Interview with Noah Wyle, Gina Bellman, Beth Riesgraf and Aleyse Shannon

TV Interview!

Gina Bellman, Beth Riesgraf and Aleyse Shannon in "Leverage: Redemption" on Freevee

Interview with Noah Wyle, Gina Bellman, Beth Riesgraf and Aleyse Shannon of “Leverage” on Freevee by Suzanne 11/2/22

I always enjoy speaking with the actors from this great show! This was my first time speaking with Noah Wyle, who joined last season. Note that there are three different short interviews below. Season 2 drops on Free Nov. 16. I’ve seen the first three episodes, and they were even better than last season. I hope you enjoy them as much as I did!

Noah Wyle (Harry)

I’ve enjoyed most of Noah’s roles in “ER,” “Falling Skies” and “The Librarian,” so it was awesome to speak with him. I felt like he was not in the best mood (I’m sure it must be exhausting to go through so much press each time), but he definitely warmed to me.

Noah Wyle of "Leverage: Redemption" on Freevee (photo from Amazon press site)

Beth Riesgraf and Aleyse Shannon of "Leverage Redemption" on Freevee

Beth Riesgraf (Parker) and Aleyse Shannon (Breanna)

These two were in great spirits and fun to speak with. They shared the wonderful news about Aldis being in more episodes this season.

Gina Bellman (Sophie)

Gina was lovely to speak with. Unfortunately, the audio and video was not the best quality. I hope you can enjoy it, anyway!

Gina Bellman as Sophie in "Leverage: Redemption" on Freevee

Gina Bellman (Sophie) and Noah Wyle (Harry) on "Leverage: Redemption" on Freevee

MORE INFO:

Amazon Freevee’s Hot Heist Drama Series Leverage: Redemption Returns on November 16 ​​​​​​​Exclusively in the U.S. and UK

Sep 29, 2022
The official Season Two trailer and key art now available

WATCH THE TRAILER 
HERE

CULVER CITY, California—September 29, 2022— Amazon Freevee announced today the return of its fan-fueled heist drama Leverage: Redemption premiering on November 16 exclusively in the U.S. and UK. Leverage: Redemption follows a Robin Hood-esque team of criminals as they stage elaborate cons against wealthy and powerful individuals on behalf of clients who have been wronged. The second season consists of 13 episodes with the first three episodes available immediately and a new episode releasing each Wednesday until the season finale on January 25, 2023. The fan-favorite first season of Leverage: Redemption is also available on demand and as a FAST channel on Amazon Freevee.

In Season Two, corporate bad guys and dirty dealers are stepping on the little guy in their quest for money and power and the Leverage team is back to teach them a lesson. No matter the danger, when someone needs help, they provide…Leverage. This time around, their criminal skills are put to the test by everything from a husband-and-wife team running a multi-level marketing scam and a shipping magnate dumping boatloads of plastic waste to a music producer who abuses his position over vulnerable women.  This season also sees an old friend of Sophie’s unexpectedly coming out of the woodwork, making her question her choices.

Leverage: Redemption stars Gina Bellman as Sophie Devereaux, Beth Riesgraf as Parker, Christian Kane as Eliot Spencer, Aldis Hodge as Alec Hardison, Noah Wyle as Harry Wilson, and Aleyse Shannon as Breanna Casey.  Season Two guest stars include Pierson Fodé, Alanna Masterson, Anand Desai-Barochia, Steve Coulter, and Doug Savant.

Kate Rorick serves as co-showrunner and executive producer, alongside co-showrunner and executive producer Dean Devlin, and executive producers Marc Roskin and Rachel Olschan-Wilson of Electric Entertainment. John Rogers and Chris Downey served as consulting producers.

About Electric Entertainmen
Headquartered in Los AngelesElectric Entertainment is an independent studio headed by veteran producer Dean Devlin along with his partners Marc Roskin and Rachel Olschan-Wilson. Electric Entertainment also houses acquisitions and sales divisions, with domestic sales headed up by Steve Saltman and the international division headed by Sonia Mehandjiyska. Electric also has a satellite office located in Vancouver, Canada.

Among Electric’s hit television series are The Librarians and Leverage, which ran for four and five seasons respectively on TNT, The Outpost, which premiered its fourth season on The CW in 2021, and is now streaming on Amazon Freevee, and Almost Paradise, which is currently streaming on Amazon Freevee after having premiered on WGN America. Season two of Almost Paradise is currently in production. Electric’s new series The Ark is currently in post-production for the SYFY Channel. Electric’s spin-off continuation of Leverage, Leverage: Redemption, is currently streaming in the U.S. and the U.K. on Amazon Freevee, as one of the service’s first original programs.

Electric’s Feature Films have included Bad Samaritan starring David Tennant and Robert Sheehan, the award-winning film Say My Name starring Lisa Brenner and Nick Blood, the critically acclaimed documentary Who Killed the Electric Car?, and most recently The Deal starring Sumalee Montano and Emma Fischer. Electric also acquires, distributes and sells worldwide rights to Electric’s produced and acquired content, as well as theatrical films from around the world, including Blood On The Crown, starring Harvey Keitel and Malcolm McDowell, Heavy, starring Sophie Turner and Daniel Zovatto, Rob Reiner’s historical biopic LBJ, starring Woody Harrelson, and Book Of Love, starring Jessica Biel and Jason Sudeikis. The company’s domestic distribution division, headed by Steve Saltman, is a full-service operation serving all significant outlets with various rights to films and series including: TVOD, EST, AVOD, SVOD, PTV, Linear Basic Cable and Broadcast.

