, or when everything went wrong. Felix needed someone to take him in, and that’s when our relationship began. There’s just tremendous trust there.

In the second season, I think the writers were constantly trying to figure out a way to go forward and provide some sort of historical perspective. So, we didn’t get to go too far in anybody’s past, because we were trying to move forward so much, but the Felix/Leo relationship is family. I think that the relationship definitely gets flushed out more in the second season, and we get to learn a little more about what’s going on with it.

There are pictures of us on a camping trip.

Question:   You and Felix, or the girls?

Joe:   Yeah, exactly. Exactly.

Question:   Then I should ask what’s on your desk at work. Whose pictures do you actually have on your desk at work?

Joe:   Are there any pictures at all?

Natalie:   He has pictures of himself.

Question:   Touché.

Joe:   High school prom king.

Jamie:   Are we going to get to see you guys out of the lab at all? Maybe killing walkers, maybe not, but at least a little bit different atmosphere? Is there anything you can tease about that?

Natalie: Yeah, we venture out of the lab here there. I would say.

Joe:   Yeah, I think that everybody gets put into uncomfortable situations is the best way I can put it. Everybody gets put into a situation. Every character gets put into a situation that they are not comfortable with, and that’s part of the measure of what their character is, part of the measure of their ability to grow. Their willingness to survive in this new world is how they respond to the new environment.

Question:   There’s another component here that’s going on with each of you. Joe, you’re a father, and you’re dealing with that as well as everything else. Natalie, Elizabeth is putting a lot of pressure on you as well. So, it’s juggling lot of different things. Talk about playing those aspects of the characters.

Joe:   It was really challenging in the best of ways to try to find that the truthfulness of those relationships, because he does have an obligation to raise these two young women who, despite their independence, intelligence and resourcefulness, need a father, and as we saw in the first episode, lost their mother tragically. So, he has got his own inner drama going on between trying to move forward, trying to find a solution for this horrible disease, and meeting this new person who he shares so much with. They have a real connection. He admires her mind, and in the same way she said he admires her mind and her soul, and I think there’s some guilt there of even trying to move forward, feeling like in some way you’re doing an injustice to your former life. So, all that stuff is wonderful in the way that it unfolds in season two. And, again, it just it pours more gasoline on that conflict fire of how many masters can you serve? And when you have to make [choices] who gets left out in the cold? So, that’s a really good question. It really does create a lot of tugs of war for Dr. Bennett in the second season.

Natalie:   I think that for Lyla, she is definitely balancing the role that she plays in the CRM, and obviously, she cares about the science. More than more than anything else, I believe she wants to save the world. She wants to find a cure for this disease. She wants the world to go on. She wants it to have a future. She wants to teach all the generations coming up what she does, so that this facility can go on and the science can grow. It’s the only way that the future is going to happen, and she believes in the future. So, she’s balancing that, yes, with the pressure that she’s getting from Elizabeth, and the work that she needs to do and her feelings for Leo. There’s a lot going on internally with her and a lot that she’s struggling to balance as well.

Question:   That’s half the fun, though.

Natalie:   Oh, it’s so much fun.

Suzanne:   In the trailer, it shows Iris and Leo hugging, so we know that they do eventually wind up – finally – in the same place. What was it like for both of you, working with the actresses who play Hope and Iris this season?

Joe:   I nicknamed them “Thing One” and “Thing Two,” because they bring such different – It’s such a different energy to have them on set. They’re sort of getting started in this, and you’re dealing with, to some degree, moody teenagers, but you love them, because they’re so gentle and so wonderful and lovely, really, as people. It’s like, this is what a dad deals with. So, it was really just staying open to the energy that they bring, because you never know what they’re going to bring in. But I’ll tell you this much, when the camera rolls, these two young women know exactly what they’re doing. And, again, they have different personalities. So, it is like you’re the dad of these two different daughters, and the two daughters love each other and then have their own little rivalries. So, it really was a matter of like playing centerfield when you get on set just like what are they bringing in today? And how can I be of service? And how can I be Dad?

Natalie:   Alexa and I met for the first time really on that first episode of season two, because we had not – I have said this, and Joe’s heard this ad nauseam, but the first season I worked by myself until we got to the tenth episode where, thank God, I got to work with the amazing Joe, and that was the best. So, Alexa, when I read the 202 [script] I was like, “Oh, I get to meet Alexa and be with her,” and that was so much fun, because we were kind of meeting each other as people for the first time as our characters were meeting, and I was able to kind of guide her and show her this world and give her a tour of that. So, it was really fun. I was trying to play the, “I love your dad, but I don’t think you know that yet, and I really want you to like me” and the stepmom thing, [and] “you have a brilliant mind, and I’m trying to bring you into this world and get you really excited about everything we’re doing here.” So, there was a lot of personal professional dynamics at play. Then, I mean, Alexa is great. She’s fantastic.

Suzanne:   And Joe, following up on what you just said about the girls, I believe you were on As the World Turns. Was it about the same age as these girls, or were you a little older at that point?

Joe Holt (Leo) of "The Walking Dead: Worlds Beyond" on AMCJoe:   As the World Turns was 2004, 2003 so I was 33. So, I was much older. I was much older than them. Stupider, but much older. Not as good as them; not as good on cameras they are, to my discredit.

Suzanne:   Did either of you watch either the regular The Walking Dead or Fear the Walking Dead before you started on the show?

Joe:   I didn’t before I started on the show, because it all happened very quickly for me. I got an audition on a Friday for I think it said “TWD 3.” I was aware of the show, obviously, but I hadn’t watched it. You get an audition, and you go do your thing, and you do the research you can do. But then after I got the part, I watched ten seasons of The Walking Dead. I binged it too, which I don’t recommend. I mean, I do recommend watching it, but bingeing it – like I was watching six episodes a day, and I think the theme song got into my head, and I was like waking up like a drug addict. Like, “I gotta watch Walking [Dead] It was addictive, as you all know, right? It pulls you in. But not before I did the show, and I’m actually kind of glad, because I think the whole point is these characters are starting from their jumping off point, and their jumping off point is with no knowledge of that world. But watching it afterwards, it was just great to watch Negan and Daryl and all those guys. It was great. And Michonne.

Natalie:   I also am admittedly a wimp with anything horror. So, I had not watched The Walking Dead until I got the job. Then, I did exactly what Joe did, and I binged all episodes. And what I loved about it, and what I love about our show is, God, it’s the universe that is created by these brilliant people. It’s terrifying obviously, but it’s the human interactions that make it so rich, and the love between people and the betrayals of people. And, God, I have like an abnormal fear of the apocalypse to begin with, so anything apocalyptic, I’m like, “Oh, that’s not for me. I shouldn’t do that.” My husband read The Road, and I went to go see the movie, and he called me, he’s like, “Don’t watch the movie! I’m begging you!” I’m like, “I’m going to watch the movie,” and I did, and it was a terrible mistake. It’s always about –Joe:   [laughs]

Natalie:   It’s true.

Joe:   I don’t think your fear of the apocalypse is abnormal. I think it’s okay to fear the apocalypse.

Natalie: Is it? It’s like not something you should wake up thinking about all the time. Maybe now, but it’s like, what’s going to happen in the apocalypse? But it’s people that are – I mean, the zombies and the monsters are terrifying, but it’s people who turn into monsters, who stays human, who wants to help, all of that, that’s kind of what I absolutely adored about bingeing The Walking Dead, the original, and then working on our show, as well.

Suzanne:   Yeah, I’m the same way, in fact, because I don’t watch The Walking Dead either for that reason… but I like your show better, because it seems to have a little more human element and little fewer zombies. So, I like that.

Interview Transcribed by Jamie of http://www.scifivision.com

Don’t miss our interview with Julia Ormond, Alexa Mansour and Annet Mahendru!

MORE INFO:

The Walking Dead: World Beyond’s ten-episode second season premieres October 3 at 10pm ET/9c on AMC with all episodes available one week early on AMC+, beginning September 26

Season Two trailer HERE

Season two of The Walking Dead: World Beyond concludes the epic story of Iris (Aliyah Royale), Hope (Alexa Mansour), Elton (Nicolas Cantu), and Silas (Hal Cumpston) — four friends who journeyed across the country on a mission that transformed everything they knew about themselves and the world.  As they face off against the mysterious Civic Republic Military and fight for control of their own destiny, goals will shift, bonds will form and crumble, and innocence will be both lost and found.

The Walking Dead: World Beyond is executive produced by co-creator Scott M. Gimple, co-creator and showrunner Matt Negrete, Robert Kirkman, Gale Anne Hurd, David Alpert and Brian Bockrath, and is produced and distributed by AMC Studios. In addition to Royale, Mansour, Cantu and Cumpston, the series stars Nico Tortorella, Annet Mahendru, Julia Ormond, Joe Holt, Jelani Alladin, Natalie Gold and Ted Sutherland.

Episode 201: Konsekans – Premieres October 3 at 10pm ET/9c on AMC

Hope’s commitment to the future is put to the test, jeopardizing a potential reunion.  Iris and Felix meet a new group. Startling revelations are made.

Episode 202: Foothold – Premieres October 10 at 10pm ET/9c on AMC

While some members of the group enact a plan to cover their tracks, others attempt to acclimate to their new surroundings.

Joe Holt was born on February 22, 1970 in Tachikawa, Tokyo, Japan. He is an actor and producer, known for The Walking Dead: World Beyond (2020), The Punisher (2017) and Delilah   Check out his Instagram and Twitter

Natalie Gold is an American actress who has appeared in film, television, and stage productions including on Broadway. She is perhaps best known for playing Julia Harwell on the TV show Rubicon, and she has appeared in many films including Before the Devil Knows You’re Dead, I Don’t Know How She Does It, and Love & Other Drugs. Gold grew up in Miami, Florida, and studied theatre at the New World School of the Arts and Emerson College. Find her on Instagram and Twitter!

Proofread and Edited by Brenda

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Joe Holt (Leo) and Natalie Gold (Lyla) of "The Walking Dead: Worlds Beyond" on AMC

Interview with Charisma Carpenter and Nancy Grace

Posted on by TvMegasite Admin

TV Interview!

Charisma Carpenter, star of "The Good Father," and Nancy Grace, Executive Producer.

Interview with Charisma Carpenter and Nancy Grace of “The Good Father: The Martin MacNeill Story” on Lifetime by Suzanne 9/14/21

This interview was from Lifetime’s Fall Movies Press Day. It was very enjoyable to chat with many stars during the panels.

Unfortunately, this movie’s star, Tom Everett Scott (Dr. MacNeill), couldn’t make the interview. Most of the movie centers on him, and his daughter, Alexis played by Anwen O’Driscoll. She wasn’t there, either.  Carpenter plays his wife, Michele, who gets murdered  fairly early on in the movie. Grace is seen briefly (as herself) and was responsible for bringing the story to Lifetime.

I really hadn’t planned to speak to Grace, since I’m not a fan of her style of journalism. However, when I asked Carpenter my question, she really didn’t have much of a response, so I decided to ask Grace a question after that. She didn’t like my question (which was partly my fault because I didn’t really phrase it very well), so she went on and on about it.  Oh, well. It was a good movie, and an interesting panel interview, nonetheless. I just wish I could have asked Carpenter about some of her other roles (“Buffy the Vampire Slayer,” “Angel” “Veronica Mars” et al.).

MODERATOR:  Our next panel is “The Good Father: The Martin MacNeill Story” executive produced by Nancy Grace and starring Charisma Carpenter.  Hi, ladies.

CHARISMA CARPENTER:  Hello.

NANCY GRACE:  Hello.

MODERATOR:  Thank you for joining us.  We’re going to kick it off with a question from Jay Bobbin.

QUESTION:  Hello, thank you.  Nancy,  my question is for you.  A lot of what you’ve done in the TV-Movie realm, it seems like these are stories you’ve dealt with in other ways on your other programs in your other appearances.  Is this one of those stories for you?

NANCY GRACE:  Well, yes as a matter of fact, it is.  I covered the Martin MacNeill prosecution when it occurred.  And felt that I became friends with various members of the family, specifically Alexis.  I remember distinctly like yesterday — as a matter of fact we just showed the promo you just saw?  It literally gave a chill on my arms because when I see that, it’s so realistic, it reminds me of the actual case.  And I can still remember the night of the verdict and speaking with Alexis.  And she was telling me about how she had gotten married her mother wasn’t there because her father murdered her mother and what that felt like so this movie means a lot to me.

QUESTION:  A follow up on that if I could, when you talk about the chill that it gave you bringing back the real case, how are you on the set when a dramatization of a case you’ve actually covered is being done?  I would imagine you want it to be as truthful to the fact as possible, yet it is still a dramatic movie.  How are you with that?

NANCY GRACE:  Well, I will say that I went — I combed over the screenplay over and over and over.  And actually pitched this to Lifetime with the intent of one day telling the true story of Dr. Martin MacNeill.  But you know what?  I don’t like calling it the Dr. Martin MacNeill story.  I like calling it the Michelle MacNeill story because in my mind that’s the real star.

QUESTION:  Thank you very much.

MODERATOR:  Thank you.  Our next question is from Jamie.

QUESTION:  Hi, thank you both for being here.  Nancy, how involved was Martin’s daughter when it came to Anwen’s portrayal?

NANCY GRACE:  Oh wow, well her wishes and her desires were paramount in my mind.  Because as I always like to say and I have said from the beginning of my TV career, these are not stories.  They’re real.  This is a real fact scenario with a real victim who died in the family’s bathtub.  Her daughters — they had eight children, four natural, four adopted.  They no idea what had really happened to their mother.  So when we talk about how much Alexis had to do with it, this is the telling of the story through her eyes.  So she had a lot to do with it.  These are real characters.  It’s not a made-up plot that someone came up with or dreamed up.  This is real.  And that makes it in my mind even more critical that it’s true to life.

MODERATOR:  Thank you.  Our next question is from Jamie Ruby.

QUESTION:  Hi guys.  Thanks for talking to us.  Charisma, what was it that initially drew you to the part?

CHARISMA CARPENTER:  Well, I think any time you mix true crime with scripted television, you do have to walk and extra careful line.  It was super challenging to honor her memory and to be able to get across her love of family, to be able to get across the behaviors that she was experiencing and her confusion about his behavior, the pathological lying and the sociopathy behind it all.  So I feel like whenever you’re approaching a character, you have these insights that you bring to the table, but when it’s a real-life story, you have to take the insights that you understand from whatever the history is of the story.  You have to do a lot of reading, a lot of research and then you know the importance of getting that across was a true challenge and something that I took to heart and wanted to pay the utmost of respect to.  So that was a new thing for me.

QUESTION:  Thank you.

MODERATOR:  Thank you.  Our next question is from Howard Benjamin.

QUESTION:  My question is for Nancy.  How difficult is it to get life rights?  You’ve taken to task a lot of ripped-from-the-headlines stories and getting the cooperation from the family and the estates, how difficult is that?

NANCY GRACE:  Well, since — being a crime victim myself, usually tell stories from the point of view of the crime victim.  And I’ve never had any problem with their cooperation.  Very often they want their story told and not just within the confines of the witness stand.

QUESTION:  Is it difficult for them to relive this all over again?

NANCY GRACE:  Yes, it is.  It’s very difficult for them to relive it.  I’ve had many, many crime victims that don’t want to talk about it.  It brings it all back to them and including the pain that they went through.  And that’s one thing about Alexis of many things that was so significant and so critical in this project because it did bring back a lot of sadness and a lot of emotion for her that she had to relive, but she did.  And I’m so glad she did.

QUESTION:  Thank you.

CHARISMA CARPENTER:  She was impressive in doing that.  You know, and also I think you know to add to that is Anwen, you know, it being Alexis’s story portrayed by Anwen, it is a story of empowerment.  You know, it is a story of reclaiming your power and not allowing yourself to be manipulated and gaslighted any longer by this perpetrator you know, that was unfortunately her own father who she admired and adored and loved and was well-respected.

NANCY GRACE:  Mm-hmm.

CHARISMA CARPENTER:  In the community and at work and within his church.  So I mean what a powerful place, what an unfortunate thing to have to be confronted with, but then to understand the strength of character, her perseverance, her desire for truth to support her siblings while she was in medical school.  I mean, this is an incredible person.  This is an amazing woman.  So yay to be able to tell this story because it is in fact, Michelle, it may be her story in that sense, but it’s also a story of empowerment which I could really hold onto and clamp onto and why I also wanted to be involved.

QUESTION:  Thanks.

MODERATOR:  Thank you.  Our next question is from Luaine Lee.

QUESTION:  Nancy, I have two questions for you.

NANCY GRACE:  Okay.

QUESTION:  What crime were you a victim of?  And what are the qualities required for you to decide to  take on a project?

NANCY GRACE:  People think I always wanted to be a violent crime prosecutor.  That is not true.  I studied Shakespearean literature and hoped to teach at a university level Shakespearean literature.  That was my dream.  My fiancé was murdered shortly before our wedding.  I dropped out of school.  I lost all interest in being in a classroom or in life, period.  I ultimately did go back to school with the aim of becoming a felony prosecutor and helping other crime victims who I believe very often, especially women and children, do not have a voice in our system.  This story, as I call it, although it is a true fact scenario, was especially poignant to me because not only were the victims women and children, it was at the hands of one of the most prominent men in that social setting, that community, a doctor and a lawyer who manipulated everyone as Charisma just said very accurately.  And they had no voice and it makes what Alexis did even more powerful bringing her own father to justice.

QUESTION:  So when you decide on a project, what does it have to have for you to do it?

NANCY GRACE:  I’ve never liked — people often ask me, “What’s your favorite case?”  There’s not really a favorite murder.  I don’t know really how to put it in any other words.  But I look for a story to be told, a narrative, not a case that’s open and shut.  To turn a scenario like this into a movie, there must be mystery.  The characters must be riveting to grab your attention.  And I always think that it requires some sort of a mind twist.  For instance in that community, the last person anyone would suspect molestation or murder would be Dr. Martin MacNeill.

QUESTION:  Thank you.

MODERATOR:  Thank you.  Our next question is from Suzanne.

QUESTION:  Hi.  First question, Charisma, did you do any sort of special research or preparation before filming the role?

CHARISMA CARPENTER:  Well, I obviously read up about him and about the family story and the family history.  You know, I had to get familiar with the story.  I didn’t know the story personally so this was an education.

QUESTION:  Okay.  And Nancy, I was wondering, do you know why in the movie there was never any mention made of the fact that they were Mormons and they were in a Mormon community?

NANCY GRACE:  Well honestly, that may be significant to some people, but we had so many miles to cover and I don’t believe in my mind what religion it was that mattered.  It mattered to me like in my religion, I’m a Methodist.  And within a church, the Methodist Church, the Catholic Church, the synagogue, there are deacons or those people that are looked up to or revered, typically men.  So whatever milieu you may be in, there are those people that are seemingly put up on a pedestal as he was, not only within his church community, the Church of Latter Day Saints, but within his medical community.  I mean, he had been appointed by the governor to run a state facility.  This guy was revered by everyone.  Whether he was Mormon or a Methodist or a Catholic or Jewish doesn’t matter.  He had the respect of everyone which made it so much more difficult for people to believe he would do this thing.  I gotta tell you I remember sweating it out waiting on the jury verdict.  And I was worried that people would fall for him and his con.  Everybody else believed him, why wouldn’t a jury?  I was worried.

CHARISMA CARPENTER:  You know, you brought up a good point, Nancy, too.  The revere of the community and the medical community and his own family, you know, the police department, they didn’t take imperative steps to determine her cause of death.  They took his word for it.  Like he just said she had an accident and they didn’t — because of who he was, they didn’t investigate further.  So that’s a commentary on our society as a whole.  You know, just because you are a prominent figure and it just seems unfathomable that you’d be capable of doing such a thing, it is imperative that people do their job and due diligence.

NANCY GRACE:  You said that so well.  Because even in the initial police reports, do you know what Alexis had to do to even get the autopsy re-examined to just basically pry the police into believing this could have happened. They had to change the determination on that autopsy report.  That’s like moving a mountain.

CHARISMA CARPENTER:  And also just the fact that the daughter was Alexis, played by Anwen.  She was in her dad’s corner.  It took a lot.  She didn’t believe her own mom when her mom was trying to tell her things that things weren’t adding up and he was spending a lot of time away and he had all these suspicions.  You know, it’s very common for women to be considered hysterical or paranoid or bitter or jealous or you know all these different things when you know our intuition is continually being gaslit and dismissed.  And so it’s really important that we as a society do consider and trust the matriarchs of our lives and that we do re-evaluate no matter how high a standard you know our — you know, and this could go either way.  You know I’m sure there are prominent women, too.  But I don’t mean to make this anti-men, but to make a point that predominantly speaking, the patriarch is not questioned.  And it is important that people be heard especially women.

NANCY GRACE:  You know why, Charisma?  You just said a word that really rubbed me the wrong way.

CHARISMA CARPENTER:  What did I say?

NANCY GRACE:  If I hear one more woman referred to as hysterical, I’m going to shoot my foot.

CHARISMA CARPENTER:  I mean…

NANCY GRACE:  Because that’s exactly how they acted when Alexis tried to tell them her suspicions.  They acted like she’s been through too much.  She’s hysterical.  She was anything but.

CHARISMA CARPENTER:  Mm-hmm.  Yeah, it’s difficult to be dismissed that way especially when you’re a 100% right.

QUESTION:  All right, thank you.

MODERATOR:  That is all the time we have today.  Thank you, guys, Charisma and Nancy —

CHARISMA CARPENTER:  Thank you.

MODERATOR:  So much for being with us today.  We really appreciate your time.

NANCY GRACE:  Thank you.

CHARISMA CARPENTER:  No problem, thank you.  Good to see you, Nancy.

NANCY GRACE:  Likewise.

MORE INFO:

Preview

Based on actual events, The Good Father tells the story of Dr. MacNeill (Scott) and the incredible life he led with his former beauty queen wife, Michele (Carpenter) and their eight children.  A pillar of the community, he was respected and loved by all especially by his daughter Alexis (O’Driscoll) who adored him and even wanted to follow in his footsteps to become a doctor.  But everything soon changes after Dr. MacNeill convinces Michele to have plastic surgery, ultimately leading to her drowning while on prescription medication.  Just a few short weeks after his wife’s suspicious death, Dr. MacNeill brings home Gypsy Willis, a new live-in “nanny” for his children but who is in actuality his mistress. Shocked by her father’s actions, Alexis begins to question everything she has known about him and discovers the depth of his lies, including his bogus medical credentials, falsified military records, and that the man and good doctor she once revered, was capable of murder.

The Good Father: The Martin MacNeill Story is produced by Good Doctor Films Inc. for Lifetime. Nancy Grace and bestselling author Josh Sabarra executive produce alongside Howard Braunstein. Annie Bradley directs from a script written by John Fasano and Abdi Nazemian.

Lifetime Unveils Full Fall Schedule Featuring Top Names All Season Long

– 08/27/2021 –

LIFETIME UNVEILS FULL FALL SCHEDULE
FEATURING TOP NAMES ALL SEASON LONG
INCLUDING JILL SCOTT, HEATHER LOCKLEAR, SHANNEN DOHERTY, KELLY HU, TOM EVERETT SCOTT, CHARISMA CARPENTER, NANCY GRACE, MEGHAN MCCAIN, SHERRI SHEPHERD, NIA SIOUX, JUDY REYES, GLORIA REUBEN, ELISABETH ROHM, JUSTINA MACHADO,
BARRY WATSON, SKYLER SAMUELS AND MANY OTHERS

August 25, 2021 (Los Angeles, CA) – As summer comes to an end, Lifetime ensures the fall is full of excitement with new premieres every weekend, starting on Labor Day, Sept 6th with the premiere of Harry & Meghan: Escaping the Palace. Presenting stories that entertain, intrigue and inform, the fall slate features top names like Jill Scott and Barry Watson in the Highway to Heaven reboot, to Heather Locklear and Meghan McCain in Don’t Sweat the Small Stuff and Shannen Doherty and Kelly Hu in List of a Lifetime, and more.

Full Fall Schedule and Descriptions Below.  All times at 8pm/7c.

Sept 6            Harry & Meghan: Escaping the Palace
                       (Sydney Morton, Jordan Dean)

Sept 18          Imperfect High
(Sherri Shepherd, Nia Sioux)

Sept 24          Dying to Marry Him
(Only on Lifetime Movie Club)


Oct 2              The Good Father: The Martin MacNeill Story
                       (Tom Everett Scott, Anwen O’ Driscoll, Charisma Carpenter, EP Nancy Grace)

Oct 9              Dying to Belong
(Shannen Doherty, Favour Onwuka, Jenika Rose)

Oct 10            List of a Lifetime
                       (Kelly Hu, Sylvia Kawn, Shannen Doherty, Patricia Velasquez)

Oct 16            Don’t Sweat the Small Stuff
                       (Heather Locklear, Natasha Bure, EP Meghan McCain, Kris Carlson)

Oct 17            Fighting for Her Life

Oct 23            Switched Before Birth
                        (Justina Machado, Skyler Samuels, director Elisabeth Rohm)

Oct 24            The Fight That Never Ends

Oct 30            Torn From Her Arms
(Judy Reyes, Gloria Reuben, Fatima Molina)

Nov 6             Highway to Heaven
(Jill Scott, Barry Watson)

Lifetime’s popular annual It’s a Wonderful Lifetime holiday lineup will begin following the fall movies.

The Good Father: The Martin MacNeill Story
Premieres October 2 at 8/7c

Based on actual events, The Good Father tells the story of Dr. MacNeill (Tom Everett Scott) and the incredible life he led with his former beauty queen wife, Michele (Charisma Carpenter) and their eight children.  A pillar of the community, he was respected and loved by all especially by his daughter Alexis (Anwen O’Driscoll) who adored him and even wanted to follow in his footsteps to become a doctor.  But everything soon changes after Dr. MacNeill convinces Michele to have plastic surgery, ultimately leading to her drowning while on prescription medication.  Just a few short weeks after his wife’s suspicious death, Dr. MacNeill brings home Gypsy Willis, a new live-in “nanny” for his children but who is in actuality his mistress. Shocked by her father’s actions, Alexis begins to question everything she has known about him and discovers the depth of his lies, including his bogus medical credentials, falsified military records, and that the man and good doctor she once revered, was capable of murder.

