{"id":30651,"date":"2022-08-11T03:37:56","date_gmt":"2022-08-11T08:37:56","guid":{"rendered":"http:\/\/tvmeg.com\/?p=30651"},"modified":"2025-08-20T01:19:48","modified_gmt":"2025-08-20T06:19:48","slug":"currey","status":"publish","type":"post","link":"https:\/\/tvmeg.com\/index.php\/2022\/08\/11\/currey\/","title":{"rendered":"Interview with Grace Caroline Currey"},"content":{"rendered":"<h3><strong>TV Interview!<\/strong><\/h3>\n<script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\r\n<!-- TVMEGBODY -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-1056557952271337\"\r\n     data-ad-slot=\"8801203268\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-30653\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall3.jpg\" alt=\"Grace Caroline Currey (\u201cBecky\u201d) in FALL\" width=\"296\" height=\"190\" srcset=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall3.jpg 467w, https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall3-300x193.jpg 300w\" sizes=\"(max-width: 296px) 100vw, 296px\" \/><\/p>\n<p><strong> Interview with Grace Caroline Currey of the movie &#8220;Fall&#8221; by <a href=\"https:\/\/tvmeg.com\/index.php\/2020\/06\/13\/biosuzanne\/\">Suzanne<\/a> 8\/10\/22<\/strong><\/p>\n<p><img decoding=\"async\" class=\"wp-image-40423 alignleft\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2023\/03\/currey2.png\" alt=\"Grace Caroline Currey (from her Instagram)\" width=\"139\" height=\"182\" \/>It was really great to speak with this lovely young actress who stars in &#8220;FALL.&#8221; She is outstanding in this exciting movie. You don&#8217;t want to miss it; it comes out tomorrow, August 12. <a href=\"https:\/\/youtu.be\/iSspRSGc4Dk\">Trailer<\/a><\/p>\n<p>You might recognize her from one of her many TV shows and movie appearances. She&#8217;s probably best known for playing Mary in the &#8220;Shazam!&#8221; movies. The second one comes out later this year. I can&#8217;t wait because I love superhero movies, and the first one was pretty good.<\/p>\n<p>When she was younger, she played the young Natalie Wood in the TV miniseries &#8220;The Mystery of Natalie Wood&#8221;; and she played the young Melinda in &#8220;<a href=\"http:\/\/tvmegasite.net\/prime\/shows\/ghost\/\">Ghost Whisperer<\/a>&#8220;; and she played the young Victoria in &#8220;<a href=\"http:\/\/tvmegasite.net\/prime\/shows\/revenge\/\">Revenge<\/a>&#8220;!\u00a0 Those are some of my favorite shows.\u00a0 Now that she&#8217;s older, she can play so many different roles and has many movies coming out.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-30651-1\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/currey.mp4?_=1\" \/><a href=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/currey.mp4\">https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/currey.mp4<\/a><\/video><\/div>\n<p>&nbsp;<\/p>\n<p>MORE INFO:<\/p>\n<p><img decoding=\"async\" class=\" wp-image-30648 alignleft\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall.jpg\" alt=\"Grace Caroline Currey in &quot;The Fall&quot;\" width=\"361\" height=\"195\" srcset=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall.jpg 556w, https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall-300x162.jpg 300w\" sizes=\"(max-width: 361px) 100vw, 361px\" \/><\/p>\n<p><strong>Grace Caroline Currey (Becky)<\/strong><\/p>\n<p>Grace Caroline Currey has been in back-to-back films across every genre. Grace<br \/>\nstars as the lead in the Lionsgate adventure thriller, FALL, directed by Scott Mann<br \/>\nand set to hit theaters August 12, 2022. Next up for Grace is her portrayal of<br \/>\nSuperhero Mary\/Mary Bromfield in the Warner Bros. and DC Entertainment franchise<br \/>\nsequel, Shazam: Fury of the Gods, set to hit screens December 21, 2022. Prior to<br \/>\nthat she starred in New Line&#8217;s popular Conjuring franchise, Annabelle:<br \/>\nCreation. Grace brings her boyfriend home to meet the parents in the rom com, Most<br \/>\nGuys Are Losers, based on the best-selling book, which was recently released in<br \/>\ntheaters. She has studied at the renowned Royal Academy of Dramatic Arts in<br \/>\nLondon and was nominated for Best Actress at the Milan International Film Festival<br \/>\nfor her role in Badland, an indie feature with Vinessa Shaw. She is also a level 6<br \/>\nballerina to boot!<\/p>\n<div style=\"position:absolute;top:-11301px;\"> At <a href=\"https:\/\/www.vapefrenzy.co.uk\/\">vape<\/a>frenzy.co.uk, we offer an extensive selection of high-quality vapes for sale in our online vape shop. Our range includes everything from starter kits to advanced devices, ensuring that both beginners and experienced users find what they need. Additionally, we stock a variety of e-liquids in numerous flavors, catering to every palate. Moreover, our user-friendly website makes shopping convenient and enjoyable. With fast shipping and excellent customer service, we strive to provide an exceptional vaping experience for all our customers. <\/div>\n<p><a href=\"https:\/\/www.lionsgate.com\/movies\/fall\">Official Site for &#8220;FALL&#8221;<\/a><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30656 alignleft\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/thefallposter.jpg\" alt=\"Fall poster\" width=\"252\" height=\"400\" srcset=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/thefallposter.jpg 252w, https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/thefallposter-189x300.jpg 189w\" sizes=\"(max-width: 252px) 100vw, 252px\" \/>From the Producers of 47 Meters Down<\/strong><\/p>\n<p>Dropping in Theaters Only on August 12, 2022<br \/>\nPRODUCTION NOTES<br \/>\nRUNNING TIME: 107 minutes<br \/>\nRATING: PG-1<\/p>\n<p><strong>SYNOPSIS<\/strong><\/p>\n<p>For best friends Becky (Grace Caroline Currey) and Hunter (Virginia Gardner), life is all about conquering fears and pushing limits. But after they climb 2,000 feet to the top of a remote, abandoned radio tower, they find themselves stranded with no way down. Now Becky and Hunter\u2019s expert climbing skills will be put to the ultimate test as they desperately fight to survive the elements, a lack of supplies, and vertigo-inducing heights in this adrenaline-fueled thriller from the producers of 47 Meters Down. Costarring Jeffrey Dean Morgan.<\/p>\n<p><strong>ABOUT THE PRODUCTION<\/strong><br \/>\nA nerve-shredding, knuckle-whitening, vertigo-inducing action thriller, FALL tells the<br \/>\nterrifying tale of climbers Becky (Grace Caroline Currey) and Hunter (Virginia<br \/>\nGardner) who ascend the abandoned 2,000-ft B67 TV Tower in the California desert<br \/>\nas a means of moving on from the death of Becky\u2019s husband Dan (Mason Gooding)<br \/>\nin a climbing accident a year earlier. But when the tower\u2019s external ladder gives way,<br \/>\nthe two best friends find themselves stuck on a platform at the top. Too high to use<br \/>\ntheir cell phones to ring for help, the pair must find a way down. Or die trying.<br \/>\nFALL began life as a short film idea hatched by British-born, L.A.-based<br \/>\nwriter-director Scott Mann (Heist) and his regular cowriter Jonathan Frank (The<br \/>\nTournament) in response to a production company\u2019s call for experiential shorts.<br \/>\n\u201cThey were looking at experiential shorts, action thrillers, and we pitched this,\u201d recalls<br \/>\nMann. \u201cWe got so excited about the idea of the fear of falling and the horror of<br \/>\nheights, that it almost wrote itself for 25-30 pages. They wanted to make it, but then<br \/>\nthe whole thing shut down.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30654 alignright\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall4.jpg\" alt=\"Grace Caroline Currey (Left, \u201cBecky\u201d) and Virginia Gardner (Right, \u201cHunter\u201d) in FALL\" width=\"418\" height=\"300\" srcset=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall4.jpg 418w, https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall4-300x215.jpg 300w\" sizes=\"(max-width: 418px) 100vw, 418px\" \/>With the short film series cancelled, Mann and Frank decided to expand their<br \/>\nidea into a feature, on spec, and see if they could get it set up somewhere else.