Amazon Freevee, formerly IMDb TV
Amazon Freevee is a free ad-supported streaming video service with thousands of premium movies and TV shows, including Originals and FAST channels, available anytime, for free.

  • Expansive Catalog: Amazon Freevee offers viewers ambitious Originals, including Bosch: Legacy; Emmy-winning court program Judy Justice; reality design series Hollywood Houselift with Jeff Lewis; comedy series Sprung; music documentary Post Malone: Runaway; heist drama Leverage: Redemption; spy thriller Alex Rider; and the sports docuseries UNINTERRUPTED’s Top Class: The Life and Times of the Sierra Canyon Trailblazers. Combined with an always updating library of broadly appealing hit movies and TV shows across a wide selection of genres, and a catalog of more than 100 FAST channels, Freevee delivers customers the content they would expect to see on a paid service.
  • Free: The entire catalog of content on the service is free. No paid subscriptions necessary.
  • Limited Ads: Freevee provides customers highly sought content supported by limited advertising.
  • Instant Access: Freevee is available as an app on Fire TV, Fire Tablets, and as a free Channel within Prime Video, across hundreds of devices. Freevee content can also be accessed within the “Free with Ads” tab and “Live TV” tab on Prime Video. Freevee is available as an app on third party devices including Roku, Samsung smart TVs (2017-2021 models), Apple TV 4K, Apple TV HD, Comcast’s Xfinity Flex, Xfinity X1, Chromecast with Google TV, NVIDIA SHIELD and other Android TV devices, Xbox One, Xbox Series X|S, PlayStation 4 and PlayStation 5 consoles, as well as LG Smart TVs (2018-2021 models). The app is also available on iPhone, iPad, and Android mobile devices.
Ep 201 – The Debutante Job (Premieres 11/16)
Logline: The team pulls Harry back into the fold to help a journalist investigating the corrupt president of a small eastern European nation. But when the journalist is grabbed, our team has to infiltrate a London Ball to extract him.
Ep 202 – The One Man’s Trash Job (Premieres 11/16)
Logline: The crew finds out that a shady plastics exporter whose dumping threatens local waters is smuggling black market antiquities on his barges, and plots to relieve him of his ill-gotten gains.
Ep 203 – The Tournament Job (Premieres 11/16)
Logline: The team has to infiltrate an e-sports tournament to stop a ruthless team owner from mentally and physically abusing his young players.
Noah Wylie as Harry

Noah Wyle

Harry Wilson

Noah Wyle is an actor, writer, producer and director. He is a multiple Emmy, Golden Globe and SAG Award nominee and winner best known for his work throughout twelve seasons on NBC’s celebrated and critically acclaimed medical drama ER. In his role as Dr. John Carter, Wyle became known to audiences worldwide. Wyle recently wrapped a starring role in Leverage: Redemption for IMDb TV, Amazon’s free streaming service.

Most recently, Wyle starred in Ava DuVernay & Greg Berlanti’s limited series The Red Line for CBS. His work garnered him a Critics Choice Award for Best Actor in a Limited Series. Wyle’s other recent work includes Matthew Weiner’s The Romanoffs, TNT’s critically acclaimed sci-fi series Falling Skies and his long-running TNT series The Librarians, on which he also served as an Executive Producer.

Wyle’s credits include the critically acclaimed roles as Steve Jobs in the Emmy-nominated Pirates of Silicon Valley for TNT. He starred in Oliver Stone’s 2008 drama W in the role of Secretary of Commerce Don Evans. Wyle appeared in the Rod Lurie-directed drama Nothing But the Truth alongside Angela Bassett and Kate Beckinsale. In 2009, he was seen in William Olsson’s An American Affair, which starred Gretchen Mol. He also starred in and associate-produced The Myth of Fingerprints for director Bart Freundlich. Wyle’s additional feature film credits include Warner Brothers’ White Oleander, Columbia Pictures’ EnoughDonnie DarkoSwing Kids and Aaron Sorkin & Rob Reiner’s A Few Good Men.

Gina Bellman

Sophie Devereaux

Gina Bellman is a New Zealand-born British actress known for her work on both sides of the Atlantic. Bellman has recently reprised her leading role in the exciting new season of Leverage: Redemption for IMDb TV, produced by Amazon Studios and Electric Entertainment.

The original five seasons of Leverage for TNT earned her a Saturn Award Best Supporting Actress nomination and a passionate fanbase as the glamorous and ingenious grifter Sophie Devereaux.

Recent roles include Karen in NBC’s Emerald City and crime boss Elena Markedis in the critically acclaimed Sky series Bulletproof alongside Noel Clarke and Ashley Walters.

She starred opposite James Nesbit in the BBC, Golden Globe-nominated limited series Jekyll, and has a cult following for her portrayal of Crazy Jane in the multi-award-winning comedy series Coupling – both written by Steven Moffat.

Her television work includes leading roles and guest appearances in many productions such as Henry IXRipper Street, The Wrong Door, Waking the Dead, Hotel Babylon, Jonathan Creek, Ted and Ralph, Only Fools and Horses and Blackeyes.

Film roles include – Permanent Vacation, Zerophilia, Sitting Ducks, Pressure Points, Married Unmarried, Seven Days to Live, Paranoia, Silent Trigger, Everything I Like, Secret Friends, Leon the Pig Farmer and King David.

Bellman has appeared regularly at the Royal National Theatre in award-winning productions such as The Crucible: director Mike Leigh’s Two Thousand Years: Cleo, Camping, Emmanuelle & Dick and From Morning to Midnight. Her West End theatre includes The Rocky Horror Show, Hamlet, Speed the Plow, Twilight of the Golds and Orson’s Shadow, in which she played the part of Vivian Leigh and as Marilyn Monroe in Insignificance.