The Good Father: The Martin MacNeill Story is produced by Good Doctor Films Inc. for Lifetime. Nancy Grace and bestselling author Josh Sabarra executive produce alongside Howard Braunstein. Annie Bradley directs from a script written by John Fasano and Abdi Nazemian

ABOUT LIFETIME
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Interview with the Cast of La Brea

Posted on by TvMegasite Admin

TV Interview!

Some of the cast of "La Brea" on NBC

Interview with actors of “La Brea” on NBC by Suzanne 9/13/21

This was another TCA Summer Press panel – this time for the NBC show “La Brea” that premieres 9/29. It was a fairly large panel, with showrunner David Appelbaum, actors Natalie Zea, Zyra Gorecki, Eoin Macken, Jack Martin, Chiké Okonkwo and Jon Seda. I saw the first episode and really loved it. I look forward to more. I think NBC is really hoping it does well, from what I can tell.

The problem with a panel this large, though, is that when there are so many people asking questions in a limited time… some actors never get asked a question. Everyone wants to talk to the stars they know, or ask the showrunner story questions. This is especially true when most of us only get to ask one question.

For instance, my question was for star Natalie Zea, whom I’ve enjoyed watching for years ever since I saw her on “Passions.” She’s gone on to many great roles in “Justified,” “Under the Dome,” “The Following” and “Detour.” This is her first dramatic starring role, I believe. I observed that her character seems very smart and asked if she could tell us what she does for a living (as they never say in the pilot episode we saw). She replied, “She’s an office manager. I do know that. I don’t know what an office manager does, but I know that she’s probably really good at it. But I think her smarts are — I think she’s got a lot of street smarts because of how she grew up, which we’re going to find out about that later. But she gets to use a lot of stuff that’s been sort of dormant in her for a little while, and it’s great to get to sort of watch that unfold throughout the season.”

Another reporter asked star Jon Seda if he was just ready for a change from cop dramas to something different, and he asked if it was difficult for him, when “chaos erupts” in the first episode, not to just go into cop mode and help everyone. I thought that was an odd question because of course, he’s just an actor. He’s going to do whatever the script tells him to do. He plays a doctor in this show, not a cop.

Seda agree that it’s a very different show but explained that he’s just glad to be part of such an exciting show that has adventure, mystery and drama. For the second part of his answer, he added that his character is “not exactly [in] cop mode, but I think Dr. Sam does tend to want to help as many people as he can.”

The next press person asked whether any of the show was filmed in La Brea (since they’re shooting most of the show in Australia). Producer Applebaum answered that they only did one shot in La Brea. The rest was shot in Melbourne.

I thought that the next question was really interesting. He told Applebaum that he “was fascinated” by the pilot episode, but he felt the same way about previous NBC scifi shows Manifest and Debris, both of which were canceled (although, to be fair, the first show did have 3 good years). He said that “commercial networks” have done that a lot. I would actually say he’s wrong about that because it’s done by almost all networks, and has been for the past 50 years, and not just commercial networks. Even HBO, Showtime, Netflix, Hulu and others cancel shows after one season. The broadcast networks get a bad rap. Anyway, he asked if he planned to give viewers the idea that they will explain things or wrap the show before the end. Which, by the way, is not a question you should be asking of a show before they even air.

Applebaum gave the best answer he could for such a ridiculous question. He said they’re just trying to make the best show they can, which should be entertaining and emotional. He doesn’t think about cancelation because it’s not his decision. He just focuses on “trying to garner an enthusiastic fan base” from fans of this genre.

Another journalist asked the actors to talk about what made the roles attractive for them. Martin observed that his character, Jack, is just finishing high school and about to go to college, which is an important point in his life, for his development and maturation. The setting we see in the show (after they fall through the tarpits into their mysterious world) is that we get to see people who they really are. The situation is raw and exposes people for who they really are, unfilted. He finds that exciting.

Mackin agrees with Martin, finding the human relationships most interesting. They’re all thrown into a difficult situation (one that is “unfathomable”) and then they have to find their family and solve their “personal issues.” His character, Jon, and his daughter, are trying to figure out if the others are alive and how they can get to them. It puts a strain on them and shows how they would cope.

Gorecki added that she really enjoyed that as well. Gorecki, like her character, Izzy, is an amputee. She liked that the show focuses less on that and more on how she goes from being “just a regular kid with regular kid issues to having to become a hero and having to work with her dad to save her whole family and save everyone.”

Zea is used to roles where she’s linked to a husband as her primary identity. In this role, even though she’s an ex-wife and mom, that’s not her main purpose in the story. Her story is about how she’s “navigating this world as opposed to what my relationship is with my significant other.” Even in this modern age, it’s a fresh role for her to be able to do that.

Okonkwo likes how the show is diverse, since it starts in L.A. They’re just people on their morning commute on Wilshire, but it’s just a real cross section. There’s obviously Americans. There’s a Brit. There’s Australians. There’s a whole cross section of society. And throwing those people together in this primeval world and seeing how they survive, how they relate to one another. Do they devolve or do they rise to the challenge and really support and help each other? That was a real core of the human journey on this show that I was really excited about and that we’re really, I think, all of us enjoyed being a part of it. Because it’s really heightened.” He added that he’s excited about how both the characters above, and the ones in “the hole” go through “this great, incredible journey through the course of this season.”

Seda loves his role because he has so many components, being a “former Navy Seal, doctor, father, husband,” plus he loves shows with action and adventure. There’s a lot of layers and things for an actor to work with.

The panel was also asked, for those who live in L.A., whether they’d “ever had a particularly alarming encounter with a sinkhole?” That was a funny question.

Okonkwo shared, “I actually have. I haven’t told this story. But there was a load of rain about two years ago, at the beginning of the year. And I used to live in Studio City. And across the street from me, a Toyota Prius (no less) sunk into the ground. It was about 6 feet, but it was still quite alarming. So, it just went. It dropped down into the ground. And they had to cordon off the street and tow… grab this Prius out of this hole.

Zea asked him if he’d used this moment as a “sense memory” for his acting. He acknowledged that he had. He had previously wanted to keep it to himself, but now he’s happy to share it. After that, some of the other actors joked around about his experience.

Applebaum was asked about how he came up with the story. He confided that he just had an image that he couldn’t get out of his head of a sinkhole opening up in L.A. He really wanted to start a show that way because he knew it hadn’t been done before and would be very dramatic. Then he had to come up with all of the rest of the story about why it opens, where it leads, and who falls into it. He used this to start creating the “world of characters in situations. And then from there, you know, a thousand other things happen, but it really just started with an image.” Macken joked that it must have been him in the Prius, so Applebaum jokingly replied that it was him.

Another writer asked those who live in L.A. what it was like doing this show, if it had scared them or whether it gave them nightmares.

Zea replied with a joke, sarcastically saying, “No. But thanks for getting that in the old craw, because now I will have nightmares.”

Macken compared it to how people there act when there’s an earthquake. There might be a small tremor, and it gives you pause, but then if nothing else happens, you go about your business. He thought perhaps next time there’s an earthquake, being on this show might give them pause.

Applebaum asked if he got the idea for show while stuck in traffic and whether he was influenced by classic fantasy writer Jules Verne. Applebaum replied thoughtfully that he’s really more influenced by various “action-adventure movies, certainly Spielberg movies,” although he does enjoy Jules Verne.

Another reporter asked Applebaum a similar question about whether they’ll see parts of L.A. in future episodes. Applebaum answered that even though they don’t shoot in L.A., it’s definitely a character in the show. Although a large part of the action does occur down in the primeval world, quite a bit is above the tarpits in the modern world.

Another member of the press asked if anyone there believed in time traveling, since this show hints that it might have that element. Applebaum isn’t sure that it could exist, but he thinks it’s a fascinating question. He loves time travel fiction, and so do his co-showrunners Bryan Wynbrandt and Steven Lilien. All of the actors agree that it’s possible. Martin joked that Applebaum was sent to them from the future, and there was more joking after that. It was a pretty silly question, so they dealt with it well.

Applebaum was also asked about what his pitch to the networks about the show was like.

He told us, “I first brought the idea to Peter Traugott and Rachel Kaplan and Asher Landay. The main selling point was there’s certainly this spectacle of people surviving in a strange and primeval land that has scope and scale. But, really, what’s at the heart of it all is this family that is torn apart by this sinkhole. And it’s that emotional connection to the show, which, I think, is what people responded to the most. A lot of shows, there can be lots of ideas that are big and noisy. But I think without that deep, emotional connection at the heart of it, people wouldn’t have responded to it. And I think that’s something that we try to keep at the heart of the all the episodes, is this emotional story we’re telling about this family but also the emotional story of all the survivors who are down in the sinkhole as they’re trying to figure out how to get home and also how to survive in this place.”

Another journalist asked whether Applebaum has a planned ending for the show, or does he take it on a more “week-by-week, season-by-season basis.” Of course, he answered that you do have to think ahead and plan, since dramas nowadays are all serialized. He maintains that what you do in the first episode sets up things you see in later episodes. Although he pitched the show to NBC over 2 years ago, they were shut down by the pandemic, so it gave them a “really long gestation and development process” which benefited the storytelling. They “opened up a writers’ room. And Steven and Bryan and all these other great writers came on board.”

A correspondent asked Okonkwo about his involvement with the Calm app because his stories on the app have been “life changing.” He also asked about working with green screens for the creatures on the show, and whether it’s harder than working with a real actor. Okonkwo was happy to hear this because he loves his work with the Calm app and that it’s helped so many, especially the past few years. He’s done a lot of voice work, so that’s why he was hired to work with the app. Others have told him the same thing, “it genuinely warms my heart, because it’s — I’ve never been a great sleeper, and it’s really nice to know that you’re helping people with my soporific voice to fall asleep during a tough time.”

Martin answered the green screen question, saying that a lot of what they do is real, not green screen. He talks about the great job they’ve done with the sets, which makes it feel very real.

Zea said that they’re all working with real people. The only non-entities are the animals, which they wouldn’t have worked with, anyway (since they’re prehistoric). They really have nothing to compare it to, she added.

Okonkwo did chime back in to say, “We did have a great moment at the end of the first episode, which I won’t give away. But because you can’t have those real animals, which are sometimes dangerous and sometimes extinct, we had a guy in a full blue outfit creeping through the sort of brush. And, so, for Jon, myself, and Natalie to keep a straight face when there’s a guy in blue Lycra pretending to be a dangerous animal was some of the best acting I’ve ever seen.”

From what Zea and Okonkwo said, they weren’t told ahead of time about the guy pretending to be an animal. It was a surprise. Macken and Gorecki jokingly complained that all they got to see were birds.

Another journalist asked them to compare their COVID-19 experiences as humans with what the characters are going through. Applebaum said that “one of the really important parts of the show is that even though it’s in the sci-fi genre and there’s an escapist element is that we are relating the themes of the show to what’s happening in the real world. A lot of the show is about this group of survivors who are down in this strange land, about how they come together, or don’t, in order to survive. So, I think the problems that they have in the real world come with them. So even though we are operating in a made-up world, we do want it to feel real and relatable to what people are going through on a daily basis.”

Macken added in his point of view that the characters are “suddenly faced with this feeling of helplessness, of not being able to help your family, and also not knowing what’s going on,” which is what a lot of us experienced with the pandemic.

Another press person asked if any of them had been to the real La Brea Tar Pits and whether they found them interesting. Martin said that he and his castmate Veronica St. Clair (who was not on the panel) visited and they were “blown away.”He added, “it is unbelievable to see, if you haven’t ever been. I mean, it’s like all of these prehistoric animals that are preserved in tar and their bones have been sitting there for thousands and thousands of years. It’s pretty amazing.” Okonkwo had the same experience when he visited. He’s glad that their show is able to take the audience on a journey through that world.

Zea had been there with her family but found it to be disappointing. Macken found it fascinating, and it reminded hime of “Jurassic Park.” Martin thinks it would be great if they were able to bring the dinosaurs back the way they did in those movies. Zea agreed with that, saying, “That would be a spectacle. That would be cool. I would get it’s then.” Martin joked that they should do that in Season 2.

Another reporter asked which part of the primeval they were in because it’s a “pretty large span of time.” That was a very good question, but of course Applebaum wouldn’t give that much detail. He explained that it’s a surprise in the show that the audience will find out when they watch. However, that will bring up “more mysteries and more questions.”

MORE INFO:

An epic adventure begins when a massive sinkhole opens in the middle of Los Angeles, pulling hundreds of people and buildings into its depths. Those who fell in find themselves in a mysterious and dangerous primeval land, where they have no choice but to band together to survive. Meanwhile, the rest of the world desperately seeks to understand what happened. In the search for answers, one family torn apart by this disaster will have to unlock the secrets of this inexplicable event to find a way back to each other.

The cast includes Natalie Zea, Eoin Macken, Jon Seda, Nicholas Gonzalez, Chiké Okonkwo, Karina Logue, Zyra Gorecki, Jack Martin, Veronica St. Clair, Rohan Mirchandaney, Lily Santiago, Josh McKenzie and Chloe De Los Santos.

Writer David Appelbaum executive produces with Avi Nir, Alon Shtruzman, Peter Traugott, Rachel Kaplan, Steven Lilien, Bryan Wynbrandt, Ken Woodruff, Arika Lisanne Mittman and Adam Davidson.

David Applebaum, La Brea Creator

“La Brea” is produced by Universal Television, a division of Universal Studio Group, in association with Keshet Studios.

David Appelbaum

Executive Producer, “La Brea”

David Appelbaum is the creator and executive producer of the new NBC drama “La Brea.”

Appelbaum was a co-executive producer on “The Enemy Within” and previously was a co-executive producer on “Wisdom of the Crowd” as well as a co-executive producer on “NCIS: New Orleans.”

Appelbaum began his career on “The Mentalist” where he spent four seasons on staff.

Natalie ZeaNatalie Zea

Eve Harris, “La Brea”

Natalie Zea portrays Eve Harris on the new NBC drama “La Brea.”

Zea recently co-starred on the TBS hit comedy “The Detour” and in the indie film “Happily,” starring Joel McHale, Paul Scheer and Stephen Root.

Best known to television audiences for her memorable role as Winona Hawkins on FX’s original series “Justified” (which she continued to guest on for two additional seasons while starring opposite Kevin Bacon on “The Following”), Zea has also been seen in Showtime’s “White Famous,” CBS’ “Under the Dome,” Showtime’s “Californication” and HBO’s “Hung.” Other television credits include “The Shield” and “Dirty Sexy Money.”

Zea recently starred in the independent films “Too Late,” “Grey Lady” and appeared in “The Other Guys” with Will Ferrell.

Originally from Texas, Zea made her way to New York where she earned a scholarship to the prestigious American Music and Dramatic Academy. After completing the program in only two years, Zea landed a role as part of the original cast of Kimberly Peirce’s 1995 short “Boys Don’t Cry,” which later evolved into the Academy Award-winning film by the same name.

Having never lost her love of theater, Zea helped develop Los Angeles’ reputable Lone Star Ensemble, a theater company in which she serves on the Board of Directors. She has a 3-year old daughter with her husband, actor Travis Schuldt, and lives in Los Angeles.

Jon SedaJon Seda

Dr. Samuel Velez, “La Brea”

Jon Seda stars as Dr. Samuel Velez in the new NBC drama “La Brea.”

Seda completed a six-season run on NBC’s “Chicago P.D.” where he had reprised his role as Antonio Dawson, a member of the Chicago P.D. Intelligence Unit.

A New Jersey native and amateur boxer, Seda hung up his gloves in 1992 when he made his screen debut as a fighter in “Gladiator.” Throughout the ’90s, Seda’s star rose through the films “Carlito’s Way” and “Twelve Monkeys,” though it wasn’t until he appeared in NBC’s “Homicide: Life on the Streets” that Hollywood took serious notice. In 1996, Seda received critical acclaim at the Cannes Film Festival for his role in the film “The Sunchaser,” opposite Woody Harrelson. Seda played the love interest of Jennifer Lopez in the film “Selena,” based on the true story.

His television credits include series regular roles on “Kevin Hill” and “Close to Home” and recurring roles on “Ghost Whisperer” and “Oz.” Seda has also guest-starred on many shows, including “Chicago Fire,” “Hawaii Five-0,” “The Closer,” “Burn Notice,” “House,” “NYPD Blue,” “Las Vegas” and “Law & Order: SVU,” among many others. In 2010, Seda appeared in the Emmy Award-winning HBO World War II miniseries “The Pacific,” starring as legendary U.S. Marine Jon Basilone. He later joined the cast of the acclaimed HBO series “Treme” as a series regular.

Eoin MackenEoin Macken

Gavin Harris, “La Brea”

Eoin Macken plays Gavin Harris on the new NBC drama “La Brea.”

Macken was recently seen starring opposite Megan Fox in the horror-thriller feature “Till Death” and wrapped shooting the lead role opposite Elisha Cuthbert in the Ireland-set-horror film, “The Cellar,” written and directed by Brendan Muldowney. He also wrote, directed and produced the independent film “Gray Elephant,” which was shot last year during COVID lockdown.

Macken’s TV credits include “Stumptown,” “The Night Shift,” “Nightflyers,” “Killing Jesus,” “Merlin” and “The Tudors.” On the film side, Macken’s credits include “Close,” “The Hole in the Ground,” “Here Are the Young Men,” “Resident Evil: The Final Chapter” and “The Forest.”

As

Zyra Gorecki

a novelist, Macken has published two books: “Kingdom of Scars,” which was short listed for the Bord Gais Energy Irish Book Awards in 2014, and “Hunger and the Grape,” which is being distributed through Amazon.

Zyra Gorecki

Izzy Harris, “La Brea”

Zyra Gorecki stars as Izzy Harris on the new NBC drama series “La Brea.”

Gorecki is one of the first below-the-knee amputee actresses with a series regular role in a major broadcast television series. Gorecki is involved with the non-profit organization Amputee Blade Runners that helps provide free running prosthetics for amputees.

In addition to her acting career, which includes guest-starring on “Chicago Fire,” Gorecki is an avid runner and skilled athlete who is passionate about living and promoting a sustainable lifestyle.

Chiké OkonkwoChiké Okonkwo

Ty, “La Brea”

Chiké Okonkwo plays Ty in the new NBC drama “La Brea.”

Okonkwo, best known for his role in “The Birth of a Nation,” is an award-winning actor who will be the lead and cover star of a highly anticipated global video game franchise set to be announced later this year.

He was most recently co-star of the film “Death Saved My Life” and BET’s hit series “Being Mary Jane” with Gabrielle Union. He also starred in the British indie film “Genesis.”

Hailing from London, his dream of being an actor began when he was accepted to both the National Youth Theatre and the National Youth Music Theatre. He started his professional career working at the Royal National Theatre and the Royal Shakespeare Company, where he performed in a number of plays, most notably “Julius Caesar,” which ended its award-winning run in New York in 2013.

His activism focuses on community banking in his role as ambassador for One United Bank, the largest Black-owned bank in the United States. Okonkwo is an advocate for the eradication of child poverty with the Children’s Defense Fund. He is also a proud member of the Master Artist Council of the Arthur Miller Foundation, alongside Daniel Day-Lewis, Scarlett Johansson and others.

Jack MartinJack Martin

Josh Harris, “La Brea”

Jack Martin stars as Josh Harris in the new NBC drama “La Brea.”

A Los Angeles-based, actor, writer, and comedian, Martin was most recently seen on CBS’ “All Rise.”

After posting his sketch comedy online during quarantine when the industry was on hold, he exploded on the Internet with his self-produced videos, gaining hundreds of thousands of followers across multiple platforms.

Fresh out of Georgetown University, Martin also studied at New York University’s Tisch Stonestreet Studios Film & TV conservatory, an intensive program focused on screen acting. He had also studied acting and the business side of entertainment through various talent management internships before realizing he was better suited in front of the camera, than behind it.

Martin’s self-referential sense of humor brings something unique to every video he makes. He knows who he is and is not afraid to poke fun at himself.

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"La Brea" scene in the pilot episode

Interview with Gina Yashere

Posted on by TvMegasite Admin

TV Interview!

Gina Yashere of "Bob Hearts Abishola" on CBS.

Interview with Gina Yashere of “Bob ❤️Abishola” on CBS by Suzanne 9/21/21

This was a fun TCA panel of various women who write TV comedies for Warner Brothers shows, “Leaning into Laughter: Exploring Timely Topics Through Humor & Heart.” I would have liked to have asked more questions, but it was only a half-hour long panel.

I chose Gina Yashere for my one question because I love her show, and she’s very funny in it as an actress as well as a writer. I was asking how much of her character, Yemi, is from her.

It was a fun panel with lots of humor. I would have loved to have asked the “Batwoman” showrunner, Caroline Dries, about the upcoming season and the crossover with the other CW shows. I was really surprised that no one else asked her that. I would also have liked to have asked Molly Smith Metzler about her upcoming show, “Maids.” On these TCA panels, I’m lucky if I get to ask more than one question the entire day.

Here is the list of panelists: Nkechi Okoro Carroll from The CW’s “All American” and the upcoming “All American: Homecoming,” Caroline Dries from The CW’s “Batwoman,” Maria Ferrari from CBS’s “United States of Al,” Molly Smith Metzler from Netflix’s upcoming “Maid,” Audrey Morrissey from NBC’s “The Voice,” and Gina Yashere from CBS’s “Bob ♥ Abishola.”

I first told Gina how much I loved her show and never miss it.  She had quite a long answer to my question.

“It’s quite a lot of me in this show. A lot of the stories – similar immigrant stories, people coming from somewhere else coming to America trying to raise their kids in America (and it doesn’t even have to be America, it can be anywhere; I was born and raised in England – a lot of Abishola’s story is based on my parents’ story. My mum and dad are from Nigeria. They came to England. They had us in England and were up against racism, misogyny, all those kinds of things that are very apparent all over the world. And it’s just the story of their love and their triumph of raising their kids in another country, away from home. And the “Bob ♥ Abishola” story is just the coming together of the two families, the two cultures meeting, the fact that people from various backgrounds, no matter where they’re from, find that commonality. And it’s a story about love and inclusion, and just people coming together. Being born outside of my parents’ country and having to assimilate into society that was not necessarily mine originally, it’s just all of those things. So there’s a lot of me in that. Plus, I’m in the show as well ’cause I wrote myself in because I wanted all the checks.
(Laughter.) But, yeah. So there’s a lot of my family and a lot of the immigrant – it doesn’t even have to be Nigeria; it can be Vietnamese; it can be Chinese; it can be Indian; it could be Pakistani, Russian – it’s a very similar story.

Maria Ferrari was asked how her show will be handling current events in Afghanistan. Her answer was amazing: “We had shot one-and-a-half episodes during the week of the fall of Kabul and quickly realized that we had guessed wrong what was going to happen and that we were going to have to adjust our plans. And basically, on August 12th when Herat fell, which is the third-biggest city in Afghanistan which was a very anti-Taliban stronghold, that was when our writers started to feel that something very big was going to change and they had pressing needs to get their own family members out of Afghanistan. And it happens that kind of the Venn diagram of Vets and Afghans and Afghan Americans that is necessary to write this show is also the one that works as a fairly-effective rescue operation. So, we had to stick a pin in everything and focus first on our people that needed help and who needed to get their families out, which was just the wildest week of my life. I have never experienced anything like that. And at the same time, we were realizing that we needed to change everything we had done, and we needed to do it quickly. And so we chose to tell that story. We chose to tell the story of what we were experiencing and hoping that some of the fear and the urgency that we were feeling in the room would come through in this story, which also happened to map very tightly onto our characters because the writers and the characters are, by design, from similar walks of life. So that is the story that we chose to tell in our premiere.” Wow!

She was asked how CBS discussed with her about the show coming back (in relation to what she said) and whether they considered bringing the show back a bit later because of it. However, she replied that everyone at CBS was quite supportive of their show, and where they decided to go with it (particularly the script). She and the others didn’t feel it would be appropriate to show a re-run at this particularly sensitive time.

Dries was asked whether she thought that there was any difference between men and women’s writing. She didn’t think there is. She stated that “The job of the writer is to mimic the showrunner, the creator’s voice. So I don’t see gender in the words frankly, so I can’t really answer that with a definitive ‘here’s how it’s different.’ Each writer brings its own thing. If they’re mimicking the voice, they’re succeeding on the show.”

The reporter asked the other writers to respond as well. Metzler agreed with Dries and said, “I think not seeing gender in the words – that really rings true to me as well. ‘Maid’ is a women’s story. It’s based on a memoir written by a woman. I’m a woman. But when I went to staff the writers room, I hired two men and two women. And I think everyone got the tone of the show. I have to say in my personal experience, the writing was uniformly excellent. And if you covered the title page, I don’t think you could tell who’s a man and who’s a woman.”

Carroll also agreed that there’s no difference: “I am a female showrunner of a football show, and a baseball show coming up, so I very much agree with the ladies. It becomes about their talent on the page. It becomes about capturing the accurate, emotional voice of the show. And then it becomes about mimicking my voice. And we have a pretty great split in both rooms in terms of gender. And you’d be surprised what comes out of who. You would be surprised that some of our best football stuff is written by women. It just works out that way. So, I think I would have to agree. I think we’ve retained 90% of our staff since Season 1 on ‘All American’ because they’re all just really good at what they do and are really good at capturing not just my voice, but also instinctively the type of stories I want to use this show to tell. And so that’s what makes them successful.”

Morrissey replied that her show, “The Voice,” doesn’t have much writing. They just have one writer, and she’s female.  With all of their people, they try to create a safe place for them to “be vulnerable and they can grow as artists – it’s gender-equal.”