<br \/>\n\u201cWe\u2019ve written specs before, but this was the most fun to write because the two of us<br \/>\nkind of lived it and acted it out as we went on, trying to think what we would do in the<br \/>\nsituation that the girls find themselves in,\u201d continues Mann who built a paper version<br \/>\nof the platform at the top of the tower so he and Frank could perch on it, \u201cto figure<br \/>\nout what to do and really play on the horror and tension. We wanted it to be the<br \/>\nultimate fear-of-heights movie, so we looked at previous films and wrote the script<br \/>\naccordingly.\u201d<\/p>\n<p>Among those cinematic references were Martin Campbell\u2019s 2000 survival<br \/>\nthriller Vertical Limit, Brad Bird\u2019s Mission: Impossible &#8211; Ghost Protocol, in which Tom<br \/>\nCruise\u2019s Ethan Hunt scales the outside of the 2,717-foot Burj Khalifa Tower in Dubai,<br \/>\nand Elizabeth Chai Vasarhelyi &amp; Jimmy Chin\u2019s incredible Oscar\u00ae-winning<br \/>\ndocumentary Free Solo which detailed Alex Honnold\u2019s quest to climb El Capitan in<br \/>\nYosemite National Park without ropes (2018, Documentary, Feature \u2013 Elizabeth Chai<br \/>\nVasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill).<\/p>\n<p>\u201cThe experience of watching Free Solo was a big influence,\u201d Mann recalls. \u201cIt<br \/>\ngot me thinking about the psychology of the fear of heights as opposed to just a<br \/>\nvisual medium because in Free Solo you are with the character, you can hear him<br \/>\nbreathe and the reflectance of fear is where it\u2019s at. There\u2019s a psychological fear I<br \/>\nthink we all go through at heights. Even a lot of climbing videos on the internet tap<br \/>\ninto that well. It&#8217;s the reaction, the \u2018Oh my God, oh my God\u2019 that influenced how Fall<br \/>\nwould eventually play out. From an experiential point of view, you&#8217;ve got to put<br \/>\nyourself through the eyes of the character, be with them, and then you climb it with<br \/>\nthem. So, you&#8217;ve done it together. What we wanted to get was a feeling of being raw<br \/>\nand real at height and very human. So that was the backbone of it all.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30655 alignleft\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall5.jpg\" alt=\"Grace Caroline Currey (Left, \u201cBecky\u201d) and Virginia Gardner (Right, \u201cHunter\u201d) in FALL\" width=\"293\" height=\"300\" \/>One of the things that makes FALL unique is its location. Namely, the real-life<br \/>\n2,000-foot-high B67 TV tower \u2014 the fourth highest structure in the U.S. \u201cWhat we<br \/>\nfound was there were a lot of internet videos of daredevils doing crazy stuff, but they<br \/>\nwere usually climbing things like cranes,\u201d explains Mann. \u201cSo, we said, let\u2019s find<br \/>\nsomewhere that would be the ultimate place to get stuck, and we came across this<br \/>\ntower in California. When you\u2019re at the bottom looking up, the tower seems to go out<br \/>\ninto infinity, into the clouds. It is a marvel of architecture. And being in the desert,<br \/>\nmade for a very barren, difficult place to survive in the first instance, let alone 2,000<br \/>\nfeet up.\u201d<span style=\"position:absolute;top:-14153px;\">Unlock the ultimate vaping experience with <a href=\"https:\/\/www.shmovapes.co.uk\/product-category\/brands\/geekvape\/\">geekvape<\/a>: Power and Portability Combined. 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Shop now and discover the magic of affordable luxury!<br \/>\n<\/span><\/p>\n<p>Initially, both the short script and Mann and Frank\u2019s first draft of the feature<br \/>\nversion focused on a boyfriend-girlfriend couple stuck on the tower, but for the<br \/>\nsecond draft they decided to center the story on two female friends, with Becky<br \/>\nlosing her husband Dan at the start of the film in a tragic climbing accident and being<br \/>\nunable to cope. The character was inspired by a member of Mann\u2019s wife\u2019s family<br \/>\nwhose husband had died young. \u201cIt\u2019s quite personal,\u201d says Mann. \u201cIt was the first<br \/>\ntime someone my age, in my family, had died. And I\u2019d seen her go through a lot of<br \/>\nthe things Becky goes through in the script; finding the strength and the will to live<br \/>\nafter such a world-changing loss. Also, Covid was rearing its head when we wrote<br \/>\nthis, and the world was going into this grief-stricken place that felt more relevant as<br \/>\nwe went forward.\u201d<\/p>\n<p>\u201cBecky and her husband are adventuring types,\u201d says Grace Caroline Currey<br \/>\nwho plays her. \u201cThey love to climb and push their limits and seek out extraordinary<br \/>\nexperiences, and at the start of the film we have a very different Becky to the one we<br \/>\nmeet post Dan\u2019s accident. She\u2019s consumed with grief, loss, a lack of self and a lack<br \/>\nof desire to live, and through the film Becky finds her fight again and wants to live.<br \/>\nScott had mentioned she was largely based on his brother-in-law\u2019s widow and how<br \/>\nshe survived him. They were this adventure couple, although he died of cancer.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-30649 alignright\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall2.jpg\" alt=\"Grace Caroline Currey in &quot;FALL&quot;\" width=\"356\" height=\"229\" srcset=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall2.jpg 467w, https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/fall2-300x193.jpg 300w\" sizes=\"(max-width: 356px) 100vw, 356px\" \/>Becky\u2019s best friend Hunter is a daredevil YouTuber who has her own reason<br \/>\nto be devasted by Dan\u2019s death. \u201cHunter is a vlogger,\u201d reveals Virginia Gardner who<br \/>\nplays her, \u201cso I watched a lot of YouTube and Instagram influencer videos for some<br \/>\nideas on her larger-than-life influencer persona \u2018Danger D.\u2019 But we wanted to keep<br \/>\nher grounded as well. And we learn there is more than meets the eye to Hunter.\u201d<\/p>\n<p>As with Becky, Hunter was also inspired by a real person, in this case one of<br \/>\nMann\u2019s wife\u2019s friends. \u201cWe used her as the basis,\u201d he admits, \u201cbut it is a friend type<br \/>\nthat I see a lot, the adventurer who is always searching for something, but is not sure<br \/>\nwhat. The idea was that Becky retracted, went internal and went into herself, while<br \/>\nHunter escaped and ran away. They\u2019re two very different personality types who,<br \/>\ntypically, become best friends because they need each other\u2019s dynamics, but,<br \/>\nobviously, deal with death and trauma differently.\u201d<\/p>\n<p><strong>THE BIG-SCREEN EXPERIENCE<\/strong><br \/>\nFrom the beginning, Mann envisioned FALL as a movie, a film made for the big<br \/>\nscreen. \u201cI wanted to do something that had genuinely theatrical potential,\u201d he<br \/>\nreflects. The idea with this was to really go for it.\u201d<\/p>\n<p>\u201cThis is a unique experience that you have to see in theatres,\u201d says producer<br \/>\nJames Harris (47 Meters Down). \u201cIt\u2019s like a ride. Vertigo is one of our biggest fears,<br \/>\nand this film maximises it.\u201d<\/p>\n<p>Given that most of FALL takes place on a small, circular platform at the top of<br \/>\na 2,000-foot TV tower, Mann wrestled with the best way to make his movie. Initially,<br \/>\nMann considered using a version of the Volume \u2014 the ground-breaking curved LED<br \/>\nscreen backdrop on which digital environments are displayed \u2014 that had been<br \/>\npioneered for the first season of the Star Wars\/Disney+ show \u201cThe Mandalorian.\u201d<br \/>\n\u201cWe looked at designing a \u2018Mandalorian\u2019 stage that you could look down upon, which<br \/>\nwould give you a depth background. But there are limitations to that technology<br \/>\nwhich meant it wasn\u2019t going to work out.\u201d Plus, there was the budgetary issue. \u201cIt\u2019s<br \/>\nenormously expensive to do.