Interview with BƔrbara Mori and Fernando Rovzar

TV Interview!

 

BƔrbara Mori and Fernando Rovzar of "Women in Blue" on Apple TV+

Interview with BĆ”rbara Mori and Fernando Rovzar of “Women in Blue” AKA “Las Azules” on Apple TV+ by Suzanne 9/18/24

This is such a wonderful series, and everyone should watch it. It takes places in 1970, when women were encouraged to join the police department in Mexico City, only to find that they’re being used for political reasons. The women then have to prove themselves in the search for a serial killer targeting young women. MarĆ­a, Valentina, Gabina and Ɓngeles are the focus of the show as we learn about each of them and how they work together. It’s intriguing both as a look back on how women were treated then, and as a riveting police drama.Ā  Mori starts as MarĆ­a, so I was delighted to speak with her and Rovzar. He created and wrote the show, as well as directed some of the episodes. I didn’t know (until MarĆ­a mentioned it in this interview) that the two of them are married.Ā  I was fascinated to learn more about the creation and filming of show after watching many of the episodes. I hope you enjoy our interview as well! Tomorrow is the series finale, so don’t miss it! It’s worth binge-watching.Ā  If you don’t like to read subtitles, and you don’t know Spanish, you can watch it in English (dubbed). They have all of those options for you on Apple TV+, which is great. I prefer dubbed, myself.

 

MORE INFO: Official SiteĀ  Trailer

"Women in Blue" key art

Apple TV+ shares first-look at ā€œWomenĀ inĀ Blueā€ (ā€œLas Azulesā€), new Spanish-language crime drama from International Emmy Award winner Fernando Rovzar

Set to debut globally July 31, 2024 on Apple TV+, new series featuring Ariel Award nominee BĆ”rbara Mori is inspired by the thrilling true stories of Mexico’s first female police force and starsĀ Ximena SariƱana,Ā Natalia TĆ©llezĀ andĀ Amorita RasgadoĀ 

Apple TV+ today unveiled the premiere date and a first-look at ā€œWomenĀ inĀ Blueā€ (ā€œLas Azulesā€), its upcomingĀ tenĀ episodeĀ Spanish-language crime drama featuring an entirely Hispanic cast and crew led by Ariel Award nominee BĆ”rbara Mori (ā€œPerdidos en La Noche,” “La Negociadora,” “La Mujer De Mi Hermanoā€). Created by International Emmy Award-winning showrunner and director Fernando Rovzar (ā€œMonarca,ā€ ā€œSr. Ɓvilaā€) and Pablo Aramendi (ā€œTijuana,ā€ ā€œLos Elegidosā€), ā€œWomenĀ inĀ Blue” will make its global debut with the first two episodes on Wednesday, July 31, 2024 on Apple TV+, followed by one episode weekly through September 25.

SetĀ inĀ 1970 and inspired by true events, ā€œWomenĀ inĀ Blueā€ tells the story of fourĀ womenĀ who defy the ultra-conservative norms of the time and join Mexico’s first female police force, only to discover that their squad is a publicity stunt to distract the media from a brutal serial killer. As the body count grows, MarĆ­a (Mori), whose determination to catch the killer becomes an obsession, Gabina (Amorita Rasgado),Ā whose father is a renowned cop, Ɓngeles (Ximena SariƱana), a brilliant fingerprint analyst, and Valentina (Natalia TĆ©llez), a young rebel, set up a secret investigation to achieve what no male officer has been able to do and bring the serial killer to justice.

The series stars Mori, SariƱana, TƩllez, Rasgado, Miguel Rodarte, Leonardo Sbaraglia, Christian Tappan, and Horacio Garcƭa Rojas.

Rovzar, Emmy Award nominee Wendy Riss (ā€œYellowstone,ā€ ā€œGenius,ā€ ā€œThe Killingā€), Erica Sanchez Su (ā€œMonarca,ā€ ā€œLa Venganza de Las Juanas,ā€ ā€œParamĆ©dicosā€), Sandra Solares ( “Point Break,ā€ ā€œY TĆŗ MamĆ” TambiĆ©n,ā€ ā€œInstructions Not Includedā€) and International Emmy Award winner Billy Rovzar (ā€œMonarca,ā€ ā€œControl Z,ā€ ā€œSr. Ɓvilaā€) serve as executive producers. The series is produced for Apple TV+ by Lemon Studios.

Apple TV+ offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries and kids and family entertainment, and is available to watch across all of a user’s favorite screens. After its launch on November 1, 2019, Apple TV+ became the first all-original streaming service to launch around the world and has premiered more original hits and received more award recognitions faster than any other streaming serviceĀ inĀ its debut. To date, Apple Original films, documentaries and series have earned 488 wins and 2,143 award nominations and counting, including multi-Emmy Award-winning comedy ā€œTed Lasso” and historic Oscar Best Picture winner ā€œCODA.ā€

Natalia TƩllez, Amorita Rasgado, Ximena SariƱana and BƔrbara Mori in "Women in Blue (Las Azules)," now streaming on Apple TV+.

About Apple TV+

Apple TV+ is available on the Apple TV appĀ inĀ over 100 countries and regions, on over 1 billion screens, including iPhone, iPad, Apple TV, Apple Vision Pro, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and atĀ tv.apple.com, for $9.99 per month with a seven-day free trial. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV or Mac can enjoy three months of Apple TV+ for free.*

*Special offer is good for three months after the first activation of the eligible device. One offer per Family Sharing group. Plans automatically renew until canceled. Other restrictions and terms apply; visitĀ apple.com/promoĀ for more information.

Cast & Crew

  • BĆ”rbara Mori
  • Ximena SariƱana
  • Natalia TĆ©llez
  • Amorita Rasgado
  • Miguel Rodarte
  • Leonardo Sbaraglia
  • Christian TappĆ”n
  • Horacio GarcĆ­a Rojas

Executive Producers

  • Fernando Rovzar
  • Wendy Riss
  • Erica SĆ”nchez Su
  • Sandra Solares
  • Billy Rovzar

Natalia TƩllez, BƔrbara Mori, Fernando Rovzar, Amorita Rasgado and Ximena SariƱana at the premiere of "Women in Blue (Las Azules)," now streaming on Apple TV+.

Proofread and Edited by Brenda

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Interview with Lucian-River Chauhan, Abigail Pniowsky and Barry L. Levy

TV Interview!

 

actors Lucian-River Chauhan and Abigail Pniowsky and creator/EP Barry L. Levy of "Me" on Apple TV+

Interviews with Lucian-River Chauhan, Abigail Pniowsky and Barry L. Levy of “Me” on Apple TV+ by Suzanne 6/26/24 and 6/27/24

This is a fun superhero series with some teenage angst that is very realistic and honest. The actors do a phenomenal job (both young and old). I was glad to interview both the two lead actors, as well as creator/executive producer Barry L. Levy. I hope you can check out this cool new show that premieres July 12th!

Barry L. Levy

Suzanne:Ā  How did you come up with the idea for this show?

Barry: Absolutely. So I have three kids. I have a son named Ben, just like the lead in the show.

Suzanne:Ā  Okay.

Barry: And my oldest are identical twin daughters…

Suzanne:Ā  Oh!

Barry:Ā And then, a couple of years younger, is my son. And so he was always a little tall for his age, and it looked like triplets.Ā  but it was never quite triplets, right?

Suzanne:Ā  Right.