Bellman appears regularly at Literary festivals reading poetry and is a repertory performer with educational charity Word Theatre.

Beth Riesgraf

Parker

Beth Riesgraf is best known for starring in TNT’s award-winning drama, Leverage opposite Timothy Hutton, Gina Bellman, Aldis Hodge and Christian Kane; and in USA’s Complications opposite Jason O’Mara, Jessica Szohr, Gregory Fears and Lauren Stamile. Riesgraf recently starred in the CBS All Access show 68 Whiskey, produced by Brian Grazer and Ron Howard. She will reprise her role as Parker in the reimagination of Leverage: Redemption for IMDb TV. She also directed multiple episodes for the upcoming series.

Riesgraf’s other notable TV credits include a recurring role in Stranger Things and as Dr. Maeve Donovan on Criminal Minds. She has guest-starred on numerous shows, including Seal Team, The Mentalist, My Name is Earl, Without a Trace, NCIS, Killer Woman, Perception, The Librarians and How I Met Your Mother.

On the big screen, Riesgraf was last seen in In Search of Fellini opposite Maria Bello and Ksenia Solo. Her previous credits include starring opposite Rory Culkin, Martin Starr and Jack Kesy in Shut In; the silent independent film The White Door opposite Giovanni Ribisi, which she also co-produced; the feature film Alvin and the Chipmunks; and the independent films Nobody and Let’s Be Civil Kenneth. She can also be seen in the web series Caper opposite Harry Shum Jr., Abby Miller and Hartley Sawyer on the Geek & Sundry channel.

Aleyse Shannon

Breanna Casey

Aleyse Shannon will soon be seen starring in Netflix’s anticipated Feature Film Beauty, written by Lena Waithe and directed by Andrew Dosunmu. She recently wrapped production as a series regular on IMDb TV’s Leverage: Redemption. Shannon starred alongside Imogen Poots in Sophia Takal’s Blumhouse-remake of Black Christmas. She received her BFA from the prestigious Carnegie Mellon University. Immediately upon graduating, Shannon had booked a season-long arc in the first season of CW’s reboot of Charmed, a fun guest lead on CW’s Anthology Series Night Time, and a supporting role in the feature Inez & Doug & Kira, directed by Julia Kots.

Credits

Co-Showrunners and Executive Producers
Kate Rorick
Dean Devlin

Executive Producers
Marc Roskin and Rachel Olschan-Wilson of Electric Entertainment

Consulting Producers
John Rogers
Chris Downey

Cast
Gina Bellman
Christian Kane
Beth Riesgraf
Aleyse Shannon
Noah Wyle
Aldis Hodge

Proofread and Edited by Brenda

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The cast of "Leverage: Redemption" in a season 2 scene

Interview with Beth Riesgraf and Christian Kane

TV Interview!

 

 

Christian Kane and Beth Riesgraf of "Leverage: Redemption" on IMDb TV

Interview with Christian Kane and Beth Riesgraf of “Leverage: Redemption” on IMDb TV by Suzanne 9/30/21

These are two of my favorite actors, so it was great to speak with them again. I love the new series, and these second 8 episodes were ever better than the first two, in my opinion. This was a really fun chat, so I hope you enjoy it as much as I did.

Suzanne:   How you guys doing?

Christian:   Hi, how you doing?

Beth:   Hi, Suzanne.

Suzanne:   I love your show. I watched it since the beginning, and it’s great to see you guys back.

Beth:   Thank you.

Suzanne:   Your characters grew closer this season; you’re like brother and sister Do you think this is partly because of Hardison being out of the picture?

Christian:   That’s very good. We were talking about this earlier. I think, well, you have to remember that during the time that we were away, they were still working together. So, that’s kind of a fun dynamic that we had to come up with, you know, how close are we? How much do we know? All that kind of stuff. But you’re absolutely 100% correct. Hardison being away with the other teams, it leaves two totally different voids in our life. It’s the love of her life, and so he’s gone, and she’s worried about it. Then for me, that was my best friend. That’s my brother, but I like to punch him, and he punches me, and I have nobody to punch, you know what I mean? So, it’s like there’s a hole that he left there. So, I think they do. I think they look for him in each other. I think it’s brought them closer together, because he’s not there as much as he needs to be or wants to be.

Beth:   I think when we’re on the go, you know, we’ve been working together, like he said, and running these international teams. When we find them again, Parker has learned to throw a pretty good punch, and she obviously has been getting some training from Eliot. Those sorts of moments were really fun.

I think that one of the fun parts about this dynamic, for me, is our ability as characters to compartmentalize. So, when we’re in a moment together that’s super intense, we are laser focused, and there’s no gaggy stuff, but when it’s more of that familial moment, at HQ or over comms or something like that, there’s room for this other stuff to come in. I do really love that about our dynamic. Like I always say, Eliot has a shield up around all of us, and that’s like him protecting us, but there’re still moments where we’re gonna make jokes and make fun of each other, because we can, but when push comes to shove, it’s almost like boom again when we’re right back there.

Suzanne:   I love your guitars.

Christian:   Oh, thank you.

Suzanne:   You know who else has like a zillion guitars behind them on Zoom? Oh, Jeff Daniels.

Beth:   Oh, amazing!

Suzanne:   Yeah, I saw him at the TCA panel, and he had, I don’t know, like fifty guitars or something on the wall behind him.

Christian:   [unintelligible]

Suzanne:   Yeah. I don’t know if he’s in a band like you. I think he just plays for fun. I’m not really sure.