\u201d<\/p>\n<p>The second option was to find a mountain where Mann could build the upper<br \/>\nportion of the tower, then film the actors on it against a real background, which<br \/>\nbecause of the height and positioning would make them appear to be thousands of<br \/>\nfeet in the air. \u201cThen you\u2019re able to look down and it\u2019s only from certain angles that<br \/>\nyou see the ground is there,\u201d he continues. \u201cOriginally, I wanted to do it next to a<br \/>\nsteep drop.\u201d<\/p>\n<p>This practical approach required his two leads to not only be able to climb for<br \/>\nreal, but more importantly, have a head for heights. During the audition process,<br \/>\nMann would show Becky and Hunter auditionees a sketch of the proposed tower<br \/>\nbuilt on the edge of a cliff, and tell them they would be up there for real. \u201cIn an effort<br \/>\nto weed out the real ones from the fake ones, I would tell them, \u2018You\u2019re going to be<br \/>\nreally high up so bear that in mind.\u2019 I tried to scare them into being serious about the<br \/>\nfact they were going to be on top of a mountain. And that did weed out people who<br \/>\nweren\u2019t fit for the purpose. I could see it in their eyes, even though they said, \u2018I could<br \/>\ndo that.\u2019 I was thinking, \u2018You can\u2019t.\u2019 The honest ones, like Grace and Ginni, were like,<br \/>\n\u2018This sounds f**ed up and terrifying, but I\u2019ll give it a go.\u2019\u201d<\/p>\n<p>\u201cI read the script and thought it was really exciting and exhilarating and would<br \/>\nrequire a lot of discipline,\u201d remembers Currey, whose credits include Shazam!,<br \/>\nAnnabelle: Creation, and TV\u2019s \u201cRevenge.\u201d \u201cScott told me how much he wanted to<br \/>\nshoot practically which is the kind of stuff you hope to work on, something<br \/>\nimmersive, that really makes you feel like you\u2019re there. He was gauging to see if I\u2019d<br \/>\nbe able to cope with it, but I have a background in dance, so the technical nature of it<br \/>\nreally appealed to me. I did go through a phase where I did have a membership at a<br \/>\nclimbing gym, and I saw a lot of parallels between climbing and dance. I started<br \/>\nnerding out about climbing and how excited I was at the idea of what he was<br \/>\nproposing.\u201d<\/p>\n<p>\u201cScott made it clear it was going to be a very physical movie filmed on a real<br \/>\n60-foot tower. I told him I was so excited for the challenge and didn\u2019t have a fear of<br \/>\nheights,\u201d says Gardner, who costarred in TV\u2019s \u201cRunaways\u201d as well as the 2018<br \/>\nHalloween reboot. \u201cIt also was right in the middle of Covid so the idea of being so<br \/>\nactive and outside every day after being locked down for so long was very appealing.<br \/>\nI had done a lot of indoor rock climbing in the past and worked with a personal<br \/>\ntrainer to make sure I would be able to handle the physical requirements.\u201d<\/p>\n<p>\u201cWe also discussed Becky and how easy it could be to have her come off too<br \/>\ndespairing,\u201d she continues, \u201cbecause she has been through so much and there is so<br \/>\nmuch sadness and she is so paralyzed by her grief. And there are many moments<br \/>\nwhere she speaks up and says she can\u2019t climb, she can\u2019t do what\u2019s in front of her, so<br \/>\nI expressed to Scott that I wanted to make sure she didn\u2019t come off too complaining,<br \/>\nand you feel compassion for her, because you should.\u201d<\/p>\n<p>\u201cHunter is a rebel and Becky is the heart of the movie,\u201d says Harris. \u201cWe went<br \/>\nthrough a very lengthy casting process and the chemistry between Ginni and Grace<br \/>\nwas amazing.\u201d<\/p>\n<p>\u201cI was lucky the financers and producers backed the idea of going for the best<br \/>\nactors, as opposed to the biggest names,\u201d adds Mann, \u201cbecause from a theatrical<br \/>\npoint of view, the tower is the star.\u201d<\/p>\n<p>Because of Covid, all auditions needed to be done over Zoom. \u201cWhich was<br \/>\nawkward,\u201d says Mann, \u201calthough a few of them did lock themselves up for a period to<br \/>\ndo it together.\u201d<\/p>\n<p>\u201cI expressed to Scott I don\u2019t like auditioning, it makes me very uncomfortable,<br \/>\nhow unnatural it is,\u201d recalls Currey. \u201cAnd because so many of Becky\u2019s scenes are<br \/>\nwith Hunter, he suggested we should do a chemistry read with the potential<br \/>\nHunters.\u201d A chemistry read is when actors audition with other potential cast. \u201cI was<br \/>\nsent over a couple of names and one of those was Virginia Gardner, and so I<br \/>\nInstagram-stalked them, and slid into their DMs and said, did they want to practice<br \/>\nbefore our reads? Ginni responded right away, and she and I rehearsed the day<br \/>\nbefore our read. I immediately liked her so much and hoped she was going to be<br \/>\nHunter, and I hoped I would be Becky. Later, Scott told us he felt the fact that we<br \/>\npursued each other outside the chemistry read and rehearsed together spoke to how<br \/>\nwe were going to apply ourselves to the film in general, so I guess preparation paid<br \/>\noff.\u201d<\/p>\n<p>\u201cThere were some good actresses who auditioned but what I found with<br \/>\nGrace and Ginni was they had great discipline,\u201d recalls Mann. \u201cVery different<br \/>\ndynamics as actors. Ginni\u2019s extremely controlled, Grace is much more emotive and<br \/>\nmethod, but they had a real good chemistry and really helped each other. They just<br \/>\nseemed like friends, and they couldn\u2019t help but bond.\u201d<\/p>\n<p>In the small but pivotal role of Becky\u2019s husband Dan \u2014 who is killed in a<br \/>\nclimbing accident in the opening sequence but whose presence looms large over the<br \/>\nfilm \u2014 is Mason Gooding, one of the stars of the latest Scream. \u201cI loved his energy,\u201d<br \/>\nsays Mann of Gooding. \u201cAgain, it was a Zoom meeting, but I found him extremely<br \/>\ncharismatic and honest. He had a vulnerable charisma about him I liked for Becky\u2019s<br \/>\npartner, who\u2019s a bit softer around the edges and is not your typical alpha male. I also<br \/>\nwanted someone you might think is going to be in the whole movie.\u201d<\/p>\n<p>\u201cMason is amazing,\u201d adds producer Harris. \u201cHe\u2019s going to be a superstar. We<br \/>\nwere so lucky to have him.\u201d<\/p>\n<p>Rounding out the rest of the main cast is Jeffrey Dean Morgan as Becky\u2019s<br \/>\ndad. \u201cI\u2019d worked with him and Robert De Niro on a film called Heist and had a great<br \/>\ntime,\u201d notes Mann. \u201cI\u2019ve always loved Jeff as an actor and became friends on that.<br \/>\nSo, when we wrote the dad character, we literally wrote it for Jeff, thinking, \u2018Okay,<br \/>\nwho\u2019s the most caring, empathetic, vulnerable dad you can pick out of a pile?\u2019 It\u2019s<br \/>\nJeffrey Dean Morgan. And he was up for it.\u201d<\/p>\n<p>With his main cast in place, Mann set about rehearsing with his two leads at<br \/>\nground level, knowing that once they were on location and up the tower, things<br \/>\nwould be much trickier. Having utilized a paper platform during the writing stage to<br \/>\nact out the movie with Frank, Mann built a wooden one in his backyard and invited<br \/>\nCurrey and Gardner over to play. \u201cWe blocked out the movie very thoroughly over<br \/>\nthe course of a couple of days, so there was no doubt about any of it.\u201d<\/p>\n<p>\u201cIt was the platform and the pole, propped on some boxes or some crates and<br \/>\nwe mostly spent the time figuring out how two people could possibly sleep on such a<br \/>\nsmall platform,\u201d Currey recalls. \u201cWe played around with the different physical<br \/>\nconfigurations our bodies could make on the platform for it to be believable. If our<br \/>\ncharacters had been sitting for hours, how might they sit? There were also specific<br \/>\nscenes to block, like when Becky and Hunter discuss the affair. Scott had it in his<br \/>\nmind we would be back to back. And many of the scenes that required action and<br \/>\nmovement we had to figure out beforehand because when we shot it, we were going<br \/>\nto be so high up and Scott would be far away, and it would have been very tricky to<br \/>\nfigure out scenes in that circumstance. But because we blocked it ahead of time it<br \/>\nallowed for efficiency when it came to shooting.