Barry: And he could never figure out who he was supposed to be, because he couldn’t be them. And so it became a conversation… It became a bedtime story. And then it became the story we started working on as a family of, “Who does Ben want… if he could be anyone, who would he want to be in that, if he could be anyone transformed into… {by] shapeshifting?” And that’s really where it came from. And then this series, it’s not traditionally the kind of work that I do, but it was something that I could do as a love letter to my family,Ā  and really capture their lives.

I’m glad that you looked down at a pet because I swear to God, mine is going to drive me nuts. [Laughs]

Suzanne:Ā  Oh, mine has the “zoomies” at the moment. I forgot to give her allergy medicine this morning, I just realized…

Barry: That’s funny.

Suzanne:Ā  So that’s great. And your son doesn’t mind that he’s, sort of, the subject of your show?

Barry: I think he’s gone through the whole roller coaster (of emotions), but once he got to meet River, when we were shooting, I think he felt like he was in great hands. And it just changed everything.Ā  It really sort of put it to life, and I think (he felt that) it ceased to be him, and it started to becomeĀ  the character that River had created, and that really was freeing for everyone.

Suzanne:Ā  Oh, that’s great.Ā  Yeah, the casting is great. The kids are awesome. And the adults… it’s just all really, really great.

Barry: Thank you.

Suzanne:Ā  And I think it’s the kind of story that anyone can relate to, no matter what their age, becauseĀ  we all were that age at one point, right?

Barry: Yep.Ā  Well, we tried to find ways to sort of bring in a show that would be for the whole family, so that there are elements for parents, and there are things that are nostalgic, but there are also other elements of it that are really contemporary and speak to another generation.

Suzanne:Ā  Good. Yeah. Well, I think it worked.Ā  Are you the sole writer of the series, or are there other people who work on it with you?

Barry: So, I wrote four episodes.Ā  The rest of the episodes were written by the staff.Ā  So what had happened was that I was hired to write a pilot. They liked it. They wantedĀ  some more, so I wrote a second.Ā  And then, while we were building the room, I wrote a third to kind of get us going.Ā  And then we actually went back over those first three and made sure that we were really happy with what they were and built it all the way through ten (episodes), together in a room. So that was great.

Suzanne:Ā  Ā I haven’t finished watching them yet because I’m moving (as I mentioned), but I like what I see so far.Ā  Are you already planning ahead for season two?

Barry: I mean, I certainly planned for season two well before we had a season one. So,Ā  we’ll have to see how audiences receive it, but I’m hopeful, and I’m excited for it.Ā  I would love the opportunity.

Suzanne:Ā  Yeah, I hope so.Ā Ā  You know, it struck me as funny that it’s on Apple. To me, it seems like something that would have been on the old ABC Family Network (struggles to remember the new network’s name) because it’s so kid-friendly, family-friendly, and science fiction.Ā  They had a lot of shows like that in the past.

Barry: Yeah. Interesting. Freeform, right? Freeform.

Suzanne:Ā  Yes. That’s the name. Yes. Is this your first time as showrunner?

Barry: It is, it is. I had run the writer’s room on another series, a few years back, and I really enjoyed it.Ā  I didn’t expect that I would enjoy it and find it as rewarding, but it was (working with) a really gifted showrunner, in that regard. [I realized] “Ooh, this is, this is really exciting.Ā  I’d love to do this.” And so here, here I am.

Suzanne:Ā  Well, that’s good.Ā  Were there any challenges in shooting the first season that you didn’t foresee?

Barry: I mean, there are always challenges. I think for us, trying tounderstand what everyone could do…because,Ā  the truth is, we recognized from the table reads the weeks before production that this cast was so muchĀ  more on the ball than we ever could have imagined, and that we had to go back and write a lot of new material and sort of deepen things.Ā  Ultimately, it paid [off in] dividends. But the challenge was making sure that we could give everyone their just desserts, and what it felt like, what’s going to make the show go.

Suzanne:Ā  Right. And I was impressed by River, especially, at such a young age. I mean, how old was he when you started?

Barry: I think he was 13.

Suzanne:Ā  Yeah.

Barry: Something like that.

Suzanne:Ā  Yeah. It’s amazing. He seems like he’s got everything down.

Barry: Yeah. It’s also his personality. He’s so emotionally generous, and friendly.Ā  I gather you, you may see that for yourself if you get to talk to him, that he seems like an old soul.Ā  And I think we saw that (before we started). When I watchedĀ  the movie he did with Riz Ahmed,Ā  Encounter, it was so clear that there was this sort of depth to him, and in his eyes, that we just knew [that] “This kid is incredible. We have to work with that.”

Suzanne:Ā  And,Ā  before you cast him, were you always looking for a particular,Ā  ethnicity, or did it not matter?Ā  Or were you going to cast whomever you thought was great?

Barry: It was entirely open.Ā  The casting director is a near and dear friend, Josh Einstein. He had done, “This Is Us,” “Love Victor,” and a lot of different shows. We said we needed performers who could carry a real emotional depth.Ā  And I think, even in the pilot, you see that, and what we found was extraordinary. And then the question, once we found River, was, who really felt like they could be the sibling to him? And Abby was just incredible.

Suzanne:Ā  Yeah. She’s great, too.

Barry: Yeah. So we were really blessed there.

Suzanne:Ā  Good. Well, I hope it’s a big success.Ā  I love it when the show is– well, I love science fiction, anyway, but I love it when a show is fun, and it’s got a great cast and interesting characters. That’s… so, you accomplished that.

Barry: Thank you. Thank you so much.

Lucian-River Chauhan and Abigail Pniowsky

Suzanne: All right. How are you two this morning?

River: We’re doing well, Suzanne.

Abby: Good, how are you?

River: Nice to meet you.

Suzanne: Good. Nice to meet you, too. Uh, I love talking about me! (laughs) Bad joke…bad joke. I’m sorry.

River: No, I love it.

Suzanne: I was talkingĀ  to Barry yesterday, and he raved about you guys… just raved about both of you, so he seems nice.

River: I have to say, “Thank you for the kind words, Barry.. If you’re watching.”

Abby: Thank you, Barry!

Suzanne: Well, I was raving about you, too, cause I watched a lot of the episode, but you guys did a great job. Definitely.Ā  especially, and I’m sure it sounds condescending, “for your age.” So. Hey, enough compliments. So, what did you each enjoy most about filming?

River: Ā I think for me, personally, I had never done a show with a bunch of kids that were my age. And so, that was, that was really interesting, to get a chance to experience… because, from the other shows,Ā  it’s a different atmosphere, and, with kids, you get a chance to play around a lot more and have fun. And it doesn’t always have to be so intense all the time. And I think that’s something that was really, really fun for me to experience. I think because I’m actually the only child.Ā  I have never had any sort of a brother-sister experience before, and so I was sort of able to build that and learn about that with Abby.

Suzanne: Oh, that’s great. Abby. What about you?

Abby: Yeah, I have to say, I completely agree with Riv.Ā  It was really fun bonding with all the kids on set, and especially bonding with Riv.Ā  Creating that dynamic… It was really cool, and I feel like at the end of the day,Ā  you, sort of, went home tired, but with a smile on your face. There was a lot of laughter on set.

Suzanne: That’s good Yeah, I’m sure you’ve heard the saying before: it’s not work if you love it.

River: Ā Exactly. Yep.

Suzanne: And what would you say was the most challenging part of doing the show?

River: Ā Ooh.Ā  I think, because we were filming in the middle of COVID 19. I think that was probably the most challenging.Ā  We sort of had to take all the precautions necessary, like testing every day, and wearing masks all the time, which definitely got annoying.Ā  But in hindsight, I’m kind of glad that we did do that because it’s always better to be safe than sorry.