Christian:   [unintelligible] I’m sure there’s a picture of that.

Suzanne:   Yeah. So, with a normal brother and sister relationship, Eliot would probably be protective of Parker. I know you guys have each other’s backs, but is it fair to say that even though they love each other, he’s probably a little afraid of her?

Christian:   Well, I think he’s afraid to be inside her head. I think he just doesn’t understand anything that’s going on in there. When Eliott’s had everything set on fire, the world is burning, and in her head, there’s a bunch of balls bouncing around, and it’s dangerous, and you got to keep ducking. I think he’s very scared to be in her head.

Beth:   Stay out of this realm completely, Christian. Do not enter! [laughs]

Christian:   Which is pretty fun for me, because we didn’t play it right off the bat, and I noticed that we weren’t playing that, how he got so annoyed with her. And I noticed that it was because Hardison was there. You know what I mean? So, this whole thing, and he wasn’t as annoyed with her, but when Hardison left, then I started playing it more annoyed, because I’m like, “Look, I gotta be upset about something,” and so she gives me so much ammunition it’s ridiculous. So, that’s fun to play off of.

Suzanne:   Yeah, and Beth, both of your characters do a lot of physical things on the show. Do either of you do your own stunts, or is there some people taking your place?

Beth:   I mean, Christian doesn’t do his stunts. I do all of mine. [laughs] Oh my god, no, Christian does everything, I will I have to say that, but I just try to glean any bits of his genius on stunts and try to incorporate that, and he’s very, very capable and able. I know when to step back and let my stunt people come in and do the real hard work on that stuff. Christian has been a really great mentor to me on all of that and said, “You don’t need to do this part. Have somebody else do it,” because he also knows, especially when I was directing or when I have a heavy day of some other stuff, he’s like, “You save yourself, and you don’t need to do this part. You let the professionals come in to do it.” But, you know, trying to stand next to him, we’re always all like, “Whoa, this is incredible,” because even from a director’s standpoint in “The Bucket Job,” I know I can trust that his intuition on these fights and everything is going to be so much better than anything I could probably come up with to tell him, because he’s got all this experience, and it’s amazing.

Christian:   Yeah, and you know, the thing is that my stuff is a dance. People don’t understand that, because it looks violent on screen, but really what I’m doing is a dance. It’s a salsa dance, you know, it’s literally I’m just dancing with the other person. Her stuff is a lot harder than mine. People don’t get that she’s hanging office stuff, and she has to hang there sometimes for a long time, and then, she has to jump to the other one, or she has to hang there for a while until they get it all done, and then, you’re tired. Then, you got to jump down and jump up and do a flip. Her stuff is way harder than my stuff. Most of my stuff is literally a choreographed dance. Hers is actually really physical, and the problem that we run into, as we’re in the middle of a pandemic, is in New Orleans, [there are] no gyms and nothing but good food that’s usually fried. So, it’s very tough. This this season was very tough.

Beth:   A lot of salt.

Christian:   Yeah, a lot of salt.

Suzanne:   Sugar, too, right?

Beth:   Yeah.

Christian:   [unintelligible] and not get hurt. Luckily, just just bumps and bruises for both of us, but it was tough. You had to be very disciplined and, you know, do your push ups in your home, because you couldn’t go to the gym, and it takes takes a toll on your body, for both of us.

Suzanne:   Well, you guys both look great on the screen, so it doesn’t show if you put on a few extra pounds with that great New Orleans gumbo. So, I was going to ask you if you work out a lot to keep in good shape. So, obviously, you do Christian; you were talking about it. What about you, Beth?

Beth:   Yeah, absolutely. I mean, with all the wire work and the harness work, you have to keep your core super strong to protect your back and your neck and everything else. So, I work out as much as I possibly can. I think stamina-wise, the show moves really fast. It’s a really, really tough show, because it’s big, and emotionally and physically you have to be rested and in shape to kind of hang with these hours and keep it fresh and and stay for stamina purposes.

Then, we have the humidity and the heat in New Orleans, which is its own character, and so electrolytes became very important for me. And I had to cut back on some caffeine, and I’m used to drinking a lot of coffee, and I had to kind of tweak. That’s kind of the fun about going on location is you get a new set of rules, and you’re like, “Okay, how do I do this here?” but it was absolutely challenging. I mean, I would agree with Christian, it’s a very physical show for us, and it’s really fun, but it is challenging at times.

Suzanne:   I was talking to Aleyse earlier, and she’s definitely enjoying doing some of your kind of thing, hanging from the wires.

Beth:   Oh, yeah.

Suzanne:   Falling and all that stuff.

Beth:   Yeah.

Christian:   It’s a lot of fun.

Suzanne:   Going back, you were talked about directing; I read that you directed two episodes. What can you tell us about that?

Beth:   Yeah, absolutely. I had the time of my life working with the whole team and LeVar Burton in “The Bucket Job.” I think it’s a classic Leverage episode. I loved it so much. [There’s] a lot of emotional growth for Eliot and kind of windows into the things that he’s been going through emotionally, psychologically that we haven’t seen before. So, that was a lot of fun.

Then, logistically, “The Great Train [Job]” episode was one of the toughest, I think, to sort of plan, because we had an episode written that takes place on a moving train, but we didn’t actually have that as a location. So, we were finding two trains, but the trains couldn’t move, and we had to build some on the stage, and it was while shooting the finale as Parker, so it was a lot to juggle. I’m really really proud of how they both came out. Everybody brought their A game. They always do, but it was really an incredible process for me, because I got to work with so many people that I – as an actor, I don’t get to work with the production designer in the same way you do as a director, so all of those decisions and collaborations were so exciting and really, really fun.