Ferrari agreed that she didn’t see any differences. She likes to have all difference voices on her show – not just different genders but different ethnicities.

Gina gave another long answer: “Yeah, I think a lot of certain attitudes have kept women out of the writers’ room. It’s because they thought that we couldn’t write stories where maybe the cast were more male than female, whatever. And so, I like the fact that it doesn’t matter as long as you understand the subject you’re talking about, and you know the story you’re trying to tell, you can write for those people. We’re writing for people. And with my show, yeah, we have a nice even split, men and women. And in fact, I think we might have actually more women in the room. But we’ve got a nice split in our writers’ room. And also, in my show, more than half the cast is Nigerian, so we definitely wanted that Nigerian perspective. My parents were born in Nigeria. We’ve got another writer from Nigeria, a Nigerian American. And then, some of our actors are born and bred in Nigeria. So we wanted to get the perspective right. We wanted to make sure that it’s authentic as well, 100% authentic. We were also trying to smash stereotypes. And so you need people with those specific perspectives to be able to smash the stereotypes some people might have of Africa. If you watched the first episode of Season 3 of our show that aired last night, people are commenting and saying, “Oh, my gosh, we had no idea that Nigerian women live a certain way, that we had a certain image of that and how African people live” – little things like that. “They have really nice houses, we were surprised by that” – stuff like that. That’s why you need a good mix of people in the writers room, across gender, across sexuality, across race, to make sure that everything is covered, and covered properly.”

Dries was asked about Ryan Wilder’s story this season on “Batwoman.” She replied that now she has to fix the problems she’s made and taken responsibility for what she’s done. She added that we get to meet her mom and brother, and “we get to sort of carve out more details specifically about her personal life and all those new personal dynamics.”

Carroll was asked about crossovers between “All-American” and the new spinoff show. They do plan to have crossovers, but they have to wait and see how COVID and other factors affect their plans, but there will be familiar faces on the new show. She quickly added that they won’t be nearly as ambitious as the DC crossovers on The CW. She praised the showrunners and writers for those shows for being able to pull that off: “God bless the showrunners on the DC shows in how you pull that together because that is miraculous.”

Another press member asked her whether she would consider a third series someday, about soccer (since the first one is about football and the second one is about baseball).  Gina brought the comedy, saying, “It’s not soccer, it’s football! It’s football! It’s not soccer! It’s football!”  We all laughed at that. It was hilarious.

After correcting her, jokingly, that it’s football here in America, Carroll answered that she first needs to figure out how to fit sleep into her schedule before considering any other spinoffs.

Gina and Ferrari were asked a rather complex question about writing about the immigrants in their shows; specifically balancing writing about where they were before and where they are now.

Gina gave another lengthy answer: “For me, as a British-born Nigerian and watching American TV throughout my childhood, I didn’t like the way African people seemed to be depicted all the time. It felt like it was an image that had been just carried on way back from, I don’t know, Tarzan days, where Africans were seen a similar way.  And I was like, “That’s not what we’re like.” And then, whenever I’d watch movies, Africa was seen as like a country rather than a continent with a lot of different countries, different languages, different traditions, different religions, different everything. When I went to make this show, I wanted to make sure that you could see the differences, see the nuances of where my people come from in Nigeria and how different it is and how hard we work. When the idea of the show first came around, we were still in the middle of the Trump era, and so there was all that anti-immigrant feeling. So we wanted to just say, “Look, we’re just people. We’re just doing the same as what you guys. We love the same. We want to send our kids to school. We want to work. We want to contribute. That’s what we’re doing.” And so that’s what I wanted to do with this show, and to show us as people.  The language might be different.  The food we eat might be different.  Our clothes might be a little bit more colorful but, at the end of the day, we’re the same people.  And also, Nigerians, Africans, we’re everywhere.  The world is built on people moving to different places to find their fortune.  It’s not like we’re the only ones that are doing it.  White people have been doing it for hundreds of years – going to different places to find their fortunes.  So it’s just saying, “Look, the journey’s the same for all of us.  We’re all together in this.”  And I wanted to get that balance right between showing my culture, showing the people, but also showing how we fit in America and how we can easily mix with other people.  It’s not a problem.  We’ve been here for a long time.  Obviously, authenticity was extremely important to me because of who I’ve seen depicted in the past.  So, we made a point of making sure the language is correct, the food is correct.  When I met with Chuck to talk about the making of the show, I’d say things to him like, “If I say that this isn’t right, you’ve got to believe me.”  If I say, “We don’t do this or we would never do this,” just little things.  In American shows, kids coming in and putting their dirty shoes up on the couch and taking a bottle of milk from the fridge and drinking it straight from the bottle – that would never happen in an African family.  So even the small minutia of things, we had to get it right.  And I think it makes for a great show.  People love it.  Every immigrant family’s enjoying it because it’s their story too.  And then wanting to introduce it to America and its people – let’s be honest, CBS is not the blackest channel, but we’re introducing it to an audience of people who may never have even fraternized with people from my culture. And they’ve grown to love the characters and the people.  And so, as far as I’m concerned, that’s my job done.”

Ferrari said that the Afghani culture she works with has the same issue with the shoes. She even feels like it’s disrespectful now to walk on to their set with shoes on. She went on to say that bringing the first main character of a culture to TV puts pressure on your show “to be all things to all people, which is impossible.” They’re doing their best by showing us more of Al’s world both in his family “and also to introduce him to more Afghan-American communities in the Tristate area.”  This season, Al will find romance; there will be a new Afghan-American DJ, played by one of their writers, Fahim Anwar; and we see more of his sister. They hope to move the focus of the show a little bit to these new characters and not just Al. She finished with, “You can’t really say anything meaningful about diversity unless you are showing it in the bodies of multiple characters, because that’s what diversity means.”

Carroll was also asked whether she’ll be introducing more immigrant characters in her show, since they’ll be at a college.

She replied, “Oh, absolutely. Especially at an HBCU. It’s the diaspora, which is what’s the beauty of it. That’s why I’m so excited to be putting an HBCU back on TV because it’s been a long time since we’ve seen that. But it really is sort of all the versions of Black. In the backdoor pilot we had – because I’m Nigerian, so I was like, “I must put my people in it” – and so we had some of the other characters that were in the classroom and interacted with Keisha and everything. We had both Nigerians and Nigerian Americans portrayed and we plan to continue with that. And also in the diversity of religion. And that’s a conversation I was having with my writers in the writers room just yesterday. I want to make sure as we’re telling these stories, it’s not the Christian Black experience or it’s not the non-denominational Black experience. I want to talk about the Muslim Black experience. If we’re saying we’re in this melting pot of the Black diaspora, I want to make sure we’re really representing that. And again, to what Maria said, we can’t represent everybody all at once and so it’s something that we’re just very conscious of in the room. And as we can organically sort of expand the storylines we’re telling around our series regulars, and incorporating these other cultures and religions and everything, we’re so excited to do that because that’s why we’re doing what we do.”

Morrissey was asked about the logistics of this season on “The Voice” since the audience is still not back to full capacity. She talked about all the issues they had, and how they discussed whether to bring any audience back or not. They did decide to bring some back. She went on at length about how the performers really need an audience to sing to. It helps them out. As a singer myself, I know that’s very true. I can imagine that whether you’re in front of 100 or 1000 people, it’s helpful to have an audience. She also mentioned that they have a new coach, Ariana Grande.

At the end, Morrissey also sent out some love to the other panelists. She said, “I’m such a fan of every other woman on this panel. And so I’m really excited to be on this panel with you. So, good luck to you all. Happy to meet you here.” Carroll gave her the love right back, saying that binging “The Voice” has been her go-to during the pandemic. Morrissey replied right back with “Please. I am binging “All-American” right now with my ten-year-old son. And literally, when I open my laptop to log on, there was Taye Diggs frozen from my Netflix…”

Gina chimed in with a naughty joke: “I think we’ve all had Taye Diggs on our laptops at some time” and everyone laughed.

MORE INFO:

Assembled here is a group of incredibly talented women who are responsible for some of the studio’s most innovative and inclusive television programming. From comedy to drama, reality or superheroes, this group has it covered. Each of these amazing women has played an instrumental role in creating more diverse storylines and bringing them to television screens everywhere. And critics have responded to the importance of these stories. From the GLAAD Award-nominated “Batwoman” and its historic casting of Javicia Leslie, the first Black actress to portray Batwoman in a live-action television or film production, to “Bob ♥ Abishola,” being the first series to depict a Nigerian family in a comedy, it’s apparent, these women are groundbreaking creators. “The Voice” has been recognized by the Television Academy with a phenomenal 69 Emmy nominations and 7 wins. And the hit drama “All American” received nominations from the NAACP Image Awards for Outstanding Writing in a Drama Series, as well as the Black Reel Awards for its ability to tackle a vast spectrum of social issues. And we are expanding the “All American” universe with the upcoming “All American: Homecoming.” Most importantly, the stories these women have elected to tell are authentic. From the timely “United States of Al,” which addresses the current crisis in Afghanistan, to “Maid,” which tackles the issue of poverty in America and has already appeared on “Vogue,” “Time,” and “Rolling Stone’s” Best-of-Fall TV lists. These women have all proven themselves to be creative forces to be reckoned with.

Gina Yashere of "Bob Hearts Abishola" on CBS.Gina Yashere

Co-Creator and Producer, Kemi in BOB ♥ ABISHOLA

Hometown: London

Birthday: April 6

Comedian Gina Yashere was born and raised in Bethnal Green, London to Nigerian parents. Prior to becoming a comedian, she worked as an elevator engineer for Otis.

In 1996 Yashere became a finalist in the Hackney Empire New Act of the Year, a British competition devoted to discovering and promoting new stand-up comedians and variety talent. In 2000 she began creating and performing popular comedic characters on the series “The Lenny Henry Show,” and in 2006 and 2007 she co-hosted the MOBO (Music of Black Origin) Awards in the U.K.

Yashere broke onto the American comedy scene as one of 10 finalists on “Last Comic Standing” in 2007. She went on to be named one of the top 10 rising talents in The Hollywood Reporter. In 2008 she became the first and only British comic to perform on “Def Comedy Jam.” In 2009 she performed a stand-up comedy routine on “The Tonight Show with Conan O’Brien” and appeared on the BBC’s “Live at the Apollo.” Starting in 2010, she appeared regularly on “The Tonight Show with Jay Leno” in a sketch comedy series called “Madame Yashere: The Surly Psychic,” in which she gave fake psychic readings to unsuspecting people on the street. Also, she appeared as Flo in several episodes of the ITV drama “Married Single Other.” In 2010 her one-hour comedy special, “Skinny B*tch,” premiered on SHOWTIME. In 2015 she was featured on “Gotham Comedy Live” and in 2016 appeared on SHOWTIME’s “The Nasty Show with Artie Lange.” She produced and starred in the comedy specials “Gina Yashere: Laughing to America” and “Gina Yashere: Ticking Boxes,” and performed on season two of the Netflix comedy showcase “The Standups.” In 2017 Yashere became the British correspondent for “The Daily Show with Trevor Noah.” As an in-demand voice artist, Yashere voiced the character of Keisha in the British cult hit “Bromwell High” and was the voice of Gravelle in the movie “Early Man” from the creators of “Wallace and Gromit” and “Chicken Run.”

In addition to performing for audiences in Europe, the U.S. and Australia, Yashere is a highly sought-after comedian in Asia, selling out shows in Singapore, Cambodia, Vietnam, Malaysia and Hong Kong. The U.K.’s Black Entertainment and Comedy Awards named her “Best Comedian” four years in a row, and she has performed several times at the prestigious Just for Laughs Comedy Festival in Montreal and Toronto.

Currently, Yashere is writing an autobiography scheduled for release next year.

Born in London, Yashere currently resides in Los Angeles. Her birthday is April 6. Her web site is www.ginayashere.com, and she can be followed on Instagram and Twitter @ginayashere and on Facebook @ginaisfunny.

Nkechi Okoro CarrollNKECHI OKORO CARROLL

Showrunner/Executive Producer of “All American”

Nkechi Okoro Carroll is the Executive Producer/Showrunner of the Greg Berlanti-produced drama series “All American.”

Prior to “All American,” Okoro Carroll served as Co-Executive Producer on the drama series “The Resident” and “Rosewood.” Her other television producing credits include, “Bones” and “The Finder.” Additionally, Okoro Carroll is in an exclusive, multiyear overall deal with Warner Bros Studios.

Born in New York, raised in Nigeria, Cote d’Ivoire and England, Okoro Carroll earned a B.A. in Economics and French from the University of Pennsylvania and Masters in International Economics from New York University. Prior to her television writing career, Okoro Carroll worked for the Federal Reserve where her responsibilities included managing the reserve position for the U.S. Banking system and analyzing the impact of monetary policy decisions on the domestic money markets. All of which she did while still writing and producing plays in New York.

Okoro Carroll currently resides in Los Angeles.

Caroline DriesCAROLINE DRIES

Executive Producer/Showrunner of “Batwoman”

Caroline Dries is the Executive Producer/Showrunner of the Greg Berlanti-produced drama series “Batwoman.”  Dries also developed the series for The CW.

Prior to “Batwoman,” Dries served as a producer on “Melrose Place” (2009-2010) and was an executive producer on The CW’s hit series, “The Vampire Diaries.”  Her other television credits include “Smallville” and “Arrow.”  Dries began her career in television as a PA, writers assistant and script coordinator on “Smallville” before joining the series as a staff writer.

Dries was born and raised in Milwaukee, Wisconsin.  She attended NYU as an undergraduate, earning a BFA in Psychology.  Afterwards, Dries attended the University of Southern California’s prestigious School of Cinematic Arts where she earned her master’s degree.

Dries currently resides in Los Angeles with her wife, Danielle, and their new baby girl.

Maria FerrariMaria Ferrari

Executive Producer/Creator, UNITED STATES OF AL

March 2021

Maria Ferrari began her career as a script coordinator for the television series “Blue Collar TV” and “How I Met Your Mother,” on the Network. She went on to write multiple scripts for both shows before joining “The Bill Engvall Show” as a staff writer. Next, Ferrari joined “The Big Bang Theory,” on the Network, where she rose to executive producer and was nominated for three Emmy Awards for Outstanding Comedy Series.

Ferrari’s additional television credits include “Young Sheldon,” also on the Network.

Ferrari is a graduate of Northwestern University and resides in Los Angeles.

Molly Smith MetzlerMolly Smith Metzler (playwright) is the author of Cry it Out, Elemeno Pea, The May Queen, Carve, Close Up Space and Training Wisteria. Her regional credits include: Northlight Theatre, Actors Theatre of Louisville, South Coast Repertory, Boston Playwrights’ Theatre, The Eugene O’Neill Theater Center, Chautauqua Theater Company, City Theatre, PlayMakers Repertory Company, Geva Theatre Center, Mixed Blood Theatre Company and more. In New York City: Manhattan Theatre Club (MTC). Metzler’s awards include the Lecomte du Nouy Prize from Lincoln Center, the Harold and Mimi Steinberg National Student Playwriting Award from The Kennedy Center, the Association for Theatre in Higher Education’s David Mark Cohen National Playwriting Award, the Mark Twain Prize for Comic Playwriting and a finalist nod for the Susan Smith Blackburn Prize. She is a proud alumna of the Ars Nova Play Group, the Dorothy Strelsin New American Writers Group at Primary Stages and the Cherry Lane Mentor Project. In television, Metzler has written for Casual (Hulu), Orange Is the New Black (Netflix), Codes of Conduct (HBO), and is currently a writer/producer on Shameless (Showtime). She is also a screenwriter, currently adapting Ali Benjamin’s award-winning novel The Thing About Jellyfish into a film for OddLot Entertainment with Made Up Stories and Pacific Standard (Reese Witherspoon’s company). Metzler was educated at the State University of New York at Geneseo, Boston University, New York University’s Tisch School for the Arts and the Juilliard School. She lives in Los Angeles and Kingston, N.Y.

Audrey MorrisseyAudrey Morrissey is an executive producer and the creative force behind “The Voice,” NBC’s four-time Emmy Award-winning musical competition series, and “Songland,” NBC’s brand new songwriting competition series.

Morrissey’s roots are in music television. A veteran of MTV, she spent nine years at the network in their music and specials division

working on their high-profile music series and annual event specials, such as “Unplugged,” “VMAs,” and “Movie Awards.”

After several years in New York, she was sent to Los Angeles to build the West Coast production department for both MTV and VH1.

After MTV, Morrissey joined Jimmy Iovine and Doug Morris as the Head of Television for their online music venture, Farmclub.com. While at Farmclub, she executive produced 65 episodes of the weekly music series “Farmclub.com” on USA Network and met her future partner, Ivan Dudynsky, with whom she started Live Animals Productions and serves as executive producer.

Since the formation of Live Animals, Morrissey has executive produced award shows, music specials, reality series, music videos and promos. She has executive produced the Emmy Awards, “People’s Choice Awards,” “MTV Movie Awards,” “CMT Music Awards” and “Teen Choice Awards.” She also executive produced the NBC series “I Can Do That.” Morrissey has not only gained the attention of millions of viewers, but critics as well. In addition to five PGA Awards for Outstanding Producer of Competition Television, “The Voice” has earned four Emmy Awards for Outstanding Reality Competition Program in 2013, 2015, 2016, and 2017.

Proofread and Edited by Brenda

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TCA panel

Interview with Karen Barroeta, Mark Tacher, Isabella Castillo and Alejandro Nones

Posted on by TvMegasite Admin

TV Interview!

Karen Barroeta, Mark Tacher, Isabella Castillo and Alejandro Nones from Telemundo's "Malverde: El Santo Patrón"

Interview with Executive Producer Karen Barroeta and actors Mark Tacher, Isabella Castillo and Alejandro Nones from “Malverde: El Santo Patrón” on Telemundo by Suzanne 9/13/21

I’m not a native Spanish speaker, so I don’t usually watch Telemundo. However, I did watch an episode or two of this series before our recent TCA panel with the actors. It was quite entertaining. The show is set in the old west and reminds me of the Western shows I grew up watching, such as Bonanza, The Big Valley, The Virginian and many more.  There are a lot of characters in the show that you meet at once, though, so I had a little trouble sometimes telling them apart. It got a bit easier as time went on.    The series has subtitles, so it’s easy to watch and get caught up in the story. It’s a timeless story of good versus evil. In fact, the main character is a bit like a sexy Robin Hood, but with some mystical powers.  You should really check it out September 28 on Telemundo.

The panel included the executive producer and 3 of the actors. Unfortunately, the main star, Pedro Fernández, was not there, but the three that were there were very entertaining. The cast is from all different parts of Latin America.  On the panel, Tacher is from Mexico; Castillo is from Cuba; and Nones is from Venezuela.

Curious, I asked EP Karen Barroeta if there are many western series on Telemundo. Her reply surprised me: “Actually, this is the first period piece we’ve produced, and we really worked on it for the past six years and thought that it could be something that audiences could be really interested in. So, it was a big challenge for us, but we are happy with the results. Hopefully, audiences will believe so as well.” I agree with her…I think audiences will enjoy it as I did.

She was also asked to compare the real-life tales of Malverde to their show. They did a lot of research into the folklore and then fleshed out the details in the story with fictional elements. They based their show on “what he meant for people and how he lost his parents and how he became a legend. He was part of the Yoreme. His family came from the Native — those Indians in Mexico, and so he learned how to create medicine to help people. So not only he was a Robin Hood, but he also had the ability to cure, and that’s how his name came about. So, we did take a lot from what it was recorded in history, but we did give it a bit of fiction in terms of the people that were around him and how he fought for justice.”  Besides Malverde and the main characters created for the show, there are historical figures as well, such as president Porfirio Díaz and the revolutionary fighter Pancho Villa. “So, we brought a lot of reality in terms of the historical personas and characters that were real at that time, and so we incorporated it because we know that Malverde was fighting for justice. He was trying to help his people. And, so, I think it’s somehow very tied to how he was in reality. But, in TV, we like to make magic, and we brought some additional resources, elements, and characters, to make it more entertaining.”

She was also asked about what elements about Malverde’s character that they chose to put in (or not) , and she responded that they created the love story (between him and Carolina as well as him and Isabel) to make it more appealing to audiences. She seemed to feel bad that we were only asking her questions, so she suggested that the actors help answer this question. Tacher added that their story is not just a dry account of Malverde but a real story about how he lived and loved, which is what the audiences should like. Castillo chimed in to add that they really don’t know many details about Malverde, so they have to fill that in. And her character, La China Navajas, is based on many different women who fought for revolution in Mexico. She points out that they don’t really know if Malverde existed and whether he had these mystical powers that were attributed to him.

Someone else asked if Malverde was as well known as Emiliano Zapata. Karen said that it’s hard to compare the two because they’re very different Zapata was a revolutionary war hero and Malverde was a mythical figure – a saint. People have altars in Mexico, and his figure is frequently on their altars. Some have tattoos of him. He’s a saint in their culture.  Actor Nones added his own take on it: “Zapata is someone kids studied in school, and Malverde is somebody that people from the north in Culiacán and Sinaloa grow with this in the streets. And people talk, and people follow him as a saint with a lot of devotion.”

some of the cast from "Malverde: El Santo Patrón" on Telemundo

Karen told us that it took six years to bring this project to the screen. They first did a lot of research and then put together a demo reel, which they showed to focus groups. They received a good reaction from them. “We saw how our audience here in the United States, an Hispanic audience, was so excited about knowing more, and so we just started the development process three years ago. And the pandemic started just when we were getting ready to start building the back lot that we built in Cumbres del Ajusco in Mexico. And, so, production all in all between the preproduction and the production – I can say was probably a year and a half. So, it’s been a project that took some time.”

Castillo confided that, since she grew up in Cuba, she’d never heard of Malverde until she traveled to Mexico. She discovered that many thought of him as the patron saint of Narcos, but he had nothing to do with them or the drug trafficking. He was a much more positive figure.

Nones had heard a lot about him during his travels and work in Mexico. Six years ago, he was in Culiacán and learned a lot about him at the chapel that bears his name from the son of the person who created the chapel.

Tacher, who, as I mentioned above, is Mexican, related that they don’t learn about pre-revolutionary characters like Malverde in Mexican schools. He heard about him later from people in Culiacán, Sinaloa, where he’s known as the patron saint of the needy. He let us know that Telemundo’s research into the saint was not easy because he’s most popular in certain areas of Mexico.

One of the other members of the press said that he’s also a teacher, so he had been concerned about whether Malverde would be a hero and a positive message. Karen told him, “This is a story of an amazing man who suffered being a young kid by having his father killed by the aristocrats, and he was raised by these Indians who taught him a lot about, like I said before, how to cure people. And he grew up seeing the difference between the aristocrats and the people that didn’t — that they would just fight to have food and education for their kids. So, he fought for justice. He aligned with the revolution to make sure he could bring some equality to those in need. And he was never, like, siding with criminals or with the real bandits. Yes, he did take maybe from the aristocrat’s gold mines, and he would give to the poor. But we are telling the story of a hero, of a legend, and that will show all positive traits. So, I’m not sure if we are necessarily saying it the way you commented it, but we are definitely bringing out this beautiful human being who fought for justice. And the way we position it is he would never want to shoot a gun to kill someone but just to defend himself. He would always say, ‘Never shoot to kill. Never do it.'”

The actors agreed with her that his story is a positive one. Tacher told us that there was virtually no drug trafficking in the world back at that time (the late 1800’s). Of course, that’s because most drugs were legal until the early part of the 20th century. Heroin, opium and pot were legal in Mexico until the 20’s and in the US until the 30’s.

Tacher was next asked why people seem to love stories of lawbreakers like Malverde. He replied thoughtfully: “I think we are always fascinated by those kinds of guys because they are always in the line of what is good or bad in the social medium — in a social medium, you know. So, it’s very difficult not to fall in love with these kinds of characters that help but also that dare to break a little bit — not to break but to bend the system a little bit. And they are always searching for new ways to bring joy to people even though they become a concern to other people. So that’s why I think we are always in love with these kinds of characters because they are almost always on the brink of success and failure.”

The actors were then asked what they had learned from doing their research for the show. Castillo really hadn’t known much about the Mexican Revolution, so she loved learning about it.   Nones had previously done a play about the period, so he was already familiar with it. Tacher enjoyed “living” in the era where they had no electricity and shooting in a simple town where there were no cell phone signals. Then they did the scenes in the series where they brought electricity and light to the town. He said, Iit was amazing. It was like bringing Mexico to a new era. And I lived that way because I just thought to myself, ‘What would I do if I lived in that age without any kind of light?’ Yeah, you will survive, but that had to be hard.”

Castillo elaborated on what he said, explaining that the studio built this small town in the woods where there was nothing but a lot of cactus. She also mentioned that her character has a “controversial” storyline that is even difficult in today’s world (she never explained what she meant, but my guess is that her character is a lesbian). She went on, “we still have to fight for equality and for justice still in 2021, you know. So, when you go back to the good old days, it’s, like, oh, my god, since back in the day, people have been fighting for something that we are still fighting for today, you know. So, for us, it was, like, a joy. It was a pleasure to be part of this project and to participate in all of these historical events that still are taking place nowadays.”

There was a lot of joking around between the actors as they were asked to talk about their characters. That was very funny.

Nones plays Nazario Aguilar, the right hand to Malverde, who has an illness that makes it difficult if he gets injured. Aguilar risks his life for Malverde and because it’s the right thing to do. He loved being in the period piece with all of the details that make it seem authentic to the time.

Castillo loves her character and talked about how strong her character is. “She doesn’t change who she is for anyone, and she has actually taught me many things. She came to Malverde’s life when she was an orphan. Pretty much they killed her whole entire family.” She finds a family with Malverde and Aguilar. Castillo loves the other actors, the action and  “choosing characters that break the stereotypes,” such as this woman  who had to survive alongside men. She continued, “What I love about my character is that she’s the only girl in a band of only men, and she manages to survive back in the day, 1910, which it was difficult to be a girl surrounded by men because you would have to make them respect you, you know. And she gained the respect from men, and that’s something that’s really, really valuable, especially back in the day.”