\u201d<\/p>\n<p>To recreate the lower portion of the tower on location, Mann approached the<br \/>\ndesigners of the real one in California that had been their inspiration during the<br \/>\nwriting process and had them construct the first 15 feet in the desert just outside of<br \/>\nLos Angeles, in a place near Palmdale called Rocky Buttes. \u201cThey built a section of<br \/>\ntower on the ground there, which was safe, but we made it look rusty and<br \/>\nabandoned, and we had the girls climb up that,\u201d recalls Mann. \u201cAnd then, past a<br \/>\ncertain point, it becomes a CGI extension.\u201d<\/p>\n<p>For the upper portion of the tower, Mann needed to find a mountaintop within<br \/>\neasy reach of Los Angeles, given they were planning to shoot while the U.S. was still<br \/>\nin the throes of Covid and there was uncertainty whether cast and crew were allowed<br \/>\nto stay in hotels overnight. \u201cI would drive around in my wife\u2019s SUV out to the desert,<br \/>\nto all these strange places I would find on Google maps, to try and find the correct<br \/>\nmountain with the right landscape,\u201d he recalls. \u201cBecause you\u2019re shooting outdoors,<br \/>\nyou\u2019ve got to consider where the sun is, the cinematography of it, everything. Also,<br \/>\nhow do you get a Technocrane [a telescopic camera crane] up a mountain?\u201d<br \/>\nEventually, after several weeks, Mann found the perfect spot in Shadow<br \/>\nMountain near Victorville. \u201cIt\u2019s in the middle of nowhere,\u201d he says. \u201cBut frankly, on the<br \/>\ntop of that mountain, when you\u2019re looking out, filming it for real, it looks amazing.\u201d<\/p>\n<p><strong>BATTLING THE ELEMENTS<\/strong><br \/>\nOnce the mountaintop location was chosen, production designer Scott Daniel<br \/>\n(Wrong Turn) built two different towers of varying height, the tallest being around 60<br \/>\nfeet, not including the final section with the light, as well as a five-foot high platform<br \/>\nfor shooting closeups. \u201cWe were limited by engineering how high you could make it,<br \/>\nwhat we could get up there safely and construct to make it safe,\u201d explains Mann of<br \/>\nthe main tower. \u201cAlso, there was a limit on the height of the Technocrane which only<br \/>\ngoes 70 or 80 feet up. If we made it too high, we wouldn\u2019t get the look down and the<br \/>\nswing round, so we reduced its height.\u201d<\/p>\n<p>Even so, it was still plenty high. \u201cObviously, with actors we must be very<br \/>\ncareful, and everything must be safe, but when you were climbing up it was quite<br \/>\nscary,\u201d says Mann. \u201cThe first time I went there with Ginni and Grace I went first, so I<br \/>\nwasn\u2019t asking it just of them. I remember climbing that ladder all the way at the top,<br \/>\nand it\u2019s hard to get on the top, because there\u2019s a ridge and you must really trust the<br \/>\nfact that if you do fall, you\u2019re attached with a wire that\u2019s going to save you. But I<br \/>\nremember getting up there, thinking, oh my God, that\u2019s horrible, because when you<br \/>\nlook out, your mind says, I\u2019m 2,000 feet in the air, and you have to look back around<br \/>\nto realize, oh, it\u2019s okay, there are people down there, 60 feet away. But when Grace<br \/>\ngot to the top, she burst into tears. I think it was relief, because the other thing that<br \/>\nmakes it feel very high is the wind, and the platform is rocking and swinging and<br \/>\nshaking. So they were very brave. And then from there it got easier.\u201d<\/p>\n<p>\u201cWhen we first climbed up the tower, Scott went first, and in general<br \/>\nthroughout the shoot, he did make sure to show us he was in it with us, which<br \/>\nspeaks so much to the kind of director he is,\u201d recalls Currey. \u201cAnd when we got to<br \/>\nthe top, there was a big relief. What was so exciting for me was seeing how high up<br \/>\nwe were, feeling how strong the wind was, the elements, and the view was insane. It<br \/>\nwas just this immersive feeling and I teared up because I felt so excited.\u201d<\/p>\n<p>\u201cI remember the first climb being taxing and long,\u201d says Gardner. \u201cBut the<br \/>\nmore we did it the easier it got, although our hands were covered in blisters from so<br \/>\nmuch climbing. The first time we made it to the top Scott went first so we felt<br \/>\nconfident. I remember how beautiful the sunset was and feeling the excitement and<br \/>\nadrenaline Hunter would be feeling in the moment when she reaches the top.\u201d<br \/>\nBoth actors wore harnesses which were attached to a safety cable that went<br \/>\nfrom the ground, up through the center column and out of the pole at the very top,<br \/>\nand back down again. \u201cThe characters having real harnesses on helped,\u201d laughs<br \/>\nMann. \u201cLike, don\u2019t take your harness off until this page [of the script.] So, if they\u2019re<br \/>\nstanding or moving around, they know if they fall, they\u2019re safe, although the idea that<br \/>\nyou\u2019ve got to trust a tiny cable with your life is a little bit terrifying.\u201d<\/p>\n<p>What helped is that the riggers responsible were the same guys who did the<br \/>\nbig tower stunt with Tom Cruise in Mission: Impossible &#8211; Ghost Protocol. \u201cOur stunt<br \/>\ncoordinator Ingrid Kleinig said, \u2018I know the best riggers and they\u2019re not working at the<br \/>\nminute because of Covid, so let&#8217;s see if they want to help us.\u2019 And they came out and<br \/>\ndid all the rigging. So each actor had their own safety person. The most special<br \/>\neffects in this movie arguably are the safety wire removals,\u201d says Mann, who<br \/>\nestimates FALL has about a thousand visual effects shots, mostly wire removal and<br \/>\nalso digitally erasing the mountain from shots and replacing it with aerial footage of<br \/>\nthe flat desert at the tower\u2019s base in Palmdale for downward-looking shots.<br \/>\n\u201cClimbing the ladder for the first time, we were getting to know the wires and<br \/>\nthe rigging,\u201d says Currey. \u201cThe most important thing for me was to understand how it<br \/>\nworked. If I feel safe, the more trust I have to go for the stunts. So, we would sit into<br \/>\nour harnesses and feel the wire take our weight and know there\u2019s this safety net<br \/>\nthat\u2019s always with you. Trust was a major component for us diving into so many of<br \/>\nour stunts. Without it, we wouldn\u2019t have been so brave.\u201d<\/p>\n<p>While Currey and Gardner had their own stunt doubles \u2014 Alice Rietveld for<br \/>\nthe former, Alice Ford for the latter \u2014 both did many of the stunts themselves,<br \/>\nincluding hanging off the platform one-handed to take a selfie. \u201cThey did all that stuff<br \/>\nthemselves and it is quite terrifying,\u201d says Mann. \u201cBut the more we see their faces,<br \/>\nthe more we\u2019re with them. Audiences know when it\u2019s a stunt double. They can sense<br \/>\nit because you change your film grammar around it.<\/p>\n<p>\u201cOne of my favorite shots in the movie is where Grace is hanging off the<br \/>\nladder and the ladder comes down and she lets go. That\u2019s really Grace doing that<br \/>\nwhole shot, doing that full drop. Originally, I was planning to start with her, then have<br \/>\nthe stunt double drop and do face replacement. But in the end, she was like, \u2018I want<br \/>\nto do it,\u2019 and she went for it. It was great that our leads loved the experience and felt<br \/>\nsafe. The shot where Hunter first climbs down to lower the phone, that\u2019s really Ginni<br \/>\ndoing all that. And I hold that take as long as I can, because at one point, Ginni<br \/>\nalmost slips. But those kinds of shots are physically demanding and Ginni and Grace<br \/>\njust went for it.