Suzanne:   All right, and they tell me I have just a little bit of time left. Christian, your character goes through the wringer emotionally this part of the season with maybe meeting some of your family, and I don’t want to give spoilers away and what happens with a relationship, but you have all the usual hitting and kicking and punching and all that kind of stuff. What was it like for you?

Christian:   It was an emotional time for me, to be honest with you. I lost my father in December to COVID right in the middle of shooting and then had to come back and do the last walk off scene for Beth’s episode, because we’d already shot the episode, but then we still needed that pickup, that beautiful shot down Bourbon Street. Couldn’t have asked for a better situation. So, there’s a lot of things I was going through too at the same time, and I really loved that. I’d like to dedicate her episode to my dad, and just that walkway is such a beautiful shot. And I needed my friends around me at the time, and I couldn’t have asked for [better] ones in my life, which were the people that I was working with. So, it’s so good.

Then, to have Eliot in a relationship, it’s like it was something new, because he’s never done that. I mean, he’s lied to people; he’s hit on people, but he’s never really had let’s say, a quote unquote girlfriend type thing. And I’ve talked to Beth about about this. I needed him to be broken at the end of the season, because I’ve got to go somewhere with my character, and I don’t like him to be all fixed up.

So, with Beth directing, the emotion that came out with me and the beautiful LeVar Burton, and then the relationship troubles that he has, I feel like at the end of the season, it really pays off for me.

So, I’m excited. I’m excited people to watch it. We all play better characters when we’re a little bit broken. She doesn’t have Hardison, and I’m broken, so we end up broken, almost always end up broken, at the end of the season, which is fun. We’ve got somewhere to go now.

Suzanne:   Yes. Well, I hope there’s another season; I really enjoyed the episodes, and I would stay. I would love to stay and talk another ten minutes with you, but they tell me I have to go. So, thanks so much again.

Beth:   Yeah, until meet again.

Suzanne:   Thank you. I’ll see you on Instagram. Bye

Here’s the video!

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Please visit our Leverage Page!

Preview

In this new iteration, and new world, the Leverage crew have watched as the rich and powerful continue to take what they want without consequence. Grifter Sophie Devereaux (Gina Bellman), thief Parker (Beth Riesgraf), hitter Eliot Spencer (Christian Kane), and hacker Alec Hardison (Aldis Hodge) have watched the world change over the last eight years. Since their last job, it’s become easier–and sometimes legal–for the rich to become richer and the powerful to squash anyone who gets in their way.  To address the changes in the world around them, the team finds new blood in Harry Wilson (Noah Wyle), a corporate lawyer who is looking for redemption after realizing he’d been sitting on the wrong side of the table for his entire career, and Breanna Casey (Aleyse Shannon), Hardison’s foster sister who has a knack for computers, robotics, and getting into trouble.

Executive Produced By

Dean Devlin, Marc Roskin, Rachel Olschan-Wilson and Kate Rorick. John Rogers and Chris Downey serve as consulting producers.

Directed By

Dean Devlin, Marc Roskin, Noah Wyle, Francis Dela Torre, Jonathan Frakes

Produced By

Electric Entertainment for IMDb TV

Cast

Gina Bellman, Christian Kane, Beth Riesgraf, Aleyse Shannon, and Noah Wyle, Special Guest Star Aldis Hodge

Beth Jean Riesgraf (born August 24, 1978) is an American actress. She is known for her portrayal of Parker on the TNT television series Leverage (2008–2012) and the revival Leverage: Redemption which streams on IMDb TV.

Christian Kane is an American actor and singer-songwriter. He is known for his roles in the television shows Angel, Leverage, The Librarians, and Into the West, and the movies Just Married, Taxi, and Secondhand Lions.

Kane is the lead singer of the countrysouthern rock band Kane. On December 7, 2010, they released The House Rules, their third album and their debut for record label Bigger Picture Music Group. The album reached no. 25 on the Billboard Country Albums chart. The first single from the album, also titled “The House Rules”, debuted at no. 54 on the Billboard Country Songs chart. The second single, “Let Me Go”, was released on July 11, 2011.

Catch Eight New Episodes of the IMDb TV Original Series Leverage: Redemption on October 8

Aug 26, 2021

CATCH EIGHT NEW EPISODES OF THE IMDb TV ORIGINAL SERIES LEVERAGE: REDEMPTION 
ON OCTOBER 8

 

WATCH NEW TEASER HERE
SCREENERS OF NEW EPISODES AVAILABLE NOW ON
SCREENERS.COM

REVIEWS EMBARGOED UNTIL MONDAY, OCTOBER 4 AT 6:00AM PT/9:00AM ET

“Let’s go steal…eight new episodes of Leverage: Redemption.” In an all-new con, the Leverage crew surprised and delighted their fans by teasing the fall premiere of Leverage: Redemption in an exclusive video that dropped on IMDb TV socials today. The teaser video confirms that the IMDb TV Original series Leverage: Redemption will return this fall with eight additional season one episodes premiering October 8. In the brand-new episodes, the Leverage team finds itself up against a rival organization that embodies the system the team works so hard to take down.

Joining the cast in these additional episodes are guest stars Drew Powell (reprising his role as Jack Hurley from the original Leverage series), Ben Thompson, Joanna Cassidy, Jon Fletcher, and Brianna Brown, in addition to the previously announced guest stars James Marsters, LeVar Burton, and Andrea Navedo (continuing her role as Maria Shipp), as the Leverage team must aid a small town librarian, discredit a lifestyle and wellness guru, explore the failing memory of a legendary grifter, and more. Screeners for the new episodes are available now on Screeners.com. The remaining episodes of season one of Leverage: Redemption will premiere on October 8 on IMDb TV, Amazon’s free streaming service.

