Primetime TV Review: Ordinary Joe

TV Review!

“Ordinary Joe” Review on by Eva 9/24/2021

I decided to watch Ordinary Joe because it sounded interesting… but when I watched the show, I found it to be confusing.

The show centers around Joe Kimbreau (James Wolk), who graduates from college and has a choice to make of what to do with the rest of his graduation day. Joe’s first option ]is to ask Amy (Natalie Martinez), whom he just met, on a date. Joe’s second choice is to go with his girlfriend, Jenny (Elizabeth Lail), to the beach for a talk.  His third choice for the day is to go to dinner with his family. The show then follows Joe’s three possible choices or timelines. If he goes with Amy on a date, he becomes a famous musician, marries her and they try to have a child; if he goes with Jenny, he becomes a nurse with a disabled son and an unhappy marriage. If Joe chooses dinner with his family, he becomes a cop who is single but still wonders what happened to Amy and Jenny.

This show is a bit confusing because it switches randomly from Joe’s three parallel lives, and you have to really pay attention to understand what Joe is doing and which life he is living. I really like James Wolk as Joe – he makes the best of what he is given and gives the audience a reason to root for Joe, hoping that he will solve his problems.

I think this show needs to work on being a little less confusing… maybe if they dealt with one of Joe’s lives in each episode, instead of all three lives in the same episode, it would work better. I think the show will do okay because it comes after “The Voice” on Monday nights. I will keep watching it to see if it improves, but for now I will give it 3 out of 5 stars.

Read Our Interview with Wolk

MORE INFORMATION:

ORDINARY JOE (NBC)

BROADCAST HISTORY:
9/20/21 – ???

STATUS:
currently airing (fall 2021)TIME SLOT:
mondays from 10:00 PM-11:00 PM ESTCURRENT SEASON:
1 (??? episodes)VISIT THE OFFICIAL WEB SITE

DESCRIPTION:
(from NBC’s web site, September 2021) Life is all about the choices you make – and sometimes, what you do in a single moment can change everything. This new heartfelt, life-affirming drama follows Joe Kimbreau, who faces one of these decisions at his college graduation. The three parallel stories that diverge from that night find Joe and the people around him with different careers, relationships and family lives, showing the unexpected ways that things change – and stay the same. But when it comes down to it, there is no “right” choice; no matter what happens, Joe’s life is always messy, exciting, tough, unpredictable… and beautiful.

PRINCIPAL CAST INFORMATION:
· Charlie Barnett as Eric Payne
· Elizabeth Lail
· James Wolk as Joe Kimbrough
· Natalie Martinez as Amy

CREW INFORMATION:
· Adam Davidson as EP/DIR (Pilot)
· Adam Kassan as EP
· Garrett Lerner as CRTR/EP
· Howard Klein as EP
· Matt Reeves as EP
· Rafi Crohn as EP
· Russel Friend as CRTR/EP

GENRE(S):
· drama

STUDIO INFORMATION:
· 20th Century Fox Television
· 3 Arts Entertainment
· 6th & Idaho
· Universal Television

Proofread and Edited by Brenda

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

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Interview with Christopher Meloni

TV Interview!

Christopher Meloni of "Law & Order: Organized Crime" on NBC

Interview with Christopher Meloni of “Law & Order: Organized Crime” on NBC by Suzanne 9/13/21

We had a chat via Zoom with NBC stars for the TCA panels. This particular panel was supposed to feature Mariska Hargitay (Olivia Benson) as well as Christopher Meloni (Elliot Stabler), but she was held up due to a change in her shooting schedule. That was a real shame because we would have all loved to see her with him. He didn’t seem as if he was in a great mood, but he gave each question serious thought and consideration.

If you’re reading this, you probably know already that he played the same character on “Law & Order: Special Victims Unit” for 11 years. He left at the end of season 11 because of a contract dispute. Last April he returned to SVU and then premiered this new show, OC, but with plenty of crossover between the two shows (especially with Hargitay).

I asked him the question that everyone wants to know… I knew that he probably couldn’t answer it, but I was interested in how he would handle the question, either way. I said, “I’m on a lot of “Law & Order” Facebook groups, and most of them seem to want your characters to have a real love affair. Should they stay hopeful on that score? Anything you can tell us. I know you can’t give spoilers.” He replied, “Sure. Hope springs eternal. I mean, why  not? I think it’s going to be a collaborative effort between both showrunners for “SVU” and “OC,” and I believe, with Mariska and I, to kind of figure it all out. It’s a complicated relationship. So, we’ll see.”  That was actually a lot more positive answer than I expected. It was very diplomatic, for sure.

Here are more questions from the panel.  This was the next question:  Elliot goes undercover this season, so he was asked whether this would affect his relationship with his former partner, Benson (Hargitay), since they were close last season. He mentioned that he had spoken to real-life undercover cops, and they had confirmed that they do tend to lose themselves in their jobs.  He thinks Elliot is doing that, as well as still dealing with the stress of losing his wife and all that he went through last season, and not sure how Benson fits into his life (both personally and professionally). Benson sees that he might be going through all this.  He and Benson do engage with each other professional quite a bit, and ” and a little bit from the personal side.”

He was also asked whether he’d learned anything about himself from his years of playing Elliot. He responded, “I’ve learned a lot about myself. It’s been a wonderful journey. I think because, you know, to play this character for as long as I have, or I guess any character, but I always thought of him as a man under pressure, and has maybe examined how I engage the world, how I deal with personal relationships, how maybe certain blind spots that I have, and I’ve had to work on. You know, you really do grow with the character. Because as you mature as a human being, I think you bring those lessons to bear to your character. So, you know, you march hand—in—hand with the thing that you’ve created. And it’s been very rewarding. So, I’ve learned more than I could speak of in this short of time.”

Someone else asked why Dick Wolf decided (possibly in collaboration with him or other writers) to put Elliot in Organized Crime rather than in other possibly detective groups. He asserted that it was Wolf’s idea from the beginning. He feels that it was because there was so much rich storytelling that could be told about the crime families and how they work, and that one crime family investigation would fit well into an 8-episode format. He was also asked whether there might be a possibility of any mention of his cop character in Syfy’s “Happy,” but he didn’t think they would do that because they were in two different universes. He compared it to having a crossover between “Grey’s Anatomy” and a Marvel Universe show.

Another person from the press asked him about “the most emotional and challenging story lines to play on a personal level, something that was difficult” for him to play. He gave an interesting answer, “Well, you know, anytime I’ve had to deal with children and traumas inflicted upon children, those are always — those always strike a very deep chord. I’ve always found those very difficult, but oddly enough, kind of the easiest to play, because there’s no searching for the emotional content within myself. You know, I know exactly how I feel. I’m very — there’s such clarity in my place in this world when children are involved.”

I’m sure he’s been asked this question many times: whether he ever had the itch to go back and play Stabler after he left SVU back in 2011. He asserted that he never looked back. Once he was done, that was it. He enjoyed acting in other projects and traveling. He added, “I think to Dick’s credit, he — I don’t know — maybe he sensed I wasn’t as interested in revisiting how, you know, the “SVU” tells a story, which is great, and they do it so wonderfully. So, when he pitched this more serialized expression of his latest idea of a “Law & Order” show, the “OC,” I really thought it was kind of a stroke of genius. I didn’t think that was even kind of anything he was thinking about. So, I was pleasantly pleased and surprised and excited when I got the pitch. And it was just on the basis of the type of storytelling that the “OC” allows us. And I just think it just allows for a little more in—depth analysis of characters and relationships and that kind of stuff. So, I appreciated that. And I think with Ilene Chaiken running the show, it’s really lived up to what Dick had hoped for.”

He was asked if he’d ever binge-watched “Law & Order” SVU,” but he admitted that he never had. He was there when it was filmed, and that was enough. The same journalist also asked him if he would tell us about the “four new recurring characters” on the second season. He seemed taken aback by that question. He named three – “Dash Mihok, Vinnie Jones, Lolita Davidovich and Michael Raymond-James.”  He said that some of the cast are part of their task force and some are from the new crime family they’ll be going after.  He elaborated, “We’re dealing with an Albanian crime family. You get to see a little bit of the hierarchy. It’s very much a family organization. And there’s a kind of Shakespearean intrigue that surrounds it.” That sounds interesting!

Since he mentioned leaving SVU earlier, he was asked about Mariska, “What has been the greatest joy of working with her? What
qualities does she have that has made the journey a real joy for you? And what have been some of the challenges?” He gave a very long answer. Basically, he said that they were two strong personalities that worked well together. The characters were, “finding each
other’s dance steps. And I would argue we found those dance steps 80 percent of the time, but 20 percent of the time we didn’t. And, you know, that’s where — I don’t know — just stuff happens. And it can be creatively wonderful stuff, and it can be challenging stuff. And it’s just stuff. Because at the end of the day, I think we see each other and know each other at our cores, and we love and honor and respect each other’s gifts. We have forgiven each other’s trespasses.” He said that they grew up together on the show . They both built their own separate families at the same time and both had each other’s best interests at heart.  He was quite effusive in his praise of her: “She’s open and honest and trustworthy and a ball of light. She radiates a goodness and a warmth and an inclusiveness. You know, she’s just a wonderful energy to be around. And she’s a hard worker. ” He praised her for how she carried on after he left the show.” They like working together and look forward to it. He never really answered the question about any challenges.

Next he was asked whether any parts of Elliot had rubbed off on him, or vice versa. He didn’t think so. He compared Elliot to himself, saying that Elliot was both more flawed and more heroic than he. He went on, “I think we both strive for the same sense of justice that, you know — I mean, I think this is life, right? And it’s difficult if you have a sense of right and wrong, and the world makes it difficult for one who has a sense of honor and justice, and you see reality is at times difficult in that regard. So, I would like to — I would strive to be as honorable as Elliott is, as flawed as he is. But no. We both have the same kind of walk, and that’s about it, I think.”

He was asked whether he thought all of the spinoffs were a good thing or not. He thinks that they’re both good and bad as it’s part of their business. It’s expensive to “It’s expensive to launch a show, very expensive to maintain a show, and very expensive to get eyeballs to the show, to your product. So, I just kind of think those pressures lend itself to that kind of programming.” He thinks the audience doesn’t mind as long as the product is a good one.

He was also asked why he thinks fans are so crazy about a Benson-Stabler relationship. He thinks that part of the reason is because their parting in 2011 was so abrupt, and they had so much chemistry for years before that. There was never any kind of answer as to the will-they-or-won’t-they question.

Another writer asked how his working with Mariska different this time than it was the first time around. He answered that they were young and didn’t know each other the first time around. It was all new, fresh and exciting. This time, when he returned, it felt both important and comfortable. “And I haven’t examined it beyond that… “I don’t have that relationship with any other actor walking the earth, because I’ve never worked with anyone for as long as I had with Mariska.” They were revisiting their relationship. “all of that in a package of grief, because of the circumstances under which I was reintroduced. So, it was a completely different dynamic, and yet I think the cornerstone of it all was a playfulness, a humor that we just always have with each other, and a camaraderie. Love and camaraderie.”

He was asked a good storyline question about whether Stabler would still be working with the team or whether he’ll be more in charge this season.  He responded that Sgt. Bell is definitely still in command, not Elliot. He went on, “I find it a very interesting dynamic. I was surprised by it all, and I loved it. I thought it was a very good idea. Danielle Moné Truitt is wonderful to work with. Yeah. So, yeah. Elliott is more on the outside in the first series of eight from the unit. They’re kind of more of the, you know — they’re HQ to whom I report, and they do the logistical hard work while Elliott tries to get intel and is on the inside.”

The last person pointed out that Meloni is also great at comedy. He asked which he would like to do next, after he leaves OC? He instantly replied without hesitation that it would be comedy.  “I’m in one swimming pool and I want to go try the other, see how the other water — how refreshing the other water is.”  Well, let’s hope that’s not for a long time…at least not until we see how he and Olivia are able to really connect, finally.

Please visit our “Law and Order” site!

MORE INFO:

Season 2 Preview  Episode 202 Preview

Christopher Meloni of "Law & Order: Organized Crime" on NBC“LAW & ORDER: ORGANIZED CRIME”

“THE MAN WITH NO IDENTITY”

ORIGINAL

09/23/2021 (10:00PM – 11:00PM) (Thursday) : SEASON PREMIERE – After taking down Wheatley’s (Dylan McDermott) drug empire and discovering his wife’s killer, Det. Stabler (Christopher Meloni) must infiltrate a notorious crime family aiming to take over New York City’s cocaine trade. Sgt. Bell (Danielle Moné Truitt) is forced to work with a rival colleague when their investigations collide. Also starring Ainsley Seiger.

TV-14

The series stars Christopher Meloni, Dylan McDermott, Danielle Moné Truitt, Tamara Taylor and Ainsley Seiger.

Dick Wolf, Ilene Chaiken, Fred Berner, Terry Miller, Arthur Forney and Peter Jankowski serve as executive producers. “Law & Order: Organized Crime” is produced by Universal Television, a division of Universal Studio Group, in association with Wolf Entertainment.

Christopher Meloni

Elliot Stabler, “Law & Order: Organized Crime”

Christopher Meloni returns to his iconic character, Elliot Stabler, in the new NBC drama series “Law & Order: Organized Crime.”

Meloni was last seen starring on the Hulu British comedy “Maxxx.”

Meloni starred in SYFY’s dark comedy “Happy!” based on Grant Morrison and Darick Robertson’s graphic novel. In addition to his starring role as Nick Sax, he directed an episode as well as executive produced the series. Meloni also co-starred in the third season of the critically acclaimed Hulu series “The Handmaid’s Tale” as Commander Winslow, a powerful and magnetic commander who hosts the Waterfords on an important trip.

Meloni had a guest arc on the breakout FX series “Pose,” from Ryan Murphy and Brad Falchuk. He also appeared in the landmark historical series “Underground,” executive produced by John Legend, and directed an episode.

Following his breakout role on “NYPD Blue,” Meloni was cast in HBO’s gritty prison drama “Oz” and then moved on to “Law & Order: SVU,” where he received an Emmy Award nomination for Outstanding Lead Actor in a Drama Series. Following his 12 seasons on “SVU,” Meloni returned to HBO in Alan Ball’s wildly popular drama “True Blood” and the Julie Louis-Dreyfus-starrer “Veep.”

On the film side, Meloni’s credits include “Diary of a Teenage Girl,” “White Bird in a Blizzard,” “Sin City: A Dame to Kill For,” “Man of Steel,” “42,” “They Came Together,” the Terry Gilliam films “Fear and Loathing in Las Vegas” and “Twelve Monkeys,” “Bound,” “Runaway Bride,”  “Nights in Rodanthe,” and the cult favorites “Wet Hot American Summer,” “Harold & Kumar Go to White Castle” and its first sequel, “Harold & Kumar Escape from Guantanamo Bay.”

Proofread and Edited by Brenda

Back to the Primetime Articles and Interviews Page

Mariska Hargitay of "Law & Order: Special Victims Unit" and Christopher Meloni of "Law & Order: Organized Crime" on NBC

Interview with the “Alter Ego” Judges and Host

TV Interview!

 

Judges and host of "Alter Ego" on FOX

Interview with judges Nick Lachey, Grimes, and will.i.am, host Rocsi Diaz, executive producer Matilda Zoltowski, and FOX’s President of Alternative Entertainment & Specials, Rob Wade of “Alter Ego” on FOX Suzanne 9/8/21

Alter Ego is the new FOX music competition show. It’s very unusual in that the singers create an avatar of themselves to perform through. The judges and audience see them not as themselves, but as their avatar.

2 NIGHT SEASON PREMIERE WEDNESDAY, SEPT. 22 & THURSDAY, SEPT. 23

I attended the FOX TCA panel for the show. Normally, they give us “screeners” – an episode or two of the show to watch ahead of time. Instead, we got one compilation episode. I’m not sure why. It was interesting, though. I don’t really watch non-fiction shows, but I might have to tune in to some of this to see what it’s really like.

On the panel, they told us “lost dreams and second chances are reignited when singers become the stars they’ve always wanted to be. However, these contestants won’t perform as themselves, rather, they’ll help create their dream avatar alter ego, reinventing and transforming themselves like never before. Talent and technology come together, creating a singing competition unlike anything the world has ever seen.” Then we saw a clip.

The panel consisted of judges Nick Lachey, Grimes, and will.i.am, host Rocsi Diaz, executive producer Matilda Zoltowski, and FOX’s President of Alternative Entertainment & Specials, Rob Wade. I’d only heard of Lachey and will.i.am, but that’s fine because I only was able to ask one question.

My question was admittedly a little lame. I should have asked about the technology behind the avatars because no one really asked that, and I’m curious. On the TV screen, we see the judges and audience looking at the avatar, which lookes like a real person on the stage. Is that how it looks in real life, or is it all special effects? I would love to know. Instead, I asked Nick Lachey a question about being a judge. I made an error because I thought he had been a judge on another reality show. My mistake because he was a contestant, not a judge. Whoops! I should have done more research. My bad. But he gave a great answer, anyway.

The first journalist asked the producers about the idea behind the show and what they hoped people would take out of having avatars perform. The answer was basically that they have this amazing technology that they can use now, and that they could get performers with amazing voices that we wouldn’t necessarily see on other competition shows. I guess he means, people who are not very attractive. What else would she mean? I mean, we’ve seen plenty of plus-sized people, and people of all different colors, races, genders, ages and orientations competing. The only thing left is unattractive people. From what the clips are showing, all of the contestants are choosing avatars much thinner than themselves, and some much more light-skinned than themselves. I wonder what criticisms people will have of the show. It’s, of course, also a way for those who are gender-fluid to have avatars to reflect who they feel like inside. I don’t know if that will be enough to counteract the other problems, though. We shall see!

The next press person asked about the design of the avatars and whether body diversity came into play. The producer answered that they have a real mix of different types of people and “huge diversity on every level.” She revealed that they have 20 different alter egos, which is something I didn’t know from watching the clips. It appears that the contestants are able to change what their avatars are wearing and other features. The producer maintained that they wanted to have alter egos that would appearl to a wide audience – people of all different types. She concluded, “I think there’s something there for everybody.”

Another writer asked why the alter egos look “fantastical” rather than just looking like regular humans. Hmm, here’s someone who probably hasn’t played a lot of video games or done online role-playing. That’s kind of the point – to look different than we are, dude. Producer Wade admitted that trying to make the avatars look like regular humans didn’t really look good. The avatars looked “creepy.” They thought that having them more colorful and fun would be better and people could connect to them. He also added, “why do a show called ALTER EGO with avatars if you’re just going to replicate human beings? They should be something a little bit more fantastical, a little bit superhero like, in a way.”

Judge Grimes interjected that she thought that since so many people are into video games, that they’re used to connecting with the “crazier type” of characters. will.i.am also added his input by comparing people dressing up in different colors, expressing themselves, or wearing costumes for Comic-Con, or various artists who look “fantastical” like these alter egos. He said, “This is beyond makeup. This is beyond, you know, a hat and glasses. It’s beyond freaking tailored suits that fit you perfectly. This is your spirit tailored, whooo. This is, like, your passion tailored. This is putting makeup on your spirit.” He got very excited, and everyone laughed. Nick Lachey advised us to tune in to the series because this is just a small taste of what will.i.am commentary is like.

The next interviewer ask about how genders will be changed, which was a variation on the body diversity question already asked. will.i.am put it well when he declared that “the imagination is genderless and it’s beautiful.” He went on to explained that when he writes songs, sometimes it’s from a female point of view (especially if he’s writing it for a female singer, such as Fergie. He’s “dialing into my inner femininity.” He once again indulged in hyperbole about the show and its performers in this regard. Lachey chimed in to talk about it from the POV of an entertaining – how it can be “truly liberating” to step into an alter ego. He says the way it came together in the show blew his mind. Grimes noted that the show makes “gender fluidity more casual”. Diaz pointed out that what will make viewers really invested in the stories of the performers is that they get to live out these experiences in such a liberating way and really be themselves for the first time. It was touching for them, and she believes it will be for the audience at home as well.

Then it was my turn to ask a question. Bear in mind that I was already a middle-aged adult by the time “98 Degrees” became a big hit, so that wasn’t my music. I had completely forgotten that Lachey was in that group. I had mostly seen him in “Charmed,” where he played Leslie St. Claire in 2004. He modestly replied, “To call me an actor is a liberal use of the word “acting.” After graciously correcting me that he’d never been a judge, he said that he had been a host before on music competition shows, so he was excited to step into the role of judge. He admitted that he was a bit of a skeptic at first (about the alter egos) because he doesn’t play video Alter Ego fairy avatargames and isn’t really into technology tha tmuch. He thought it was really cool to be asked to be part of it, though. In the end, “what I took away from it was, there’s such a humanity, despite all the mind blowing technology, and it’s incredible, and you’ll see it when it premieres on the 22nd. I mean, it’s incredible technology, but there’s still a humanity that comes through in these performances. These are real emotions. These are real people behind the alter egos, and that life experience, all the things that you channel as an artist, all those things you channel into your performance, those things come through in a very real way through the technology, which is a beautiful, beautiful thing to see. And again, I always use this word, but, you know, confluence of technology and artistry, and the way those things came together on this show is something unlike we’ve seen on TV ever. And so, I’m so excited. I mean, I got to watch it firsthand. I’m so excited for (my dog, Brandy, barked here) come together. And, apparently, that dog agrees with me. They’re excited.” Everyone laughed because it was very funny.

They joked around about how Lachey told a lot of “dad jokes.”

The next journalist asked Nick if there were logistical complications, since he lives in Hawaii and the show is in Los Angeles. Lachey confirmed that he does have a lot of frequent flyer miles. However, he was able to be back in L.A., bringing his son Charlie with him while he filmed the show and spent time there. He admitted, “I’ve done a lot of great things in my career, and I’m truly appreciative of each and every one of them, but this was one of the unique and special things I was able to be a part of. So, I’m glad it was able to be worked out, and I’m glad I was able do it.”

The same person asked him being a contestant on “The Masked Singer” and how that informed him for this show. He compared being in the “Piglet” costume to having an alter ego because it frees you to create a character and be whomever you want to be. He told us that the singers in “Alter Ego” are all incredible, but they all have struggled in some ways, but the show allowed them “truly feel liberated, and let their true talent shine through. And we all were lucky enough to be witnesses to that, and I think that’s a beautiful thing. That’s the real … humanity of this show. These are all humans with real emotions, and real struggles, and real experiences, and they bring all that to their performances, and they bring all that to their alter egos. And to watch all those things come together on this is a beautiful thing.”

Another journalist asked will.i.am about the current technology available (and being used on the show), and how he would have used that back when he was in the Black-Eyed Peas. Will gave a very long answer where he basically said that it would have freed them all to be different characters – and play different instruments- within their band.

That same man asked Graimes, who’s a producer as well as a performer, how she judges the show’s performers. Grimes didn’t really answer his questions. She did admit that she has “huge stage fright” and was already looking into this sort of technology to use in her own performances.

There many more questions, but these were the most interesting. Check out this unusual show!

Here is the audio version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

ALTER EGO is the world’s first avatar singing competition series and the next iteration of the musical competition show. On ALTER EGO, lost dreams and second chances are reignited when singers from all walks of life become the stars they’ve always wanted to be. However, these contestants won’t perform as themselves. Rather, they’ll be given the chance to show how they’ve always wanted to be seen, creating their dream avatar ALTER EGO to reinvent themselves, while showcasing their unique performance style via motion capture technology. The judges table features some of the biggest names in music, including iconic singer/songwriter and seven-time Grammy Award winner Alanis Morissette; actor, singer and television personality Nick Lachey; acclaimed Canadian producer, songwriter, singer and visual artist Grimes; and multi-Grammy Award-winning singer/songwriter, producer, entrepreneur and actor will.i.am. Emmy Award-winning personality Rocsi Diaz will host the musical spectacle. In ALTER EGO, talent and technology come together to create a singing competition unlike anything the world has ever seen.

Grimes, a judge on "Alter Ego" on FOXGRIMES

as Judge

Bio

Claire Boucher is the producer of the alter ego Grimes and an award-winning music video director, as well as a music writer, artist, producer, engineer and singer-songwriter. The world got its first glimpse of this vision on her 2010 full-length debut, “Geidi Primes,” which drew its inspiration from the David Lynch adaptation of Frank Herbert’s “Dune.” Her sophomore outing, “Halfaxa,” followed the same year. Over the course of three weeks, 2012’s “Visions” came to life in her apartment and would be recorded solely on Garage Band. 2015 marked a commercial breakthrough on “Art Angels.” It appeared in the Top 5 of year-end lists by Pitchfork, Billboard, Consequence of Sound, The New York Times and Rolling Stone, in addition to being named Album of the Year by Stereogum, NME and Exclaim! In 2018, she made another conscious evolution, turning back to formative influences, such as Tool and Nine Inch Nails for inspiration — a style first hinted at on 2016’s “Suicide Squad” soundtrack contribution, “Medieval Warfare.” In 2020, she released “Miss Anthropocene,” a concept album about an anthropomorphic goddess of climate change, which received rave reviews. The album title stems from the words Misanthrope, “a person who dislikes humankind and avoids human society,” and Anthropocene, “the current geological age, viewed as the period during which human activity has been the dominant influence on climate and the environment.” In 2021, she set the NFT world on fire with the release of WarNymph Collection Vol 1 By Grimes x Mac. The collection contains 10 artworks, including a unique video work set to original music composed specifically for the project. Through the character of WarNymph, Grimes explores the fluidity of identity in the virtual age: the ability to create, augment and splinter ourselves into unlimited avatars.