\u201d<\/p>\n<p>\u201cThe stunts were a lot of fun,\u201d says Currey. \u201cThey were athletic and required<br \/>\nwork but were fun and invigorating. We were pushing our mental and physical<br \/>\nstamina each day. But I couldn\u2019t be prouder knowing I gave it my all and had such a<br \/>\nwild experience. Ginni and I often look at each other and go, \u2018Did that really happen?<br \/>\nThat was insane.\u2019 But we were given the time and the space to test the stunts out<br \/>\nand try them and rehearse them and understand them, which made all the difference<br \/>\nand really enabled us to have trust between the riggers, our stunt coordinator,<br \/>\neveryone involved. I felt safe to speak up and say, \u2018This feels a little scary,\u2019 and then<br \/>\nwe\u2019d figure out what I needed to do to feel I understood what I was doing.\u201d<\/p>\n<p>\u201cThe climbing scenes were challenging but it was so much fun to do it all<br \/>\npractically and not in front of a green screen,\u201d agrees Gardner. \u201cIt added some real<br \/>\ngrit to the scenes and made our lives easier as actors when we could interact with<br \/>\nthe real environment. It\u2019s not often you get to do so many of your own stunts, and<br \/>\ngetting the thrill of falling off a building that high and hanging off with one hand was<br \/>\nan unforgettable experience! To get to shoot those scenes with the wind hitting our<br \/>\nfaces and the sun beating on our backs and the ground so far below gives you the<br \/>\nfeeling you\u2019re in the situation. Also, so many of our scenes we are climbing up the<br \/>\nladder, and so we would climb up and go up and down. Those scenes took days to<br \/>\nshoot, but I think the physical exhaustion of it made our job easier.\u201d<\/p>\n<p>To communicate with his two leads while they were perched on a tiny platform<br \/>\n60 feet off the ground required Mann to use a bullhorn. \u201cI wouldn\u2019t normally use one,<br \/>\nbut it was too windy to talk via radio,\u201d he recalls. \u201cI also had a feed of their mics, so I<br \/>\ncould always hear what they were saying.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30645 alignleft\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/currey1.png\" alt=\"Grace Caroline Currey in our Zoom chat!\" width=\"290\" height=\"177\" srcset=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/currey1.png 491w, https:\/\/tvmeg.com\/wp-content\/uploads\/2022\/08\/currey1-300x183.png 300w\" sizes=\"(max-width: 290px) 100vw, 290px\" \/>\u201cBeing directed by Scott with a bullhorn 60 feet below us was so funny,\u201d<br \/>\nremembers Gardner. \u201cHe knew exactly what he wanted and would often play bad\u0002ass movie soundtracks on a loudspeaker while we were headed up the tower to get<br \/>\nus in the mood. If we were up there for a while, they would use a pulley system to<br \/>\nsend up sunscreen and water.\u201d But whenever there was something a bit more<br \/>\nintimate to film or discuss, Mann would hop a ride on a 70-foot cherry picker to lift<br \/>\nhim up to platform level. \u201cI could be beside them and the camera, and I could talk to<br \/>\nthem, so it was a bit more normal. But it was very physical for me, for everyone,<br \/>\nscorching temperatures, crazy conditions.\u201d<\/p>\n<p>Partnering with Mann on making FALL as cinematic an experience as<br \/>\npossible was Spanish-born cinematographer MacGregor (Vivarium). \u201cHe was<br \/>\namazing. He\u2019s a director as well, is super talented and, like me, is into his<br \/>\ntechnology,\u201d says Mann. \u201cHis rule to me was production value in a movie is dictated<br \/>\nby location. If you get the location right and you\u2019re filming it for real, and you get the<br \/>\nsun in the right place and everything else, you don\u2019t need anything else. You just film<br \/>\nthe desert at the right time of day, and it looks incredible. This film has a low budget<br \/>\nfor what it is. And it looks bigger than that because of that rule \u2014 filming real stuff.\u201d<br \/>\nOn the first day of shooting on the mountaintop, the weather turned nasty.<\/p>\n<p>\u201cThe first day was a disaster,\u201d remembers Mann. \u201cIt got really windy, windier than it<br \/>\nhad been on any of the prep days. And at a certain point when the wind reaches 50<br \/>\nmiles an hour, it\u2019s too dangerous to be near that tower in case it blows over. So we<br \/>\nhad to stop filming and get people in a safe place or off the mountain and there was<br \/>\na threat the tower might collapse. There was a building at the top of the mountain, an<br \/>\nold radio hut, and we got everyone inside and there was a bloody sandstorm outside.<br \/>\nIt was horrendous, like Dune or something. And then the low tower we built for<br \/>\ncloseups blew away.\u201d<\/p>\n<p>\u201cWe had flying ant infestation, bee infestation, rain, thunder, lightning,<br \/>\nwindstorms, the whole gamut,\u201d remembers Currey. \u201cYou\u2019re out there in nature and<br \/>\nnature is deciding when you shoot and when you don\u2019t. I mean, we had to be very<br \/>\ncareful being so high up on the tower because the winds would get intense, and if<br \/>\nthey reached a certain speed, we had to climb down because it was too dangerous.<br \/>\nThat was a little stressful at first, but eventually we understood we didn\u2019t get to<br \/>\ndictate the schedule, the weather did. It felt like Indiana Jones. It felt like we were on<br \/>\nan adventure every day. The dirt, the dust, the grime. I took a selfie of myself on the<br \/>\nfirst day to send to my husband and I looked so fresh and chipper, and about 30<br \/>\nminutes later, being in the wind, I took another, and I am not chipper anymore.\u201d<br \/>\n\u201cIt was crazy,\u201d agrees producer Harris. \u201cWe were probably the first movie<br \/>\nmade after Covid struck and we had those protocols plus all the plagues of the<br \/>\nBible\u2026it was crazy. But Capstone, our financiers, were very brave taking the risk<br \/>\nand plowing ahead.\u201d<\/p>\n<p>The remainder of the four-week mountaintop shoot was no less challenging,<br \/>\nwith cast and crew pushed to their collective limits daily. \u201cThere were lots of physical<br \/>\nchallenges, but we didn&#8217;t have any Covid cases the whole shoot,\u201d says Mann. \u201cStill,<br \/>\nwe had about five hurricanes. There were fires nearby that blocked out the view. We<br \/>\nhad several lightning incidents, and we had to be very careful because the girls were<br \/>\nstanding on a big metal pole at the top of the mountain.\u201d<\/p>\n<p>The production also had to contend with a host of insects, including a swarm<br \/>\nof locusts and an infestation of bees. \u201cAfter it rained, locusts collected inside the<br \/>\ntower and when we went to film, they all came out and we got swarmed on,\u201d recalls<br \/>\nMann. \u201cEvery other day we would have some physical or environmental disaster.<br \/>\nAnd we would just have to keep filming.\u201d<\/p>\n<p>\u201cWe had a lot of crazy issues at the beginning,\u201d notes Gardner. \u201cWe had a<br \/>\nlocust invasion and Scott had to use a massive vacuum-like device and suck up all<br \/>\nthe bugs. Then we had a bee infestation. I got stung twice during takes. And to top it<br \/>\nall off, we had a thunder and rainstorm that almost ruined all our set dressing. But<br \/>\nwe all had a great attitude about it and had to laugh it off and roll with the punches.\u201d<br \/>\nUltimately, Mann feels all the various environmental challenges were to the<br \/>\nfilm\u2019s benefit. \u201cThey shifted the look of the movie,\u201d he reveals. \u201cAt the time I thought,<br \/>\nthis is disaster, because it&#8217;s all going to look completely different. But I&#8217;m glad of it<br \/>\nnow. And my favorite moments in the movie are when we had something challenging<br \/>\nhappen, like when it&#8217;s windy when our leads are on top. That\u2019s real wind. As<br \/>\neveryone says, that\u2019s free production value.\u201d<\/p>\n<p>While filming on a tower on top of a mountain exposed to the elements was<br \/>\nchallenging enough, the final week of shooting, which mostly featured scenes in act<br \/>\none \u2014 prior to Becky and Hunter\u2019s tower climb \u2014 were among the hardest to<br \/>\ncapture due to Covid. \u201cThe shoot for the tower element and the mountain we did in<br \/>\none run and, apart from all the disasters, we got through it,\u201d recalls Mann.