The female soldiers are called “Soldaderas” and Tacher pointed out that there’s an old Mexican song called “La Adelita” about the women soldiers of the revolution. His character is Vicente del Rio, who is ” an American-born, greedy entrepreneur that moves to the north region of Mexico because he knows of its riches, but sooner than later, he didn’t know that he would fall in love with our beautiful protagonist, Isabel.” There is a lot of conflict between del Rio and Malverde (in part because Malverde and Isabel had a past relationship).  Castillo then teased Tacher about del Rio’s mustache, and they joked around because he didn’t like wearing the mustache at all.

MORE INFO:

poster for "Malverde: El Santo Patrón" on Telemundo

Set in 1910 and inspired by real events, ‘Malverde: El Santo Patrón’ tells the story of Jesús Juárez “Malverde,” one of the biggest and most controversial Mexican characters of the last 150 years, an outlaw who ultimately became a legendary figure, a religious icon, and protector of the innocent, poor and dispossessed. The high-octane production shows the life of Malverde, from his turbulent childhood as an orphan in Sinaloa, Mexico, through his young adulthood during the Mexican Revolution, when he encountered war and danger as well as romance. Rising to heights of unexpected power, he became a Robin Hood-type figure admired by women from all social classes but tormented by unresolved feelings for his childhood girlfriend, Isabel. With the federal authorities increasingly concerned with Malverde’s steadily growing power in the early years of the Revolution, it will take more than love or God to safeguard the hero known as “El Santo Patrón” from those out to destroy him.

Karen Barroeta

Karen Barroeta is a television industry executive with more than 20 years of experience in broadcast, pay TV & content distribution. Throughout her career, Karen has been responsible for leading efforts in Programming, Creative, Marketing, PR and Ad Sales for international and Hispanic-language markets and has cultivated a strong expertise in media management and strategic thinking. Karen is a forward-thinking, results-driven executive who has excelled at leading teams improving the quality of the creative output, enhancing productivity as well as improving operational and communication workflows while building internal partnerships.

Recently, Karen has been appointed Executive Vice President of Production and Development at Telemundo Global Studios. In this new role, Barroeta is responsible for leading the development strategy of the Studios, along with the management and execution of long-form scripted productions across all platforms. She will also oversee the alternative content team and identify projects for pilots, behind-the-scenes productions and digital capsules.

In addition, Karen works closely with Marcos Santana, President of Telemundo Global Studios, to jointly manage and execute long-form scripted productions across all platforms.

Previously, Karen successfully held the Senior Vice President role of Marketing and Creative for Telemundo Network and Universo including Entertainment, News & Sports. In this role, Barroeta was part of the network’s core content team leading the strategic development and execution of all brand and consumer-marketing initiatives across the company’s platforms, including oversight of the media planning and experiential practices. She also collaborated with Telemundo Station Group and NBCUniversal distribution and affiliate teams while leading the Shared Services & scheduling strategies

Karen holds an MBA from the University of Miami, a Master of Arts in Television Production & Digital Media from Emerson College, and a Bachelor of Arts in Communications from Florida Atlantic University.

Mark Tacher

Mark Tacher is a Mexican actor born in Mexico City. He has a degree in acting from CEFAT (Tv Azteca Actoral Training Center). In addition, he studies music, guitar, singing and DJ at the G Martell academy in Mexico. He perfected his vocal technique with maestro Óscar Sámano (MET from NY and student of Pavarotti) in Mexico. Years later he studied Actoral Perfection Techniques, The truth without effort in Venezuela.

His artistic career debuted in 1996 as a host on the Tv Azteca program “Nintendomanía” and which lasted until 1998 when he began his role as an actor.

“Perla”, “Trestimes Sofía” and “Háblame de amor” were his first acting projects. In 2000 he had his first leading role in “Tío Alberto” and 2002 “Get on my motorcycle.” In 2003 he participated in “Mirada de mujer, el returno” being his last novel on Tv Azteca.

He recently participated in the Queen of the South 2 giving life to Alejandro Alcalá and Operación Pacífico from the hand of Telemundo, the latter being one of the protagonists giving life to Colonel Gabriel Pedraza.

Isabella Castillo

Isabella Castillo was born on December 23, 1994 in Havana, Cuba. She was born in a musical family, her mother Delia Diaz de Villegas was a known singer in the island. Her father, Jose Castillo is a drummer and her sister Giselle Castillo graduated from the university in Music Education. In 1997 she migrated to Belize City and months later she moved to Miami, Florida (USA). At the age of 5 years, she decided she wanted to sing in one of her mother’s show, she blew them away with her powerful voice and small age. She took voice, dance and acting lessons. In 2007 she went to Madrid, Spain for a casting for the musical Ana Frank – Un Canto a la Vida. She got the part of Anne Frank and moved with her parents to Spain. She received the award Premio Gran Via for Best Revelation in a Musical. When the musical ended she came back to the United States and was casted to play the part of Andrea Giron in El Fantasma de Elena with Telemundo. After the end of this soap opera she was casted for Grachi and became the main character in the TV series Grachi for Nickelodeon. She won the Nickelodeon’s Kids Choice Awards Mexico 2011 for Best Female Artist in a TV series. Right now she finished filming Grachi second season and is traveling through out Latin America with Grachi the Musical.

Alejandro Nones

Alejandro Nones (born December 9, 1982) is a Venezuelan actor and model. He began his acting career in Mexico, on film Así del precipicio, and later was hired by Televisa to act in the telenovela Lola, érase una vez. He is an actor and producer, known for Who Killed Sara? (2021), Cuna de Lobos (2019) and Amar a muerte (2018).

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Mark Tacher, Isabella Castillo and Alejandro Nones from "Malverde: El Santo Patrón" on Telemundo

Review of “FBI: International”

Posted on by TvMegasite Admin

TV Review!

"FBI: International" cast on CBS

“FBI: International” on CBS Review by Suzanne 9/25/21

I have to admit that I’m not a fan of the “FBI” shows. I just find them a bit boring and formulaic. They have some good actors, but they just don’t excite me very much. If I had nothing better to do, I would watch them, or the “NCIS” shows, or the “Law and Order” shows, or…. Zzzzzzzzz    I’m sorry! I dozed off a second there, just trying to remember all of these franchise shows. (Ha ha!)

These series all seem geared toward action junkies or old people. I mean REALLY old because I’m 60, which is pretty old, and they don’t hold any great thrill for me. But I know they’re very popular. They must be – why else would they now have THREE of them, all on the same night? I guess the three hours of programming is a good match against shows like “The Masked Singer” on FOX.

This new series is set in Europe. Unlike “FBI” and “FBI: Most Wanted,” the show has mostly young people. There is no wise older person to show the young people how it should be done. That might be a mistake, but we’ll have to wait and see how the stories play out.

I watched the three-episode premiere this week (tying all three series together), and I was impressed with the fact that I could watch all three without really knowing any of the other characters on the shows. They make it really easy to follow. You could watch any of these shows and not worry about episodes that you missed. They’re all pretty self-contained.

The international aspect of the show makes it very interesting. They have to deal with things that the other shows don’t, such as worrying about local law enforcement more and not being able to carry guns. I like that detail of it a lot.

Check it out and see if it appeals to you.

MORE INFORMATION:

From Emmy Award winner Dick Wolf and the team behind FBI and the “Law & Order” brand, faced-paced drama FBI: INTERNATIONAL is the third iteration of the successful FBI brand that follows the elite operatives of the Federal Bureau of Investigation’s International Fly Team. Headquartered in Budapest, they travel the world with the mission of tracking and neutralizing threats against American citizens wherever they may be, putting their lives on the line to protect the U.S. and its people. The Fly Team’s Special Agent Scott Forrester, their accomplished and dedicated leader, puts his missions ahead of his personal life and is rarely seen without the team’s “secret weapon” – their trusty Schutzhund dog, Tank. Second in command is Special Agent Jamie Kellett, not afraid to tussle – in an alley or courtroom – and her extensive network of informants is a powerful resource. Special Agent Andre Raines shines in the field and makes good use of his accounting background in tracking criminal enterprises’ moving money; and the group’s newest member is Special Agent Cameron Vo, a competitive West Point grad who excels at interrogation and strategy. A key part of the mix is the unflappable Europol Agent Katrin Jaeger, a multilinguistic liaison between the FBI Fly Team and each host country they inhabit. Always at the scene where American interests are at risk, FBI: INTERNATIONAL is a globe-trotting depiction of law enforcement overseas.

The series premieres at a special time on Tuesday, Sept. 21 (10:00-11:00 PM, ET/PT) as part of a three-hour crossover premiere event with FBI and FBI: MOST WANTED to kick off the new season of “All-FBI Tuesdays” on the CBS Television Network and available to stream live and on demand on Paramount+.
ON AIR: Tuesday (9:00-10:00 PM, ET/PT) as of Sept. 28
ORIGINATION: Budapest
FORMAT Drama (Filmed in HD)
STARRING: Luke Kleintank (Special Agent Scott Forrester)
Heida Reed (Special Agent Jamie Kellett)
Carter Redwood (Special Agent Andre Raines)
Vinessa Vidotto (Special Agent Cameron Vo)
AND: Christiane Paul (Europol Agent Katrin Jaeger)
PRODUCED BY: Wolf Entertainment and Universal Television, a division of Universal Studio Group, in association with CBS Studios
EXECUTIVE PRODUCERS: Dick Wolf, Derek Haas, Matt Olmstead, Michael Katleman, Arthur Forney and Peter Jankowski

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

"FBI: International" cast on CBS

Primetime TV Review: Ordinary Joe

Posted on by Eva Diaz

TV Review!

“Ordinary Joe” Review on by Eva 9/24/2021

I decided to watch Ordinary Joe because it sounded interesting… but when I watched the show, I found it to be confusing.

The show centers around Joe Kimbreau (James Wolk), who graduates from college and has a choice to make of what to do with the rest of his graduation day. Joe’s first option ]is to ask Amy (Natalie Martinez), whom he just met, on a date. Joe’s second choice is to go with his girlfriend, Jenny (Elizabeth Lail), to the beach for a talk.  His third choice for the day is to go to dinner with his family. The show then follows Joe’s three possible choices or timelines. If he goes with Amy on a date, he becomes a famous musician, marries her and they try to have a child; if he goes with Jenny, he becomes a nurse with a disabled son and an unhappy marriage. If Joe chooses dinner with his family, he becomes a cop who is single but still wonders what happened to Amy and Jenny.

This show is a bit confusing because it switches randomly from Joe’s three parallel lives, and you have to really pay attention to understand what Joe is doing and which life he is living. I really like James Wolk as Joe – he makes the best of what he is given and gives the audience a reason to root for Joe, hoping that he will solve his problems.

I think this show needs to work on being a little less confusing… maybe if they dealt with one of Joe’s lives in each episode, instead of all three lives in the same episode, it would work better. I think the show will do okay because it comes after “The Voice” on Monday nights. I will keep watching it to see if it improves, but for now I will give it 3 out of 5 stars.

Read Our Interview with Wolk

MORE INFORMATION:

ORDINARY JOE (NBC)

BROADCAST HISTORY:
9/20/21 – ???

STATUS:
currently airing (fall 2021)TIME SLOT:
mondays from 10:00 PM-11:00 PM ESTCURRENT SEASON:
1 (??? episodes)VISIT THE OFFICIAL WEB SITE

DESCRIPTION:
(from NBC’s web site, September 2021) Life is all about the choices you make – and sometimes, what you do in a single moment can change everything. This new heartfelt, life-affirming drama follows Joe Kimbreau, who faces one of these decisions at his college graduation. The three parallel stories that diverge from that night find Joe and the people around him with different careers, relationships and family lives, showing the unexpected ways that things change – and stay the same. But when it comes down to it, there is no “right” choice; no matter what happens, Joe’s life is always messy, exciting, tough, unpredictable… and beautiful.

PRINCIPAL CAST INFORMATION:
· Charlie Barnett as Eric Payne
· Elizabeth Lail
· James Wolk as Joe Kimbrough
· Natalie Martinez as Amy

CREW INFORMATION:
· Adam Davidson as EP/DIR (Pilot)
· Adam Kassan as EP
· Garrett Lerner as CRTR/EP
· Howard Klein as EP
· Matt Reeves as EP
· Rafi Crohn as EP
· Russel Friend as CRTR/EP

GENRE(S):
· drama

STUDIO INFORMATION:
· 20th Century Fox Television
· 3 Arts Entertainment
· 6th & Idaho
· Universal Television

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Interview with Christopher Meloni

Posted on by TvMegasite Admin

TV Interview!

Christopher Meloni of "Law & Order: Organized Crime" on NBC

Interview with Christopher Meloni of “Law & Order: Organized Crime” on NBC by Suzanne 9/13/21

We had a chat via Zoom with NBC stars for the TCA panels. This particular panel was supposed to feature Mariska Hargitay (Olivia Benson) as well as Christopher Meloni (Elliot Stabler), but she was held up due to a change in her shooting schedule. That was a real shame because we would have all loved to see her with him. He didn’t seem as if he was in a great mood, but he gave each question serious thought and consideration.

If you’re reading this, you probably know already that he played the same character on “Law & Order: Special Victims Unit” for 11 years. He left at the end of season 11 because of a contract dispute. Last April he returned to SVU and then premiered this new show, OC, but with plenty of crossover between the two shows (especially with Hargitay).

I asked him the question that everyone wants to know… I knew that he probably couldn’t answer it, but I was interested in how he would handle the question, either way. I said, “I’m on a lot of “Law & Order” Facebook groups, and most of them seem to want your characters to have a real love affair. Should they stay hopeful on that score? Anything you can tell us. I know you can’t give spoilers.” He replied, “Sure. Hope springs eternal. I mean, why  not? I think it’s going to be a collaborative effort between both showrunners for “SVU” and “OC,” and I believe, with Mariska and I, to kind of figure it all out. It’s a complicated relationship. So, we’ll see.”  That was actually a lot more positive answer than I expected. It was very diplomatic, for sure.

Here are more questions from the panel.  This was the next question:  Elliot goes undercover this season, so he was asked whether this would affect his relationship with his former partner, Benson (Hargitay), since they were close last season. He mentioned that he had spoken to real-life undercover cops, and they had confirmed that they do tend to lose themselves in their jobs.  He thinks Elliot is doing that, as well as still dealing with the stress of losing his wife and all that he went through last season, and not sure how Benson fits into his life (both personally and professionally). Benson sees that he might be going through all this.  He and Benson do engage with each other professional quite a bit, and ” and a little bit from the personal side.”

He was also asked whether he’d learned anything about himself from his years of playing Elliot. He responded, “I’ve learned a lot about myself. It’s been a wonderful journey. I think because, you know, to play this character for as long as I have, or I guess any character, but I always thought of him as a man under pressure, and has maybe examined how I engage the world, how I deal with personal relationships, how maybe certain blind spots that I have, and I’ve had to work on. You know, you really do grow with the character. Because as you mature as a human being, I think you bring those lessons to bear to your character. So, you know, you march hand—in—hand with the thing that you’ve created. And it’s been very rewarding. So, I’ve learned more than I could speak of in this short of time.”

Someone else asked why Dick Wolf decided (possibly in collaboration with him or other writers) to put Elliot in Organized Crime rather than in other possibly detective groups. He asserted that it was Wolf’s idea from the beginning. He feels that it was because there was so much rich storytelling that could be told about the crime families and how they work, and that one crime family investigation would fit well into an 8-episode format. He was also asked whether there might be a possibility of any mention of his cop character in Syfy’s “Happy,” but he didn’t think they would do that because they were in two different universes. He compared it to having a crossover between “Grey’s Anatomy” and a Marvel Universe show.

Another person from the press asked him about “the most emotional and challenging story lines to play on a personal level, something that was difficult” for him to play. He gave an interesting answer, “Well, you know, anytime I’ve had to deal with children and traumas inflicted upon children, those are always — those always strike a very deep chord. I’ve always found those very difficult, but oddly enough, kind of the easiest to play, because there’s no searching for the emotional content within myself. You know, I know exactly how I feel. I’m very — there’s such clarity in my place in this world when children are involved.”

I’m sure he’s been asked this question many times: whether he ever had the itch to go back and play Stabler after he left SVU back in 2011. He asserted that he never looked back. Once he was done, that was it. He enjoyed acting in other projects and traveling. He added, “I think to Dick’s credit, he — I don’t know — maybe he sensed I wasn’t as interested in revisiting how, you know, the “SVU” tells a story, which is great, and they do it so wonderfully. So, when he pitched this more serialized expression of his latest idea of a “Law & Order” show, the “OC,” I really thought it was kind of a stroke of genius. I didn’t think that was even kind of anything he was thinking about. So, I was pleasantly pleased and surprised and excited when I got the pitch. And it was just on the basis of the type of storytelling that the “OC” allows us. And I just think it just allows for a little more in—depth analysis of characters and relationships and that kind of stuff. So, I appreciated that. And I think with Ilene Chaiken running the show, it’s really lived up to what Dick had hoped for.”

He was asked if he’d ever binge-watched “Law & Order” SVU,” but he admitted that he never had. He was there when it was filmed, and that was enough. The same journalist also asked him if he would tell us about the “four new recurring characters” on the second season. He seemed taken aback by that question. He named three – “Dash Mihok, Vinnie Jones, Lolita Davidovich and Michael Raymond-James.”  He said that some of the cast are part of their task force and some are from the new crime family they’ll be going after.  He elaborated, “We’re dealing with an Albanian crime family. You get to see a little bit of the hierarchy. It’s very much a family organization. And there’s a kind of Shakespearean intrigue that surrounds it.” That sounds interesting!

Since he mentioned leaving SVU earlier, he was asked about Mariska, “What has been the greatest joy of working with her? What
qualities does she have that has made the journey a real joy for you? And what have been some of the challenges?” He gave a very long answer. Basically, he said that they were two strong personalities that worked well together. The characters were, “finding each
other’s dance steps. And I would argue we found those dance steps 80 percent of the time, but 20 percent of the time we didn’t. And, you know, that’s where — I don’t know — just stuff happens. And it can be creatively wonderful stuff, and it can be challenging stuff. And it’s just stuff. Because at the end of the day, I think we see each other and know each other at our cores, and we love and honor and respect each other’s gifts. We have forgiven each other’s trespasses.” He said that they grew up together on the show . They both built their own separate families at the same time and both had each other’s best interests at heart.  He was quite effusive in his praise of her: “She’s open and honest and trustworthy and a ball of light. She radiates a goodness and a warmth and an inclusiveness. You know, she’s just a wonderful energy to be around. And she’s a hard worker. ” He praised her for how she carried on after he left the show.” They like working together and look forward to it. He never really answered the question about any challenges.

Next he was asked whether any parts of Elliot had rubbed off on him, or vice versa. He didn’t think so. He compared Elliot to himself, saying that Elliot was both more flawed and more heroic than he. He went on, “I think we both strive for the same sense of justice that, you know — I mean, I think this is life, right? And it’s difficult if you have a sense of right and wrong, and the world makes it difficult for one who has a sense of honor and justice, and you see reality is at times difficult in that regard. So, I would like to — I would strive to be as honorable as Elliott is, as flawed as he is. But no. We both have the same kind of walk, and that’s about it, I think.”

He was asked whether he thought all of the spinoffs were a good thing or not. He thinks that they’re both good and bad as it’s part of their business. It’s expensive to “It’s expensive to launch a show, very expensive to maintain a show, and very expensive to get eyeballs to the show, to your product. So, I just kind of think those pressures lend itself to that kind of programming.” He thinks the audience doesn’t mind as long as the product is a good one.

He was also asked why he thinks fans are so crazy about a Benson-Stabler relationship. He thinks that part of the reason is because their parting in 2011 was so abrupt, and they had so much chemistry for years before that. There was never any kind of answer as to the will-they-or-won’t-they question.

Another writer asked how his working with Mariska different this time than it was the first time around. He answered that they were young and didn’t know each other the first time around. It was all new, fresh and exciting. This time, when he returned, it felt both important and comfortable. “And I haven’t examined it beyond that… “I don’t have that relationship with any other actor walking the earth, because I’ve never worked with anyone for as long as I had with Mariska.” They were revisiting their relationship. “all of that in a package of grief, because of the circumstances under which I was reintroduced. So, it was a completely different dynamic, and yet I think the cornerstone of it all was a playfulness, a humor that we just always have with each other, and a camaraderie. Love and camaraderie.”

He was asked a good storyline question about whether Stabler would still be working with the team or whether he’ll be more in charge this season.  He responded that Sgt. Bell is definitely still in command, not Elliot. He went on, “I find it a very interesting dynamic. I was surprised by it all, and I loved it. I thought it was a very good idea. Danielle Moné Truitt is wonderful to work with. Yeah. So, yeah. Elliott is more on the outside in the first series of eight from the unit. They’re kind of more of the, you know — they’re HQ to whom I report, and they do the logistical hard work while Elliott tries to get intel and is on the inside.”

The last person pointed out that Meloni is also great at comedy. He asked which he would like to do next, after he leaves OC? He instantly replied without hesitation that it would be comedy.  “I’m in one swimming pool and I want to go try the other, see how the other water — how refreshing the other water is.”  Well, let’s hope that’s not for a long time…at least not until we see how he and Olivia are able to really connect, finally.

Please visit our “Law and Order” site!

MORE INFO:

Season 2 Preview  Episode 202 Preview

Christopher Meloni of "Law & Order: Organized Crime" on NBC“LAW & ORDER: ORGANIZED CRIME”

“THE MAN WITH NO IDENTITY”

ORIGINAL

09/23/2021 (10:00PM – 11:00PM) (Thursday) : SEASON PREMIERE – After taking down Wheatley’s (Dylan McDermott) drug empire and discovering his wife’s killer, Det. Stabler (Christopher Meloni) must infiltrate a notorious crime family aiming to take over New York City’s cocaine trade. Sgt. Bell (Danielle Moné Truitt) is forced to work with a rival colleague when their investigations collide. Also starring Ainsley Seiger.

TV-14

The series stars Christopher Meloni, Dylan McDermott, Danielle Moné Truitt, Tamara Taylor and Ainsley Seiger.

Dick Wolf, Ilene Chaiken, Fred Berner, Terry Miller, Arthur Forney and Peter Jankowski serve as executive producers. “Law & Order: Organized Crime” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Christopher Meloni

Elliot Stabler, “Law & Order: Organized Crime”

Christopher Meloni returns to his iconic character, Elliot Stabler, in the new NBC drama series “Law & Order: Organized Crime.”

Meloni was last seen starring on the Hulu British comedy “Maxxx.”

Meloni starred in SYFY’s dark comedy “Happy!” based on Grant Morrison and Darick Robertson’s graphic novel. In addition to his starring role as Nick Sax, he directed an episode as well as executive produced the series. Meloni also co-starred in the third season of the critically acclaimed Hulu series “The Handmaid’s Tale” as Commander Winslow, a powerful and magnetic commander who hosts the Waterfords on an important trip.

Meloni had a guest arc on the breakout FX series “Pose,” from Ryan Murphy and Brad Falchuk. He also appeared in the landmark historical series “Underground,” executive produced by John Legend, and directed an episode.

Following his breakout role on “NYPD Blue,” Meloni was cast in HBO’s gritty prison drama “Oz” and then moved on to “Law & Order: SVU,” where he received an Emmy Award nomination for Outstanding Lead Actor in a Drama Series. Following his 12 seasons on “SVU,” Meloni returned to HBO in Alan Ball’s wildly popular drama “True Blood” and the Julie Louis-Dreyfus-starrer “Veep.”

On the film side, Meloni’s credits include “Diary of a Teenage Girl,” “White Bird in a Blizzard,” “Sin City: A Dame to Kill For,” “Man of Steel,” “42,” “They Came Together,” the Terry Gilliam films “Fear and Loathing in Las Vegas” and “Twelve Monkeys,” “Bound,” “Runaway Bride,”  “Nights in Rodanthe,” and the cult favorites “Wet Hot American Summer,” “Harold & Kumar Go to White Castle” and its first sequel, “Harold & Kumar Escape from Guantanamo Bay.”

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Mariska Hargitay of "Law & Order: Special Victims Unit" and Christopher Meloni of "Law & Order: Organized Crime" on NBC

Interview with the “Alter Ego” Judges and Host

Posted on by TvMegasite Admin

TV Interview!

 

Judges and host of "Alter Ego" on FOX

Interview with judges Nick Lachey, Grimes, and will.i.am, host Rocsi Diaz, executive producer Matilda Zoltowski, and FOX’s President of Alternative Entertainment & Specials, Rob Wade of “Alter Ego” on FOX Suzanne 9/8/21

Alter Ego is the new FOX music competition show. It’s very unusual in that the singers create an avatar of themselves to perform through. The judges and audience see them not as themselves, but as their avatar.

2 NIGHT SEASON PREMIERE WEDNESDAY, SEPT. 22 & THURSDAY, SEPT. 23

I attended the FOX TCA panel for the show. Normally, they give us “screeners” – an episode or two of the show to watch ahead of time. Instead, we got one compilation episode. I’m not sure why. It was interesting, though. I don’t really watch non-fiction shows, but I might have to tune in to some of this to see what it’s really like.

On the panel, they told us “lost dreams and second chances are reignited when singers become the stars they’ve always wanted to be. However, these contestants won’t perform as themselves, rather, they’ll help create their dream avatar alter ego, reinventing and transforming themselves like never before. Talent and technology come together, creating a singing competition unlike anything the world has ever seen.” Then we saw a clip.

The panel consisted of judges Nick Lachey, Grimes, and will.i.am, host Rocsi Diaz, executive producer Matilda Zoltowski, and FOX’s President of Alternative Entertainment & Specials, Rob Wade. I’d only heard of Lachey and will.i.am, but that’s fine because I only was able to ask one question.