NICK LACHEY as JudgeNick Lachey, a judge on "Alter Ego" on FOX

Bio

Singer, actor and television personality Nick Lachey rose to fame as the lead singer of the multi-Platinum boy band 98 Degrees, selling more than 10 million records. He also has released four solo studio albums. Currently, Nick can be seen co-hosting “Love is Blind” with his wife Vanessa Lachey. In 2021, Lachey won the fifth season of THE MASKED SINGER as The Piglet. Lachey has had a long hosting career, serving as host on “The Sing Off” and “Big Morning Buzz Live.”

In addition to his work in music and television, Lachey remains a constant advocate for children’s and humanitarian causes through his work with organizations including Autism Speaks, Feeding America, Make-a-Wish Foundation, The Boys & Girls Club, Big Brothers Big Sisters, Juvenile Diabetes Research Foundation (JDRF), VH-1 Save The Music, The Cincinnati Children’s Hospital and The Cincinnati School for Performing Arts. He is also founder and President of The Nick Lachey Foundation, a 501(c)3 non-profit organization dedicated to helping children, families and communities in need throughout the United States.

Lachey was raised in Cincinnati, OH, and attended the School for Creative and Performing Arts (SCPA), Miami University and University of Southern California. Lachey currently resides in Los Angeles with his wife Vanessa and three children.

will.i.am, a judge on "Alter Ego" on FOXwill.i.am

as Judge

Bio

Seven-time Grammy Award winner will.i.am has been at the forefront of the contemporary American hip hop movement for more than 20 years. He is best known as a songwriter, producer, actor and entrepreneur, and globally recognized as a founding member of Black Eyed Peas, one of the best-selling groups of all time. He has released four solo albums and eight studio albums with Black Eyed Peas. The act was one of the first to recognize the mainstream potential of electronic dance music and held the No. 1 spot on the Hot 100 for a record 26 consecutive weeks after “I Gotta Feeling” replaced “Boom Boom Pow” atop the chart — more than any other act in the history of the Hot 100. The Emmy and CLIO Award-winning music video, “Yes We Can,” mobilized a generation during the 2008 U.S. Presidential election. He has worked with countless Grammy Award-winning artists as a producer and currently serves as a Coach on “The Voice UK” and “The Voice Kids.”

He has starred in several animated feature films, including “Rio,” “Rio 2” and “Madagascar 2: Escape to Africa,” as well as the live-action “X-Men Origins: Wolverine.” Founded in 2009, will.i.am’s i.am Angel Foundation supports in-class and after-school STEAM education programs for disadvantaged youth in grades K – 12. The Foundation also funds the Boyle Heights STEM Magnet High School in Los Angeles, and the i.am Scholarship program that provides gap funding to college-bound program students.

ALANIS MORISSETTEAlanis Morissette, a judge on "Alter Ego" on FOX

as Judge

Bio

Since 1995, Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise and seven Grammy Awards. Morissette’s 1995 debut, “Jagged Little Pill,” was followed by nine more eclectic and acclaimed albums.

She has contributed musically to theatrical releases and has acted on the big and small screens. Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological and physical wellness. In 2016, Morissette launched “Conversation with Alanis Morissette,” a monthly podcast that features conversations with a variety of revered authors, doctors, educators and therapists, covering a wide range of psycho-social topics, extending from spirituality to developmentalism to art. On December 5, 2019, the Broadway musical “Jagged Little Pill” debuted at the Broadhurst Theatre in New York City, and was nominated for 15 Tony Awards. Most recently, Morissette released her ninth studio album, “Such Pretty Forks In The Road,” to rave reviews. For more information see www.alanis.com.

Rocsi Diaz, host of "Alter Ego" on FOXROCSI DIAZ

as Host

Bio

Emmy Award-winning television host Rocsi Diaz is best known as the former co-host of ultra-popular mega music show “106 & Park.” She has interviewed everyone from Lady Gaga to Barack Obama. As a co-host and daily correspondent on “Entertainment Tonight,” Diaz was known for setting the tone for what’s hot in music, movies and entertainment. She reached 85 million homes worldwide during her time with “106 & Park,” and has since gone to host “The Daily Share,” “Dating Naked,” “Behind The Movie,” “Chatter” and “Cannonball.” With a massive social media presence, Diaz reaches millions of followers across all platforms.

Executive Producer Matilda ZoltowskiMATILDA ZOLTOWSKI

Executive Producer/Showrunner

Bio

Matilda Zoltowski is a talented producer who has worked on some of the biggest and most successful properties in unscripted television. She began her career in the U.K., where she worked on “Big Brother” and “Strictly Come Dancing,” the inspiration for “Dancing With The Stars.” Her work on “Strictly Come Dancing” gave her the opportunity to develop and produce “Dancing With The Stars” in the U.S., on which she was a co-executive producer for eight seasons.

Zoltowski has developed and produced many different types of unscripted series that have attracted major talent, including cooking series “The Taste,” starring Anthony Bourdain; “Off Their Rockers,” with Betty White; “Bring The Funny,” with Kenan Thompson and Chrissy Teigen; and “I Can Do That,” with Marlon Wayans. Most recently, she served as executive producer for all four seasons of “World of Dance,” starring Jennifer Lopez.

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Alter Ego ad

Interview with the cast of “Ordinary Joe” on NBC

TV Interview!

cast of "Ordinary Joe" on NBC

Interview with actors James Wolk, Elizabeth Lail, Natalie Martinez, Charlie Barnett and executive producers Garrett Lerner and Russell Friend of “Ordinary Joe” on NBC by Suzanne 9/13/21

This was a wonderful TV Critics Association panel for a fun new show. I admit that I’m a fan of lead actor James Wolk. He’s been great in so many shows, such as “Mad Men,” “Watchmen,” and “Zoo.” He’s more than just a pretty face. I know, that’s a terribly sexist thing to say. This is a beautiful cast, though. It was nice to meet his co-stars as well. Everyone there obviously has high hopes for this show, so I hope it succeeds.

The show focuses on Wolk’s character, Joe, and the three choices he has in life after college. If he goes to meet his girlfriend, Jenny (Lail), then he ends up with her. If he meets up with this other woman he just met, Amy (Martinez), then he ends up with her. If he goes out with his family, then he has a different path.  We see him on all three paths, how his life turns out, depending on which road he takes. Seeing the first two episodes was interesting. I want to see how they’ll carry this over a whole season. There is Nurse Joe, Cop Joe and Rock Star Joe. Personally, the last one is my favorite.

Because this was a TCA panel and not a regular interview, I was only able to ask one question, and I’m not allowed to share the transcript or recording with you. It was very enjoyable, though.

When I asked my question, which was about singing, Wolk immediately started singing a Billy Joel song to me (swoon!), so that was charming. In the show, when Joe is young, he’s graduating as a music major. He wants to be a rock star – the next Billy Joel. That struck me as a bit odd, given his age.

In the interview, I asked, “Jim, were you a fan of Billy Joel before this show, and had you been singing his songs for fun, or anything like that? You seem a little young to be a Billy Joel fan, to be honest (laughs).” He replied that the mom of an old friend of his used to listen to his albums, and he enjoys singing his music, but he did admit that he’s not as big of a fan of his music as his character, Joe, is. Charlie Barnett (who plays his best friend, Eric) objected to my question and said that “There’s no age limit to good music.”  Well, that’s true, but most people, I don’t think, are quite so much into real oldies that they didn’t grow up with as they are their own teenage or childhood music. Now, I don’t know when Joe was born, but Wolk was born in 1985, which was after the bulk of Billy Joel’s hits, so it would be pretty odd for him to aspire to be like him. It would be as if I aspired to be the next Connie Francis or Brenda Lee. I’m sure most people reading this barely know who those women are. The guys who wrote the show are probably a lot older, so Billy Joel was their music more than Wolk’s. He does have a lovely singing voice, though, and he sang “Piano Man” very well in one of the episodes (I was a music major, just like the character, Joe).

Wolk graciously told us all that the other cast members present there are also really good singers, so he hinted that they may have an all-singing episode one day. Everyone seemed to like that idea.

Check out the series and let me know which Joe is your favorite!

Joe's three paths after graduation

Here’s another review of the show that gives you a lot of information. I agree with a lot of it…however, I don’t think it’s nearly as bland as this reviewer thinks it is. A large part of it rests on how much you like James Wolk and the other actors.

MORE INFO:

Life is all about the choices you make – and sometimes what you do in a single moment can change everything. This new heartfelt, life-affirming drama follows Joe Kimbreau, who faces one of these decisions at his college graduation. The three parallel stories that diverge from that night find Joe and the people around him with different careers, relationships and family lives, showing the unexpected ways that things change – and stay the same. But when it comes down to it, there is no “right” choice; no matter what happens, Joe’s life is always messy, exciting, tough, unpredictable … and beautiful.

The cast includes James Wolk, Natalie Martinez, Elizabeth Lail and Charlie Barnett.

Russel Friend and Garrett Lerner will write and executive produce along with executive producers Matt Reeves, Adam Kassan, Rafi Crohn, Howard Klein. Adam Davidson will direct and executive produce the pilot episode.

“Ordinary Joe” is produced by 20th Television, Universal Television, a division of Universal Studio Group, 6th & Idaho, 3 Arts.

breaking news | March 31, 2021

•    NBC has ordered the drama “Ordinary Joe” to series.

•    W/EP: Russel Friend, Garrett Lerner

•    NW/EP: Matt Reeves, Adam Kassan, Rafi Crohn, Howard Klein

•    D/EP (pilot only): Adam Davidson

•    “I still remember when Matt Reeves shared this passion project back when I worked at Twentieth. Russel and Garrett wrote such a compelling and emotional script that was expertly executed from page to screen,” said Lisa Katz, President, Scripted Content, Entertainment and Streaming. “We love how ‘Ordinary Joe’ lets us experience the universal question of ‘what if’ through an incredible cast of characters and engaging storylines.”

•    Cast: James Wolk, Natalie Martinez, Charlie Barnett, Elizabeth Lail

•    Logline: Explores the three parallel lives of the show’s main character after he makes a pivotal choice at a crossroads in his life. The series asks the question of how different life might look if you made your decision based on love, loyalty or passion.

•    Produced by: 20th Television, Universal Television (a division of Universal Studio Group), 6th & Idaho, 3 Arts

James Wolk

Joe Kimbreau, “Ordinary Joe”

James Wolk stars as Joe Kimbreau in the new NBC drama “Ordinary Joe.”

Wolk was recently be seen on the HBO series “Watchmen,” written by Damon Lindoff, based off the comic book series. He also co-stars on the CBS All Access series “Tell Me a Story,” created and produced by Kevin Williamson, which was renewed for a second season.  It takes the world’s most beloved fairy tales and reimagines them as a dark and twisted psychological thriller. He also recurred on season two of Amazon’s legal drama series “Goliath,” created by David E. Kelley and Jonathan Shapiro, and starring opposite Billy Bob Thornton.

Wolk is also known for his starring role on the CBS summer series, “Zoo,” which ran for three seasons.  Based on the bestselling novel of the same name by acclaimed writer James Patterson, “Zoo” centers on Jackson Oz (James Wolk) – a young American zoologist, who begins to notice the strange behavior of the animals, leading to a wave of violent animal-on-human attacks across the globe.

In 2010, Wolk nabbed the lead role in the critically acclaimed but short-lived Fox series, “Lone Star” and co-starred on the the Golden Globe-nominated USA miniseries “Political Animals.” Wolk also notably recurred on the award-winning and critically acclaimed AMC series “Mad Men” and starred opposite Robin Williams and Sarah Michelle Gellar in the CBS comedy “The Crazy Ones.” Other television credits include “Billions,” “Happy Endings,” and “Shameless.”

Wolk, a native of Farmington Hills, Mich., and 2007 graduate of the University of Michigan drama school, began his career in the CBS/ Hallmark Hall of Fame special “Front of the Class.”

Wolk also appeared on stage in the Tony Award-nominated production “Next Fall,” written by Geoffrey Nauffts and directed by Sheryl Kaller, for its West Coast debut at the Geffen Playhouse.

On the big screen, Wolk made his film debut in Disney’s “You Again.” His film credits include “For a Good Time Call,” “There’s Always Woodstock” and “The Is Happening.” Wolk notably co-starred in the 2015 critically acclaimed film “The Stanford Prison Experiment,” which premiered at the 2015 Sundance Film Festival and was nominated for the Grand Jury Prize.

Wolk resides in Los Angeles.

Charlie Barnett

Eric Payne, “Ordinary Joe”

Charlie Barnett stars as Eric Payne, the best friend of Joe Kimbreau, in the new NBC drama “Ordinary Joe.”

Barnett is familiar to NBC audiences, starring for three seasons as Peter Mills on “Chicago Fire.”  Born in Sarasota, Fla., Barnett began performing at a young age, participating in local opera and musical theater productions before graduating from the Juilliard School.

Barnett’s TV career began with guest star roles on “Law & Order: SVU” and “Law & Order: Criminal Intent” before landing his first series regular role on “Chicago Fire.” He then joined the second season of “Secrets and Lies” followed by a series regular role on the CW military drama “Valor.”

In 2019, Barnett starred alongside Natasha Lyonne in the Emmy Award-nominated Netflix series “Russian Doll.”

Other notable TV credits include a series regular role on Armistead Maupin’s “Tales of the City” as well as guest starring roles on “You,” “Special,” “Orange Is the New Black” and “Arrow.” He debuted on the big screen alongside Will Smith and Josh Brolin in “Men and Black 3.”

Offscreen, Barnett is an avid history buff, enjoys cooking, volunteering, hosting friends and family, horseback riding, sailing, and almost anything involving nature.

Elizabeth Lail

Jenny Banks, “Ordinary Joe”

Elizabeth Lail plays Jenny Banks on the new NBC drama “Ordinary Joe.”

Lail, who also can be currently seen in HBO Max’s reboot of “Gossip Girl,” is best known for her breakout role as Guinevere Beck in the addicting drama “You,” opposite Penn Badgley. The series premiered on Lifetime in 2018 and quickly became a big hit when it moved over to Netflix.

Lail’s other film and television credits include “Countdown,” “Videosyncrasy” and ABC’s “Once Upon a Time.” She made her theater debut in Ken Urban’s Off Broadway play, “Nibbler” directed by Ben Kamine.

Lail is a BFA graduate from the University of North Carolina School of the Arts.

Natalie Martinez

Amy Kindelan, “Ordinary Joe”

Natalie Martinez plays Amy Kindelan on the new NBC drama “Ordinary Joe.”

Martinez, who will be seen in Warner Bros.’ “Reminiscence” with Hugh Jackman and Rebecca Ferguson, appeared in Quibi’s 2020 action thriller “The Fugitive.” In that same year, she also co-starred in CBS All Access’ “The Stand” and previous to that appeared in the Netflix sci-fi series “The I-Land.” Additional TV credits include “The Crossing,” “APB,” “Detroit 1-8-7,” “Under the Dome,” “Secrets & Lies,” “Kingdom.”

On the film side, Martinez’s credits include “Message from the King,” “Keep Watching,” “Self/less,” “Broken City” and “End of Watch.”

Martinez first gained recognition after being hand-picked by Jennifer Lopez to become the spokesmodel for her fashion line, JLO by Jennifer Lopez. From there, she went on to star in several music videos, and the telenovelas “Fashion House” and “Saints & Sinners.”

Originally from Miami, Martinez currently resides in Los Angeles.

Garrett Lerner and Russel Friend

Executive Producers, “Ordinary Joe”

Garrett Lerner and Russel Friend executive produce the new NBC drama “Ordinary Joe.”

Previously, they were executive producers on “House M.D.,” where they were nominated for four Emmys Awards and won the WGA Award for Outstanding Episodic Drama. Other writing credits include “Glee,” “Home Before Dark,” “Altered Carbon,” “Roswell,” “Rise” and “Boston Public.”

Lerner and Friend graduated from the USC Peter Stark Program in 1995.

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"Ordinary Joe" premieres 9/20 on NBC

DVD Review of “The Equalizer: Season One”

TV Review!

The Equalizer: Season One DVD cover

“The Equalizer: Season One” Review by Suzanne 9/15/21

This is a vigilante show, which is similar to a superhero show. There’s a thin line that sometimes can be hard to find. Batman is a vigilante, but he has no super powers.  Robyn McCall (Queen Latifah) is a former CIA agent who now secretly helps people who are victims of evil doers (especially female victims).  She has a team helping her, including her former CIA handler (played by the amazing Chris Noth). She tries to redeem herself with each person she helps – she has a lot to make up for from her shady past. She also lives with her Aunt Vi (the always-underrated Lorraine Toussaint), who helps her raise her teenaged daughter, Delilah.

There’s a lot of great action in the show, but the violence has been toned down quite a bit since the 80’s version of this series.  Perhaps they think that female audience members won’t like it. At any rate, it gives them time to focus more on story and characters. The first season was a big hit, and the second season is doing pretty well. CBS is packed with remakes and reboots, but this show stands out as one of the best. Queen Latifah herself deserves a lot of the credit, but the writing is also very good.

The DVD has some nice extras: 3 behind-the-scenes specials, as well as the regular deleted scenes and gag reel. This would make a good gift for any teen or adult.

MORE INFORMATION:

Buy This DVD!

THE EQUALIZER: SEASON ONE
Street Date: September 21
Format: DVD
Description: THE EQUALIZER is a reimagining of the classic series following Robyn McCall, an enigmatic woman with a mysterious background who uses her extensive skills as a former CIA operative to help those with nowhere else to turn. McCall presents to most as an average single mom who is quietly raising her teenage daughter. But to a trusted few, she is The Equalizer – an anonymous guardian angel and defender of the downtrodden, who’s also dogged in her pursuit of personal redemption. Robyn’s clandestine work remains a secret from her smart and observant daughter, Delilah, and her aunt Vi, who lives with Robyn to help her balance life as a working mother. Joining Robyn as champions of justice are William Bishop, her former CIA handler and longtime friend; Melody “Mel” Bayani, an edgy bar owner and a colleague from Robyn’s past; and Harry Keshegian, a paranoid and brilliant white-hat hacker. As Robyn aids the oppressed and exploited, her work garners the attention of shrewd NYPD Detective Marcus Dante, who doggedly seeks to uncover the identity of the vigilante known as The Equalizer.

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

cast of "The Equalizer" on CBS

Review of “NCIS: Hawaii”

TV Review!

cast of "NCIS: Hawaii" on CBS

“NCIS: Hawaii” on CBS Review by Suzanne 9/15/21

I love shows filmed on Oahu because we lived there for three wonderful years. I hope to go back one day. It really is paradise, like they say. I would look out and just be constantly amazed at where I was and what I was seeing. The actors in shows like this, and “Magnum PI” and “Hawaii Five-0” are so lucky to live and work there.

They do a good job showing the island – not just the tourist or downtown areas, but also where the locals go. They also show the food, the language and some of its cultural traditions. The cast is very diverse. Star Vanessa Lachey is half Filipina (there are many Filipino-Americans and other Asian descendants in Hawaii). The rest of the cast is from New Zealand, Canada and other places, with ancestry from Lebanon, the Pacific Islands, Hawaii, Polynesia (New Zealand), United Arab Emirates and more. It’s great that they have a woman in charge, too, which is a first for the NCIS franchise.  CBS has really made great strides in its casting the past few years to put women and people of color in the forefront of their shows.

Do I even have to mention that the stories and characters are great? Of course they are. It’s NCIS. The writing is always top-notch. Someone in the military is murdered, and they investigate, and they find the killer (and usually more than they bargained for). There’s going to be action, good-natured joking around, and some romance. Each of the characters in the regular cast has compelling backstories. What more could you ask for? Check it out Mondays.

MORE INFORMATION:

NCIS: Hawaii poster

The world’s most successful television series continues on the seductive shores of the Aloha State with NCIS: HAWAI ‘ I, where the first female Special Agent in Charge of NCIS Pearl Harbor, Jane Tennant, has thrived and risen through the ranks by equal parts confidence and strategy in a system that has pushed back on her every step of the way. Together with her unwavering team of specialists, they balance duty to family and country while investigating high-stakes crimes involving military personnel, national security and the mysteries of the sun-drenched island paradise itself.

Premiered Monday, Sept. 20 on the CBS Television Network and available to stream live and on demand on Paramount+.

ON AIR:

Monday (10:00-11:00 PM, ET/PT)

ORIGINATION:

Oahu, Hawaii

FORMAT:

Drama (Filmed in HD)

STARRING:

Vanessa Lachey (Special Agent in Charge Jane Tennant)
Alex Tarrant (Kai)
Noah Mills (Jesse Boone)
Yasmine Al-Bustami (Lucy Tara)
Jason Antoon (Ernie Malik)
Tori Anderson (Kate Whistler)
Kian Talan (Alex Tennant)

PRODUCED BY:

CBS Television Studios

EXECUTIVE PRODUCERS:

Matt Bosack, Jan Nash and Christopher Silber; Larry Teng (initial episode only)

VANESSA LACHEY STARS AS SPECIAL AGENT IN CHARGE OF NCIS PEARL HARBOR JANE TENNANT, WHOSE TEAM INVESTIGATES HIGH-STAKES CRIMES INVOLVING MILITARY PERSONNEL AND NATIONAL SECURITY IN THE ALOHA STATE, ON THE SERIES PREMIERE OF “NCIS: HAWAI`I,” MONDAY, SEPT. 20

Series Also Stars Alex Tarrant, Noah Mills, Yasmine Al-Bustami, Jason Antoon,

Tori Anderson and Kian Talan

“Pilot” – Vanessa Lachey stars as Special Agent in Charge of NCIS Pearl Harbor Jane Tennant, who, with her unwavering team of specialists, balances duty, family and country, while investigating high-stakes crimes involving military personnel, national security and the mysteries of the sun-drenched island paradise itself. In the premiere episode, an experimental Naval aircraft crashes on Oahu, and Tennant and her team must find who is behind it before classified state secrets are exposed, on the series premiere of NCIS: HAWAI`I, Monday, Sept. 20 (10:00-11:00 PM, ET/PT) on the CBS Television Network and available to stream live and on demand on Paramount+. Series also stars Alex Tarrant, Noah Mills, Yasmine Al-Bustami, Jason Antoon, Tori Anderson and Kian Talan.

REGULAR CAST:

Vanessa Lachey (Special Agent in Charge Jane Tennant)
Alex Tarrant (Kai Holman)
Noah Mills (Jesse Boone)
Yasmine Al-Bustami (Lucy Tara)
Jason Antoon (Ernie Malik)
Tori Anderson (Kate Whistler)
Kian Talan (Alex Tennant)

GUEST CAST:

Mahina Anna Maria Napoleon (Julie Tennant)
Moses Goods (Wally Holman)
Enver Gjokaj (Captain Milius)
Danielle Nuela Zalopany (Hina)
Ron Yuan (Big Luna)
Erica Wong (Myra)
Jamaal Burcher (Charles Randolph)
Amber Olivia Abara (Sally)
Ryan Pagan (HPD Officer)
Chris Kim (HPD Officer 2)
Blaze Laniola Cosner (Moke)
Jordan Matlock (Mainlander 1)
Jacob White (Mainlander 2)
Joanna K. Patterson (Female Bartender)
Chris Magpoc (M.E. Tech)
Pedro Lemus Jr. (Navy Honor Guard)
Louis Steiner (Master at Arms)

WRITTEN BY: Matt Bosack, Jan Nash and Christopher Silber

DIRECTED BY: Larry Teng

GENRE: Drama, Crime, Mystery

Official CBS website: https://www.cbs.com/shows/ncis-hawaii/

Website: https://www.cbs.com/shows/ncis-hawaii/

CBS Twitter: https://twitter.com/CBSTweet

Facebook: https://www.facebook.com/NCISHawaiiCBS/

Twitter: https://twitter.com/NCISHawaiiCBS

Instagram: @NCISHawaiiCBS

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

Some of the "NCIS: Hawaii" cast on CBS

Interview with the cast of “Harper House”

TV Interview!

 

THE HARPER HOUSE -- The adult animated comedy series, THE HARPER HOUSE, with voice cast, Rhea Seehorn, Jason Lee, Tatiana Maslany, Ryan Flynn, Gabourey Sidibe, Gary Anthony Williams, Nyima Funk, VyVy Nguyen and Lance Krall on the Paramount+ series THE GOOD FIGHT. Photo: CBS Studios©2021 Paramount+, Inc. All Rights Reserved.

Interview with Rhea Seehorn, Jason Lee, Ryan Flynn, Gabourey Sidibe, Gary Anthony Williams, Nyima Funk, Brad Neely, and Katie Krentz of “The Harper House” on Paramount+ by Suzanne 8/31/21

The Harper House Cast

Rhea Seehorn – “Debbie Harper”

Jason Lee – “Freddie Harper”

Ryan Flynn – “Todd Harper”

Gabourey Sidibe – “Shauna Bradley”

Gary Anthony Williams – “Gbenge Bradley”

Nyima Funk – “Katrina Bradley”

Brad Neely – Creator & Showrunner

Katie Krentz – Executive Producer

I was at this panel, and I asked Gary Anthony Williams (Gbenge) a question. He’s been a favorite of mine ever since he played Clarence on “Boston Legal.”  Unfortunately, I was not sent a transcript for the interview, and we weren’t allowed to record it. If I’d known ahead of time, I would have taken notes, at least. Here is what I remember, and what I’ve been able to piece together.

Everyone on the panel was very funny and had me crying (because I was laughing so hard), especially Gary and his comedy partner, Nyima Funk (Katrina). They should have their own podcast or talk show… I know I asked him something about Arkansas, since I lived there at the time. The show takes place in River Creek, Arkansas. I don’t remember what he said, unfortunately.  Fortunately, I did get to speak to him years later, about his role on “Night Court” on NBC.

The panel officially announced the premiere date for Harper House set for September 16, 2021, and debuted its first-look trailer with key cast members and creative team in attendance

Premiere date and trailer: The show’s debut on September 16, 2021 was confirmed, and the first full trailer was shown—featuring cast members Rhea Seehorn, Jason Lee, Ryan Flynn, and Tatiana Maslany.