The first eight episodes of season one of Leverage: Redemption and all seasons of the original Leverage series are available to stream now on IMDb TV.

The rich and powerful take what they want, and the Leverage team is back to take them down. Sophie Devereaux (The Grifter), Parker (The Thief), Eliot Spencer (The Hitter), and Alec Hardison (The Hacker) have watched the world change over the last eight years. It’s become easier, and sometimes legal, for the rich to become richer and the powerful to squash anyone who gets in their way. The Leverage team finds new blood in Harry Wilson, a corporate lawyer who is looking for redemption after realizing he’s been sitting on the wrong side of the table for his entire career, and Breanna Casey, Hardison’s foster sister who has a knack for computers, robotics, and getting into trouble. In this new world, the team will use their collective skills to defeat a new kind of villain – from the man who created an opioid crisis from the comfort of his boardroom, to the couple who prefers to deport workers instead of paying them, to the shadowy security firm that helps hide dangerous secrets for a price. When someone needs help, they provide…Leverage.

Leverage: Redemption stars Gina Bellman as Sophie Devereaux, Beth Riesgraf as Parker, Christian Kane as Eliot Spencer, Aldis Hodge as Alec Hardison, Noah Wyle as Harry Wilson, and Aleyse Shannon as Breanna Casey. Kate Rorick is the co-showrunner and an executive producer alongside Dean Devlin, and executive producers Marc Roskin and Rachel Olschan-Wilson of Electric Entertainment. John Rogers and Chris Downey are consulting producers.

IMDb TV uniquely offers premium Originals on a free streaming service including the upcoming dramedy Pretty Hard Cases, premiering September 10. Spanning drama and comedy, scripted and unscripted, additional IMDb TV Originals include the Untitled Judge Judy Sheindlin Project, a Bosch spinoff; the comedy series Sprung; the Untitled Jeff Lewis Project – a new home design series; On Call from executive producer Dick Wolf; and second seasons of Alex Rider and Top Class: The Life and Times of the Sierra Canyon Trailblazers.

Follow IMDb TV:
IMDb TV Social TWITTER | INSTAGRAM | FACEBOOK

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Christian Kane and Beth Riesgraf of "Leverage: Redemption" on IMDb TV

Interview with Gina Bellman and Aleyse Shannon

TV Interview!

 

Gina Bellman and Aleyse Shannon of "Leverage: Redemption" on IMDb TV.

Interview with Gina Bellman (Sophie) and Aleyse Shannon (Brenna) of “Leverage: Redemption” on IMDb TV by Suzanne 9/30/21

It was nice to chat with these two women because I had never chatted with Gina before, when she was on the older version of the show, and Aleyse is brand new to the show.  Gina’s character, Sophie, is the new leader of the group, and has a lot to deal with this year, since her husband’s death. Breanna (Aleyse’s character) is a breath of fresh air that the show needs. It’s great to have some “young blood,” and to fill in for Hardison, since his portrayer, Aldis Hodge, couldn’t be in the whole show due to other commitments.

Suzanne:   How are you guys doing today?

Gina:   Oh, good. Thank you. I wish I was [unintelligible] right now.

Suzanne:   You wish you were where?

Gina:   With that palm tree and the ocean.

Suzanne:   I wish I was too. I’m in Arkansas.

Aleyse:   Close very close.

Suzanne:   So, we heard today about the UK picking up your show in late October. So, how do you guys feel about that?

Gina:   I’m so excited. I feel like I’ve been waiting ages. It’s been so frustrating sitting here in London and hearing these little plaintive messages like, “When are we getting the show? When are we getting the show?” and not being able to give an answer. So, to be able to say it’s coming on October 22nd, all sixteen episodes, is just really, really thrilling for all of us.

Suzanne:   So, they didn’t get the first eight episodes either.

Gina:   No, [not] here in the UK.

Suzanne:   Great. They probably are big fan of yours, being in the UK, and that’s probably why, one of the reasons they liked the show. What do you think, Aleyse?

Aleyse:   Oh, I mean, it’s great. This show is is a labor of just love, and as many people as possible that can get wrapped up in that love, the better. I hope it’s received the same way; I hope it just brings joy the same way that it seems to have brought joy here domestically.

Suzanne:   Right. And Aleyse, you’re new to the show. Can you tell me about getting this job and the process you went through?

Aleyse:   Yeah, I worked at Starbucks and was messing up people’s Frappuccino’s. I got an audition. I quit Starbucks saying that I already booked it, and then I booked it, but I did my audition with Beth over Zoom in my mom’s house and kind of didn’t know what I was in for. I got here, and it’s the best thing that’s happened to me, artistically speaking. It’s a dream show that we’re working on.

Suzanne:   What was your first day like?

Aleyse:   My first day I get an email saying there’s a hurricane coming, actually, now there’re two. So, there’s all this anticipation and build up. I’m like, “Do I know these lines, or do I think I know these lines?” Hurricane comes, you sit down for another seven days, you’re like, “Oh my gosh, all my adrenaline’s gone,” and it kicks back in. But it was good first day. A lot of the players were in, [I’m] sitting there rattling off a monologue going, “Oh my gosh, that is Aldis Hodge, Beth Riesgraf, Christian Kane, Noah Wyle, and Gina Bellman, wow.” It was intimidating, but I got through it and was met with so much love, so great first day.