Suzanne: Abby?

Abby: I would say, probably, that we filmed by location (rather than in sequence), so we were kind of jumping between different episodes. So I think really staying present in the episode [and] understanding how I’m feeling between each episode, especially with the dynamic with Max and Ben, was really…it was a little difficult for me, but it was a nice challenge. I liked it.

Suzanne: Okay. AndĀ  before you filmed this, were you a fan of superheroes, and comic books, and that kind of thing?

River: Oh, yeah.

Abby: …A fan. .

River: Oh yeah, . Uh, I’m a, I’m a big superhero guy. I mean , a personal superhero that I really look up to is “The Flash.”Ā  I love all things Flash , andĀ  his superpower is also really cool.Ā  So that would be a superpower [that] if I were to get one… that would be the one that I want. But no, I’m a big fan of watchingĀ  superhero shows, and origin stories.Ā  But I think, with this one, it’s a little bit different because you get a chance to see it from a kid’s perspective, and not only just [with] the superhero aspect, but also something much deeper, like the relationship between Ben and Max.

Suzanne: What about you, Abby? Were you a fan of that kind of thing before?

Abby: Yeah, I think that superheroes are really cool.Ā  My personal favorite is Spider-Man. Uh, love him. Love the guy. Um, but I agree with Riv. I think that this one is a little bit different… that the superpowers are a big point in the story, but they’re not the only plot point.

Suzanne: Sounds like we got a little Marvel-DC competition going on here, though.Ā  (Laughs)

Have you heard anything about whether they would maybe make this into a real life comic book?

River: No, but now that you mention it, that Is like, like just, that just blew my mind, actually. Wow. That would be so cool.

Suzanne: They’ve done it with a few other shows. I can’t think of most of them [off the top of my head]. I know they did it with the character Nia from the “Supergirl” TV show. And I think she wrote part of it as well. She has her own comic now. So yeah, it can happen. Definitely.

River: Yeah,Ā  we’ll see. You never know what’s going to happen.

Suzanne: That’s true. We’ll put that out. I thought of that when I was talking to Barry. He could probably get it done.

River: Hey, you never know. You never know. I think it would be interesting to write it too.Ā  I’ve never actually written anything before.Ā  butĀ Ā  it would be pretty interesting to get a chance to learn from, from Barry if he’s, if he’s up to that.

Abby: That’s what I was thinking.

Suzanne: All right. Okay. Well, thank you guys so much.

 

MORE INFO: Official Site Ā Ā  Trailer

Key art for "Me" on Apple TV+

ā€œMeā€ follows a 12-year-old kid named Ben who is in the throes of middle school (complete with bullies, crushes and school dances!) as he adjusts to a newly blended family AND the realization that he has super powers. Throughout the 10-episode season, Ben goes on a journey of self-discovery and learns what having super powers truly means. He finds an ally in his stepsister, Max, who helps him harness these powers and uncover the secrets behind the mysteries and tragedies of his community … all while he tries to come to terms with what it means to be Ben.

Cast & Crew

  • Lucian-River Chauhan
    as Ben Vasani
  • Abigail Pniowsky
    as Max Davis
  • Dilshad Vadsaria
    as Elizabeth Vasani
  • Amanda Reid
    as Carter Kennedy
  • Barry L. Levy

    Executive Producer

    Writer

    Story By

  • Michael Dowse

    Executive Producer

    Director

  • Amy Welsh-Hanning

    Executive Producer

  • Eben Russell

    Executive Producer

Lucian-River Chauhan and Abigail Pniowsky of "Me" on Apple TV+LUCIAN-RIVER CHAUHAN

ā€˜Ben’

Lucian-River Chauhan can currently be seen in the recurring role of Teo in the Netflix series AVATAR: THE LAST AIRBENDER based off the hugely successful graphic novel of the same name. He will also next star as the title role in theĀ Apple+ seriesĀ MEĀ which follows his character Ben as he navigates the complexities of 6th grade. The series will premiere this year. River was named a ā€œmust see performanceā€ by EW for his lead role opposite Riz Ahmed in the Amazon feature ENCOUNTER from director Michael Pearce which premiered last year at Telluride and TIFF to rave reviews. The Hollywood Reporter also highlighted his performance in the film saying, ā€œthe astonishingly good Lucian-River Chauhan, who plays Malik’s adolescent son, Jayā€ and Screen International said ā€œBoth of the boys cast as Malik’s sons are impressive, but Chauhan, who plays the older Jay, is quietly remarkable.ā€ Previously he recurred on the hit CBC series HEARTLAND for two seasons. He is also fluent in French.

ABIGAIL PNIOWSKY

ā€˜Max’

Abigail Pniowsky is sixteen years old and has already built an impressive body of work. She will next be seen as the female lead ofĀ AppleĀ TV’s first YA series,Ā ME. She recently shot the lead role in the independent feature, AMERICAN BABY. Abby began her TV career as a lead in the Universal / Syfy show CHANNEL ZERO alongside Fiona Shaw and Paul Schneider. She appeared as a series regular opposite Kyra Sedgwick in the ABC series, TEN DAYS IN THE VALLEY. On the big screen, Abby played opposite Amy Adams and Jeremy Renner in Denis Villeneuve’s Oscar winning ARRIVAL, for which Abby attended both the Venice Film Festival and TIFF. She also starred opposite Yvonne Strahovki in the feature HE’S OUT THERE and opposite Heather Graham in THE REST OF US, which had its premiere at TIFF as well.

Proofread and Edited by Brenda

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Interview with Blake Crouch and Matt Tolmach

TV Interview!

 

Blake Crouch (Executive Producer, Writer, Showrunner) and Matt Tolmach (Executive Producer) of "Dark Matter" on Apple TV+

Interview with Blake Crouch (Executive Producer, Writer, Showrunner) and Matt Tolmach (Executive Producer) of “Dark Matter” on Apple TV+ by Suzanne 4/28/24

This is a really great scifi series with lots of twists and turns. The next-to-last episode is mind-bending, and the finale is very satisfying. You will enjoy it. The cast is phenomenal. I was honored to interview these two. Blake Crouch created the novel (and many others) that this show is based on, and he’s also the showrunner (that doesn’t happen too often).Ā  He and Matt Tolmach are a great team. Enjoy the video below, but don’t miss this show!

MORE INFO: Official Site Trailer

"Dark Matter" key art

Hailed as one of the best sci-fi novels of the decade, ā€œDark Matterā€ is a story about the road not taken. The series will follow Jason Dessen (played by Joel Edgerton), a physicist, professor and family man who — one night while walking home on the streets of Chicago — is abducted into an alternate version of his life. Wonder quickly turns to nightmare when he tries to return to his reality amid the mind-bending landscape of lives he could have lived. In this labyrinth of realities, he embarks on a harrowing journey to get back to his true family and save them from the most terrifying, unbeatable foe imaginable: himself.

 

RELEASE DATE:

Wednesday, May 8, 2024 exclusively on Apple TV+

The nine-episode first season will premiere globally with the first two episodes on Wednesday, May 8, 2024 followed by one new episode weekly through Wednesday, June 26, 2024.

ABOUT APPLE TV+:

Apple TV+ is available on the Apple TV app in over 100 countries and regions, on over 1 billiEpisode 7. Joel Edgerton and Jennifer Connelly in "Dark Matter," premiering May 8, 2024 on Apple TV+.on screens, including iPhone, iPad, Apple TV, Apple Vision Pro, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and atĀ tv.apple.com, for $9.99 per month with a seven-day trial. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac or iPod touch can enjoy three months of Apple TV+ for free.