Cast & creative team: Brad Neely (creator/writer), along with key cast members, participated in the event—primarily to introduce the series and its tone .

Rhea Seehorn on taking “different risks” On the August 31 TCA Zoom panel, Seehorn reflected on how the animated format allowed her to stretch creatively: “There were risks you could take because this is a very different type of storytelling on this show… But there was also risks I felt that I could try out vocally.” Seehorn contrasted voice acting in The Harper House with her live-action role in Better Call Saul, discussing how the medium demands broader expressive range: “You do get to explore a lot… you need to carry out your humor, your drama, your real moments, your more outlandish moments, your subtext. Everything has to all be done vocally as opposed to subtleties that you can do on camera…” Experimenting in the studio, trusting animators.

She also highlighted the playful creative process between voice recording and animation: “Sometimes I would try things and leave it to the animators to figure out… understanding sometimes when [creator] Brad [Neely] knew how it would be animated, versus choices that hadn’t been made yet, and being a part of that process.”

Here are some other links having to do with the show and its cast:

Meet the Voice Cast

Brad Neeley’s Homecoming: Return to Streaming

Wikipedia

The 10 Smartest Characters

Paramount+ brings “peak” animation to Comic-Con@home with “The Harper House”and “Stephen Colbert Presents Tooning Out the News”

 

MORE INFO:

CBS ALL ACCESS ANNOUNCES VOICE CAST FOR ANIMATED SERIES “THE HARPER HOUSE”

Voice Cast Includes Rhea Seehorn, Jason Lee, Tatiana Maslany, Ryan Flynn, VyVy Nguyen, Roberta Colindrez, Gabourey Sidibe, Gary Anthony Williams and More

New Animated Series from Brad Neely and Katie Krentz Coming to CBS All Access in 2021

NEW YORK, N.Y. – Oct. 15, 2020 – CBS All Access, ViacomCBS’ digital subscription video on-demand and live streaming service, today announced the voice cast for its upcoming adult animated comedy THE HARPER HOUSE, created by Brad Neely. THE HARPER HOUSE will star Rhea Seehorn, Jason Lee, Tatiana Maslany and Ryan Flynn as the Harper family, with VyVy Nguyen, Lance Krall, Roberta Colindrez, Tessa Skara, John “Spud” McConnell, Chris Diamantopoulos, Joanna Hausmann, Gabourey Sidibe, Nyima Funk and Gary Anthony Williams also voicing characters in the series.

THE HARPER HOUSE follows an overconfident female head of a household, as she struggles to regain a higher status for herself and for her family of oddballs, after losing her job and moving from the rich side to the poor side of an Arkansas small town. To save money, they’ve moved into their inherited Victorian fixer-upper, the historic Harper House.

The Harpers:

Rhea Seehorn (“Better Call Saul,” “Veep”) will voice Debbie Harper, the aforementioned breadwinner of the Harper household, who takes pride in being the queen of her home.

Jason Lee (“My Name is Earl,” “Alvin and the Chipmunks”) will voice Freddie Harper, a fretful, stay-at-home, helicopter dad. A neurotic control freak, Freddie runs the home while his wife makes the money, and he wouldn’t have it any other way.

Tatiana Maslany (“Orphan Black,” “Perry Mason”) will voice Ollie Harper, the extroverted, free-spirited daughter. Recklessly optimistic and pretty gullible, Ollie usually has a completely different takeaway than her 11-year-old twin brother, Todd.

Newcomer Ryan Flynn (“Stupidface”) will voice Todd Harper, the smart-ass, intellectual son with a mean potty mouth. Where Ollie shines with people, Todd excels at school and generally only gets along with his family.

The Bradleys:

Gabourey Sidibe (“Precious,” “Empire”) will voice Shauna Bradley, the cunning and resourceful classmate of Ollie and Todd whose family lives across the street from the Harper House. Her confidence and savvy can even be intimidating to the adults in her life.

Nyima Funk (“Key and Peele,” “Detroiters”) will voice Katrina Bradley, the sarcastic co-owner, with her husband Gbenge, of Bradleys’ Bookshop. Constantly bewildered by her new neighbors, she grows to accept the Harpers and their unique contributions to the north side of town.

Gary Anthony Williams (“Teenage Mutant Ninja Turtles: Out of the Shadows,” “American Dad!”) will voice Gbenge Bradley, the proud patriarch of the Bradley family, who eventually warms to the Harper family and Freddie’s increasingly desperate attempts to be his friend.

Also cast in the series are VyVy Nguyen (“Young Sheldon,” “Parenthood”) and Lance Krall (“Fameless,” “Breaking In”), who will voice mother-son duo Gwen and JimJoe Dang. Gwen owns the Vietnamese market and cafe that the Harpers frequent, while her son JimJoe attends school with the Harper children. Roberta Colindrez (“Vida,” “The Deuce”) will voice Tonya Acosta, a carefree yet supportive friend of Debbie’s, while Tessa Skara (“The Calling,” “High Maintenance”) and John “Spud” McConnell (“Hap and Leonard,” “Underground”) will voice Debbie’s perky Southern-belle sister Brenna and loving father Daddie Dan. Additionally, Chris Diamantopoulos (“Silicon Valley”) will voice, among others, Dr. Morocco, the principal at the Harper children’s school who exhibits a mysterious and odd demeanor that may lead one to believe he lives a potentially criminal private life alongside Joanna Hausmann (“Bill Nye Saves the World”), who will voice Ms. Gonzalez, a teacher at the Harper children’s school who is fresh out of grad school and eager to employ all of her new teaching methods.

Creator Brad Neely serves as executive producer alongside Katie Krentz. The series is produced by CBS Eye Animation Productions, CBS Studios’ new animation arm, in association with 219 Productions. Titmouse (“Big Mouth”), the Emmy Award-winning independent animation production company, serves as the animation studio for the series.

THE HARPER HOUSE joins CBS All Access’ growing slate of original series that currently includes THE GOOD FIGHT, THE TWILIGHT ZONE, TOONING OUT THE NEWS, NO ACTIVITY, WHY WOMEN KILL, INTERROGATION, THE THOMAS JOHN EXPERIENCE and TELL ME A STORY, as well as the upcoming limited event series THE STAND, TEXAS 6, THAT ANIMAL RESCUE SHOW, THE MAN WHO FELL TO EARTH, THAT ANIMAL RESCUE SHOW and GUILTY PARTY. CBS All Access is also the exclusive domestic home to STAR TREK: DISCOVERY, STAR TREK: PICARD, the animated series STAR TREK: LOWER DECKS, and the upcoming U.S.S Enterprise set series STAR TREK: STRANGE NEW WORLDS.

About CBS All Access:

CBS All Access is ViacomCBS’ direct-to-consumer digital subscription video on-demand and live streaming service. CBS All Access gives subscribers the ability to watch more than 20,000 episodes and movies on demand – including exclusive original series, current and past seasons of hit shows from the CBS Television Network and growing libraries from brands across the ViacomCBS portfolio including BET, Comedy Central, MTV, Nickelodeon, Smithsonian and more, as well as a wealth of films from Paramount Pictures. The service is also the streaming home to unmatched sports programming, including every CBS Sports event, from golf to football to basketball and more, plus exclusive streaming rights for major sports properties, including some of the world’s biggest and most popular soccer leagues. CBS All Access also enables subscribers to stream local CBS stations live across the U.S. in addition to the ability to stream ViacomCBS Digital’s other live channels: CBSN for 24/7 news, CBS Sports HQ for sports news and analysis, and ET Live for entertainment coverage.

The service is currently available across all major device platforms including online, mobile and connected TV and OTT platforms and services. Versions of CBS All Access have launched internationally in Canada and Australia (10 All Access), with unique but similar content and pricing plans. For more details on CBS All Access, please visit https://www.cbs.com/all-access.

About CBS Studios:

CBS Studios is one of the industry’s leading suppliers of programming with more than 70 series currently in production across broadcast and cable networks, streaming services and other emerging platforms. The Studio’s expansive portfolio spans a diverse slate of commercially successful and critically acclaimed scripted programming, genre-defining franchises including the ever-growing “Star Trek” universe, award-winning late night and daytime talk shows, and an extensive library of iconic intellectual property.

Episode 1: “The Harper House”

Series Premiere. After being let go from her high-paying job, Debbie Harper (Rhea Seehorn), her husband Freddie (Jason Lee), and their twins, Todd (Ryan Flynn) and Ollie (Tatiana Maslany), move into a Victorian fixer-upper on the poorer side of town and attempt to win over their new neighbors by hosting a WrestleMonium watch party.

Written by: Brad Neely

Directed by: Scott Bern

Episode 2: “Conflicting Parenting Books”

Debbie and Freddie’s conflicting parenting styles become more apparent. Meanwhile, Todd and Ollie compete in the “Leaf-A-Thon” at their new school.

Written by: Brad Neely

Directed by: Chuck Sheetz

Episode 3: “The Perfect Gift/ Marg Truck”

Freddie, Todd and Ollie compete to find the perfect birthday gift for Debbie. Meanwhile, Debbie and her best friend, Tonya, see a brilliant, but illegal, business opportunity in a margarita food truck.

Written by: Brad Neely

Directed by: Liza Singer

Episode 4: “That Old House/ Friend Stacking”

Debbie and Freddie find the perfect friends, but are annoyed when they turn out to be friend-stackers. Todd struggles to move on from the past.

Written by: Brad Neely

Directed by: Scott Bern

Episode 5: “Baby Talk/ Coupon Kid”

With her sister Brenna’s questionable support, Debbie resorts to “baby talk” to make sales at Awning Con. Meanwhile, Shauna Bradley scams an impressionable Freddie.

Written by: Brad Neely

Directed by: Chuck Sheetz

Episode 6: “Everyone In Town Must Eat A Piece Of Barack Obama Before Midnight Or The World Ends”

When Ollie believes everyone must consume a piece of President Barack Obama in order to save the town, Debbie worries about her gullibility. Todd is determined to stop Mayor Kelly Frakes’ fracking expansion plan.

Written by: Brad Neely

Directed by: Sarah Seember HuiskenKey art for "The Harper House" on Paramount+

Episode 7: “Marshmallow Tests”

Opposite personality traits become more apparent in the Harper family when Debbie and Freddie collaborate on a business idea and when Todd and Ollie search for a new toy on the market.

Written by: Brad Neely

Directed by: Scott Bern

Episode 8: “Home Alone On The 4th Of July”

The Harpers celebrate the Fourth of July at the River Creek Fourth Fest and it’s far from a relaxing holiday; Freddie consumes a questionable funnel cake and Debbie protects the neighborhood from a robbery… or so she thinks.

Written by: Brad Neely

Directed by: Chuck Sheetz

Episode 9: “Deathbed Wish / Make the Lie Real”

A trip with Daddy Dan and Brenna commemorating her mother’s passing proves to be more enlightening than Debbie imagined. Meanwhile, Freddie ropes Tonya, Ollie and Todd into a scheme to impress Gbenge.

Written by: Brad Neely

Directed by: Sarah Seember Huisken

Gbenge Bradley, voiced by Gary Anthony Williams Katrina Bradley, voiced by Nyima Funk

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DVD Review of “Magnum P.I.: Season Three”

TV Review!

"Magnum P.I.: Season Three" DVD cover

“Magnum P.I.: Season Three” Review by Suzanne 9/10/21

It took me a while to warm up to this series because it’s so different from the original. Jay Hernandez, a handsome young Latino actor, is a very different Thomas Magnum than the one played back in the 80’s by Tom Selleck. It makes sense because TV has changed a lot. It’s no longer mostly-white and male. Most shows are ensemble pieces – the star of the show is no longer a lone wolf. Hernandez has a nice laid-back energy but is still a good hero.  The main difference is that Higgins (Perdita Weeks) is a sexy woman, so she and Magnum have a lot of sexual chemistry. In this season, they’re finally partners, working together in the PI agency.

Because of COVID, there are only 16 episodes this season. Also, the DVD features are rather thin. There’s a gag reel, deleted scenes and not much else. That’s too bad. I wonder if that’s due to the shortened season?

This would still make a good gift for any TV fans. There is a lot of great action, comedy, drama and romance in the show. Also, Roger E. Mosley (the original TC) guest stars in one memorable episode. Check it out!

MORE INFORMATION:

Buy the DVD!

MAGNUM P.I.: SEASON THREE
Street Date: September 14
Format: DVD
Description: MAGNUM P.I. is a modern take on the classic series centering on Thomas Magnum, a decorated former Navy SEAL who, upon returning home from Afghanistan, repurposes his military skills to become a private investigator. A charming rogue, an American hero and a die-hard Detroit Tigers fan, Magnum lives in a guest cottage on Robin’s Nest, the luxurious estate where he works as a security consultant to supplement his P.I. business. The “majordomo” of the property is Juliet Higgins, a beautiful and commanding disavowed MI:6 agent whose second job is to keep Magnum in line, with the help of her two Dobermans. When Magnum needs back-up on a job, he turns to his trusted buddies and fellow POW survivors, Theodore “TC” Calvin, a former Marine chopper pilot who runs Island Hoppers, a helicopter tour business, and Orville “Rick” Wright, a former Marine door-gunner-turned-impresario of Oahu’s coolest nightclub and the most connected man on the island. Suspicious of Magnum’s casual attitude and presence at his crime scenes, Detective Gordon Katsumoto finds that he and Magnum are more alike than either of them care to admit. One of Magnum’s biggest supporters is Teuila “Kumu” Tuileta, the unofficial “House Mom” and cultural curator of Robin’s Nest. With keys to a vintage Ferrari in one hand, aviator sunglasses in the other, and an Old Düsseldorf longneck chilling in the fridge, Thomas Magnum is back on the case!

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

cast of MAGNUM P.I.: SEASON THREE

Interview with “Curse of the Chippendales” TCA Panel

TV Interview!

Curse of the Chippendales logo

TCA Panel Interview with participants of “Curse of the Chippendales” on Discovery+ by Suzanne 8/16/21

If you grew up in the 70’s like I did, you might enjoy seeing this documentary series, “Curse of the Chippendales” – just for the old scenes of disco dancers if nothing else. You might also like the “true crime” aspects of it. I had no idea that the Chippendales dancers were tied in to several murders and other crimes. Full disclosure: I’ve never been to a Chippendales club or seen nude dancers. I had friends who used to drive up to see them in L.A., though. I never understood the appeal, but watching this doc has explained it a bit.

I was at the TCA press panel for this show, which streams on DISCOVERY+ beginning September 24. There were several people in the documentary at our panel: Read Scot, Former Chippendale; Michael Rapp, Former Chippendale; Candace Mayeron, Chippendales Associate Producer (1981-1987) and Eric Gilbert, Chippendales Creative Director (1983-1991). Unfortunately, these were not the people who actually filmed or made the documentary, which was rather odd. Usually they have the producers or directors, who can talk about making the documentary. Instead, these were all the people involved on the other side of the camera. As someone who usually interviews actors, producers, writers, etc., it seemed very strange. In fact, I asked who created the show, and they thought I meant the Chippendales dancing show in the 70’s! I explained what I meant. They told me that it was an organization called Lighthouse in the UK. Apparently the Chippendales’ original producer, Steve Banerjee, who was a bit of a conman, did some “nefarious actions” in both continents.Steve Banerjee

In the first segment of the show, they talk a lot about famous Playboy model Dorothy Stratten, who was murdered by her husband. I had no idea that she and Hugh Hefner used to go to the Chippendales’ club a lot. Most of us are familiar with her story, either from news articles at the time of her death, or from watching the movie “Star 80.” I’m looking forward to seeing the rest of the documentary and what crimes are linked to the dance club.

Another reporter asked what the movies like “Magic Mike” get wrong in their portrayals of male exotic dancers, so the dancers and producers replied that they don’t really touch on all the hard work they put into dancing, or the excitement of being there as well as crediting Chippendales for starting it all. Gilbert applauded the late Banerjee for his successful marketing in mainstream areas, such as selling Chippendales calendars in places like Target. Former dancer Rapp thinks that what made Chippendales special was how the men catered to the women and made them feel special, even before the dancing started.

Gilbert also praised Banerjee for taking a little dump of a club “in the fringe area of Los Angeles” and making it into a fancy place with men who were dressed up (similar to Playboy bunnies) to make it more classy and make the women feel safe. Mayeron expanded on that to say that “Chippendales was the place where women came to be admired by attractive men, not to admire them.”

MORE INFO:

Premiere Date: September 24, 2021

Curse of the Chippendales tells the story of how the famous dance troupe took the LA nightclub scene by storm and ended with international fame, untold wealth, bizarre murder plots and multiple deaths trapped in their legacy. Their brand became a multi-million-dollar global venture, successful beyond their wildest dreams. But of three unlikely dreamers who were there at the beginning, only one would make it out alive. Driven by extensive video and photo archive, including never-before-seen footage and a nostalgia-filled soundtrack, viewers will be directly transported back to the ‘80s, into one of the most unexpected true crime stories of the decade. And all fueled by one thing: greed.

discovery+ Announces September Programming Slate

August 18, 2021

Highlights Include Curse of the Chippendales, a Street Outlaws Spin-Off and a New Home Series Reno My Rental

New York, NY – August 18, 2021 – discovery+, the definitive non-fiction, real life subscription streaming service from Discovery, Inc., today announced new and original programming that will be available in September. discovery+ will premiere new titles across categories, including the highly-anticipated Curse of the Chippendales, which tells the untold story of the famous international dance troupe. Street Outlaws fans will experience a whole new take on racing with Street Outlaws: Gone Girl highlighting the most competitive female drivers in the country as they come together in Las Vegas. On Reno My Rental, Carmeon Hamilton, winner of HGTV’s Design Star: Next Gen, helps renters make their places feel like home by transforming and personalizing their spaces. Additionally, discovery+ will commemorate the 20th anniversary of 9/11 with titles including No Responders Left Behind with Jon Stewart and Rebuilding Hope: The Children of 9/11. 

discovery+ features a partnership with Verizon that gives their customers with select plans up to 12 months of discovery+ on Verizon. discovery+ is also available on platforms and devices from Amazon, Apple, Google, Microsoft, Roku and Samsung.

About discovery+

discovery+ is the definitive non-fiction, real life subscription streaming service. discovery+ features a landmark partnership with Verizon that gives their customers with select plans up to 12 months of discovery+ on Verizon. discovery+ has the largest-ever content offering of any new streaming service at launch, featuring a wide range of exclusive, original series across popular, passion verticals in which Discovery brands have a strong leadership position, including lifestyle and relationships; home and food; true crime; paranormal; adventure and natural history; as well as science, tech and the environment, and a slate of high-quality documentaries. For more, visit discoveryplus.com or find it on a variety of platforms and devices, including ones from Amazon, Apple, Google, Microsoft, Roku and Samsung.

About Discovery

Discovery, Inc. (Nasdaq: DISCA, DISCB, DISCK) is a global leader in real life entertainment, serving a passionate audience of superfans around the world with content that inspires, informs and entertains. Discovery delivers over 8,000 hours of original programming each year and has category leadership across deeply loved content genres around the world. Available in 220 countries and territories and nearly 50 languages, Discovery is a platform innovator, reaching viewers on all screens, including TV Everywhere products such as the GO portfolio of apps; direct-to-consumer streaming services such as discovery+, Food Network Kitchen and MotorTrend OnDemand; digital-first and social content from Group Nine Media; a landmark natural history and factual content partnership with the BBC; and a strategic alliance with PGA TOUR to create the international home of golf. Discovery’s portfolio of premium brands includes Discovery Channel, HGTV, Food Network, TLC, Investigation Discovery, Travel Channel, MotorTrend, Animal Planet, Science Channel, and the forthcoming multi-platform JV with Chip and Joanna Gaines, Magnolia Network, as well as OWN: Oprah Winfrey Network in the U.S., Discovery Kids in Latin America, and Eurosport, the leading provider of locally relevant, premium sports and Home of the Olympic Games across Europe. For more information, please visit corporate.discovery.com and follow @DiscoveryIncTV across social platforms.

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Chippendales dancers back in the 80s

“Star Trek: Prodigy” TCA Panel

TV Interview!

 

"Star Trek: Prodigy" main cast members with their animated counterparts. Photo from Paramount+.

TCA Interview for “Star Trek: Prodigy” on Paramount+ and Nickelodeon by Suzanne 8/31/21

I attended this panel for the TV Critics Association, but unfortunately, I did not get to ask a question. As a fan of “Star Trek,” I enjoyed watching the panel. However, they didn’t send me a transcript (as they usually do). Since they didn’t tell me ahead of time that I wouldn’t get a transcript, I didn’t record it, or even take notes, so I couldn’t write up my own article about it. I found bits and pieces online about the panel, written by some other journalists.

The panel was basically about introducing the show and its characters. They showed the opening sequence and talked a lot about the music for the show.  Katherine Janeway is a main character (voiced by Kate Mulgrew). Mulgrew is happy to be included in this new series. The show is aimed at kids, which is a first for the Star Trek franchise. It will be airing on Nickelodeon as well as Paramount+.

Jimmi Simpson (“Westworld”) voices an evil robot. John Noble (“Lord of the Rings”) voices another villain, named The Diviner. This is the first Star Trek series with no humans on the starship. Indeed, they’re all inexperienced because they take the ship to escape a hard life and journey out into the galaxy in it, learning as they go. It looks like a great show, whether it’s aimed at kids or not. They’re clearly putting a lot into this.

 

Tue, Aug 31, 2021, 2:41 PM 11:40 AM

ATTENDEES

Kate Mulgrew – “Hologram Janeway”

Brett Gray – “Dal“

Ella Purnell – “Gwyn”

John Noble – “The Diviner”

Jimmi Simpson – “Drednok”

Kevin Hageman – Executive Producer

Dan Hageman – Executive Producer

Ben Hibon – Director/Co-Executive Producer

Alex Kurtzman – Executive Producer

Heather Kadin – Executive Producer

Ramsey Naito – President, Nickelodeon Animation

Paramount+ Press Release- Main Title Sequence Unveiled

Tweets from Star Trek on Paramount+

Deadline – Kate Mulgrew Talks Revisiting Janeway

TrekMovie – First Look at Villains

Syfy Wire

Superhero Hype

Nickalive

Collider

They also discussed the return of “The Game,” and two other new shows, “Harper House” and “The Mayor of Kingstown.”

List of shows from Paramount+ virtual TCA August 31, 2021 (photo from Instagram)

 

Key art for "Star Trek: Prodigy" season 1 from Paramount press site.MORE INFO: Official Site  Trailer  Watch on Netflix

Star Trek: Prodigy is the first Star Trek series aimed at younger audiences and follows a motley crew of young aliens who must figure out how to work together while navigating a greater galaxy, in search of a better future. These six young outcasts know nothing about the ship they have commandeered – a first in the history of the Star Trek franchise – but over the course of their adventures together, they will each be introduced to Starfleet and the ideals it represents.