Suzanne:   I never thought of that… filming in New Orleans, of course you’d have to contend with things like hurricanes.

Gina, how was it welcoming new characters into the show?

Gina:   It was great. I think one of the things about continuing with an existing show is it’s got to have new elements. It’s got to feel fresh; it’s got to have like new dynamics. You don’t want to ever feel that you’re standing still or looking over your shoulder. You need to be looking to the future. And when I watch a show, I love to discover the characters through the other characters’ eyes, so having their lens on us makes our characters – you know, it sort of informs the audience of who we are, so it’s also really helpful as a device.

Then, we get to meet these lovely new members of our family and develop friendship over nine months, and we’ve all become close.

It’s an interesting thing acting with people, because you’re in a vacuum; you become very, very close, but you’ve become very close in a vacuum. I’ve known so many of these people for many, many years, but they don’t know my friends. I don’t know their friends. So, you have this very intense kind of love for one another, but it’s quite unique. It’s hard, I think, for other people to understand how you can feel that strongly for people that you work [with] in this bubble. Yeah, it was lovely, welcoming both of these [unintelligible].

Suzanne:   And even more of a bubble now.

Gina:   Yeah.

Suzanne:   Well, one thing that’s nice about Dean is he seems to repurpose his actors in the different shows that he’s [done]. I think Christian’s been in all of his shows.

Gina:   Yeah, I mean, Dean’s best friend is our cameraman and has been from the pilot episode. So, that’s just like one example of how these are real collaborations and personal friendships, which is the dream really, I think, for everyone, isn’t it?

Suzanne:   Yeah, it shows his loyalty to his friends as well.

So, with Nathan gone from the show, is it fair to say that he has been replaced by Sophie with the main team and by Hardison, globally, now that there’s a global aspect?

Gina:   Yeah, we don’t go into too much detail about the kind of international operations, but yeah, that’s the device. I mean, obviously, we all know that Aldis is an incredible actor who’s very much in demand. You know, we take what we can get, but we didn’t really focus on so much what the other international teams were doing. I think it’s totally fair to say that Sophie’s put into a leadership role, but what I loved about the way it was written and the way it was developed was that she doesn’t just arrive and take that role. She’s waiting for it to be given. Everybody gives it to her; everybody gives her permission, a little bit more permission. That’s part of her journey of recovering from her loss and her grief. They know her so well that they know that they have to give her a purpose; they have to help her on on her way. Then, I think, as the season develops, and going into these final eight, she kind of sees light at the end of the tunnel, and she’s on her path, and she sees her destiny.

Suzanne:   I think that the great thing about this show is the you all get to play multiple characters. So, it’s more than just like playing one show. You’re on multiple shows in a way.

Aleyse:   Oh, yeah, I mean, you get a script, and there’s just so much opportunity all over it to sort of do something that’s just on your mind, or maybe you’ve seen a show, and you’re like, “Oh, wow, that must be a really cool set to be on,” [and] all of a sudden you have a medieval moment that you’re stepping into; it’s great. I mean, imagination, there’re no bounds bringing ideas; you’re never really shut down. Everybody’s like, “We’ll try it. Let’s see.” Yeah, it’s like 100 different show.

Suzanne:   Well, that segues into my other question, which is do they give you any leeway into changing the dialogue at all? Are they open to suggestions and changes about your character? Sounds like they are.

Gina:   Yeah, I mean, we riff in like little, tiny ways, and Aldis and Aleyse are the prince and princess of that, of just doing spontaneous little riffs. But I like to kind of really – I’m a very kind of text focused actor. So, I like to rework scenes and try and make them better and reorder things. Also, we like to bring in little physical like improv that will just elevate a scene, make it feel more, you know, present sometimes. You just bring in a little bit of business, and then you’ve got a reason why you’re all sitting around that table. You’ve got a reason why you’re all in that room, and we’re all really good at that, and they’re very open to it.

Suzanne:   And Aleyse, your character learns a lot. This half of the season she ends up being more than just the the girl at the keyboard. What was the most challenging physical thing that you did this half of the season?

Aleyse:   Oh, I want to say maybe being on ropes dropping through a ceiling. That was kind of hard; it’s because we’re like [at] a dead hang, and it’s through a hole in the ceiling. So, you have to climb on a ladder. But honestly, I think the thing that was most taxing on me is falling like that, but it’s always my choice to fall. I don’t think that the falls were really written in there for me, maybe one, but, yeah, that just becomes challenging, because you’re trying to keep it fresh, and you’re trying to sell the fall, and that would be my thing.

Suzanne:   Okay, well, they told me that’s my last question. I really appreciate talk me guys. I’ve talked to all of you now except for Noah, [but] the original Leverage, I got to interview everyone except for Gina. So, I collect them all.

Gina:   Thank you. Thanks, Suzanne.

Suzanne:   Thank you so much. I hope you enjoy the rest of the day and don’t have too much stress sitting there for hours.

Gina:   Not at all, it’s fun.

Aleyse:   Bye.

Suzanne:   Thank you. Bye bye.

Here’s the video!

Interview Transcribed by Jamie of http://www.scifivision.com

MORE INFO:

Please visit our Leverage Page!

Preview

In this new iteration, and new world, the Leverage crew have watched as the rich and powerful continue to take what they want without consequence. Grifter Sophie Devereaux (Gina Bellman), thief Parker (Beth Riesgraf), hitter Eliot Spencer (Christian Kane), and hacker Alec Hardison (Aldis Hodge) have watched the world change over the last eight years. Since their last job, it’s become easier–and sometimes legal–for the rich to become richer and the powerful to squash anyone who gets in their way.  To address the changes in the world around them, the team finds new blood in Harry Wilson (Noah Wyle), a corporate lawyer who is looking for redemption after realizing he’d been sitting on the wrong side of the table for his entire career, and Breanna Casey (Aleyse Shannon), Hardison’s foster sister who has a knack for computers, robotics, and getting into trouble.