My question was admittedly a little lame. I should have asked about the technology behind the avatars because no one really asked that, and I’m curious. On the TV screen, we see the judges and audience looking at the avatar, which lookes like a real person on the stage. Is that how it looks in real life, or is it all special effects? I would love to know. Instead, I asked Nick Lachey a question about being a judge. I made an error because I thought he had been a judge on another reality show. My mistake because he was a contestant, not a judge. Whoops! I should have done more research. My bad. But he gave a great answer, anyway.

The first journalist asked the producers about the idea behind the show and what they hoped people would take out of having avatars perform. The answer was basically that they have this amazing technology that they can use now, and that they could get performers with amazing voices that we wouldn’t necessarily see on other competition shows. I guess he means, people who are not very attractive. What else would she mean? I mean, we’ve seen plenty of plus-sized people, and people of all different colors, races, genders, ages and orientations competing. The only thing left is unattractive people. From what the clips are showing, all of the contestants are choosing avatars much thinner than themselves, and some much more light-skinned than themselves. I wonder what criticisms people will have of the show. It’s, of course, also a way for those who are gender-fluid to have avatars to reflect who they feel like inside. I don’t know if that will be enough to counteract the other problems, though. We shall see!

The next press person asked about the design of the avatars and whether body diversity came into play. The producer answered that they have a real mix of different types of people and “huge diversity on every level.” She revealed that they have 20 different alter egos, which is something I didn’t know from watching the clips. It appears that the contestants are able to change what their avatars are wearing and other features. The producer maintained that they wanted to have alter egos that would appearl to a wide audience – people of all different types. She concluded, “I think there’s something there for everybody.”

Another writer asked why the alter egos look “fantastical” rather than just looking like regular humans. Hmm, here’s someone who probably hasn’t played a lot of video games or done online role-playing. That’s kind of the point – to look different than we are, dude. Producer Wade admitted that trying to make the avatars look like regular humans didn’t really look good. The avatars looked “creepy.” They thought that having them more colorful and fun would be better and people could connect to them. He also added, “why do a show called ALTER EGO with avatars if you’re just going to replicate human beings? They should be something a little bit more fantastical, a little bit superhero like, in a way.”

Judge Grimes interjected that she thought that since so many people are into video games, that they’re used to connecting with the “crazier type” of characters. will.i.am also added his input by comparing people dressing up in different colors, expressing themselves, or wearing costumes for Comic-Con, or various artists who look “fantastical” like these alter egos. He said, “This is beyond makeup. This is beyond, you know, a hat and glasses. It’s beyond freaking tailored suits that fit you perfectly. This is your spirit tailored, whooo. This is, like, your passion tailored. This is putting makeup on your spirit.” He got very excited, and everyone laughed. Nick Lachey advised us to tune in to the series because this is just a small taste of what will.i.am commentary is like.

The next interviewer ask about how genders will be changed, which was a variation on the body diversity question already asked. will.i.am put it well when he declared that “the imagination is genderless and it’s beautiful.” He went on to explained that when he writes songs, sometimes it’s from a female point of view (especially if he’s writing it for a female singer, such as Fergie. He’s “dialing into my inner femininity.” He once again indulged in hyperbole about the show and its performers in this regard. Lachey chimed in to talk about it from the POV of an entertaining – how it can be “truly liberating” to step into an alter ego. He says the way it came together in the show blew his mind. Grimes noted that the show makes “gender fluidity more casual”. Diaz pointed out that what will make viewers really invested in the stories of the performers is that they get to live out these experiences in such a liberating way and really be themselves for the first time. It was touching for them, and she believes it will be for the audience at home as well.

Then it was my turn to ask a question. Bear in mind that I was already a middle-aged adult by the time “98 Degrees” became a big hit, so that wasn’t my music. I had completely forgotten that Lachey was in that group. I had mostly seen him in “Charmed,” where he played Leslie St. Claire in 2004. He modestly replied, “To call me an actor is a liberal use of the word “acting.” After graciously correcting me that he’d never been a judge, he said that he had been a host before on music competition shows, so he was excited to step into the role of judge. He admitted that he was a bit of a skeptic at first (about the alter egos) because he doesn’t play video Alter Ego fairy avatargames and isn’t really into technology tha tmuch. He thought it was really cool to be asked to be part of it, though. In the end, “what I took away from it was, there’s such a humanity, despite all the mind blowing technology, and it’s incredible, and you’ll see it when it premieres on the 22nd. I mean, it’s incredible technology, but there’s still a humanity that comes through in these performances. These are real emotions. These are real people behind the alter egos, and that life experience, all the things that you channel as an artist, all those things you channel into your performance, those things come through in a very real way through the technology, which is a beautiful, beautiful thing to see. And again, I always use this word, but, you know, confluence of technology and artistry, and the way those things came together on this show is something unlike we’ve seen on TV ever. And so, I’m so excited. I mean, I got to watch it firsthand. I’m so excited for (my dog, Brandy, barked here) come together. And, apparently, that dog agrees with me. They’re excited.” Everyone laughed because it was very funny.

They joked around about how Lachey told a lot of “dad jokes.”

The next journalist asked Nick if there were logistical complications, since he lives in Hawaii and the show is in Los Angeles. Lachey confirmed that he does have a lot of frequent flyer miles. However, he was able to be back in L.A., bringing his son Charlie with him while he filmed the show and spent time there. He admitted, “I’ve done a lot of great things in my career, and I’m truly appreciative of each and every one of them, but this was one of the unique and special things I was able to be a part of. So, I’m glad it was able to be worked out, and I’m glad I was able do it.”

The same person asked him being a contestant on “The Masked Singer” and how that informed him for this show. He compared being in the “Piglet” costume to having an alter ego because it frees you to create a character and be whomever you want to be. He told us that the singers in “Alter Ego” are all incredible, but they all have struggled in some ways, but the show allowed them “truly feel liberated, and let their true talent shine through. And we all were lucky enough to be witnesses to that, and I think that’s a beautiful thing. That’s the real … humanity of this show. These are all humans with real emotions, and real struggles, and real experiences, and they bring all that to their performances, and they bring all that to their alter egos. And to watch all those things come together on this is a beautiful thing.”

Another journalist asked will.i.am about the current technology available (and being used on the show), and how he would have used that back when he was in the Black-Eyed Peas. Will gave a very long answer where he basically said that it would have freed them all to be different characters – and play different instruments- within their band.

That same man asked Graimes, who’s a producer as well as a performer, how she judges the show’s performers. Grimes didn’t really answer his questions. She did admit that she has “huge stage fright” and was already looking into this sort of technology to use in her own performances.

There many more questions, but these were the most interesting. Check out this unusual show!

Here is the audio version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

ALTER EGO is the world’s first avatar singing competition series and the next iteration of the musical competition show. On ALTER EGO, lost dreams and second chances are reignited when singers from all walks of life become the stars they’ve always wanted to be. However, these contestants won’t perform as themselves. Rather, they’ll be given the chance to show how they’ve always wanted to be seen, creating their dream avatar ALTER EGO to reinvent themselves, while showcasing their unique performance style via motion capture technology. The judges table features some of the biggest names in music, including iconic singer/songwriter and seven-time Grammy Award winner Alanis Morissette; actor, singer and television personality Nick Lachey; acclaimed Canadian producer, songwriter, singer and visual artist Grimes; and multi-Grammy Award-winning singer/songwriter, producer, entrepreneur and actor will.i.am. Emmy Award-winning personality Rocsi Diaz will host the musical spectacle. In ALTER EGO, talent and technology come together to create a singing competition unlike anything the world has ever seen.

Grimes, a judge on "Alter Ego" on FOXGRIMES

as Judge

Bio

Claire Boucher is the producer of the alter ego Grimes and an award-winning music video director, as well as a music writer, artist, producer, engineer and singer-songwriter. The world got its first glimpse of this vision on her 2010 full-length debut, “Geidi Primes,” which drew its inspiration from the David Lynch adaptation of Frank Herbert’s “Dune.” Her sophomore outing, “Halfaxa,” followed the same year. Over the course of three weeks, 2012’s “Visions” came to life in her apartment and would be recorded solely on Garage Band. 2015 marked a commercial breakthrough on “Art Angels.” It appeared in the Top 5 of year-end lists by Pitchfork, Billboard, Consequence of Sound, The New York Times and Rolling Stone, in addition to being named Album of the Year by Stereogum, NME and Exclaim! In 2018, she made another conscious evolution, turning back to formative influences, such as Tool and Nine Inch Nails for inspiration — a style first hinted at on 2016’s “Suicide Squad” soundtrack contribution, “Medieval Warfare.” In 2020, she released “Miss Anthropocene,” a concept album about an anthropomorphic goddess of climate change, which received rave reviews. The album title stems from the words Misanthrope, “a person who dislikes humankind and avoids human society,” and Anthropocene, “the current geological age, viewed as the period during which human activity has been the dominant influence on climate and the environment.” In 2021, she set the NFT world on fire with the release of WarNymph Collection Vol 1 By Grimes x Mac. The collection contains 10 artworks, including a unique video work set to original music composed specifically for the project. Through the character of WarNymph, Grimes explores the fluidity of identity in the virtual age: the ability to create, augment and splinter ourselves into unlimited avatars.

NICK LACHEY as JudgeNick Lachey, a judge on "Alter Ego" on FOX

Bio

Singer, actor and television personality Nick Lachey rose to fame as the lead singer of the multi-Platinum boy band 98 Degrees, selling more than 10 million records. He also has released four solo studio albums. Currently, Nick can be seen co-hosting “Love is Blind” with his wife Vanessa Lachey. In 2021, Lachey won the fifth season of THE MASKED SINGER as The Piglet. Lachey has had a long hosting career, serving as host on “The Sing Off” and “Big Morning Buzz Live.”

In addition to his work in music and television, Lachey remains a constant advocate for children’s and humanitarian causes through his work with organizations including Autism Speaks, Feeding America, Make-a-Wish Foundation, The Boys & Girls Club, Big Brothers Big Sisters, Juvenile Diabetes Research Foundation (JDRF), VH-1 Save The Music, The Cincinnati Children’s Hospital and The Cincinnati School for Performing Arts. He is also founder and President of The Nick Lachey Foundation, a 501(c)3 non-profit organization dedicated to helping children, families and communities in need throughout the United States.

Lachey was raised in Cincinnati, OH, and attended the School for Creative and Performing Arts (SCPA), Miami University and University of Southern California. Lachey currently resides in Los Angeles with his wife Vanessa and three children.

will.i.am, a judge on "Alter Ego" on FOXwill.i.am

as Judge

Bio

Seven-time Grammy Award winner will.i.am has been at the forefront of the contemporary American hip hop movement for more than 20 years. He is best known as a songwriter, producer, actor and entrepreneur, and globally recognized as a founding member of Black Eyed Peas, one of the best-selling groups of all time. He has released four solo albums and eight studio albums with Black Eyed Peas. The act was one of the first to recognize the mainstream potential of electronic dance music and held the No. 1 spot on the Hot 100 for a record 26 consecutive weeks after “I Gotta Feeling” replaced “Boom Boom Pow” atop the chart — more than any other act in the history of the Hot 100. The Emmy and CLIO Award-winning music video, “Yes We Can,” mobilized a generation during the 2008 U.S. Presidential election. He has worked with countless Grammy Award-winning artists as a producer and currently serves as a Coach on “The Voice UK” and “The Voice Kids.”

He has starred in several animated feature films, including “Rio,” “Rio 2” and “Madagascar 2: Escape to Africa,” as well as the live-action “X-Men Origins: Wolverine.” Founded in 2009, will.i.am’s i.am Angel Foundation supports in-class and after-school STEAM education programs for disadvantaged youth in grades K – 12. The Foundation also funds the Boyle Heights STEM Magnet High School in Los Angeles, and the i.am Scholarship program that provides gap funding to college-bound program students.

ALANIS MORISSETTEAlanis Morissette, a judge on "Alter Ego" on FOX

as Judge

Bio

Since 1995, Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise and seven Grammy Awards. Morissette’s 1995 debut, “Jagged Little Pill,” was followed by nine more eclectic and acclaimed albums.

She has contributed musically to theatrical releases and has acted on the big and small screens. Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological and physical wellness. In 2016, Morissette launched “Conversation with Alanis Morissette,” a monthly podcast that features conversations with a variety of revered authors, doctors, educators and therapists, covering a wide range of psycho-social topics, extending from spirituality to developmentalism to art. On December 5, 2019, the Broadway musical “Jagged Little Pill” debuted at the Broadhurst Theatre in New York City, and was nominated for 15 Tony Awards. Most recently, Morissette released her ninth studio album, “Such Pretty Forks In The Road,” to rave reviews. For more information see www.alanis.com.

Rocsi Diaz, host of "Alter Ego" on FOXROCSI DIAZ

as Host

Bio

Emmy Award-winning television host Rocsi Diaz is best known as the former co-host of ultra-popular mega music show “106 & Park.” She has interviewed everyone from Lady Gaga to Barack Obama. As a co-host and daily correspondent on “Entertainment Tonight,” Diaz was known for setting the tone for what’s hot in music, movies and entertainment. She reached 85 million homes worldwide during her time with “106 & Park,” and has since gone to host “The Daily Share,” “Dating Naked,” “Behind The Movie,” “Chatter” and “Cannonball.” With a massive social media presence, Diaz reaches millions of followers across all platforms.

Executive Producer Matilda ZoltowskiMATILDA ZOLTOWSKI

Executive Producer/Showrunner

Bio

Matilda Zoltowski is a talented producer who has worked on some of the biggest and most successful properties in unscripted television. She began her career in the U.K., where she worked on “Big Brother” and “Strictly Come Dancing,” the inspiration for “Dancing With The Stars.” Her work on “Strictly Come Dancing” gave her the opportunity to develop and produce “Dancing With The Stars” in the U.S., on which she was a co-executive producer for eight seasons.

Zoltowski has developed and produced many different types of unscripted series that have attracted major talent, including cooking series “The Taste,” starring Anthony Bourdain; “Off Their Rockers,” with Betty White; “Bring The Funny,” with Kenan Thompson and Chrissy Teigen; and “I Can Do That,” with Marlon Wayans. Most recently, she served as executive producer for all four seasons of “World of Dance,” starring Jennifer Lopez.

Proofread and Edited by Brenda

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Alter Ego ad

Interview with the cast of “Ordinary Joe” on NBC

Posted on by TvMegasite Admin

TV Interview!

cast of "Ordinary Joe" on NBC

Interview with actors James Wolk, Elizabeth Lail, Natalie Martinez, Charlie Barnett and executive producers Garrett Lerner and Russell Friend of “Ordinary Joe” on NBC by Suzanne 9/13/21

This was a wonderful TV Critics Association panel for a fun new show. I admit that I’m a fan of lead actor James Wolk. He’s been great in so many shows, such as “Mad Men,” “Watchmen,” and “Zoo.” He’s more than just a pretty face. I know, that’s a terribly sexist thing to say. This is a beautiful cast, though. It was nice to meet his co-stars as well. Everyone there obviously has high hopes for this show, so I hope it succeeds.

The show focuses on Wolk’s character, Joe, and the three choices he has in life after college. If he goes to meet his girlfriend, Jenny (Lail), then he ends up with her. If he meets up with this other woman he just met, Amy (Martinez), then he ends up with her. If he goes out with his family, then he has a different path.  We see him on all three paths, how his life turns out, depending on which road he takes. Seeing the first two episodes was interesting. I want to see how they’ll carry this over a whole season. There is Nurse Joe, Cop Joe and Rock Star Joe. Personally, the last one is my favorite.

Because this was a TCA panel and not a regular interview, I was only able to ask one question, and I’m not allowed to share the transcript or recording with you. It was very enjoyable, though.

When I asked my question, which was about singing, Wolk immediately started singing a Billy Joel song to me (swoon!), so that was charming. In the show, when Joe is young, he’s graduating as a music major. He wants to be a rock star – the next Billy Joel. That struck me as a bit odd, given his age.

In the interview, I asked, “Jim, were you a fan of Billy Joel before this show, and had you been singing his songs for fun, or anything like that? You seem a little young to be a Billy Joel fan, to be honest (laughs).” He replied that the mom of an old friend of his used to listen to his albums, and he enjoys singing his music, but he did admit that he’s not as big of a fan of his music as his character, Joe, is. Charlie Barnett (who plays his best friend, Eric) objected to my question and said that “There’s no age limit to good music.”  Well, that’s true, but most people, I don’t think, are quite so much into real oldies that they didn’t grow up with as they are their own teenage or childhood music. Now, I don’t know when Joe was born, but Wolk was born in 1985, which was after the bulk of Billy Joel’s hits, so it would be pretty odd for him to aspire to be like him. It would be as if I aspired to be the next Connie Francis or Brenda Lee. I’m sure most people reading this barely know who those women are. The guys who wrote the show are probably a lot older, so Billy Joel was their music more than Wolk’s. He does have a lovely singing voice, though, and he sang “Piano Man” very well in one of the episodes (I was a music major, just like the character, Joe).

Wolk graciously told us all that the other cast members present there are also really good singers, so he hinted that they may have an all-singing episode one day. Everyone seemed to like that idea.

Check out the series and let me know which Joe is your favorite!

Joe's three paths after graduation

Here’s another review of the show that gives you a lot of information. I agree with a lot of it…however, I don’t think it’s nearly as bland as this reviewer thinks it is. A large part of it rests on how much you like James Wolk and the other actors.

MORE INFO:

Life is all about the choices you make – and sometimes what you do in a single moment can change everything. This new heartfelt, life-affirming drama follows Joe Kimbreau, who faces one of these decisions at his college graduation. The three parallel stories that diverge from that night find Joe and the people around him with different careers, relationships and family lives, showing the unexpected ways that things change – and stay the same. But when it comes down to it, there is no “right” choice; no matter what happens, Joe’s life is always messy, exciting, tough, unpredictable … and beautiful.

The cast includes James Wolk, Natalie Martinez, Elizabeth Lail and Charlie Barnett.

Russel Friend and Garrett Lerner will write and executive produce along with executive producers Matt Reeves, Adam Kassan, Rafi Crohn, Howard Klein. Adam Davidson will direct and executive produce the pilot episode.

“Ordinary Joe” is produced by 20th Television, Universal Television, a division of Universal Studio Group, 6th & Idaho, 3 Arts.

breaking news | March 31, 2021

•    NBC has ordered the drama “Ordinary Joe” to series.

•    W/EP: Russel Friend, Garrett Lerner

•    NW/EP: Matt Reeves, Adam Kassan, Rafi Crohn, Howard Klein

•    D/EP (pilot only): Adam Davidson

•    “I still remember when Matt Reeves shared this passion project back when I worked at Twentieth. Russel and Garrett wrote such a compelling and emotional script that was expertly executed from page to screen,” said Lisa Katz, President, Scripted Content, Entertainment and Streaming. “We love how ‘Ordinary Joe’ lets us experience the universal question of ‘what if’ through an incredible cast of characters and engaging storylines.”

•    Cast: James Wolk, Natalie Martinez, Charlie Barnett, Elizabeth Lail

•    Logline: Explores the three parallel lives of the show’s main character after he makes a pivotal choice at a crossroads in his life. The series asks the question of how different life might look if you made your decision based on love, loyalty or passion.

•    Produced by: 20th Television, Universal Television (a division of Universal Studio Group), 6th & Idaho, 3 Arts

James Wolk

Joe Kimbreau, “Ordinary Joe”

James Wolk stars as Joe Kimbreau in the new NBC drama “Ordinary Joe.”

Wolk was recently be seen on the HBO series “Watchmen,” written by Damon Lindoff, based off the comic book series. He also co-stars on the CBS All Access series “Tell Me a Story,” created and produced by Kevin Williamson, which was renewed for a second season.  It takes the world’s most beloved fairy tales and reimagines them as a dark and twisted psychological thriller. He also recurred on season two of Amazon’s legal drama series “Goliath,” created by David E. Kelley and Jonathan Shapiro, and starring opposite Billy Bob Thornton.

Wolk is also known for his starring role on the CBS summer series, “Zoo,” which ran for three seasons.  Based on the bestselling novel of the same name by acclaimed writer James Patterson, “Zoo” centers on Jackson Oz (James Wolk) – a young American zoologist, who begins to notice the strange behavior of the animals, leading to a wave of violent animal-on-human attacks across the globe.

In 2010, Wolk nabbed the lead role in the critically acclaimed but short-lived Fox series, “Lone Star” and co-starred on the the Golden Globe-nominated USA miniseries “Political Animals.” Wolk also notably recurred on the award-winning and critically acclaimed AMC series “Mad Men” and starred opposite Robin Williams and Sarah Michelle Gellar in the CBS comedy “The Crazy Ones.” Other television credits include “Billions,” “Happy Endings,” and “Shameless.”

Wolk, a native of Farmington Hills, Mich., and 2007 graduate of the University of Michigan drama school, began his career in the CBS/ Hallmark Hall of Fame special “Front of the Class.”

Wolk also appeared on stage in the Tony Award-nominated production “Next Fall,” written by Geoffrey Nauffts and directed by Sheryl Kaller, for its West Coast debut at the Geffen Playhouse.

On the big screen, Wolk made his film debut in Disney’s “You Again.” His film credits include “For a Good Time Call,” “There’s Always Woodstock” and “The Is Happening.” Wolk notably co-starred in the 2015 critically acclaimed film “The Stanford Prison Experiment,” which premiered at the 2015 Sundance Film Festival and was nominated for the Grand Jury Prize.

Wolk resides in Los Angeles.

Charlie Barnett

Eric Payne, “Ordinary Joe”

Charlie Barnett stars as Eric Payne, the best friend of Joe Kimbreau, in the new NBC drama “Ordinary Joe.”

Barnett is familiar to NBC audiences, starring for three seasons as Peter Mills on “Chicago Fire.”  Born in Sarasota, Fla., Barnett began performing at a young age, participating in local opera and musical theater productions before graduating from the Juilliard School.

Barnett’s TV career began with guest star roles on “Law & Order: SVU” and “Law & Order: Criminal Intent” before landing his first series regular role on “Chicago Fire.” He then joined the second season of “Secrets and Lies” followed by a series regular role on the CW military drama “Valor.”

In 2019, Barnett starred alongside Natasha Lyonne in the Emmy Award-nominated Netflix series “Russian Doll.”

Other notable TV credits include a series regular role on Armistead Maupin’s “Tales of the City” as well as guest starring roles on “You,” “Special,” “Orange Is the New Black” and “Arrow.” He debuted on the big screen alongside Will Smith and Josh Brolin in “Men and Black 3.”

Offscreen, Barnett is an avid history buff, enjoys cooking, volunteering, hosting friends and family, horseback riding, sailing, and almost anything involving nature.

Elizabeth Lail

Jenny Banks, “Ordinary Joe”

Elizabeth Lail plays Jenny Banks on the new NBC drama “Ordinary Joe.”

Lail, who also can be currently seen in HBO Max’s reboot of “Gossip Girl,” is best known for her breakout role as Guinevere Beck in the addicting drama “You,” opposite Penn Badgley. The series premiered on Lifetime in 2018 and quickly became a big hit when it moved over to Netflix.

Lail’s other film and television credits include “Countdown,” “Videosyncrasy” and ABC’s “Once Upon a Time.” She made her theater debut in Ken Urban’s Off Broadway play, “Nibbler” directed by Ben Kamine.

Lail is a BFA graduate from the University of North Carolina School of the Arts.

Natalie Martinez

Amy Kindelan, “Ordinary Joe”

Natalie Martinez plays Amy Kindelan on the new NBC drama “Ordinary Joe.”

Martinez, who will be seen in Warner Bros.’ “Reminiscence” with Hugh Jackman and Rebecca Ferguson, appeared in Quibi’s 2020 action thriller “The Fugitive.” In that same year, she also co-starred in CBS All Access’ “The Stand” and previous to that appeared in the Netflix sci-fi series “The I-Land.” Additional TV credits include “The Crossing,” “APB,” “Detroit 1-8-7,” “Under the Dome,” “Secrets & Lies,” “Kingdom.”

On the film side, Martinez’s credits include “Message from the King,” “Keep Watching,” “Self/less,” “Broken City” and “End of Watch.”

Martinez first gained recognition after being hand-picked by Jennifer Lopez to become the spokesmodel for her fashion line, JLO by Jennifer Lopez. From there, she went on to star in several music videos, and the telenovelas “Fashion House” and “Saints & Sinners.”

Originally from Miami, Martinez currently resides in Los Angeles.

Garrett Lerner and Russel Friend

Executive Producers, “Ordinary Joe”

Garrett Lerner and Russel Friend executive produce the new NBC drama “Ordinary Joe.”

Previously, they were executive producers on “House M.D.,” where they were nominated for four Emmys Awards and won the WGA Award for Outstanding Episodic Drama. Other writing credits include “Glee,” “Home Before Dark,” “Altered Carbon,” “Roswell,” “Rise” and “Boston Public.”

Lerner and Friend graduated from the USC Peter Stark Program in 1995.

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"Ordinary Joe" premieres 9/20 on NBC

DVD Review of “The Equalizer: Season One”

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TV Review!

The Equalizer: Season One DVD cover

“The Equalizer: Season One” Review by Suzanne 9/15/21

This is a vigilante show, which is similar to a superhero show. There’s a thin line that sometimes can be hard to find. Batman is a vigilante, but he has no super powers.  Robyn McCall (Queen Latifah) is a former CIA agent who now secretly helps people who are victims of evil doers (especially female victims).  She has a team helping her, including her former CIA handler (played by the amazing Chris Noth). She tries to redeem herself with each person she helps – she has a lot to make up for from her shady past. She also lives with her Aunt Vi (the always-underrated Lorraine Toussaint), who helps her raise her teenaged daughter, Delilah.

