Interview with Jane Badler

TV Interview!

 

Jane Badler of horror film "Trim Season," which premieres June 7 in theaters and OnDemand.

Interview with Jane Badler of the film “Trim Season” by Suzanne 6/6/24

It was awesome to speak with Jane. She seems really nice and is an amazing actress. I admit that I did gush a little, since I’m a huge fan of her from her days back in the 80’s when she played “Diane” in the scifi movies and TV show “V.”  This is an entertaining horror film. Don’t miss it!

 

MORE INFO: Official Site  Trailer

 

TRIM SEASON | The Ultimate Nightmare Blunt Rotation | Directed by Ariel Vida & Starring Jane Badler, Bex Taylor-Klaus, & Alex Essoe | In Theaters 6/7

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Presents

TRIM SEASON

The Ultimate Nightmare Blunt Rotation…

From Award-Winning Filmmaker & Production Designer 
Ariel Vida

* In Theaters and On Demand June 7th, 2024 *

Presents

TRIM SEASON

The Ultimate Nightmare Blunt Rotation…

From Award-Winning Filmmaker & Production Designer 
Ariel Vida

* In Theaters and On Demand June 7th, 2024 *

Trim Season key art

Directed by Ariel Vida (“Vide Noir”)
Written by David BlairSean E. DeMott,
Cullen PoythressMegan Sutherland, & Ariel Vida
Produced by Aaron B. KoontzSean E. DeMottPaul Holbrook, & Jane Badler
Executive Produced by Leal Naim & Jake Hearns
Co-produced by Cameron Burns

Starring:
Jane Badler (“V”, Ricky Stanicky)
Bex Taylor-Klaus (“Scream”)
Alex Essoe (Starry Eyes, “Midnight Mass”)
Bethlehem Million (Sick, “And Just Like That…”)
Ally Ioannides (Synchronic)
Cory Hart (“Fear the Walking Dead”)

Jobless and searching for purpose, Emma and a group of young people from Los Angeles drive up the coast to make quick cash trimming marijuana on a secluded farm in Northern California. Cut off from the rest of the world, they soon realize that Mona – the seemingly amiable owner of the estate – is harboring secrets darker than any of them could imagine. It becomes a race against time for Emma and her friends to escape the dense woods with their lives.

RT: 100 Minutes


Jane Badler of horror film "Trim Season," which premieres June 7 in theaters and OnDemand.

“A suspenseful, uniquely crafted story highlighting pain and sacrifice that should spark some powerful conversation around women and gender. Mesmerizing performances, an innovative story, beautiful stylistic choices, and a little bit of witchy weed make Trim Season a must-see horror film.”
– BLOODY DISGUSTING/Michelle Swope

“From Badler’s commanding performance that contributes to the uneasy atmosphere Vida expertly curates to the stomach-churning sequences of body horror, there is undeniable greatness here that’s well worth seeking out.”
– SCREEN ANARCHY/Kyle Logan


About Ariel Vida
Ariel Vida is a director and writer of the strange and fantastical, who has also production designed over a hundred shorts, music videos, and feature films. Her design work has received high honors, including ‘Best Production Design’ at Neuchâtel International Fantastic Film Festival for Moorhead & Benson’s THE ENDLESS. Her music video directorial debut -Lord Huron’s The World Ender-was selected as a Vimeo Staff Pick and awarded ‘Best Music Video’ at several festivals. The videos for Lord Huron’s The Night We Met, which Ariel produced, and Childish Gambino’s Sober, which she art directed, have both been viewed over 100 million times on YouTube.A frequent collaborator with Rustic Films, Ariel’s most recent design work includes Amy Seimetz’s Neon Release SHE DIES TOMORROW, Spectrevision and Adam Egypt Mortimer’s ARCHENEMY, Alma Har’el and Bob Dylan’s SHADOW KINGDOM, and Moorhead & Benson’s SYNCHRONIC as well as their Sundance 2022 premiere SOMETHING IN THE DIRT, which Ariel also second unit directed.

Ariel’s feature directorial debut, VIDE NOIR – written and scored by the band Lord Huron – released in November 2022 through 1091 Pictures. Her first published short fiction will be printed in the upcoming genre anthology HAUNTED REELS alongside fellow filmmakers C. Robert Cargill, Gigi Saul Guerrero, Brea Grant, Owen Egerton, Gary Sherman, and more. TRIM SEASON marks Ariel’s second feature as director, and she’s currently developing many of her own scripts imbuing stylized action within vivid, fantastical worlds from dystopian sea-faring tales to warped, surrealist westerns.

Proofread and Edited by Brenda

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