Episode 101/102 – “Lost & Found” (Available to stream Thursday, October 28th)
Part 1 and Part 2. Exiled on a mining colony outside Federation space, a group of lawless teens discover a derelict Starfleet ship. Dal must gather an unlikely crew for their newfound ship if they are going to escape Tars Lamora, but The Diviner and his daughter Gwyn have other plans.
Written By: Kevin & Dan Hageman Directed By: Ben Hibon

Episode 103 – “Starstruck” (Available to stream Thursday, November 4th)
Even with the guidance of their hologram advisor Janeway, the crew of the U.S.S. Protostar is tested when their ship is on a dangerous cosmic collision course.
Written By: Chad Quandt Directed By: Alan Wan

Episode 104 – “Dreamcatcher” (Available to stream Thursday, November 11th)
The crew has their first away mission on an undiscovered planet that manifests their deepest desires, only to realize the planet has desires of its own.
Written By: Lisa Schultz Boyd Directed By: Steve Ahn, Sung Shin

Episode 105 – “Terror Firma” (Available to stream Thursday, November 18th)
Marooned on a deadly planet, the crew must work together with their captive Gwyn to stay alive…except the planet isn’t the only thing in pursuit.
Written By: Julie Benson, Shawna Benson Directed By: Olga Ulanova

Episode 106 – “Kobayashi” (Available to stream Thursday, January 6th)
As Gwyn struggles to find her role aboard the U.S.S. Protostar, Dal tests his leadership skills in the newly discovered holodeck.
Written By: Aaron J. Waltke Directed By: Alan Wan

Episode 107 – “First Con-tact” (Available to stream Thursday, January 13th)
When a mentor from Dal’s past persuades him to use their Federation cover for personal gain, they quickly discover Starfleet has protocols for a reason.
Written By: Diandra Pendleton-Thompson Directed By: Steve Ahn, Sung Shin

Episode 108 – “Time Amok” (Available to stream Thursday, January 20th)
When the U.S.S. Protostar is fractured in time by an anomaly, Hologram Janeway must synchronize the disjointed crew and save their ship before it destructs.
Written By: Nikhil S. Jayaram Directed By: Olga Ulanova, Sung Shin

Episode 109 – “A Moral Star, Part 1” (Available to stream Thursday, January 27th)
The crew forgo their dreams of Starfleet to return to Tars Lamora in a no-win scenario.
Written By: S1 Writers Room (Kevin & Dan Hageman, Julie Benson, Shawna Benson, Lisa Schultz Boyd, Nikhil S. Jayaram, Diandra Pendleton-Thompson, Chad Quandt, Aaron J. Waltke) Directed By: Ben Hibon

Episode 110 – “A Moral Star, Part 2” (Available to stream Thursday, February 3rd)
When the plan goes awry, the crew must improvise. Meanwhile, Gwyn discovers a dark truth that will forever jeopardize their quest toward salvation.
Written By: S1 Writers Room (Kevin & Dan Hageman, Julie Benson, Shawna Benson, Lisa Schultz Boyd, Nikhil S. Jayaram, Diandra Pendleton-Thompson, Chad Quandt, Aaron J. Waltke) Directed By: Ben Hibon

 

Episode 111 – “Asylum” (Available to stream Thursday, October 27th)
At the edge of Federation space, the crew applies for asylum at a comm relay outpost, only for their starship to reveal its shocking true purpose.
Written By: Kevin & Dan Hageman Directed By: Steve In Chang Ahn & Sung Shin

Episode 112 – “Let Sleeping Borg Lie” (Available to stream Thursday, November 3rd)
When the crew encounters a dormant Borg Cube, Zero risks everything to save their ship.
Written By: Diandra Pendleton-Thompson Directed By: Olga Ulanova & Sung Shin

Episode 113 – “All the World’s a Stage” (Available to stream Thursday, November 10th)
The crew answers a distress call to find a colony trapped in Starfleet’s past.
Written By: Aaron J. Waltke Directed By: Andrew L. Schmidt

Episode 114 – “Crossroads” (Available to stream Thursday, November 17th)
When the crew attempts to secure transport to the Federation, they unwittingly cross paths with the Vice Admiral who is hunting them.
Written By: Lisa Schultz Boyd Directed By: Steve In Chang Ahn & Sung Shin

Episode 115 – “Masquerade” (Available to stream Thursday, November 24th)
Trapped in the Neutral Zone, the crew encounters a rogue geneticist who sheds light on Dal’s past.
Written By: Nikhil S. Jayaram Directed By: Sung Shin

Episode 116 – “Preludes” (Available to stream Thursday, December 1)
A Starfleet Admiral digs into the past of the Protostar crew. Meanwhile, the Diviner recalls his life’s mission.
Written By: S1 Writers Room (Kevin & Dan Hageman, Julie Benson, Shawna Benson, Lisa Schultz Boyd, Nikhil S. Jayaram, Diandra Pendleton-Thompson, Chad Quandt, Aaron J. Waltke) Directed By: Steve In Chang Ahn & Sung Shin

Episode 117 – “Ghost in the Machine” (Available to stream Thursday, December 8)
When the crew gets trapped in the holodeck by a mysterious malfunction, they aren’t sure what’s programmed or what’s real.
Written By: Chad Quandt Directed By: Andrew L. Schmidt

Episode 118 – “Mindwalk” (Available to stream Thursday, December 15)
Desperate to warn Starfleet of their dilemma, a daring experiment goes awry as Dal inadvertently swaps minds with a Starfleet Vice Admiral.
Written By: Julie Benson, Shawna Benson Directed By: Sung Shin

Episode 119 – “Supernova, Part 1” (Available to stream Thursday, December 22)
Surrounded by the Federation armada, the crew attempts to stop their ship from destroying all of Starfleet.
Written By: Erin McNamara
Directed By: Andrew L. Schmidt

Episode 120 – “Supernova, Part 2” (Available to stream Thursday, December 29)
As the Federation hangs in the balance, the crew must make the ultimate sacrifice to save Starfleet’s future.
Written By: Kevin & Dan Hageman Directed By: Ben Hibon

 

Developed by Emmy® Award winners Kevin and Dan Hageman (Trollhunters and Ninjago), the CG-animated series Star Trek: Prodigy is the first Star Trek series aimed at younger audiences, and follows a motley crew of young aliens who must figure out how to work together while navigating a greater galaxy, in search of a better future. These six young outcasts know nothing about the ship they have commandeered – a first in the history of the Star Trek franchise – but over the course of their adventures together, they will each be introduced to Starfleet and the ideals it represents."Star Trek: Prodigy" cast on Paramount+ (photo from YouTube)

Star Trek: Prodigy is from CBS’ Eye Animation Productions, CBS Studios’ animation arm; Nickelodeon Animation, led by president of animation Ramsey Naito; Secret Hideout; and Roddenberry Entertainment. Alex Kurtzman, Heather Kadin, Aaron Baiers, Katie Krentz, Rod Roddenberry and Trevor Roth serve as executive producers, alongside co-showrunners Kevin and Dan Hageman. Ben Hibon directs, executive produces and serves as the creative lead of the animated series. Aaron Waltke and Patrick Krebs also currently serve as co-executive producers.

The Star Trek: Prodigy voice cast includes Kate Mulgrew (Hologram Kathryn Janeway), Brett Gray (Dal), Ella Purnell (Gwyn), Rylee Alazraqui (Rok-Tahk), Angus Imrie (Zero), Jason Mantzoukas (Jankom Pog), Dee Bradley Baker (Murf), John Noble (The Diviner) and Jimmi Simpson (Drednok).

Star Trek: Prodigy will stream on Netflix globally (excluding Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus and Mainland China) and Season 1 is currently available on SkyShowtime in the Nordics, the Netherlands, Spain, Portugal and Central and Eastern Europe with Season 2 coming soon. Season two has launched in France on France Televisions channels and Okoo.

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DVD Review of “SEAL Team: Season Four”

TV DVD Review!

SEAL Team: Season Four DVD cover

“SEAL Team: Season Four” Review by Suzanne 9/1/21

This is the kind of standard action show with interesting personalities and lots of explosions, chases, gunfights and all those things some viewers enjoy. The characters travel to all of these different countries and deal with terrorists, but the show focuses a lot on the characters, their problems, their families and their evolution in the show. Leader Jason (David Boreanaz) has been leading these teams a long time and it’s wearing on him. He still has to lead the others as they go through their own troubles. It’s essentially a male soap opera with lots of action. If you like shows like “NCIS: Los Angeles,” you should love this one as well.

It has a very devoted fan based and ranks high on Rotten Tomatoes. However, the broadcast TV ratings declined quite a bit in the last season, so now they’ve moved it to Paramount+.

The DVD set should be a great present for anyone who likes action, adventure and good characters. It has all of the usual extras: audio commentary, deleted scenes and three different features: “Brothers in Arms,” “Meeting of the Minds,” and “If You Build It.”

MORE INFORMATION:

Buy the DVD!

SEAL Team: Season Three

Street Date: August 25, 2020

Format: DVD

Description: SEAL Team is a military drama that follows the professional and personal lives of the most elite unit of Navy SEALs as they train, plan, and execute the most dangerous, high-stakes missions our country can ask of them. Jason Hayes is the respected, intense leader of the Tier One team whose home life has suffered as a result of his extensive warrior’s existence. His team includes his trusted confidant, Ray Perry, the longest-tenured operator with whom Jason shares an ingrained shorthand; Sonny Quinn, an exceptional, loyal soldier with a checkered past who still combats self-destructive tendencies; and Clay Spenser, a young, multilingual, second-generation SEAL with insatiable drive and dedication. Vital to the team‘s success are troop commander Lt. Cdr. Eric Blackburn, who serves as a leader and confidant both on and off the battlefield; CIA analyst Mandy Ellis, who has sacrificed everything in her drive to root out evil and take down terrorists; and Ensign Lisa Davis, a no-nonsense, take-charge officer. Deployed on clandestine missions worldwide at a moment’s notice, and knowing the toll it takes on them and their families, this tight-knit SEAL team displays unwavering patriotism and fearless dedication even in the face of overwhelming odds.

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

cast of SEAL Team on CBS

Interview with Jeff Daniels and Maura Tierney

TV Interview!

 

"American Rust" cast

Interview with Jeff Daniels, Maura Tierney, Bill Camp, David Alvarez, Alex Neustaedter, Julia Mayorga, Mark Pellegrino, Rob Yang (he/him) and showrunner/EP Dan Futterman of “American Rust” on Showtime by Suzanne 8/24/21

This is such a talented cast. We usually only get one question, at most, for these TV Critics Association press panels, so I was very torn about whom to ask a question. Thankfully, I was able to ask questions of Jeff Daniels and Maura Tierney, and then later, David Alvarez, so I was ecstatic. I asked Jeff about the motivations behind what his character, Del, does, in the first episode, to cover up for Grace’s son, who appears to have murdered someone.  Then I asked Maura a rather lame question about being in a triangle between him and Mark Pellegrino’s character (Virgil). She gave it a much better answer than it deserved. Then I asked David about his character, who is a little away from what the others are doing, since his character, Isaac, wanders around town a bit. However, he’s quite important to the story. He did the best he could, not wanting to share spoilers.

I hope you can watch this show, which is based on a best-selling novel…it has really good writing and acting. It’s a little dark and slow, so I hope that doesn’t disappoint anyone.

The TCA doesn’t allow us to take photos, recordings, etc. but here’s my article:

: “American Rust” Premieres on SHOWTIME: A Complicated Family Drama and Murder Mystery

On Sunday, September 12th, SHOWTIME is set to premiere its latest compelling drama series, “American Rust.” This intricately woven tale of family, crime, and the American Dream boasts a stellar ensemble cast and promises to captivate viewers from the very first episode.

“American Rust” is a gripping narrative anchored by the exceptional performances of Jeff Daniels, Maura Tierney, Bill Camp, David Alvarez, Alex Neustaedter, Julia Mayorga, Mark Pellegrino, and Rob Yang. Showrunner and executive producer Dan Futterman has masterfully adapted Philipp Meyer’s novel into a riveting television experience.

As the premiere date draws near, the cast and creative team gathered for a panel discussion to offer insights into the series and the unique challenges they faced during production.

A Year of Reflection and Adaptation

During the panel discussion, Dan Futterman shed light on how the COVID-19 pandemic affected the production of “American Rust.” He shared that after a table read, the production had to be shut down temporarily. The yearlong delay provided a unique opportunity to refine the scripts, making them more efficient and practical for shooting under pandemic-related restrictions.

“We did lots of cutting of extraneous scenes,” Futterman explained. “You end up doing more of that in the editing room. But it was helpful to be able to do that up front.”

While the core story remained intact, the pandemic-induced hiatus allowed the team to streamline the narrative, ensuring it would be feasible to shoot given the constraints imposed by the ongoing health crisis.

Jeff Daniels: The Complexity of Del Harris

Jeff Daniels, who plays the central character, Del Harris, discussed the complexities of his role. Del is a character grappling with contradictions, a man of honor who struggles with addiction and often takes on the roles of cop, judge, and jury when under the influence of narcotics.

Daniels emphasized the character’s duality, saying, “A lot of what we’re going for in this is real people, their good and their bad, their strong and their weak. Just like people in real life.”

He also pointed out that Del’s commitment to the rule of law and his desire to do the right thing in a world where that is often challenged by circumstances sets him apart from other characters.

Comparing Del to Atticus Finch

When asked if Del could be compared to Atticus Finch, another iconic character he portrayed in “To Kill a Mockingbird,” Daniels drew a parallel between the two but highlighted a crucial difference.

“Only in — much like Jim Comey, the three of them believed in the rule of law, believed in right and wrong, telling the truth. That’s where Del kind of veers off. He kind of fudges that. So that’s kind of where it ends,” Daniels noted.

He went on to emphasize that, despite the challenges Del faces, his commitment to doing the right thing remains a central aspect of his character.

The Challenge of Doing the Right Thing

Continuing the discussion on doing the right thing, Daniels remarked, “I guess you’ve got to fight for that nowadays. I guess you might not — maybe right doesn’t matter anymore. Maybe truth doesn’t matter. Maybe facts don’t matter. All the things that we’ve been living with for the last four or five years.”

Del’s unwavering commitment to the law and decency in a world where these values are often questioned or compromised is a defining characteristic that sets him apart as a character.

Navigating the Perils of Young Adulthood

David Alvarez, Alex Neustaedter, and Julia Mayorga, who play younger characters in “American Rust,” discussed the challenges their characters face as young adults. They emphasized that the series reflects the idea that young people’s lives can quickly take unexpected turns, highlighting the precariousness of youth and the potential long-term consequences of their actions.

Alvarez noted, “Each decision we make throughout the season is really important. It will impact the rest of our story and our journey and who we become as people.”

Mayorga added, “It follows you, and you can’t get rid of it. Maybe the truth comes out. It’s just difficult. I think you have to be mindful, even this young, of what we do.”

The younger cast members explored the theme of mistakes and their enduring impact, emphasizing that in today’s world, actions have consequences, and being mindful of one’s choices is crucial.

Jeff Daniels: Transitioning to Television

Jeff Daniels, known for his illustrious career in theater and film, addressed his transition to television over the past decade. He attributed this shift to the evolution of television and the opportunities it now offers actors.

“The honest answer is Jim Gandolfini made it happen,” Daniels said. He explained how cable networks like SHOWTIME, HBO, and streaming platforms have transformed the landscape of television, providing actors with diverse and challenging roles.

He also emphasized that television has allowed actors to delve deeper into their characters over the course of a series, an opportunity not always available in film.

A Riveting and Timely Drama

“American Rust” is a multifaceted drama that delves into the complexities of family, justice, and the American Dream. With its talented cast, compelling storytelling, and timely themes, the series promises to be a standout addition to SHOWTIME’s lineup.

As viewers prepare to embark on this journey through the rust belt of America, they can expect a gripping narrative that raises profound questions about morality, responsibility, and the pursuit of justice in a world where the lines between right and wrong are often blurred.

“American Rust” premieres on SHOWTIME on Sunday, September 12th, and is set to be a must-watch series for fans of compelling drama and thought-provoking storytelling.

MORE INFO: Teaser

"AmKey Art for AMERICAN RUST. Photo credit: Matthias Clamer/SHOWTIME.erican

ABOUT THE SHOW

Starring Emmy winner and Tony nominee Jeff Daniels (THE COMEY RULE, The Newsroom, Godless, The Looming Tower) and Emmy nominee Maura Tierney (YOUR HONOR, THE AFFAIR, The Report, Beautiful Boy), on Sunday, September 12 at 10 p.m. ET/PT. The season will consist of nine episodes. Daniels also executive produces the series, reteaming with Oscar nominee Dan Futterman (The Looming Tower, Capote, Foxcatcher), who serves as executive producer, writer and showrunner. The series, currently in production in Pittsburgh, is co-produced with Boat Rocker Studios.

AMERICAN RUST also stars Bill Camp (The Queen’s Gambit), David Alvarez (West Side Story), Alex Neustaedter (Colony), Julia Mayorga (It Is Decidedly So), Mark Pellegrino (Supernatural) and Rob Yang (The Resident). The series is executive produced by Futterman, Daniels, Michael De Luca (Escape From Dannemora), Adam Rapp (The Looming Tower), Paul Martino (Inside Game), Katie O’Connell Marsh (Narcos, Hannibal) for Boat Rocker Studios, and Elisa Ellis.

Based on Philipp Meyer’s celebrated debut novel, AMERICAN RUST is a compelling family drama and a timeless story of wanting a brighter future while being held prisoner by the past. The story of survival and transcendence is told through the eyes of complicated and compromised chief of police Del Harris (Daniels) of a Pennsylvania Rust Belt town full of good people making bad choices. When news of a murder rips through the town, Harris must decide what lengths he is willing to take to protect the son of the woman he loves (Tierney).

Proofread and Edited by Brenda

 

Jeff Daniels and Maura Tierney in "American Rust" on Showtime

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DVD Review of “NCIS: New Orleans: The Complete Series”

TV Review!

NCIS: New Orleans: The Complete Series DVD

“NCIS: New Orleans: The Complete Series” Review by Suzanne 8/25/21

It’s a shame that this show only had 7 seasons. I don’t know why the NCIS audiences never really warmed to it. Perhaps it’s just that three NCIS shows at once is too much. Then again, they did start NCIS: Hawaii this year. I don’t know why they put the various NCIS shows on different nights, rather than making one programming block night the way they do with FBI, and the way NBC does with the Chicago One shows. I think part of the reason they canceled the show is that they’re trying to make their shows more diverse, and it doesn’t look so good to have the three NCIS shows, all headed by old white guys. The sinking ratings certainly didn’t help.

Whatever the reason, it ended, and it makes me sad. I do love Scott Bakula in every show he does (even though we’re both getting older, and he’s not as cute as he used to be). It’s sad that they had to shoot their last season during the pandemic and only had 16 episodes. I loved the rest of the cast, too. Three of them I knew from other shows, so they really probably a lot of experience to their characters. The writing for the show was always top-notch, and the city of New Orleans was like another character on the show. The whole show had a different tone because of being set in New Orleans. It’s a shame they lost one of their major characters, Chris (Lucas Black), but at least the series did have a happy ending this year.

I’m so grateful to have this complete set of the series, so I can rewatch it all at once (or binge as the kids say). It’s great to see all of the various actors that came and went during the season. I hope that we see Scott Bakula again in something else good really soon.

There are a ton of special features, but most of them are the same ones we saw in the previous seasonal sets (aside from some new audio commentary). The set is really for people who don’t have all the other DVDs. I don’t think they’ll be coming out with a Blu-ray version, so you might as well buy this one. It would make a great gift, too.

Read Our Review of NCIS: New Orleans: The Final Season

MORE INFORMATION:

Buy this DVD!

NCIS: NEW ORLEANS: THE FINAL SEASON & THE COMPLETE SERIES
Street Date: August 31, 2021
Format: DVD
Description: NCIS: NEW ORLEANS is a drama about the local field office that investigates criminal cases involving military personnel in The Big Easy, a city known for its music, entertainment and decadence. Leading the team is Special Agent Dwayne Pride, a.k.a. “King,” a native of New Orleans who is driven by his need to do what is right. Working with Pride is tough and acerbic Special Agent Tammy Gregorio, a former FBI Agent who was sent to New Orleans to investigate NCIS and upon completion joined Pride’s team, Forensic Agent Sebastian Lund, a brilliant scientist who left the lab and, after much training, became an agent, Special Agent Hannah Khoury, a seasoned agent who specializes in international counter-intelligence and has spent most of her career on overseas assignments; and Quentin Carter, a former Marine with a wry sense of humor and an independent streak, who makes it a point never to stay in one place long enough to get too comfortable. Supporting them is coroner Dr. Loretta Wade, who is as eccentric as she is smart, and Investigative Computer Specialist Patton Plame, an animated and talented hacker. Helping Pride is Rita Devereaux, who after a successful career as an attorney with the Department of Justice, returns to her hometown of New Orleans to pursue a relationship with him. This colorful city that harbors a dark side is a magnet for service personnel on leave, and when overindulgence is followed by trouble, Pride’s team is at its best.

Proofread and Edited by Brenda

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

cast of NCIS: New Orleans

DVD Review of “NCIS: New Orleans: The Final Season”

TV Review!

NCIS: New Orleans: The Final Season

“NCIS: New Orleans: The Final Season” Review by Suzanne 8/25/21

It’s a shame that this show only had 7 seasons. I’m really going to miss it. I think that they tried so hard to emulate the feel of New Orleans that they made it too different from the other two NCIS series. It didn’t the fast-pace and high-energy that the others had. It was more laid back.

Whatever the reason, this was the last season, and it makes me sad. It’s really a shame that they had to shoot their last season during the pandemic and only had 16 episodes. I love star Scott Bakula (Pride) and the rest of the cast, too.  It’s a shame they lost one of their major characters, Chris (Lucas Black), last year – but at least the series did have a happy ending this year.

Like most of the shows on TV today, each of the characters have their own issues to work through, so they spent this season working on those. I hope that we get to see some of these actors show up occasionally on the other NCIS series.  The DVD set is a good one, with three special features: “Season 7: Pride and Joy,” “The Best of Times” and “The Perfect Pair.” I’m looking forward to watching the complete series set, which should have more special features. This DVD should make a great gift for anyone.

Read Our Review of “NCIS: New Orleans: The Complete Series

MORE INFORMATION:

Buy this DVD!

NCIS: NEW ORLEANS: THE FINAL SEASON & THE COMPLETE SERIES
Street Date: August 31, 2021
Format: DVD
Description: NCIS: NEW ORLEANS is a drama about the local field office that investigates criminal cases involving military personnel in The Big Easy, a city known for its music, entertainment and decadence. Leading the team is Special Agent Dwayne Pride, a.k.a. “King,” a native of New Orleans who is driven by his need to do what is right. Working with Pride is tough and acerbic Special Agent Tammy Gregorio, a former FBI Agent who was sent to New Orleans to investigate NCIS and upon completion joined Pride’s team, Forensic Agent Sebastian Lund, a brilliant scientist who left the lab and, after much training, became an agent, Special Agent Hannah Khoury, a seasoned agent who specializes in international counter-intelligence and has spent most of her career on overseas assignments; and Quentin Carter, a former Marine with a wry sense of humor and an independent streak, who makes it a point never to stay in one place long enough to get too comfortable. Supporting them is coroner Dr. Loretta Wade, who is as eccentric as she is smart, and Investigative Computer Specialist Patton Plame, an animated and talented hacker. Helping Pride is Rita Devereaux, who after a successful career as an attorney with the Department of Justice, returns to her hometown of New Orleans to pursue a relationship with him. This colorful city that harbors a dark side is a magnet for service personnel on leave, and when overindulgence is followed by trouble, Pride’s team is at its best.

Proofread and Edited by Brenda

Back to the Main Reviews Page

The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

cast of NCIS: New Orleans

Interview with Carrie Genzel

TV Interview!

 

Actress Carrie Genzel (from her Instagram)

Interview with Carrie Genzel of “The Walking Dead” on AMC by Suzanne 8/10/21

It was very nice to speak with Carrie! We had a great chat. I was so pleased to see her on the first two episodes of “The Walking Dead.” Don’t forget to watch it Sunday on AMC or AMC+. She plays Clark, an interrogator with the Commonwealth.

We gabbed a lot about non-TV-related topics, so make sure you watch the audio below… the transcript skipped the first ten minutes of chatting.

Suzanne:   So, tell us about your how your audition came about for The Walking Dead season eleven.

Carrie:   Oh, my God. First off, I am so excited to be able to talk about this. I’ve been like holding this in since February, because, you know, you sign a very hefty NDA. Even to audition for The Walking Dead, I had to sign an NDA, as did the person who was reading with me off camera. So, they keep things pretty secretive, as as you know, with The Walking Dead.

It just came about like any other audition. The Walking Dead is a show that, first off, when you’re an actor, and you live in Atlanta, that’s like one of those ones you want to check off and be like, “That’s the show I want to do when I’m here.” And I’ve been a fan of the show since the first season. So, it’s a world that I know; it’s characters that I know. So, anytime I get an audition for something that I’m familiar with, and that I’m a fan of, it’s special. Having said that, you want to just do your best work and then let it go, because you don’t want to put too much expectation into it. And that’s exactly what happened.

I got the material. They kind of piece together stuff that was actually from the scripts, which sometimes is done and not done. Sometimes they make up fake sides or use material from other episodes or what have you, but this was actually real material from that first episode. And, you know, it was just an audition. I just really tried not to put a lot of pressure on myself, because I was like, “I want to do this so bad.” I had auditioned for the show previously and didn’t get it, and I had also auditioned for one of the spin-offs. So, you know, there’ve been times I’ve been disappointed before. So, I just went in with an open mind and did did my best work and then forgot about it.

And I actually really did forget about it, because I booked a recurring role on Sistas for Tyler Perry. And again, this is back in winter when they were still quarantining and so forth. So, with Tyler Perry’s productions, we actually had to live at Tyler Perry Studios and live in a bubble the whole time we were there. So, I was all, “Okay, I’m going to be away from [everything].” I’m like on location, in my hometown, you know, my home city, this is weird. And what’s really funny is I had some time. You know, you’re in lockdown, essentially, and I was like, wandering around the studio lot.

And I walked around, and I’m looking at this area, and I’m like, “Why does this looks so familiar to me?” I’m standing there. And I’m like, “Oh, my gosh, this is the Kingdom. This is where they shot the Kingdom. I recognize that theater with the round balcony, and I’m standing there, and it was very funny to me. I was like, “Oh, this is where they shot that; that’s really cool.”

And it was a day or so after that, that I got a call from my agent saying, “They want you for this role.” And she’s like, “But there’s a little bit of a problem.” And I’m like, “What? No, no problems.”

Now, because of COVID protocols, it’s not as simple as “are you available for these shoot dates?” anymore. Now you have to be available for testing for all kinds of different things, even before going to a wardrobe fitting.

And because I was in this bubble, I was at Tyler Perry Studios, and I could not leave. There was some crossover in terms of dates where they needed me, and so my agent knew how much I love The Walking Dead and what a great opportunity this was. And so, oh my gosh, between her and the casting director, Tyler Perry’s casting director, and the casting director for The Walking Dead in Atlanta, God bless them all, because they all like moved mountains for me to be able to be available when I needed to be available. And I have so much love for Mr. Perry, because he actually moved up my scenes earlier in the week so that I could leave earlier and be available to The Walking Dead so I could do my COVID testing. So, I’m so grateful to him for doing that. Teamwork.

Suzanne:   Yeah, that’s great that they can do that.

Carrie:   And I have to say, working on The Walking Dead during a global pandemic is very surreal. I’m sure you’ve heard this before, but driving up to the studio for the first time, and just seeing not prop signs, but real signs that are saying, you know, COVID, masks, protocols, test site. There’s a trailer, you know, all kinds of things that normally would just be leftover props from the show, but were actual real signs and was very weird.

Suzanne:   Yeah I can imagine.

Carrie:   It was very, very weird.

Suzanne:   When the whole COVID thing started, it reminded us of The Stand, because we were in Las Vegas when they filmed the first Stand, and they were filming right downtown where we were staying, and they put all these side fake signs up. So, I know exactly what you’re talking about now.

Carrie:   It feels really bizarre. And, you know, I did a movie for Crackle, called Dead Rising Watch Tower, which was about a zombie outbreak, so, I’ve been down that road. And I was like, “This is so weird.”

It’s no joke, we had to wear – and they may still be doing this, I don’t know – we had to wear tracers. So, if someone did come back with a positive test, they could go back and see who you were in contact with, which was also very weird. So, we’d always have, and they’d always ask when you get to set, “Do you have your tracer?” “Yes, I do.” And we had our masks and goggles, and we had our z shields, and there was a lot of equipment. They kept us really safe, but it is very, very odd, because you’d be working on this type of material during COVID, and I’m sure all of the actors have said that.