For more information, visitĀ apple.com/tvprĀ and see the full list ofĀ supported devices.

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Interview with Idris Elba, Archie Panjabi, and Max Beesley

TV Interview!

 

Idris Elba, Archie Panjabi and Max Beesley in "Hijack" on Apple TV+ starting June 28!

Interview with Idris Elba, Archie Panjabi and Max Beesley in “Hijack” on Apple TV+Ā  by Suzanne 6/26/23

This was an early-morning press conference in London that I watched on Zoom. The host took questions from us ahead of time, as well as from the audience. This is a great show that you won’t want to miss, particularly if you love high-stakes drama and action. It was great to watch their chat.

[CHATTER]

[MUSIC STARTS]

Kate Quilton (Moderator): Thank you so much for joining us today. I’ve got to say, I think Hijack might actually be my new favourite show. I don’t know about you guys, but I guess there might be a few fans out there that binged it like I did – oh, yes! We’ve got a round of applause already, isn’t it brilliant? Ok, well, let’s get our glittering cast and creatives out. First up, Idris Elba [AUDIENCE APPLAUSE]; Idris plays Sam Nelson, and he’s executive producer; this is George Kay, writer and executive producer; here we have Archie Panjabi, who plays Zahar Gahfoor; Max Beesley, who plays Daniel O’Farrel; and then we have Jim Field Smith, director and executive producer [ALL APPLAUSE]. Wow. Thank you so much. I mean, I literally think this stage is bowing under the weight of the talented accolades, really. I mean, you guys are a stella team, isn’t it, you are a force, absolute force. So, firstly, I just want to you, you play Sam Nelson, when did you first know, you were going to play Sam?

Idris Elba: Hi everyone, how you doing? Nice to see you all, thanks for coming.

Kate Quilton (Moderator): What happened? How did the script land on you? Was it a conversation with George?

Idris Elba: It was some… made in an alignment of timings. And I think, you know, the idea came… George had the idea and was rearing that, at the same junction I was looking at, you know, Apple and I had a deal that were trying to figure out what we were going to do together, and this came as just an idea from George and then became, you know, the story beats and then the scripts. So… But I knew really much very early when I sat with George and talked about what were trying to achieve and what, you know, the story and the perspective of this story. For me, as a producer and a talent, I was sort of interesting in doing something that, you know, hit the mark in television. I love television, I love making television, I have done for years. I play in the film space as well and I think the- the sort of merger between film and what is film and what is television has gotten smaller, that sort of line. And- and working with George was just like… it was a joy. I was a fan of his work and wanted to make that happen.

Kate Quilton (Moderator): Brilliant. Brilliant. I mean, Sam certainly stayed with me. I’ve got to say, like, you know, even that opening shot, it’s almost… the way you’re talking about the crossover between TV and film, it is filmic. I’ve never seen a travelator look so sexy in my life [ALL LAUGH]. Do you know what I mean? And the lens flare and the sun. And I love that motif that we see throughout, which is kind of, you know, you being backlit looking angelic and heroic, which actually brings me, really, I guess to the cinematography, and Jim, at the end.

Jim Field Smith: I thought you were going to say it brings you to Max Beesley.

[ALL LAUGH]

Kate Quilton (Moderator): From angel to another [LAUGHS]. But it is, it is exquisite, I mean, how it’s shot; can you tell us a little bit about how you settled on shooting style and the look and feel of it?

Jim Field Smith: Ā  Ā  Well obviously, we spent most of our time trying to make Idris look presentable, which is tough…

Kate Quilton (Moderator): Tough gig [LAUGHS].

Jim Field Smith: The biggest thing for us, I suppose, was we’ve got a show that’s set almost exclusively inside of an airplane. And there’s two problems with that, one is to make it engaging dramatically and not make it feel dull and flat, and the other thing is to make it feel like you are actually in an airplane that’s moving through the sky. So, it was sort of definitely very, very challenging, but we had a very talented team that figured out how to solve both of those issues. And I sort of heaped problem on top of problem by saying, you know, we didn’t really want to break this place apart, we wanted to move around the plane and never break through the skin of it, and we didn’t… I didn’t want the thing you sometimes see on screen where everything gets scaled up, we actually… the plane you see in the show is a millimetre for millimetre replication of a- of an airliner. So, we sort of made it as hard for ourselves as we possibly could and hope that translates onto screen into something that feels really convincing, but at the same time, yeah, try to make it look as engaging and sort of pull you into the drama as much as possible.

Kate Quilton (Moderator): Mhm. I mean, that must have been challenging. I mean, how many people were on that plane? I mean, obviously we have the two hundred passengers, plus crew…

Jim Field Smith: Well, as many as you see… As many as you see, plus some of them behind the camera, yeah. So, that was sort of everybody boarding a long-haul flight every single day for a hundred twenty days.

Kate Quilton (Moderator): [GASPS]

Idris Elba: In the middle of summer with no AC.

Jim Field Smith: In the middle of summer, yeah.

Kate Quilton (Moderator): How was that for you? I mean, you must be…

Idris Elba: It was great I…

Kate Quilton (Moderator): 6’ 3ā€ ish?

Idris Elba: Yeah [LAUGHS].

Jim Field Smith: He’s been wearing shorts ever since.

Idris Elba: 6’ 3ā€, but luckily the first-class cabin had the extra legroom.

Kate Quilton (Moderator): Oh, ok. I guess you spent maybe half your time there and half at the back…

Idris Elba: Yeah, some of it in the back, yeah. But actually, you know, I think the- the fact that we didn’t break the Episode 2. Idris Elba in "Hijack," premiering June 28, 2023 on Apple TV+.plane apart and make… you know, this is a real plane, just in a studio, and the- the- the confinement of that just really applied to the drama. Even for the crew, you know, figuring out how we’re going to do this top shot without being able to take the roof off was about trying to figure out how to Ā  Ā  do that. And, you know, it all sort of led into the claustrophobia of it, so the crew, the actors, you know, everyone was sort of tight, and we’re… it was almost like watching a documentary being made while being in the documentary, you know.

Jim Field Smith: It meant we could keep going more, you know, it meant that we could stay in the moment and let the scene play out more, which, you know, when you’re dealing with a hijacking it’s about people reacting and trying to figure out live, you know, how to get through the next second, how to get through the next minutes. And so, we were able to bring some of that into the actual making of it, you know, we used a lot of unbroken shots, we moved often with Sam’s character… with Idris’ character, Sam, we’re moving with him through the plane. So, we did a lot of that for real, you know. And there was a lot of like, you know, literally people having to hand the camera to each other and stuff like that. But, again, that was, as Idris says, that was all about wanting to feel engaged in the drama of it and not feel like it was artifice or that it was… we were sort of sitting aback and watching it from afar, I wanted it to feel like you’re in that hijack.

Kate Quilton (Moderator): Yeah, which you certainly do. I mean, you feel it, it’s a ride, you know what I mean? George, I want to ask you – George is the writer of the project – how did it come about? I mean, where did the… what was the genesis of the idea?