There’s a lot of great action in the show, but the violence has been toned down quite a bit since the 80’s version of this series.  Perhaps they think that female audience members won’t like it. At any rate, it gives them time to focus more on story and characters. The first season was a big hit, and the second season is doing pretty well. CBS is packed with remakes and reboots, but this show stands out as one of the best. Queen Latifah herself deserves a lot of the credit, but the writing is also very good.

The DVD has some nice extras: 3 behind-the-scenes specials, as well as the regular deleted scenes and gag reel. This would make a good gift for any teen or adult.

MORE INFORMATION:

Buy This DVD!

THE EQUALIZER: SEASON ONE
Street Date: September 21
Format: DVD
Description: THE EQUALIZER is a reimagining of the classic series following Robyn McCall, an enigmatic woman with a mysterious background who uses her extensive skills as a former CIA operative to help those with nowhere else to turn. McCall presents to most as an average single mom who is quietly raising her teenage daughter. But to a trusted few, she is The Equalizer – an anonymous guardian angel and defender of the downtrodden, who’s also dogged in her pursuit of personal redemption. Robyn’s clandestine work remains a secret from her smart and observant daughter, Delilah, and her aunt Vi, who lives with Robyn to help her balance life as a working mother. Joining Robyn as champions of justice are William Bishop, her former CIA handler and longtime friend; Melody “Mel” Bayani, an edgy bar owner and a colleague from Robyn’s past; and Harry Keshegian, a paranoid and brilliant white-hat hacker. As Robyn aids the oppressed and exploited, her work garners the attention of shrewd NYPD Detective Marcus Dante, who doggedly seeks to uncover the identity of the vigilante known as The Equalizer.

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

cast of "The Equalizer" on CBS

Review of “NCIS: Hawaii”

Posted on by TvMegasite Admin

TV Review!

cast of "NCIS: Hawaii" on CBS

“NCIS: Hawaii” on CBS Review by Suzanne 9/15/21

I love shows filmed on Oahu because we lived there for three wonderful years. I hope to go back one day. It really is paradise, like they say. I would look out and just be constantly amazed at where I was and what I was seeing. The actors in shows like this, and “Magnum PI” and “Hawaii Five-0” are so lucky to live and work there.

They do a good job showing the island – not just the tourist or downtown areas, but also where the locals go. They also show the food, the language and some of its cultural traditions. The cast is very diverse. Star Vanessa Lachey is half Filipina (there are many Filipino-Americans and other Asian descendants in Hawaii). The rest of the cast is from New Zealand, Canada and other places, with ancestry from Lebanon, the Pacific Islands, Hawaii, Polynesia (New Zealand), United Arab Emirates and more. It’s great that they have a woman in charge, too, which is a first for the NCIS franchise.  CBS has really made great strides in its casting the past few years to put women and people of color in the forefront of their shows.

Do I even have to mention that the stories and characters are great? Of course they are. It’s NCIS. The writing is always top-notch. Someone in the military is murdered, and they investigate, and they find the killer (and usually more than they bargained for). There’s going to be action, good-natured joking around, and some romance. Each of the characters in the regular cast has compelling backstories. What more could you ask for? Check it out Mondays.

MORE INFORMATION:

NCIS: Hawaii poster

The world’s most successful television series continues on the seductive shores of the Aloha State with NCIS: HAWAI ‘ I, where the first female Special Agent in Charge of NCIS Pearl Harbor, Jane Tennant, has thrived and risen through the ranks by equal parts confidence and strategy in a system that has pushed back on her every step of the way. Together with her unwavering team of specialists, they balance duty to family and country while investigating high-stakes crimes involving military personnel, national security and the mysteries of the sun-drenched island paradise itself.

Premiered Monday, Sept. 20 on the CBS Television Network and available to stream live and on demand on Paramount+.

ON AIR:

 Monday (10:00-11:00 PM, ET/PT)

ORIGINATION:

Oahu, Hawaii

FORMAT:

 Drama (Filmed in HD)

STARRING:

 Vanessa Lachey (Special Agent in Charge Jane Tennant)
Alex Tarrant (Kai)
Noah Mills (Jesse Boone)
Yasmine Al-Bustami (Lucy Tara)
Jason Antoon (Ernie Malik)
Tori Anderson (Kate Whistler)
Kian Talan (Alex Tennant)

PRODUCED BY:

 CBS Television Studios

EXECUTIVE PRODUCERS:

 Matt Bosack, Jan Nash and Christopher Silber; Larry Teng (initial episode only)

VANESSA LACHEY STARS AS SPECIAL AGENT IN CHARGE OF NCIS PEARL HARBOR JANE TENNANT, WHOSE TEAM INVESTIGATES HIGH-STAKES CRIMES INVOLVING MILITARY PERSONNEL AND NATIONAL SECURITY IN THE ALOHA STATE, ON THE SERIES PREMIERE OF “NCIS: HAWAI`I,” MONDAY, SEPT. 20

Series Also Stars Alex Tarrant, Noah Mills, Yasmine Al-Bustami, Jason Antoon,

Tori Anderson and Kian Talan

“Pilot” – Vanessa Lachey stars as Special Agent in Charge of NCIS Pearl Harbor Jane Tennant, who, with her unwavering team of specialists, balances duty, family and country, while investigating high-stakes crimes involving military personnel, national security and the mysteries of the sun-drenched island paradise itself. In the premiere episode, an experimental Naval aircraft crashes on Oahu, and Tennant and her team must find who is behind it before classified state secrets are exposed, on the series premiere of NCIS: HAWAI`I, Monday, Sept. 20 (10:00-11:00 PM, ET/PT) on the CBS Television Network and available to stream live and on demand on Paramount+. Series also stars Alex Tarrant, Noah Mills, Yasmine Al-Bustami, Jason Antoon, Tori Anderson and Kian Talan.

REGULAR CAST:

Vanessa Lachey (Special Agent in Charge Jane Tennant)
Alex Tarrant (Kai Holman)
Noah Mills (Jesse Boone)
Yasmine Al-Bustami (Lucy Tara)
Jason Antoon (Ernie Malik)
Tori Anderson (Kate Whistler)
Kian Talan (Alex Tennant)

GUEST CAST:

Mahina Anna Maria Napoleon (Julie Tennant)
Moses Goods (Wally Holman)
Enver Gjokaj (Captain Milius)
Danielle Nuela Zalopany (Hina)
Ron Yuan (Big Luna)
Erica Wong (Myra)
Jamaal Burcher (Charles Randolph)
Amber Olivia Abara (Sally)
Ryan Pagan (HPD Officer)
Chris Kim (HPD Officer 2)
Blaze Laniola Cosner (Moke)
Jordan Matlock (Mainlander 1)
Jacob White (Mainlander 2)
Joanna K. Patterson (Female Bartender)
Chris Magpoc (M.E. Tech)
Pedro Lemus Jr. (Navy Honor Guard)
Louis Steiner (Master at Arms)

WRITTEN BY: Matt Bosack, Jan Nash and Christopher Silber

DIRECTED BY: Larry Teng

GENRE: Drama, Crime, Mystery

Official CBS website: https://www.cbs.com/shows/ncis-hawaii/

Website: https://www.cbs.com/shows/ncis-hawaii/

CBS Twitter: https://twitter.com/CBSTweet

Facebook: https://www.facebook.com/NCISHawaiiCBS/

Twitter: https://twitter.com/NCISHawaiiCBS

Instagram: @NCISHawaiiCBS

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

Some of the "NCIS: Hawaii" cast on CBS

Interview with the cast of “Harper House”

Posted on by TvMegasite Admin

TV Interview!

 

THE HARPER HOUSE -- The adult animated comedy series, THE HARPER HOUSE, with voice cast, Rhea Seehorn, Jason Lee, Tatiana Maslany, Ryan Flynn, Gabourey Sidibe, Gary Anthony Williams, Nyima Funk, VyVy Nguyen and Lance Krall on the Paramount+ series THE GOOD FIGHT. Photo: CBS Studios©2021 Paramount+, Inc. All Rights Reserved.

Interview with Rhea Seehorn, Jason Lee, Ryan Flynn, Gabourey Sidibe, Gary Anthony Williams, Nyima Funk, Brad Neely, and Katie Krentz of “The Harper House” on Paramount+ by Suzanne 8/31/21

The Harper House Cast

Rhea Seehorn – “Debbie Harper”

Jason Lee – “Freddie Harper”

Ryan Flynn – “Todd Harper”

Gabourey Sidibe – “Shauna Bradley”

Gary Anthony Williams – “Gbenge Bradley”

Nyima Funk – “Katrina Bradley”

Brad Neely – Creator & Showrunner

Katie Krentz – Executive Producer

I was at this panel, and I asked Gary Anthony Williams (Gbenge) a question. He’s been a favorite of mine ever since he played Clarence on “Boston Legal.”  Unfortunately, I was not sent a transcript for the interview, and we weren’t allowed to record it. If I’d known ahead of time, I would have taken notes, at least. Here is what I remember, and what I’ve been able to piece together.

Everyone on the panel was very funny and had me crying (because I was laughing so hard), especially Gary and his comedy partner, Nyima Funk (Katrina). They should have their own podcast or talk show… I know I asked him something about Arkansas, since I lived there at the time. The show takes place in River Creek, Arkansas. I don’t remember what he said, unfortunately.  Fortunately, I did get to speak to him years later, about his role on “Night Court” on NBC.

The panel officially announced the premiere date for Harper House set for September 16, 2021, and debuted its first-look trailer with key cast members and creative team in attendance

Premiere date and trailer: The show’s debut on September 16, 2021 was confirmed, and the first full trailer was shown—featuring cast members Rhea Seehorn, Jason Lee, Ryan Flynn, and Tatiana Maslany.

Cast & creative team: Brad Neely (creator/writer), along with key cast members, participated in the event—primarily to introduce the series and its tone .

Rhea Seehorn on taking “different risks” On the August 31 TCA Zoom panel, Seehorn reflected on how the animated format allowed her to stretch creatively: “There were risks you could take because this is a very different type of storytelling on this show… But there was also risks I felt that I could try out vocally.” Seehorn contrasted voice acting in The Harper House with her live-action role in Better Call Saul, discussing how the medium demands broader expressive range: “You do get to explore a lot… you need to carry out your humor, your drama, your real moments, your more outlandish moments, your subtext. Everything has to all be done vocally as opposed to subtleties that you can do on camera…” Experimenting in the studio, trusting animators.

She also highlighted the playful creative process between voice recording and animation: “Sometimes I would try things and leave it to the animators to figure out… understanding sometimes when [creator] Brad [Neely] knew how it would be animated, versus choices that hadn’t been made yet, and being a part of that process.”

Here are some other links having to do with the show and its cast:

Meet the Voice Cast

Brad Neeley’s Homecoming: Return to Streaming

Wikipedia

The 10 Smartest Characters

Paramount+ brings “peak” animation to Comic-Con@home with “The Harper House”and “Stephen Colbert Presents Tooning Out the News”

 

MORE INFO:

CBS ALL ACCESS ANNOUNCES VOICE CAST FOR ANIMATED SERIES “THE HARPER HOUSE”

Voice Cast Includes Rhea Seehorn, Jason Lee, Tatiana Maslany, Ryan Flynn, VyVy Nguyen, Roberta Colindrez, Gabourey Sidibe, Gary Anthony Williams and More

New Animated Series from Brad Neely and Katie Krentz Coming to CBS All Access in 2021

NEW YORK, N.Y. – Oct. 15, 2020 – CBS All Access, ViacomCBS’ digital subscription video on-demand and live streaming service, today announced the voice cast for its upcoming adult animated comedy THE HARPER HOUSE, created by Brad Neely. THE HARPER HOUSE will star Rhea Seehorn, Jason Lee, Tatiana Maslany and Ryan Flynn as the Harper family, with VyVy Nguyen, Lance Krall, Roberta Colindrez, Tessa Skara, John “Spud” McConnell, Chris Diamantopoulos, Joanna Hausmann, Gabourey Sidibe, Nyima Funk and Gary Anthony Williams also voicing characters in the series.

THE HARPER HOUSE follows an overconfident female head of a household, as she struggles to regain a higher status for herself and for her family of oddballs, after losing her job and moving from the rich side to the poor side of an Arkansas small town. To save money, they’ve moved into their inherited Victorian fixer-upper, the historic Harper House.

The Harpers:

Rhea Seehorn (“Better Call Saul,” “Veep”) will voice Debbie Harper, the aforementioned breadwinner of the Harper household, who takes pride in being the queen of her home.

Jason Lee (“My Name is Earl,” “Alvin and the Chipmunks”) will voice Freddie Harper, a fretful, stay-at-home, helicopter dad. A neurotic control freak, Freddie runs the home while his wife makes the money, and he wouldn’t have it any other way.

Tatiana Maslany (“Orphan Black,” “Perry Mason”) will voice Ollie Harper, the extroverted, free-spirited daughter. Recklessly optimistic and pretty gullible, Ollie usually has a completely different takeaway than her 11-year-old twin brother, Todd.

Newcomer Ryan Flynn (“Stupidface”) will voice Todd Harper, the smart-ass, intellectual son with a mean potty mouth. Where Ollie shines with people, Todd excels at school and generally only gets along with his family.

The Bradleys:

Gabourey Sidibe (“Precious,” “Empire”) will voice Shauna Bradley, the cunning and resourceful classmate of Ollie and Todd whose family lives across the street from the Harper House. Her confidence and savvy can even be intimidating to the adults in her life.

Nyima Funk (“Key and Peele,” “Detroiters”) will voice Katrina Bradley, the sarcastic co-owner, with her husband Gbenge, of Bradleys’ Bookshop. Constantly bewildered by her new neighbors, she grows to accept the Harpers and their unique contributions to the north side of town.

Gary Anthony Williams (“Teenage Mutant Ninja Turtles: Out of the Shadows,” “American Dad!”) will voice Gbenge Bradley, the proud patriarch of the Bradley family, who eventually warms to the Harper family and Freddie’s increasingly desperate attempts to be his friend.

Also cast in the series are VyVy Nguyen (“Young Sheldon,” “Parenthood”) and Lance Krall (“Fameless,” “Breaking In”), who will voice mother-son duo Gwen and JimJoe Dang. Gwen owns the Vietnamese market and cafe that the Harpers frequent, while her son JimJoe attends school with the Harper children. Roberta Colindrez (“Vida,” “The Deuce”) will voice Tonya Acosta, a carefree yet supportive friend of Debbie’s, while Tessa Skara (“The Calling,” “High Maintenance”) and John “Spud” McConnell (“Hap and Leonard,” “Underground”) will voice Debbie’s perky Southern-belle sister Brenna and loving father Daddie Dan. Additionally, Chris Diamantopoulos (“Silicon Valley”) will voice, among others, Dr. Morocco, the principal at the Harper children’s school who exhibits a mysterious and odd demeanor that may lead one to believe he lives a potentially criminal private life alongside Joanna Hausmann (“Bill Nye Saves the World”), who will voice Ms. Gonzalez, a teacher at the Harper children’s school who is fresh out of grad school and eager to employ all of her new teaching methods.

Creator Brad Neely serves as executive producer alongside Katie Krentz. The series is produced by CBS Eye Animation Productions, CBS Studios’ new animation arm, in association with 219 Productions. Titmouse (“Big Mouth”), the Emmy Award-winning independent animation production company, serves as the animation studio for the series.

THE HARPER HOUSE joins CBS All Access’ growing slate of original series that currently includes THE GOOD FIGHT, THE TWILIGHT ZONE, TOONING OUT THE NEWS, NO ACTIVITY, WHY WOMEN KILL, INTERROGATION, THE THOMAS JOHN EXPERIENCE and TELL ME A STORY, as well as the upcoming limited event series THE STAND, TEXAS 6, THAT ANIMAL RESCUE SHOW, THE MAN WHO FELL TO EARTH, THAT ANIMAL RESCUE SHOW and GUILTY PARTY. CBS All Access is also the exclusive domestic home to STAR TREK: DISCOVERY, STAR TREK: PICARD, the animated series STAR TREK: LOWER DECKS, and the upcoming U.S.S Enterprise set series STAR TREK: STRANGE NEW WORLDS.

About CBS All Access:

CBS All Access is ViacomCBS’ direct-to-consumer digital subscription video on-demand and live streaming service. CBS All Access gives subscribers the ability to watch more than 20,000 episodes and movies on demand – including exclusive original series, current and past seasons of hit shows from the CBS Television Network and growing libraries from brands across the ViacomCBS portfolio including BET, Comedy Central, MTV, Nickelodeon, Smithsonian and more, as well as a wealth of films from Paramount Pictures. The service is also the streaming home to unmatched sports programming, including every CBS Sports event, from golf to football to basketball and more, plus exclusive streaming rights for major sports properties, including some of the world’s biggest and most popular soccer leagues. CBS All Access also enables subscribers to stream local CBS stations live across the U.S. in addition to the ability to stream ViacomCBS Digital’s other live channels: CBSN for 24/7 news, CBS Sports HQ for sports news and analysis, and ET Live for entertainment coverage.

The service is currently available across all major device platforms including online, mobile and connected TV and OTT platforms and services. Versions of CBS All Access have launched internationally in Canada and Australia (10 All Access), with unique but similar content and pricing plans. For more details on CBS All Access, please visit https://www.cbs.com/all-access.

About CBS Studios:

CBS Studios is one of the industry’s leading suppliers of programming with more than 70 series currently in production across broadcast and cable networks, streaming services and other emerging platforms. The Studio’s expansive portfolio spans a diverse slate of commercially successful and critically acclaimed scripted programming, genre-defining franchises including the ever-growing “Star Trek” universe, award-winning late night and daytime talk shows, and an extensive library of iconic intellectual property.

Episode 1: “The Harper House”

Series Premiere. After being let go from her high-paying job, Debbie Harper (Rhea Seehorn), her husband Freddie (Jason Lee), and their twins, Todd (Ryan Flynn) and Ollie (Tatiana Maslany), move into a Victorian fixer-upper on the poorer side of town and attempt to win over their new neighbors by hosting a WrestleMonium watch party.

Written by: Brad Neely

Directed by: Scott Bern

Episode 2: “Conflicting Parenting Books”

Debbie and Freddie’s conflicting parenting styles become more apparent. Meanwhile, Todd and Ollie compete in the “Leaf-A-Thon” at their new school.

Written by: Brad Neely

Directed by: Chuck Sheetz

Episode 3: “The Perfect Gift/ Marg Truck”

Freddie, Todd and Ollie compete to find the perfect birthday gift for Debbie. Meanwhile, Debbie and her best friend, Tonya, see a brilliant, but illegal, business opportunity in a margarita food truck.

Written by: Brad Neely

Directed by: Liza Singer

Episode 4: “That Old House/ Friend Stacking”

Debbie and Freddie find the perfect friends, but are annoyed when they turn out to be friend-stackers. Todd struggles to move on from the past.

Written by: Brad Neely

Directed by: Scott Bern

Episode 5: “Baby Talk/ Coupon Kid”

With her sister Brenna’s questionable support, Debbie resorts to “baby talk” to make sales at Awning Con. Meanwhile, Shauna Bradley scams an impressionable Freddie.

Written by: Brad Neely

Directed by: Chuck Sheetz

Episode 6: “Everyone In Town Must Eat A Piece Of Barack Obama Before Midnight Or The World Ends”

When Ollie believes everyone must consume a piece of President Barack Obama in order to save the town, Debbie worries about her gullibility. Todd is determined to stop Mayor Kelly Frakes’ fracking expansion plan.

Written by: Brad Neely

Directed by: Sarah Seember HuiskenKey art for "The Harper House" on Paramount+

Episode 7: “Marshmallow Tests”

Opposite personality traits become more apparent in the Harper family when Debbie and Freddie collaborate on a business idea and when Todd and Ollie search for a new toy on the market.

Written by: Brad Neely

Directed by: Scott Bern

Episode 8: “Home Alone On The 4th Of July”

The Harpers celebrate the Fourth of July at the River Creek Fourth Fest and it’s far from a relaxing holiday; Freddie consumes a questionable funnel cake and Debbie protects the neighborhood from a robbery… or so she thinks.

Written by: Brad Neely

Directed by: Chuck Sheetz

Episode 9: “Deathbed Wish / Make the Lie Real”

A trip with Daddy Dan and Brenna commemorating her mother’s passing proves to be more enlightening than Debbie imagined. Meanwhile, Freddie ropes Tonya, Ollie and Todd into a scheme to impress Gbenge.

Written by: Brad Neely

Directed by: Sarah Seember Huisken

Gbenge Bradley, voiced by Gary Anthony Williams Katrina Bradley, voiced by Nyima Funk

Proofread and Edited by Brenda

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DVD Review of “Magnum P.I.: Season Three”

Posted on by TvMegasite Admin

TV Review!

"Magnum P.I.: Season Three" DVD cover

“Magnum P.I.: Season Three” Review by Suzanne 9/10/21

It took me a while to warm up to this series because it’s so different from the original. Jay Hernandez, a handsome young Latino actor, is a very different Thomas Magnum than the one played back in the 80’s by Tom Selleck. It makes sense because TV has changed a lot. It’s no longer mostly-white and male. Most shows are ensemble pieces – the star of the show is no longer a lone wolf. Hernandez has a nice laid-back energy but is still a good hero.  The main difference is that Higgins (Perdita Weeks) is a sexy woman, so she and Magnum have a lot of sexual chemistry. In this season, they’re finally partners, working together in the PI agency.

Because of COVID, there are only 16 episodes this season. Also, the DVD features are rather thin. There’s a gag reel, deleted scenes and not much else. That’s too bad. I wonder if that’s due to the shortened season?

This would still make a good gift for any TV fans. There is a lot of great action, comedy, drama and romance in the show. Also, Roger E. Mosley (the original TC) guest stars in one memorable episode. Check it out!

MORE INFORMATION:

Buy the DVD!

MAGNUM P.I.: SEASON THREE
Street Date: September 14
Format: DVD
Description: MAGNUM P.I. is a modern take on the classic series centering on Thomas Magnum, a decorated former Navy SEAL who, upon returning home from Afghanistan, repurposes his military skills to become a private investigator. A charming rogue, an American hero and a die-hard Detroit Tigers fan, Magnum lives in a guest cottage on Robin’s Nest, the luxurious estate where he works as a security consultant to supplement his P.I. business. The “majordomo” of the property is Juliet Higgins, a beautiful and commanding disavowed MI:6 agent whose second job is to keep Magnum in line, with the help of her two Dobermans. When Magnum needs back-up on a job, he turns to his trusted buddies and fellow POW survivors, Theodore “TC” Calvin, a former Marine chopper pilot who runs Island Hoppers, a helicopter tour business, and Orville “Rick” Wright, a former Marine door-gunner-turned-impresario of Oahu’s coolest nightclub and the most connected man on the island. Suspicious of Magnum’s casual attitude and presence at his crime scenes, Detective Gordon Katsumoto finds that he and Magnum are more alike than either of them care to admit. One of Magnum’s biggest supporters is Teuila “Kumu” Tuileta, the unofficial “House Mom” and cultural curator of Robin’s Nest. With keys to a vintage Ferrari in one hand, aviator sunglasses in the other, and an Old Düsseldorf longneck chilling in the fridge, Thomas Magnum is back on the case!

Proofread and Edited by Brenda

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

cast of MAGNUM P.I.: SEASON THREE

“Star Trek: Prodigy” TCA Panel

Posted on by TvMegasite Admin

TV Interview!

 

"Star Trek: Prodigy" main cast members with their animated counterparts. Photo from Paramount+.

TCA Interview for “Star Trek: Prodigy” on Paramount+ and Nickelodeon by Suzanne 8/31/21

I attended this panel for the TV Critics Association, but unfortunately, I did not get to ask a question. As a fan of “Star Trek,” I enjoyed watching the panel. However, they didn’t send me a transcript (as they usually do). Since they didn’t tell me ahead of time that I wouldn’t get a transcript, I didn’t record it, or even take notes, so I couldn’t write up my own article about it. I found bits and pieces online about the panel, written by some other journalists.

The panel was basically about introducing the show and its characters. They showed the opening sequence and talked a lot about the music for the show.  Katherine Janeway is a main character (voiced by Kate Mulgrew). Mulgrew is happy to be included in this new series. The show is aimed at kids, which is a first for the Star Trek franchise. It will be airing on Nickelodeon as well as Paramount+.

Jimmi Simpson (“Westworld”) voices an evil robot. John Noble (“Lord of the Rings”) voices another villain, named The Diviner. This is the first Star Trek series with no humans on the starship. Indeed, they’re all inexperienced because they take the ship to escape a hard life and journey out into the galaxy in it, learning as they go. It looks like a great show, whether it’s aimed at kids or not. They’re clearly putting a lot into this.

 

Tue, Aug 31, 2021, 2:41 PM 11:40 AM

ATTENDEES

Kate Mulgrew – “Hologram Janeway”

Brett Gray – “Dal“

Ella Purnell – “Gwyn”

John Noble – “The Diviner”

Jimmi Simpson – “Drednok”

Kevin Hageman – Executive Producer

Dan Hageman – Executive Producer

Ben Hibon – Director/Co-Executive Producer

Alex Kurtzman – Executive Producer

Heather Kadin – Executive Producer

Ramsey Naito – President, Nickelodeon Animation

Paramount+ Press Release- Main Title Sequence Unveiled

Tweets from Star Trek on Paramount+

Deadline – Kate Mulgrew Talks Revisiting Janeway

TrekMovie – First Look at Villains

Syfy Wire

Superhero Hype

Nickalive

Collider

They also discussed the return of “The Game,” and two other new shows, “Harper House” and “The Mayor of Kingstown.”