Suzanne:   Yeah, I’m sure. So, how many episodes are you in?

Carrie:   I’m in the first two.

Suzanne:   There’s two. Okay, I didn’t know if you were going to come back later for another episode.

Carrie:   I don’t know. I hope so. I feel like there’re so many other fun things that she could be doing. She’s still around; she’s in the community. So, I’m hoping she pops up again, because I’d love to be able to go back. It really was such a great experience for me.

Like I said, having been a fan of the show, it was really cool to be able to step into those sets and interact with characters that I’ve watched for years. They have such an incredible cast on The Walking Dead. I mean, every one of them, at some point, has made me cry. Every single one of them, at some point, has made me angry.

You know, the thing that really grabbed me about The Walking Dead when I first started watching it was the characters, and I was drawn into the characters and what they were going through, and the whole apocalypse and zombie stuff was just kind of a another part of the show, but it for me it was really about that. And, as an actor, it was watching these incredible performances that would just gut you sometimes. [laughs] That seems like an appropriate way to describe that. But it’s really just heartbreaking. There’re so many moments I think for for anyone that’s a fan of this show that you remember, and just like, wow, and there’ve so been so many surprises along the way, too. Like, really, nobody’s safe on The Walking Dead. So, it was just such an incredible treat to sit down in front of the actors that I worked with, and, in my case, really kind of put them through the works.

Suzanne:   Yeah, it’s it’s very well written. I could see why it has so many fans,  because it is, as you say, great characters, and they just write it so well, and there’s always something happening, and at the end, there’s always a shocking thing. It just makes you want to watch the next episode.

Carrie:   And there’s a lot of humor, too, which I always enjoy, because you got to have that humor to kind of release the pressure. That’s what I loved about what I got to do in the two episodes is that what we shot was really intense, but there’re some humorous moments there too.

Also, what I thought was really cool, as a fan, is I got to learn a lot about those characters. Like there are things that I didn’t know and that fans don’t know. So, it was interesting for me that way, where I’m like, “Oh, I didn’t know that.”

Suzanne:   Yeah, they do a lot of revealing in those episodes of the characters that are there with you and what their backstories are. I like that.

Carrie:   Absolutely. Yeah, you find out a lot about them, which I thought was really fun.

But it felt intimidating in the space. It’s a very, as you’ve seen, a very dark set. It was an old empty warehouse, so it was very damp and cold. It was freezing. We shot that in February, and there was actually like a cold snap that gripped through this area, so much so that the first day that I was shooting, they actually delayed our start time, because they were concerned about ice on the road. So, they waited until later in the day when it heated up a little there. And no matter what heat they would put in there, you would feel it, because it would all go to the ceiling. All of us actors that shot on that set will talk about how cold it was. I mean, they do what they can. I have silks on under my costume. I had the little hot shot warmers, and I had them I had them on my back. I was sitting on them. At one point I was giving them out to the other actors. I was like, “I have six of these. Does anyone want one?”

Suzanne:   And you were wearing quite a bit of costume too. It’s not like you were wearing something skimpy, so it must have been cold.

Carrie:   I was just wearing like a blouse and a suit, and there wasn’t really a lot of warmth to it. And for the other characters, when they’re captured, they were stripped of kind of a lot of things. So, they’re kind of in their sort of bare bones kind of costumes as well without all this stuff. So everybody, our teeth were chattering quite a bit. And, I don’t know if you see this in the scene; I haven’t seen it yet, but we could certainly see each other’s breath as we were talking in the room, which I thought, “Well, you know, that works too,” because it looks intimidating.

Suzanne:   Sure. A bit of authenticity there.

Carrie:   But really, I can see everyone’s breath. That’s how cold it was. Every night when I would leave, I would crank up the heat in the car and put on the seat warmers, because I felt like a Popsicle. It was just so cold.

Suzanne:   Yeah, I think it can get pretty cold in Atlanta and that part of the country. We had the big surprise snowstorm in February.

Carrie:   Oh, wow.

Suzanne:   You know, the big one that they talked about in Texas where their power all went out? So, we got that. We didn’t lose power, thankfully.

Carrie:   Yeah, thankfully, no.

Suzanne:   More snow than I’ve seen since I lived in Illinois.

Carrie:   Wow. There’s been some weird weather, some very strange weather.

Suzanne:   So, when you had to keep it a secret, did you have to keep it a secret from your friends and family as well, everybody?

Carrie:   Yeah, you know, some people kind of figured it out being in Atlanta. I’m like, “I can’t really talk about it.” They’re like, “Well, it’s The Walking Dead or Marvel.”

Suzanne:   Well, there’re a lot of things going in Atlanta.

Carrie:   They know that’s kind of what people are not allowed to talk about. It was very funny. Everyone’s very educated.

Suzanne:   That’s funny.

Carrie:   So, now, I’m like, “Oh my gosh, I can’t wait until the cat’s out of the bag, and I can really, really talk about this.”3

Suzanne:   So, what was it like when you had to stay at the Tyler Perry compound?

Carrie:   Oh, my gosh, that was like being in a movie too. I mean, it really was quite the experience. When we checked in, we all had to be there for the duration. They didn’t want anybody coming in and out, and so you were there for the whole duration of their shoot. Now, he shoots incredibly fast. He shoots over 100 pages a day. So, to go from that to The Walking Dead, where we shot far less – that main interrogation scene in The Walking Dead we shot over two days, maybe longer. So, that tells you the difference of pace, but it was really nuts.

You know, we checked in to Tyler Perry Studios, and before we could even get on the lot, they took our temperature. Everyone was in a full on suit. We got in there, and they did a COVID test. They wiped out all of our bags. They were not messing around. We then had to go and sit in the army bunker barracks, where you’re in a room by yourself. It was sealed to say that it was clean. You had to take the tape off that it was clean. And anything that we needed, there was an app, and you would ask for a meal or coffee, tea, whatever. You were not allowed to leave that room until you got your test results back. And then when they brought you your meals, they were in the suit. Even though they weren’t coming in, they still were in a suit. They would put your tray down and knock on the door and then walk away like nobody would interact with you.

So, I checked into the studio about 11:30am, and then, I guess, it was about 10pm or so that I got the text message to say your test came back negative; you’re free to leave the room. And I zip down to there, because I’m like, “I need some fresh air,” and I just went for a walk.

And then we moved into our housing. So, because it was an army base, there’s a lot of housing on on the studio lot. So, I actually got to live in a really cool heritage home with another actress from LA, and we had this big four bedroom house to ourselves, and that was our home away from home while we were there for a couple of weeks.

But everything was self-contained. I mean, they really took care of everything. We had catering and food trucks, and the gym was open to us with bicycles. We could zip around on the lot on in golf carts, and there was a lot of things for us to do and to feel safe. And even though we were all tested several times a week, and we all got tested coming in, we still were wearing masks and just being safe. You know, nobody got sick on any of his productions, so he really kept everybody safe. I appreciated it. And it was kind of weird to leave the bubble.

When I was wrapped, I had to zip into the supermarket on the way home, and I felt like very, “So, I don’t know where you guys have been.”

Then, with The Walking Dead, even though we could be at home, they did ask that we definitely wear our masks when we were out and be safe and to not go out and do a lot of stuff we didn’t need it to do while we’re shooting. So, I mean, it’s really such a privilege to be able to work during this time. So, you do whatever you need to do to keep people safe.

Suzanne:   Well, it sounds like they did a good job of keeping you safe.

Carrie:   Yeah, both productions did a really great job.

Suzanne:   Did you know anybody in the cast and crew of The Walking Dead personally? Or had you worked with them before?

Carrie:   No, I didn’t at all, just from watching, but, no, I didn’t know anyone at all. So, it was very much that first day of school feeling of like, “I hope everyone likes me,” even though I’m not that like role on camera. But, I mean, like they are truly a family, and so everyone was so welcoming. They’ve all had their first day on set, so they know what that feels like. Everyone was very welcoming, and it was a lot of fun. It was a lot of fun just to kind of see everything come to life, and to to be a part of those are those first two episodes in the last season was very cool.

Suzanne:   Now, your character was badass. She got taken down a peg or two.

Carrie:   [laughs] That’s why I think she needs to come back. I don’t know.

Suzanne:   Show the nicer side or something.

Carrie:   A different side of her. She’s just doing her job. I mean, look who her boss is. She’s gotta be a badass. When your boss is Mercer? Come on.

Suzanne:   It’s funny to see in the midst of something like an apocalypse and zombies and all that, to see somebody who’s basically a bureaucrat, like you said, just doing her job, trying to bring order to the chaos.

Carrie:   Well, it’s funny, because when I went through hair and makeup, they were saying they were so excited, because they said, “You’re one of the first characters where you’re allowed to wear nail polish.” Like it was a big deal. [laughs] They were like, “You can actually have a manicure.” That’s a big deal on this show. My hair’s done. It’s not done, it’s perfect. I’m wearing a suit. Clark was described to me as the Scully of the Commonwealth, and I was like, “I’ll take that.”

But yeah, that was the thing that was very odd to me, because when you think of The Walking Dead, you think of a certain kind of wardrobe, kind of like grungy, maybe took it off some dead person. You know, it’s all kind of thrown together, although they still manag to make it look cool. And here I am in this perfect little suit, where I look like exactly a bureaucrat, what she’s supposed to look like, and it was very weird. So, I feel like I’m not really getting The Walking Dead experience.

Suzanne:   Yeah, they should bring you back as a walker or something.

Carrie:   Or something, or I don’t know.

At that point too, outside of the comic book, there was nothing really known about the Commonwealth and what it was and the people that inhabit that community. So, we were all kind of learning as we went along. But, yeah, it was very cool.

Having said that, I didn’t see one walker while I was there. [laughs] Very disappointing. I’m like, “Not even at craft service?”

Suzanne:   Of the two sections of the first two episodes is the two groups. You were in the group that didn’t really have any.

Carrie:   Yeah, we were in the cleaner group.

Suzanne:   I like those guys who were with you; they would look like Stormtroopers, those costumes they were wearing.

Carrie:   Yeah, absolutely.

Suzanne:   Like Star Wars stormtroopers.

Carrie:   They do a little bit. And if you look at the comic book, that’s exactly what they look like in the comic book. They really did a great job of bringing that to life.

But yeah, initially, my character was supposed to be in one of those costumes in the, like, trooper outfit. I was a little disappointed. [laughs] I went in for my fitting, and they brought out this rack of suits, and I was like, “I play Clark.” She’s like, “No, they decided to put you in a suit.” And I was like, “Really?” because I really kind of wanted to be in the outfit. And they were like, “You really don’t though, because they’re not that comfortable.” Apparently, they’re hard to sit down in.

Suzanne:   Oh, okay, yeah.

Carrie:   “So, you’re probably gonna be a lot happier in the suit.” But it’s just, of course, I wanted to be, you know, growing up, and like you said, growing up and being such a huge Star Wars fan as a kid, I was like, “This is my moment. I get to put on the armor.” Maybe there’s hope for something down the road.

Suzanne:   Well, you know, I recognized you right away, because I used to watch All My Children when you were on it. I remember–  it’s funny, you know, it was a while ago, and I remember you being on it. I remember Jonathan Kinder, because I really liked the actor, and that they must have said that name about a million times on the show, too. And I remember that you and Susan Lucci and Robin Mattson, and I think there was another woman. I can’t remember; she actually played Marian, Maybe?

Carrie:   Yes. Jennifer Bassey.

Suzanne:   Right, and then, you had a lot of funny scenes and dealing with him.

Carrie:   Yeah, we did. Those were probably – and people still comment about that whole storyline…We laughed so much during that, because it was so fun to do. I mean, parts of it were so ridiculous, like I think Marian ended up rolling them up in a carpet or something.

Suzanne:   Probably.

Carrie:   And Michael Sabatino was such a lovely man in real life, that it was kind of fun to go after him as a group. It was just such a fun storyline, and, for me, as an actor coming on to that show, getting to work with these veterans of daytime was just such a treat, because that was the first contract role that I had in my career, and it was just so incredible to be able to do that right out of the gate and work with these incredible women and Michael, who I’ve seen on TV for many, many years on different shows. I learned a lot from them. And it really, really was fun to be a part of that storyline.

Suzanne:   Yeah, I bet. Like you said, I still remember it. I’ve watched a lot of TV and soaps, so if I remember some of the details this long ago, then it definitely had an impact.

Carrie:   Yeah, it’s one of the storylines that gets brought up the most when All My Children fans reach out to me; they talk about that a lot. And it was really fun. It’s too bad we weren’t able to do something again, just that group of characters, because people really loved it. We had a good time doing it.

Suzanne:   Well, that’s good. Yeah. That’s important, I’m sure. And with all the acting that you’ve done, the fact that you can look back on it so fondly is good, because I’m sure that not every single shoot you’ve done has been that much fun.

Carrie:   It’s so much more fun than others, but I always look back at All My Children with a lot of fondness. Just, like I said, I learned so much from those actors on that show. And working with David Canary was just incredible. I learned so much. It really was like boot camp; there was no safety net. There were no cue cards, no teleprompters. I mean, we were banging out pages and pages and pages a day. And, you know, I said this going back to working for Tyler Perry, he moves even faster than they did back then on All My Children, but because I had that experience in daytime, it didn’t freak me out to see a huge stack of pages. “Oh, we’re going to do this today.” “What?!”

Although I have to say that the very first day I walked on set of Sistas, nobody told me there was no rehearsal, no camera blocking, nothing that lets you see what happened. And I was like, “What, really? You guys just recorded that?” That was what nobody told me. So, what you see in some of those scenes is the very first time somebody’s walked on set and has no clue what’s going on.

Suzanne:   I’ve heard they do that now on the soaps a lot, because they’re so pressed for time, and then COVID has made it even more so.

Carrie:   Yeah, yeah, yeah, I’m sure. You know, the thing is, with daytime too, because you’re playing a character for such a long period of time, you know, for me anyway, it got easier and easier and easier, because you start to learn how your character speaks, how that character reacts to things, and it becomes easier to kind of get into that groove. And you sort of get in that work pace where you’re always moving really quickly, but when you’re out of that rhythm, and you step into another show, and they’re moving like crazy, you’re like, “Woah.” But I say this all the time, my time on All My Children is really, really a part of the foundation of me as a professional actor and how I’m able to sort of go with the flow in terms of changes, in terms of speed, in terms of improv, all of that stuff. It really, really helps me to build up that those skills that I use all the time.

Suzanne:   I’ve heard it’s an excellent training ground.

Carrie:   It’s incredible. Yes, it’s sad to me that there’s so few now, and there’s less opportunity for people to really get in there and learn it, because it really, for so long, was such a great place for new and young actors to kind of get their feet wet. You know? You think of all the actors that have come from daytime TV, and there’s a lot; there’re so many.

Here is the video version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

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The Walking Dead on AMC on Twitter: “A warm welcome from the Commonwealth. Watch the return of #TWD this Sunday at 9/8c or stream it now with @AMCPlus. https://t.co/XjMgWIYVXO” / Twitter

Born in Vancouver, Carrie Genzel has enjoyed a diverse career, working extensively in both her native Canada and the United States, she is most notably known for her role as Skye Chandler on ABC’s ‘All My Children,’ as well as two memorable roles on the CW’s ‘Supernatural,’ and most recently recurring on AMC’s ‘The Walking Dead.’

Carrie has built an esteemed career in film including roles in ‘Watchmen, The Imaginarium of Dr. Parnassus, Dead Rising: Watchtower, They’re Watching, and more. Carrie has received widespread acclaim for her performances in both television and film and in 2012, she won the Best Actress award at the Los Angeles International Underground Film Festival for her role of Emma in ‘The Ballerina and the Rocking Horse.’

Off set Carrie is an advocate of good mental health having launched the blog State Of Slay(TM) and becoming an advisory board member for the non-profit Attitudes In Reverse® which brings programming to students on anti-bullying and suicide prevention.

About The Walking Dead

The Walking Dead is an American post-apocalyptic horror television series based on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard—together forming the core of The Walking Dead franchise. The series features a large ensemble cast as survivors of a zombie apocalypse trying to stay alive under near-constant threat of attacks from zombies known as “walkers” (among other nicknames). However, with the collapse of modern civilization, these survivors must confront other human survivors who have formed groups and communities with their own sets of laws and morals, sometimes leading to open, hostile conflict between them.

Check out our other All My Children interviews!

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Carrie Genzel, when she played Skye on "All My Children" on ABC

DVD Review of “NCIS: Los Angeles: Season 12”

TV Review!

NCIS: Los Angeles: Season 12 DVD cover

“NCIS: Los Angeles: Season 12” Review by Suzanne 8/20/21

This was always my least favorite of the NCIS franchise. I think it’s because they seem to spend a lot more time traveling to desert countries and fighting terrorists than the other shows. I also think they have a lot more action or violence, and there is a lot more macho military bravado going on with the characters.The trouble with shows that have so much violence or action-oriented stories is that they always feel they have to keep topping themselves each season, which can get ridiculous after awhile. Stopping a nuclear threat is one example from this season where it really veered into the unbelievable.

Other than that, it has the same interesting stories and characters as most dramas on CBS. I remember when this show started, so it’s shocking to see that it’s been on for twelve years already. I hope they can keep going with the show for a few more years. I love the way the team works together, especially G and Sam, and Deeks and Kensi. Hetty came back to the show, too.

The DVD should make a great gift for anyone who likes lots of action.  It includes audio commentary (provided by Daniela Rush (Kensi), a feature about Rush directing an episode, deleted scenes and a feature about Season 12 “Greater by the Dozen.” They’re very fun to watch.

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NCIS: LOS ANGELES: THE TWELFTH SEASON
Street Date: August 24, 2021
Format: DVD
Description: NCIS: LOS ANGELES is a drama about the high-stakes world of a division of NCIS that is charged with apprehending dangerous and elusive criminals, who pose a threat to the nation’s security. By assuming false identities and utilizing the most advanced technology, this team of highly trained agents goes deep undercover, putting their lives on the line in the field to bring down their targets. Special Agent “G” Callen is a chameleon who transforms himself into whomever he needs to be to infiltrate the criminal underworld. His partner is Special Agent Sam Hanna, a former U.S. Navy SEAL who has seen action in both Afghanistan and Iraq. The team includes the all-knowing Henrietta “Hetty” Lange, who handles the politics of the job and is tasked with providing everything from micro-surveillance cameras to cars for the team; Special Agent Kensi Blye, the exceptionally bright daughter of a slain Marine who lives for the adrenaline rush that comes with undercover work; Marty Deeks, a seasoned LAPD undercover detective who was recruited to the team by Hetty; tech operator Eric Beale, who has mastered every gadget and computer in the Ops Center; intelligence analyst Nell Jones, who won the team’s respect with her spot-on assessments and her shrewd insights; Fatima Namazi, a Middle East specialist and a razor-sharp cryptologist; and former FBI Agent Devin Rountree, whose unique upbringing, discipline and athletic ability are a welcome addition to the team. Armed with the latest in high-tech gear and sent regularly into life-threatening situations, this tight-knit unit relies on each other to do what is necessary to protect national interests.

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DVD Review of “S.W.A.T. Season 4”

TV Review!

S.W.A.T. Season 4 DVD cover

“S.W.A.T. Season 4” Review by Suzanne 8/20/21

This show always has a lot of great action, led by series star Shemar Moore (Hondo). Honestly, I just love him…I’ve been a fan ever since he was on “The Young and the Restless.” I even got to meet him once and get my picture taken with him at a charity event. He’s always outstanding on his shows, including “Criminal Minds” and now this one.  What’s amazing is that when he first started, he was not a great actor. However, he was not only gorgeous, but he just had that certain something that makes great TV stars. Also, he clearly worked hard on his acting skills because now he’s as good as anyone else. From all accounts, he’s a really great guy, too. He does a great job of keeping in contact with his fans on social media.

This season, they added a new character: the global pandemic. They chose to use the real-life drama to make drama for their show, and it worked. Many shows just ignored it or only dealt with it briefly. It was brave of them to do it. They also dealt with other real world issues, such as white supremacy, protesters, sex trafficking and the public’s current attitudes towards the police as well as personal issues each of the team members were going through.

This is one of the few reboot/remake shows that CBS has done that is even better than the original series. The reason is obviously Shemar Moore.  This DVD set would make a great gift of anyone.  It lacks special features. It only has a blooper reel and one behind-the-scenes feature: Special Tactics: Tanker Takedown.

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SONY Pictures Home Entertainment

THREE FAN-FAVORITE SERIES ARRIVE ON DISC AHEAD OF THEIR FALL PREMIERES 

THE GOOD DOCTOR SEASON 3
AVAILABLE ON DVD AUGUST 4

THE BLACKLIST SEASON 7
AVAILABLE ON BLU-RAY™ AND DVD AUGUST 11

S.W.A.T. SEASON 3
AVAILABLE ON DVD AUGUST 18

S.W.A.T. SEASON 3                                                                                                                                                 

SYNOPSIS
Torn between loyalty to where he was raised and allegiance to his brothers in blue, former Marine Daniel “Hondo” Harrelson (Shemar Moore) has everything it takes to be an excellent leader and bridge the divide between his two worlds. With Hondo leading the charge, his team of dedicated men and women bravely put themselves at risk to protect their community and save lives.

DVD BONUS FEATURES

  • Deleted Scenes
  • Blooper Reel

CREDITS
Executive Producers: Shawn Ryan, Aaron Rahsaan Thomas, Neal H. Moritz, Andrew Dettmann, Justin Lin, Marney Hochman, Pavun Shetty, Billy Gierhart, Craig Gore, Alison Cross, Michael Jones-Morales, Paul Bernard
Cast: Shemar Moore, Alex Russell, Lina Esco, Kenny Johnson, David Lim, Patrick St. Esprit, Amy Farrington, and Jay Harrington
Developed by: Aaron Rahsaan Thomas and Shawn Ryan
Based on the series “S.W.A.T.” Created by Robert Hamner, Developed by Rick Husky

SPECS
Approximately 886 minutes
DVD: 1.78:1 Anamorphic Widescreen | Audio: English 5.1 Dolby Digital

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Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group production organizations include Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, Stage 6 Films, AFFIRM Films, and Sony Pictures Classics. For additional information, visit http://www.sonypictures.com/corp/divisions.html.

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S.W.A.T. Season 4 cast pic

DVD Review of “NCIS: The Eighteenth Season”

TV Review!

NCIS: The Eighteenth Season DVD cover

“NCIS: The Eighteenth Season” Review by Suzanne 8/15/21

Somehow, this show keeps going on and on. This is the last season where Jethro Gibbs (Mark Harmon) leads the pack. He’s retiring and will only be seen occasionally in the Nineteenth season. Gary Cole takes over the NCIS team. The interesting thing is that Harmon is only 5 years older than Cole.

The show’s cast has gone through many changes. I believe Sean Murray (Tim) is now the only remaining regular character on the show (since it started in 2003; however, he didn’t join the show until episode 7). He came in as a very junior member of the team, so that seems really strange. I don’t think NCIS will last very long without Gibbs. The ratings have been going down steadily this season. Maybe they’ll let them get to Season 20 and stop. That would be nice.

I think the show is still plenty enjoyable because they have new regular characters and new cases. As long as you enjoy the show, does it really matter if Gibbs is till around? Gary Cole is an excellent actor and a good replacement. I think it’s hard for fans to lose Ducky and Gibbs (both retiring). The show is really still feeling the loss of Tony, Ziva and Abby.

Back to season 18. They packed a lot of great action and story into this season.  There are only 16 episodes, due to COVID. There are quite a few deaths of minor characters, and another regular cast member leaves. The show always has many mysteries, twists, shootings, fighting, explosions and more. Check it out!

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NCIS: The Eighteenth Season

Street Date: August 17

Format: DVD

Description: Originally conceived as a spinoff of the American legal drama JAG, NCIS has evolved into a major television franchise spread across three different series. Following a fictional team of special agents known as the Naval Criminal Investigative Service, the show combines elements of police procedural dramas with military drama to create incredibly engaging episodes. Voted American’s favorite television show in 2011, NCIS routinely premieres to over 15 million viewers each season.

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NCIS cast on CBS

Interview with “The Walking Dead” stars

TV Interview!

Khary Payton as Ezekiel, Eleanor Matsuura as Yumiko, Josh McDermitt as Dr. Eugene Porter, and Paola Lazaro as Princess stumble upon a trap in The Walking Dead Season 10, Episode 15 – Photo Credit: Jace Downs/AMC

Interview with Khary Payton, Eleanor Matsuura, Josh McDermitt and Callan McAuliffe of “The Walking Dead” on AMC by Suzanne 8/3/21

This was from The Walking Dead virtual roundtable interview, taking place Tuesday, August 3.

This was so much fun! The actors were very funny and silly. They were clearly having a good time. I wish I could show you the video, but we’re not allowed to. You’ll have to read the transcript below. It’s definitely worth it!

Callan McAuliffe and Lauren Cohan in "The Walking Dead"

Question:   Khary, can we expect any flashbacks for Ezekiel and his time as an actor or zookeeper, this being the last season? I really do hope so.

Khary:   Oh, that’s an interesting question. I would tell you to, you know, expect the unexpected, that there’s so much story that we’re telling, none of which I’m going to tell you about. We all spent these last few months shooting all this thing, and I just feel like it would be wrong of me just to tell you in a Zoom call. So, how about this? How about this? Why don’t we set up just like for the next couple of weeks, like Sunday night? Get together, you know, pour a drink. I’ll tell you all about it.

Callan:   Khary, is it Episode Six where they do the flashback where you fall in a panda enclosure, is it six?