George Kay: I was on a train, actually – I was on the Eurostar, I was doing a lot of work in France – and we were in the Eurostar tunnel and the train stops quite abruptly. And even though I knew everything was alright, it flashed through my mind, what if there’s something going on, on this train? What if it’s happening up the carriages? And I looked around me at the people, the kind of businessman eating his lunch, and the squabbling family, and I thought like, how would we Ā  Ā  cope as a group of people if this was a serious incident? Would the tough looking guy really be tough, would the kind of the weedy guy really rise up and actually cover himself in glory and manage to stand up to people. Who are these people really when you look past them as- as- as… you get past your prejudice of those people and how they look. And it kind of put me in mind of blitz spirit and like when the chips are down, how does the British or an international community cope when suddenly thrust into kind of extremes. Then the thought of a plane was much more of a visual, you know, we could really open it up…

Kate Quilton (Moderator): High stakes.

George Kay: High stakes. Also, like a moving society, you know, we’ve got a class system on a plane, you’ve got all sorts of people. But as all the characters experience, whether they’re on the ground or in the plane, that hijacking is a great leveller for all these people and so they really get tested, no matter what their rank, no matter what their class seat they’re sitting on a plane, so it felt like a good setting to take it to a plane.

Idris Elba: So, you’re saying that I’m the weedy guy [ALL LAUGH]. So, that’s what’s really going on here, I didn’t see that.

George Kay: You’re the business guy eating his lunch. On a serious point, what was great was that when Idris came on board to play Sam, we all have our understanding of Idris as an actor and his like… and it’s great to give a role that, I think, that’s kind of a… he doesn’t have those skills of a Royal Marine or an SAS soldier or stuff, he’s really… as a character…

Kate Quilton (Moderator): Ā  Ā  But he does in a real life…

George Kay: But he looks like he might. He looks like he might, right, yeah [LAUGHS]. So, it’s quite fun to play with what the hijackers thought… think of Sam Nelson, and what Sam Nelson thinks they think of Sam Nelson. Those are fun layers to exploit.

Kate Quilton (Moderator): Yeah. Now, Archie and Max, together, you’re part of the ground force, what’s happening on the ground?

Max Beesley: After you, Archie.

Archie Panjabi: So, yeah, so I am the… Gosh, I was so interested in hearing how it all came about, I completely lost my words [ALL LAUGH]. Zahar’s character first learns about the hijacking and gets together all the authorities and starts a big investigation. We were in a room that… not as narrow as the aircraft, but it was still… it was probably about three times the size of the stage, and the room just got bigger and bigger as it became more tense. Those were stressful scenes though, we all had to stay in one position, we couldn’t move because of the number people in the room, we were watching the monitor with like a dart, which was the aircraft, and really like intense scenes.

Kate Quilton (Moderator): Who had it worse?

Archie Panjabi: Sorry?

Kate Quilton (Moderator): Nobody knows who had it worse [LAUGHS].

Archie Panjabi: Yeah, well, I think we did because he was in business class with his feet… first class?

Kate Quilton (Moderator): First.

Archie Panjabi: He was in first. We were kind of packed like sardines too. But we did have, you know, I was telling Idris earlier, we did have a good laugh on the show. It was intense, right, Jim? We had a lot of fun on the show.

Kate Quilton (Moderator): So, when the script first landed with you, did you know immediately, yes, I want to play Zahar?

Archie Panjabi: Well, when I first read it, I think I was sent three and I couldn’t put it down. And then, by the end of the third one, I wanted to know if my character had [LAUGHS] successfully saved the passengers, so I phoned up my agent and said, ā€œI need to read four to sevenā€, and she said [LAUGHS] so selfish of me. But she said, ā€œdo you not want to do it?ā€, I said ā€œno, I’d love to do it. I just need to know what happens to the passengersā€ And that’s when I thought this is a brilliant script, it’s really thrilling, it’s going to have audiences at the edge of their seat, so. And Idris was in it, of course, and Max and Jim and [LAUGHS].

Kate Quilton (Moderator): I’ve just been handed a message, which, shall I read this out? Thank you. Ok, thanks, Ernie. Please remind press here in the screening room that while photos are ok, please do not video tape the press conference, thanks, Ernie. Running in a rule! Thank you. So, no videos but photos are great. So, sorry. Sorry to interrupt! [LAUGHS]. Brilliant, so, Max, I think you have maybe one of the best entrances possible, you know, just that killer reveal at the beginning Ā  Ā  of the episode where you literally just roll into frame and it’s… it’s a couple of seconds but we learn so much. In terms of storytelling, it is brilliant. I mean, for you, when you first read the script, did you think, ok, I’m in, this is brilliant?

Max Beesley: Well, I… Interestingly enough, Idris is very kind enough to suggest me for the role to the producers, which was lovely, and then- and then when I got the scripts, the first thing I always look at is who’s written it, because I write myself and I love… I like good writing. And I saw it was George, and then Jim as a director, and I’d seen Criminal, and what I loved about that show was it was compelling. It was in such small, confined spaces yet there was so much going on within the stillness, if that makes sense, and I thought it was really clever television that they’d both created. And so, immediately, I was like great, let’s go. And also, I wanted to work with Idris. I didn’t realise that he’d be thirty thousand feet up in the air and I’d be running around the ground trying to find out what was going on, you know, but…

Kate Quilton (Moderator): Did you ever see each other?

Max Beesley: No, not even in the six months shooting [LAUGHS].

Idris Elba: No, not once.

Max Beesley: So… But, of course, after reading it, the first couple of episodes – I think I read three – and the character became more and more involved. And there are so many wonderful nuances for me to play as well as a professional policeman, but also from a personal point of view, being involved in Sam’s ex-wife, played by Christine Adams. And we get very subtle reminders of that, you know, on the picture frame, there’s pictures of Sam with the family and he’s obviously Ā  Ā  handsome and he’s, you know, he’s got a vibe about him. And so, I think that policemen, while they’re so tenacious and professional and very good at their jobs, their personal lives are very discombobulated, if you like. So, there was something interesting there for me to get hold of. And then, of course, my… Archie’s character is another ex-lover of this rogue… were we lovers? I think we were. George?

George Kay: Yeah.

Kate Quilton (Moderator): I mean, I’m itching to know the backstory because the relationship between you two, I mean, that dynamic just leaps off the screen, doesn’t it. I mean, something- something really bad went down [LAUGHS].

Max Beesley: We had… something went down, I’m not quite sure what it was, Kate, but…

Archie Panjabi: Oh, I am.

[ALL LAUGH]

Max Beesley: Oh, ok [LAUGHS]. But it’s excellent because we very delicately and subtly worked through Christine’s messages from… from Idris’ character, Sam, and then my relationship, past relationship with Archie, who is in counterterrorism, we can then start formulating something we don’t really think is going on, but as the dominos fall then we realise we’re into a very serious situation. Quite quickly in the show as well, which is good because it grabs you quite quickly. And it’s high octane… high octane stuff. It’s really, you know, a great drama… a thriller and a great drama. I’m really proud to be a part of it, you know.

Jim Field Smith: We actually, you just reminded me you guys talking about being on the ground, is that part of the necessity of where we shot was that everyone was sort of Ā  Ā  separated, but it was also slightly by design as well. And the people on the plane never met really any of the people on the ground but used to call each other the ā€˜ground people’ and the ā€˜plane people’ [ALL LAUGH]. And they would always try and sneak in and look at what we were doing in other sets, and we’re like get off, get out of here. Because, of course, part of the, you know, without being too highfalutin about it, part of the fun of it is about information and about who knows what. And, you know, the genius of Sam’s character is he’s trying to get information to the ground without being caught doing that by the hijackers, meanwhile, because of the methods that he’s using, which are maybe a little bit unconventional, the characters on the ground are having to decipher this and figure out is it hijacked or is it not. And so, we sort of deliberately wanted to keep everyone separate and keep everyone guessing the whole time. And, yeah, again, hopefully that comes across on the screen.