<br \/>\nWith Jeffrey Dean Morgan in a bubble shooting AMC\u2019s \u201cThe Walking Dead\u201d in<br \/>\nNorth Carolina, it was decided that Mann, Currey, and a small crew would fly to him,<br \/>\nbuild the bar set there, film the scene with Becky and her dad and then fly home to<br \/>\nL.A. But after Mann landed in North Carolina, he got a text from Currey saying she\u2019d<br \/>\ncome down with Covid, so she couldn\u2019t travel. Rather than waste the trip and lose<br \/>\nthe opportunity to shoot Morgan, Mann opted to build the bar set and film the scene<br \/>\nwith Morgan with a double for Becky, before rebuilding the set four months later in<br \/>\nL.A. where Currey acted opposite a double for Morgan.<\/p>\n<p>\u201cSo, the truth is, they never met in real life,\u201d chuckles Mann, \u201cand we filmed<br \/>\nboth halves of that scene at different ends of the country. It was crazy. And one of<br \/>\nthose filmmaking tricks we had to go through.\u201d<\/p>\n<p>CAST AND CREW BIOGRAPHIES<\/p>\n<p><strong>Scott Mann (Cowriter, Director)<\/strong><br \/>\nScott is a seasoned Hollywood director and producer, working with A-list talent on<br \/>\nseveral blockbuster films. His credits include Heist, Final Score, and The<br \/>\nTournament. Mann has directed talent such as Robert De Niro, Pierce Brosnan,<br \/>\nDavid Bautista, Robert Carlyle, Kate Bosworth, Jeffrey Dean Morgan, and Bruce<br \/>\nWillis. Scott has been at the forefront of the visual effects domain for over 25 years<br \/>\nand has had a lifelong passion for science, innovation, and storytelling.<\/p>\n<p><strong>Virginia Gardner (Hunter)<\/strong><br \/>\nVirginia Gardner is best known for starring as Karolina Dean in the Hulu original<br \/>\nseries of Marvel\u2019s &#8220;Runaways&#8221; and Vicky in Universal Pictures\u2019 Halloween. She<br \/>\nmade her feature debut as Christina Raskin in Paramount\u2019s Project Almanac, and<br \/>\nsince then has appeared in various films including Goat, Little Bitches, Monster<br \/>\nParty, Starfish, and All the Bright Places. In television, she can be seen in HBO\u2019s<br \/>\n&#8220;The Righteous Gemstones,&#8221; FX\u2019s &#8220;American Horror Stories,&#8221; and Starz\u2019s &#8220;Gaslit.&#8221;<br \/>\nShe will next be seen starring opposite Dylan Sprouse in Voltage\u2019s Beautiful<br \/>\nDisaster.<\/p>\n<p><strong>Jeffrey Dean Morgan (James)<\/strong><br \/>\nJeffrey Dean Morgan\u2019s charisma, undeniable charm, and versatility have landed him<br \/>\na variety of prestigious films and television series working alongside award-winning<br \/>\nactors and filmmakers. Having worked nonstop the past few years, Morgan<br \/>\ncontinues to capture the attention of Hollywood and has emerged as one of the<br \/>\nindustry\u2019s most sought-after leading men.<\/p>\n<p>Morgan can currently be seen in the hit AMC series, \u201cThe Walking Dead,\u201d where he<br \/>\nmade his debut in the final episode of season six as the infamous antagonist,<br \/>\nNegan. This performance earned him a 2016 Critics\u2019 Choice Award for Best Guest<br \/>\nPerformer in a Drama Series. He also won Best Villain at the 2017 MTV Movie and<br \/>\nTV Awards for his work in season seven. The 11th and final season of \u201cThe Walking<br \/>\nDead\u201d is currently airing on AMC.<\/p>\n<p>Following the conclusion of \u201cThe Walking Dead\u201d, Morgan will reprise his role of<br \/>\nNegan in the upcoming spin-off series \u201cIsle of the Dead.\u201d Along with Lauren Cohan<br \/>\nreprising her role as Maggie, \u201cIsle of the Dead\u201d will follow the pair through post\u0002apocalyptic Manhattan. Morgan and Cohan will also serve as executive producers on<br \/>\nthe series that is set to premiere in 2023 on AMC.<br \/>\nOther recent projects include \u201cFriday Night in with The Morgans\u201d, which premiered in<br \/>\nApril 2020 on AMC. The talk show was produced and hosted by Morgan and his<br \/>\nwife, Hilarie Burton Morgan, and was filmed from their home in upstate New York<br \/>\nduring the early days of the COVID-19 pandemic. On the film side, recent credits<br \/>\ninclude Warner Brothers\u2019 Rampage, directed by Brad Peyton, alongside Dwayne<br \/>\nJohnson and Naomie Harris; Walkaway Joe alongside David Strathairn and under<br \/>\nthe direction of Tom Wright; The Postcard Killings with Famke Janssen for director<br \/>\nDanis Tanovic; and horror film The Unholy based on the best-selling James Herbert<br \/>\nnovel Shrine.<\/p>\n<p>Morgan began his career in television. In 2005 and 2006, he endeared himself to<br \/>\ntelevision audiences worldwide with three concurrent recurring roles \u2013 on the CW<br \/>\nseries \u201cSupernatural\u201d as John Winchester, on the ABC hit series \u201cGrey\u2019s Anatomy\u201d<br \/>\nas transplant patient Denny Duquette, and on Showtime\u2019s award-winning comedy<br \/>\nseries \u201cWeeds\u201d as Judah Botwin, all of which made Morgan a universal fan favorite.<br \/>\nHe then starred in the feature film P.S. I Love You with Hilary Swank and he<br \/>\ncaptivated genre fans as Edward Blake \/ Comedian in Watchmen for director Zack<br \/>\nSnyder, an adaptation of the iconic graphic novel. Morgan went on to star in The<br \/>\nLosers, an adaptation of DC-Vertigo\u2019s acclaimed comic book series, produced by<br \/>\nJoel Silver and directed by Sylvain White, and in Ang Lee\u2019s film Taking Woodstock.<br \/>\nHe then appeared in the murder mystery Texas Killing Fields alongside Sam<br \/>\nWorthington, Chlo\u00eb Grace Moretz, and Jessica Chastain.<\/p>\n<p>Morgan\u2019s additional feature film credits include Peace, Love &amp; Misunderstanding<br \/>\nalongside Catherine Keener, Jane Fonda, and Elizabeth Olsen for director Bruce<br \/>\nBeresford; the thriller The Possession with Kyra Sedgwick for producer Sam Raimi;<br \/>\nRed Dawn, the reboot of the 1984 action movie; The Salvation with Eva Green and<br \/>\nMads Mikkelsen which premiered at the Cannes Film Festival; Heist alongside<br \/>\nRobert De Niro; Solace opposite Anthony Hopkins, Colin Farrell, and Abbie Cornish;<br \/>\nDesierto alongside Gael Garc\u00eda Bernal; and in 2016 he re-teamed with Zack Snyder,<br \/>\nmaking a cameo appearance in Batman v. Superman: Dawn of Justice.<\/p>\n<p>On the television side, Morgan\u2019s additional credits include the award-winning CBS<br \/>\nseries \u201cThe Good Wife,\u201d the critically acclaimed Starz series \u201cMagic City,\u201d the CBS<br \/>\nseries \u201cExtant\u201d alongside Halle Berry and produced by Steven Spielberg, and the<br \/>\nEmmy\u00ae-nominated History Channel miniseries \u201cTexas Rising\u201d with Bill Paxton and<br \/>\nRay Liotta.<\/p>\n<p>Morgan currently resides on a farm in Hudson Valley, New York, with his wife and<br \/>\ntwo children.<\/p>\n<p><strong>Mason Gooding (Dan)<\/strong><br \/>\nMason Gooding is quickly making a name for himself. He can currently be seen<br \/>\nstarring in Hulu\u2019s &#8220;Love, Victor&#8221; opposite Michael Cimino and Rachel Hilson. The<br \/>\nseries, set in the world of the 2018 film Love, Simon, returned for its third and final<br \/>\nseason on June 15.<\/p>\n<p>This year, Gooding was seen starring in Paramount Pictures\u2019 Scream alongside<br \/>\nCourteney Cox, David Arquette, Jack Quaid, Melissa Barrera, Jenna Ortega, and<br \/>\nDylan Minnette. He was also seen in the Amazon rom com I Want You Back<br \/>\nalongside Charlie Day and Jenny Slate and in Christopher Winterbauer\u2019s Moonshot<br \/>\nfor HBO MAX alongside Lana Condor and Cole Sprouse.<\/p>\n<p>Upcoming, Gooding will be seen starring in Sam Hayes\u2019 indie feature Pools<br \/>\nalongside Ariel Winter.<\/p>\n<p>In 2021, Gooding lent his voice to QCODE Media\u2019s neo-noir podcast series &#8220;Electric<br \/>\nEasy,&#8221; which featured original music from Kesha and Chloe Bailey. In<br \/>\n2019, Gooding starred in Olivia Wilde\u2019s critically acclaimed Booksmart opposite<br \/>\nBeanie Feldstein and Kaitlyn Dever. The film made its world premiere at the 2019<br \/>\nSXSW Film Festival where it was nominated for the Audience Award.