Khary:   Oh my god, you know what? We’re gonna have so much fun. The crazy thing is that a panda is much harder to do CGI, so, obviously, we had to just go ahead and go with the the panda that I keep here at the house. And although he’s not as bubbly; we just don’t have the bamboo here. And, you know –

Callan:   I still can’t believe you managed to outbid Nicolas Cage for that panda. It’s crazy.

Question:   As a fellow actor, I definitely appreciate your sense of humor.

Khary:   It’s incredible. Yeah, I’m excited. I’m excited.

Suzanne: Hi, how many episodes have yet to be filmed? Or have they all finished?

Khary:   Oh, it’s far from over. It’s far from over. We’ve got, I don’t know if we’re quite halfway done; we’re nearing the midway point, but we’ve still got – we’re gonna go shooting well into next year. So, I feel like there’s just a lot of story yet to unfold and yet to be told and yet to even be decided upon, in a lot of ways. So, yeah.

Suzanne:   Do they tell you ahead of time, whether your character is going to make it through the end of this show or not?

Khary:   You’d like to think that, wouldn’t you? It’s funny to be on a show like this one. When you get on a hit TV show, you pop the champagne, and you’re thinking, “Oh, it’s time to celebrate.” This is one of those shows that you get on, and you’re just waiting for that phone call around the corner to tell you that you all of your dreams and aspirations are about to be bashed, and the limousine that drove you here is not taking you back. I hope you didn’t take the Uber app off of your phone, because you’re going to need that to get back to wherever you’re going. So, this this show’s a cruel mistress in that way, that it gives a lot, but it can take it all away in a heartbeat.

Callan:   Did you guys all save Angela Kang in your phones with the skull and crossbones emoji? Terrifying every time she calls.

Khary:   Exactly. We’re just [unintelligible], because she’s got such a brilliant, happy little smile.

Callan:   It’s true.

Eleanor:   That’s how I never say hello to Angela. I just say, “Am I dead? Am I dead? Ok, how’s it going?”

Suzanne:   Thank you, guys.

Khary:   Thank you, Suzanne.

Question:   This question is for everyone. Would you rather your character have the glorious Braveheart death, or would you want to end the series as still a living member of whatever society looks like, in your opinion, if you had it your way.

Callan:   If I had it my way, the character’s death would be so unremarkable as to be remarkable. I would want him to trip in a puddle and to bang his head on the corner of a marble counter and for it to never [get] mentioned again. Mid conversation, just heart attack.

Josh:   Yeah. I personally, I want to die of old age or want Eugene to die of old age; that would be my hope, because I feel like he deserves it. I feel like he is a guy that everyone just expected, even myself included, would be gone after two episodes, because it’s like, there’s no way this guy’s living. And he’s figured out a way. He’s been a little cockroach about it, but I would hope that he dies of old age. But, you know, look, if they do decide that it’s time for him to go, I would at least hope they do it justice and give him a hero’s death, just because I think he does deserve that, if he does go, just based on who he was and where he’s been and kind of how far he’s come. He’s certainly been the hero many times before, so it’s not out of the realm of possibility that he would have a hero’s death. I just hope that if it came to that they would at least do that for him.

Khary:   Yes, jumping off a cliff, dreadlocks flying, slow motion in the wind. You know, a full orchestral score.

Callan:   Wait a minute, Khary. Did I ever tell you about the way I hope to die? That sounds remarkably similar to my plan for [my] funeral. I plan to gather, tell 100 friends that I died, or have them told, have them gather on a clifftop and then emerge dramatically from the coffin to the [unintelligible] gospel choir and leap gracefully into the sea.

Khary:   You know, we’re closer than we think. I had not heard you tell that, but it does not surprise me. And, you know, I hope to be standing on the same cliff one day.

Callan:   The convoluted aspect of mine is that I wanted there to be a shark tank at the bottom, so that I swan dived into the sea, but landed in the shark tank, it ate me, and then we piece up the shark and fire the shark’s ashes into space after it’s reconstituted my flesh

Eleanor:   Don’t do that to space. Space has got enough trouble with all these rockets going into it.

Callan:   It’d be biomass debris and wouldn’t be nearly so dangerous as flying metal.

Eleanor:   I think, of course, everyone, if they’re going to go, you want the big spectacular glorious death, of course you do. These are our characters. We’ve lived with them; we’ve created them, and they’ve been a part of us for so, so long. If that’s the way you want to go, you want it to be – you want to do justice to the love you have for your character. I’m with Josh though, like, I have to say like, I feel like I want for you Yumiko to have this long, long, happy life. We’ve only just discovered, or about to discover, this whole other side of her past life that she had. I think we always forget in The Walking Dead, especially, because the seasons are so long, but, actually, a lot of the action happens only over a few days or a few weeks. I mean, there’re time jumps and stuff, but a lot of the story happens in these condensed moments, and we sort of forget that we’ve actually had these huge lives behind them. I mean, we learned that Yumiko had this extraordinary education, and she’s basically lived the life that my parents wish I had, if I was smart enough to go to Oxford and Harvard, which I am definitely not. And I’m not saying that that makes her a better person, I’m just saying that it’s this discovery of all this stuff that she still has to give that I think it would be a real crime to not have her live that out in all the ways that she could.

Callan:   I think she should be killed in a fight with someone wielding a judge’s gavel. I think that would be full circle.

Eleanor:   Yeah, if I’m going to die, I want it to be from the past – like, yeah in the courtroom, a gavel thrown at my head. It knocks me off my feet. I grab judges’ wigs as I fall down onto the courtroom floor, and then I get eaten by walkers.

Question:   Is that the penultimate episode of the series?

Eleanor:   Listen, I can’t give anything away.

Question:   My question is for Khary. One of the big things that happen in season 10 is that we discover that Ezekiel has cancer, and he has to deal with some really dark things like a terminal disease and even suicidal tendencies. Is there a possibility that this character might attain some sort of peace or serenity throughout the run of season eleven?

Khary:   I hope so, for Ezekiel’s sake. I want so much for him to find that kind of inner light that seems to gravitate people to him, but, you know, you can’t have victory without adversity. So, here we are trying to just tell a story that’s still captivating. I had this push and pull, because I so desperately want him to be okay and and to just be at the forefront, being the big leader guy, but the thing that has drawn people to him is the fact that his life is messy, and he’s had all of this loss, but he does keep his head up. I mean, he’s lost so much. I think it’s enough to break a lot of people and it’s been nice to know that the journey of this character has resonated with a lot of people and helped them when it comes to dealing with adversity, to kind of set themselves aside and find a companion character to be able to live through and say, “You know what? If Ezekiel can do it, I can do it.” It’s meant a lot to me over the years, to have been a part of telling the story of a character that can be that for anyone.

Question:  This is for Callan; actually I have two. Alden is more heart and likes to build things. Is it safe to say that he grew up in a house where he had to take a lot of responsibility at a young age? And also, my second one is does he feel like Maggie is getting too cold to other survivors?

Callan:   To the first question, yeah, it was always an understanding between me and the showrunners that sort of he, in the early part of the apocalypse, had been going around with his with his brother. I believe it was his younger brother. And I imagine that the dynamic there was that Alden had to become something of a reliable – not necessarily a builder or a blacksmith, but certainly someone that you can trust to get things done and to bring things together. So, that’s certainly been a part of his life, and, you know, given that we see him building all manner of weapons and catapults and that sort of thing, we can assume he had some kind of a training in it. And then, can you repeat the second question for me?

Question:   Does he feel like Maggie’s getting too cold to others? It’s obviously warranted to Negan, because, you know, Allan has seen firsthand what he can do, but Maggie seems to be backtracking a little when it comes to the other survivors. Do you think she’s getting a little cold?

Callan:   I think he’s definitely seeing a side of Maggie that perhaps he didn’t expect, and she has for so long been, I suppose, the fulcrum around which his stability swings, especially in the beginning. And I think he finds that contrast disturbing. Yeah.

Question:   My question is, again, for Callan. Your character was Team Negan in the beginning, and now he’s Maggie. If there is a war to happen in season eleven, which side do you think would prevail, considering Alden’s experience in both those factions?

Callan:   I don’t think he was ever Team Negan. You know, I think he was, as most people in life, a victim of circumstance, and he kind of went where the winds blew him, but I like to think that he’s kind of alighted in the right place, if that makes sense. So, his allegiance should be clear, even when there’s conflict.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Previously on The Walking Dead, our survivors confronted past demons and combated new threats, with friendships and relationships suffering from the mounting collateral damage that is the apocalypse. Alexandria is severely compromised, left a former shell of the home it once was from the carnage and devastation left behind by the Whisperers.

Now all who live in Alexandria struggle to refortify it and feed its increasing number of residents, which include the survivors from the fall of the Kingdom and the burning of Hilltop; along with Maggie and her new group, the Wardens. Alexandria has more people than it can manage to feed and protect. Their situation is dire as tensions heat up over past events and self-preservation rises to the surface within the ravaged walls.

They must secure more food while they attempt to restore Alexandria before it collapses like countless other communities they have come across throughout the years. But where and how? More haggard and hungrier than ever before, they must dig deeper to find the effort and strength to safeguard the lives of their children, even if it means losing their own.

Meanwhile, unbeknownst to those at Alexandria, Eugene, Ezekiel, Yumiko, and Princess are still being held captive by mysterious soldiers who are members of a larger and unforthcoming group.

AMC’s 11 Weeks of Reveals Until Season 11 of The Walking Dead

AMC released today a new teaser for The Walking Dead as part of AMC’s “11 Weeks of Reveals until Season 11.” The Walking Dead Season 11 premieres Sunday, August 22 at 9pm ET/8c on AMC, and all 11A episodes will air one week early on AMC+, beginning August 15.

Official Trailer  Official Teaser

Additionally, as part of TWDU.com’s “11 Weeks of TWD” where each week leading up to the Season 11 premiere on August 22, a custom piece of artwork will be shared that looks back at significant moments from each season of the show’s decade-long run. The eighth piece of custom artwork is created by artist, designer and filmmaker Micheline Pitt, and can be viewed here.

AMC will drop new reveals – photos, trailers and more – every Thursday counting down to the Season 11 premiere of The Walking Dead on Sunday, August 22 at 9pm ET/8pm CT. All 11A episodes will air one week early on AMC+, beginning August 15.

Khary Payton

In addition to portraying King Ezekiel on AMC’s The Walking Dead, Khary Payton has become synonymous with one of DC’s hottest heroes, Cyborg, having voiced the character for 17 years in numerous television series, DVM’s, games, and the 2018 critically acclaimed theatrical release of Teen Titans Go! To the Movies, based on the number one cartoon series Teen Titans Go! Payton reprised his role of Aqualad and is taking on the new role of Black Lightning in the fan and critically acclaimed series, Young Justice: Outsiders, which premiered on DCUniverse.com earlier this year. Other current voice over roles include laser specialist Wasabi in Disney’s Big Hero 6: The Series; Grimlock in Transformers: Robots in Disguise; and Rafiki in Disney’s The Lion Guard. Payton also voices in the video games The Sims; Reigel in Starcraft; Drebin in Metal Gear Solid; Azrael and Killer Croc in the Batman: Arkham franchise; and Knox from Call of Duty: Advanced Warfare. Born in Augusta, Georgia, Payton caught the acting bug after seeing a production of Cyrano De Bergerac in the 1st grade. As a teenager, he developed a local rep as a rapper and stand-up comic, sharing the stage with such notables as Tom Kenney and Chris Rock. Payton attended Southern Methodist University in Dallas, studying acting and directing. He stayed in Texas for several years honing his craft in classical and experimental theatre before moving to Hollywood. Payton co-wrote, produced, and starred in the independent sci-fi feature, Astronaut: The Last Push, winning 13 awards on the film festival circuit, including Best In Show at the Independent Filmmakers Showcase and Fargo Film Festivals. Payton took home three awards for Best Actor.

Callan McAuliffe

In addition to his regular series role as Alden on The Walking Dead, Callan McAuliffe can be seen in the feature film Summer Night, opposite Justin Chatwin, Analeigh Tipton, and Victoria Justice, for writer/director, Joseph Cross. McAuliffe was discovered by director Rob Reiner, who hand-picked him to play the romantic lead in the Warner Bros. feature film Flipped. This was followed by roles in DreamWorks’ sci-fi adventure I Am Number Four and Warner Bros.’ The Great Gatsby, as the teenage Jay Gatsby to Leonardo DiCaprio’s adult role. McAuliffe went on to work in the crime-drama film Kite, with Samuel L. Jackson; appeared in Underground: The Julian Assange Story; and starred in the U.K. feature Robot Overlords, with Sir Ben Kingsley. More recently he appeared in The Stanford Prison Experiment for director Kyle Patrick Alvarez, as part of an ensemble including Ezra Miller, Billy Crudup, and Thomas Mann. McAuliffe’s many accolades include recognition as Break Out actor by The Toronto International Film Festival for his lead role in the coming-of-age film Beneath the Harvest Sky, where he starred alongside Emory Cohen; and winning the Young Artist Award for his role as the aforementioned young Gatsby. Additionally, McAuliffe is among the youngest winners of GQ Magazine’s Man of The Year Award for Breakthrough of the Year, presented to him for his work in the performing arts in 2012-2013. Outside of his theatrical career, McAuliffe has also volunteered his time to a list of meaningful charities. Always interested in staying true to his Australian roots, McAuliffe became the youngest Ambassador for Tourism Australia for the Friends of Australia Campaign. The Friends of Australia Campaign include some of the most globally influential voices that have a genuine affinity with Australia. McAuliffe also holds a highly regarded position as a UNICEF Ambassador. Besides his film career and philanthropic efforts, McAuliffe has also added the title of Author to his resume. His first fictional book, The Hill Ghost, is a story that recounts the adventures between two unlikely friends, an old Tibetan Mastiff dog and a delusional seagull.

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The Walking Dead poster

DVD Review of “Blue Bloods: The Eleventh Season”

TV Review!

Blue Bloods: The Eleventh Season

“Blue Bloods: The Eleventh Season” Review by Suzanne 8/14/21

This is always a good family soap opera. It’s also a cop show, but that’s incidental, in a way. The family in this show really could work anywhere. What makes the show interesting is how they relate to one another in their working-class, New York City way. Tom Selleck is the alpha male in his pack, but he’s also a loving father and grandfather.

Even after eleven seasons, they don’t seem to run out of ideas for stories. In part, that’s because the cast is so large. There’s always more to tell about the Reagan clan. They introduced a new family member this year: Joe Hill, son of the late Joe Reagan.

It’s no surprise that the show’s demographics are older and more conservative.  However, the show does not shy away from discussing today’s issues, particularly those that involve the police. This season they argue about police brutality.

The DVD has deleted scenes and two features: “The Story of the Reagans: Season 11” and “Shades of Blue.” It would make a great gift for anyone who is fond of the police or Tom Selleck (especially those over 60).

Buy This DVD!

Blue Bloods: The Eleventh Season

Street Date: August 17

Format: DVD

Description: Blue Bloods follows the Reagans, an Irish-American Catholic family in New York City with a history of work in law enforcement. Starring Tom Selleck as NYC Police Commissioner Frank Reagan, the cast also includes Donnie Wahlberg, Bridget Moynahan, Will Estes, and Len Cariou. Shot on location in New York City, the series has been praised for its performances, especially from Selleck, and has premiered to millions of viewers each season since it began in 2011.

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The opinions in these articles are those of the writer and do not necessarily reflect the opinions of TVMEG.COM or its other volunteers.

some of "Blue Bloods" cast

Interviews with HULU stars at 2021 TCA Summer Press Tour

TV Interview!

Michael Keaton and Rosario Dawson of "Dopesick" on HULU

HULU’s Summer 2021 TCA Press Tour by Suzanne 8/6/21

Last week, HULU hosted their TCA Press Tour for three new shows, and one returning show.

First was “Dopesick,” a new drama about the opioid crisis. Based on a book by Beth Macy, the story follows a few different groups involved in the crisis. Legendary actor Michael Keaton is a small town Virginia doctor, Dr. Finnix, who is told by a young drug sales man, Billy (Will Poulter), that this new opioid Oxycontin is not addictive, so he starts prescribing it to his patients (and eventually to himself). Many of his patients are miners, including young Betsy (Kaitlyn Dever).  Rosario Dawson (“The Mandalorian”) plays a tough DEA agent who starts noticing how many people are addicted to opioids and committing crimes in towns where there previously was no crime. Billy and the other salespeople are lied to by the company, PurduePharma, that the drug isn’t addictive, and they’re given many strategies with which to win over the doctors, as well as pitted against each other to make more sales and be more aggressive. PurduePharma, run by the Sackler Family (especially ambitious Richard Sackler, played by Michael Stuhlbarg), uses everything they can to get sales up, thinking that this drug is going to cure pain (and lying about it in the process). Meanwhile, local law enforcement try to investigate and build a case against PurduePharma. It’s a gripping and sad story but also educational

The story was developed by Danny Strong (“Empire”). Strong and Keaton are executive producers on the show. The panel we saw had Strong and many of the cast: Keaton, Poulter, Dawson, Dever, Stuhlbarg, Peter Sarsgaard and John Hoogenakker. Many of the cast members knew people affected by the opioid crisis. Hoogenakker grew up in North Carolina – one of the places hit hard. Keaton grew up in a small town in Pennsylvania.

Dawson read the original book as well as several others to get a feel for the crisis and how it worked. Strong talked about how the story had so much information, particular with regards to the “lying, manipulation and influence peddling,” and as Hoogenakker added, “the lengths that the company went to to stigmatize the people dealing with the addiction that they created.”

Everyone connected to the production clearly took the subject matter and the story seriously and felt a great responsibility to do by it. Having watched a few of the episodes, I believe they did.

One thing I really loved, being a fan of Michael Keaton in “Batman” (and his many other movies, of course), was when Rosario Dawson referred to him as “my forever Batman!”  That was great – especially since she’s been in so many Marvel and DC movies and shows. Make sure you check out this 8-part miniseries when it premieres October 13, 2021. I watched the first half of it and it’s really compelling.

“Only Murders In the Building” is the best of the HULU shows that were covered, and you can find that one here.

"Nine Perfect Strangers" on HULU

This is a weird drama with some comedy in it. Of course, with cast members like Melissa McCarthy and Bobby Cannavale, it’s hardly going to be completely serious.  The show is about a group of messed-up people that go to an exclusive resort called Tranquillum. They soon learn that the resort’s hostess/owner, Masha (Nicole Kidman), has picked each of them carefully to fit in with her ideas for the resort.

I don’t want to give too much away about the show or its characters. Masha, has her own dark past that sometimes haunts her. Melissa McCarthy’s Francis is a romance novelist whose latest book has been rejected. Tony (Cannavale) abuses pain killers because of a knee injury. Lars (Luke Evans) is a gay journalist who wants to investigate the resort.  One character is recovering from a divorce; another one from a breakup; a family is recovering from a teen death. A couple no longer has sex and wonders if they should stay together.

Masha gives them special diets and therapy, but she also does other things without telling them, which is what makes the show interesting. Each of them has a secret that we learn as the show progresses.  Some shocking things happen. It’s very interesting. Some may find it self-indulgent because it involves mostly rich people with problems. I think it’s compelling. It’s never boring.

Our panel boasted Kidman, McCarthy, Connavale, Regina Hall, writer/creator David E. Kelley, and executive producers Bruna Papandrea, Per Saari and Jonathan Levine. Various press members asked them questions about the characters and this “wellness” retreat. The actors related that even though they were acting, the questions they were asked in the show and the therapies they went through did make them think a little bit more about their places in the world – particularly one where they all had to lie down in a shallow “grave.”

Kidman and McCarthy were asked about their experiences doing both movies and TV shows. Neither actress felt that they were all that different. TV is just longer and gives you more opportunity to develop the character.  There was a lot of joking around between the actors and producers.

When filming the show, the actors all flew out to Australia and were quarantined there last year. They filmed at a beautiful place called Byron Bay for six months. They said that nature frequently interfered with filming, such as ants, birds and koalas. Hall shared that many Australian koalas have chlamydia (this is true).

Nicole Kidman kept talking about how the show is “trippy and crazy” and it’s hard to define exactly what it is. Well, It is a bit trippy, but I’ve seen much stranger shows. The show is a drama, for sure, but the characters do some unexpected things. It has elements of a thriller. She was asked about creating her character, who is German and American (and speaks seven languages). Her accent in the show is very different from her native Australian accent.

If you like a good drama that’s also fun, weird, and has unexpected surprises, check this one out.

Elle Fanning and Nicholas Hoult in "The Great"

“The Great” is returning for season 2 Friday, November 19. I haven’t watched it yet, but it looks funny. It’s apparently a comedy-drama loosely based on the life of Empress Catherine II (AKA “Catherine The Great”), played by Elle Fanning, who wed Emperor Peter III (played by Nicholas Hoult). Season One was where we learned about them and how they got married. He had a mistress, and Catherine tried to kill him, but that didn’t work out. In Season Two, Peter and Catherine get more deeply involved, and she gets pregnant. More Info

Fanning, Hoult and executive producers Tony McNamara and Marian Macgowan were in attendance at our panel. McNamara created the show.  When asked about how the show is created with historical characters, MacGowan replied that they really have three aspects of the show: “a bit of history, a bit of what’s fun to do and a bit of the characters themselves and the stories.”  However, they did see humor in the characters because Catherine (the real person) was funny and had a lot of fun at parties.

Another reporter asked McNamara how many seasons he thinks the show should last, but he doesn’t really think about it that way. He just takes it from one season to the next.  Fanning and Hoult revealed that they do a lot of laughing on the show while filming because it’s so funny.  They were asked about costuming. Fanning’s character is pregnant for a lot of this season, so she discussed her fake “baby bump, ” which was “hot at times.” Both actors love the costumes and find them very fun to wear. Hoult said, “I found that costume-wise … very liberating in many ways and what Sharon designed were really fun costumes, my favorite being what Peter has designed for the baby shower that he throws, kind of a surprise baby shower party, which you mentioned earlier is all kind of shades of baby pink, and blue, and yellow with plumes of feathers and a nice little dress.  So that’s something to look forward to this season.”

They were also asked about how they use the F word so much (mostly for humor) and whether COVID stopped them from doing intimated scenes. They do a lot of testing, so that wasn’t a factor. I enjoyed the press call. I will watch the show one day. I tried to watch the screener they had set up for us, but unfortunately, I had trouble understanding it because of their accents. There’s no closed-captioning on the screeners. I’m not deaf, but sometimes I have trouble hearing the words through accents.

MORE INFO:

The new HULU shows

Hulu Presents Upcoming Original Series ‘Dopesick,’ ‘The Great’ Season Two, ‘Only Murders In The Building’ And ‘Nine Perfect Strangers’ At The 2021 Television Critics Association Summer Press Tour

Company Greenlights Comedy Series ‘This Fool’ Created By and Starring Comedian Chris Estrada and Expands Unscripted True Crime Collection With New Documentary ‘Dead Asleep’  and Docuseries ‘Captive Audience’

Premiere Dates Revealed for ‘Dopesick,’ Second Seasons of ‘The Great’ and ‘Animaniacs,’ as well as the Fall Foodie Lineup of Unscripted Series—Including ‘Baker’s Dozen,’ ‘The Next Thing You Eat’  and a Special Holiday Edition of the Award-Winning ‘Taste The Nation,’ Debuting Thursdays

SANTA MONICA, Calif. (Aug. 6, 2021) — Today, during the Television Critics Association’s Summer Press Tour, Hulu presented the company’s lineup of upcoming original programming, including the highly anticipated new drama series “Dopesick,” starring Michael Keaton, Peter Sarsgaard, Michael Stuhlbarg and Rosario Dawson; the second season of acclaimed, Emmy®-nominated comedy series “The Great,” starring Elle Fanning and Nicholas Hoult; new comedy series “Only Murders in the Building,” starring Steve Martin, Martin Short and Selena Gomez; and “Nine Perfect Strangers,” the latest limited series from executive producer David E. Kelley and starring and executive produced by Nicole Kidman and Melissa McCarthy—all of which join the company’s collection of premium original content.

The company also announced a series order for the new Hulu Original comedy series “This Fool,” inspired by the life of up-and-coming comedian Chris Estrada, in which he will also write, star and executive produce. Additionally, the highly successful Hulu Originals true-crime collection expands with two new titles announced today—documentary “Dead Asleep” from award-winning director Skye Borgman and “Captive Audience,” a docuseries which explores the evolution of true-crime storytelling through the lens of one family’s journey.

“Breaking out new and distinct voices continues to be a hallmark of Hulu Original programming, and we are incredibly excited to add Chris Estrada to our roster of multihyphenate creators and to bring ‘This Fool’ to our viewers,” said Craig Erwich, president Hulu Originals and ABC Entertainment.

Adding, “Looking ahead, we could not be more proud of the lineup of event series coming to Hulu through the end of the year and beyond. Led by the debut of ‘Nine Perfect Strangers’ from the brilliant David E. Kelley and a truly all-star cast, and ‘Only Murders in the Building,’ which marks a return to television for Selena Gomez and two comedic giants—Steve Martin and Martin Short—as well as the incredibly timely ‘Dopesick,’ the return of acclaimed comedy series ‘The Great,’ and a rapidly expanding slate of conversation-worthy unscripted series and documentaries, Hulu viewers will have access to many of the best shows coming to television this fall.”

With 41.6 million total subscribers across live and SVOD as of April 3, 2021, Hulu has gained remarkable momentum over the past year, with the streamer recently earning 25 Emmy nominations, including Outstanding Drama Series and Outstanding Comedy Series, 10 Golden Globe® nominations across five titles, four SAG Award nominations, six WGA Award nominations and seven NAACP Image Award nominations.

Hulu Greenlights Comedy Series “This Fool”

“This Fool” centers on Julio Lopez, a self-described “punk-ass bitch” who still lives at home and goes out of his way to help everyone but himself. Inspired by the life and stand-up comedy of star and co-creator Chris Estrada, this cinematic half-hour comedy explores Julio’s work at a gang-rehabilitation non-profit and his quest to overcome his codependency issues with his family as he navigates working-class life in South Central Los Angeles.