List of shows from Paramount+ virtual TCA August 31, 2021 (photo from Instagram)

 

Key art for "Star Trek: Prodigy" season 1 from Paramount press site.MORE INFO: Official Site  Trailer  Watch on Netflix

Star Trek: Prodigy is the first Star Trek series aimed at younger audiences and follows a motley crew of young aliens who must figure out how to work together while navigating a greater galaxy, in search of a better future. These six young outcasts know nothing about the ship they have commandeered – a first in the history of the Star Trek franchise – but over the course of their adventures together, they will each be introduced to Starfleet and the ideals it represents.

Episode 101/102 – “Lost & Found” (Available to stream Thursday, October 28th)
Part 1 and Part 2. Exiled on a mining colony outside Federation space, a group of lawless teens discover a derelict Starfleet ship. Dal must gather an unlikely crew for their newfound ship if they are going to escape Tars Lamora, but The Diviner and his daughter Gwyn have other plans.
Written By: Kevin & Dan Hageman Directed By: Ben Hibon

Episode 103 – “Starstruck” (Available to stream Thursday, November 4th)
Even with the guidance of their hologram advisor Janeway, the crew of the U.S.S. Protostar is tested when their ship is on a dangerous cosmic collision course.
Written By: Chad Quandt Directed By: Alan Wan

Episode 104 – “Dreamcatcher” (Available to stream Thursday, November 11th)
The crew has their first away mission on an undiscovered planet that manifests their deepest desires, only to realize the planet has desires of its own.
Written By: Lisa Schultz Boyd Directed By: Steve Ahn, Sung Shin

Episode 105 – “Terror Firma” (Available to stream Thursday, November 18th)
Marooned on a deadly planet, the crew must work together with their captive Gwyn to stay alive…except the planet isn’t the only thing in pursuit.
Written By: Julie Benson, Shawna Benson Directed By: Olga Ulanova

Episode 106 – “Kobayashi” (Available to stream Thursday, January 6th)
As Gwyn struggles to find her role aboard the U.S.S. Protostar, Dal tests his leadership skills in the newly discovered holodeck.
Written By: Aaron J. Waltke Directed By: Alan Wan

Episode 107 – “First Con-tact” (Available to stream Thursday, January 13th)
When a mentor from Dal’s past persuades him to use their Federation cover for personal gain, they quickly discover Starfleet has protocols for a reason.
Written By: Diandra Pendleton-Thompson Directed By: Steve Ahn, Sung Shin

Episode 108 – “Time Amok” (Available to stream Thursday, January 20th)
When the U.S.S. Protostar is fractured in time by an anomaly, Hologram Janeway must synchronize the disjointed crew and save their ship before it destructs.
Written By: Nikhil S. Jayaram Directed By: Olga Ulanova, Sung Shin

Episode 109 – “A Moral Star, Part 1” (Available to stream Thursday, January 27th)
The crew forgo their dreams of Starfleet to return to Tars Lamora in a no-win scenario.
Written By: S1 Writers Room (Kevin & Dan Hageman, Julie Benson, Shawna Benson, Lisa Schultz Boyd, Nikhil S. Jayaram, Diandra Pendleton-Thompson, Chad Quandt, Aaron J. Waltke) Directed By: Ben Hibon

Episode 110 – “A Moral Star, Part 2” (Available to stream Thursday, February 3rd)
When the plan goes awry, the crew must improvise. Meanwhile, Gwyn discovers a dark truth that will forever jeopardize their quest toward salvation.
Written By: S1 Writers Room (Kevin & Dan Hageman, Julie Benson, Shawna Benson, Lisa Schultz Boyd, Nikhil S. Jayaram, Diandra Pendleton-Thompson, Chad Quandt, Aaron J. Waltke) Directed By: Ben Hibon

 

Episode 111 – “Asylum” (Available to stream Thursday, October 27th)
At the edge of Federation space, the crew applies for asylum at a comm relay outpost, only for their starship to reveal its shocking true purpose.
Written By: Kevin & Dan Hageman Directed By: Steve In Chang Ahn & Sung Shin

Episode 112 – “Let Sleeping Borg Lie” (Available to stream Thursday, November 3rd)
When the crew encounters a dormant Borg Cube, Zero risks everything to save their ship.
Written By: Diandra Pendleton-Thompson Directed By: Olga Ulanova & Sung Shin

Episode 113 – “All the World’s a Stage” (Available to stream Thursday, November 10th)
The crew answers a distress call to find a colony trapped in Starfleet’s past.
Written By: Aaron J. Waltke Directed By: Andrew L. Schmidt

Episode 114 – “Crossroads” (Available to stream Thursday, November 17th)
When the crew attempts to secure transport to the Federation, they unwittingly cross paths with the Vice Admiral who is hunting them.
Written By: Lisa Schultz Boyd Directed By: Steve In Chang Ahn & Sung Shin

Episode 115 – “Masquerade” (Available to stream Thursday, November 24th)
Trapped in the Neutral Zone, the crew encounters a rogue geneticist who sheds light on Dal’s past.
Written By: Nikhil S. Jayaram Directed By: Sung Shin

Episode 116 – “Preludes” (Available to stream Thursday, December 1)
A Starfleet Admiral digs into the past of the Protostar crew. Meanwhile, the Diviner recalls his life’s mission.
Written By: S1 Writers Room (Kevin & Dan Hageman, Julie Benson, Shawna Benson, Lisa Schultz Boyd, Nikhil S. Jayaram, Diandra Pendleton-Thompson, Chad Quandt, Aaron J. Waltke) Directed By: Steve In Chang Ahn & Sung Shin

Episode 117 – “Ghost in the Machine” (Available to stream Thursday, December 8)
When the crew gets trapped in the holodeck by a mysterious malfunction, they aren’t sure what’s programmed or what’s real.
Written By: Chad Quandt Directed By: Andrew L. Schmidt

Episode 118 – “Mindwalk” (Available to stream Thursday, December 15)
Desperate to warn Starfleet of their dilemma, a daring experiment goes awry as Dal inadvertently swaps minds with a Starfleet Vice Admiral.
Written By: Julie Benson, Shawna Benson Directed By: Sung Shin

Episode 119 – “Supernova, Part 1” (Available to stream Thursday, December 22)
Surrounded by the Federation armada, the crew attempts to stop their ship from destroying all of Starfleet.
Written By: Erin McNamara
Directed By: Andrew L. Schmidt

Episode 120 – “Supernova, Part 2” (Available to stream Thursday, December 29)
As the Federation hangs in the balance, the crew must make the ultimate sacrifice to save Starfleet’s future.
Written By: Kevin & Dan Hageman Directed By: Ben Hibon

 

Developed by Emmy® Award winners Kevin and Dan Hageman (Trollhunters and Ninjago), the CG-animated series Star Trek: Prodigy is the first Star Trek series aimed at younger audiences, and follows a motley crew of young aliens who must figure out how to work together while navigating a greater galaxy, in search of a better future. These six young outcasts know nothing about the ship they have commandeered – a first in the history of the Star Trek franchise – but over the course of their adventures together, they will each be introduced to Starfleet and the ideals it represents."Star Trek: Prodigy" cast on Paramount+ (photo from YouTube)

Star Trek: Prodigy is from CBS’ Eye Animation Productions, CBS Studios’ animation arm; Nickelodeon Animation, led by president of animation Ramsey Naito; Secret Hideout; and Roddenberry Entertainment. Alex Kurtzman, Heather Kadin, Aaron Baiers, Katie Krentz, Rod Roddenberry and Trevor Roth serve as executive producers, alongside co-showrunners Kevin and Dan Hageman. Ben Hibon directs, executive produces and serves as the creative lead of the animated series. Aaron Waltke and Patrick Krebs also currently serve as co-executive producers.

The Star Trek: Prodigy voice cast includes Kate Mulgrew (Hologram Kathryn Janeway), Brett Gray (Dal), Ella Purnell (Gwyn), Rylee Alazraqui (Rok-Tahk), Angus Imrie (Zero), Jason Mantzoukas (Jankom Pog), Dee Bradley Baker (Murf), John Noble (The Diviner) and Jimmi Simpson (Drednok).

Star Trek: Prodigy will stream on Netflix globally (excluding Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus and Mainland China) and Season 1 is currently available on SkyShowtime in the Nordics, the Netherlands, Spain, Portugal and Central and Eastern Europe with Season 2 coming soon. Season two has launched in France on France Televisions channels and Okoo.

Proofread and Edited by Brenda

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DVD Review of “SEAL Team: Season Four”

Posted on by TvMegasite Admin

TV DVD Review!

SEAL Team: Season Four DVD cover

“SEAL Team: Season Four” Review by Suzanne 9/1/21

This is the kind of standard action show with interesting personalities and lots of explosions, chases, gunfights and all those things some viewers enjoy. The characters travel to all of these different countries and deal with terrorists, but the show focuses a lot on the characters, their problems, their families and their evolution in the show. Leader Jason (David Boreanaz) has been leading these teams a long time and it’s wearing on him. He still has to lead the others as they go through their own troubles. It’s essentially a male soap opera with lots of action. If you like shows like “NCIS: Los Angeles,” you should love this one as well.

It has a very devoted fan based and ranks high on Rotten Tomatoes. However, the broadcast TV ratings declined quite a bit in the last season, so now they’ve moved it to Paramount+.

The DVD set should be a great present for anyone who likes action, adventure and good characters. It has all of the usual extras: audio commentary, deleted scenes and three different features: “Brothers in Arms,” “Meeting of the Minds,” and “If You Build It.”

MORE INFORMATION:

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SEAL Team: Season Three

Street Date: August 25, 2020

Format: DVD

Description: SEAL Team is a military drama that follows the professional and personal lives of the most elite unit of Navy SEALs as they train, plan, and execute the most dangerous, high-stakes missions our country can ask of them. Jason Hayes is the respected, intense leader of the Tier One team whose home life has suffered as a result of his extensive warrior’s existence. His team includes his trusted confidant, Ray Perry, the longest-tenured operator with whom Jason shares an ingrained shorthand; Sonny Quinn, an exceptional, loyal soldier with a checkered past who still combats self-destructive tendencies; and Clay Spenser, a young, multilingual, second-generation SEAL with insatiable drive and dedication. Vital to the team‘s success are troop commander Lt. Cdr. Eric Blackburn, who serves as a leader and confidant both on and off the battlefield; CIA analyst Mandy Ellis, who has sacrificed everything in her drive to root out evil and take down terrorists; and Ensign Lisa Davis, a no-nonsense, take-charge officer. Deployed on clandestine missions worldwide at a moment’s notice, and knowing the toll it takes on them and their families, this tight-knit SEAL team displays unwavering patriotism and fearless dedication even in the face of overwhelming odds.

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cast of SEAL Team on CBS

Interview with Jeff Daniels and Maura Tierney

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TV Interview!

 

"American Rust" cast

Interview with Jeff Daniels, Maura Tierney, Bill Camp, David Alvarez, Alex Neustaedter, Julia Mayorga, Mark Pellegrino, Rob Yang (he/him) and showrunner/EP Dan Futterman of “American Rust” on Showtime by Suzanne 8/24/21

This is such a talented cast. We usually only get one question, at most, for these TV Critics Association press panels, so I was very torn about whom to ask a question. Thankfully, I was able to ask questions of Jeff Daniels and Maura Tierney, and then later, David Alvarez, so I was ecstatic. I asked Jeff about the motivations behind what his character, Del, does, in the first episode, to cover up for Grace’s son, who appears to have murdered someone.  Then I asked Maura a rather lame question about being in a triangle between him and Mark Pellegrino’s character (Virgil). She gave it a much better answer than it deserved. Then I asked David about his character, who is a little away from what the others are doing, since his character, Isaac, wanders around town a bit. However, he’s quite important to the story. He did the best he could, not wanting to share spoilers.

I hope you can watch this show, which is based on a best-selling novel…it has really good writing and acting. It’s a little dark and slow, so I hope that doesn’t disappoint anyone.

The TCA doesn’t allow us to take photos, recordings, etc. but here’s my article:

: “American Rust” Premieres on SHOWTIME: A Complicated Family Drama and Murder Mystery

On Sunday, September 12th, SHOWTIME is set to premiere its latest compelling drama series, “American Rust.” This intricately woven tale of family, crime, and the American Dream boasts a stellar ensemble cast and promises to captivate viewers from the very first episode.

“American Rust” is a gripping narrative anchored by the exceptional performances of Jeff Daniels, Maura Tierney, Bill Camp, David Alvarez, Alex Neustaedter, Julia Mayorga, Mark Pellegrino, and Rob Yang. Showrunner and executive producer Dan Futterman has masterfully adapted Philipp Meyer’s novel into a riveting television experience.

As the premiere date draws near, the cast and creative team gathered for a panel discussion to offer insights into the series and the unique challenges they faced during production.

A Year of Reflection and Adaptation

During the panel discussion, Dan Futterman shed light on how the COVID-19 pandemic affected the production of “American Rust.” He shared that after a table read, the production had to be shut down temporarily. The yearlong delay provided a unique opportunity to refine the scripts, making them more efficient and practical for shooting under pandemic-related restrictions.

“We did lots of cutting of extraneous scenes,” Futterman explained. “You end up doing more of that in the editing room. But it was helpful to be able to do that up front.”

While the core story remained intact, the pandemic-induced hiatus allowed the team to streamline the narrative, ensuring it would be feasible to shoot given the constraints imposed by the ongoing health crisis.

Jeff Daniels: The Complexity of Del Harris

Jeff Daniels, who plays the central character, Del Harris, discussed the complexities of his role. Del is a character grappling with contradictions, a man of honor who struggles with addiction and often takes on the roles of cop, judge, and jury when under the influence of narcotics.

Daniels emphasized the character’s duality, saying, “A lot of what we’re going for in this is real people, their good and their bad, their strong and their weak. Just like people in real life.”

He also pointed out that Del’s commitment to the rule of law and his desire to do the right thing in a world where that is often challenged by circumstances sets him apart from other characters.

Comparing Del to Atticus Finch

When asked if Del could be compared to Atticus Finch, another iconic character he portrayed in “To Kill a Mockingbird,” Daniels drew a parallel between the two but highlighted a crucial difference.

“Only in — much like Jim Comey, the three of them believed in the rule of law, believed in right and wrong, telling the truth. That’s where Del kind of veers off. He kind of fudges that. So that’s kind of where it ends,” Daniels noted.

He went on to emphasize that, despite the challenges Del faces, his commitment to doing the right thing remains a central aspect of his character.

The Challenge of Doing the Right Thing

Continuing the discussion on doing the right thing, Daniels remarked, “I guess you’ve got to fight for that nowadays. I guess you might not — maybe right doesn’t matter anymore. Maybe truth doesn’t matter. Maybe facts don’t matter. All the things that we’ve been living with for the last four or five years.”

Del’s unwavering commitment to the law and decency in a world where these values are often questioned or compromised is a defining characteristic that sets him apart as a character.

Navigating the Perils of Young Adulthood

David Alvarez, Alex Neustaedter, and Julia Mayorga, who play younger characters in “American Rust,” discussed the challenges their characters face as young adults. They emphasized that the series reflects the idea that young people’s lives can quickly take unexpected turns, highlighting the precariousness of youth and the potential long-term consequences of their actions.

Alvarez noted, “Each decision we make throughout the season is really important. It will impact the rest of our story and our journey and who we become as people.”

Mayorga added, “It follows you, and you can’t get rid of it. Maybe the truth comes out. It’s just difficult. I think you have to be mindful, even this young, of what we do.”

The younger cast members explored the theme of mistakes and their enduring impact, emphasizing that in today’s world, actions have consequences, and being mindful of one’s choices is crucial.

Jeff Daniels: Transitioning to Television

Jeff Daniels, known for his illustrious career in theater and film, addressed his transition to television over the past decade. He attributed this shift to the evolution of television and the opportunities it now offers actors.

“The honest answer is Jim Gandolfini made it happen,” Daniels said. He explained how cable networks like SHOWTIME, HBO, and streaming platforms have transformed the landscape of television, providing actors with diverse and challenging roles.

He also emphasized that television has allowed actors to delve deeper into their characters over the course of a series, an opportunity not always available in film.

A Riveting and Timely Drama

“American Rust” is a multifaceted drama that delves into the complexities of family, justice, and the American Dream. With its talented cast, compelling storytelling, and timely themes, the series promises to be a standout addition to SHOWTIME’s lineup.

As viewers prepare to embark on this journey through the rust belt of America, they can expect a gripping narrative that raises profound questions about morality, responsibility, and the pursuit of justice in a world where the lines between right and wrong are often blurred.

“American Rust” premieres on SHOWTIME on Sunday, September 12th, and is set to be a must-watch series for fans of compelling drama and thought-provoking storytelling.

MORE INFO: Teaser

"AmKey Art for AMERICAN RUST. Photo credit: Matthias Clamer/SHOWTIME.erican

ABOUT THE SHOW

Starring Emmy winner and Tony nominee Jeff Daniels (THE COMEY RULE, The Newsroom, Godless, The Looming Tower) and Emmy nominee Maura Tierney (YOUR HONOR, THE AFFAIR, The Report, Beautiful Boy), on Sunday, September 12 at 10 p.m. ET/PT. The season will consist of nine episodes. Daniels also executive produces the series, reteaming with Oscar nominee Dan Futterman (The Looming Tower, Capote, Foxcatcher), who serves as executive producer, writer and showrunner. The series, currently in production in Pittsburgh, is co-produced with Boat Rocker Studios.

AMERICAN RUST also stars Bill Camp (The Queen’s Gambit), David Alvarez (West Side Story), Alex Neustaedter (Colony), Julia Mayorga (It Is Decidedly So), Mark Pellegrino (Supernatural) and Rob Yang (The Resident). The series is executive produced by Futterman, Daniels, Michael De Luca (Escape From Dannemora), Adam Rapp (The Looming Tower), Paul Martino (Inside Game), Katie O’Connell Marsh (Narcos, Hannibal) for Boat Rocker Studios, and Elisa Ellis.

Based on Philipp Meyer’s celebrated debut novel, AMERICAN RUST is a compelling family drama and a timeless story of wanting a brighter future while being held prisoner by the past. The story of survival and transcendence is told through the eyes of complicated and compromised chief of police Del Harris (Daniels) of a Pennsylvania Rust Belt town full of good people making bad choices. When news of a murder rips through the town, Harris must decide what lengths he is willing to take to protect the son of the woman he loves (Tierney).

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Jeff Daniels and Maura Tierney in "American Rust" on Showtime

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DVD Review of “NCIS: New Orleans: The Complete Series”

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TV Review!

NCIS: New Orleans: The Complete Series DVD

“NCIS: New Orleans: The Complete Series” Review by Suzanne 8/25/21

It’s a shame that this show only had 7 seasons. I don’t know why the NCIS audiences never really warmed to it. Perhaps it’s just that three NCIS shows at once is too much. Then again, they did start NCIS: Hawaii this year. I don’t know why they put the various NCIS shows on different nights, rather than making one programming block night the way they do with FBI, and the way NBC does with the Chicago One shows. I think part of the reason they canceled the show is that they’re trying to make their shows more diverse, and it doesn’t look so good to have the three NCIS shows, all headed by old white guys. The sinking ratings certainly didn’t help.

Whatever the reason, it ended, and it makes me sad. I do love Scott Bakula in every show he does (even though we’re both getting older, and he’s not as cute as he used to be). It’s sad that they had to shoot their last season during the pandemic and only had 16 episodes. I loved the rest of the cast, too. Three of them I knew from other shows, so they really probably a lot of experience to their characters. The writing for the show was always top-notch, and the city of New Orleans was like another character on the show. The whole show had a different tone because of being set in New Orleans. It’s a shame they lost one of their major characters, Chris (Lucas Black), but at least the series did have a happy ending this year.

I’m so grateful to have this complete set of the series, so I can rewatch it all at once (or binge as the kids say). It’s great to see all of the various actors that came and went during the season. I hope that we see Scott Bakula again in something else good really soon.

There are a ton of special features, but most of them are the same ones we saw in the previous seasonal sets (aside from some new audio commentary). The set is really for people who don’t have all the other DVDs. I don’t think they’ll be coming out with a Blu-ray version, so you might as well buy this one. It would make a great gift, too.

Read Our Review of NCIS: New Orleans: The Final Season”

MORE INFORMATION:

Buy this DVD!

NCIS: NEW ORLEANS: THE FINAL SEASON & THE COMPLETE SERIES
Street Date: August 31, 2021
Format: DVD
Description: NCIS: NEW ORLEANS is a drama about the local field office that investigates criminal cases involving military personnel in The Big Easy, a city known for its music, entertainment and decadence. Leading the team is Special Agent Dwayne Pride, a.k.a. “King,” a native of New Orleans who is driven by his need to do what is right. Working with Pride is tough and acerbic Special Agent Tammy Gregorio, a former FBI Agent who was sent to New Orleans to investigate NCIS and upon completion joined Pride’s team, Forensic Agent Sebastian Lund, a brilliant scientist who left the lab and, after much training, became an agent, Special Agent Hannah Khoury, a seasoned agent who specializes in international counter-intelligence and has spent most of her career on overseas assignments; and Quentin Carter, a former Marine with a wry sense of humor and an independent streak, who makes it a point never to stay in one place long enough to get too comfortable. Supporting them is coroner Dr. Loretta Wade, who is as eccentric as she is smart, and Investigative Computer Specialist Patton Plame, an animated and talented hacker. Helping Pride is Rita Devereaux, who after a successful career as an attorney with the Department of Justice, returns to her hometown of New Orleans to pursue a relationship with him. This colorful city that harbors a dark side is a magnet for service personnel on leave, and when overindulgence is followed by trouble, Pride’s team is at its best.

Proofread and Edited by Brenda

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cast of NCIS: New Orleans

DVD Review of “NCIS: New Orleans: The Final Season”

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TV Review!

NCIS: New Orleans: The Final Season

“NCIS: New Orleans: The Final Season” Review by Suzanne 8/25/21

It’s a shame that this show only had 7 seasons. I’m really going to miss it. I think that they tried so hard to emulate the feel of New Orleans that they made it too different from the other two NCIS series. It didn’t the fast-pace and high-energy that the others had. It was more laid back.

Whatever the reason, this was the last season, and it makes me sad. It’s really a shame that they had to shoot their last season during the pandemic and only had 16 episodes. I love star Scott Bakula (Pride) and the rest of the cast, too.  It’s a shame they lost one of their major characters, Chris (Lucas Black), last year – but at least the series did have a happy ending this year.

Like most of the shows on TV today, each of the characters have their own issues to work through, so they spent this season working on those. I hope that we get to see some of these actors show up occasionally on the other NCIS series.  The DVD set is a good one, with three special features: “Season 7: Pride and Joy,” “The Best of Times” and “The Perfect Pair.” I’m looking forward to watching the complete series set, which should have more special features. This DVD should make a great gift for anyone.

Read Our Review of “NCIS: New Orleans: The Complete Series”

MORE INFORMATION:

Buy this DVD!

NCIS: NEW ORLEANS: THE FINAL SEASON & THE COMPLETE SERIES
Street Date: August 31, 2021
Format: DVD
Description: NCIS: NEW ORLEANS is a drama about the local field office that investigates criminal cases involving military personnel in The Big Easy, a city known for its music, entertainment and decadence. Leading the team is Special Agent Dwayne Pride, a.k.a. “King,” a native of New Orleans who is driven by his need to do what is right. Working with Pride is tough and acerbic Special Agent Tammy Gregorio, a former FBI Agent who was sent to New Orleans to investigate NCIS and upon completion joined Pride’s team, Forensic Agent Sebastian Lund, a brilliant scientist who left the lab and, after much training, became an agent, Special Agent Hannah Khoury, a seasoned agent who specializes in international counter-intelligence and has spent most of her career on overseas assignments; and Quentin Carter, a former Marine with a wry sense of humor and an independent streak, who makes it a point never to stay in one place long enough to get too comfortable. Supporting them is coroner Dr. Loretta Wade, who is as eccentric as she is smart, and Investigative Computer Specialist Patton Plame, an animated and talented hacker. Helping Pride is Rita Devereaux, who after a successful career as an attorney with the Department of Justice, returns to her hometown of New Orleans to pursue a relationship with him. This colorful city that harbors a dark side is a magnet for service personnel on leave, and when overindulgence is followed by trouble, Pride’s team is at its best.

Proofread and Edited by Brenda

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cast of NCIS: New Orleans

DVD Review of “NCIS: Los Angeles: Season 12”

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TV Review!

NCIS: Los Angeles: Season 12 DVD cover

“NCIS: Los Angeles: Season 12” Review by Suzanne 8/20/21

This was always my least favorite of the NCIS franchise. I think it’s because they seem to spend a lot more time traveling to desert countries and fighting terrorists than the other shows. I also think they have a lot more action or violence, and there is a lot more macho military bravado going on with the characters.The trouble with shows that have so much violence or action-oriented stories is that they always feel they have to keep topping themselves each season, which can get ridiculous after awhile. Stopping a nuclear threat is one example from this season where it really veered into the unbelievable.

Other than that, it has the same interesting stories and characters as most dramas on CBS. I remember when this show started, so it’s shocking to see that it’s been on for twelve years already. I hope they can keep going with the show for a few more years. I love the way the team works together, especially G and Sam, and Deeks and Kensi. Hetty came back to the show, too.

The DVD should make a great gift for anyone who likes lots of action.  It includes audio commentary (provided by Daniela Rush (Kensi), a feature about Rush directing an episode, deleted scenes and a feature about Season 12 “Greater by the Dozen.” They’re very fun to watch.