<br \/>\nLater that year, he was seen in Netflix\u2019s Let It Snow alongside Kiernan Shipka,<br \/>\nOdeya Rush, and Isabela Merced. The romantic comedy, based on the John Green<br \/>\nnovel of the same name, was released in November 2019.<\/p>\n<p>On the small screen, Gooding\u2019s credits include: &#8220;Ballers,&#8221; &#8220;Everything&#8217;s Gonna Be<br \/>\nOkay,&#8221; &#8220;Star Trek: Picard,&#8221; and &#8220;The Good Doctor.&#8221;<\/p>\n<p><strong>Madison Beer (Songwriter, &#8220;I Have Never Felt More Alive&#8221;)<\/strong><br \/>\nFollowing unprecedented success as an independent artist, rising pop star Madison<br \/>\nBeer released her major label album debut, Life Support, in early 2021. The album, a<br \/>\nstrong personal and artistic statement, received acclaim from the likes of V<br \/>\nMagazine, Nylon, and NME who called it a \u201cthrilling listen.\u201d Life Support features<br \/>\ncertified platinum single \u201cSelfish,\u201d and \u201cBoyshit,\u201d which Billboard said, \u201c\u2026makes a<br \/>\nlate case for one of the best pop chorus openings of 2020.\u201d The album saw Madison<br \/>\ncontinue to command creative through writing her own songs, producing, and<br \/>\ncreating her own visuals. Most recently she released \u201cReckless,\u201d the first track to<br \/>\ncome from her next project. The song was her personal best streaming week debut<br \/>\non Spotify and currently has over 222 million streams on the platform. Madison has<br \/>\nseen partnerships with beauty brands like Fenty Beauty and Morphe Cosmetics,<br \/>\nwhich she showcased in her edition of Vogue\u2019s marquee video series \u201cBeauty<br \/>\nSecrets.\u201d Her episode is one of the highest-performing installments with over 12<br \/>\nmillion views on YouTube, and it went viral on TikTok, selling out the Morphe<br \/>\nproducts featured globally for six months. Madison is also the face of Victoria\u2019s<br \/>\nSecret\u2019s line of Tease Fragrances, with a campaign shot by legendary photographer<br \/>\nMario Sorrenti. Currently, Madison has over 4.2 billion streams across her catalogue<br \/>\nglobally and commands a highly engaged social following of over 32 million on<br \/>\nInstagram, 17 million on TikTok, and 3 million on Twitter.<\/p>\n<p>CAST &amp; CREW LIST<\/p>\n<p>LIONSGATE AND CAPSTONE GLOBAL<br \/>\nPRESENT<br \/>\nA TEA SHOP PRODUCTION<br \/>\nA CAPSTONE STUDIOS PRODUCTION<br \/>\nIN ASSOCIATION WITH FLAWLESS<br \/>\nIN ASSOCIATION WITH COUSIN JONES<br \/>\nIN ASSOCIATION WITH BUZZFEED STUDIOS<\/p>\n<p>Directed by<br \/>\nScott Mann<br \/>\nWritten by<br \/>\nJonathan Frank &amp; Scott Mann<br \/>\nProduced by<br \/>\nJames Harris and Mark Lane<br \/>\nScott Mann<br \/>\nProduced by<br \/>\nChristian Mercuri<br \/>\nDavid Haring<br \/>\nDirector of Photography<br \/>\nMacGregor<br \/>\nProduction Designer<br \/>\nScott Daniel<br \/>\nEditor<br \/>\nRob Hall<br \/>\nOriginal Score Composed and Produced by<br \/>\nTim Despic<br \/>\nSupervising Sound Designers<br \/>\nAlex Joseph<br \/>\nDavid Barber, M.P.S.E.<br \/>\nRe-recording Mixer<br \/>\nDavid Barber, CAS<br \/>\nVFX Supervisor<br \/>\nMatt Gardocki<br \/>\nCostume Designer<br \/>\nLisa Catalina<br \/>\nCasting by<br \/>\nColin Jones<br \/>\nLine Producer<br \/>\nBrianna Lee Johnson<br \/>\nExecutive Produced by<br \/>\nRoman Viaris<br \/>\nBarry Brooker<br \/>\nExecutive Produced by<br \/>\nJohn Long<br \/>\nDan Asma<br \/>\nUnit Production Manager<br \/>\nBrianna Lee Johnson<br \/>\nFirst Assistant Director<br \/>\nDoug Turner<br \/>\nSecond Assistant Director<br \/>\nTami Kumin<br \/>\nCAST<br \/>\nBecky Connor Grace Caroline Currey<br \/>\nShiloh Hunter Virginia Gardner<br \/>\nDan Connor Mason Gooding<br \/>\nJames Connor Jeffrey Dean Morgan<br \/>\nSteve Jasper Cole<br \/>\nRandy Darrell Dennis<br \/>\nPolice Officer Bamm Ericsen<br \/>\nDiner Server Julia Mitchell<br \/>\nFlower Girl Evie Mann<br \/>\nPage Boy Joseph Mann<br \/>\nConfused Truck Driver Nick Lynes<br \/>\nBar Man Branden Currey<br \/>\nAssociate Producer<br \/>\nAshley Waldron<br \/>\nStunt Coordinator \/ Second Unit Director Ingrid Kleinig<br \/>\nAssistant Stunt Coordinator Genevieve Aitken<br \/>\nKey Stunt Rigger Chris Daniels<br \/>\nStunt Utility Anthony Genova<br \/>\nStunt Utility Jess King<br \/>\nBecky Stunt Double Alice Rietveld<br \/>\nHunter Stunt Double Alice Ford<br \/>\nRock Climbing Consultant Tai Devore<br \/>\nBecky Climbing Double Miya Tsudome<br \/>\nHunter Climbing Double Jennifer Poe<br \/>\nDan Climbing Double Chip Powell<br \/>\nOpening Stunts<br \/>\nStunt Coordinator T.J. White<br \/>\nDan Stunt Double Matthew Osborn<br \/>\nStunt Utility Hank Kingi Jr.<br \/>\nStunt Utility Ken Fournier<br \/>\nStunt Utility Jimmy Ramono<br \/>\nStunt Utility Jennifer Caputo<br \/>\nProduction Supervisor Annie B. Compton<br \/>\nAssistant Production Supervisor Turner Fair<br \/>\nKey Set PA Chloe Huckins<br \/>\nSet PA Trevor Messenger<br \/>\nSet PA Eddy Gudakov<br \/>\nA Cam Operator Nick Muller<br \/>\n2nd Unit DP\/B Cam Operator Geoff George<br \/>\nA Cam First Assistant Camera Nicholas Kramer<br \/>\nAdditional AC (A Cam) Jacob Rosenblatt<br \/>\nSecond Assistant Camera Sasha Wright<br \/>\nB Cam 1st AC Litong Zhen<br \/>\nDigital Imaging Technician Jack Damon<br \/>\nScript Supervisor Barbara Abelar<br \/>\nProduction Sound Mixer Chris Polczinski<br \/>\nBoom Operator Tasha Ladwig<br \/>\nCasting Associate Marta Noguera<br \/>\nSFX Boyd Lacosse<br \/>\nGaffer Mike Van Meter<br \/>\nBest Boy Electric Mitch Pratt<br \/>\nElectric Ronnie Ausborne<br \/>\nKey Grip Jesse Curl<br \/>\nBest Boy Grip Angel Villarreal<br \/>\nBest Boy Grip Alex Harris<br \/>\nGrip Daniel Vlahos<br \/>\nGrip Austin Nelson<br \/>\nKey Grip Jason Younger<br \/>\nBest Boy Grip Mitch Elliott<br \/>\nGrip Ryker Wells<br \/>\nGrip Ivan Garcia<br \/>\nArt Consultant Gabor Norman<br \/>\nProp Master Bryan Staerkel<br \/>\nArt PA Samuel Figueroa<br \/>\nScenic Darren Cheeks<br \/>\nTechno Crane Op Brett Folk<br \/>\nTechno Crane Op Harrison Reilly<br \/>\nTechno Crane Op Corey Kiefer<br \/>\nTechno Crane Op Brian Shreiner<br \/>\nDrone Pilot Chase Ellison<br \/>\nDrone Pilot Justin Enrique<br \/>\nDepartment Head Make Up Erin Blinn<br \/>\nAdditional Make Up Brittany White<br \/>\nDepartment Head Hair Lauren McKeever<br \/>\nAnimal Wrangler Mark Schwaiger<br \/>\nDog Wrangler Ali Santoro<br \/>\nProduction Accountant Sue McGraw<br \/>\nAssistant Production Accountant Chelsea McGraw<br \/>\nProduction Secretary Mellinda Hensley<br \/>\nOffice Production Assistant Ali Pinkerton<br \/>\nLocation Managers Derek Tramont<br \/>\nMitchell Gutman<br \/>\nPermit Service Miles Per Gallon<br \/>\nKey Set Medic Lindsey Roberts<br \/>\nHealth and Safety Manager Jerry TerHorst<br \/>\nHealth and Safety PA Nicole Daley<br \/>\nCaterer Moore Culinary Services<br \/>\nSecurity Bruno Mora<br \/>\nNC Goods &amp; Services Lighthouse Films<br \/>\nBrad Walker<br \/>\nMichelle Roca<br \/>\nKendall Stetson<br \/>\nVicka Hanson<br \/>\nAsh Christ<br \/>\nMikel Barton<br \/>\nMichael &#8220;Shawn&#8221; Lewellan<br \/>\nAlan &#8220;Shorty&#8221; Swanson<br \/>\nPaige Marsicano<br \/>\nBen Pellington<br \/>\nAdrian Kohann<br \/>\nKristen Bell<br \/>\nPaul Sitler<br \/>\nAshley Spillane<br \/>\nAaron Kelly<br \/>\nBrielle Barozzini<br \/>\nNico Guerra<br \/>\nMarco Guerra<br \/>\nYukimi Bishop<br \/>\nJosiah Graf<br \/>\nKristen Shaughnessy<br \/>\nJD Lanier<br \/>\nKristi Ray<br \/>\nMedical Advisor Dr Patrick Yu<br \/>\n(Corporate Medical Advisors)<br \/>\nAccounting &amp; Tax Incentive Services Greenslate<br \/>\nProduction and Finance Legal Services Levin Law Corp.<br \/>\nRonald J. Levin<br \/>\nRylan Mitchell<br \/>\nErica Zohar<br \/>\nAssociate Editor Michael Cheung<br \/>\nAssistant Editor Esther Sokolow<br \/>\nMusic Supervisor Phil Canning<br \/>\nOriginal Song Music Supervisor Ashley Waldron<br \/>\nCompletion Guarantee Film Finances<br \/>\nMandy Yaeger<br \/>\nHelen Sam<br \/>\nLieve Jansen<br \/>\nInsurance Services Daniel R&#8217;Bibo<br \/>\nAlex Ekizian<br \/>\nRosita Roque<br \/>\nHead of Development Tea Shop Productions Lieve Jansen<br \/>\nLeo Darby<br \/>\nHead of Development Flawless Lieve Jansen<br \/>\nSarah Mann<br \/>\nAudio Post Services Provided by Juniper Post, Inc.