“This Fool” is written and executive produced by Chris Estrada, Pat Bishop, Jake Weisman and Matt Ingebretson. Jonathan Groff and Fred Armisen also serve as executive producers on the series. The series is produced by ABC Signature.

Hulu Expands Unscripted True Crime Collection With New Documentary “Dead Asleep” and Docuseries “Captive Audience”

“Dead Asleep”

In a ground-breaking new spin on the true-crime genre, the documentary film “Dead Asleep,” produced in association with Sky Crime, flips the traditional thriller narrative to explore a deeper and more troubling mystery: Did a remorseful Randy Herman Jr. really commit a brutal murder in his sleep, or was it a convenient cover story? Pulse Films has secured exclusive access to Herman and his family, the defense and prosecution attorneys, journalists who covered the case, forensic psychiatrists and world experts in violent parasomnia (sleep-walking) to give viewers an inside look at the shocking twists and turns of the controversial crime.

A Pulse Films production, “Dead Asleep” is directed by award-winner Skye Borgman, who is also behind the critically acclaimed documentary “Abducted In Plain Sight” and recently worked with Pulse Films on their Oxygen special “The Case Died With Her.” For Pulse Films, executive producers include Marisa Clifford, Nelesh Dhand and Sunshine Jackson. For Sky U.K., Jack Oliver and Poppy Dixon will also serve as executive producers.

“Captive Audience”

In 1972, 7-year-old Steven Stayner mysteriously vanished on his way home from school. Nearly a decade later, his dramatic return to his family sparked ‘80s-era “stranger danger” warnings, legal reforms and one iconic Made-For-TV-Movie2, in which the family’s ordeal was transformed into a prime-time miniseries watched by 70 million Americans. When the credits rolled and the movie ended, it closed one tragic chapter of the family’s life but opened another.

This limited documentary series explores the evolution of true-crime storytelling through the lens of one family’s 50-year journey and two brothers; one deemed a villain and the other a hero. It’s about how truth becomes story and story becomes truth—on TV, in the justice system and in our minds.

“Captive Audience” is directed by Jessica Dimmock (Netflix’s “Flint Town” and “Unsolved Mysteries”) and produced by Wonderburst and High Five Content. It is executive produced by Anthony Russo, Joe Russo, Jen Casey and Andrew Jacobs, along with Mike Larocca, Todd Makurath, Nick Gilhool and Peter Rieveschl.

Hulu Reveals Premiere Dates for “Dopesick,” Second Seasons of “The Great” and “Animaniacs,” and a Collection of New Series Fare For Foodies—“Baker’s Dozen,” “The Next Thing You Eat” and “Taste The Nation: Holiday Edition”—to Debut Thursdays This Fall

“Dopesick” – Series Premiere, Wednesday, Oct. 13

From executive producer Danny Strong and starring and executive produced by Michael Keaton, “Dopesick” examines how one company triggered the worst drug epidemic in American history. The series takes viewers to the epicenter of America’s struggle with opioid addiction, from the boardrooms of Big Pharma to a distressed Virginia mining community to the hallways of the DEA. Defying all the odds, heroes will emerge in an intense and thrilling ride to take down the craven corporate forces behind this national crisis and their allies. The limited series is inspired by the New York Times bestselling book by Beth Macy.

The eight-episode series stars Michael Keaton, Peter Sarsgaard, Michael Stuhlbarg, Will Poulter, John Hoogenakker, with Kaitlyn Dever and Rosario Dawson. Guest stars include Phillipa Soo and Jake McDorman.

“Dopesick” is written by Emmy-winner Danny Strong (“Empire,” “Recount,” “Game Change”) and directed by Oscar®-winner Barry Levinson (“Paterno,” “Rain Man”). Executive producers for “Dopesick” include Strong, John Goldwyn (“Dexter”), Keaton, Levinson, Warren Littlefield (“The Handmaid’s Tale,” “Fargo,” “The Old Man”), Beth Macy (“Dopesick”) and Karen Rosenfelt (“Twilight”).

“The Great” – Season Two Premiere, Friday, Nov. 19

In season two of “The Great,” Catherine finally takes the Russian throne for her own—but if she thought coup-ing her husband was difficult, it’s nothing compared to the realities of liberating a country that doesn’t want to be. She’ll battle her court, her team, even her own mother (played by guest star Gillian Anderson) in a bid to bring the Enlightenment to Russia. Meanwhile, she’ll also battle her heart as Peter slowly transitions from a much-hated husband to a prisoner? Ally? Lover? Ultimately, Catherine will learn that to change a country, you must let it change you, that there is a fine line between idealism and delusion, and that becoming “Great” will ask more of her than she could have imagined.

The series stars Elle Fanning as Catherine, Nicholas Hoult, Phoebe Fox, Adam Godley, Gwilym Lee, Charity Wakefield, Douglas Hodge, Sacha Dhawan, Bayo Gbadamosi and Belinda Bromilow.

“The Great” is created, written and executive produced by Tony McNamara and executive produced by Marian Macgowan, Mark Winemaker, Elle Fanning, Nicholas Hoult, Echo Lake’s Brittany Kahan Ward, Doug Mankoff and Andrew Spaulding, Thruline’s Josh Kesselman and Ron West, and Matt Shakman. The project is produced by Civic Center Media in association with MRC Television.

“Animaniacs” – Season Two Premiere, Friday, Nov. 5

Hellloooo, season two! Hulu, Amblin Television and Warner Bros. Animation have joined forces once again to bring you “Animaniacs.” This Emmy Award-winning animated series—and one of Hulu’s all-time most talked-about shows on social media—returns with 13 brand new episodes on Friday, Nov. 5.

Yakko, Wakko and Dot return for an all-new season of this iconic, family-friendly series with something for everyone: pop culture parodies, musical showstoppers, takedowns of historical baddies and even some important safety tips. Join the Warners and Pinky and the Brain as they wreak havoc everywhere they go, from the Warner Bros. lot to an international beauty pageant, even all the way into outer space. Keep an eye out for season one favorites Starbox and Cindy, as well as some rejected Animaniacs characters that were left on the cutting room floor.

Steven Spielberg returns as executive producer of the series, with Sam Register, president, Warner Bros. Animation and Cartoon Network Studios. Amblin Television co-presidents, Darryl Frank and Justin Falvey, also serve as executive producers. Wellesley Wild serves as showrunner and executive producer. Gabe Swarr serves as co-executive producer. “Animaniacs” is produced by Amblin Television in association with Warner Bros. Animation.

“Baker’s Dozen” – Series Premiere, Thursday, Oct. 7

Passionate amateur bakers will go head-to-head with seasoned professionals in each episode of “Baker’s Dozen.” Join hosts Tamera Mowry-Housley (Emmy-award winning host of “The Real,” FOX’s “The Masked Singer” and Hallmark’s “Christmas Comes Twice”) and Bill Yosses (author and former White House Pastry Chef) for this fast-paced competition series that will determine the best baker of all! Which of the 13 bakers has what it takes to create the next viral baking sensation, win the golden rolling pin and take home the cash prize?

“Baker’s Dozen” is executive produced by Sandy Varo Jarrell, Suzanne Rauscher, Justin Rae Barnes, Tara Seiner and Scott Mlodzinski for Bright Spot Content, an All3Media America company.

“The Next Thing You Eat” – Series Premiere, Thursday, Oct. 21

From chef David Chang and Academy Award-winning documentary filmmaker Morgan Neville, “The Next Thing You Eat” is a six-episode docuseries that explores the seismic changes happening all around us and what they mean for the way we’ll eat in the future. Chang and a diverse cast of characters dive headfirst into what lies ahead, including everything from robots, to lab-grown fish, to insect farms, to artificial intelligence calling all the shots.

Executive produced by the creators of the Emmy®-nominated “Ugly Delicious,” with showrunner Dominic Musacchio

“Taste the Nation: Holiday Edition” – Season Premiere, Thursday, Nov. 4

In “Taste the Nation,” award-winning host, executive producer and cookbook author Padma Lakshmi, who recently received her third Emmy nomination, takes audiences on a journey across America, exploring the rich and diverse food culture of various immigrant groups and seeking out the people who have so heavily shaped what American food is today. From indigenous communities to recent immigrant arrivals, Padma breaks bread with Americans across the nation to uncover the roots and relationship between our food, our humanity and our history—ultimately revealing stories that challenge notions of identity, belonging, and what it means to be American.

“Taste the Nation” returns this fall for a special four-part “Holiday Edition,” where each episode will highlight unique traditions through the lens of different immigrant cultures and cities, like Korean New Year in Los Angeles and Cuban Christmas in Miami.

“Taste the Nation: Holiday Edition” is executive produced by Padma Lakshmi along with Part2 Pictures’ David Shadrack Smith.

ABOUT HULU

Hulu is the leading premium streaming service offering live and on-demand TV and movies, with and without commercials, both in and outside the home. As part of Disney’s Media and Entertainment Distribution segment, Hulu is the only service that gives viewers instant access to current shows from every major U.S. broadcast network; libraries of hit TV series and films; and acclaimed Hulu Originals like Emmy® and Golden Globe® Award-winning series The Handmaid’s Tale and The Act; Golden Globe Award-winning, Emmy Award-nominated and Peabody-winning series Ramy; and Emmy Award-nominated series Pen15alongside hit series Little Fires Everywhere from Reese Witherspoon and Kerry Washington, Normal PeopleThe Great, Hillary and Solar Opposites; Oscar® and Emmy nominated documentary film Minding the Gap, Golden Globe-Award winning and Oscar-nominated The United States Vs. Billie Holiday, and critically acclaimed Hulu Original films Palm Springs, Run and Happiest Season. The service also streams live news, entertainment and sports from 20th Television, The Walt Disney Company, NBCUniversal, CBS Corporation, The CW, Turner Networks, A+E Networks and Discovery Networks – available all in one place. Upcoming Original releases include true-crime-inspired comedy Only Murders in the Building starring Steve Martin, Martin Short and Selena Gomez and the book-to-screen adaptation of Nine Perfect Strangers starring Nicole Kidman and Melissa McCarthy.

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The major stars in our HULU TCA Summer Press Tour

Interview with “Only Murders in the Building” stars

TV Interview!

Steve Martin, Martin Short and Selena Gomez in "Only Murders in the Building"

Interview with actors from “Only Murders in the Building” on HULU by Suzanne 8/6/21

HULU invited me to their Summer TCA Press Tour. I really enjoyed all five panels I attended, but this one was my favorite because it was the best show of the bunch.  I really loved it — It’s funny and has an intriguing mystery drama as well as an excellent cast.

I grew up watching Steve Martin (“Father of the Bride” and “Pink Panther” movies) and Martin Short (“Schmigadoon!”) on TV and in the movies (especially on “Saturday Night Live” and “SCTV” while I was in high school). It was quite an honor to see them via Zoom and to be able to speak with them (albeit briefly). Singing sensation/actress Selena Gomez is also a huge star. Even I’ve heard of  her, and I’m not in the key demographics of her fans. They all do a wonderful job on this show.

“Only Murders In the Building” is about a murder that happens in a large New York City building where these three (and many others) live. They start trying to solve the murder and make a podcast out of it. Steve Martin plays a quiet, former TV actor, Charlie.  Martin Short plays a chatty, washed-up Broadway director, Oliver.  Selena Gomez plays a young woman, Mabel, who’s renovating her aunt’s apartment. None of them have a lot of friends, but of course they do have a lot of secrets, which makes things even more interesting.

Other members of the cast include Nathan Lane, Sting, Aaron Dominguez, and Amy Ryan.

Unfortunately, they didn’t let us record the interview, so I can’t share it with you. It’s a shame because Martin and Short were really hilarious (as you might expect). The panel included actors and executive producers Steve Martin, Martin Short, Selena Gomez, along with executive producers John Hoffman and Dan Fogelman. Steve Martin is also credited as co-creator and wrote one of the episodes. Dan Fogelman created “This Is Us” and writes that show as well.

In the show, Nathan Lane and Martin Short have many funny exchanges. In one of them, Oliver is trying to convince Lane’s character that he should invest in their podcast. Oliver says something about how he was young the last time he lost his money, so Lane’s character retorts, “You were 58!” and then a little bit later, Oliver says again that he was young, and Lane’s character points out, “You were pushing 60!”  Now, I laughed at that, even though I’m turning 60 later this year. So, when they let me ask my question of the panel, I told them that I forgive them for making 60 seem old… I was very pleased when they laughed at my joke. I’ve made two amazing, legendary comedians laugh, so now I can die. There’s probably nothing in my life that will top that! 😉

I also asked Gomez about acting in the show, which is her first adult TV series. I asked her to compare this one with her old Disney shows, such as “Hannah Montana” and “The Wizards of Waverly Place.” She said that she couldn’t compare them because back then, she was just so young and had no idea what she was doing. Now she just tries to soak up as much as she can from these great actors, like a sponge.

I was going to make a joke about how we had two of the “Three Amigos!” together again, but someone else mentioned that movie, so I didn’t bother.

Steve Martin revealed that he is a fan of “true crime” shows, and that’s part of how the show was created. Martin Short said that he enjoyed how different the three of them were. They had “different energies” because he generally plays it very broadly, and Steve Martin is very understated, and Selena Gomez has a very dry delivery. They were very excited to get the many stars they have, such as Sting, Amy Ryan and Nathan Lane. Martin Short also disclosed that Sting did some ad-libbing in his scenes in the elevator with Short’s character, Oliver.

On a serious note, Martin and Short complimented each other when answering the question about how they work so well together after all these years. They said that neither one is neurotic, and they’re not competitive with each other. Gomez praised their type of comedy, which is not very dark or or crass (like a lot of humor today). She also admitted that she’s not sure if she’s a very good actor, saying “I have to be honest, I don’t know if I’m a good actor. I just do my job. And I just really hope that I can live up to, you know, these incredible people.”  Steve Martin disagreed with her on that: “When Selena’s on screen, the show is suddenly elevated. It’s more mysterious, it’s more interesting. There’s an old cliché, the camera loves her. And I would say the camera likes me, and it’s fine with Marty.”

Martin and Short have been together for a long time as friends and co-workers. They have a comedy tour and were thinking of doing another movie when this project came up. They’re thrilled to be doing it again. Short called it, “A delightful surprise.”  It definitely is that for those of us watching this great show.

MORE INFO:

ONLY MURDERS IN THE BUILDING
Premiere Date: August 31, 2021 
(weekly release)
Date Announcement Teaser: HERE

Synopsis: From the minds of Steve Martin, Dan Fogelman and John Hoffman comes a comedic murder-mystery series for the ages. “Only Murders in the Building” follows three strangers (Steve Martin, Martin Short and Selena Gomez) who share an obsession with true crime and suddenly find themselves wrapped up in one. When a grisly death occurs inside their exclusive Upper West Side apartment building, the trio suspects murder and employs their precise knowledge of true crime to investigate the truth. As they record a podcast of their own to document the case, the three unravel the complex secrets of the building which stretch back years. Perhaps even more explosive are the lies they tell one another. Soon, the endangered trio comes to realize a killer might be living amongst them as they race to decipher the mounting clues before it’s too late.

Cast: The series stars Steve Martin, Martin Short, Selena Gomez, Aaron Dominguez and Amy Ryan.

Credits: “Only Murders in the Building” hails from co-creators and writers Steve Martin and John Hoffman (“Grace & Frankie,” “Looking”). Martin and Hoffman will executive produce along with Martin Short, Selena Gomez, Jamie Babbitt, “This Is Us” creator Dan Fogelman and Jess Rosenthal.

HULU PRESENTS UPCOMING ORIGINAL SERIES ‘DOPESICK,’ ‘THE GREAT’ SEASON TWO, ‘ONLY MURDERS IN THE BUILDING’ AND ‘NINE PERFECT STRANGERS’ AT THE 2021 TELEVISION CRITICS ASSOCIATION SUMMER PRESS TOUR

Company Greenlights Comedy Series ‘This Fool’ Created By and Starring Comedian Chris Estrada and Expands Unscripted True Crime Collection With New Documentary ‘Dead Asleep’  and Docuseries ‘Captive Audience’

Premiere Dates Revealed for ‘Dopesick,’ Second Seasons of ‘The Great’ and ‘Animaniacs,’ as well as the Fall Foodie Lineup of Unscripted Series—Including ‘Baker’s Dozen,’ ‘The Next Thing You Eat’  and a Special Holiday Edition of the Award-Winning ‘Taste The Nation,’ Debuting Thursdays 

 SANTA MONICA, Calif. (Aug. 6, 2021) — Today, during the Television Critics Association’s Summer Press Tour, Hulu presented the company’s lineup of upcoming original programming, including the highly anticipated new drama series “Dopesick,” starring Michael Keaton, Peter Sarsgaard, Michael Stuhlbarg and Rosario Dawson; the second season of acclaimed, Emmy®-nominated comedy series “The Great,” starring Elle Fanning and Nicholas Hoult; new comedy series “Only Murders in the Building,” starring Steve Martin, Martin Short and Selena Gomez; and “Nine Perfect Strangers,” the latest limited series from executive producer David E. Kelley and starring and executive produced by Nicole Kidman and Melissa McCarthy—all of which join the company’s collection of premium original content.

The company also announced a series order for the new Hulu Original comedy series “This Fool,” inspired by the life of up-and-coming comedian Chris Estrada, in which he will also write, star and executive produce. Additionally, the highly successful Hulu Originals true-crime collection expands with two new titles announced today—documentary “Dead Asleep” from award-winning director Skye Borgman and “Captive Audience,” a docuseries which explores the evolution of true-crime storytelling through the lens of one family’s journey.

“Breaking out new and distinct voices continues to be a hallmark of Hulu Original programming, and we are incredibly excited to add Chris Estrada to our roster of multihyphenate creators and to bring ‘This Fool’ to our viewers,” said Craig Erwich, president Hulu Originals and ABC Entertainment.

Adding, “Looking ahead, we could not be more proud of the lineup of event series coming to Hulu through the end of the year and beyond. Led by the debut of ‘Nine Perfect Strangers’ from the brilliant David E. Kelly and a truly all-star cast, and ‘Only Murders in the Building,’ which marks a return to television for Selena Gomez and two comedic giants—Steve Martin and Martin Short—as well as the incredibly timely ‘Dopesick,’ the return of acclaimed comedy series ‘The Great,’ and a rapidly expanding slate of conversation-worthy unscripted series and documentaries, Hulu viewers will have access to many of the best shows coming to television this fall.”

With 41.6 million total subscribers across live and SVOD as of April 3, 2021, Hulu has gained remarkable momentum over the past year, with the streamer recently earning 25 Emmy nominations, including Outstanding Drama Series and Outstanding Comedy Series, 10 Golden Globe® nominations across five titles, four SAG Award nominations, six WGA Award nominations and seven NAACP Image Award nominations.

ABOUT HULU

Hulu is the leading premium streaming service offering live and on-demand TV and movies, with and without commercials, both in and outside the home. As part of Disney’s Media and Entertainment Distribution segment, Hulu is the only service that gives viewers instant access to current shows from every major U.S. broadcast network; libraries of hit TV series and films; and acclaimed Hulu Originals like Emmy® and Golden Globe® Award-winning series The Handmaid’s Taleand The Act; Golden Globe Award-winning, Emmy Award-nominated and Peabody-winning series Ramy; and Emmy Award-nominated series Pen15 alongside hit series Little Fires Everywhere from Reese Witherspoon and Kerry Washington, Normal PeopleThe Great, Hillary and Solar Opposites; Oscar® and Emmy nominated documentary film Minding the Gap, Golden Globe-Award winning and Oscar-nominated The United States Vs. Billie Holiday, and critically acclaimed Hulu Original films Palm Springs, Run and Happiest Season. The service also streams live news, entertainment and sports from 20th Television, The Walt Disney Company, NBCUniversal, CBS Corporation, The CW, Turner Networks, A+E Networks and Discovery Networks – available all in one place. Upcoming Original releases include true-crime-inspired comedy Only Murders in the Building starring Steve Martin, Martin Short and Selena Gomez and the book-to-screen adaptation of Nine Perfect Strangers starring Nicole Kidman and Melissa McCarthy.

Interviews with HULU stars at 2021 TCA Summer Press Tour

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Steve Martin, Martin Short and Selena Gomez in "Only Murders in the Building"

Interview with Kelley Kali and Deon Cole

TV Interview!

 

Kelley Kali and Deon Cole of "I'm Fine, Thanks for Asking."

Interview with Kelley Kali and Deon Cole of the movie “I’m Fine (Thanks for Asking) by Suzanne 7/27/21

This was a fun interview! These two are so talented and amiable. We had a great time chatting. I look forward to Kelley’s next film, too. She’s a DGA winner, and he stars in two ABC shows, along with being a hard-working standup comic.

Video of our chat!

Suzanne:   I watched it last night. I enjoyed it. I liked how you made us really feel what she was going through, how she was hot, tired, and having a bad day and worried, and all that made me anxious to watch it. I was like, “Sell the ring! Sell the ring!”

Kelley:   I know, right?

Suzanne:   “Don’t do that!” But that I’m glad the way it turned out.

Kelley:   Thank you so much for saying that.

Suzanne:   I don’t– I don’t watch a lot of independent movies, because so many of them are sad and depressing and boring, but I liked yours so much.

Kelley:   Good. Thank you. We tried to have a balance of that indie sad, depressing, but this is why Deon’s here, because he brought the funny to it.

Then, even the characters, like Brooklynn’s character, [she’s also] one of Deon’s closest friends, so, you know, he brought her along, and so he definitely was the light in the storytelling of serious social matters.

Suzanne:   Yeah. No, it was nice and positive. I like that. I’m more of a popcorn movie person. Marvel, Star Wars, Harry Potter.

Kelley:   Good choices.

Suzanne:   But I enjoyed it. I loved the dream sequence and what you did with that, because I’m watching going, “There’re really big holes of water there…?” and you had me. You got me.

Kelley:   The greatest parts to wake people up, and it’s a great metaphor to show that she’s drowning in so much trouble that she’s trying to get through and just to protect her daughter’s innocence.

Suzanne:   Right, and it really does grab you in the, “Oh my gosh, what’s gonna happen next, if she loses her money and the ring and all that stuff? Is she gonna drown?” So, I like that. And it really showed LA really well, too. I love that. It was almost like LA was another character in the movie.

Kelley:   It was, yeah; that city is where I grew up. It’s a suburb of LA, in San Fernando Valley, Pacoima, and so it was also just paying homage to a town that helped raise me.

And even Danny Trejo, the actor, is from that town. So, that’s why we named the character Danny. We even are featuring his mural, because he’s just one of the one of the many artists have come from that city that represent that town very well.

Suzanne:   Right. Yeah, I noticed his face on the mural. So that explains why you set it in Pacoima. I’m from San Diego, but I didn’t know. I had heard of Pacoima, but that was about it. I actually thought it was in Washington State. I’m like, “Wait, that’s LA.”

Kelley:   It was also our resource, because we were shooting during a pandemic and had to find places we could film safely, and so, I just used my hometown. My dad was a pastor there. So, I was really connected to the community. In fact, where Deon pulls up [and] his character talks to me, that’s the steps of my church, the church that I was raised in where my dad was a pastor. So, when he says, “Are you are you a pastor?” I love it. It’s one of my favorite scenes.

Suzanne:   So, how did you come up with the idea for this film?

Kelley:   So, just, it was in the middle of the pandemic, the middle of 2020, I woke up, and was like, “I’ve got to do something,” because we weren’t allowed to do anything. And one of the things that I have been noticing is that there were a lot more women on the streets here in Los Angeles. You know, we already have a large homeless population, but this increase was due to houselessnes, which was a new term that I was learning. So, it just really showed how paycheck to paycheck we are as a society, [during] this pandemic. So, a lot more people ended up in their cars or sleeping on a friend’s couch or family member’s couch, or heaven forbid, in a tent, temporarily, while they were just getting back on their feet, because maybe they do have a job and maybe the job shut down or whatever it may be.

So, I went to my writing partner, Deon Cole, and went to my girls from USC, Angelique Molina, who’s my co-director; Roma Kong is producer, and then also our other producer, Capella [Fahoome], and we came up with this concept to reflect what we were going through during 2020 and what is even more prevalent now. There’re still so many people who are houseless currently.

Suzanne:   Yeah, I can’t even imagine what it must be like there. I grew up in poverty in San Diego, and I still have plenty of relatives who are in poverty. I had actually one who, before the pandemic, was camping with her husband – no children, thankfully, but she and her husband were camping all through LA and Bakersfield where they had lived in a car, basically. So, I know how that is. So, the film did remind me of those things and make me really feel it.

So, was Danny based on a particular person that you know or just…?

Kelley:   No, no, Danny was a reflection of the women I’ve seen on the street. So, there is one story, it’s not based on her, but one thing that really triggered me was I was actually driving to get a COVID test, and I got off on the 110 [accidentally]. It’s like you exit along the side of the overpass, and I saw this beautiful black woman who just looked like she came out of a business meeting, look perfectly put together, but had her suitcase and everything. And she was dragging this chain link fence, this old fence that was kind of laying around under the freeway, and boxing herself in, because it looked like she was about to stay there for the night. And I just couldn’t believe [it]. Like she didn’t look – you know how people are like, “Well, you don’t look homeless.” A lot of people don’t look [homeless], and that’s one of the things we talk about. We want the movie to reflect it or to evoke empathy for people, to let them see it, because you don’t know people’s stories. People have this concept of others on the street being lazy or like they put themselves there, and that’s not the case of the majority of the stories.

Suzanne:   And I assume you had a certain vision for the movie before you made it. Did the finished product live up to that ideal?

Kelley:   It was better, and that just comes from a team effort. This not just from my head. It just was a team. It was Deon watching it and giving notes and catching things that I didn’t see.