Idris Elba: [LAUGHS] I remember actually, you know, because we’re shooting at a studio with several stages, and because I couldn’t sort of go and see what the other stages were doing every now and then, I’d always stay near the back, and then one time I realised I was walking right through basically a whole shot. And I think Archie was in there, I think, and everyone was huddled in this tiny room, and they were just, you know, I think they were just running lines, right, and I just walk past. And I was like ā€œhey!ā€ [ALL LAUGH] and they all looked at me like, what are you thinking? You’re meant to be… and I was in full costume, blood on my face, they were like, he looks happy! What the fuck are we doing!

[ALL LAUGH].

Jim Field Smith: He’s fine, hijack’s over, guys.

Idris Elba: I thought everyone would be like, hey, what’s up, Idris! They were like, what are you doing here? Just get out, man, you’re killing our vibe.

Kate Quilton (Moderator): Brilliant. Well, those are a few questions from me, but the people we are really interested to hear questions from today is everyone out here and also everyone online who has joined us virtually. So, I’ll start by taking a question from the floor in the room here, if anyone has got a question, just pop your hand up and we’ll get a mic to you before you ask it.

Press: This question is for Max, you mentioned that you didn’t have the opportunity to meet with Idris for about six months while shooting, but your character is pretty much solving, trying to solve the pieces of the puzzle to this, you know, mystery with what’s going on with, you know, this hijacking, so did that help you in your role not having to be able to interact with Idris in those six months, or did that hinder you?

Max Beesley: I… It was helpful. I mean, just from a professional point of view, I wanted to do the dance with Idris on set because he’s a terrific actor, but I think it helped a little bit. And also, obviously, he’s a very handsome man, so like I say, when you do… there are very subtle shots of me and Christine in the bedroom, there are family pictures of her with Idris’ character with the boys, and there’s just a couple of moments that Jim shot there where you just… it’s the male thing of, you know, just like, what am I working with? And these… this guy is a professional but so is Sam, he’s a very successful professional guy. And so, I don’t know, I mean, yeah, it probably did help, maybe, yeah, I’m not too sure, just try to be real on the day with the scene and that’s it.

Kate Quilton (Moderator): Thank you. Oh yeah, let’s take it. Thank you.

Press: Thank you. Question for Idris, obviously this is an action thriller, so talk us through, please, if it’s ok, the sort of fight sequences or action sequences, and Ā  Ā  sort of how did it effect you? Did you get battered and bruised, or were there any injuries or anything like that?

Idris Elba: So, I guess, you know, one of the things that I guess was by design was that, you know, we didn’t take this plane apart and made it easier for us to shoot, we designed all the action sequences with what we’ve got, ok. And, you know, you know, Sam does a lot of sneaking around the plane, you know. Me sneaking on a plane is like, bro, what you doing? [ALL LAUGH]. We can see you, you know, so it meant that I had to even get lower, or we had to figure out another way. And that was actually really, again, adds to the sort of drama and reality of this thing. The fight sequences were certainly hard to shoot. They were choreographed within the space, if we hurt ourselves, we just took a breather and carried on, because not to say that we didn’t care but it’s just we didn’t try and change the choreography not to hurt ourselves because, in this instance, the fight sequence- sequences were based on what would we do rather than this is a fight sequence, you know. And one of the memorable ones for me is the one with Neil’s character, and this gun and this tiny kitchen space – I’m a big man, so I could just… but it just wasn’t easy to move around and fight this guy, especially if my character is not a fighter, he’s fighting out of desperation and he’s frightened of getting shot. Not only is he frightened of getting shot, but he doesn’t want the plane to go down because of a bullet. So, there’s all this stuff that was part of the design of the action and I think really gives… puts the audience in that… we’ve all been on a plane, we’ve all sat in a chair and looked over and seen that person from this perspective, we’ve all looked down the aisle and looked behind us, and that’s what Jim and the team really designed well and implemented into the action sequences, you know.

Kate Quilton (Moderator): Thank you. I’m going to take a question now from the journalists that have joined us virtually. So, this is a question to Archie and Max, and this is from Barbara Monker, who is at DPA in Germany, you’re part of the team on the Ā  Ā  ground and the personal backstory, how did you experience the tension building on the plane while figuring out a solution on the ground?

Archie Panjabi: Well, I guess we’re, you know, the great thing about filming this is that we did it chronologically and so the tension just builds. And having to, you know, work with the ministers, the JTAC, the county-terrorism, there’s all these different things going on that [LAUGHS]… I guess the pressure just builds so much that the tension in that room just escalates to a point where it becomes unbearable. In terms of us…

Max Beesley: Yes, carry on.

Episode 2. Archie Panjabi in "Hijack," premiering June 28, 2023 on Apple TV+.

Archie Panjabi: I remember when we first met, we were like, well, what’s our chemistry? What’s our backstory? What’s our history? And I think we both had two different stories, didn’t we, we both decided each of us had chucked each other, and then you pointed to the script, didn’t you…

Kate Quilton (Moderator): I said you were the dominant… you’re the dominant, you broke my heart, maybe.Ā  I mean, I think it’s only George that can settle this.

George Kay: Yeah, sorry, Max…

Kate Quilton (Moderator): George, what’s the backstory?

Max Beesley: Was I an animal? I don’t know anything.

George Kay: I think Zahar is strong and managed to kind of see that maybe Daniel is not the right partner and they broke up. But they did have a relationship, for sure, yeah.

Archie Panjabi: And maybe Sam Nelson was more appropriate, you think? [ALL LAUGH]

Max Beesley: In answer to that lady’s question [LAUGHS]…

Kate Quilton (Moderator): That’s a whole new series.

Idris Elba: Yeah, a whole new one.

George Kay: A love triangle.

Max Beesley: No, no, in answer to the question, when we were working on the ground, obviously as we get more information, the stakes are high, everything’s heightened, everything’s heightened, everything’s heightened. And then, we’re out on the road and then the counter-terrorism units are involved, response units are involved, then it really does… you just play the script and that’s all you need to do. And it grows quite beautifully, you know, throughout the seven hours of the show, I think, so…

Archie Panjabi: There’s a really nice moment though, isn’t there, there’s a really nice moment when I’m driving the car and you ask me all these questions about your ex, and I have a complete… I have a go at you, and at the end she just says, ā€œit’s ok, I get itā€. I think from then onwards we just work together.

Max Beesley: Ā  Ā  We’re very good at our jobs, which is important, and ultimately, we do kind of really help the situation, I think, you know.

Kate Quilton (Moderator): I think you’re all quite exceptional at your jobs. Talking about the tension building…

Max Beesley: Sorry, I meant as the characters. I wasn’t being an egomaniac. We are both very good counter-terrorist policemen, ok [ALL LAUGH].

Kate Quilton (Moderator): Oh, funny. There’s a question here, and this is to Jim and George, it’s from the States, it’s from Cherry the Geek TV – Joe at Cherry the Geek TV. Now, he was wondering if you could talk about the real time element in the show. In the past, this type of story was told as a two-hour movie, with this format, you’re telling the story of the seven-hour flight over the course of seven hours, and it works really well. Talk about the development of the stories and the challenges, and maybe unexpected surprises of doing this story in real time.

George Kay: You want to go first?

Jim Field Smith: Yeah. Well, I was going to answer the second bit, do you want to answer the first bit?