Executive Produced By

Dean Devlin, Marc Roskin, Rachel Olschan-Wilson and Kate Rorick. John Rogers and Chris Downey serve as consulting producers.

Directed By

Dean Devlin, Marc Roskin, Noah Wyle, Francis Dela Torre, Jonathan Frakes

Produced By

Electric Entertainment for IMDb TV

Cast

Gina Bellman, Christian Kane, Beth Riesgraf, Aleyse Shannon, and Noah Wyle, Special Guest Star Aldis Hodge

Gina Bellman was born on July 10, 1966 in Auckland, New Zealand. She is an actress, known for Coupling (2000), Leverage (2008) and Jekyll (2007). She has been married to Zaab Sethna since September 2013. They have one child. She was previously married to Lucho Brieva.

Family

Spouse Zaab Sethna (September 2013 – present)  (1 child)
Lucho Brieva (July 2005 – 2007)  (divorced)
Children Brieva, Romy

Trivia

She was born in New Zealand and moved to England when she was 11 years old.
Daughter, Romy, born on November 20, 2009 in London.

Aleyse Shannon was born on May 16, 1996. She is an actress, known for Black Christmas (2019), Leverage: Redemption (2021) and Beauty (2021).

Trivia

Graduated from Carnegie Mellon University School of Drama.

Catch Eight New Episodes of the IMDb TV Original Series Leverage: Redemption on October 8

Aug 26, 2021

CATCH EIGHT NEW EPISODES OF THE IMDb TV ORIGINAL SERIES LEVERAGE: REDEMPTION 
ON OCTOBER 8

Leverage: Redemption poster

WATCH NEW TEASER HERE
SCREENERS OF NEW EPISODES AVAILABLE NOW ON
SCREENERS.COM

REVIEWS EMBARGOED UNTIL MONDAY, OCTOBER 4 AT 6:00AM PT/9:00AM ET

“Let’s go steal…eight new episodes of Leverage: Redemption.” In an all-new con, the Leverage crew surprised and delighted their fans by teasing the fall premiere of Leverage: Redemption in an exclusive video that dropped on IMDb TV socials today. The teaser video confirms that the IMDb TV Original series Leverage: Redemption will return this fall with eight additional season one episodes premiering October 8. In the brand-new episodes, the Leverage team finds itself up against a rival organization that embodies the system the team works so hard to take down.

Joining the cast in these additional episodes are guest stars Drew Powell (reprising his role as Jack Hurley from the original Leverage series), Ben Thompson, Joanna Cassidy, Jon Fletcher, and Brianna Brown, in addition to the previously announced guest stars James Marsters, LeVar Burton, and Andrea Navedo (continuing her role as Maria Shipp), as the Leverage team must aid a small town librarian, discredit a lifestyle and wellness guru, explore the failing memory of a legendary grifter, and more. Screeners for the new episodes are available now on Screeners.com. The remaining episodes of season one of Leverage: Redemption will premiere on October 8 on IMDb TV, Amazon’s free streaming service.

The first eight episodes of season one of Leverage: Redemption and all seasons of the original Leverage series are available to stream now on IMDb TV.

The rich and powerful take what they want, and the Leverage team is back to take them down. Sophie Devereaux (The Grifter), Parker (The Thief), Eliot Spencer (The Hitter), and Alec Hardison (The Hacker) have watched the world change over the last eight years. It’s become easier, and sometimes legal, for the rich to become richer and the powerful to squash anyone who gets in their way. The Leverage team finds new blood in Harry Wilson, a corporate lawyer who is looking for redemption after realizing he’s been sitting on the wrong side of the table for his entire career, and Breanna Casey, Hardison’s foster sister who has a knack for computers, robotics, and getting into trouble. In this new world, the team will use their collective skills to defeat a new kind of villain – from the man who created an opioid crisis from the comfort of his boardroom, to the couple who prefers to deport workers instead of paying them, to the shadowy security firm that helps hide dangerous secrets for a price. When someone needs help, they provide…Leverage.

Leverage: Redemption stars Gina Bellman as Sophie Devereaux, Beth Riesgraf as Parker, Christian Kane as Eliot Spencer, Aldis Hodge as Alec Hardison, Noah Wyle as Harry Wilson, and Aleyse Shannon as Breanna Casey. Kate Rorick is the co-showrunner and an executive producer alongside Dean Devlin, and executive producers Marc Roskin and Rachel Olschan-Wilson of Electric Entertainment. John Rogers and Chris Downey are consulting producers.

IMDb TV uniquely offers premium Originals on a free streaming service including the upcoming dramedy Pretty Hard Cases, premiering September 10. Spanning drama and comedy, scripted and unscripted, additional IMDb TV Originals include the Untitled Judge Judy Sheindlin Project, a Bosch spinoff; the comedy series Sprung; the Untitled Jeff Lewis Project – a new home design series; On Call from executive producer Dick Wolf; and second seasons of Alex Rider and Top Class: The Life and Times of the Sierra Canyon Trailblazers.

Follow IMDb TV:
IMDb TV Social TWITTER | INSTAGRAM | FACEBOOK

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Gina Bellman (Sophie) and Aleyse Shannon (Brenna) of "Leverage: Redemption" on IMDb TV