<br \/>\nSound Supervisor David Kitchens, M.P.S.E.<br \/>\nSupervising Sound Designers Alex Joseph<br \/>\nDavid Barber, M.P.S.E.<br \/>\nRe-recording Mixer David Barber, CAS<br \/>\nDialogue Editor Jeffery Alan Jones<br \/>\nADR Mixer Alan Jaye<br \/>\nSound Effects Editors Rob Walker<br \/>\nPayam Hosseinian<br \/>\nFoley Artist Gonzalo \u201cBino\u201d Espinoza<br \/>\nFoley Editor Jackson Kitchens<br \/>\nAudio Post Accountant Stacy Kitchens<br \/>\nAdditional ADR Recording Jed Elliot<br \/>\nOriginal Score composed and produced by Tim Despic<br \/>\nComposer\/ Additional music by James Edward Barker<br \/>\nMusic performed by Tim Despic, James Edward Barker and the Van Ness<br \/>\nOrchestra<br \/>\nMusic mixed by Tim Despic<br \/>\nDigital Intermediate Services Provided by<br \/>\nTUNNEL POST<br \/>\nDI Producers Heather Toll<br \/>\nShirley Luong<br \/>\nAlan Pao<br \/>\nDI Colorist Sebastian Perez-Burchard<br \/>\nConform Editor J.D. Moore<br \/>\nAdditional VFX Pulls Taylor Mahony<br \/>\nVisual Effects by<br \/>\nTUNNEL POST<br \/>\nVisual Effects Supervisors Shirley Luong<br \/>\nHeather Toll<br \/>\nLead Compositors May Satsuki Asai<br \/>\nWanyan Zhu<br \/>\nCompositors Gigi Babityan<br \/>\nAustin Brown<br \/>\nXuncheng Chen<br \/>\nGrant Inouye<br \/>\nYongfeng Lin<br \/>\nCheng Qiu<br \/>\nDandan Xiao<br \/>\nRoto Artists Victor Franco<br \/>\nMia Chang<br \/>\nAdditional VFX Supervision Koala FX<br \/>\nConsulting VFX Producer Dasha Sherman<br \/>\nConsulting VFX Supervisor Menelaos Pampoukidis<br \/>\nLead VFX Artist Antoni Zakheos<br \/>\nVFX Artist Artem Isaakyan<br \/>\nGARDOCKI DIGITAL<br \/>\nVFX Supervisor Matt Gardocki<br \/>\nVFX Artists Jacob Brewer<br \/>\nPeter Epps<br \/>\nCandido Garcia<br \/>\nSophia Post<br \/>\nAlex Stager<br \/>\nDEKOY<br \/>\nVFX Principal\/Founder David Matheny<br \/>\nVFX Production Manager Grace Kao<br \/>\nVFX Artists Christian Feliciano<br \/>\nBrian Recktenwald<br \/>\nVFX2GO<br \/>\nVisual Effects Producers Jake Akuna<br \/>\nChristian Curry Akuna<br \/>\nSupervising Producer<br \/>\n(Sancio VFX Studios) Naresh Botha<br \/>\nManager Karthik Sabbani<br \/>\nCoordinator Priscilla John<br \/>\nVisual Effects Artists Jake Akuna<br \/>\nPraveen Jambula<br \/>\nVarshini Botha<br \/>\nAnil Kancharla<br \/>\nSunny Kandimalla<br \/>\nSunil Kalyan<br \/>\nPOSTVFX<br \/>\nComposite Supervisor Edward Anderson<br \/>\nSenior Compositor Ivan Pena Ortiz<br \/>\n22 DOGS STUDIO<br \/>\nVFX Executive Producers Andrea Marotti<br \/>\nCarlo Tosi<br \/>\nVFX Producer Giulio Campiglia<br \/>\nVFX Executive Supervisor Max Pareschi<br \/>\nVFX Lead Compositor Artist Thomas Kremer (II)<br \/>\nVFX Compositor Artists Andrew Antonyuk<br \/>\nRoman Antonyuk<br \/>\nAlexey Ermak<br \/>\nPolina Frolova<br \/>\nVladislav Kravchenko<br \/>\nMila Kremere<br \/>\nDimitrijs Mass<br \/>\nMax Radukha<br \/>\nRoman Sagenov<br \/>\nVFXaddART<br \/>\nVFX Supervisor Eduard Karamshuk<br \/>\nCompositing Artists Aleksandr Pertsovoy<br \/>\nDenis Knyzev<br \/>\nOleksandr Kuzmin<br \/>\nDmytro Syrovatsky<br \/>\nDmytro Shmidt<br \/>\nFLAWLESS<br \/>\nNick Lynes<br \/>\nSean Danischevsky<br \/>\nStuart Lawrence<br \/>\nAllar Kaasik<br \/>\nHyeongwoo Kim<br \/>\nPraveen Ilangoven<br \/>\nPablo Garrido<br \/>\nLindsey Morrow<br \/>\nGaurav Bharaj<br \/>\nPiran Smith<br \/>\nChristian Theobalt<br \/>\nJim Rivera<br \/>\nGary Scullion<br \/>\nPaul Duhig<br \/>\nAlejandra Esquerro<br \/>\nRyan Axe<br \/>\nBUZZFEED STUDIOS<br \/>\nHead of Studio Richard Alan Reid<br \/>\nMarketing Executive Dan Katt<br \/>\nCreative Executive Ayla Norris-Smith<br \/>\nProduction Executive Sam Linder<br \/>\nDistribution &amp; Strategy Executive Jason Nadel<br \/>\nProduction Coordinator Brianna McFadden<br \/>\nCreative Will Hunt<br \/>\nSTOCK FOOTAGE<br \/>\nVulture Stock footage supplied by Film Studio Aves\/Creatas Video via Getty Images<br \/>\nAll Other Footage used under license from shutterstock.com<br \/>\nMUSIC CREDITS<br \/>\n&#8220;I Have Never Felt More Alive&#8221;<br \/>\nWritten by Madison Beer and Leroy Clampitt<br \/>\nPerformed by Madison Beer<br \/>\nCourtesy of Epic Records<br \/>\nBy arrangement with Sony Music Entertainment<br \/>\n\u201cErase\/Rewind\u201d<br \/>\nPerformed by The Cardigans<br \/>\nWritten by Nina Elisabet Persson, Peter Anders Svensson<br \/>\nLicensed courtesy of Universal Music AB<br \/>\nBy arrangement with Universal Music Operations<br \/>\nPublished by Universal Music Publishing Limited on behalf of Stockholm Songs<br \/>\n\u201cWhat a Rush\u201d<br \/>\nPerformed by Hart &amp; Maguire<br \/>\nWritten by Jimmy Hart &amp; John J. Maguire<br \/>\nLicensed courtesy of WWE Inc<br \/>\nPublished by Universal\/MCA Music Ltd on behalf of Piledriver Music US<br \/>\n\u201cCherry Pie\u201d<br \/>\nPerformed by Warrant<br \/>\nWritten by Jani Lane<br \/>\nLicensed courtesy of Roundhill Music &amp; Zync Music<br \/>\nUsed by kind permission of Carlin Music Delaware LLC, Courtesy of Round Hill<br \/>\nRecords<\/p>\n<p>SPECIAL THANKS<br \/>\nSarah, Joseph and Evie<br \/>\nAnnie Mahoney<br \/>\nJoyce Harris<br \/>\nReid and Cindy Johnson<br \/>\nMaribelle and Zella Fischer<br \/>\nJason Ballantine<br \/>\nMax Adams<br \/>\nNicolas Chartier<br \/>\nBabacar Diene<br \/>\nVicky and Mike<br \/>\nLionel Uhry<br \/>\nOff the Ground<br \/>\nJake Hebert Custom Tower LLC<br \/>\nAG Light and Sound Inc<br \/>\nFox 6 News &#8211; Birmingham<br \/>\nMartin Spencer<br \/>\nBest Buy<br \/>\nMatthew Marenda<br \/>\nAlex Henes<br \/>\nJian Giannini<\/p>\n<p>FOR ANDY X<br \/>\nIN LOVING MEMORY OF KARL YOUNG<br \/>\n(c) 2022 FALL MOVIE PRODUCTIONS INC.<\/p>\n<p>Proofread and Edited by <a href=\"https:\/\/tvmeg.com\/index.php\/2020\/06\/20\/biobrenda\/\">Brenda<\/a><\/p>\n<p><a href=\"https:\/\/tvmeg.com\/index.php\/interviews\/\">Back to the Primetime Articles and Interviews Page<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40422\" src=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2023\/03\/currey.png\" alt=\"Gracey Caroline Currey shooting the film, &quot;Shazam: Fury of the Gods.&quot;\" width=\"108\" height=\"268\" srcset=\"https:\/\/tvmeg.com\/wp-content\/uploads\/2023\/03\/currey.png 161w, https:\/\/tvmeg.com\/wp-content\/uploads\/2023\/03\/currey-121x300.png 121w\" sizes=\"(max-width: 108px) 100vw, 108px\" \/><\/p>\n<script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\r\n<!-- TVMEGBODY -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-1056557952271337\"\r\n     data-ad-slot=\"8801203268\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>TV Interview! Interview with Grace Caroline Currey of the movie &#8220;Fall&#8221; by Suzanne 8\/10\/22 It was really great to speak with this lovely young actress who stars in &#8220;FALL.&#8221; She is outstanding in this exciting movie. You don&#8217;t want to miss it; it comes out tomorrow, August 12. Trailer You might recognize her from one [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[7],"tags":[93,79,10,1236,346,425],"class_list":["post-30651","post","type-post","status-publish","format-standard","hentry","category-primetime","tag-action","tag-article","tag-fall","tag-grace-caroline-currey","tag-interview","tag-movie"],"_links":{"self":[{"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/posts\/30651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/comments?post=30651"}],"version-history":[{"count":12,"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/posts\/30651\/revisions"}],"predecessor-version":[{"id":66334,"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/posts\/30651\/revisions\/66334"}],"wp:attachment":[{"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/media?parent=30651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/categories?post=30651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tvmeg.com\/index.php\/wp-json\/wp\/v2\/tags?post=30651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}