George Kay: Yeah, ok, yeah. In terms of the- the real time of seven hours and maintaining tension, what I realised when writing was that in the hijacking situation, it’s not immediately life or death, it’s not like you’re just about to be pushed off the edge of a cliff or something. For Sam’s character… For Idris’ character, Sam, he has to contend with a situation that is about to be, constantly is about to be life or death. So, there’s time and tension is suspended because until you know what Ā  Ā  those hijackers want, where they’re taking the plane, what they intend to do, these are all unknowable things at the start of our story, and so we have a kind of… we’ve got a tension inbuilt. And there’s no point breaking that, from a writing perspective, there’s no point breaking that tension, you want to unfold the mystery really carefully and slowly because you should have people’s breath held in their chests at that point, and you’ve got seven hours to play with, that’s all they know. And I think at the end of the first or second episode, it becomes clear that they’re going to go to London, I don’t know what we can say in terms of the story, but the seven hours is the size of the football pitch under which Sam Nelson can plot his strategy around and get to his goal. So, the tension is going to be there throughout because you’re edging all more incrementally towards a more intense situation the whole time.

Kate Quilton (Moderator): And at which point did you decide, right, we’re going to do this real time?

Jim Field Smith: I was looking at the- the flight distances and the length of a TV series, and they’re very similar, and actually then the thought they cropped up, well, hang on, why don’t we just play it, why don’t we just run it for real, because we’ve all been on what would feel like interminable plane journeys, that it would not feel interminable or it would be suddenly a short, intense and magnified experience if you were under a hijacking so it just felt right that the length of the show seems to be the length of a flight.

Jim Field Smith: What you don’t want to be is on a flight that gets captained by the network halfway through [ALL LAUGH].

Kate Quilton (Moderator): Was that reason at the beginning, you thought… [LAUGHS]

Jim Field Smith: Ā  Ā  They can’t- they can’t cancel it. Yeah, one of the… One of the bits of research we were doing early on, I was listening to this testimony from a hijack survivor, and she said this thing that really, really stuck with me the whole way through the show, which was that she had been in a hijack situation and she said, ā€œduring a hijack, time ceases to exist and all you’re left with is decisionsā€. And that… I sort of had that in my head the whole time because it is real time, it’s potentially more real time for the people on the ground as it is for the people on the plane. As George has said, for the people, you’re sort of suspended, I mean, you’re literally suspended but you’re sort of in suspension and you’re just trying to figure out how to sort of live through to the next moment. For the people on the ground, they’re scrambling for answers, they’re trying to figure out what’s going on, and of course, this plane is heading essentially towards them. In terms of the second part of the question, there were… the sort of… some of the challenges of making it sort of perversely became, I think, some of the benefits of the show. So, the problem with making a real time drama is that you are wedded to every single decision that you make in production throughout. Normally, if it’s like, oh, we hate this jacket, oh, don’t worry, we’ll get rid of it in the next scene or, you know, we’re going to jump to this or we can cut around this or we can go there, we can’t do that in our show. So, we had to live with all of the decisions that we made, and that’s the reality of what would happen in that situation and so we weren’t able to do the convenient thing of jumping ahead in time or sort of swerving around something, we had to just take everything head on. So, you know, we made decisions about characters in episode one that we then had to, you know, essentially live with. And I think, hopefully, that’s to the benefit of the show. You know, the downsides are that you can’t avoid anything. If you’ve got a real time storyline, you’ve got scripts that are written to a real time storyline, you can’t skip things.

Kate Quilton (Moderator): And there’s very little fixing in the edit.

Jim Field Smith: Ā  Ā  There’s very little, you know, but the good thing was, to bring it back to the original point, the material on the plane we found could actually expand, because actually once you’re in those scenes on a plane, we, hopefully successfully, went for it, like I really wanted to feel the tension of moments that in any other situation would be completely inconsequential, feeling like the most important thing ever, like, you know, Sam’s character waiting for someone to move slightly so they’re not in his eyeline anymore and they can go this way. You know, I wanted those moments to feel like they lasted forever almost, you know, and- and conversely, wanted the stuff on the ground to feel like relentless, so.

Episode 1. Idris Elba in "Hijack," premiering June 28, 2023 on Apple TV+.George Kay: Also, we… we didn’t want to do any flashbacks or give the audience any irony or any knowledge that Sam and the characters on board didn’t have, everything has to be earned for people on the ground and for the people on the plane. TV is full of shows that are mixing timelines and flashing back and giving audience better knowledge than some of the characters in the show, so it felt fresh to try something just linear, everyone learning at the same time.

Idris Elba: Just quickly, as an actor though, it felt like I was flying to Mars [ALL LAUGH]. I was just like, am I still on this flight? Six months later I’m still on the flight, or three seasons of the show, are we still here? What’s going on?

Kate Quilton (Moderator): In the same outfit [LAUGHS]. Like, how many…

Idris Elba: Ironically, the same shirt I’m wearing now. I’m joking.

Kate Quilton (Moderator): Did you have… Was it kind of like Jeff Goldblum in The Fly, did you have like literally twelve hanging up in your dressing room?

Idris Elba: Yeah, and they were all very different stages. Oh, this one over here with all this blood on, I know where that is, I’ll wear that again, ah man

[ALL LAUGH].

Kate Quilton (Moderator): Brilliant. Alright, we’ll take another question from the floor. Excellent.

Press: Not a very intellectual question, but I wondered, before making the show were any of you afraid of flying and if that had changed since making it?

Archie Panjabi: Well, I didn’t fly on the show, but in terms of watching it, no, no not at all. I think maybe for the first five minutes and then after that it didn’t really affect me so much. But I have done a few dramas on a plane before so maybe I’m, you know, used to flying, I don’t feel the fear so much.

Idris Elba: I, no, for me, more informed about flight and airplanes now, which is weird, you know what I’m saying, I’ll sit on a plane, and I’ll be like, oh, the A3 80 [ALL LAUGHS], oh, different trim, interesting. I don’t know this shit. But it’s actually not, you know, I love flying, I love travelling, and I’ve always, always said hello to staff on planes, off planes, just by way of people wanting to say and wave and what not, so yeah, it just felt interesting to be on a plane again after making this show.

Kate Quilton (Moderator): Can I ask a question…

Max Beesley: Before you do, can I just say, sorry, because I flew in six hours ago on a BA flight and every single stewardess was like ā€œare you doing something with Idris? He’s so lovely. We’ve had him on British Airways so many times, he’s such a nice guyā€. Like, six minutes in, and I’m like, can we get back to me for a second? Ā  Ā  But yeah, that was nice to hear. But I did use to have a fear of flying. I used to love it and then I had a couple of terrible, terrible turbulent flights, and then it was Paul McKenna actually that helped me years ago and now I love it. But I do remember after 9/11, because I live in Los Angeles, I always eyeball the passengers when I get on, and I just think, right…

Idris Elba: That’s helpful.

Max Beesley: Yeah [LAUGHS]. Right. Yeah, I’m like… No, I’m not… I just clock them quite quietly and I just go, mm, ok, because I’ve got two little girls and so I’m… if anything’s going to happen, I’m going… Well, after watching this show, you don’t know, who knows…

Kate Quilton (Moderator): Who knows? But, as you already said, you are an excellent policeman, what would you be looking for on that flight?

Max Beesley: Just little tell-tale signs. You know stewardess, when you board a plane and stewards, they’re also reading you as a passenger as someone who can help them in an event, who’s fit? Who’s looking good? Who’s drunk? Who doesn’t drink on the plane? You know, so, yeah, I’m into flying, I really like it a lot.

[ALL LAUGH].

Kate Quilton (Moderator): If you ever happen to be on a flight with Max, he might be…

Max Beesley: You’ll be alright, you’ll be alright.