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NCIS: LOS ANGELES: THE TWELFTH SEASON
Street Date: August 24, 2021
Format: DVD
Description: NCIS: LOS ANGELES is a drama about the high-stakes world of a division of NCIS that is charged with apprehending dangerous and elusive criminals, who pose a threat to the nation’s security. By assuming false identities and utilizing the most advanced technology, this team of highly trained agents goes deep undercover, putting their lives on the line in the field to bring down their targets. Special Agent “G” Callen is a chameleon who transforms himself into whomever he needs to be to infiltrate the criminal underworld. His partner is Special Agent Sam Hanna, a former U.S. Navy SEAL who has seen action in both Afghanistan and Iraq. The team includes the all-knowing Henrietta “Hetty” Lange, who handles the politics of the job and is tasked with providing everything from micro-surveillance cameras to cars for the team; Special Agent Kensi Blye, the exceptionally bright daughter of a slain Marine who lives for the adrenaline rush that comes with undercover work; Marty Deeks, a seasoned LAPD undercover detective who was recruited to the team by Hetty; tech operator Eric Beale, who has mastered every gadget and computer in the Ops Center; intelligence analyst Nell Jones, who won the team’s respect with her spot-on assessments and her shrewd insights; Fatima Namazi, a Middle East specialist and a razor-sharp cryptologist; and former FBI Agent Devin Rountree, whose unique upbringing, discipline and athletic ability are a welcome addition to the team. Armed with the latest in high-tech gear and sent regularly into life-threatening situations, this tight-knit unit relies on each other to do what is necessary to protect national interests.

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DVD Review of “S.W.A.T. Season 4”

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TV Review!

S.W.A.T. Season 4 DVD cover

“S.W.A.T. Season 4” Review by Suzanne 8/20/21

This show always has a lot of great action, led by series star Shemar Moore (Hondo). Honestly, I just love him…I’ve been a fan ever since he was on “The Young and the Restless.” I even got to meet him once and get my picture taken with him at a charity event. He’s always outstanding on his shows, including “Criminal Minds” and now this one.  What’s amazing is that when he first started, he was not a great actor. However, he was not only gorgeous, but he just had that certain something that makes great TV stars. Also, he clearly worked hard on his acting skills because now he’s as good as anyone else. From all accounts, he’s a really great guy, too. He does a great job of keeping in contact with his fans on social media.

This season, they added a new character: the global pandemic. They chose to use the real-life drama to make drama for their show, and it worked. Many shows just ignored it or only dealt with it briefly. It was brave of them to do it. They also dealt with other real world issues, such as white supremacy, protesters, sex trafficking and the public’s current attitudes towards the police as well as personal issues each of the team members were going through.

This is one of the few reboot/remake shows that CBS has done that is even better than the original series. The reason is obviously Shemar Moore.  This DVD set would make a great gift of anyone.  It lacks special features. It only has a blooper reel and one behind-the-scenes feature: Special Tactics: Tanker Takedown.

MORE INFORMATION:

Buy this DVD!

SONY Pictures Home Entertainment

THREE FAN-FAVORITE SERIES ARRIVE ON DISC AHEAD OF THEIR FALL PREMIERES 

THE GOOD DOCTOR SEASON 3
AVAILABLE ON DVD AUGUST 4

THE BLACKLIST SEASON 7
AVAILABLE ON BLU-RAY™ AND DVD AUGUST 11

S.W.A.T. SEASON 3
AVAILABLE ON DVD AUGUST 18

S.W.A.T. SEASON 3                                                                                                                                                 

SYNOPSIS
Torn between loyalty to where he was raised and allegiance to his brothers in blue, former Marine Daniel “Hondo” Harrelson (Shemar Moore) has everything it takes to be an excellent leader and bridge the divide between his two worlds. With Hondo leading the charge, his team of dedicated men and women bravely put themselves at risk to protect their community and save lives.

DVD BONUS FEATURES

  • Deleted Scenes
  • Blooper Reel

CREDITS
Executive Producers: Shawn Ryan, Aaron Rahsaan Thomas, Neal H. Moritz, Andrew Dettmann, Justin Lin, Marney Hochman, Pavun Shetty, Billy Gierhart, Craig Gore, Alison Cross, Michael Jones-Morales, Paul Bernard
Cast: Shemar Moore, Alex Russell, Lina Esco, Kenny Johnson, David Lim, Patrick St. Esprit, Amy Farrington, and Jay Harrington
Developed by: Aaron Rahsaan Thomas and Shawn Ryan
Based on the series “S.W.A.T.” Created by Robert Hamner, Developed by Rick Husky

SPECS
Approximately 886 minutes
DVD: 1.78:1 Anamorphic Widescreen | Audio: English 5.1 Dolby Digital

FOR MORE INFORMATION                                                                                                                                  

Twitter: @SonyPicsHomeEnt
Instagram: @sonypictureshomeentertainment
Facebook: Facebook.com/sonypictureshomeentertainmentofficial

ABOUT SONY PICTURES HOME ENTERTAINMENT                                                                                  

Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group production organizations include Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, Stage 6 Films, AFFIRM Films, and Sony Pictures Classics. For additional information, visit http://www.sonypictures.com/corp/divisions.html.

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S.W.A.T. Season 4 cast pic

DVD Review of “NCIS: The Eighteenth Season”

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TV Review!

NCIS: The Eighteenth Season DVD cover

“NCIS: The Eighteenth Season” Review by Suzanne 8/15/21

Somehow, this show keeps going on and on. This is the last season where Jethro Gibbs (Mark Harmon) leads the pack. He’s retiring and will only be seen occasionally in the Nineteenth season. Gary Cole takes over the NCIS team. The interesting thing is that Harmon is only 5 years older than Cole.

The show’s cast has gone through many changes. I believe Sean Murray (Tim) is now the only remaining regular character on the show (since it started in 2003; however, he didn’t join the show until episode 7). He came in as a very junior member of the team, so that seems really strange. I don’t think NCIS will last very long without Gibbs. The ratings have been going down steadily this season. Maybe they’ll let them get to Season 20 and stop. That would be nice.

I think the show is still plenty enjoyable because they have new regular characters and new cases. As long as you enjoy the show, does it really matter if Gibbs is till around? Gary Cole is an excellent actor and a good replacement. I think it’s hard for fans to lose Ducky and Gibbs (both retiring). The show is really still feeling the loss of Tony, Ziva and Abby.

Back to season 18. They packed a lot of great action and story into this season.  There are only 16 episodes, due to COVID. There are quite a few deaths of minor characters, and another regular cast member leaves. The show always has many mysteries, twists, shootings, fighting, explosions and more. Check it out!

MORE INFORMATION:

Buy This DVD!

NCIS: The Eighteenth Season

Street Date: August 17

Format: DVD

Description: Originally conceived as a spinoff of the American legal drama JAG, NCIS has evolved into a major television franchise spread across three different series. Following a fictional team of special agents known as the Naval Criminal Investigative Service, the show combines elements of police procedural dramas with military drama to create incredibly engaging episodes. Voted American’s favorite television show in 2011, NCIS routinely premieres to over 15 million viewers each season.

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NCIS cast on CBS

DVD Review of “Blue Bloods: The Eleventh Season”

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TV Review!

Blue Bloods: The Eleventh Season

“Blue Bloods: The Eleventh Season” Review by Suzanne 8/14/21

This is always a good family soap opera. It’s also a cop show, but that’s incidental, in a way. The family in this show really could work anywhere. What makes the show interesting is how they relate to one another in their working-class, New York City way. Tom Selleck is the alpha male in his pack, but he’s also a loving father and grandfather.

Even after eleven seasons, they don’t seem to run out of ideas for stories. In part, that’s because the cast is so large. There’s always more to tell about the Reagan clan. They introduced a new family member this year: Joe Hill, son of the late Joe Reagan.

It’s no surprise that the show’s demographics are older and more conservative.  However, the show does not shy away from discussing today’s issues, particularly those that involve the police. This season they argue about police brutality.

The DVD has deleted scenes and two features: “The Story of the Reagans: Season 11” and “Shades of Blue.” It would make a great gift for anyone who is fond of the police or Tom Selleck (especially those over 60).

Buy This DVD!

Blue Bloods: The Eleventh Season

Street Date: August 17

Format: DVD

Description: Blue Bloods follows the Reagans, an Irish-American Catholic family in New York City with a history of work in law enforcement. Starring Tom Selleck as NYC Police Commissioner Frank Reagan, the cast also includes Donnie Wahlberg, Bridget Moynahan, Will Estes, and Len Cariou. Shot on location in New York City, the series has been praised for its performances, especially from Selleck, and has premiered to millions of viewers each season since it began in 2011.

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some of "Blue Bloods" cast

Interview with Tracy Birdsall

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TV Interview!

 

Actress Tracey Birdsall

Interview with Tracy Birdsall of “I Think You Should Leave” and other movies/shows by Suzanne 7/21/21

I admit that I’d never heard of Tracy, or this weird little comedy show, before her publicist contacted me for an interview. Once I started viewing her other work, though, I could see that she’s been around a while and has done many movies and shows. We had a really nice chat.

Suzanne:   So, are you calling from LA?

Tracey:   I am.

Suzanne:   Okay. Cool. You’ve lived there pretty much most your life, right?

Tracey:   I have. Yeah, I mean, I’ve left; I followed projects, but I kind of always come back here. Yeah.

Suzanne:   That’s nice. Yeah, I’m from San Diego originally.

Tracey:   Oh, nice. I lived down there for a long time. I lived in Rancho Bernardo, it’s near Rancho Santa Fe.

Suzanne:   Oh, that’s a really nice area.

Tracey:   Yeah, it’s beautiful.

Suzanne:   I don’t have to tell you that. We always go back. We haven’t lived there in a long time, but we always go back to visit family and friends and everything. So, yeah, it’s so beautiful.

Tracey:   You kind of can’t beat that weather too. I mean, it’s it’s better than LA. You know, I mean, it’s spectacular.

Suzanne:   Yeah, it’s kind of ruined me, even though I’ve lived many other places.

Tracey:   Where are you at now?

Suzanne:   I’m in Arkansas right now.

Tracey:   Oh, wow, believe it or not, I have an uncle in Arkansas. I haven’t seen him since I was a teenager.

Suzanne:   What part, do you know?

Tracey:   I really don’t. I really don’t. Yeah, he moved there, and he hasn’t come back in a long time. It’s my mom’s baby brother, but I keep in touch with him on social media, I hate to say. You know, you do what you can.

Suzanne:   Right. It’s funny how many people say “Oh, I used to live in Arkansas,” or “I know somebody there.” It’s funny.

Tracey:   Yeah, he’s actually the only one I know, and it’s one of the few places I’ve never been.

Suzanne:   Oh, well, it’s very pretty here. You know, like most of the South, there’s lots of trees, so we get lots of rain and humidity.

Tracey:   And beautiful lakes. He’s sent us some beautiful pictures of some lakes and things like that. It’s a really spectacular place.

Suzanne:   Yeah, it does have a lot of pretty lakes; you’re right. Yeah, it’s beautiful here, and we live kind in a town, but it’s a small town. So, it’s kind of woodsy. So, it’s very pretty right around where I live. You can’t beat it.

Tracey:   Did you guys get a big influx of people when the pandemic hit?

Suzanne:   No, and, actually, this was a good place to be during the pandemic, because we didn’t –

Tracey:   That’s what I would think, yeah.

Suzanne:   It’s not my favorite place to live, because I’m a city girl, but it’s been really nice during the pandemic, I have to say, even though cases are up here now, I mean, the relative number of cases, you know, it’s nothing like being in a big city.

Tracey:   Yeah, I’m kind of in between. I’m just outside of LA. So, it’s like, I’m close enough where I can be in town in 15, 20 minutes, but little on the outskirts. I was in Malibu until the fires hit. I lived in the same house for 16 years, and I’m kind of a little off since then. It’s like I don’t really know what to settle into, you know?

Suzanne:   Oh, did you lose your house?

Tracey:   Oh, yeah. All the way down to like, literally – it was a two story, a big house. It was two stories, and you probably could have put a measuring stick into the ground, and the debris was less than, I don’t know, 12 to 15 inches, like, completely gone, everything. It was just nuts.

Suzanne:   So many people lost their homes and stuff.

Tracey:   Like 600 just in our area.

Suzanne:   Well, I’m glad you got to move somewhere else, at least.

Tracey:   Yeah, you know, I’ve been filming so much since the house burned down that it’s like I haven’t really – like I’ve moved into a house, but you don’t get that homey feeling. I went and hung a picture on the wall. I hung it, because I’m always leaving, and then the pandemic hits, and you’re like, “Okay, this is weird”

Suzanne:   So, you started acting when you were pretty young, right?

Tracey:   I was really young. Yeah. I mean, when I was a little girl, I started singing and dancing lessons, and I went right into theater and musical theater, you know, before I can even remember. So, it just it started at a young age, and then I just built it from there, and I just trained and worked really hard. That’s what you do.

Suzanne:   So, how old were you when you booked your first gig?

Tracey:   Professionally, I was 15 when I did my first gig. I mean, I’d done theater and things before that, but my first professional gig was actually a Sunkist soda commercial. They ran for 10 years. You know, they just kept reshooting them and redoing them and re-running them. That was kind of my beginning.

Suzanne:   Yeah. I probably saw it. I don’t remember, since it was a long time ago. You’re you’re about the same age as I am. So, I was in high school.

Tracey:   Well, you know, what’s funny about it is I did one at 15 and one at 16, and the one when I’m 15, I really look like a little kid in it when I looked at it. Then, when I’m 16, I changed so much. I’m like, “That’s amazing.” I would have never known that if I wasn’t looking back at these things, because I still felt like a little kid. But it’s just really funny how when you do TV, film commercials, all these things; there’re all these markers of how old you were when you did certain things, and it’s kind of interesting.

Suzanne:   Yeah, I guess that would be the case. That would be cool. You could put together a little thing with like excerpts of different things you’ve done over the years, like your life in film.

Tracey:   Yeah, maybe maybe when I stop working.

Suzanne:   Yeah. When you have like an anniversary party or something like that you could put it together, or somebody should put it together for you, really.

Tracey:   That’s the plan. That’s the plan. It’s funny.

Suzanne:   So, if you had to do it all over again, would you still choose the same career?

Tracey:   Well, I would, because I didn’t really choose it and go after it. I was drawn towards it, because I love entertaining people; I love the land of make believe. I love training in things. So, it was kind of a natural progression for me, where it was just taking all the things that I love to do and keeping studying them and working on them. Then, it just kept growing. I think that the real pinnacle was when I started getting into sci-fi, because I was a tomboy. So, all the sporting activities that I did, running and stuff like that, really paid off, because not everybody wants to go do that. I kind of thrive on it. So, it’s just, if I look back on my life, it just kind of looks like it was a training field for what it was going to become.

Suzanne:   All right, well, let me come back to your running. I’ve got a question regarding that kind of thing later. But let me tell you, if I ask you a question that you think is too personal, or you don’t want to answer, just let me know; I’m fine with that. So, here’s one that I don’t know if you want to answer it. So, looking at the list of your shows and movies, on IMDB, there’s a gap between 2000 and 2010. What did you do during that time?

Tracey:   It’s actually not a huge gap. See, what happened was it used to be that we [thought] we aged out of of our industry. We were pretty much told when we were younger that you can work as much as you can until you’re 30, and then you have to go find something else to do, and everybody kind of knows that that was the way that it worked. Now, I actually took time off. I love remodeling houses and working on things and traveling. And I looked over my shoulder, and I had friends that were still working. So, you start looking at it, and you contact people in the industry, and they’re like, “Oh, no, it’s changed.” I’ve literally found, I think it’s been at the end of the baby boomers, that every year that I get older, that marker gets pushed older. So, it was kind of hard to get my niche back in, because I had my realm and my people and stuff like that, and then I took time off. Then, I’m like, “Well, I can still keep keep working.” So, I came back, and I went heavily into training. I studied with Margie Haber, and she’s just a real dream as far as a coach. I just kind of gave it my all and got myself back into the industry, but it was kind of a shocking thing and an exciting thing, because we can work forever. We can as long as you’re willing to put out the effort, because everybody knows this isn’t an easy job. As long as you’re willing to put out the effort we can we can pretty much keep going forever now you’ve seen.

Suzanne:   Well, you’ve been in quite a few movies the last eight years. Is there something particular that happened around 2013 or 2014 to get your career going so much better?

Tracey:   I think a lot of it is we get out of something what we put into something. So, I always put some effort in, and I always tried to be in a project and always tried to have something going. And I was a single mom. I mean, I raised two kids, three kids on my own. Then, one day I kind of sat there, and I was like, “Well what do I have? How much harder do I have to go work in order to work consistently again?” And it was pretty much all the time. So, I used to always look at something, and, “Oh, this will take me five hours to prepare for,” and “this will take me eight hours to prepare for;” “this will take me a month to prepare for.” I stopped looking at life that way, and I just started pushing everything aside when I had a project or a really big audition, and [started] really putting everything that I had into it. That was when I really noticed a difference. So, looking back on it, it’s probably that way in every industry, but it was really my effort that I put out more so than that which anybody else [did]. I couldn’t blame it on anybody else. I can’t give anybody else that credit. It just has to do with sheer effort and hours.

Suzanne:   Okay, well, going back a bit, I noticed that you were on Loving for three years playing Amy Sanders. Our site has a lot of soap opera fans. What what was that experience like?

Tracey:   You know, I was really young, and it was wonderful, because I was actually living in New York City. I was with [unintelligible] out there and had a print agent out there and a commercial agent out there. So, they brought me in, and Amy was actually pregnant. I forget who the relative was, but it was one of his later family. So, then, they brought her back again, and she was still pregnant. Now, mind you, this was almost 14 or 15 months later, which I thought was really funny, but nobody picked up on it. And then the storyline continued later on, and the child was supposed to be missing and things like that, but I think that they were at that point into ratings and going with the other storylines, and so that kind of fizzled out.

But as far as an experience, it was amazing. I mean, I just loved it. Everybody was wonderful to me, and now it’s kind of where I got my eyes into the land of soap and how different it is than regular TV or film, which it’s completely different.

Suzanne:   Yeah, and I’ve heard it’s a great training ground too.

Tracey:   It’s a good training ground; it’s very consistent. So, you always know what to expect when you show up, [but], you know, there’s only so far you can take the character development unless you’re one of the main characters throughout the whole thing. So, it was something that I’ve had the opportunity to do.

So, since then, I’ve done a couple little stints, but it’s not the direction that I chose to go in, just because I like really getting into the depth of a character and just really exploring it. But boy, it’s a fantastic job if you just want consistent work within the industry.

Suzanne:   Yeah. And you were briefly on The Young and the Restless. How did that come about?

Tracey:   That was old-fashioned auditioning. So, that was really fun. I mean, that was with Tucker McCall, and that was just a really fun little stint, but it was just, you know, we do so many auditions for so many projects and many of them we forget we auditioned for the time that we book them, because there’s usually such a long time period in between the two. They talked to me about bringing that character back a little bit, and then that kind of fizzled. That was when they were looking at maybe replacing one of the characters, and then that didn’t happen. They renegotiated her contract instead. So, it’s just, I think, soap is such a fascinating world, because it’s so different than the rest of the industry.

Suzanne:   Yeah. And Tucker was played by Stephen Nichols, who’s one of my favorite actors. How was it working with him?

Tracey:   He’s a really nice guy, and I have to tell you, I mean, most of the experience that I’ve had working in any of the mediums, the people are really kind. You get to that level, no matter what the medium, and people are professionals. They’re polite. They’re kind. Everybody’s there to do their jobs. Yeah, Stephen was a really great guy.

Suzanne:   Cool, he always seemed really nice. So, you said there was another soap you were on? I didn’t see that one on there.

Tracey:   No, those are the two soaps that I did.

Suzanne:   So, you recently did an episode of I Think You should Leave with Tim Robinson on Netflix. Can you tell us about landing that role and what you went through for it?

Tracey:   Sure. I mean, again, that is another thing that was traditional auditioning [and] taped at home, because it was during the pandemic. We taped it at the beginning of the pandemic. Then, I think almost a year later, I got the call, and they wanted to make sure that I had all the protocols in place, and I still looked the same, and that was a fun project, especially because we’d all been locked up so much inside. I mean, I did some pickup shots for a couple other projects that I’m working on, but it was nice to have somebody go into production, and it was an interesting production, because of all the COVID protocols put in place. But what a cast. What a great group of guys and what a funny show. I just absolutely love that type of humor.

Suzanne:   Yeah, and that episode, that part that you did with the alien bar or whatever, that was fun.

Tracey:   It was really fun, and Tim was hilarious. Tim Robinson was there. Zach was there that day. So, it was just a really enjoyable shoot. I hope to work with them more next time, because I really enjoyed that type of humor. If you’ll notice in my past, I always try to make sure I keep comedy alive, because it’s something I was trained in a lot when I was younger. It isn’t where the majority of my work is coming from, but anytime I get the chance, I just absolutely love the genre.

Suzanne:   Oh, yeah, I was watching your movie earlier. I haven’t finished it yet. Shoot, the name is escaping me.

Tracey:   Who’s Jenna…?

Suzanne:   Who’s Jenna…? Thank you so much. Yeah, that is cute. Like I said, I have to finish watching it later; I had to stop and do some other stuff, but that was fun.

Tracey:   That was really fun, and [when] I actually shot Who’s Jenna…? – I was lead in both that and Rogue Warrior, and when we shot those, I only had a week off between the two. So, that was an interesting thing to go from a heavy sci-fi action and from a comedy like that, but it challenging. It was fun. One of them is grueling, and one of them is like a dance. I think comedy’s like a dance.

Suzanne:   I was looking for Rogue Warrior, but I guess it’s not in my Roku for free…So, had you watched that show I Think You Should Leave with Tim Robinson before you were appearing on it?

Tracey:   I’ll tell you the funny story about that is when I got the audition call, I hadn’t seen it. I usually will watch about 10 or 15 minutes of the show, just to get the tone of it before I tape an audition, and I literally sat down to watch 10 or 15 minutes, and I watched the entire season. I was laughing so hard. So, that was fun. I became an immediate fan of the show.

Suzanne:   And now you have all these sci-fi movies coming out. Were you a fan of sci-fi before?

Tracey:   Yeah, ever since I was a little kid. My dad was a sci-fi nut, and so it’s kind of I guess genetically bred into me. So, that’s been when my career got really, really fun. It was always a lot of hard work, and it was always fun, but when it got really fun is when I started to get to play in that genre.

Suzanne:   Do you know what shows your dad liked?

Tracey:   We watch Star Trek with a bowl of rocky road ice cream in our laps constantly. So, that was a big one. Logan’s Run. I mean, there’re just too many of them to even count. Pretty much everything that was sci-fi we watched.

Suzanne:   Big Star Wars fan?

Tracey:   Big Star Wars fan, big Doctor Who fan. I just love it all.

Suzanne:   Cool. And do you have anything else besides these movies that are coming out that you’re working on now or preparing to work on?

Tracey:   Well, The Time War‘s coming out, which is a time travel television series. It’s an eight hour series we’ve been working on for about five years now. So, it’s finally, luckily coming to fruition. Then, Rogue Warrior, there’s a TV series based upon it that’s some backstory and also the future of it, called Age of Darkness that will be out right behind The Time War. They’re both in the end stages of post-production. Then, I have a film called Hotel Underground that I shot in Melbourne, Australia right before the pandemic. Hopefully, that’ll be slated for release soon too.

Suzanne:   Have you finished working on these, or you haven’t worked on them yet?

Tracey:   We finished them all.

Suzanne:   Okay. So, what I meant is do you have something that you’re working on now, or that you’re preparing to work on?

Tracey:   No, actually, I Think You Should Leave is the the second to last thing that I filmed besides pick up shots for The Time War, and everything else is finished and coming out. It’s kind of when I get to take a little break, and then it’ll come back up again. It always does.

Suzanne:   Okay, well, you said you work all the time, so it sounds like you need a vacation.

Tracey:   You know, it will be nice to have just a couple of months off, and then I’m happy to jump back in.

Suzanne:   And I have to say, you look really great for someone who’s close to my age. What is your secret?

Tracey:   That’s really funny. Thank you. Mostly, I don’t know, lots of exercise. I’m a vegan. Even with skincare, like I don’t put products on my skin; I put ingredients on my skin. So, it’s kind of like vegan but for the skin. So, I guess just good healthy eating and staying active and taking care of yourself. Plus, I looked 12 when I was 25, so I kind of had some extra years there.

Suzanne:   Sure. No, I completely understand that, because everybody tells me I look good for my age. I don’t put the work into it you do, so I don’t look as good as you do, but I look a lot younger than I am. So, I understand that completely. We’ve got good genes to make us look younger, right?

Tracey:   I think a lot of it is genetics. I think there’s an attitude. So much is attitude too.

Suzanne:   Yeah, definitely. I completely agree with that.

Tracey:   I don’t plan on ever getting old. I don’t know about you.

Suzanne:   No, definitely not. I’m one of those lucky people where my hair hasn’t started to go gray yet. So, I’m like, “don’t go” every time there’s a gray hair. I’m like, “no.”

Tracey:   You’re like, “No, you must [not] go.”

Here is the audio version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Tracey Birdsall, who plays Janeane.
Birdsall and Robinson in "I Think You Should Leave" on Netflix
An award-winning actress well regarded for her versatility, Birdsall‘s many credits include TV’s THE YOUNG & THE RESTLESS and ROGUE WARRIOR. She is currently filming the 8-hour sci-fi series THE TIME WAR, in which she has the lead role .
  • Netflix recently premiered the second season of the critically-acclaimed sketch comedy series I Think You Should Leave with Tim Robinson.
  • Quote from Tim Robinson and co-creator, Zach Kanin: “We are very excited to be working with The Lonely Island, Irony Point, and Netflix to make another season of “I Think You Should Leave.” We are so thankful we get to do it again!”
  • The series pokes fun at life’s most bizarre and mundane situations. The first season saw Robinson and a few of his famous friends navigate awkward workplace drama, host an intervention in a Garfield themed house, talk their way out of a babysitter’s fake hit and run, and much more.
  • The series was created by Tim Robinson and Zach Kanin, and is produced by The Lonely Island and Irony Point.
  • The first season was nominated for a 2019 TCA award in the category of Outstanding Achievement in Sketch/Variety.

Proofread and Edited by Brenda

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Tracey Birdsall in "Rogue Warrior"