And then we’d go back to the editors. We had two editors, Angelica [Lopez] and Katie [McClellan], and just the input that they gave, because, you know, when Angelique, my co-director, and I are in the grind, you’re too much in it, and you need other eyes around you, other creative eyes, to help. And I just think, as a team, it became better than I could have even imagined.

Suzanne:   That’s great. And Deon, can you tell us how your role came about? Was it just like she said; she came to you and said, “I want to put a movie together?” And you said, “Sure,” ?

Deon:   Yeah, it was just another obstacle added as far as to heighten her decision making on what she needs to do for the character and just bringing lightness to a heavy situation. Yeah, basically, that was it.

Suzanne:   And can we assume that after Danny got her apartment that she went to her friend Brooklynn and told her all about running into Chad, I hope?

Kelley:   I don’t know. Does Danny kill Brooklynn’s joy? Does she just let it ride? I’m gonna leave it up to you to decide.

Suzanne:   Honesty, I would like to see a sequel all about Brooklynn and Chad.

Kelley:   Wouldn’t that be fun?

Suzanne:   Maybe a TV series. Get your own sitcom based on that. I would like that. That was so funny, that part.

And what was the most fun thing for either or both of you about doing the movie? I know it was a lot of work, but what was fun about it?

Kelley:   For me, it was the roller skating, because I’m obsessed with roller skating. So, although I was on skates for like, ten or more hours a day, every day, I just was having a blast. And my favorite part was, I had to bomb this hill. It’s in the opening credits. You can’t even really see the grade of the incline that it is, but it is extremely steep and dangerous. And we decided just to get the drone shot and bomb it, and it scared the crap out of my co-director, Angelique, and my producers. It was just fun seeing them freak out as I’m going this hill. They talk about to this day how traumatized they were, but thank God, I made it. No little pebbles or twigs got in the way.

Suzanne:   That’s right, because you weren’t wearing a helmet? Were you wearing protection?

Kelley:   I was in a half top and biker shorts, which wasn’t going to protect a thing. So, that’s why they call that hill Devil’s Hill, because it’s one of the hardest hills to go down.

Suzanne:   I’m surprised you got the insurance to sign off on that.

Kelley:   You know, sometimes you ask for forgiveness.

Suzanne:   What about you, Deon? What was fun for you?

Deon:   Like, waiting around, and us just laughing in between takes and just laughing in that situation and coming up with different ideas. And there was a lot of funny stuff that we didn’t use.

Kelley:   Oh, yeah.

Deon:   So, it was just fun creating all these different scenarios. You know, it was great.

Kelley:   Deon’s improv, it was so hard for me to keep a straight face [with] the stuff that he was saying to me on the steps. We could just cut a whole series of all of the stuff that he shouted out of that car, because we couldn’t put it all in there, but he was hilarious.

Suzanne:   That was all improv, that whole part?

Deon:   Yeah.

Suzanne:   Okay, and I was told the movie will be on BET, will it be in theaters as well, or just on BET?

Kelley:   It’s going to be in theaters at Film Festival. So, we’re going to Gina Davis’s Film Festival next week, and we’re going to be screening there in the theater on August 5th and virtually as well. So, if you want to check it out at the Bentonville Film Festival, but other than that, yeah, we’re going to be premiering on BET Her on August 7th.

Suzanne:   Okay, good. And do you have any other films that you’re working on, besides this one? Like are you’re thinking of one, or are you working on one already?

Kelley:   Well, we have one that we wrote together. It’s what we actually started with as writing partners, and then this one kind of just wiggled its way in again, but we have a script that we finished. It’s a pure comedy. It’s hilarious; it’s so hilarious. And it’s now with Macro, the producers of Judas and the Black Messiah, Sorry to Bother You, Mudbound, and all of that stuff. So, we’re working on getting that out, but Deon has a lot of other great things [coming] in.

Suzanne:   Yes, and that was my next question. You’re still on Black-ish and Grown-ish, right?

Deon:   Yes.

Suzanne:   And you have you have some other movies coming out. Have you started shooting Black-ish season eight yet?

Deon:   We start next week. We had a second table read yesterday, I think. And yeah, we start next week.

Suzanne:   Oh, cool. And you have some other movies coming out? Is there anything particular that you wanted to tell us about?

Deon:   Yeah, a movie on Netflix called The Harder They Fall. It’s coming out soon, probably in the fall. Yeah, that’s just about it right now.

Suzanne:   I watched some of your Netflix comedy special last night, that was funny.

Deon:   Thank you so much Yeah, I’m working on a new one now.

Suzanne:   Oh cool. And who would you say your comedy influences are?

Deon:   So many, from Eddie Murphy to Richard Pryor to [unintelligible] to Ellen DeGeneres to Steven Wright to George Carlin.

Suzanne:   Cool. That’s great. That’s probably why I thought it was funny. I grew up listening and watching all those people.

Deon:   Yeah, I [was influenced by] all of them.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

movie posterHere’s your chance to get in on one of the few critically lauded, award-winning feature films at the upcoming gems premiering on BET HER in a couple weeks, Saturday, August 7th at 7pm ET/PT, 6pm CT.  Filmmakers KELLEY KALI and DEON COLE (Black-ish star) talk about their critically lauded film, I’m Fine (Thanks for Asking).  The 2018 Oscar, DGA winning young director, Kelley Kali, also stars in this Pandemic-era indie along with Deon and we have them available together next Tuesday morning, JulyKelley Kali 27th (Pacific).

The important movie, which incorporates humor into the most important issue of our recent times, is as refreshing of a film seen you’ll see emphasizing a reason this early 30 year-old filmmaker has been kept an eye on by the biggest names in Hollywood over the past year. Add to the attraction the riveting Deon Cole, a truly authentic cast and a gifted crew to a compelling story which addresses issues within often marginalized communities by using the art of filmmaking to create dialogue and action towards positive change.

Deon Cole as Chad in "I'm Fine (Thanks for Asking)"Filmmaker Kelley Kali, one of the breakout talents in Hollywood, won the 2018 Academy Award for Best Film for her narrative short, Lalo’s House, and brought in  a number of talented filmmakers including co-director Angelique Molina, fellow USC Cinema School graduate Roma Kong as well as award-winning producer Capella Fahoome. Kelley developed the plot line of I’m Fine (Thanks For Asking)”  looking around Los Angeles as the Covid crisis started to shutter businesses, diminish earnings and jeopardize so many single parents ability to pay rent and feed their families late last spring.  The storyline centers on a recently widowed mother who becomes homeless and convinces her 8-year-old daughter that they are only camping for fun while she works to get them off the streets.Variety Review

As the whole crew with this gem of a film rise to the apex of both Hollywood and the What To Watch at 2021 film festivals, we are certain coverage in wide-reaching outlets is a win-win. To see how brilliant some of the press has been, scroll belowto read a couple rave reviews or click on this recent interview with Kelley and Deon: https://www.youtube.com/watch?v=aGpn7KPsUcs

Read the review: https://tinyurl.com/ImFineVariety

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SXSW Review

Read the review: https://tinyurl.com/ImFineScreenDaily

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Deon Cole and Kelley Kali

Interview with Tracy Birdsall

TV Interview!

 

Actress Tracey Birdsall

Interview with Tracy Birdsall of “I Think You Should Leave” and other movies/shows by Suzanne 7/21/21

I admit that I’d never heard of Tracy, or this weird little comedy show, before her publicist contacted me for an interview. Once I started viewing her other work, though, I could see that she’s been around a while and has done many movies and shows. We had a really nice chat.

Suzanne:   So, are you calling from LA?

Tracey:   I am.

Suzanne:   Okay. Cool. You’ve lived there pretty much most your life, right?

Tracey:   I have. Yeah, I mean, I’ve left; I followed projects, but I kind of always come back here. Yeah.

Suzanne:   That’s nice. Yeah, I’m from San Diego originally.

Tracey:   Oh, nice. I lived down there for a long time. I lived in Rancho Bernardo, it’s near Rancho Santa Fe.

Suzanne:   Oh, that’s a really nice area.

Tracey:   Yeah, it’s beautiful.

Suzanne:   I don’t have to tell you that. We always go back. We haven’t lived there in a long time, but we always go back to visit family and friends and everything. So, yeah, it’s so beautiful.

Tracey:   You kind of can’t beat that weather too. I mean, it’s it’s better than LA. You know, I mean, it’s spectacular.

Suzanne:   Yeah, it’s kind of ruined me, even though I’ve lived many other places.

Tracey:   Where are you at now?

Suzanne:   I’m in Arkansas right now.

Tracey:   Oh, wow, believe it or not, I have an uncle in Arkansas. I haven’t seen him since I was a teenager.

Suzanne:   What part, do you know?

Tracey:   I really don’t. I really don’t. Yeah, he moved there, and he hasn’t come back in a long time. It’s my mom’s baby brother, but I keep in touch with him on social media, I hate to say. You know, you do what you can.

Suzanne:   Right. It’s funny how many people say “Oh, I used to live in Arkansas,” or “I know somebody there.” It’s funny.

Tracey:   Yeah, he’s actually the only one I know, and it’s one of the few places I’ve never been.

Suzanne:   Oh, well, it’s very pretty here. You know, like most of the South, there’s lots of trees, so we get lots of rain and humidity.

Tracey:   And beautiful lakes. He’s sent us some beautiful pictures of some lakes and things like that. It’s a really spectacular place.

Suzanne:   Yeah, it does have a lot of pretty lakes; you’re right. Yeah, it’s beautiful here, and we live kind in a town, but it’s a small town. So, it’s kind of woodsy. So, it’s very pretty right around where I live. You can’t beat it.

Tracey:   Did you guys get a big influx of people when the pandemic hit?

Suzanne:   No, and, actually, this was a good place to be during the pandemic, because we didn’t –

Tracey:   That’s what I would think, yeah.

Suzanne:   It’s not my favorite place to live, because I’m a city girl, but it’s been really nice during the pandemic, I have to say, even though cases are up here now, I mean, the relative number of cases, you know, it’s nothing like being in a big city.

Tracey:   Yeah, I’m kind of in between. I’m just outside of LA. So, it’s like, I’m close enough where I can be in town in 15, 20 minutes, but little on the outskirts. I was in Malibu until the fires hit. I lived in the same house for 16 years, and I’m kind of a little off since then. It’s like I don’t really know what to settle into, you know?

Suzanne:   Oh, did you lose your house?

Tracey:   Oh, yeah. All the way down to like, literally – it was a two story, a big house. It was two stories, and you probably could have put a measuring stick into the ground, and the debris was less than, I don’t know, 12 to 15 inches, like, completely gone, everything. It was just nuts.

Suzanne:   So many people lost their homes and stuff.

Tracey:   Like 600 just in our area.

Suzanne:   Well, I’m glad you got to move somewhere else, at least.

Tracey:   Yeah, you know, I’ve been filming so much since the house burned down that it’s like I haven’t really – like I’ve moved into a house, but you don’t get that homey feeling. I went and hung a picture on the wall. I hung it, because I’m always leaving, and then the pandemic hits, and you’re like, “Okay, this is weird”

Suzanne:   So, you started acting when you were pretty young, right?

Tracey:   I was really young. Yeah. I mean, when I was a little girl, I started singing and dancing lessons, and I went right into theater and musical theater, you know, before I can even remember. So, it just it started at a young age, and then I just built it from there, and I just trained and worked really hard. That’s what you do.

Suzanne:   So, how old were you when you booked your first gig?

Tracey:   Professionally, I was 15 when I did my first gig. I mean, I’d done theater and things before that, but my first professional gig was actually a Sunkist soda commercial. They ran for 10 years. You know, they just kept reshooting them and redoing them and re-running them. That was kind of my beginning.

Suzanne:   Yeah. I probably saw it. I don’t remember, since it was a long time ago. You’re you’re about the same age as I am. So, I was in high school.

Tracey:   Well, you know, what’s funny about it is I did one at 15 and one at 16, and the one when I’m 15, I really look like a little kid in it when I looked at it. Then, when I’m 16, I changed so much. I’m like, “That’s amazing.” I would have never known that if I wasn’t looking back at these things, because I still felt like a little kid. But it’s just really funny how when you do TV, film commercials, all these things; there’re all these markers of how old you were when you did certain things, and it’s kind of interesting.

Suzanne:   Yeah, I guess that would be the case. That would be cool. You could put together a little thing with like excerpts of different things you’ve done over the years, like your life in film.

Tracey:   Yeah, maybe maybe when I stop working.

Suzanne:   Yeah. When you have like an anniversary party or something like that you could put it together, or somebody should put it together for you, really.

Tracey:   That’s the plan. That’s the plan. It’s funny.

Suzanne:   So, if you had to do it all over again, would you still choose the same career?

Tracey:   Well, I would, because I didn’t really choose it and go after it. I was drawn towards it, because I love entertaining people; I love the land of make believe. I love training in things. So, it was kind of a natural progression for me, where it was just taking all the things that I love to do and keeping studying them and working on them. Then, it just kept growing. I think that the real pinnacle was when I started getting into sci-fi, because I was a tomboy. So, all the sporting activities that I did, running and stuff like that, really paid off, because not everybody wants to go do that. I kind of thrive on it. So, it’s just, if I look back on my life, it just kind of looks like it was a training field for what it was going to become.

Suzanne:   All right, well, let me come back to your running. I’ve got a question regarding that kind of thing later. But let me tell you, if I ask you a question that you think is too personal, or you don’t want to answer, just let me know; I’m fine with that. So, here’s one that I don’t know if you want to answer it. So, looking at the list of your shows and movies, on IMDB, there’s a gap between 2000 and 2010. What did you do during that time?

Tracey:   It’s actually not a huge gap. See, what happened was it used to be that we [thought] we aged out of of our industry. We were pretty much told when we were younger that you can work as much as you can until you’re 30, and then you have to go find something else to do, and everybody kind of knows that that was the way that it worked. Now, I actually took time off. I love remodeling houses and working on things and traveling. And I looked over my shoulder, and I had friends that were still working. So, you start looking at it, and you contact people in the industry, and they’re like, “Oh, no, it’s changed.” I’ve literally found, I think it’s been at the end of the baby boomers, that every year that I get older, that marker gets pushed older. So, it was kind of hard to get my niche back in, because I had my realm and my people and stuff like that, and then I took time off. Then, I’m like, “Well, I can still keep keep working.” So, I came back, and I went heavily into training. I studied with Margie Haber, and she’s just a real dream as far as a coach. I just kind of gave it my all and got myself back into the industry, but it was kind of a shocking thing and an exciting thing, because we can work forever. We can as long as you’re willing to put out the effort, because everybody knows this isn’t an easy job. As long as you’re willing to put out the effort we can we can pretty much keep going forever now you’ve seen.

Suzanne:   Well, you’ve been in quite a few movies the last eight years. Is there something particular that happened around 2013 or 2014 to get your career going so much better?

Tracey:   I think a lot of it is we get out of something what we put into something. So, I always put some effort in, and I always tried to be in a project and always tried to have something going. And I was a single mom. I mean, I raised two kids, three kids on my own. Then, one day I kind of sat there, and I was like, “Well what do I have? How much harder do I have to go work in order to work consistently again?” And it was pretty much all the time. So, I used to always look at something, and, “Oh, this will take me five hours to prepare for,” and “this will take me eight hours to prepare for;” “this will take me a month to prepare for.” I stopped looking at life that way, and I just started pushing everything aside when I had a project or a really big audition, and [started] really putting everything that I had into it. That was when I really noticed a difference. So, looking back on it, it’s probably that way in every industry, but it was really my effort that I put out more so than that which anybody else [did]. I couldn’t blame it on anybody else. I can’t give anybody else that credit. It just has to do with sheer effort and hours.

Suzanne:   Okay, well, going back a bit, I noticed that you were on Loving for three years playing Amy Sanders. Our site has a lot of soap opera fans. What what was that experience like?

Tracey:   You know, I was really young, and it was wonderful, because I was actually living in New York City. I was with [unintelligible] out there and had a print agent out there and a commercial agent out there. So, they brought me in, and Amy was actually pregnant. I forget who the relative was, but it was one of his later family. So, then, they brought her back again, and she was still pregnant. Now, mind you, this was almost 14 or 15 months later, which I thought was really funny, but nobody picked up on it. And then the storyline continued later on, and the child was supposed to be missing and things like that, but I think that they were at that point into ratings and going with the other storylines, and so that kind of fizzled out.

But as far as an experience, it was amazing. I mean, I just loved it. Everybody was wonderful to me, and now it’s kind of where I got my eyes into the land of soap and how different it is than regular TV or film, which it’s completely different.

Suzanne:   Yeah, and I’ve heard it’s a great training ground too.

Tracey:   It’s a good training ground; it’s very consistent. So, you always know what to expect when you show up, [but], you know, there’s only so far you can take the character development unless you’re one of the main characters throughout the whole thing. So, it was something that I’ve had the opportunity to do.

So, since then, I’ve done a couple little stints, but it’s not the direction that I chose to go in, just because I like really getting into the depth of a character and just really exploring it. But boy, it’s a fantastic job if you just want consistent work within the industry.

Suzanne:   Yeah. And you were briefly on The Young and the Restless. How did that come about?

Tracey:   That was old-fashioned auditioning. So, that was really fun. I mean, that was with Tucker McCall, and that was just a really fun little stint, but it was just, you know, we do so many auditions for so many projects and many of them we forget we auditioned for the time that we book them, because there’s usually such a long time period in between the two. They talked to me about bringing that character back a little bit, and then that kind of fizzled. That was when they were looking at maybe replacing one of the characters, and then that didn’t happen. They renegotiated her contract instead. So, it’s just, I think, soap is such a fascinating world, because it’s so different than the rest of the industry.

Suzanne:   Yeah. And Tucker was played by Stephen Nichols, who’s one of my favorite actors. How was it working with him?

Tracey:   He’s a really nice guy, and I have to tell you, I mean, most of the experience that I’ve had working in any of the mediums, the people are really kind. You get to that level, no matter what the medium, and people are professionals. They’re polite. They’re kind. Everybody’s there to do their jobs. Yeah, Stephen was a really great guy.

Suzanne:   Cool, he always seemed really nice. So, you said there was another soap you were on? I didn’t see that one on there.

Tracey:   No, those are the two soaps that I did.

Suzanne:   So, you recently did an episode of I Think You should Leave with Tim Robinson on Netflix. Can you tell us about landing that role and what you went through for it?

Tracey:   Sure. I mean, again, that is another thing that was traditional auditioning [and] taped at home, because it was during the pandemic. We taped it at the beginning of the pandemic. Then, I think almost a year later, I got the call, and they wanted to make sure that I had all the protocols in place, and I still looked the same, and that was a fun project, especially because we’d all been locked up so much inside. I mean, I did some pickup shots for a couple other projects that I’m working on, but it was nice to have somebody go into production, and it was an interesting production, because of all the COVID protocols put in place. But what a cast. What a great group of guys and what a funny show. I just absolutely love that type of humor.

Suzanne:   Yeah, and that episode, that part that you did with the alien bar or whatever, that was fun.

Tracey:   It was really fun, and Tim was hilarious. Tim Robinson was there. Zach was there that day. So, it was just a really enjoyable shoot. I hope to work with them more next time, because I really enjoyed that type of humor. If you’ll notice in my past, I always try to make sure I keep comedy alive, because it’s something I was trained in a lot when I was younger. It isn’t where the majority of my work is coming from, but anytime I get the chance, I just absolutely love the genre.

Suzanne:   Oh, yeah, I was watching your movie earlier. I haven’t finished it yet. Shoot, the name is escaping me.

Tracey:   Who’s Jenna…?

Suzanne:   Who’s Jenna…? Thank you so much. Yeah, that is cute. Like I said, I have to finish watching it later; I had to stop and do some other stuff, but that was fun.

Tracey:   That was really fun, and [when] I actually shot Who’s Jenna…? – I was lead in both that and Rogue Warrior, and when we shot those, I only had a week off between the two. So, that was an interesting thing to go from a heavy sci-fi action and from a comedy like that, but it challenging. It was fun. One of them is grueling, and one of them is like a dance. I think comedy’s like a dance.

Suzanne:   I was looking for Rogue Warrior, but I guess it’s not in my Roku for free…So, had you watched that show I Think You Should Leave with Tim Robinson before you were appearing on it?

Tracey:   I’ll tell you the funny story about that is when I got the audition call, I hadn’t seen it. I usually will watch about 10 or 15 minutes of the show, just to get the tone of it before I tape an audition, and I literally sat down to watch 10 or 15 minutes, and I watched the entire season. I was laughing so hard. So, that was fun. I became an immediate fan of the show.

Suzanne:   And now you have all these sci-fi movies coming out. Were you a fan of sci-fi before?

Tracey:   Yeah, ever since I was a little kid. My dad was a sci-fi nut, and so it’s kind of I guess genetically bred into me. So, that’s been when my career got really, really fun. It was always a lot of hard work, and it was always fun, but when it got really fun is when I started to get to play in that genre.

Suzanne:   Do you know what shows your dad liked?

Tracey:   We watch Star Trek with a bowl of rocky road ice cream in our laps constantly. So, that was a big one. Logan’s Run. I mean, there’re just too many of them to even count. Pretty much everything that was sci-fi we watched.

Suzanne:   Big Star Wars fan?

Tracey:   Big Star Wars fan, big Doctor Who fan. I just love it all.

Suzanne:   Cool. And do you have anything else besides these movies that are coming out that you’re working on now or preparing to work on?

Tracey:   Well, The Time War‘s coming out, which is a time travel television series. It’s an eight hour series we’ve been working on for about five years now. So, it’s finally, luckily coming to fruition. Then, Rogue Warrior, there’s a TV series based upon it that’s some backstory and also the future of it, called Age of Darkness that will be out right behind The Time War. They’re both in the end stages of post-production. Then, I have a film called Hotel Underground that I shot in Melbourne, Australia right before the pandemic. Hopefully, that’ll be slated for release soon too.

Suzanne:   Have you finished working on these, or you haven’t worked on them yet?

Tracey:   We finished them all.

Suzanne:   Okay. So, what I meant is do you have something that you’re working on now, or that you’re preparing to work on?

Tracey:   No, actually, I Think You Should Leave is the the second to last thing that I filmed besides pick up shots for The Time War, and everything else is finished and coming out. It’s kind of when I get to take a little break, and then it’ll come back up again. It always does.

Suzanne:   Okay, well, you said you work all the time, so it sounds like you need a vacation.

Tracey:   You know, it will be nice to have just a couple of months off, and then I’m happy to jump back in.

Suzanne:   And I have to say, you look really great for someone who’s close to my age. What is your secret?

Tracey:   That’s really funny. Thank you. Mostly, I don’t know, lots of exercise. I’m a vegan. Even with skincare, like I don’t put products on my skin; I put ingredients on my skin. So, it’s kind of like vegan but for the skin. So, I guess just good healthy eating and staying active and taking care of yourself. Plus, I looked 12 when I was 25, so I kind of had some extra years there.

Suzanne:   Sure. No, I completely understand that, because everybody tells me I look good for my age. I don’t put the work into it you do, so I don’t look as good as you do, but I look a lot younger than I am. So, I understand that completely. We’ve got good genes to make us look younger, right?

Tracey:   I think a lot of it is genetics. I think there’s an attitude. So much is attitude too.

Suzanne:   Yeah, definitely. I completely agree with that.

Tracey:   I don’t plan on ever getting old. I don’t know about you.

Suzanne:   No, definitely not. I’m one of those lucky people where my hair hasn’t started to go gray yet. So, I’m like, “don’t go” every time there’s a gray hair. I’m like, “no.”

Tracey:   You’re like, “No, you must [not] go.”

Here is the audio version of it.

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Tracey Birdsall, who plays Janeane.
Birdsall and Robinson in "I Think You Should Leave" on Netflix
An award-winning actress well regarded for her versatility, Birdsall‘s many credits include TV’s THE YOUNG & THE RESTLESS and ROGUE WARRIOR. She is currently filming the 8-hour sci-fi series THE TIME WAR, in which she has the lead role .
  • Netflix recently premiered the second season of the critically-acclaimed sketch comedy series I Think You Should Leave with Tim Robinson.
  • Quote from Tim Robinson and co-creator, Zach Kanin: “We are very excited to be working with The Lonely Island, Irony Point, and Netflix to make another season of “I Think You Should Leave.” We are so thankful we get to do it again!”
  • The series pokes fun at life’s most bizarre and mundane situations. The first season saw Robinson and a few of his famous friends navigate awkward workplace drama, host an intervention in a Garfield themed house, talk their way out of a babysitter’s fake hit and run, and much more.
  • The series was created by Tim Robinson and Zach Kanin, and is produced by The Lonely Island and Irony Point.
  • The first season was nominated for a 2019 TCA award in the category of Outstanding Achievement in Sketch/Variety.

Proofread and Edited by Brenda

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Tracey Birdsall in "Rogue Warrior"

Y&R Short Recap Friday, July 23, 2021

Daytime Soap Opera Short Recaps

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Recap written by Eva

Moses finally tells Devon that he is considering some other career options besides medicine.

Lily spends some time with Johnny since he has a tummy ache and he asks her to stay home with him rather than go to work.

Sharon is rattled when Adam tells her that she was attracted to him because he was, a bad boy. Adam is rattled when Victoria tells him not to underestimate her because she is the one he should fear the most. Adam remembers that those are the words that Victoria said to him in the dream he had after the kidney transplant.

Ashland wants Victoria to go with him on a trip to New York. Victoria returns home from her errands and finds Ashland passed out on the couch. Ashland tells her its an anxiety attack…he has them when he is under a lot of pressure. Victoria wonders if the merger caused his anxiety and she thinks the merger may have been a bad idea.

Naya recants her confession of Richard’s murder but refuses to help Michael with the investigation he is opening about Sutton.

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