Kate Quilton (Moderator): Don’t be alarmed! Right, we’ve got loads of hands in the audience so let’s go wherever we can get a microphone, yeah! Great. Excellent.

Press: Idris, serious question here, this sees you do a more multi-dimensional role, but in terms of being an actor and getting a variety of roles, is it a blessing or a curse to be a good-looking man?

[ALL LAUGH]

Idris Elba: I’m getting a lot of love today, thank you very much.

Press: Max, you can answer that as well, if you like.

Idris Elba: Wow. Look, I’m sure it’s all subjective. I’m not sure I’m good-looking to everyone, but there is something interesting you said earlier, George was talking about, you know, the weedy man versus the strong man and, you know, my size and shape and, you know, all my life sort, oh, you’re a big lad, you know, and I’ve taken on roles that sort of feed into that a little bit. And in this particular time, I was really interested in playing against that. Even though Sam is what he is, he isn’t always the sort of hero in that sense, you know. He’s using… it’s more cerebral, he’s quite vulnerable in the sense that he’s got lots going on internal in terms of his family, and I really was interested in that, you know. So, it played against type, if you like, and I… Yeah, you know, some camera angles are not sexy man, especially on a plane, let me tell you. When Jim’s got the camera right up my nozzle, I’m like, are you sure that’s the angle bro? [ALL LAUGH] Can I just shift to the light? He’s like, no, no, no, this is perfect.

Kate Quilton (Moderator): And let’s take another question from our journalists virtually, this is from Nando Rona at Deadline in Germany, this is it to Idris, Archie and Max, how do you think you might personally react in a situation like the series because of the show? So, since you’ve made it, how might you react on a plane that [LAUGHS] has been hijacked?

Idris Elba: Well, look, you know, I would shut up and mind my own business.

Kate Quilton (Moderator): Really?

Idris Elba: No. But I wouldn’t be Sam, for sure, I just wouldn’t have thought out that clearly, but if I had an opportunity to speak to a hijacker and I got eye contact and I thought for a second that person would listen to me, I would go for that and be like, dude, this is very stupid. Or, dude, can you get me a drink please? Just quickly get me drink [ALL LAUGH]. I don’t think I would be the hero guy that’s trying to, you know, outsmart the hijackers, I doubt that very much, but I certainly would want to help the staff and say, look, I’ll, you know, if you need a volunteer to help you do something, I’m in, a hundred percent.

Kate Quilton (Moderator): And you’ve got a bit of intel now. I mean, you’ve learned a lot making this series.

Idris Elba: I know. I know how to fly now, I know how to fly a plane, so yeah.

Kate Quilton (Moderator): What about you, Archie?

Archie Panjabi: I don’t know what I would do. I guess it would depend on the hijackers, what they were like. I’d like to think I’d be able to communicate with them and talk with them, use some of Zahar’s skills, but I don’t know, that’s a really interesting question. It would depend on the people.

Kate Quilton (Moderator): Max?

Max Beesley: Again, I’m no idea…

Kate Quilton (Moderator): Employ McKenna? I mean, would you rely on a few of those hypnotherapy tips, I don’t know.

Max Beesley: No, I’m… Because I remember years ago, I got robbed in Ladbroke Grove at gunpoint and I remember thinking if that ever happens, I’ll go to work and take care of business, and I completely froze. I was in a chair with a gun at the back of my head. And even if I had a weapon I would have said, ā€œbrother, I’ve got a gun here, manā€, I was terrified. So, I don’t know. I have a friend in America, Spencer Stone, who was a… in the military, and he was on the Amsterdam to Paris, he was one of the soldiers that took that chap down. I’ve spoken to him at length about it and I think you’re just wired in a different way, so I’ve got no idea. I’ve got no idea what, you know.

Kate Quilton (Moderator): And George, I mean, it feels unfair to leave you out but…

George Kay: I would…. I would run and hide in the toilet [ALL LAUGH]. I would not step up at all, I think.

Kate Quilton (Moderator): Jim?

Jim Field Smith: Me and George and a friend of ours used to play a game that if the three of us were on a boat that was sort of marooned at sea, which of us would turn on each other first to kill them and eat them? So, I think [LAUGHS] every man for themselves.

Kate Quilton (Moderator): Ā  Ā  Are you… Ok, you’re eater, not eaten.

Jim Field Smith: I’d definitely rather be eating than be eaten [ALL LAUGH]. If that’s what you’re asking me.

George Kay: I get eaten in the game.

Kate Quilton (Moderator): Oh, you get eaten.

Idris Elba: What’s the name of this game?

[ALL LAUGH]

Kate Quilton (Moderator): I think we got one… We’ve got time for just one more question from the floor. Great, we’ve got a mic there.

Kate Quilton (Moderator): Last question, do you think you could watch Hijack on a flight?

Idris Elba: [LAUGHS]

George Kay: Do you think they’re going to put it on when- when…?

Kate Quilton (Moderator): [LAUGHS] I don’t know, you might want to fight for it, George, I don’t know, like have that chat…

Jim Field Smith: You can watch it on a seven-hour flight. That would be a very specific requirement you need to be able to watch it.

George Kay: Ā  Ā  It would be annoying to watch it on a four-hour flight.

Idris Elba: It would have to be a nine-hour flight because you’ve got two hours delay, then they don’t let the thing work.

Kate Quilton (Moderator): I mean, it’s intense. I watched one episode on a train and that was enough for me, to be honest, the blood pressure definitely raised for sure. Thank you so much, everyone. Thank you so much for this really exceptional piece of work. It is, yeah, an exhilarating ride. I will, just to bounce things out, compliment you all on your looks and say you are all beautiful, exceptionally handsome…

Jim Field Smith: And very good at our jobs.

Kate Quilton (Moderator): But it is a very beautiful panel. So, thank you so much, thank you for joining us today, thank you for coming, thank you everyone online.

[APPLAUSE]

[CHATTER]

[MUSIC BEGINS]

MORE INFO: Trailer

"Hijack" key art

ABOUT ā€œHIJACKā€:

Told in real time, ā€œHijackā€ is a tense thriller that follows the journey of aĀ hijackedĀ plane as it makes its way to London over a seven hour flight, and authorities on the ground scramble for answers. Idris Elba will star as ā€˜Sam Nelson,’ an accomplished negotiator in the business world who needs to step up and use all his guile to try and save the lives of the passengers — but, his high-risk strategy could be his undoing. Archie Panjabi will play the role of ‘Zahra Gahfoor,’ a counter terrorism officer who is on the ground when the plane isĀ hijackedĀ and becomes part of the investigation. The series also stars Christine Adams, Max Beesley, Eve Myles, Neil Maskell, Jasper Britton, Harry Michell, Aimee Kelly, Mohamed Elsandel and Ben Miles.

ā€œHijackā€ has been produced by 60Forty Films, the production company set up by Emmy Award winning Executive Producers Jamie Laurenson and Hakan Kousetta (ā€˜Slow Horses’, ā€˜The Essex Serpent’) under its exclusive content deal with Apple TV+, alongside Kay and FIeld-Smith’s own production company Idiotlamp Productions, and also marks the first series to debut from Elba’s first-look deal with Apple TV+ and his Green Door Pictures. In addition to writing and directing, Kay and Field Smith each serve as executive producers alongside Elba, Jamie Laurenson, Hakan Kousetta and Kris Thykier.

Proofread and Edited by Brenda

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"Hijack" press conference (posted on Jim Field Smith's Twitter)